#dark red riding hood retelling | Explore Tumblr Posts and Blogs

sailoryooons · 3 months

Text

Red | KNJ | (m)

☾ Pairing: Werewolf!Namjoon x f. reader

☾ Summary: For as long as you can remember, your village has been relatively normal. But when people begin to turn up dead right after a group of newcomers arrive, pieces of your past start to fall into place, and something feels familiar - particularly the quiet man who can't take his eyes off of you.

☾ Word Count: 21,148

☾ Genre: Supernatural, thriller, smut

☾ Rating: 18+ Minors are strictly prohibited from engaging and reading this content. It contains explicit content and any minors discovered reading or engaging with this work will be blocked immediately.

☾ Warnings: Fantasy violence, light depections of murder and animal attacks, mentions of gore, discussions about community displacement and violence, Yoongi is an asshole, animal attacks, depictions of blood, tbh reader and Namjoon don’t know each other THAT well when they fuck so idk, implied protecting from a far but not in a stalker way, explicit language, intense sequences of fear and anxiety, reader is attacked by a wolf, there is a mention of animals being hurt/killed but not in explicit details, dead bodies, arson, sexually explicit content invluding vaginal fingering, nipple play, vaginal penetration, a little bit of mention of fluids but not really.

☾ Published: Sunday, January 21 2024

☾ A/N: I wish I could explain to you how this got to be so long. I wrote it over several weeks and each day I picked it back up, I just kept adding dialogue and scenery and setting. Like half of this isn’t even Namjoon and reader reacting - what was I doing? I wish I knew! I hope you like my spin on Red Riding Hood anyway! I tried to do this in a way that it doesn’t seem creepy that Namjoon was silently looking out for reader but like… I could understand if someone finds it creepy I am so sorry lmfao. I did read through this to edit but I 100% missed stuff because I'm a rougher editor and this is unbeta'd.

☾ A/N 2: This is a Red Riding Hood Retelling that is similar in vibe to the 2011 Red Riding Hood movie directed by Catherine Hardwicke.

Disclaimer: All members of BTS are faces and name claims for this story. This is entirely a work of fiction and by no means is meant to be a projection, judgment or representation of real-life people. Any scenarios or representations of the people and places mentioned in works are not representative of real-life scenarios.

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Father always said not to go into the woods at night. Like him, though, the woods have always called to you, feeling like a second home. You’ve never been able to explain it, and you’ve stopped trying to.

It’s a little chilly outside, the first breath of harvest air nipping at your skin. In a few weeks, it will be freezing outside, forcing you into cloaks and furs.

Grass crunches beneath your feet as you slip through the small yard and toward the tree line. Your house already sits at the edge of the village, the dark trees stretching high above the rooftops. Soon the trees will be dusted in snow, but for now, they sway gently in the autumn breeze, turned silver by the moonlight.

You’ve always loved the woods. The sounds of the crickets singing and rabbits dashing underfoot are calming, the smell of sticky pine and fresh air invigorating. You especially love them at night, hidden beneath boughs and walking through the shafts of moonlight that slip through the trees.

The best part is that you don’t feel so alone out here. There is a feeling you cannot place each time you enter the woods, like you’re a little closer to discovering yourself. You’ve been chasing that feeling since you were a little girl, hungry for finding whatever it is that drives you out here.

Hands tucked into your pockets, you walk the same route you always follow. It isn’t deep into the woods - you aren’t silly enough to believe you’re safe alone in the dark - but it’s enough of a walk to clear your head.

Howls echo up into the night, a wolf pack on their hunt. The sound of them makes the hair on your arms stand on end.

The wolves don’t come very close to the village anymore since the vicious wolf hunts when you were barely old enough to remember them. The relationship between the men of your home and the wolves in the wood is violent, a chill cooling your skin every time they’re mentioned by one of your neighbors.

A terrible howl splits the night. You feel your body go cold with fear, warmth leaching out of you as you press yourself against a tree, heart in your throat. The sound is something like a howl laced with utter anguish, chilling you down to the marrow. It tapers off into a whimper before falling silent again.

Pressed against the tree, you wait. Your heart is beating so harshly that it feels like you might vomit in fear. Soft whimpering drifts on the wind. You hold your breath and strain your ears. It almost sounds like an injured dog.

It tugs at your heartstrings. You bite your lip, weighing your options. The noise sounded like it came from the south a little off of your path and toward the ravine that splits the part of the woods that is relatively safe from the deeper part where the animals are more lethal and more frequent. You could easily find your way back if you made it to the ravine, and as the whimpering vanishes entirely, you can’t help but imagine an animal in pain.

The most difficult part about working with Dr. Kim at the veterinary clinic is always the animals that he can’t fix. You’ve held the hands of loved ones who couldn’t save their aging dogs, and you’ve hushed lame horses as Dr. Kim prepared draughts to send them to sleep and then to death.

Pivoting, you turn and march toward the initial sound. It may perhaps be the single worst idea you’ve ever had, but you suddenly don’t care. You’ve worked with Dr. Kim enough to know how to triage animal wounds, and the thought of leaving something alone and suffering replaces any sort of fear you originally had.

You’re careful not to lose your footing as the ground slopes steadily as you get closer to the ravines and canyons of the south side. Leaves shift underneath your feet as you go. It feels overly loud in a forest that is suddenly so quiet, only filled with the softest sound of labored breathing.

A small dip in the ground catches you off guard. You gasp, a scream stuck in your throat as you lose your footing and slide down the slope, your back and ass hitting the ground hard as you slide, leaves hissing underneath you. You scramble to grab a hold of something, but the hill isn’t very high and you hit the bottom of it quickly.

Heart pounding, you lay in the damp leaves for a second, panting, hand pressed to your heart as it rattles under your palm. Just as the fear settles down, a growl makes your blood run cold. Slowly, you begin to turn your face toward the left. You realize you’ve slid down a dell, and a few yards from you is a large, shivering form covered in fur.

You blink. Once. Twice. You realize that the large mound of fur is a creature - a wolf. It lays on the ground shaking, a ride of jet black hair standing up on its spine, hackles raised. The wolf’s ears are pinned back and its yellow eyes are wild, nearly consumed by the dark pupils drinking you in. Its teeth are bared, foam and drool lining pink gums as it snares, nose twitching.

It’s the biggest wolf you’ve ever seen. You can’t move. You can only stare at it, wondering why it continues to snarl and stare at you, but not move. Your eyes rove its trembling form from maw to tail, and you realize its front leg is wet and held at an odd angle.

“Oh,” you gasp, realizing that the wolf’s foot is stuck in a claw trap. “I’m so sorry. I… can I help you?”

The wolf stops growling for a moment as if it understands. You stare with wide eyes, not daring to move as it assesses you. It leans toward you and sniffs, the sound of snuffing loud in the silence of the dell. For a few moments, you just watch as the beast regards you.

Then, it chuffs and looks at its own foot, whining. You sit up slowly in amazement. The creature watches you with what you can only describe as a caution. You get up carefully and make your way toward the wolf. It watches your every movement. It can surely smell your fear as you get a few feet away, crouching down with your hands held out to let it know you’re not going to cause harm.

You pause, waiting for permission to examine the wolf’s foot. It gazes at you and for a moment, you lose yourself in that burning, golden gaze. The wolf’s eyes are so human that it’s hard to see it as a simple beast. There is something alive and intelligent there.

As if sensing that you’re waiting for the all-clear, the wolf chuffs and lowers its head toward its foot, gesturing. You smile a little at that, marveling at the communication skills. Carefully, you look at the trap around the wolf’s foot. It’s a metal contraption that is pressure-engaged, with metal teeth. You cringe seeing the red on matted fur and metal.

“You must have stepped on the pressure plate,” you tell the wolf, though it probably doesn’t understand. You gesture to the round plate at the center of the trap. “It would have been in a circle and when stepped on, snapped closed like jaws.”

The wolf whines and bows its head. You wince. “They’re really strong,” you admit, chewing on your lip. “I don’t think I can pull it apart all the way, but I might be able to open it enough just for a moment for you to pull out your leg. Can you do that?”

A huff. Somehow, you think if it could, the wolf might roll its eyes. Your mouth twitches in an almost smile as you get onto your knees, wiping sweaty hands on your pants. This close to the beast, you realize just how large it is.

“This is going to hurt,” you insist. “Please… Please don’t bite me, okay? I want to help you.”

The wolf lowers its head until it's lying on the ground, gold eyes watching you. Its muscles are tense and the hair along the ridge of its back is still standing, afraid and alert.

“Okay. I’m just… I’m just going to touch the trap and try to get a grip first, okay?” The wolf doesn’t answer. It blinks at you, waiting. Licking your lips, you whisper, more to yourself than anything, “Okay, I can do this.”

Slowly, you reach out toward the wolf’s injured foot. You flick your gaze over to the wolf looking for a reaction. It just watches you, though you feel tension. The metal is wicked cold to the touch. You hiss and the creature flinches a little, a whistle-whine escaping its nose. You mutter an apology, fingers pressing to the ridges of the cold metal.

It’s slippery with blood. You chew on your lip, prodding your finger in the space between the metal teeth on the edges where it’s not clamped around the wolf’s paw. You wiggle your finger a little, testing the strength of the closed jaws of the trap. It doesn’t budge and you curse.

Sweat beads on the back of your neck, freezing in the cool air. You lift your other hand, very carefully trying to find a good grip on either side of the jaws to pry them open. The movement jostles the trap a little, the wolf snarling in pain. You flinch and rip your hands away, looking at it. Gold eyes burn and the wolf huffs, as though telling you to be more careful.

“Sorry,” you mutter. “I’m nervous and it’s hard to get a grip on it.” The wolf snorts. You glare at it. “I’m sorry, do you want to do this instead?” Your only answer is a rumble as it looks the other direction. “That’s what I thought.”

Sighing, you turn your attention back to the metal. Anyone a little stronger and older could probably pull it open. Seokjin for sure could - even Hoseok who is as old as you are, but plenty stronger. You try not to think about how weak you are, and instead wiggle your fingers through the gaps in the teeth.

The cool metal stings your hands. It’s not a great grip and your fingers are placed in bad positioning due to the teeth of the trap. Taking in a big breath, you try to pull the metal jaws apart.

Nothing happens and you let your breath out, panting lightly as you stop trying to pull. The wolf flicks its tale but makes no other sound. With the way you’re gripping the jaws, you realize that pulling it apart is going to be difficult. It would rely on your forearms to peel the metal jaws backward… But if you were to push down and push apart, you could use your body weight as an extra boost. It would be pushing the jaws apart from above instead of trying to pry them apart with sheer strength.

Leaning high on your knees, you position yourself straight over the trap, your weight settling in on your forearms. You take another deep breath and this time when you pull, you push your weight down on the trap. For a second, it seems like it’s not going to give. You hiss through your teeth, muscles clenching, fingers burning as your skin presses against the metal as hard as you can stand it.

Then, the jaw opens a little. You grind your teeth harder, the ache in your arms growing as you push as hard as you can. Your forearms are trembling. You feel the vein throbbing in your neck and forehead. Just when you think you’re going to fail, the jaws give way again. You growl, feeling a surge of energy go through you at the small victory and you shove your body weight down on it hard. The springs creak a little and open more.

Little by little, the trap opens up. Your vision pulses red as you pant, strength waning. And then it’s like you hit the let-off point of the contraption, pushing it enough that the rest of the way it just falls open. You let go of the trap and the wolf yanks its leg from it. It now lies open and bloody as you collapse on the ground next to it, breathing hard, breath misting the air.

Your heart beats in your ears, pulse thrumming in your neck wildly. For a second, you forget all about the wolf. You laugh up to the dark trees, a giddy feeling shooting through you. You did it, even though you didn’t think you would be able to.

A dark presence alerts you. Slowly, you turn your head to face the wolf. It’s standing almost above you, looking more imposing than it did before. You swallow hard, mouth going dry as it blinks down at you. It favors the injured leg, but stands nonetheless, watching you.

“Please don’t kill me,” you whisper, limbs trembling not only with exhaustion but fear.

The wolf doesn’t kill you at all. Instead, it leans its head down and presses its cold, wet nose to your arm. You flinch, squeezing your eyes shut for a minute. Then the beast chuffs, making you peak at it. When you meet its gold eyes, you get the sense it is vaguely amused.

“Oh,” you breathe, relief sagging your aching body. “Cool. You’re not going to kill me.”

Standing, you realize that the wolf is still taller than you. You tilt your head upward, staring. There’s no way this is a normal creature, but you don’t know what else it could possibly be. You recall the legends of werewolves and dire wolves told by the men of your town, but you’re unsure if those are real.

“Let’s take care of this,” you mutter, grabbing a branch and jamming it into the pressure plate of the trap. It snaps shut with a loud clang, snapping the branch, but otherwise ineffective now that it’s re-sprung. The wolf flinches and whines at the sound, no doubt remembering the feeling of the instrument on its leg. “Sorry.”

Silence stretches out over the woods, the night growing deeper and cooler. You shiver, rubbing your hands up and down your arms as you turn to the wolf, which watches you keenly.

“Will you be okay?” the question comes out as a whisper. The wolf huffs and steps forward, pressing its snout to your head. It’s cold and wet, making you shiver as it snuffs against your skin. “Good. I um - should start climbing this hill.”

It swivels its head and turns, waiting. You grin, realizing it will accompany you back up, at least. Though injured, the wolf is able to walk with three legs, the wounded leg lifted off the ground. Its gait is awkward and hobbled, but the two of you make it up the hill together, your breathing labored.

At the top, moonlight shines through the trees and you both pause. A series of howls goes up in the night, startling you. The wolf looks up, ears twitching as it tilts its head, listening. Slowly, it turns to look at you, gold eyes sparkling.

“I guess you have to go, huh?” it bows its head once. “Stay safe, okay?”

The wolf steps forward. Presses its muzzle into your temple and huffs, making you grin. You smell pine and bergamot, pleasant and calming. “Yeah, you’re welcome.”

Slowly, the wolf clambours off, vanishing into the dark woods, leaving you to hurry home yourself.

“Wear this at all times for protection, especially in the forest,” you murmur, holding the neatly scrawled note. You frown and look down at the fine cloak folded on the dresser. It had appeared overnight as if by magic, a funny feeling flipping your stomach. “Where did you come from?”

The cloak, of course, has no answer. You lift your hand to feel it, breathing out a dreamy sigh. The inside is lined with soft bear fur. Outside is some of the finest cloth you’ve ever seen, gentle but sturdy to the touch and dyed the most delicious shade of scarlet.

Carefully, you lift the cloak. It’s a little big for your size, but not unwearable. You slip it over your sleeping gown, loving the way the material ripples like blood over your shoulders, the fur lining keeping you warm. It smells like pine and bergamot, making you pause.

Certainly, a wolf did not bring you a cloak. Still, the timing is quite odd. You don’t know who else could possibly make a cloak so fine in the village, and the smell… you shake your head. A wolf did not bring you a cloak, but it did seem perhaps you had a secret admirer.

THIRTEEN YEARS LATER

“Boo!” You scream and drop the collection of logs in your hands, whirling around. Hoseok bursts into laughter, doubling over as he slaps his hands against his knees, hot breath misting the air. “You should see your face!”

“You rotten bastard!” You growl, picking up a log and throwing it at him. It doesn’t hit him, but he jumps away from it anyway, careful not to let it drop on his toes. “That isn’t funny!”

“It’s a little funny.”

“It’s not!” You crouch down and start picking up the timber. Hoseok at least has the decency to help you, starting with the log you threw at him. “There was another animal attack last night, in case you didn’t know.”

That makes him pause. “There was?”

“Yes,” you hiss, snatching the last log and standing. “So stop lurking around corners and scaring me. It isn’t funny.”

“Well, an animal isn’t going to attack you in the village. Unless you’re talking about Mingyu’s fiancee, anyway. That one is feral indeed.”

You level Hoseok with a look and he gives you a grin. His nose and ears are red from the cold - and maybe a little guilt for scaring you - and he offers to take the timber from your arms. You let him, shoveling it over to him and marching around the front of your house.

Wind howls between the houses, ripping at the ends of your red cloak. It catches your hood, throwing it up over your head as you shiver and tuck your hands into the fur lining. A shiver rattles up your spine as you kick the snow from your boots and rush inside, Hoseok quick on your heels.

“So what happened?” Hoseok asks, following you to your room.

“The Matheson Family,” you mumble. “They were attacked. San went down to collect new saddles his father ordered and found them slaughtered - their hounds too.”

“They have hunting hounds - what the hell can kill those?”

“Perhaps it’s the wolves again. Dr. Kim was going with the city council to investigate.”

Hoseok sighs. “The timing isn’t good. It’s about time the traders arrived. What if they bypass us entirely if the road is too dangerous?”

It’s a thought that has been plaguing everyone in the village. Because of the remote location on the north side of the woods, your small spec on the map relies on traders at the beginning of every winter for things that you’ll need to make it through: salt, extra grain and fruits, tools too advanced and large for the local smithy, repairs on houses and wagons.

Arrival times of traders fluctuate every year. Sometimes there’s a cold snap, burying roads in heavy snow that are unnavigable. Other times, there is unrest in the woods when a rogue band of thieves gets the idea to rob travelers and hide in the woods until the city council sends a team of men to deal with it.

Now, though, it’s getting into the late period of their arrival. The entire village holds its breath waiting for them, people looking out the open gates down the snowy road hoping to see a courier come ahead to announce the arrival of wagons and troupes of people.

“Do you really think it’s wolves?” Hoseok asks. “I don’t think I’ve heard of wolf attacks like this since…”

Hoseok winces. “It’s fine,” you assure him with a smile. “It’s not like I remember that time, much less remember my dad.”

It’s true. Early memories of your childhood are murky at best. You remember being happy and loving your dad. You remember a period of fear and general uneasiness in the town, wolf attacks rampant and frequent. There had been plenty of men and women who died during that period, including your father.

That was a long time ago, though. For the most part, life in your small village is uninteresting. Some winters are harder than others, like the current season, but you’ve always managed to get by.

“Do you remember much of that time period?” you ask him quietly.

“Not really. Just that everyone was afraid. It was a really harsh winter and it drove wolves down from the mountains. I remember it being strange.”

“Strange how?”

You chew your lip and shake your head, trying to encapsulate the thread of memory you have. Of feeling the tremor of fear in the air, the cold feeling of dread… like something violent was in the village. Something wrong.

“I don’t know. I was so young.”

“Hmm.”

The talk of wolves makes you think about your wolf. Your lips curve at the memory of how gentle the wolf was, the somber eyes, and the smell of pine and bergamot.

It would be a lie to say you had not gone out to the woods several times since that night to try and find the beast again. You haven’t seen him since, but you’ve always had a feeling he’s there somewhere. Watching. Waiting.

“Either way,” Hoseok sighs. “Dad seems worried this winter will be like that time. He’s been doing a lot of will and testament papers at the office. He works late every night and is gone early in the morning.”

“Really?”

“Want to hear what Mr. Hillshire is leaving for his kids?” Hoseok leans forward, conspiratorial. “You won’t believe it.”

The bell over the door rings as someone enters the salon of Dr. Kim’s veterinary practice, drawing your attention. You straighten when you see San walk in.

“Hi, San,” you greet. “Here to pick up Maple?”

“Yeah, is that alright? Mom is busy at the shop.”

“Of course.” You wipe your sweaty hands on your skirts and gesture behind you with your thumb. “I’ll go fetch her. Dr. Kim is on an errand but she’s ready to go.”

The back of the building with the kennels is quiet. The Choi family cat and two other sleeping dogs are the only occupants of the practice, making it an easy day. Maple is dozing in her kennel, chirping in protest when you open the cage and scoop her into a carrier. She’s a lazy thing, a calico with pretty eyes and a newly stitched ear.

Carefully you carry her up front. San is standing patiently in the lobby, hands behind his back as he looks around nervously. You raise your brows as you come around the counter, handing over the carrier. “Everything okay?”

“Hmm?”

“You look nervous. It’s just me and the Lowells’ hounds back here.”

“Oh, yes.” His ears blush pink as he accepts the carrier and steps back. “Just a nervous energy in general. I have been since um…”

Oh. You had forgotten that it was San who discovered the Matheson family disemboweled by some kind of animal. The constable had thought that maybe it was a pack of wolves but was concerned by how big the claw marks and destruction were.

“I’m sorry,” you blurt.

“For what?”

“That you had to see that, I guess? It must have been terrifying.”

“A little,” he admits, looking at his shoes. “I walked the path to the Mathesons all the time. I don’t ever recall seeing something that could… do that.”

“Was it that awful?”

He nods. “Like nothing I’ve ever seen. Don’t get me wrong, I go on hunting parties. We’ve seen the leftovers from bears and wolves. This was something worse. It felt like…” He shakes his head and looks up at you. “It felt angry.”

“Angry?”

“Yeah. I know that doesn’t make sense. It was probably just a beast coming down from the mountain because it was starving. You know how harsh winters are.”

You hum in agreement.

San dismisses himself, thanking you again for helping with the family cat and throwing a wave over his shoulder. You return it half-heartedly, already distracted with thoughts of what the animal attacks could mean.

You think about your wolf and how kind and intelligent it was. You don’t remember ever feeling a sense of impending doom like you do now, a heaviness to the air as you stand idly behind the counter.

Dr. Kim's return startles you at the counter. You press your hands flat against the top of the desk, leaning up on your tiptoes as you see his son Seokjin enter behind him. Your heart flutters a little at the sight, still overwhelmed by his handsome face.

Seokjin is tall and broad, with dark hair and a beautiful face. His sharp eyes find you and he gives you a half smile, though there seems to be something on his mind as he follows his father into the backroom, Dr. Kim barely saying hello as he goes, his brows furrowed in deep thought.

The two of them disappear and you watch the door swing shut behind them. Curious, you trail around the counter and softly walk over to the door, pulling it open a smidge.

It’s difficult to pick up on their words, but you can hear Dr. Kim’s timbre speaking in low tones from somewhere in the backroom. You hold your breath and wedge the door open a little more, pressing your ear toward the gap between the frame and the door.

“... again. They’re going to want to start hunting parties again soon.”

“So what do we do?”

Silence. Then, “Send a message….”

“... brought it on themselves… it’s time to make things right.”

Behind you, the bell rings at the door. You gasp, letting go of the door to the back room and spin around, heart hammering in your chest. Hoseok stands at the door, raising his brows in question.

“What are you doing here?” you demand, suddenly angry that he’s startled you and ruined your sleuthing.

“I promised your mom I would walk home with you at the end of your shift, remember? Dangerous out there.”

You blink and look out the window, realizing that the heavy gray of evening is setting over the road. You hadn’t realized it was so late.

Nodding, you grab your cloak in a hurry. You pop your head into the back room, both Seokjin and Dr. Kim looking at you as you do. “I’m leaving for the evening, sir. Is there anything else you need?”

“No, thank you for watching the place while I was gone. Tomorrow we have to make a house call to the Marrow farm. Lame horse.”

Seokjin frowns. “Do you think that is wise?” Dr. Kim looks at his son under heavy brows. “With the current conditions.”

“We’ll be fine.” Something passes between them, son and father locked in a heated gaze. You stand there awkwardly, glancing between the two.

Seokjin breaks his stare from his father and flashes you a grin. “You have someone to walk you home?”

“Yeah, Hoseok is here.” You hug the cloak tighter to your chest and Seokjin’s eyes drop to it. An unreadable expression passes his face before he nods. “Have a good evening!”

“You too.”

Leaving them behind, you head to where Hoseok waits for you, examining drawings of animal skeletons and anatomy. You pull your cloak on, feeling safe and warm under the red material. Hoseok looks up at you, thrusting his thumb at one of the drawings of a horse. “I don’t look like that, right?”

The red cloak tied around you wicks the sweat from the back of your neck. Your fingers work quickly as you tie it, knowing you’re already late to meeting Dr. Kim. Thankfully, you don’t make a habit of being late and you’re sure he won’t mind too much.

Strange dreams had plagued you all night. Images of wolves, blood and mist. Echoes of howling, screaming and thunder. Now as you hurry out of your home and into the wicked wind of winter, you cannot shake a sense of premonition.

Dr. Kim is already on the doorstep when you arrive at the veterinary office, a heavy coat on his shoulders and a bag of tools in his hand. He nods when he sees you and comes down the steps, turning toward the south exit of the village.

Neither of you speak. Beyond the fact that you don’t think you’d be able to hear Dr. Kim over the howling wind, it doesn’t feel like the kind of trip that requires speaking. The evergreens on either side of the road loom over you, bows heavy with snow. Every so often, a branch cracks with the weight of frozen icicles, making you flinch with the sound.

It feels like you’re being watched. Every so often, you swivel your head this way and that, glancing at the trees. The trunks are too close together and the branches to tangle to see beyond them on either side of the road. Still, your skin tingles from something beyond the cold, you just don’t know what.

The Marrow farm is only a little over a mile from the main village, but the snow covered roads make it slow going. As you near the edge of where their acres begin, your boots are already heavy with melted slush and your calves and thighs burn from dragging your feet through the path.

Perhaps it was not a good day to do a house call.

Passing white-covered gates, you’re thankful that at least the wind has died down as the morning turns into midday. The sun is hidden by clouds, but there is a hint of warmth in the air. The Marrow farm is made up of three buildings: the small house in front, the large barn to the back left where they keep their animals, and a giant silo for grains.

As you near the house, a loud banging reaches you. Both you and Dr. Kim pause, listening as the sound carries on the wind. It doesn’t sound like hammering, but rather like a door slamming over and over again.

“Barn door?” you suggest, looking up at Dr. Kim. His dark eyes look at the house, expression grim. “But why would they let it slam relentlessly?”

“Keep your wits about you,” he murmurs, ignoring your question. “Go to the main house. I’ll go round to the barn. Perhaps they’ve forgotten the appointment.”

No smoke comes from the chimney. No snow is cleared from the footpath to the door. The shutters are closed, which makes sense to keep the cold out. As you approach the steps leading up to the porch, you note that none of the hounds are baying. The Marrow’s have several bloodhounds, all of which keep noisy providence around the threshold of the door.

Spine tingling, you lift your hand and knock. There’s no answer. You strain your ears, leaning forward for any hint that the Marrow’s or one of their two sons are coming to the door. Not even the dogs alert them of your presence.

You think about San finding the Mathesons butchered and your stomach drops. You knock again, knuckles stinging with cold as they rap harshly against the wooden door. Tucking your hand back into your cloak, you wait.

Nothing comes.

Taking a deep breath, you reach for the door and twist the handle. It opens easily, swinging inward to a cold, empty home. Inside, the air is still and dead. Behind you, the breeze brushes the edges of your cloak and the hood on your head.

Silence hangs. Licking your lips, you lift a foot. It hands over the threshold, fear making you pause. There is nothing inside the home, and yet you find that you’re utterly terrified of stepping inside. Your stomach knots and for a few moments, you just stand there with your foot in the air, staring with unseeing eyes into the dark interior.

You step into the room and pause. Nothing happens. The air inside the home is stale, like the doors and windows have not been opened for a few days. The cold is bone deep, clinging to the undisturbed air. You scan the room for any sign of life, but see nothing that stirs.

Everything looks lived in. There are knitted blankets tossed across the backs of old arm chairs, boots by the door, unlaced and soft with age. Mugs have been turned upside down and placed on a towel near the basin for drying, and there are dice on the kitchen table.

Navigating slowly, you move to the hall with bedrooms. Doors hang open, revealing unmade beds and clothes on the floor. Here too, the air feels undisturbed. You hear the breeze outside and the soft creak of the house, but nothing else makes a sound, save for the loud beating of your own heart.

Shivering, you make your way to the front of the home. Something foul hangs in the air and you want to be rid of the feeling, quickening your steps to leave through the front door and-

Fear stabs deep into your stomach when you see the wolf standing in the doorway. It stands half in the home, half out, only the front two paws over the threshold. The beast barely fits in the door frame, wide as two men standing side by side and tall as a horse.

You don’t move. It stares at you with bright, burning eyes. Its fur is dark, though there is a jagged ring of light fur around the right, front paw. You swear you smell pine and bergamot. Something nudges at the back of your mind as the two of you stand off - and it clicks into place.

“You,” you breathe. “You’re the wolf I helped!”

For a moment, the bright yellow eyes stare at you. They’re unreadable, and yet… emotive. Intelligent. Understanding. The wolf dips its snout in a nod.

“What are you doing here? Where are the Marrows?”

The wolf’s ears flicker. Slowly, it backs out of the house. Throwing caution to the wind, you rush after him, nearly tripping over a wolfskin rug in the home.

Outside, the wolf stands below the porch. You step on the porch and pull up short, heart racing as you see the pack of wolves standing in front of the home.

The wolves are a variety of colors and sizes. You dare not move your head, but you scan them with your eyes, drinking in the different creatures. The only thing that they have in common is that they are freakishly large.

Your wolf - for in your mind he’s yours - stands in front of you. He growls, hair on his spine raising as he regards the other wolves. There’s a silent standoff of sorts, the wolf you saved facing the others. You cannot understand their body language, but the air seems charged.

The smell of smoke is in the air. You don’t dare look for the source, too afraid to do anything to disrupt the standoff. Breathing in deeply, you think you smell cedar. Oil. Something else that you can’t identify.

Footsteps crunch the snow. You whip your head to the side, a warning on your tongue as Dr. Kim rounds the house, a haunted expression on his face. He stops abruptly, looking at the display in front of him behind frosted glasses. He says nothing - does nothing but glance between you, the wolf in front of you, and the others.

Finally, one of the other wolves chuffs and shakes, dispelling snow. It has an all white coat and intense, dark eyes that look at you with… annoyance, if wolves can look annoyed. It turns to leave and the others follow - all five of them - as the white wolf leads them at a loping trot toward the silo and the woods beyond.

Your wolf turns to peer at you, ears flicking before it breaks off into a run, trailing after its pack to leave you and Dr. Kim standing in silence, watching them go.

Slowly, you turn to Dr. Kim. He scrutinizes you, eyes squinted. “Where did you get that cloak?”

You look down at the rich, red cloth. “I… well it just appeared, one day when I was younger. I don’t know.”

He regards you suspiciously. “I see. Come. We must leave right away.”

Dr. Kim begins walking at a fast pace back toward town, clutching his tool case. “Wait! Where are the Morrows?”

Instead of answering, Dr. Kim continues on. You scramble after him, careful not to slip on the icy stairs. The wind picks up and you smell a fire again, making you turn back as you try to catch up. You almost stumble over your feet, eyebrows shooting up as you see orange flames consuming the barn.

“Dr. Kim!”

Again, he says nothing. You stop and stare, watching as the fire eats away at the barn. The smoke burns black. Fueled by oil, you think. Looking over your shoulder, you watch Dr. Kim’s retreating back and wonder what exactly it is that he’s done.

“Did you set that fire?” you demand, chasing him. He gives you a withering look. “What is going on?”

“Speak nothing of this,” he snaps. “We arrived here to make a housecall and discovered that the barn was on fire. We suspect that Mr. Marrow was burning to melt the snow around the barn and that the barn caught. The Marrow family died inside trying to put out the fire.”

“But the wolves-”

“Do not mention the wolves, girl.”

“Did they kill the Marrows?” His jaw works but he doesn’t answer. “Did they kill the Mathesons?”

“This village has a complicated history,” he says finally. He pulls his coat tighter. “I don’t expect you to understand, but I do expect you to stay out of it. Say nothing of the wolves and stay away from them. You’ll make it through winter.”

Two weeks pass, the secret heavy on your tongue. You work with Dr. Kim as though nothing happened, and when people ask about the Marrow farm, you recite vague details. You don’t know why you do it but… the image of the wolf - your wolf - floats in your mind each time you spit out the lie.

Thoughts plague you as Hoseok lounges on the porch of the office that belongs to Hoseok’s father, who acts as the town’s scribe and legal affairs recorder. A sudden warm day has brought everyone outdoors, lounging on their porches and trying to take advantage of the melting snow around the buildings. The streets are muddy and murky as kids run by, feet splashing.

A group of men prowl around the outskirts of the village. Sun shines through the slats of the overhang in front of the inn, warming where you lean on the porch railing. Hoseok rattles on about gossip he’s heard from his mother’s tea parties and his father’s work on will and testaments with the growing fear of death in the village.

“Plagues, serial killings, blood feuds and animal attacks,” Hoseok sighs, staring up at the ceiling where he lies. “Good for father’s business. Bad for my cramping hand trying to help him.”

“Hmm,” you hum noncommittally, thoughts lost as you stare out into the street with unseeing eyes.

Shouts make you flinch. You stand rod straight, gripping the railing as you look for the source of the disruption. Hoseok stands up immediately, joining you at the railing as the pair of you lean to look toward the entrance to the town.

At first, you think that it’s about another wolf attack. People rush into the street, looking toward the commotion. Then you see it. Gleeful cheers spring up to the buildings closest to the town’s entrance as the first few traders enter the road. Your heart soars when you see donkeys pulling a cart behind them, followed by more people carrying packs and towing small carts.

“The traders!” You breathe, feeling a sigh of relief sweep through you. “They’ve made it!”

Excitement ripples through the village. People come flocking from the buildings to welcome cart after cart full of people. Some traders tow full carriages with riders at the front, the shutters on their carriages tied shut, hiding their wares inside.

Hoseok lounges back down, letting out a sigh of relief. You feel the same, leaning on the railing again to watch as the carts are towed down the road, pulling down different streets to set up shop and find accommodations.

Most of the traders look vaguely familiar to you - you see the Robin’s with their cloth cart and Morty with his towering carriage of unusual wares and charms. The Yang twins set off small, popping fireworks from the back of their cart, making the children squeal.

Something catches your eye. “There are more traders than usual,” you tell Hoseok, frowning as your eyes settle on the large men who walk among the carts, all of whom wear weapons belts and look from side to side as they walk. “I think they’re warriors, Hoseok.”

“Warriors?” he laughs. “Strange.”

“No really, there are several men with blades at the hip and bows on the back. They look… guarded.”

He tilts his head, eyeing where your eyes flit from person to person. “Perhaps the road is as hard as we suspected this year.”

You hum in agreement, watching as the caravans stop and unload, the muddy streets filling with people and chatter and bubbling with excitement. It feels like the bubble of anxiety looming over the town has popped - at least temporarily - relieving the pressure that had been building with every passing day.

Leaning against the rail, you’re content to observe. All manner of people and things are pulled from carts. Vendors start setting up right away, people forming lines for ingredients, cloth, and wares. The largest line of all is for weapons and metal tools, Old Man Heo barely has time to park his cart before the men of the village ask how much for iron arrowheads and blades.

A shiver goes through you as your eyes sweep back toward the town entrance where more people pour in. Fewer caravans come through - now it’s just people with pack mules or bags over their shoulders.

The hairs on your arm stand up when you see him. Wind lifts the edge of your cloak, making it flutter around you. You watch as he walks down the main street with the other travelers, eyes flicking around as he drinks in the buildings and the crowd of villagers coming to welcome the traders.

As though he senses your staring, his head snaps to you. You feel frozen to the spot, your fingers tightening on the rail as you meet his eyes. They’re unfathomably dark and yet… a tingle of familiarity slithers up your spine.

He stares at you in turn. You’re sure he’s looking at you, paused near the cart he stands next to, dark gaze focused on where you stand on the porch.

You’ve never seen him. You’re sure of it. You’d remember a handsome face like that anywhere. His long, dark hair is pushed back from his face, revealing a sharp jawline, a strong nose, and intense eyes. His lips are red from the cold - pretty against tan skin.

He’s tall. Taller than most men in the village and broad, with strong shoulders and thick arms, though it’s hard to tell underneath his tunic. Like the other hardy men accompanying traders, he has a weapons belt snug around his waist and the bulk of his frame implies that he knows how to use them.

The man doesn’t break eye contact. His mouth begins to tilt in what you think might be the start of a smile when Hoseok sits up abruptly, startling you. You break eye contact, looking at Hoseok who bites into an apple, offering you one.

“You frightened me,” you snap, a little irritated at being distracted. When you glance back up at the man, his attention is elsewhere.

“What were you staring at anyway?” he asks, crunching bits of apple.

“Nothing,” you murmur, eyes on the flexing back of the man as he helps unload a wagon near the inn. Something niggles at the back of your mind. I know you. “Nothing at all.”

“Want to visit the vendors later when they’re all set up? I would love to get some spiced wine and listen to Marla’s stories tonight.”

“Yes,” you answer without hesitation. “Let’s do just that.”

Every minute that passes by feels like an eternity. Incurable energy simmers under the surface as you wait for the day to fade to evening. You clean the entire house, you collect wood from outside, you dress and then change into something else, and you ultimately end up pacing back and forth in your room while you wait for Hoseok to arrive.

Your thoughts are consumed by the mystery man you had seen earlier. His handsome face swims in your memory. The clear image of his face is accompanied by some feeling you cannot identify, something that almost feels like nostalgia. How can you feel nostalgia for someone you don’t know?

Hoseok finally arrives, letting himself into your house cheerily. The brief respite from winter is already bleeding away, the wind carrying a painful promise as it lifts your hood outside. The traders, it seems, arrived at the perfect time, the cloudy sky promising snow in the morning once more.

Energy sizzles in the air. It’s as though the momentary fear of the wolf attacks is momentarily forgotten with the arrival of the vendors and travelers. The noise echoes from every street, torches, and fires lighting up the alleyways and down as people hang lamps in the windows and carts string up tea lights.

Though you’re nervous, you are temporarily distracted as Hoseok pulls you through a tangle of carts toward Sal’s Sweets. Your stomach grumbles when you catch the scent of melting sugar and sweet confections, joining the line at Hoseok’s side to pick up hot, sticky sweets.

With hot, sweet rolls drizzled in honey in hand, you and Hoseok explore the vendor carts. It is an explosion of color and lights, glittering jewelry hanging from displays, hot meats sizzling in pants over fires, the flash of powder and light as the Yang twins set off more fireworks, and the smell of spices as you pass by herb carts and tents.

Everywhere you go, you see the men from before, looming near carts with weapons and steely expressions. But not even the eerie sight of them can bring down the spirits of the villagers, kids running with new kites and jars full of fireflies.

As you stand in line with Hoseok who wants new inkwells, you listen to passing chatter. From what you gather, it was a hard trip this way on the caravans this year. The winter was just as harsh on the road as it was in the village, and the traders' voices become quiet when they talk about thieves and monsters in the woods.

You exchange a glance with Hoseok and he nods. Wolves.

Wordlessly, you wait as Hoseok points out the inks that he wants. You begin to crane your neck, looking for the familiar stranger that you had seen before. The square is crowded and packed tight with people, making it nearly impossible to make out much beyond a few feet in front of you.

You spot Dr. Kim walking next to Seokjin, both of their heads bowed as they speak to one another. You narrow your eyes, remembering the way Dr. Kim had silenced you at the Marrow farm. You watch them as they head toward the road that the veterinary practice is on, pausing as a man pushes off the wall to join them.

It’s him you realize. You recognize the broad shoulders and the dark hair as he turns his back to you, walking with the Kims down the road. You don’t even have to think twice.

“Hey,” you tug Hoseok’s sleeve. “I’m going to go see Dr. Kim about something really quick. I’ll meet you at the inn?”

“Sure.” He frowns. “Is it safe to go alone?”

“With all of these people?” You’re already backing away and shrugging. “Definitely.”

Without waiting for Hoseok to respond, you turn on your heel and rush into the crowd. The bodies of people immediately swallow you. The sound and sights and smells become a blur as you push through the crowd, shouldering people aside. You get some nasty looks from the force at which you move, but they immediately forget you as more people press in.

Less people pass you by as you walk up the street, pulling your cloak in tight. The lights in front of the building are off. You creep up the stairs and try the handle, finding it locked. It doesn’t matter, you sneak around the back of the building to the rear entrance and press your ear to the door. When you hear nothing, you try the handle and it twists.

Victorious, you open the door and slide through. The hallway is narrow with four doors on the right leading to examination rooms and two doors on the left. The first door leads to the kennel area where you hear voices. The second leads to the front lobby and desk.

The front lobby is the safest option, lest you get caught eavesdropping in the hallway when they leave. Carefully, you creep by the door, holding your breath and praying the floor doesn’t creak. Your heart pounds as you inch past the door, hearing deep voices on the other side as you go by.

Clearing the door, you hurry into the lobby and to the door behind the desk that leads to the kennels. Crouching down low to hide yourself from anyone walking by the windows, you carefully pull the door open, unwilling to open it any further than the width of your index finger. Pressing your ear to the open gap, you listen.

“We talked about discretion,” Dr. Kim says, his voice frustrated. “This isn’t discretion. This is harassment and fear-mongering.”

“I told you,” a deep, smooth voice answers. You assume it must belong to the stranger and you shiver, eyes fluttering as the sound of it washes over you. “It isn’t my decision to make. I do not lead. Yoongi made it very clear how he wishes to proceed.”

“Yoongi is a lunatic.”

“He’s the alpha.”

You frown. Alpha? You’re familiar with the concept of alphas in packs of dogs and herding animals, but you don’t know what that has to do with people or who Yoongi is.

“The hunts will begin tomorrow.”

You think Dr. Kim means the hunting for the wolves. It makes sense now that the traders are in town and they can stock up on weapons.

“As is the way of things,” the stranger answers with a sigh. “You know why Yoongi has chosen this path.”

“Is revenge worth it?”

“Perhaps your kind do not understand.” The stranger’s voice hardens. You wonder what he means by your kind. “You have one foot in the forest, one in the village.”

“We understand, but we’re also not reckless.” Charged quiet hangs in the air. You hold your breath, your heart thundering in your chest, waiting for the sound of footsteps at the end of a conversation. “Why are you here, Namjoon? You came alone.”

Namjoon. The name washes over you, a warm feeling like the first spray of summer rain. It must be the stranger's name.

Namjoon answers, “There is… a protected here. But I still fear for them. Yoongi and the others are angry - I wish to further keep them from harm.”

A frown twists your mouth. This Namjoon is here to protect someone from Yoongi. You wonder what this has to do with Dr. Kim. Could… Perhaps someone is using the wolves as tools? You’ve certainly seen a hunter train wolves or wolfhounds before, though it’s a dangerous business.

Dr. Kim sighs. “That is the only saving grace of you being here, I’m afraid. Seokjin and I cannot help you. Not without exposing ourselves. I’ve already done what I can.”

“You have my greatest thanks for that. You and yours will always be safe. And not just because of your blood.”

Shuffling makes you lean away from the door immediately. You slowly drop it back in place before crawling over to the desk and hiding under it, straining your hearing as the footsteps go into the back hall and out of the back door. You remain there long after you hear the back door shut, waiting just in case they’re still outside.

When you’re sure they’ve gone, you crawl out from underneath the desk and hurry into the hall and out the back door. The alley is empty when you stick your head out, sagging with relief. You hurry out and close the door behind you, spinning around and-

“You know, most people who don’t want to be seen don’t sneak around in a red cloak.”

The man - Namjoon - looms over you, looking down at you with an amused expression. Your scream is cut off when he winces and cups your mouth with his hand. “Well don’t scream! You’ll summon Giho and Seokjin back this way. I didn’t mean to frighten you.”

Namjoon waits for a moment, your chest heaving as you nod, signifying that you won’t scream for help. Maybe it’s silly, but you trust him not to hurt you. At the least, he is there to protect someone in the village, so he doesn’t seem like he’s there for nefarious reasons.

When he drops his hands, you press yourself against the door, trying to put a little distance between you. Namjoon’s presence is demanding, a tickle prickling at the base of your spine as you look up at him, mystified.

He’s so beautiful. Up close, you can make out his features far better than earlier that day. His eyes are dark and framed by beautiful, silken lashes. His nose is broad and his jaw is sharp. A dimple appears when he gives you a lopsided grin, dark eyes sizing you up.

The same sense of familiarity from earlier comes back to you, and though you’ve never seen his face before, you swear you know him. Warmth radiates from him, the delicate smell of pine and bergamot reaching you. He feels like… yours. Like some part of him completes you. It is the strangest feeling.

“You okay, Red?” he asks, tone earnest. You furrow your brows at the term and he grins - genuine and warm. “Your cloak. It’s a very bright red. Pretty, though.”

“Thank you?”

He raises a brow. “Are you asking me?”

“I’m… you’re awfully close.”

Namjoon takes a few steps back from you. You suddenly regret saying something as his warmth vanishes, replaced by the cool wind. “Sorry,” he says, scratching the back of his neck awkwardly. “Didn’t mean to freak you out.”

“Why didn’t you alert Dr. Kim if you knew I was snooping.”

“You don’t seem to be a threat. Plus, he’s a bit of a grouch. It didn’t seem worth it to hear him chastise a pretty girl.”

You flush. “How do you know the Kims?”

“Family friends.”

“What were you all talking about?”

He cocks his head to the side. “Just because I’m not chastising you for listening to our private conversation doesn’t mean I’m going to divulge the details of said private conversation.”

You divert your gaze, feeling flushed. He has a point, but if he’s put out by your line of questioning or your eavesdropping, he doesn’t show it. “Come on,” Namjoon says. “Let’s go back to the square. I need a drink and it’s dangerous to walk around right now.”

“Because of the wolves?”

He stares at you. “Because it’s dark and there are a bunch of strangers in your town, and you’re a woman alone. In the dark.”

“You’re a stranger in my town.”

His grin spreads and his dimple deepens. Your stomach flutters. You’re not unaffected by him, a little dizzy and nervous when he sticks out a hand. “Namjoon. I’m a part of the Kim family.”

“Like… Dr. Kim?” you ask, reaching out your hand and giving him your name.

“We’re related, in a way. Pretty name. I think I’ll stick with Red, though.”

Namjoon takes off walking. For a second, you just stand and stare at him. He shoves his hands in his pockets and doesn’t look back. You lick your lips, heart pounding. You cannot shake the sense of something peculiar about him, something familiar. He’s a Kim - perhaps you know him.

Determined to find out, you take off after him, scurrying to catch up. You fall into step with him and look up to find him smirking down at you before focusing back on the growing noise and lights of the main square.

“Have you been here before?” you ask, watching him from the corner of your eye. He shakes his head and you frown. “I feel like I know you.”

“Perhaps I have one of those faces?”

“No, I’d remember a face like yours.”

Namjoon turns to you, arching a brow. “A face like mine, huh?”

Multiple fire pits dot the streets, groups of people clustered around them to keep warm as the chill seeps back into the village. The inn is bustling with people, the door propped open with a chair as people walk in and out with platters of food and tankards in hand. Multiple villagers have pulled out tables and chairs from their homes, setting them up in the street.

It feels good. The air hums with euphoria and the promise of better days ahead, like suddenly there are not several families mourning their loved ones. The atmosphere reminds you of a festival, and you suppose it kind of is a festival.

The smell of burning fat and ale hits your nose as you walk into the inn. Voices roar over one another and the workers are busy behind the bar. A fireplace crackles in the far corner where you spot Hoseok guarding an extra chair.

“I fear this is where we part ways,” Namjoon announces over the din of voices. “Try not to do any more eavesdropping tonight.” You hesitate, wanting to protest. There are a million burning questions you have for him. He must see it in your face, because he smiles and says, “We’ll run into one another again. Don’t worry.”

“I wasn’t worried.”

You were actually, and you know he knows by his smirk. “Goodnight, Red.”

You watch Namjoon go. He moves toward where the innkeeper stands at a podium looking over reservations, blending into the crowd. Just before he reaches the podium he glances over his shoulder at you, catching you watching. He shoots you a grin and you scowl, pivoting on your heel to charge toward Hoseok.

Hoseok raises his eyebrows when he sees you storm over to him and yank the chair out from the table, sitting down in a huff. Without a word, you snatch his tankard of ale and take several, cold gulps before setting it on the table, letting it wash through you.

“Who was that you came in with? And then stormed over here after speaking to?”

“Some relative of the Kims,” you mutter. “I find him very… frustrating.”

“He’s very handsome.”

You glare at Hoseok and see the beginning of a wicked smile. “And frustrating.”

He lifts his cup, shrugging. “Cheers to being frustrating.”

A scream wakes you up in the middle of the night. You lurch up from bed, head spinning as you try to gather your wits about you. Blankets tangle your limbs as you try to peel them from sweaty skin. Another scream makes you stumble out of bed, the world tilting on its axis as your body tries to catch up with your sudden lucidity.

In the main room of your home, your mother is stumbling through the kitchen too, lighting a candle and grabbing a holder. You feel relief as you realize the screaming isn’t coming from your home, but your neighbor’s.

Together, you and your mother rush out into the cold in nightgowns, not bothering with shoes or coats. The cold is bitter, immediately stinging your skin as the Liang family joins you in running to the Hutch family home where it sounds like Mrs. Hutch is screaming like a wild animal in her house.

“It’s Leanne,” your mother breathes, words turning to steam in the air.

“Come on,” you urge, pulling your mother as you go, driven by the shrieks.

The front door hangs open as Mr. Liang enters the home first, an ax in hand. It occurs to you that neither you nor your mother have weapons, but Mrs. Hutch has always been kind to your mother, making the both of you charge into the darkness of her home empty-handed.

A metallic tang hits you immediately. You recoil, recognizing the stench of blood immediately. Villagers spill into the home behind you, alerted to the wailing coming from the bedroom. With torches and candles in hand, you spot the red on the dark wood floor in the hallway.

Mr. Liang stands in the doorway of the bedroom, staring with a haunted gaze at what he sees there. Your mother pushes through the people in the home to look over his shoulder, her hand flying to her mouth as she gasps.

“Oh Leanne,” she murmurs in horror, shoving by Mr. Liang.

You don’t go to the room. The smell and the weeping coming from the bedroom give you an inkling of what lay inside. You stand in the living room as people fill the hall, gasping and murmuring. Someone shouts to wake the constable.

“Why?” Mrs. Hutch screams in her room, the despair in her voice rattling your bones. “Why?”

“His throat has been cut,” someone murmurs from the hall. “Murdered in bed.”

Murdered? That throws you for a loop. You had assumed somehow it was an animal attack but… you shiver. Murder is different.

Mr. Liang begins shooing people out of the house. You slink out into the cold and hurry to your own home, bare feet freezing in the cold, wet earth. Your mother stays with Mrs. Hutch, leaving you alone.

The dark presses in on you, every creak of a floorboard making you jump. The shadows seem menacing now and you’re quick to find and light a candle, orange light flooding the home.

Cloth and candle in hand, you return to your room to wipe the cold mud from your feet, skin still burning from the frigid air. Voices carry in from outside, the entire town waking and gathering as the shock of murder ripples through the streets, a stone in a pond.

With sleep nowhere near possible for the remainder of the night, you get dressed. You pull on thick woolen pants, a tunic, and multiple socks, sticking your feet in your boots. Your cloak goes next, fastening it around your throat as you look out your bedroom window.

Your home sits at an angle in a row of houses that circle the village like a ring. You can see the wall of the home next to you, and a sliver of the backyard as well. It’s that tiny space in the backyard that catches your eye, watching as someone moves from the edge of the home out of sight.

Heart in your throat, you grab a candle and run outside. The crowd in front of the Hutch’s has grown, but you ignore them, skirting around your house to the alleyway between you and your neighbor. Nothing catches your eye as you run to the backyard, swiveling as you search in the darkness for the shadow you saw.

The wind howls, drowning out the voices in the street. The treeline behind the houses is dark. You squint your eyes and lift the candle in your hand, the flame barely flickering as the wind makes the trees sway. There is nothing in the darkness and you begin to turn when you see a shadow in the tree line.

It’s barely there - perhaps a trick of the light, even. You take a step forward, boots crunching in the snow. A gust of wind makes your cloak snap at your ankles, candle going out and leaving you without a source of light. You had not realized how dark it was without it, the shadow vanishing from your line of sight.

Fear nestles in the pit of your stomach. Your breath gets stuck in your lungs as your limbs lock, realizing how stupid it was to come outside if there was a killer among the trees. Soft snow crunches somewhere close to you. You squeeze your eyes shut, tucking your chin to your chest as panic makes you shut down, unable to move and-

“Red.”

Namjoon’s voice makes you spin around. He holds a torch level with his head, the flame casting an eerie glow on his face. For a moment, he looks lupine and terrifying, your heart nearly stuttering to a halt.

Then his face twists in concern. “What are you doing out here alone?”

“What are you doing?”

“Dr. Kim sent me over to check on you. No one answered the door so I came around back.”

“Why?”

Namjoon seems confused. “Why did I come around back or why did he send me?”

“Both.”

“I could see the light of your candle and because a murder has just happened.”

You relax a little at the logic in his answer. Snow begins to fall from the sky. You look up at the moonless black, thick clouds floating as the bits of snow drift on the breeze. You shiver and look back to the trees, seeing nothing but tightly packed pines. Still, there is an instinctual sense of trepidation that sits heavy in your gut.

“Come on,” Namjoon says gently. “Let’s go inside. I’ll wait with you until your mother comes home.”

Reluctantly, you follow Namjoon. Eyeing him, you realize he is dressed differently than previously that night. Now, he’s in black breeches and a black linen shirt. The weapons belt is gone and he’s without a coat.

You frown. “Aren’t you freezing?”

“I run warm.”

It’s the only answer that he gives you as you walk back into the street which is filled with people and torches. In the distance, you hear the baying of hounds. It chills you, goosebumps exploding up and down your arms as you watch a cluster of firelights gather far off down the road.

“The constable is leading a manhunt. They’ll come to question us too.”

Wordlessly you gesture for Namjoon to join you inside of your home. He closes the door firmly behind you and strides to the fireplace, using the torch to coax the simmering logs to a full flame. Cedar pops as he adds the torch to the fire, orange embers drifting up the chimney.

Rubbing your hands together, you offer him tea and he accepts with a soft smile. It doesn’t meet his eyes as he looks around the only place you’ve ever called home. Suddenly shy of your less-than-luxurious surroundings, you clear your throat and gesture to one of the mismatched armchairs by the fire as you grab a kettle.

Namjoon hardly fits in the chair. You press your lips to keep from laughing, which feels inappropriate with a man dead just a few yards away. With careful hands, you hang the kettle next to the fire, the flame close enough to heat the water as you scurry back to the kitchen and fill tea bags with herbs.

“What kind of tea do you like?”

“Yarrow, if you have it.”

“I do.” You grab the jar, popping the top. “Are you in great pain, Mr. Kim?”

“Call me Namjoon. Mr. Kim feels far too formal.”

“Well, we are strangers, after all.”

Namjoon certainly doesn’t feel like a stranger. You cast him a sidelong glance as you say it, looking for his reaction. He turns his head from the fire, meeting your gaze head-on. His lips curve in a secret smile, making your nerves dance.

“I suppose that’s true.”

Is it? You wonder. You’re not so sure.

Instead of asking him, you bring the mugs with bags of tea over to where he sits, handing him one. Steam rises from the spout of the teapot. With a thick towel, you lift it off of the hanger. Namjoon holds out his cup and lets you pour carefully into his mug, the smell of yarrow and mint wafting toward you. After pouring your own cup, you set the kettle down and sit across from him.

Your cold hands leech the warmth from the mug. You settle comfortably in the chair, relaxing and inhaling the chamomile in your cup. After a few moments of silence, you realize how comfortable and safe you feel with Namjoon, though you’ve only known him for a few short hours.

“Why have you come to the village?”

Namjoon watches the fire as he answers, “You were eavesdropping at the veterinary office. I’m sure you heard me.” You look down at your steaming cup and Namjoon chuckles, raspy and deep. It’s a nice sound.

“You said there was a ‘protected’ here. And something about a Yoongi.”

Namjoon’s face darkens at the mention of Yoongi. You chew on your lip, worried you’ve pushed him too far before you’ve even started to ask him real questions. His jaw works as he contemplates what you’ve said, sipping the tea a little.

“A protected just means someone under protection by my family,” Namjoon says finally. “My extended family is… large. We are a very close group and we consider those in our community blood.”

“It is… not always like that here.”

“Your mother assists Mrs. Hutch, though. That seems like family, in a way.”

“Mrs. Hutch is kind. Not everyone is.”

Namjoon nods. “It is not like that where I am from. We bear the sins of our neighbors and we share the responsibility of keeping everyone safe.”

“That must be nice.” You sip your tea and scald your tongue, hissing and setting the cup down. Namjoon leans forward as though to help you, alarm on his face. “Tea is too hot. I don’t know how you drink it.”

He smiles and shrugs. “I run warm.”

“So you said. How are you related to Dr. Kim?”

“He’s my uncle. He’s my father’s brother. His wife was best friends with my mom.”

“Oh.” You blink in surprise. “She passed away when I was very young. She… died the same winter as my father.”

“I’m sorry to hear that.” Namjoon frowns and cocks his head. “What did your father do?”

“He was a hunter.”

One of the logs pops in the fireplace, making you flinch. You give a nervous laugh and glance at Namjoon, who has gone stone-still. The firelight dances on his face as he peers at you. Your smile falters a little at the gravity you find there.

“He only hunted fowl and deer,” you find yourself explaining. You don’t know why you say it, only that suddenly that feels important. “He didn’t like to hunt bigger game or predators. Mother says that he believed they were best left alone and that a true hunter knows his betters when he sees them.”

Namjoon hums. “Smart man.”

“I don’t know. He died in an animal attack when I was very young.”

“You must resent the woods.”

“Not at all. I think…” You bite your bottom lip, trying to find the right words. “I think that he wouldn’t blame the animals. The woods are their home. My mother says he was always very adamant about that. They don’t usually attack villagers, though.”

“Usually?”

“There are animal attacks happening. I’m sure Dr. Kim told you…?”

“Ah, yes. You think they’re without reason?”

“Perhaps hunger? I don’t know. It does not happen often.”

“Wolves are not known to hunt people.” Namjoon’s fingers drum against his mug, a steady tap. He seems thoughtful as he regards you. “They’re intelligent creatures and their packs are important to them. They take the threat to their land and their family seriously.”

“Like your family?”

He laughs. “Like my family.” Namjoon sips his tea again. “This land used to belong to several packs of wolves, you know?”

“Really?”

“Yes, until settlers drove them out. Not that long ago there were hunting parties for sport. They slaughtered entire packs, destroying bloodlines and nearly wiping out the wolves here entirely.”

“I always found that incredibly sad.”

“Why is that?”

“They’re incredibly important to the ecosystem here. And I guess I always agreed with my dad. I don’t remember him much, but I like to remember that he was good at heart.”

Namjoon hums but says nothing else. You sit in silence for a while, enjoying the warmth of the fire. Namjoon’s presence is steady, keeping out the cold and the fear just beyond the door. You wonder how he does that by just sitting in a chair, or how it feels so natural.

Outside, the world begins to turn gray. You yawn as exhaustion begins to set in and you feel yourself sagging. Eyes burning, you rub them with the back of your hands, blinking a few times to fight the explosion of colors in your vision.

“You can sleep,” Namjoon says softly from where he sits. You glance at him. “You can trust me.”

A hint of pine and bergamot drift toward you, making you drowsy. Namjoon grabs a blanket from the back of his chair and stands up, bringing it to you. He takes your mug and you watch him with sleepy, round eyes as he places the blanket over you.

“Sleep.” His voice is soft, distant. “I will be here.”

Your eyes flutter shut and you drift to sleep, remembering the warm sound of his voice. It… reminds you of your wolf.

Gentle voices pull you from the clutches of sleep. You wake slowly, a cramp in your neck making you reluctant to get up. You smell the fire and the hint of pine and bergamot. You hear a low, raspy voice that you instantly recognize as Namjoon.

How swiftly I know his voice, you think.

“You must wake her,” a male voice says. You recognize it as Dr. Kim. “The constable is coming for questioning.”

“She’s already awake,” Namjoon answers, a smile in his voice. Your eyes snap open at being caught, meeting his dark gaze as he smirks from near your door. “See?”

You scowl at him. How did he know that? Sitting up and stretching, you appraise the two men lurking near your door. “Is my mother still with Mrs. Hutch?”

Dr. Kim nods and steps swiftly into the room around Namjoon. Namjoon reaches out a hand, catching Dr. Kim with his arm and stopping him from entering the room properly. You watch in puzzlement as there’s a silent exchange between the two of them, Namjoon’s face dark as Dr. Kim raises a brow.

Then, Namjoon lets him go. You cock your head to the side, wondering what that’s about. Ignoring Namjoon, Dr. Kim approaches and says, “The constable will be here shortly. Say nothing about the farm.”

The farm. The memory of the wolves brings a chill to your arm, the smell of smoke and burning oil. The confusion and Dr. Kim’s refusal to answer your questions.

“What is going on?” you demand, eyes flickering from Dr. Kim to Namjoon. “Animal attacks, murders, you covering up something at the barn. I’m being lied to.”

“Say nothing about the farm,” Dr. Kim says again, voice firm. Namjoon makes a noise that startles you. It’s almost like a growl, your eyes going wide as he glares at Dr. Kim. “I told you this village has a complicated history. I’m looking after your safety.”

Heavy footsteps sound on the porch. There’s a loud knock on the door, the constable announcing his presence on the other side. Namjoon opens the door for him, standing back to let him in. The constable looks him up and down with confusion before looking at you, a question in his eyes.

“They came to check on me,” you offer. The constable has known you since you were a child, it’s no wonder he’s confused at the presence of a stranger in your home. “How can I help you, constable?”

“I’d like you to answer a few questions about last night. Mr. Liang confirmed you were one of the first people to Hutch’s last night.”

Dr. Kim walks to your kitchen and busies himself making tea. Namjoon moves to sit in the chair across from you, his warm presence from the night before replaced with something mildly threatening. You cut him a look but his dark eyes are focused on the constable as though he’s a threat.

The questions are easy enough. When did you wake up? Did you notice anyone around your home when you came home? Did you notice anyone outside? When did you come home?

You leave out running into Namjoon behind your home. You don’t know why, but you feel the need to not draw attention to him. You also leave out the strange incident at the farm, glancing sideways at Dr. Kim when he brings you lemon tea.

When the constable is finished, he eyes Dr. Kim. “Be at the station at four,” he instructs. “We’re splitting hunting parties. One to look for the culprit, the other to get rid of the damn wolves.”

“The wolves were there first, you know?” Namjoon speaks up, looking at you and not the constable. “Have you ever tried figuring out what they want?”

“And who the hell are you?”

“Please ignore my nephew, constable. He likes to insert himself in conversations he doesn’t belong in. Come, let’s look over the hounds before you send them out tonight.”

Together, the constable and Dr. Kim shuffle out. Before he shuts the door, Dr. Kim levels the pair of you with a heavy gaze. You don’t know what that gaze means, but you know that something is going on in this village and that he and Namjoon seem to have some idea about it.

As soon as the door shuts, you turn to Namjoon and demand, “What is going on?”

He sighs. “Would you listen if I just said to wait it out?”

“Do you know who murdered Mr. Hatch?”

Namjoon hesitates and shakes his head. You narrow your eyes, unbelieving. “I really don’t know who did, Red.”

“Why are you really here? Why all the secrets?”

“I told you, my family protects those who belong to their community.”

“What did you mean about asking what the wolves want?”

“I told you last night. There were wolves long before this village existed. Seems to me that if the wolves are suddenly killing the townspeople, perhaps it’s because they want their land back. Or maybe they’re angry from years of being hunted.”

That shuts you up. You can’t argue with that, exactly. But… “Are you saying that the wolves are capable of revenge?”

Namjoon stands and gestures to your cloak. “How often do you wear that?”

“Every day. It’s… sentimental to me.”

His eyes lighten and he offers a half smile. “Good. Red is a lucky color.”

“Where are you going?”

He opens the door, cold wind hissing past the opening. “Your mom is coming. I’ll see you later, Red.”

Without another word, Namjoon slips through the door and shuts it firmly behind him. You stare after him, openmouthed and confused. As promised, you hear your mother come up the steps, light feet scuffing before she quickly lets herself in, shutting the door firmly behind her.

You offer to make your mother breakfast, happy to help as she dozes in the chair. It isn’t until later that you wonder how Namjoon had heard her coming at all.

Little Lucy Larkin

In a little wood

Little Lucy Larkin

Up to no good

Little Lucy Larkin

In her little hood

Little Lucy Larkin

Ware of the woods!

Little Lucy Larkin

Stole a little bread

Little Lucy Larkin

In the woods of dread

Little Lucy Larkin

Is a little thief

Little Lucy Larkin

Die by wolf’s teeth

A sense of unease slithers up your spine as you pull your cloak closer. The voice of the children playing the Little Lucy Game echoes down the street and you pause to watch as the little boy playing Lucy steals the rock from the middle of the circle and the little boy playing the wolf gets up to chase him.

The other kids scream and giggle as the boys give chase, the sound of their laughter eerie in the cold gray of twilight. Shaking it off, you turn and duck your head as you walk up the steps to the Tall Tales Inn.

Warmth and the scent of food greet you. It’s a thinner crowd than the day before but still more people than you’re used to without the traders in town. There is a clear divide in the dining room with traders on one side and townsfolk on the other, the murder quick to make the locals distrust the new people in their streets.

Tense conversations hum in the gold light. You navigate around tables until you find Hoseok sitting with Seokjin. The sight of Seokjin gives you pause. He seems to sense your presence, glancing up and meeting your questioning stare. He gives no reaction, though, turning his attention back to Hoseok who is murmuring quietly.

“I didn’t expect to see you here, Jin,” you say by way of greeting. Hoseok gives you a look at your clipped tone. You ignore it, sitting down and leveling the older man with a stare, his father’s mysteriousness weighing on you. “To what do we owe the pleasure?”

He narrows his eyes a fraction. “Just enjoying the company of friends.”

“Shouldn’t you be helping the constable?”

“I’m on the late-night shift.”

Grinding your teeth, you sit roughly. Hoseok just watches you, brows raised. You say nothing as you order a drink and a meal, picking at the splinters of the tabletop, eyeing Seokjin. If he’s put out by your rudeness he doesn’t show it, drinking heartily from his tankard and watching you with dark, even eyes.

You know Seokjin knows whatever it is his father and Namjoon have been talking about. You yourself have not been able to work out what’s going on in the village, but you’re sure the Kims know. And if Dr. Kim asked you to lie to the constable… well perhaps Seokjin is leading him astray as well.

Hoseok pipes up, steering the conversation everywhere he can to avoid the tension building between you and Seokjin and the topics of murders. You participate as little as possible, mind trying to put together the puzzle pieces of the blooming mystery in your home.

An uncomfortable thought starts to take root in your mind. Is it possible that the Kim family is behind the murders? Dr. Kim has plenty of weapons at his disposal, and they had been talking about revenge, and Dr. Kim had covered up what happened at the Marrow’s farm… but what did that have to do with wolves?

You’re not sure. But you do know that the Kims are purposefully hiding things, that there is a murderer somewhere in the town or near it, and that there is a sense of doom that you cannot shake, a dark itch like stinging nettle in your bones.

Seokjin excuses himself to take an afternoon nap before his hunting party heads out for the evening. Your eyes track him as he goes. Seokjin certainly doesn’t seem evil, but there’s no telling what’s behind his pretty face.

“What is wrong with you?” Hoseok asks, leaning over the table and whispering harshly. “You’re behaving rather odd.”

“Something is going on.”

“Yes, your attitude.”

You turn and glare at him. “No, Hobi. Something is going on with the Kim family. I don’t know how to explain it.” You grip your cup tighter. “But I intend to figure it out.”

Hoseok questions you about what that means. You keep your answers vague, not wanting to rope him into your plan. Too often as children did you lure Hoseok into trouble, and with how dangerous night is becoming in your town, you know it’s a bad idea to endanger him too.

T sun sets over the village. You stand at your bedroom window, watching through the frosty window as the sun turns the sky into a smear of blood. The clouds have cleared away just for this sanguine sunset. It makes your stomach turn, a sense of foreboding heavy in the air.

Still, it doesn’t deter you. Red fades to gray-blue and gray-blue fades to black. Wind rattles the glass in the window pane. Turning from the window, you find your thickest pair of pants and fur-lined tunic. The fabric feels scratchy on your skin.

Dressed, you look at your red cloak folded on the bed. Any other night you would take it with you. It has become your safety net, something that keeps you warm and keeps you safe. You cannot recall a day you haven’t worn it since it mysteriously showed up thirteen years ago, but tonight, you need obscurity.

Instead, you reach for an old, thick cloak that used to belong to your father. It's dark brown and worn at the edges, a little too big for you as the hem brushes the ground. It will serve its purpose in keeping you hidden in the dark of the woods, though.

All you grab is a hunting knife that you don’t know how to use, a wax candle, and a solid piece of flint and sharp rock to light it with. The candle and flint are for emergencies only. You hope it won’t be so dark that you cannot see, but you’re unsure what the clouds are going to do.

Outside, the wind is sharp. Your nostrils burn as you breathe it in and duck away behind your house. No new snow has fallen during the day, which is a good thing. You don’t have to worry about dragging your boots and tiring your calves. It also helps that the sky is clear tonight, the moon a sliver of sharp light.

Baying hounds echo through the village and the forest as the hunting dogs lead the men into the woods. You’re quick on your feet, dashing into the woods and heading north. You don’t want to run right into the hunting party, but you do want to find their burning torches and keep them in your line of sight.

They are easy to find, hovering like orange fireflies in the distance. Careful to make your way in the dark, you follow them. Your breath mists in front of you, hands shaking more from the adrenaline than the cold.

The torches spread out. You chew on your lip, unsure which group would belong to Seokjin. You take a gamble, heading after the group closest to you.

Everything feels too loud. Each snap of a branch under your foot and crunch of dry leaves feels like it’s going to give you away. Still, you’re good at sneaking for the most part, having spent plenty of time skulking through the village to take nightly strolls in the woods.

Voices carry to you. Through a system of running a few steps forward and dodging behind a tree, you manage to follow the men at a distance. You think that you hear the constable’s voice, which is a good sign. If he’s around, perhaps Seokjin is too.

The deeper you go into the forest, the colder it gets. The ground beneath your feet slopes. The evergreens are packed tighter here, needles tickling your hands as you keep your hands held out from your sides as you slide downward.

This is near where I saved that wolf, you think.

It’s true. You recognize the slope of the land and the general area. You cannot tell if it’s exactly where you met the wolf, but it’s close enough that your senses tingle and your eyes sweep the land, expecting something to happen.

A sense of foreboding trails you as the men move deeper into the wood. You turn around and look for the other torches and see nothing but a dark, compact forest. Your stomach flips uncomfortably but you continue, unsure now if it’s safer to turn back or to keep going.

Ahead, the group of men decide to take a break. The hounds sniff the area around them, pulling at the leashes as they go. Crouching low, you watch as the hounds go in circles, following the scent of something that seems to confuse them.

The men take long droughts of water, making you wish you’d thought of that. Mouth dry and hands cold, you huddle against a tree, bark digging into your back.

A few minutes pace by. You close your eyes, resting your head against the tree, breathing cold air in deeply. You don’t know what you expect the group to lead you to, only that you-

Something snaps behind you. Your eyes fly open and your limbs lock. Heart beating like a steady drum, you hold your breath and strain your eyes. For a moment, there’s nothing but the dim voices of the men taking a break. You think it’s nothing until you hear something again, a gentle susurration of leaves.

One of the hounds lifts its head, ears twitching. Your eyes scan the surrounding area back and forth, searching for what you know is there.

It happens so fast that you don’t even see the wolves enter the ring of torchlight until they’re there, snarls rattling the trees. You clamp your hands over your mouth to mute your gasp as the sounds of screams and tearing flesh explode in the night. Hounds screech, their growls savage and choked as the wolves descend.

You don’t know how many there are. Torch lights go down and drown you in darkness. Squeezing your eyes shut, you curl in on yourself, panting through your hands as the sounds echo in your ears. A new fear has stabbed its way between your ribs, making it hard to breathe.

Time moves slowly. Or quickly. You cannot tell which. One moment the sounds of a nightmare turned real are just a few hundred yards away. The next, an eerie silence blankets the dark forest.

You don’t want to open your eyes, but you have to. Very slowly, you crack an eye open. At first, there’s nothing. Your vision swims with flashing colors, your eyes trying to adjust. Then, there is the vague outline of trees. Ahead of you, where the men had been, lay shadowed piles.

Shaking, you glance around. You see nothing - hear nothing. You stand slowly. Each inch you gain feels like you’re being too loud. Sweat gathers on the back of your neck. The cool air makes it feel like an icy finger brushing down your nape.

When you’re sure that there’s nothing else around, you take a step toward where the attack happened. Leaves crunch beneath your feet. You stop breathing, waiting for signs of anything. Nothing happens and you let out a trembling breath, taking one more step. Again, you wait to see if your footfalls will trigger something.

You repeat this to the edge of the slaughter - for that’s what it is. A slaughter. Bile rises in your throat as you reach the first body and stamped-out torch. The constable and his hound lay in tatters, only recognizable by the batch on his cloak.

It is carnage. You don’t dare breathe through your nose for fear of breathing in the scent of death, circling the scene with weak knees, hand pressed to your mouth to keep in the whimpers. You see the faces of men you’ve known since you were a child. Ripped, bloodied, gored.

Finally, you lean over and empty the contents of your stomach. It burns on the way up, choking you. Pressing a hand against a tree, you breathe raggedly. The adrenaline coursing through you makes you twitchy and unstable, each nerve feeling like it’s on fire.

Leaves crunch a few feet away. Your head snaps in and you zero in on the source of the noise, mouth hanging open when you see Seokjin standing amongst the trees. He stares at you, frown on his face.

“Who are you?” he asks, voice gentle. You realize he can’t see your face under the cowl of your hood and you’re not in your traditional red. He sighs. “Doesn’t matter.”

You hear shuffling behind him before you see a white wolf. The white wolf from the Marrow farm. There are others, then. You don’t know how you missed them, the darkness of their fur blending in with the darkness around them.

The white one is spotted in red, muzzle matted, teeth slicked. Your stomach lurches. It isn’t hard to guess where it’s from. You take a step back and the wolf growls, lips pulled back. You freeze, looking amongst the pack of wolves that fan out around Seokjin, desperately looking for your wolf with the kind, intelligent eyes.

You do not find him there.

With a growl, the white wolf steps forward. Your instincts kick in and you turn and run, letting out a wild shriek as you do so. If Seokjin recognizes your voice when you scream, you cannot tell. The wolves are after you and you’re barreling through the trees with no hope of outrunning them, especially uphill.

A wolf nips at your ankle and you scream, tripping over your feet in your terror and going down hard. You’re jarred as you hit the ground, bones rattling as pain shoots up your limbs from the impact. Before you can scramble, there are teeth around your ankle, not biting down hard enough to snap, but hard enough to drag.

Your scream is wretched even to your ears. It is a curdling, nightmarish sound. You feel the scrape of leaves and sticks against your skin, cloak picking up dirt and twigs as you go. Your nails dig into the ground but the soil is frozen solid, fingers scraping bluntly against it.

With a surge of self-preservation, you kick your free leg backward as hard as you can. You hit the wolf in the muzzle, making it cry, and let go of your foot. You manage to crawl to your knees, slipping in the foliage as you try to stand before it’s tearing at your cloak, determined to drag you one way or another.

Sliding again as it drags you by the cloak, you try to undo the ties at your throat with shaking fingers. It comes away and frees you from the hellish drag to your death. This time, you’re faster to your feet, turning and running in the opposite direction. You don’t know where you’re going, just that you want to get away.

Your foot slides on the incline and with a shout you go down. This time, your head hits the ground hard. Your ears ring and your vision pulses. Blinking, you roll over and stare up at the canopy of dark trees. The world spins dangerously and you feel nausea churn deep in your stomach.

“Yoongi!” you hear the deep voice but it sounds warbled like you’re hearing it through water. Your head lolls to the side, the ringing in your ears still going as you see feet pass you. “Enough!”

Your field of vision narrows to a sharp point, edges pulling with black. You realize you’re about to pass out, oddly just thankful that you’re already on the ground. Just as your world begins to face, the face of the person in front of you appears.

Namjoon.

“Hey,” a gentle voice calls to you. There are soft hands on your head, brushing against your forehead. It smells like pine and bergamot as you snuggle into them. “I hate to wake you, but you need to wake up every few hours.”

The memory of the wolves comes to you. Your eyes snap open and you blink a few times before your vision adjusts to see Namjoon leaning over you. Cringing away from him, you press yourself into a warm, soft mattress that isn’t your own.

“Easy,” he cautions, holding his hands up. “You smacked your head very hard. I think you have a concussion.”

“Where am I?”

The room isn’t so much a room as it is a shack. There is a single fireplace in the far corner, a pile of logs, and the bed that you’re in. Despite the tiny space, it looks well-built and it’s warm, your heart slowing down as Namjoon leans to sit further from you and give you your space.

“Random shack in the woods near your village. I think it used to be a hunter’s stead for the winter.” He jerks his thumb toward the fireplace. “Hasn’t been used in a while. The wood has rotted.”

“Seokjin - you - what is going on?”

Emotions spill out of you like a broken dam. You don’t know which to acknowledge first: anger, fear, curiosity, gratitude.

Namjoon’s sigh is heavy. He visibly looks wearing, running a hand through his hair. You wonder how soft his hair is, followed immediately by feeling ridiculous for the timing of said thought.

“Just…” he winces. “Try to lean back and take it easy, I’m worried about how hard you hit your head. I promise I have no intentions of hurting you or letting anyone hurt me.”

“You called that white wolf Yoongi. Who is Yoongi? Why was Seokjin in the woods - those people - they’re dead.”

He nods slowly. “They are.”

You lean back carefully. The bed is comfortable and Namjoon keeps his distance, worried eyes on you. “I will try to explain the best I can. It will require a little bit of faith that I’m not lying to you and that I’m not insulting your intelligence by telling you things that will sound insane.”

“Like what?”

“Like werewolves exist.”

You stare at him. He doesn’t laugh, crack a grin, or do anything to make you believe he’s joking. Your first instinct is to blow him off. Werewolves were a tale for children and a way to help the children of the village cope during periods of wolf violence.

Thus far, all Namjoon has done is protect you. Strange as it seems, you know that fact to be true. He didn’t tell Dr. Jim you were eavesdropping, he kept you company after Mr. Hatch’s murder, and he stopped the wolves from taking you.

Namjoon is… there is something between you. You know it.

Hesitantly, you say, “Alright. Werewolves exist. Keep going.”

He is visibly relieved that you’re not questioning or berating him. You don’t exactly believe him yet, but you want to hear his story.

“There were communities of werewolves who lived here long before humans did. When people migrated to this area, they drove them out and forced those communities to become smaller and smaller. When the werewolves asked for their land back or to share resources, they were hunted and slaughtered.”

Namjoon’s throat bobs and emotions flicker across his face. His features settle on pain, and you stop yourself from reaching out to take his hand. “What you vaguely remember as wolf attacks and wolf hunts as a child was those families being exterminated. There are a few families in the village who remember that werewolves exist. They took it upon themselves to remove the problem forever.”

This village has a complicated history.

Dr. Kim’s words float through your mind as you chew on what Namjoon has told you. He lets the information settle, giving you a few moments to think. You don’t recall anyone seriously ever talking about werewolves but…

“They’re angry,” you murmur, remembering how San described the massacre at the Mathesons. “The wolves now - those aren’t wolves. They’re werewolves who are getting revenge. You spoke of revenge with Dr. Kim. Is that why the animal attacks have been happening?”

Namjoon nods grimly. “There is a very small concentration of people in the village who keep the secret about the massacres and the knowledge of werewolves. Those families have been… targeted recently. They still hunt werewolves when they can.”

“Who is Yoongi?”

“Ah,” he lets out a humorless laugh. “He leads the last remaining community of werewolves. His family was murdered by your constable when he was a child.” You blanch. “Yoongi is angry, vengeful, and very influential. When he was voted pack alpha, he decided to eliminate the last remaining threats.”

“He’s the white wolf.” Namjoon raises his brows but nods. You think that makes sense, remembering the white wolf at the Marrow farm and the one who dragged you in the forest. “Why was Seokjin there? Did he lead the constable to-”

Namjoon hesitates and nods. “The Kim family are wolf friends. It’s largely the reason Dr. Kim is a veterinarian. They’re what we call one foot in the forest. There were two others in your village that were wolf friends. Your neighbor was one.”

You twist your fingers in the blanket. “Did Yoongi-”

“No. I believe he was murdered by one of the men who knows what Yoongi and his people are.”

“So that’s why Seokjin led them to Yoongi?” Namjoon gives a curt nod. “This is…. A lot to take in.”

“It is. Sleep a little more and we’ll talk about it more when you wake up. Your head is already swimming enough, yeah?”

Namjoon’s grin is gentle and you shoot one back. “Do you promise to tell me why you’re really here? And why it feels like I know you?”

“Of course. Sleep, Red.”

Namjoon wakes you again a few hours later. This time, it’s with water. It’s cool and fresh, soothing your aching head and waking up your sleepy senses. He lets you drain the entire thing, sitting thoughtfully at the end of your bed.

This time, you feel more alert. Sitting up carefully, you cross your legs and examine him. He’s dressed in simple clothes and a jacket, the fireplace throwing an orange glow on his face. Again, you’re struck with how much you could swear you know him, like his eyes are something you know and love.

He waits for you to get settled, placing your hands in your lap. You fiddle with the edge of your tunic, drinking him in. Strong shoulders, rough hands, tawny skin. Your heart does a flip before you shove away thoughts of how pretty he is to think about what he’s told you so far.

“I have questions.”

He smiles and it’s as warm as the fire behind him. “Of course you do.”

“Did the werewolves kill my father?”

You get the tough one out of the way first. It was a thought you had just before you slept, wondering if your father had been someone who helped the constable murder Yoongi’s family. Though you have decided to dislike the white wolf very strongly, you can’t help but pity him.

“No,” Namjoon says vehemently. “After you told me about your father, I did some asking around. He was a wolf friend. That’s why he didn’t hunt big game, Red. He knew about us.”

A tight feeling works its way up your throat. The relief and anger you feel is a double-edged sword, happy that he didn’t contribute to the displacement Namjoon is speaking of and angry that you know with every bone in your body that he was murdered. The instinct speaks to you the same way it tells you that you know Namjoon.

You look up at him sharply, realizing something. “What do you mean ‘he knew about us’? Us?”

Namjoon’s eyes are dark. He regards you intensely, making you shiver. Slowly, Namjoon begins to roll one of his sleeves. Your eyes drop to his hand as he does, long fingers meticulous. He bares his skin and holds his hand out to you, displaying the jagged, white scar that lopes around his wrist.

Without thinking twice, you reach out to him, pulling his hand toward you. His skin is warm, sending a tingle through your fingertips. His palm is large and rough, your fingers delicate as you flip it to face the ceiling, eyes glued to the scarring around his wrist.

You move your fingers over his palm gently, scraping the calluses as you go. He lets you do what you want, touch stopping at his wrist bone before glancing up at him. His eyes are impossibly dark and he nods, urging you forward.

The scarring is rough. Thick, ropey lines encircle his wrist like his hand was ravished by teeth. It makes you faintly think of Yoongi’s teeth around your ankle or -

“You,” you breathe, eyes meeting his. They are the same warm, intelligent, and welcoming eyes of the wolf you’d saved all those years ago. The wolf who had stood between you and the others at the Marrow farm. The wolf you dream about every night. “I saved you?”

His throat bobs. “You did.”

“I… that’s why it feels like I know you.” Your fingers trace his scar, almost fondly. Namjoon’s eyes flutter. “I do know you. Why didn’t you tell me?”

He smirks. “‘Hi, my name is Namjoon and I can turn into a wolf whenever I want and you saved me a few years ago and I’ve been thinking about you ever since’ is not exactly a great opening.”

“Better than ‘you know most people who don’t want to be seen don’t wear a red cloak’.” He scrunches his nose. Cute. “I don’t know what to say.”

“That’s alright. I’ll talk if you’re willing to listen?”

You nod, not letting go of his hand. Now that you know who and what he is, any residual fear is gone. You scoot toward him, wanting to be closer. “I want to know.”

“Giho is my uncle like I said. He’s not a werewolf, though. That trait passed through my mom’s side of the family. Still, he was family and he knew about the werewolves that my father married into. He's a wolf friend and does what he can to help us, including making house calls and stealing us goods in harsh winters.”

“Huh. I always just thought he was a quiet, grumpy vet.”

“He is very much that, but he has also been a lifeline. He helps Yoongi far more than he should. It puts him in danger. His wife was killed for being a wolf friend. Giho was left alone simply because he is useful to the village.” Your fingers squeeze his hand at the hurt in his voice. “That night you found me… I was pretty young then. Fourteen, to be exact. I was nosing around the village that everyone was so afraid of and never saw the trap. I cannot emphasize how much you saved my life.”

“It seemed like the right thing to do. I was afraid but you were… hurt. And your eyes were so kind. I don’t regret it.”

“What a relief.” You smile, genuinely happy. “I was worried you might after finding out my family were sort of… killing people.”

“When you put it that way,” you wince. “But I do believe you. That humans drove you out. That people are hurting you and your people. You don’t deserve it and I… don’t think I am in a position to offer moral arguments to what you’re doing.”

“I knew I liked you.”

“You barely know me.”

Namjoon turns his hand and catches yours, lacing your fingers. Your heart skitters as he pulls you a little close and leans, eyes narrowed playfully. “Hmm, sorry. I wasn’t really allowed to come hang out around your town, Little Red.”

“Why did you finally come? Is it to help Yoongi?”

He shakes his head. “I only have one goal.”

“Which is?”

“To keep you safe.” That quiets you. Namjoon doesn’t meet your eyes when he continues, “You showed me such kindness, I just wanted to repay you. I liked to keep an eye on you when I could, always from a safe distance. You might not know me, but I grew up knowing you.”

Your mouth goes dry at his words. For someone who poses such a threat, Namjoon is gentle. Soft. Kind. You swallow past the lump in your throat. “Did you give me the red cloak?”

“Yeah. It was to mark you as a friend. We give them to those who are under our protection.” He narrows his eyes. “Which is why Yoongi swears he didn’t know it was you in the woods tonight. Seokjin’s eyesight is too piss poor to realize it was you. Idiots.”

“Well if you know about me, tell me about you. What’s your favorite color? What do you like to eat? What's your favorite thing about being a wolf?”

So Namjoon does tell you. You both end up sitting on the bed next to one another, arms touching as he traces the lines on your palm. Your backs are pressed against the wall, feet dangling off the edge of his bed as he tells you about his childhood.

It is fascinating hearing about the dynamics of his community but it’s also sad. Hearing how they live in fear, hearing how so many of the people he knows are gone. Realizing that the things he tells you match up with things you realize about your own community.

Sadness sinks to the bottom of your gut like a rock. It isn’t pity that you feel, but something far more profound. It’s regret that you didn’t know any better. Frustration that he has suffered. A radical feeling of anger and desire for justice knowing you lived in comfort while Namjoon and his family suffered.

There are good parts, too. Namjoon recalls happy moments and blushes when he recalls seeing you a few times. It doesn’t feel weird or strange, knowing someone was looking out for you. It feels comforting, like old friends catching up.

Namjoon’s eyes sparkle as he tells you about his favorite books. You don’t know when you stop listening to him and start staring, but it’s inevitable. You love the way his eyes crinkle when he smiles, dimple making an appearance as he recalls a story about putting Yoongi in the dirt with his brother, Taehyung’s help. You love the way he gestures wildly with his hands, every word evocative and enthusiastic.

He’s the kind of person you would have been friends with had he grown up with you. And maybe a little more, you think, watching Namjoon watch you. His gaze is even and heated, making you squirm. His mouth twitches and you’re so sure that he knows he makes you nervous.

“I never thanked you,” you mention. He hums in question, letting you go back to tracing his scare delicately. He twitches and you grin. Good. “For saving me from the jaws of Yoongi.”

“Ah, that. I think he knew it was you. There’s a reason he dragged you instead of killing you on the spot.”

“Huh. Well, that’s very rude.”

“He’s good at that.”

“You sound fond, still.”

He nods. “I love Yoongi. Is my brother, in a way.”

“Well still. Thank you.”

You look up at Namjoon. You’re sitting so close, shoulders pressed against one another. He smells like pine and bergamot, your favorite scent. It’s heady, awakening a foreign ache in you. Your heart speeds up as you lean into him just a little more, watching him through your lashes.”

“Don’t look at me like that,” he rumbles, voice deep.

Your toes curl. “Like what?”

“LIke you wanna do more than just thank me.”

“Maybe I do.”

“I know.”

Ah. You start to pull away and turn your head, realizing that he’s not interested, but Namjoon catches your chin with his other hand, tilting you back toward him. Your heart stalls when he looks down at your mouth, then back up to your eyes. “I’ve known you for all my life. Not how I wanted, but I’ve known you nonetheless. But you haven’t had the chance to know me.”

“I want to. I feel like I have known you. Like I knew you were always there.”

“Is this what you want?”

This. Namjoon. Whatever is crackling between you. The thing that has sparked since the moment he caught you eavesdropping. It doesn’t matter that it doesn’t make sense. It doesn’t have to make sense.

Namjoon makes sense though. The way his gaze softens when he sees you. The way he looms on the edge of your life, a silent protector. The way he could do so much damage but is soft instead. The way everything about him feels like the sun on a summer day, like a field of wildflowers in spring.

He must sense you tipping over the edge. His grip on your chin becomes firm and he tilts your face toward him, leaning down to press his warm, full mouth against yours. The effect is instantaneous. You melt into him, sighing as a feeling of belonging slots into place.

The kiss is chaste. Namjoon pulls away and your lashes flutter. You hadn’t even realized your eyes closed. His gaze is dark and half-lidded, his face close enough that you feel his breath. His lips have stoked a fire in you and you want more, you want to spill out the years of longing for something you didn’t know was there, for the sudden confirmation that he’d been there all along.

Surging forward, you press your lips to his again. This time, it’s searing, your mouth fierce as you push up off of the bed. Namjoon falls in your rhythm easily, hand leaving your chin to grab you by the waist and pull you into his lap.

Knees slotted on either side of him, you pour everything you have into the kiss. Your fingers card through his thick hair, silky strands sliding between them like you knew they would. His lips are soft on yours, mouth warm as you break the seal of the kiss with your tongue.

Namjoon lets out deep, throaty sounds. It coaxes the flame inside of you to a roar, tongue tangling with his. It’s wet and messy and a little impractical but you don’t feel embarrassed or nervous. It’s Namjoon. It feels like home.

Pleasure tingles down your spine. Namjoon grips your hips, fingers digging into your flesh. It feels hot and your skin is burning up, static trapped between your chests where they’re pressed together. Your hips twitch, tentatively seeking friction in his lap. Namjoon responds immediately, pulling your hips toward him and letting you roll.

Your mouths part but Namjoon doesn’t stop kissing you. You pant while he presses his mouth to your chin and jawline, tongue tough against the softness of your skin. “I’ve wanted you for so long,” he growls. You tilt your head back, letting him pepper your throat. “You have no idea.”

“I always felt like something was missing. I think it was you.”

Namjoon moans at your admission. The heat between your legs is almost painful. One of Namjoon’s hands goes from your waist to between your legs, cupping you. You gasp back bowing as he presses firmly, deft fingers providing mind-numbing pleasure.

“That feels good.” You fist the collar of his shirt and squeeze your eyes. You feel tense, color exploding behind your closed lids. “Don’t stop.”

“Whatever you want,” he whispers. He pulls you in close, fingers curling. Your hips buck and you realize it isn't enough. You need the barrier of clothes gone. You want it more than anything. “You know I’d do anything for you.”

“Yes.”

You do know. It’s second nature. You knew even that day in the street when you’d first seen him. Just like Namjoon knows what you want and need, land leaving the apex of your thighs to help you off his lap and onto the bed under him.

There’s a confidence in his movements that makes the room spin. Long forgotten are the wolf attacks and Yoongi’s teeth around your ankle. Here, it’s only the rasp of your pants against your skin as Namjoon pulls them down. It’s only the heat of his skis as you yank on his tunic, desperate to feel him.

Namjoon does run hot. His skin is burning up as your hands explore his firm chest. He captures your lips again, sucking your bottom lip in his mouth as he spreads your legs open with a knee. You shake under his touch, equal parts eager and stimulated.

He’s so, so gentle as he caresses your inner thigh. When he brings his fingers to your sticky center, you let out a pitiful whine. Namjoon pauses, fingers pressed to your swollen kiss as he laughs and breaks the kiss, forehead pressed against yours.

“Don’t laugh at me,” you pout, leaning your head up to bite his chin. “It feels good.”

He gives you a quick kiss. Once. Twice. “Good. I want to make you feel good.”

Namjoon circles his middle finger lazily around your clit. Your feet press into the bed, hips pulling up off the sheets. It feels amazing, pleasure sparking in your stomach. “That,” you gasp. “I like that.”

He dips his head down, attaching his mouth to your neck as he teases your cunt. You don’t have to say anything else, Namjoon’s inquisitive fingers learning what makes you squirm and sigh. You’re a mess beneath him, chest heavy, beats of sweat making your shirt cling to you.

You claw at it, pulling it away from you. Namjoon leans up and lets you take it off, eyes dipping as he smiles appreciatively. He combines the efforts of his fingers with his mouth, bending low to catch a pert nipple with his teeth.

“Shit!” you squeak, making him chuckle again.

His fingers circle your clenching hole, pussy leaking onto his fingers. He presses a finger in and you let out a long, quiet whine. The feeling of his finger pressing against your walls is perfect, your cunt clenching as he shallowing thrusts the finger.

Everything he does is perfect. He sucks at your nipple hungrily as he fingers you slowly, making sure to press up inside your cunt in a way that has you seeing stars. Your fingers tangle in his hair, unable to think about anything except his teeth scraping your sensitive bud and your pussy clenching around his finger.

Namjoon is attentive. The heel of his hand presses to your clit and he eases another finger in, slower than the last. He looks up at you, mouth slick with spit to watch your mouth fall open. You nod, urging him further, sound stuck in your throat.

The wet squelch between your legs as he fucks you with his fingers is obscene. You like it though, driven by the fact that it’s Namjoon doing it. Namjoon who you saved. Namjoon who watched over you.

You open your eyes and look up at him, cradling his face in your hands. His forehead is damp with sweat from the heat building in the little shack. His skin is flushed and his hair hangs in his face. You pull at his bottom lip with your thumb and he gazes at you, hungry and wild, pupils blown.

Greedy, you pull him to you. The kiss is more teeth than lips, the two of you panting. Your leg hooks around his waist and you nibble his bottom lip, hips rolling to meet his thrusts, an orgasm starting its ascent.

“I want you,” you breathe against his mouth. Your lips are sore from arduous kissing. “Please.”

He kisses you. “Okay.”

It’s that simple. You ask for it and he gives it to you.

Namjoon retracts his fingers from your cunt. You feel the sudden loss, fidgeting as you wait. He makes quick work of his pants, kneeling on the bed and bringing his hands covered in your juice to pump his cock. You feel your eyes bulge at his thick length.

He notices and grins, slowing his movements. You watch as his hand smears precum down his shaft, twisting lightly as he gets to the top, his thumb brushing over his dark tip. “You can take it,” he pants, grinning wolfishly. “I know you can.”

Instead of answering, you nod, lifting your hips eagerly. He hums, pleased as he lets go, cock bobbing heavily while he shuffles over and leans over you. He places his hands on either side of your head, arms flexing as he holds his weight to bend down and steal a quick kiss.

You kiss back feverishly, one hand traveling between your sweaty bodies to grip his length, trying to stroke him the way he did. He sighs, breaking the kiss and dropping his forehead against your chin as a shiver ripples through him. You smile, continuing to pump him.

“Want to be inside,” he mumbles, barely coherent.

You open yourself up more, gently guiding the blunt crown of his cock toward your trembling entrance. You hold your breath as his hips follow your hand, breaching your ring of tight muscles and pushing in.

Immediately your muscles spasm and resist, overwhelmed by Namjoon’s girth. You blow out a long breath as he enters you so, so slowly. It’s heaven and it’s hell, it’s pleasure and it’s pain. Namjoon presses his mouth to you, tongue distracting you as he bottoms out, stuffing you full.

Nothing has ever compared to how stretched you are. He doesn’t move, letting your cunt twitch around him. He holds himself up with one hand, the other brushing up and down your side, squeezing bits of flesh comfortingly as you try to still your beating heart under him.

The pain fades. You get greedy, wiggling your hips back and forth experimentally to feel the way Namjoon’s cock rubs against your walls. He blows out air sharply, a half laugh before his hand drops down to your hip, pushing you down into the bed with his weight as he slides backward.

“Ohhhh,” you sigh, head lolling to the side. The pressure of Namjoon pressing you down as he sets a slow pace of fucking into you is just right. You close your eyes, letting him set a slow pace in silence. “Yeah.”

Namjoon’s breath is unsteady. Every little sound he makes sets you on fire. You’re pliant beneath him as he picks up his speed, properly fucking into you. One of your hands reaches up to grab his bicep, nails digging in, the other shooting to his hand on your hip, squeezing his wrist.

Everything feels right. Connected. Overheated. The air is so thick you think you might suffocate, sheets sticking to your balmy skin, toes curling as Namjoon’s cock hits that spot inside of you that drives you mad.

Nothing but this matters. Nothing but knowing your wolf isn’t really a wolf at all, and that he’s been there all along. Just like you’d hoped.

“Fuck,” Namjoon pants. “I never dreamed I’d have you.”

“I dreamed of you,” you gasp on a particularly hard thrust, your nails dragging down his arm. “I just didn’t know it.”

His mouth crashes to yours. “Mine,” he growls. “My savior, mine to protect.”

Your orgasm spins like an out-of-control spool of thread, winding tighter and tighter. Namjoon can tell, chasing your orgasm with reckless abandon, throwing his gentle movements out the window and fucking you hard into the bed.

The sounds and words coming out of your mouth are useless babble, your thoughts turning murky as that spool tightens so much inside of you that it bursts, unspooling and spilling out of you around Namjoon’s cock.

You can’t even breathe as you come, feet kicking, nails digging into his skin, teeth clenched. Your heart beats in your ears, the only thing you can hear for a few seconds as you spasm, eyes clenched shut. You are vaguely aware of Namjoon coming shortly after you, your name ripping through clenched teeth as he does.

There are a few minutes of nothing punctuated by your stilted breathing and rapid pulse. Finally, you blink, stars swimming in your eyes as you look at Namjoon, who hangs his head on your chest. You reach a hand up and run your fingers through his sweaty hair.

Your wolf. Somehow you’d always known it. Even when you thought you were crazy.

Gently, Namjoon pulls out of you, fluid spilling between your legs. You don’t care, limbs too heavy to move. Your skin is still burning up from exertion and you roll your head to the side to watch Namjoon as he lays next to you, pulling you toward him.

For a little while, it’s quiet. You listen to the beating of his heart, closing your eyes and breathing deeply. You’re content just to lay there feeling whole just for once.

After a while, Namjoon sighs. “You have to go back eventually.”

“We.”

“Hmm?”

“We have to go back.”

Namjoon pulls away and frowns at your tone, eyes reading your face. Your mouth is set in a firm line and you look at him with all seriousness. “We’re not letting them get away with what the humans did to you and your family.”

“You want to help?”

“Yes.” You pause. “I think it’s what my father would have wanted. It’s what I want. Even if Yoongi bit me.”

“Yoongi will never bite you again,” he vows fiercely. Then, a little more gently, “But he… would be glad to hear your sympathetic stance. I’m glad to hear it, Red.”

“Good.” You snuggle closer. “You’re mine to protect too. And I will make them pay.”

For Namjoon. For your father. You’ll paint the village red.

#namjoon smut #kim namjoon smut #bts smut #namjoon fic #namjoon fanfic #kim namjoon fic #kim namjoon fanfic #namjoon x you #namjoon x reader #werewolf namjoon #collab

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ibrithir-was-here · 8 months

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Old short story I wrote a couple of years ago and then forgot about. Remembered it the other day, gave it a bit of a brush up, and figured I'd share it. My own take on the old "Dark Snow White" retelling

Sunlight and Snowdrops

Father is sending us away tomorrow, sent for schooling at a monastery far off in the south. His new wife--The Usurper, who I will not grace with the title of queen-- tells us of the walled gardens, where pomegranates and figs grow almost year round on trees with leaves as large and tall as a man, a place where the sea still rushes up freely to meet the shore, long stretches of golden sand, forever warm to the touch.

She has talked of little else for months now, as if she and Father hope that such constant chatter will somehow soften us to the idea of our exile, make us forget the kingdom she has stolen from us, just as she has stolen his heart. And perhaps with my sisters she has somewhat succeeded . They always did take after Father, with their butter-yellow hair, and skin flushed like ripe peaches. Perhaps they were always more suited for such places. But I am my mother’s daughter, as any who look upon me can tell, and I will not be made to forget.

For how could such a flat, lurid place ever hope to compare with the beauty of my mother’s kingdom? What is a stretch of damping sea-shore to the beauty of a deep lake, forever crystallized into the finest mirror? What are walled gardens with their mad jumble of gaudy fruits to the dark towering pines, whispering to each other as the wind moves through them? What monastery could ever hope to reach heaven in the way that the mountains of the valley swell up in dark waves, to crack the egg-shell gray of the sky?

It is the blue sky of that far off place I fear most of all. What want have I for a sky of unchanging blue, suffocating in it’s immensity, with its one great burning eye beating down to peel and crack my skin in the day, and it’s thousand eyes to stare down at night? My mother’s pale sky has never once burned me, never once stared into my dreams, not with her veils of snow to protect me. Her sky is forever changing, shifting from stillness to storm on her whim. Blasting and breaking, soothing and softening, blanketing all with her beautiful covering of pure, protective white.

But my father’s new queen has poisoned its beauty for him, turning his head with her talk of salted water and coarse sand. If she wishes to retreat to such places, then I say let us be well rid of her. If my father and sisters are fools enough to follow her, to believe the lies she and her counselors and sages have spread about my mother, the rightful queen, then let them be off as well. I know the truth, I have not forgotten, I of all her daughters, have remained faithful.

There are so few of us now. So many have turned away from their true queen. But though loyalty is fragile, memory remains as firm as the ice upon the Great Lake. Despite their seeming love for the Usurper, The common people still tell my mother’s story. The Usurper thinks that because she was once one of them, a drudge plucked from obscurity by the weakness of my father’s will, that their hearts have turned to her in full.

But they can never forget my mother completely, she does not let them.

When the winds howl thick, like wolves at the door, the tale, long and wondrous and wild, is whispered between huddled crones and wide-eyed children.

A tale that takes hold of the mind and heart, as surely as the cold takes to the bones.

It begins in Winter, for indeed, how could it not?

A winter long and dark, when my grandmother, a woman wise in the old ways of the world, sat sewing at her window, looking out into the forest that spreads like an ink stain all round the castle, the snow falling heavy all around her, silencing the world as she made her request to the magic of the woods.

Three drops of her own blood she spilt to gain her heart's desire, a child for her childless king. And a child she received, a beauty such as never been seen. Hair black as the trees of the forest, lips as red as the blood she had given, and skin as white as the purest snow. A child of the winter woods, born on winter’s darkest night.

A life had been granted, and so was a life taken away. My grandmother lived long enough to bless my mother with her name, and the king, who once had so longed for a child, was now too grieved to bear the sight of his new daughter. And so my mother was given over to the wife of the castle’s woodsman, recently blessed with a child of her own, and who, most importantly, lived in a cottage on the edge of the woods, far, far away from the castle grounds, and her mourning father’s eye.

For seven years my mother grew up in the care of the woodsman’s family, as loved as if she were their own blood daughter, and the girls loved each other as sisters. They spent many days beneath the shadows of the trees, and learned much from the woods. They say even then, before she had come into her power, that the creatures and spirits of that place knew my mother as part of their blood, knew that something of her had come from something within them, and protected her for it.

It was in the winter of her fifth year that she met my father, a lad of nine, trapped within an enchanted bearskin. She and her foster sister brought him into the warmth of their cabin, saving his life, and each winter for three years after, he returned. She told me once that those winters were some of the happiest memories of her life, surrounded by those she loved in the shelter of the snows.

It was in summer that her sorrows came.

It was in summer that my mother discovered the gnome that had cursed her bear, and by his death my father was freed from his enchantment, only to then return to his own far off kingdom. It was in summer that my mother was parted from her foster family, recalled to court at last--only to find her own usurper on her father’s arm.

The people of the land adored the lady who had come to them out of the sun-drenched south, calling her their Summer Queen, praising her for the abundance that had blessed the lands since she had wed the king. And surely there was never a woman so beautiful. They say that her hair flowed like sunlight itself down her shoulders until it touched the floor, braided all over with flowers of every hew, and her eyes were as blue and bright as an August morning.

My mother said she could feel those eyes trying to melt her the moment she was brought before them.

My mother was not at court long. One day, the Summer Queen surprised her with a visit from her foster-father, and though he smiled at her, his eyes seemed grim and troubled. They traveled together down to the edge of the woods, far from the eyes of any in the castle--and there he took out the knife, carved all over with flowers, to cut out her heart.

(He claimed later, when the coup was over, and my mother restored to the throne, that he had only done so to protect his family, his own little daughter. My mother granted him the same pity he had shown her, and sent him into the woods, alone and unarmed. I do not know to this day if he fell to the animals or the cold that finally came, but by all accounts, he was never seen again.)

My mother, for her part, wandered for months alone beneath the boughs of the woods. The animals did not harm her, the woods knew its own, but she dared not venture near the edges where human souls still delt, fearful now that any might betray her to the Summer Queen. And as remarkable as she was, she was still only a child, and had never had to care for herself before, and she longed for the cheer and company of creatures like herself.

More than that, the heat of a seemingly endless summer wore at her. August passed into September and September to October and on, with nary a change to be seen. The leaves on the trees remained green, and did not fall. The rivers ran along as full and fat as ever, though there was no snow left to feed them. The sun felt like a great eye, searching for her beneath the sheltering shadows of the forest. Only at night did she find respite, and she longed for the relief of a winter that never came.

Farther and farther she wandered, seeking someplace where she might find some sign of chance, some shelter from the daylight that stretched longer and longer. At last, she found herself upon the slopes of the farthest mountain. Her feet were worn ragged from wandering, and her tongue was cracked from the heat, but with the last of her strength, she managed to stagger to the summit, and there, in a hollow tucked into the dark shadows of the peaks, so dark that even the hottest of summers could not fully touch them, she found snow.

And there her strength finally deserted her. She lay down upon the snow as contentedly as if it had been a feather bed, and might have slipped into the endless sleep beneath that cold coverlet, had it not been for the little men.

The frozen-beards, the valley people call them. Dwarfs that live in the fields of ice upon the mountains, having little to do with the valley people. They delight in the cold, they are said to be able to call up snow storms to hide their homes,and in winter they might be seen galloping along in the wake of an avalanche as happy as a child at play. But for all the ice of their beards, they are warm of heart, and they took the half-frozen child into their home as readily as if she had been one of their own.

For seven years, my mother at last knew peace. In the caves of the mountains she learned much of the songs and stories and skill of her new family. She learned the shaping of swords and the setting of gems,and the summoning of wind and fog, and was happy.

But nothing lasts forever, and at last, summer found her patch of hidden winter.

The king of a far-off land had proclaimed his intention to visit our valley kingdom, which had grown in renown-- and profit-- thanks to the summer that seemed trapped within the crown of our mountain valley. The rivers and Great Lake were never clear of vessels shipping goods out and bringing gold in. Both people and purses grew fat from the bounty, and basked in the seemingly endless sunshine.

There was one stain however, upon the glorious reign of the Summer Queen, though it was only spoken of in whispers, for it would not do to complain of such small misfortune within the wake of so many blessings.

The Draining Sickness.

It came on quickly, overnight in some cases. Those afflicted withered away, drained, pale and almost bloodless, like unwatered plants beneath the noon-day sun. No one knew how it spread, it seemed to only strike one village at a time; and oddly the most healthy and comely succumbed first, as if offended by their vitality and beauty.

Fate however, seemed inclined to some mercy. For each village that was stricken with loss soon found itself blessed with an overflowing of crops and commerce, as if Death felt some blood money was owed.

It was not only the young and lovely who were taken though. The old King, my mother’s father, was struck down on Summer’s Eve itself— along with seven young girls from each of the surrounding villages. But the grief over these deaths was short-lived, such was the glory of the days that followed, the golden sunlight drying the tears from the cheeks of the mourners even as they fell. Indeed, it seemed hard to grieve anything beneath the sun of that long, long summer. The Summer Queen, clothed in green and yellow and scarlet and blue, wore only a black ribbon around her neck for mourning, and none falted her.

It was then that the rumors came, rumors that the visiting king was not only there to see the beauty of the valley, but of its women as well. Indeed, those coming before his entourage said that he was seeking out one who was rumored to be the Fairest of them All.

The Summer Queen, shining almost to match the blazing endless sun, was more than happy to aid him in his search. And it was undoubtedly her efforts to ensure her own success in fulfilling the terms of his quest which led her to discover that my mother’s heart--which she thought she had devoured seven years ago, at the start of her endless summer --still beat it’s red,red blood within her snow white breast.

A grand celebration was proclaimed in the king’s honor, a festival of such magnificence as had never been seen outside of the old stories, and travelers came from all the surrounding lands to take part, ply their trades, and sell their wares. Up and over the mountains they came, and several passed by the cave where my mother dwelt.

Was it any wonder that my mother, still so young, having found a measure of peace in that snowy valley which soothed the burns upon her soul, and made her long to return somewhat to the world of men and look once more upon human faces, took in good faith the laces, brought by from far by the cargo boats; the comb, carved and painted so cleverly with a myriad flower; and finally, most beautiful blood-red summer apple, grown in her father’s own orchard?

When my mother woke again-- to the face of my father, returned from afar at last to find the girl who had freed him from his curse, and had now freed her in return-- she was not so naive.

My father had brought many men with him, and the people of the valley had grown slow and complacent in their bounty. When his men came with their swords, and the frozen-beards called up their icy winds, and my mother rode down upon the capitol in a sleigh made from her own glass coffin, they were not prepared to withstand the onslaught. Soon enough all had either fallen to their knees —or fallen where they stood.

The Summer Queen danced at my mother’s wedding, in shoes crafted by my mother herself, in the art taught to her by her foster-fathers. Shoes which returned upon the Summer Queen all the heat of the sun which she had stolen by her sacrifices and bloody rites.

Then my mother took up her rightful throne, and winter came at last to the valley.

My mother and father were wed in the open courtyard, as the snow fell like diamonds all around them, and all agreed they had never seen a more beautiful sight. My mother’s foster sister, who had remained loyal to her true queen, was reunited with her, and wed to my father’s brother. Children followed both of them after, and for many years, the natural order of the seasons came and went.

It was on my seventh birthday that my mother found the mirror, tucked behind a tapestry woven with fruit and flowers, in the abandoned tower of the Summer Queen.

No one knows where the Summer Queen obtained the mirror. Some have claimed it was a wedding gift from her godfather, a fallen priest who had taken supper at the Scholomance. Others that she crafted it herself, from water and moonlight, on a witch’s sabbath. But my mother told me once that the mirror was only a shard of a greater whole, and that the Summer Queen had only happened upon it, and though her own powers were great, her vain and narrow mind only able to discover the basest powers of the mirror.

But my mother-- born of blood and snow and forest, learned in the lore of the mountain folk, the perfect inversion in shape and soul of the Summer Queen-- could feel at once what was before her. She had higher aspirations than to know of mere beauty. After all, why should she trouble herself over such trivial questions?

She was, and is, the Fairest of them All.

No, my mother asked for vision and clarity, and the mirror readily supplied, showing her the darkness that lay in the hearts of men, the twisted, choking desire she had already tasted in an apple grown of blood and summer heat, and she knew what she must do.

That night, on Summer’s Eve itself, the snows began to fall.

The winters lie heavy on our land now, as heavy as summer once did. Our borders have shrunken back to what they were before the days of the Summer Queen. The rivers she once choked with cargo boats and merry-makers now flow freely beneath the protection of their own glass coffins. The flowers that once crowned her traitorous head have not been seen in many a year. The mountains are eternally capped with snow, the frost-beards no longer trapped within their narrow valley. Our kingdom, once vibrantly flushed with the blood of those taken to feed an endless summer, is now white and pure, cleansed by the endless falling snow.

My mother saved her kingdom from a blood soaked opulence, from a land made rich and fat off the hearts of their own, and yet they still turned upon her. Called her witch, demon, and worse. In the end, as the purifying snows fell heavier and heavier, The Usurper-- covered in ash from the fires she’d set to hold the snows at bay-- besieged the capitol. With her brother at her side, with an army of thred-bare shop-keepers and merchants laid low, she came up the Great Road with as much pride and assurance as if the crown sat already upon her head.

My aunt, foster-sister of my mother, and others who remained loyal, who knew their true queen for the power that she was, fought back. Indeed, my aunt and the wolves that answered to her slew The Usurper’s brother upon the very threshold. But the faithful were soon overwhelmed. The few who survived were driven into the woods, seeking the shelter that had been granted to my mother. The Usurper had the trees set ablaze, calling out that the dark powers of the forest would not be allowed to aid the followers of a witch. Her army came right up to the palace gates. And my father, my dear, foolish, fearful, traitorous father, who’s heart had been turned by The Usurper’s treacherous lies--himself unbarred the door for her.

My mother did not flee, whatever they say. She who had vowed to never be driven by anyone again, she who had bent the very elements to her will. She did not flee before The Usurper’s feeble army of ragged townsfolk and treacherous palace guards,even as they tore up her portraits, burned her books, and smashed her mirror into a thousand pieces.

No,they were not granted that victory. When she fell, she fell of her own accord, and her white gown sparkled like snow-flakes in the sun as she dived, down from the window at which her mother had once sat sewing, down, down into the blazing, waiting embrace of the woods that had heard her mother’s prayer.

When the fires at last burned themselves out, they found my mother’s body, ash covered, but untouched by the flames, as if even they could not bear to besmirch her beauty. She was placed once more in the glass coffin that bore her name, and it sat in state for three days in the royal chapel. She was, after all, a king’s daughter, and wife of another. On the third day, it was gone. Some claim she was properly buried, far beneath the ground, with a hawthorn branch in her heart. Others say that the rebels took the coffin, and burned it till the glass was melted down into a lump as black as her hair had been. The faithful say that the frost-beards came in the dark of the night, and reclaimed their daughter, carrying the coffin up once more to the high valley where my father once found her, to await the day when she will awaken again.

If she has not so already.

For though my mother’s crown sits on The Usurper’s head, and her daughters are to be sent to the far corners of the earth, in hopes the heat of the sun and the scent of the flowers will drive her from their hearts, the winter still lays heavy upon the land, and the wind has not ceased to blow since the day that she fell.

Father is sending us away tomorrow, and I do not think he shall be long in following. So many have left already. He longs for the shores of his youth, where the spring and summer follows after the winter. My uncle, his brother, has already returned there, with many of his children. The common folk are leaving as regularly as they can clear the mountain passes, which is not easy in these times. The birds and gentler animals left years ago. Soon, it will be only the wolves that prowl the dark woods, edging closer and closer into the towns as more and more people abandon my mother’s frozen kingdom. They say that the spectre of my aunt can be seen running with the wolves sometimes, when the moon is obscured by clouds, red cloak trailing behind her like blood on the snow.

They can send me away, but I shall find my way back. A thousand’s flowers scents could not make me forget the smell of the pines, a thousand bird’s songs could not drown out the howl of the wind. The bluest of skies cannot burn away the purest of snows. Not all the mirror’s pieces were ground to powder. I managed to save one, one single shard reclaimed in the chaos that shattered my childhood. I have kept it close, reworked and polished it, set it into a clasp on a chain that rests even now against my heart, hidden beneath my dress so that The Usurper cannot see. Already I have learned much, not as much as my mother, I do not claim that, but enough

And when the time is right, I know it shall lead me home. Past the guards that will be placed at the door, past the gates that will be barred, over the rivers and hills and far away, back to my mother’s mountain. And there I know I shall find her again, hair as black as night, lips as red as blood, skin as white as snow; riding in her sleigh of glass thru the eternal winter air to meet me.

#my writing #snow white #snow white retelling #got inspired by a few different short stories #Tanith Lee's Red as Blood #Neil Gaiman's Snow Glass Apples #and Theodora Goss' England Under the White Witch #plus just my own love of faitytales and finding ways to mash them together #also wanted to do a dark Snow White story where she doesn't just start out as an evil vampiry child #but becomes corrupted by her fear and trauma #snow white and the seven dwarfs #snow white and rose red #little red riding hood #hansel and gretel #(the usurper is meant to be gretel as in some varients she grows up to marry a king #and who better to kill a witch?)#honestly would love to come back and explore some of the other characters in this story like her and red riding hood)#the snow queen #(really i think i just wanted to tie all the snow white/snow stories together x)#short stories #short story #walter crane #for the banner art #dwarves #witches #vampires #kinda with the witch queen

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lilmisssammy · 1 month

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The Path Iceberg

This is an Iceberg for The Path- created by myself with editing help from my good friends Samhain, Torr and Gloria. If you don’t know what an iceberg is, it’s a chart to discuss different levels of knowledge for a specific topic, the farther you go down, the more obscure or dark the topics become.

Before you read, I need to state that there are discussions of Rape related to people aged 9 to 19, Death, Potential Triggering content within links, and Spoilers for The Path.

Thank you! And Enjoy!

Before you read, I need to state that there are discussions of Rape related to people aged 9 to 19, Death, Potential Triggering content within links, and Spoilers for The Path.

Thank you! And Enjoy!

Tier 1 - The Sky

The Path is a psychological horror art game created by Tale of Tales, now Song of Songs, in 2009. It follows a modern retelling of Little Red Riding Hood as it's experienced between six sisters, the wolf-loving 9-year-old Robin, the precocious 11-year-old Rose, the tomboy 13-year-old Ginger, the brooding 15-year-old Ruby, the confident 17-year-old Carmen and the responsible 19-year-old Scarlet. Each sister takes turns walking to their grandmother's house, with the only rule being to stay on the path. And the only way to win is by dying. The Path is a walking simulator and is seen as one of the best representations of the fact gaming can be art.

Tale of Tales was a Belgian game development company that ran from 2003 to 2015. It was founded by artists Auriea Harvey and Michaël Samyn in an effort to bring art to an interactive medium. They're known for games like The Endless Forest, Graveyard, Fatale, Sunset, and especially their cult classic The Path. In 2015 they ceased making commercial video games after the release of Sunset, and now work on art projects together under the name Song of Songs. Currently, they’re working on a remake of The Endless Forest, which is currently in its beta stage open for patreons!

Little Red Riding Hood is a fairy tale about a young girl with a red cape who meets a wolf on the way to her grandmother's house. The basic story has Little Red walking through the woods to bring food for her sickly grandmother, where she meets the wolf who wants to eat the food and her. The wolf tricks her into telling him where she's going while she stops to get her grandmother flowers. When she finally gets there, the wolf has eaten her grandmother and tricks her into getting into bed so he can eat her as well. Depending on the version, a hunter may come in and slay the wolf saving the granddaughter and grandmother from his stomach, or the grandmother could be unharmed in the wardrobe.

Auriea Harvey is a digital artist and sculptor currently living and working in Rome. She’s one half of Tale of Tales and is specifically credited for Design, Direction and Character Design on The Path. She was also the author of the post-mortem on The Path which you can see I’ve heavily referenced throughout this whole post. She currently has an art exhibit at the Museum of Moving Image called My Veins are the Wires, My Body is Your Keyboard which features images, models and the ability to play the path!

Michaël Samyn is a graphic designer and digital artist specialising in VR from Belgium, currently living and working in Rome. He’s the other half of Tale of Tales and is specifically credited for Design, Direction and Programming for The Path. His most recent work, apart from actively working on The Endless Forest, is The Viriditas Chapel of Perpetual Adoration, an utterly stunning VR experience you can get on Steam.

Tier 2 - Tip of the Iceberg

The Path as a game is about building your own interpretations of the character's struggles via item reactions and rooms in Grandmother's House. There are generally two main interpretations believed by most who play the game. One is that the game shows each girl's death, Robin being mauled to death by a wolf, Rose drowning after she falls off the boat, Ginger being strangled/electrocuted on the flower fields wires, Ruby getting into a car accident, Carmen being killed and chopped up, and Scarlet being hung by the string seen on her wolf’s claws. However, these are also usually viewed as metaphorical examples of the sisters feeling like they died after extreme traumas. Using the items and images as clues, there is a common consensus of what each sister went through that made her feel like this. Robin's is learning about death and the consequences of actions, Ginger's is getting her first period and being forced to grow up, Ruby's is falling in with the wrong crowd and getting into harmful behaviours, Carmen's is getting taken advantage of while drunk, and Scarlet's is falling under the weight of responsibility placed upon her to look after her family.

Some places reported that the game would be about rape or pedophilia, like this spread in a Dutch gaming magazine. Something that gives credence to the rape interpretation is the basis of Perrault's version of the tale where the wolf tricks the sister to take off her clothes and get into bed together, as well as the uncomfortable positions the sisters appear in after their encounter. Though, this is how Auriea addressed it in the post-mortem- 'Some say blindly that the game is "about rape." And while that could be one of the interpretations -- and I understand it -- for me, those black-out moments after meeting her wolf are the moments of realization. Those are the times when a girl grows. And what happens in Grandmother's House is not a murder but a shedding of childhood and an initiation to womanhood. Each girl is one step closer to her fate.'

The Path may have intended answers that are mostly agreed on, but the format of the game is purposefully set up so there is no wrong or right answer, allowing for more personal or specific interpretations. You may notice I didn't mention Rose in the last section- and that's because there isn't an accepted answer. The most popular ideas are either her blooming spirituality, or dealing with illness, though those are both contested. There are other popular interpretations for each character- Robin having a family member pass, Ginger being a lesbian or trans man in love with her wolf, Ruby's experience with ableism or addiction, Carmen experiencing society's sexualization of teenagers, Scarlet having extreme psychological issues, with Rose's ranging anywhere from the struggle of a gifted child, actually dying or even the creators not having an actual set intention!

Each sister you can play as has their own Live Journal- Robin's is named Kid Red, Rose's Innocent Red, Ginger's Tomboy Red, Ruby's Goth Red, Carmen's Sexy Red, and Scarlets Stern Red. Here the sisters post about their lives and talk to one another and sometimes other people, there seems to be a group of people who didn't know these were fictional characters, and one person talking about the Rio World Cup. Nowadays, this blog project could be seen as an early form of an ARG, considering its interactive nature.

The Company of Wolves is a 1984 gothic horror film about a grandmother warning her granddaughter about straying from the path and never trusting charming men. Multiple stories are told about girls falling for people who are secretly wolves and how it became their downfall. There are similar themes of femininity and sexual awakening, as well as the usage of Charles Perrault's Le Petit Chaperon Rouge at the end of the movie and in the trailers for the game.

If you've played The Path in recent times you may notice that there are various bugs that range from bearable, game-breaking, beautiful or simply funny. The creators have an image folder of beautiful glitches from developing the game and the VK fanclub has compiled some glitches found themselves.

The game is turning 15 this year- and as time goes on the web aspects that hosted information about it are slowly going out of date. There's been an effort to archive images, the character models for the sisters, and object textures.

Jarboe Devereaux is an experimental rock musician probably best known for being an early member of the group Swans, who co-composed the soundtrack for The Path with Kris Force along with lending her voice to some narration in the soundtrack and trailers. A lot of her music is experimental and I honestly recommend listening to it if you want! At the moment she’s working on her next solo album to come out in late 2024, as well as considering a tour in Europe after the album is released!

The Path of Needles or The Path of Pins is a line from one of the earliest versions of Little Red Riding Hood, the wolf asking which path she will travel down, the needles representing maturity while the pins represent childhood. It's said to be based on a French village in which a girl was sent off to become a seamstress for a year, as a sense of sexual maturation. This features heavily in the trailers as well as being part of The Grandmother’s Tale read by Jarboe, with it being referenced to by Ruby in her reaction to the needle.

The Prologue is a short free version of The Path you can find on their website where you play as the mysterious Girl in White. You're unable to interact with items or go to grandmother's house in this version- but you are much more able to explore and find your way back to the path on your own, something you cannot do in the full game.

Izzzyzzz is a YouTuber who makes commentary videos who posts deep dives on things like famous fandom stories, old media and internet legends. In late 2021 they posted a video covering The Path which now sits at 1.4 million views, introducing a good chunk of the modern fan base to the game, as well as causing a surge in new content for the game, with a follow-up video in 2023! Their most recent video is about the game Palworld and it’s plagiarism, as well as having a new line of merch out.

Despite being released in English and Dutch only, The Path very quickly grew a fanbase in Japan and even more so in Russia. Screenshots from Auriea's post-mortem showed Russia was the second biggest purchaser of the game. The European social networking site VK has a fan club of 5.4k members as of writing this- as well as having produced 251 fanfictions on ficbook (for context, Rule of Rose, a game with similar themes and an overlapping fan base has 5 fanfictions on it) Japan's is a lot less archived, but on niconico you can find a lot of fan videos for The Path that is simply not there on the English net.

Though not like how it's used in other games- The Path has an inventory system in which you can collect, store and view items found in the forest. These are deemed "Distractions", and you're able to use these to unlock parts of grandmother's house. There are 30 items you can collect, the bread and wine are already collected which unlock the house and gate respectively, but there is also: A Knife (Unlocking a knife on the kitchen table), a Bullet (Unlocking a deer head), a Feather (Unlocking a Cage with a bird), a Mask (Unlocking the curtains in the kitchen), a Dead Bird (Unlocking a tv), Treasure (Unlocking a stack of money), a Needle (Unlocking pills), a Two-Headed Teddy Bear (Unlocking the bear in grandmother's house), a Boot (Unlocking a table), a Record (Unlocking a stereo), Flowers (unlocking hanging flowers), a Balloon (Unlocking Balloons on the ceiling), a Piano (Unlocking a Cobweb), the Playground Tower (Unlocking a picture frame), a Bunker (Unlocking beer in a fridge), and a Grave (Unlocking a Vase). Each sister then has three special items that unlock secret rooms. For Robin, an Open Grave, Swing and Shopping Cart unlock a crib with a birds-nest, a side staircase and a birthday party. For Rose, a Living Crow, a Skull and a Well, unlocking a long corridor of bathroom stalls, a flooding hallway of doors and a greenhouse. For Ginger, a Twisted Fence, a Climbable Tree and a Shed unlock a hallway, a bedroom and toys under the bed. For Ruby, a Scarecrow, a Wheelchair and a Car unlock a hallway, gymnasium and giant cage. For Carmen, beer, campfire and bath unlock a bush corridor, a basement and a row of fire. And for Scarlet, a cobweb, a clothing line, and a tv unlock a music room, a library and a hall of books.

Tier 3 - Beneath the Surface

Kris Force is an electroacoustic composer, performer and visual artist you'd probably best know from her work as Amber Asylum and with Neurosis. She’s an extremely talented multi-media artist, including such skills as painting, sound and photography. At the moment her most recent release was The Embrace, with Jarboe whom she collaborated with on The Path!

1001 Video Games To Play Before You Die is a spinoff book from 1001 Albums You Must Hear Before You Die, featuring games from 1970 to 2013, with The Path being listed right between Punch-Out for the Wii and EyePet the pet simulator. Listed as being so effective due to its interactivity.

The Girl in White, the mysterious forest girl who brings the sisters back to the path, seems to be tied with two of the sister’s Wolves. Ginger’s, The Girl in Red, and Carmen’s, The Woodsman. The Girl in White has a small tent next to the Woodsman’s area, as well as sharing the same skin colour, hair colour, eye colour and similar-looking boots. With the Girl in Red it’s much the same, the only things being different are the colour of their dresses, and the directions their pigtails point, and is directly named as the Girl in White’s twin. There’s even art of all three together named “The Woodsman’s Daughter” but not saying which one is his daughter.

Fey Wolf, if you aren't familiar, is the name in the files for Scarlet's Wolf, the white-haired pianist found in the theatre. You'd not be faulted for seeing them as either an older woman or a long-haired man, or even a genderless ethereal being. The Fey Wolf was never specifically gendered by the creators, but insights about The Girl In Red Wolf reveal that she is intended to be the only female wolf.

Laura Raines Smith is an extremely prolific animator specialising in modelling and textures and was the main animator in a lot of Tale of Tales games. Some of her Tale of Tales animations can be found here, but she's also worked on games like Borderlands 3, Rage of the Gladiator and NHL 95. Her most recent work from what I can find was the animation and rigging on Saturnalia in 2022!

If you’ve been in the community or if you’ve seen people discuss theories for The Path, you have probably seen the interpretation that Ginger is a lesbian, or transgender. This goes beyond just a shared headcanon, there’s a mountain of evidence for both camps that seems potentially intended. Starting with Ginger being transgender, just out of respect, in this section Ginger will be referred to with gender-neutral pronouns. Their appearance is particularly androgynous compared to their sisters, with a short bob cut and a black shirt and shorts- along with having the gender-neutral name Ginger that doesn’t quite fit the family naming theme that could be seen as a chosen name. Ginger also is associated with things that are seen as more masculine, their favourite video game is an action-adventure called Ico, they enjoy exploring the forest and trying to blow things up or fake crop circles, as well as having “boy” toys under the bed, little army men and dinosaurs. Ginger also notoriously dislikes things that are more “girly” like dressing up pretty, going as far as to make their entire family forget their birthday to avoid it. Their wolf can be seen as a manifestation of that, of all things girly and feminine, literally being only known as a Girl in Red- and the GIR’s obsession with barbed wire could be how they feel their feminity is trapping them. Ginger getting their first period is near-universally considered to be the “proper” interpretation of their route, but people who believe in Ginger being transgender use their overwhelming reaction to their first period being a sign of gender dysphoria, and fear of now believing they will be stuck to becoming a woman. This can be summed up in this image, of Ginger clutching their legs together with what's supposed to be in the middle being completely absent, instead with a drawing of flowers in place and barbed wire across, a clear sign of how they see their period as trapping them into womanhood. For the lesbian side, Ginger never specifically states that she doesn’t like men like Scarlet, but more shows her complete disinterest in them and romance in general. She mentions how she hates that “kissing stuff” and describes Carmen as “Hot, if you’re into that kinda thing.” While that does seem to show Ginger isn’t into romance at all, there are some things. The recurring image of two girls holding hands as a doodle can be found all over the game, and her general identity as a tomboy is sometimes seen in young lesbians yet to have come out, but most of the evidence lies within her wolf and their relationship. They’re clearly close, they have a handshake, and Ginger is more comfortable with affection with her than compared to her own grandmother, with the two girls hugging deeply and the GIR even lifting her into the air. The Wolf Encounter is comparably tamer and almost sweet compared to every other wolf encounter, ending with the Girl in Red grabbing Ginger’s hand and pulling her down to lie together in the sun. The final flashes show an image of the GIR leaning in, almost looking like she’s kissing something. On the GIR’s development blog, their relationship is described as “They are what is missing from each other's lives” as well as describing why Ginger was chosen to have a female wolf as “And the girl most likely to be attracted would be Ginger.” These development notes as well as the general tone of the wolf encounter seem to apply that Ginger and her wolf’s interactions weren’t as antagonistic as the others, almost as if her goal was not to hurt, but to trap her, seemingly to stay in the relationship.

If you’ve lurked on forums about the game for any amount of time, you’ve probably heard the question of “Getting an A” in the game's grading system, and speculation on how it’s possible. Well, I’m sadly here to tell you it’s impossible. Even if you get all of the items, all 144 flowers, successfully succumb to the wolf, and become Grandmother's favourite grandchild, you are unable to get an A. It honestly should not be a surprise- The Path is not supposed to be a normal game that rewards you for your completion, it’s… The Path.

Lisa Falzon is an Illustrator turned tattooer and multimedia artist from Malta. She was originally approached early on in the production to design the box art, though I don’t know if this was ever made or shared, and went on to inspire multiple other aspects of the game, being described as "Awkward Realism." She even drew Ginger when Tale of Tales interviewed her! At the moment she’s working in her own Tattoo shop called Upward Spiral Ink- her tattoos involve amazing detail and beautiful shading, I highly recommend checking it out!

Emriss, Redsbane and Bonedevill are three accounts found commenting and interacting with the sisters' live journals in the comments between 2008 and 2009. Most of Emriss' comments come from 2008, while all of Redsbane and Bonevill's are from 2009. The common through line is interaction with the accounts by the sisters and deactivation. Emriss plays a more neutral role, while Redsbane and Bonedevill lean more antagonistic with them referencing something bad happening to the sisters, Redsbane also seemingly implies the 'Bane' of the 'Red' sisters. With these accounts not archived on the Wayback Machine it's not clear if these were accounts used by the creators to provide interaction, or if they are actual fans playing along.

Ruby’s Leg Brace is probably the most iconic thing about her, with the rarity of video game characters using disability aids, her open usage of one is a welcome sight- but from the beginning of her development it’s not clear if she needs it. In her original plan sheet it’s noted that she may just be using it for show and later her description on the website saying “When asked about her leg brace, Ruby says she’s in pain, but she doesn’t specify where it hurts,” implying she doesn’t need it. Conversely, one of Ruby’s secret items needed is a wheelchair, and the final flashes put an emphasis on her legs and how they’re bent out of shape, seemingly saying she needed the leg brace due to a car crash, or an alternative reading is that Ruby was already disabled before the accident, as she gets violently thrown through a high school gym, as well as being the quickest character in the game, maybe signalling she used to be a school athlete before the onset of a condition or an accident.

Kirin San may be a kind of mysterious figure for non-Japanese fans of The Path, especially if you’ve gone through fanart, seeing a random man or giraffe in a little suit with the red sisters. The truth is, Kirin-San could probably be best described as the Japanese Izzzyzzz, being a big part of how the game became popular over there, with his playthroughs inspiring animatics and leading to a Japanese translation coming in 2010 from Zoo Corporation! This is a weird side note I didn’t know where else to put, but while I was researching this topic I found out that apart from translating games like GTA and Left 4 Dead into English, they also create hentai card games like Pretty Girls Mahjong Solitaire as well as developing medical prescription systems, so that’s hilarious.

144 is described as the essence of the game by the creators, that it represents “a girl's restlessness, the sound of footsteps on dry leaves, the smell of pine trees, dim sunlight through filtering clouds.” The original working title of it was 144, with the original intent to have 144 red riding hoods. This was quickly abandoned due to the scale, but its importance remains, the 144 collectable flowers in the forest are the most obvious example of this, but it's all over the rest of the game. There are 36 items (144 divided by 4 being 36), 18 secret rooms (144 divided by 8 being 18), 3 secret rooms per sister (144 divided by 48 being 3) as well as six sisters (144 divided by 24 being six).

Something talked about in the postmortem but was not mentioned by name in the game is that The Girl in White is quite literally an older version of one of Tale of Tales past characters, The Deaf Mute Girl in The Pretty White Dress from 8. Her models were created based on making them look like the Deaf Mute Girl but at the age of 13. With 8 never coming out; the Girl in White is both the first occurrence of this character and the second time she was in a game.

Tier 4 - Middle of the Iceberg

An interesting detail that 1c changed when they translated the game into Russian is them choosing different names for the main six girls, unlike every other translation which keeps their original. The names are: Robin as Алина/Alina, Rose as Алиса/Alice, Ginger as Ада/Ada, Ruby as Агния/Agnia, Carmen as Алла/Alla and Scarlet as Аврора/Aurora. The translated names are no longer themed around red things, but around the alliterative A’s, probably due to their name puns being lost in translation.

This is an entry that’s probably more well known to people NOT into The Path, in that The Path is featured and shouted out by name in Hetalia. Yeah, Hetalia, that Hetalia the anime about personified countries that once was the second most popular Anime/Manga fandom on Fanfiction dot net, features The Path in both the anime and manga, with Belgium showing off the game as something from their homeland.

Something never mentioned in the games is that each of the sisters was given birthdays. On their livejournals, you can see posts of them celebrating Robin’s, Carmen’s and forgetting Ginger’s, but they aren’t the only ones with birthdays. On their live journal profile descriptions, their birthdays are listed as the 13th of October 2000 for Robin, the 13th of March for Rose, the 13th of September 1996 for Ginger, the 13th of May 1994 for Ruby, the 13th of November 1992 for Carmen, and the 13th of April 1990 for Scarlet. Rose doesn’t have her birth year listed but it’s probably just 1998, due to all of the sisters being spaced by two years. Something interesting is that all of the sisters were born on Friday the 13th, but only Rose would be her actual age as of the game release. Since the game came out on the 18th of March 2009, the actual character ages would be 8 for Robin, 11 for Rose, 12 for Ginger, 14 for Ruby, 16 for Carmen and 18 for Scarlet. Part of me thinks that this is why Rose’s birth year goes unmentioned on live journal, though if she wasn’t born in 1998 she would not fit the profile of being born on Friday the 13th, but it’s possible it was either a mistake or related to another entry on this iceberg.

Only mentioned in one development image and the development blog for Ginger’s Wolf, is the idea that Ginger and Rose were at one point supposed to be twin sisters, both being 13 similar to the Girl in White and her twin The Girl in Red being 13. In the accompanying image found on Flickr, you’re able to see above Rose her age is listed as 11, or as 13 if she was a twin. The thing is- the sister that has age 13 listed above her is very clearly NOT Ginger, it’s Ruby, and it’s Ginger who’s listed as 15. Well, they’re not listed by name, but Tomboy Red and Goth Red are the names used for Ginger and Ruby as seen on Livejournal, and their appearances are nearly identical to those from the final product. Especially weird considering that Ruby was the first character ever made for this game, and she was listed as 15 in that as well!

You probably noticed this if you looked at the image where Rose and Ginger are listed as twins, but they aren’t the only ones with stark differences that go unexplained. The Girl in White is listed as LDMGIAPWD, an acronym for the Little Deaf Mute Girl in a Pretty White Dress, simplified in print as the Girl in White and in fan discussions as the GIW. Another thing you’ll notice is that Scarlet has… A different design. With a long buttoned dress reminiscent of something straight out of a period piece set in an asylum, and a hat with things that look like antennas with flowers. And then it comes to… Rose and Carmen’s original names. Virgin Red and Sexpot Red. We’ll start with Carmen. Sexpot is a more crude way of describing someone who’s sexy, which is what Carmen’s nickname was then changed to. It’s still kind of a touchy issue with fans that Carmen, a minor, uses the name Sexy- but it’s still far more appropriate compared to Sexpot. Sexy gives more of a feeling that it’s self-appointed when compared to Sexpot which is more voyeuristic. And Virgin Red. Virgin has two contexts that are relevant here. Virgin within the context of purity and innocence, related to the Virgin Mary as an example of goodness not seeing bad. And Virgin within the context of never having sexual contact with anyone. Given the fact her name was then changed to Innocent Red and the fact she is ELEVEN- it’s likely that it’s related to that first interpretation, further giving evidence towards the view of Rose’s story being about her relationship to her spirituality.

If you’ve read Rose or Ruby’s live journal you’d find out that on the 2nd of May 2008, Ruby dyed her hair black. That’s not surprising to begin with, you can see her with her hair as black throughout the game (Though sometimes it has a blueish look with some lighting)- a bit weird that it had to be pointed out as dyed due to all of her sister’s also having black hair (You can see Ginger’s black roots), but their live journals give a reason for why. In Ruby’s comment section, she’s asked about her original hair colour, which she replies was Green. It’s not clear if she means her hair was last dyed green, or if she has natural green hair. This seems like a reference to one of her final flashes that’s the same as another but with a green colouring. Anyway- this isn’t what we’re talking about. In the reply of that comment, someone calls her a liar, and says if it really was green, why did she get her sister to lie? What they’re referring to is Rose’s post about it- in which she says that Ruby had made her promise not to tell what her old hair is. There’s still a debate as to what her original hair colour is, and I don’t think we will ever actually get to know.

In 2022 @wammy4 on Twitter began multiple Twitter bots based on the sisters in The Path, posting various things sourced from lines in the game, live journal posts, quotes from grandmother's house and links to the game. It posted multiple times per day, now with so many posts it’s hard to keep track, but as of the fourth of April 2023, none of the accounts other than the creator has posted, due to Musk’s shutdown of free API bots and $100 per month bot subscription.

A staple of fandoms on the internet are Askblogs, where fans can ask characters questions and get a reply, usually with illustrated companions. The Path is no outlier, having a dedicated askblog on VK- with over 800 followers. It’s been active for years and has over 2 thousand different images, and has asks for all of the characters in the game, as well as gender-bent versions. If you can speak Russian I highly recommend checking it out, and even if you can’t, the art is stunning!

The Red sisters aren’t the only ones who have live journals, within the comments you can find Grandmother Red interacting with her grandkids, asking when they’ll next come down to see her. However this livejournal is different from the others given that hers is deactivated, even with the wayback machine- and her livejournal was never linked on the official website next to the others.

Fuco Euda is a Japanese-based surrealist painter focusing on the horrific, sensual and innocent, with girls nearly looking identical as if they were family, or the same girl. She was first referenced all the way back when Ruby was being designed as an artist to look into for inspiration. Her artbook LUCID DREAM is out, with a special bound edition if that’s something you’d be interested in!

Alice Knows Karate is an alt-pop band that takes inspiration from fairytales and J-pop, creating a unique nostalgic sound that feels straight out of a video game. They’ve got various albums you should definitely check out, but what we’re specifically talking about today is their 2018 album Fablewave, with their song ‘The Path’. It was originally posted on the head of the band Keiko’s YouTube channel in 2009, with an updated version coming ten years later. It’s outrageously good, it captures the essence of the game perfectly with amazing lyrics, and I got a bit too attached and it ended up as my number-one song on Spotify in 2023. The rest of Fablewave is also based on other fairytales and fairytale-inspired games, particularly ‘Alice, What Have You Done?’ based on American McGee’s Alice. Their most recent work is Grounded, and they’ve also been featured as the theme song for Penny Larceny: Gig Economy Supervillain!

The Path was supposed to be Tale of Tales' first commercial project, and as so it included advertising, but being Tale of Tales, they did this the most extra way they could. Around where they lived, they made a Tear Off poster, with what I believe is Martha Samyan’s art of Robin. The poster asks the reader to choose the path of pins or the path of needles, while linking to the website. On their blog they provide a blank download of the tear-off poster so you can print it off, to draw on it and place it around you!

The Path was Tale of Tales' first foray into creating commercial games, and because of that, there are various different selections of merch, such as: Signed Posters, USB drives, CDs of the soundtrack, Polaroids, Shirts (via Redbubble) and a sticker. Nearly all of this, save the shirts on Redbubble, are no longer purchasable, being limited items when they came out, and then finally being sold in 2015 as Tale of Tales moved. I am still so mad I never got those Polaroids and am still madly searching for auctions of them.

The Rose Problem is a catch-all term I am using to describe basically ‘What the hell is up with Rose’. It’s no secret that Rose is divisive when it comes to interpretations- so much so that I couldn’t include her in the first interpretation section. So, what is it that makes Rose so difficult? Well, you can barely see her wolf, her house is almost all flooded and she speaks with flowery prose. The reason people seem to view her route as spirituality or disability is because of her continued mention of disconnect from herself. But there have been oceans of other disagreeing ideas, related to her perhaps going through puberty early, her experiencing guilt related to her family, her being potentially molested, or even her literally dying. It’s been put forward by some that Tale of Tales went into Rose not even having an intention in mind, or it shifted from one idea during development and becoming aimless during that period.

Scarlet is known to be the last created sister, Tale of Tales describe the making of her as being the first to be born and last to be made, and because of that, her wolf was the last to be made. The final wolf is named the Fey Wolf- related to the Fae Court. As an Irish person who’s in full belief of the Fae, I don’t see the resemblance. But that wasn’t his final name- maybe it wasn’t his final appearance. His original name, according to a rough floor plan of what Grandmother’s house would look like with the secret rooms was Boy Toy Wolf. That’s… A name change. Especially considering the fact Boy Toy refers to a young man in a sexual relationship, usually with an older woman, and the Fey Wolf is a sort of elderly-looking androgynous thing with a 19-year-old Scarlet who is not into relationships. But because the Fey Wolf’s making has no text, it’s not clear if his appearance or purpose even changed between the name change.

Quest3d was a tool used for making 3D applications, with an intuitive way of programming by using graphs and seeing it in real-time without the need for a compiler. On Mobygames only 8 games were ever listed as created by Quest3d, 6 if you don’t count The Path and The Prologue- with three of them being a Ship Simulator. I say was because it’s pretty much gone. You can’t open their unique file in anything so you’re kinda screwed if you want to do anything with the game files.

The Shrine and the Playground Sign are two interesting objects that you really can’t see in the rest of the game. They both appear along the path but not in the forest, and unlike the crow, you can’t interact with them. Though not immediately clear- the reason why those appear is to signal to the player that the Graveyard and Playground are accessible. That’s probably self-explanatory for the Playground Sign, but for quite a few people the Shrine may come as a surprise, including me before I researched it.

The Path, like everything, has speedrunners. There are two categories- All Girls and Failure%. There have been seven runs altogether, one in all girls and six in failure%. Failure% is reaching grandmother's house without interacting with any wolf, beginning when you gain control and ending when you leave first person in Grandmother's house. Though there are no guides available, the strategy is clear, using Ruby as she’s the quickest. The world record holder as of now is from Krayzar with a one-minute 35 seconds. There's only one speedrun for All Girls, and I’m going to be honest, I don’t think there’s a strategy, at least not one clear from the world record holder Multiwinner who admits that the run they sent in was their first and only attempt. If you want to try this out, go ahead! You’ll have the chance to make history!

In 2020 a zine by the VK fan club for The Path was released- featuring illustrations, comics and stickers, a full collection of all included is linked here. As far as I can tell, this is the only one of its kind! It really is a marvel, and I have said this for like the third time, but if you have a copy of this I would love to buy it from you. I do have to warn you- there is nudity in here of Ruby.

Tier 5 - Bottom of the Iceberg

Tale of Tales references three artists and illustrators that inspired the feeling they were going for The Path, naming them as Lisa Falzon, Fuco Ueda and Ray Caesar. For its first anniversary, three sets of interviews of those artists by the six red sisters. You can find the interviews here, but some highlights are: Carmen asking Lisa if she has a boyfriend followed by Scarlet asking if Lisa is a feminist, Robin asking if Fuco Euda's paintings showed "Good girls or naughty girls", and Ginger just asking if Ray Caesar would ever make a video game.

One of the more confusing things mentioned in the Post Mortem is the fact that Tale of Tales at one time considered creating a mechanic where you would have to dance battle your wolf. No, I am not joking. I just have one question. In a game about exploring your deepest trauma in a wolf-infested forest. Why did you make them dance?

The Path Tribute Project was a group of Vocaloid songs created based on characters in The Path on niconico. The project is from 2014, and due to this and a lack of updating links, I’m unable to find the original organiser of the project and one of the songs, but what I do have, is a Paste Bin of all the found links, the Tumblr blog it was advertised on, and a short compilation of all of the songs reposted on VK!

The canonicity of the grandmother house pages is up to discussion, with Rose, Ginger, Ruby and Carmen all seeming aware they’re in a video game created by these people with Scarlet not making mention of Kris’ involvement with the game. The outlier is Robin, who says not only is Jarboe real in their universe, but that she lives in a black house in their forest- and that she was the one who taught the family the Safe Song. There clearly is not a black house in the forest- the only house is Grandmother’s which is white. Maybe she’s referring to the tent in the Campsite, we never exactly do see the Woodsman go into it, or it could even be the Bunker, as it seemingly has a panel over the door, but neither of those are housey.

Given The Path’s limited characters and interactions, the game’s fanbase has never really been prime with shipping, the most you would see is Ruby and her Wolf along with Ginger and her Wolf. But one pairing stands among them all as the most. Ship to exist. The Woodsman, and the Fey Wolf. There’s a weirdly large amount of fanart for this, despite their status of never interacting or existing near each other, but I suppose what fandoms do best is see two men and decide they should kiss. Should I show examples of this? Yes. Am I going to? No. Just… Take my word for it and understand why I am not showing you a sweaty bald man making out with whatever the Fey Wolf is.

Shamus Young was a game critic and blogger who was an early modder in the Doom Community, and held some infamous views related to parts of The Path. I want to preface this by saying- Shamus Young passed away in 2022 at the age of 50, and out of respect for him and his family, I will be only relaying what he wrote instead of including my opinions. The reason Shamus gained a particular status in the fan community is for his interpretations of Rose and Carmen. Starting with Carmen- he states that he knew girls like Carmen in high school, that would “Find the biggest, strongest, best-looking complete-jerk they could get their hands on, and then endlessly whine about how ‘men are such pigs.’” He then goes on to explain that he believes Carmen was not raped, because despite being drunk she had taken the alcohol without asking, and that it was not rape because “She came on to him.” He does say that it “does not excuse the forester for sharing his beer and hooking up with an (in some states) underage girl-” and then proceeds to say “But I don’t think he’s a rapist.” At the end of the aftermath saying that “Maybe this one bad experience will make her more careful.” Rose’s analysis begins with him prefacing that “I don’t actually want to talk about this one, because it involves stuff I wouldn’t even bring up on my blog.” and then again stating “And I really hope you’ll keep a clinical head on when I bring this up and try to be polite even if you disagree, and furthermore I hope we can keep this discussion civil and remember that this is all open to interpretation.” Before he goes on to explain how Rose’s water motifs are a representation of discovering masturbation- that the reason why her wolf is a Cloudy Male figure is that “She knows she’s attracted to men but she doesn’t know what men look like yet, or how sex works”. As stated at the beginning of this entry and by Shamus himself, I’m keeping this civil and I am not shaming him for his personal interpretations.

There’s quite a bit of Micheal’s Daughter Martha present in the game at various points. Martha made the original pictograms, I believe the poster art was also by her- but the most clear inspiration is Robin herself. As mentioned in her Making of post, Robin’s outfit is based on her, specifically her outfit of her blue hooded cloak and stripey boots. Martha’s actually an artist now too! Martha Samyn is a textile artist and interior architect, with her last exhibit being at Texture Kortrvijk in January! You can actually see the start of her textile art related to The Path, showing off her Ruby-inspired outfit for her doll!

A last-minute change mentioned in the post-mortem was the fact that The Path did not contain any text until the playtest. And when I mean any text, I don’t just mean instructions- until they had people play the games they hadn’t thought to include text for the items, to show what the characters were thinking, because they saw that “Some players had difficulty to let their imagination work.” That’s a wise lesson for you all. Involve Beta testers.

The Path Fangame, titled The Path Fan Project, is a game by Kinder and Doll, a spiritual follow-up to The Path with less of a focus on horror and more on open-world explanation and interaction with the sisters. The graphics are astonishingly pretty, with quite a few new locations like a train, a cave, and a treehouse. The game also involves slight voices, giving the characters voices for the first time! I again urge you to play it, especially since I am unable to because of the age of my computer.

The-Red-Path is a LiveJournal community never officially linked on the website like all the other LiveJournal profiles, with only six members- the six sisters. This account has only three posts, all posted in 2008, between April and August, only one of which I will be bringing up. On the 16th of April Robin asks whose turn it is to visit their grandmother, with Rose mentioning that they’ve all gone down the path already. There's a weird sadness in this post, with the normally boisterous Carmen asking why she couldn’t just go with anyone else.

You have probably heard of the first urban legend about The Path, the ability to get an A, but this one you likely haven’t heard of. There’s a phone present on the road on the other side of the path, calling it will allow you to transport the sister back to the apartment without needing to go to grandmother’s house. The general idea is then, if you go through the wolf encounter, but turn around on the path and walk back to the phone- would you be able to call it and actually return back home without the sister disappearing? There have been testimonies of being able to do it, as well as fanfictions about the concept, and not a lot of checks due to the fact you can’t run after the wolf encounter and your speed is already extremely low. But I am going to come out and say, no, I don’t believe it’s possible. I don’t think the creators would have overlooked that idea, especially since they had a large number of beta testers, but I do really like the idea and I wish it was true.

That’s the end! I have quite a few things I left out, due to it maybe not being interesting or my losing of sources, but I’m glad I could finally do this. In all honesty, The Path changed my life. It’s helped me through a lot in my own journey of healing and accepting trauma, and I will forever be grateful. Happy 15th anniversary!

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