#crowley loves humanity too but it’s more than that
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We've been talking for millions of years
Aziraphale was clearly taken by Angel!Crowley from the moment he met him. I think the 6000 years could be read as when the whole human breeding thing starts. Even God says there's been many nice days in the Garden. How many? The count didn't start until the day they left Eden I think.
When we meet Aziraphale and Angel!Crowley in Before the Beginning, Earth was still an idea in the works. And the War didn't happen. Or Crowley surely would have been more cautious.
So I hope they have met and talked and Crowley grumbled about how unfair it all was.
And Aziraphale tried to placate him that it will all work out somehow, there’s a Plan.
And they kept meeting, Crowley showing Aziraphale the prettiest corners of the universe, Aziraphale telling Crowley exciting developments re: Earth.
I wouldn’t try to guess at how far their relationship has gone… maybe relationships of the kind we know now weren’t invented yet and still, these two loved each other without knowing anything about it.
After all, no other angels seem to have ANY relationships of any kind. Apart from higher or lower levels of condescension towards each other.
Then the Great War came and tore them apart. After knowing each other for millions of years and their close more-than-friendship, their world falls apart.
After all, Crowley tried to do the right thing. And Aziraphale did too but it wasn’t to be. Yet.
But. Their story wasn’t finished yet.
Aziraphale is relieved when he’s sent down to Earth to guard the brand new humans from the demons he has heard that the damned angels have been turned into.
He’s a bit fearful about the whole thing but glad to be away and keen, if a bit anxious to see the project he’s discussed/worked on for so long.
Crowley hates Hell. He hates it cos it’s not what he wanted or what he thought he was joining. He has been lied to. He’s not regretting his decision to turn his back on Heaven, no. He still thinks they’ve made too many crappy decisions. But he despises what the Rebellion became.
When Beelzebub asks for a volunteer to go up to the new planet and tempt the fresh innocent human couple into joining them, he volunteers, even if only to escape the claustrophobic walls and the mess nobody ever clears up.
Tempting comes easy to him. He imagines talking to his lost friend. ‘But why wouldn’t you try fruit from this one tree. What’s the problem with knowing things anyway? Wouldn’t you want to decide by yourself Eve? And Eve does make a decision.
Crowley’s worried now. Not for himself. He’s without hope but did he hurt humans by doing this. He didn’t mean to. He doesn’t really want them to go to Hell. Or Heaven for that matter. He only thinks they should be free to make their own choices. If only he had someone to talk to.
He spotted a distant angel earlier. Reminded him of, of… the light hair...anyway. They held a flaming sword but surely he can dodge that if needs be.
He could just try for a simple chat. He has no idea how demons are talked about in Heaven. But he guesses the angel might just try to smite him. Worth the risk.
Everything feels so raw and strange here. Maybe stealing a bit of familiarity will help him settle his nerves.
He decides to slither over and ask how the angel feels about what’s been done. Will they be furious. Hurt? Guilty?
Oh. It’s him. It’s too late now. Always too late. It’s him. Aziraphale. Aziraphale. It is HIS angel. What is he going to do. FUCK!
Well. No better way to find out.
He could just tease him like the old times. What's the worst that can happen.
Shitfuck but he smells good. These new senses will take a while to get used to:
“Well that went down like a lead balloon.”
A lead balloon? Whatthefuck even is that. Oh for Someone's sake.
Aziraphale’s standing on top of the Garden wall, squeezing his fingers with worry - what exactly has happened.
What has possessed him to give away his sword. Did he disappoint God? Heaven? It doesn’t FEEL wrong to help them.
If only he had someone to talk to.
Another angel?
What. A snake?
Oh.
Oh.
They are changing. Could it be? His heart will surely explode into million pieces…!!!!
A lead balloon?!?
“Sorry what was that?”
Does he remember me?
I think he does. I think he does. He’s here. As lovely as always.
I’ll keep him safe. Safe. I will keep him safe this time.
#good omens#aziraphale#crowley#ineffable husbands#aziracrow#good omens 2#aziraphale my beloved#good omens thoughts#before the beginning#garden of eden#good omens eden#kaypost
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are there any WIP or long post s2 fics you guys are keeping an eye on? I want to get into something for the long haul! love you guys, thank you!!
I don't read WIPs myself, though I have a couple bookmarked for once they're complete. Here are some long ones for you, which may or may not be completed by the time this posts...
Flaws by indigo (E) (WIP) (now complete)
Aziraphale cannot just sit back and hope any longer; Crowley is too precious to him to allow any risk at all to his continued existence. The Metatron's offer was far too good to pass by, and even if Crowley refuses to see it, Aziraphale needs to take this chance to make Heaven into the place of light and good that it should be. Crowley will come around eventually, the angel knows that impetuosity was always one of his flaws.
But what of Aziraphale's flaws? Naivety, perhaps?
I am jumping into the post S2 whirlpool with my own thoughts on What Happened Next.
Whilst I have every confidence that NG will FIX THIS, I have some fears that Amazon will leave us hanging... and anyway, I want my happiness for them NOW, not in another four years...
Angst in places, but they will end up on the same page, eventually!
At least one update a week for now, settling into weekly updates by September.
how do we turn on the light? by moonyinpisces (M) (WIP)
Aziraphale ascends to the highest level of the Archangels. And he remembers—well. It’s not important what he remembers.
The End of My World Is You by T_O_S_T_E, WeepingintheTARDIS (G) (WIP)
If finding the Truth means the end of the Universe… would you still proceed?
Something’s Up, and that something is the Second Coming. Although many people - sorry, angels - seem to be involved, there’s only one among them who knows what’s really cooking in the hot oven called ‘the Great Plan’.
Although — only one?
Don't Fall Away From Me by PhoenixRose314 (M) (WIP)
if i fall,
on that day,
i only pray
don't fall away from me.
What if there was much more to Aziraphale and Crowley's history than Crowley remembers?
What if there had been an "our side" even before the Fall?
What if Aziraphale's guilt was the only thing keeping them apart for the last six thousand years?
And what if the only thing that could pull them back together again was the firm belief of a plucky little angel-turned-human-bookseller that love really does conquer all?
Don't Fall Away From Me is a post Season-2 Good Omens fic that rotates perspectives between Muriel, Crowley and Aziraphale.
Are We Meant to Read the Footnotes? by RiaTheDreamer (T) (WIP)
After Aziraphale’s decision, Crowley chooses coffee, not death. Life goes, painfully, on, and Crowley does his best to adapt to his new lonely existence.
It hurts. Until it suddenly doesn’t.
Someone has opened the Book of Life and erased Aziraphale’s name.
Old habits kick in, but how can Crowley save someone whose existence has been destroyed and forgotten?
- Mod D
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i know that ruby and cas are often compared in their "love interest" function but to me there's just so much more than that. they're basically opposite characters (not just in the literal sense of hell vs heaven): ruby seems to be rebelling against hell while she's secretly acting in its favor; cas starts off as a soldier following heaven's orders and ends up rebelling and working against it. they both die for their own personal cause, although ruby was not granted the possibility of resurrection. and aside from the problematic fact that death is more permanent for women than men in spn, i wonder if it's also because ruby totally failed at her "friend/support" function (because she was sort of faking it or, if she wasn't, she was manipulating sam) while cas manages to create a real connection with the human in his charge and it starts changing him. don't get me wrong, i actually love that her "reveal" was an evil one, and i generally don't like when the show offers us weak redemption arcs consisting in monsters falling in love with one of the winchesters (ugh). i'm also not a fan of redemption arcs in general but anyway. but i do wonder if the cas/ruby parallel is way more interesting in light of their "friend/support" function. i might be wrong but these two are the first non-family characters interacting with the brothers for extended periods of time. and having someone outside of your family with whom you spend time, who supports you, and that you generally like is important. not great news here but what i'm saying is that for sam and dean to have someone else was a big step. so while i like ruby as a character, i'm a bit saddened by the fact that they didn't give sam someone to establish this type of bond with. that he was being manipulated again. and this state of affairs stays exactly the same for many seasons. sam has 0 friends/support figures outside of dean, which is just plain tragic. with ruby out of the way forever, cas' "opposite/dark mirror" function is given to crowley (it's not a case that, again, the two died on the same episode, just like with ruby and just like her crowley, too, was not granted permission for resurrection). which, okay, for all practical purposes i like crowley (although i suspect i like mark sheppard more, tbh), but i mean, bad bad bad women who die die die must stay dead dead dead so ruby had to stay as such, but what about meg? we were so close to having her as cas' mirror :"(. i'm a fan of homoeroticism as much as the next person but i do find that in spn it sometimes dims the light on other characters, especially female presenting demons (don't even wanna talk about abbadon grrr). cas cannibalized anna and then crowley cannibalized all other demonesses, it's not fair okay? i loved them! :( *me: shouting at chuck: now you bring her back! ruby, meg, even lilith!* *puches the wall* **chuck actually brings them back in s15** *me: not like that, chuckdammit! clenches her fists at heaven*.
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ok so the thing is, the kiss really was the best way crowley knew to convey his feelings to aziraphale because nina and maggie were right, they do talk but they never say what they mean.
but that doesn’t mean they don’t understand each other, at least to a certain extent.
and crowley knows aziraphale
he knows that he loves books and plays and the stories made by humanity. he watches his angel learn magic the human way and finds out he learned french the human way and knows better than anyone how much he loves human food. he throws a ball to get nina and maggie together because that’s what the humans in jane austen novels would do.
crowley knows that aziraphale romanticizes humanity, loves the drama and the stories and every little thing that makes humans human.
and what could be more human than a desperate kiss asking someone to stay
#good omens#and don’t get me started on crowley#crowley loves humanity too but it’s more than that#crowley loves the universe#crowley loves humans but he also loves the earth and the animals and the nebulas#he’s the first one to point out the goats were blameless too in the job situation#he loves every part of the creation that he helped build#and that’s why he questions it every time god wants to destroy all of their beautiful creations#because why make this beautiful world just to destroy it#in conclusion: aziraphale loves the world and crowley loves the universe and they both love each and i’m always in pain#i definitely went off on a tangent there but i just love them so much
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drowstiel is just two bouts of enemies-to-lovers with a friends-to-lovers in the middle
#i really do think crowstiel. and cas specifically. could get past their disdain#and really get to the lovin' part given the right circumstances#but also i think and have said that crowley and cas are more alike than they realize. not just in their love for dean but in who they are#outcasts among their kind. both feel too much. too human.#drowstiel#vic.txt
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New dream OCs drop (Patreon)
#Doodles#Dream Log#Original#Been a while! I always appreciate when my subconscious mind drops non-human humanoids on me lol#This case is was an older gay couple of like? they looked pretty normal generally but they had a specific feature lol#That when they blushed rather than their skin changing colour their fur would fluff out over their whole body haha#It was very fast! Kinda like Mystique's scale-fur? But only with blushing and then when they calmed down their fur would retract haha#One of the couple was way easier to fluster than the other tho haha so I really only saw it on him#I get the feeling it was also kind of GOmens inspired - specifically Aziraphale which is still so weird to me because I haven't seen??#Or read anything GOmens?? Why brain#Smol was picking on me the other day while we were making Picrews together that I was basically just making a Crowley as well like damn!#Brain why#Anyway lol#These two had that very settled-in married feel of lightly picking on each other out of love haha#The more chill of the two liked to fluster his husband and in return he would lightly poke at him for his old-fashion fashion haha#Which of course he offered as well! Also in play! It was cute#I think they both had blue fur and light skin hmm - you can see the little whispies on ascot lol that was the main different feature#They were chunky and defied gravity like that too! It's gotten fuzzy to recall now but I'm certain of that#How silly
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Crowley actually says a barely-coded "I love you" to Aziraphale back in 2.03
In his proposal in the S2 finale, Crowley told us that he and Aziraphale know they're in love and have known it for damn ever but they pretend they're not a couple. This, by default, means that they've not specifically said the words "I love you" before, by Crowley's own admission. They've said I love you in their own little language and we've watched it before. It's little demonic miracle of my own. It's don't go unscrewing the cap. It's just a little bit of a good person and just enough of a bastard to be worth knowing... But what Crowley says in the S2 finale is that they've never-- ever-- said in 6,000 years is just I love you in those normal people, human words. It has always been too dangerous for too many reasons to count so they have euphemisms for it and whole conversations around it and have made that be enough. Why do I bring this up? Because Crowley found a middle ground between the words and their coded language with one another in S2 and it's flying under the radar.
So you know that scene when Muriel has shown up and interrupts Crowley and Aziraphale talking in the back room? The one where while Crowley is speaking, Aziraphale suddenly looks like he's about to pass out with sheer want? Yes, our angel always looks at Crowley like he hung the damn moon (which he did but lol...) but this scene is different. This scene is like... someone get Aziraphale a chair and a glass a water because he is pupils-dilated, audibly breathing, and eyeing up Crowley with naked want. More than the lust? He looks happy. He looks delighted. You can basically hear his heart race from that look on his face. Why here? Yes, Crowley looks hot. Yes, he's in profile in a way that is a visual parallel to Before the Beginning (which was an inspired choice for this scene.) Yes, he's here with a Plan and taking charge of the Muriel situation and swaying his hips a bit while he speaks. It's not any of that. Those are nice bonuses. Aziraphale likes them. He gets them all the time. It's what Crowley said in this moment. To Aziraphale. Through what he said to Muriel.
Crowley cracks a dry, kinda dark joke that is meant for an audience of one: just Aziraphale. He knows Muriel won't get it. Since Muriel is cosplaying as what they think is a human Inspector Constable and they are here to verify the miracle Aziraphale has told Heaven and so are monitoring them, Crowley quips that Muriel is here to spy on them (since they, well, are, actually) and that he knows that many human police officers like to make a bit of a hobby out of spying on "people in love."
People. In. Love.
In a one-two punch in the same sentence, Crowley called him and Aziraphale queer humans and he called what they have love, using the actual word *aloud* for the first time in 6,000 years. He said he loved Aziraphale in front of an angel of Heaven in a little coded joke but this time, using the coded bit to say the real thing for the first time.
Then, just to hammer it all home and make sure that Aziraphale really knows it was very much intentional, Crowley says 'love' again in the next sentence. He starts going on about how Muriel can come to him anytime with any questions about love and he's happy to assist with their understanding of human love with all of his implied vast, vast years of experience with the subject and how he'll be here to answer their questions, in the bookshop, while Aziraphale drives his car to Edinburgh.
Go back and tell Heaven I'm here, Inspector Constable, I don't give a fuck anymore. *We* don't give a fuck anymore. You go tell The Archangel Michael that I'm who they're going to get managing Angelic Embassy X aka The Bookshop until Aziraphale gets back-- yep, me, former Demon of Hell. The Boyfriend in the Dark Sunglasses. He's asked me to, which is his way of saying he wants to stop hiding and asking me not to sneak out to my car in the middle of the night which hallefuckinglujah, Inspector Constable... Go tell Their Beatitudes that we ravish each other all over the bookshop. You won't even be lying. As Maggie'll put it later in the season: I'm done being afraid all the time. I love him. We're in love. There's your hot intel.
Aziraphale:
Aziraphale: Inspector Constable, be a dear and spray me down with all 700 of our fire extinguishers, will you?
#ineffable husbands#good omens#crowley#aziraphale#aziracrow#aziraphale x crowley#crowley x aziraphale#good omens meta#good omens 2
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'...“It’s fun playing bad, but actually he’s not,” the actor says, smiling as he reflects on his character, Crowley. “He’s a villain with a heart. The amount of really evil things he does are vanishingly small.”
...As it always has, “Good Omens” dissects the view of good and evil as absolutes, showing viewers that they are not as separate as we were led to believe growing up. Aziraphale and Crowley’s long-standing union is proof of this. The show also urges people to look at what defines our own humanity. For Tennant — who opted to wear a T-shirt emblazoned with the words “Leave trans kids alone you absolute freaks” during a photocall for Season 2 — these themes are more important now than ever before.
“In this society that we’re currently living in, where polarization seems ever more present, fierce and difficult to navigate. Negotiation feels like a dirty word at times,” he says, earnestly. “This is a show about negotiation. Two extremes finding common ground and making their world a better place through it. Making life easier, kinder and better. If that’s the sort of super objective of the show, then I can’t think of anything more timely, relevant or apt for the rather fractious times we’re living in.”
“Good Omens” is back by popular demand for another season. How does it feel?
It’s lovely. Whenever you send something out into the world, you never quite know how it will land. Especially with this, because it was this beloved book that existed, and that creates an extra tension that you might break some dreams. But it really exploded. I guess we were helped by the fact that we had Neil Gaiman with us, so you couldn’t really quibble too much with the decisions that were being made. The reception was, and continues to be, overwhelming.
Now that you’re no longer bound by the original material that people did, perhaps, feel a sense of ownership over, does the new content for Season 2 come with a sense of freedom for you? This is uncharted territory, of sorts.
That’s an interesting point. I didn’t know the book when I got the script. It was only after that I discovered the worlds of passion that this book had incited. Because I came to it that way, perhaps it was easier. I found liberation from that, to an extent. For me, it was always a character that existed in a script. At first, I didn’t have that extra baggage of expectation, but I acquired it in the run-up to Season 1 being released… the sense that suddenly we were carrying a ming vase across a minefield.
In Season 2, we still have Neil and we also have some of the ideas that he and Terry had discussed. During the filming of the first one, Neil would drop little hints about the notions they had for a prospective sequel, the title of which would have been “668: The Neighbour of the Beast,” which is a pretty solid gag to base a book around. Indeed there were elements like Gabriel and the Angels, who don’t feature in the book, that were going to feature in a sequel. They were brought forward into Season 1. So, even in the new episodes, we’re not entirely leaving behind the Terry Pratchett-ness of it all.
It’s great to see yourself and Michael Sheen reunited on screen as these characters. Fans will have also watched you pair up for Season 3 of “Staged.” You’re quite the dynamic duo. What do you think is the magic ingredient that makes the two of you such a good match?
It’s a slightly alchemical thing. We knew each other in passing before, but not well. We were in a film together [“Bright Young Things,” 1993] but we’d never shared a scene. It was a bit of a roll of the dice when we turned up at the read-through for “Good Omens.” I think a lot comes from the writing, as we were both given some pretty juicy material to work with. Those characters are beloved for a reason because there’s something magical about them and the way they complete each other. Also, I think we’re quite similar actors in the way we like to work and how we bounce off each other.
Does the shorthand and trust the two of you have built up now enable you to take more risks on-screen?
Yes, probably. I suppose the more you know someone, the more you trust someone. You don’t have to worry about how an idea might be received and you can help each other out with a more honest opinion than might be the case if you were, you know, dancing around each other’s nervous egos. Enjoying being in someone’s orbit and company is a positive experience. It makes going to work feel pleasant, productive, and creative. The more creative you can be, the better the work is. I don’t think it’s necessarily a given that an off-screen relationship will feed into an on-screen one in a positive or negative way. You can play some very intimate moments with someone you barely know. Acting is a peculiar little contract, in that respect. But it’s disproportionately pleasurable going to work when it’s with a mate.
Fans have long discussed the nature of Crowley and Aziraphale’s relationship. In Season 2, we see several of the characters debate whether the two are an item, prompting them to look at their union and decipher what it is. How would you describe their relationship?
They are utterly co-dependent. There’s no one else having the experience that they are having and they’ve only got each other to empathize with. It’s a very specific set of circumstances they’ve been dealt. In this season, we see them way back at the creation of everything. They’ve known each other a long time and they’ve had to rely on each other more and more. They can’t really exist one without the other and are bound together through eternity. Crowley and Aziraphale definitely come at the relationship with different perspectives, in terms of what they’re willing to admit to the relationship being. I don’t think we can entirely interpret it in human terms, I think that’s fair to say.
Yet fans are trying to do just that. Do you view it as beyond romantic or any other labels, in the sense that it’s an eternal force?
It’s lovely [that fans discuss it] but you think, be careful what you wish for. If you’re willing for a relationship to go in a certain way or for characters to end up in some sort of utopian future, then the story is over. Remember what happened to “Moonlighting,” that’s all I’m saying! [Laughs]
Your father-in-law, Peter Davison, and your son, Ty Tennant, play biblical father-and-son duo Job and Ennon in Episode 2. In a Tumblr Q&A, Neil Gaiman said that he didn’t know who Ty’s family was when he cast him. When did you become aware that Ty had auditioned?
I don’t know how that happened. I do a bunch of self-tapes with Ty, but I don’t think I did this one with him because I was out of town filming “Good Omens.” He certainly wasn’t cast before we started shooting. There were two moments during filming where Neil bowled up to me and said, “Guess, who we’ve cast?” Ty definitely auditioned and, as I understand it, they would tell me, he was the best. I certainly imagine he could only possibly have been the best person for the job. He is really good in it, so I don’t doubt that’s true. And then my father-in-law showed up, as well, which was another delicious treat. In the same episode and the same family! It was pretty weird. I have worked with both of them on other projects, but never altogether.
There’s a “Doctor Who” cameo, of sorts, in Episode 5, when Aziraphale uses a rare annual about the series as a bartering tool. In reality, you’ll be reprising your Time Lord role on screen later this year in three special episodes to mark the 60th anniversary. Did you always feel you’d return to “Doctor Who” at some point?
There’s a precedent for people who have been in the series to return for a multi-doctor show, which is lovely. I did it myself for the 50th anniversary in 2013, and I had a wonderful time with Matt [Smith]. Then, to have John Hurt with us, as well, was a little treat. But I certainly would never have imagined that I’d be back in “Doctor Who” full-time, as it were, and sort of back doing the same job I did all those years ago. It was like being given this delightful, surprise present. Russell T Davies was back as showrunner, Catherine Tate [former on-screen companion] was back, and it was sort of like the last decade and a half hadn’t happened.
Going forward, Ncuti Gatwa will be taking over as the new Doctor. Have you given him any advice while passing the baton?
Oh God, what a force of nature. I’ve caught a little bit of him at work and it’s pretty exciting. I mean, what advice would you give someone? You can see Ncuti has so much talent and energy. He’s so inspired and charismatic. The thing about something like this is: it’s the peripherals, it’s not the job. It’s the other stuff that comes with it, that I didn’t see coming. It’s a show that has so much focus and enthusiasm on it. It’s not like Ncuti hasn’t been in a massive Netflix series [“Sex Education,”] but “Doctor Who” is on a slightly different level. It’s cross-generational, international, and has so much history, that it feels like it belongs to everyone.
To be at the center of the show is wonderful and humbling, but also a bit overwhelming and terrifying. It doesn’t come without some difficulties, such as the immediate loss of anonymity. It takes a bit of getting used to if that’s not been your life up to that point. I was very lucky that when I joined, Billie Piper [who portrayed on-screen companion, Rose] was still there. She’d lived in a glare of publicity since she was 14, so she was a great guide for how to live life under that kind of scrutiny. I owe a degree of sanity to Billie.
Your characters are revered by a few different fandoms. Sci-fi fandoms are especially passionate and loyal. What is it like being on the end of that? I imagine it’s a lot to hold.
Yes, certainly. Having been a fan of “Doctor Who” since I was a tiny kid, you’re aware of how much it means because you’re aware of how much it meant to you. My now father-in-law [who portrayed Doctor Who in the 80s] is someone I used to draw in comic strips when I was a kid. That’s quite peculiar! It’s a difficult balance because on one end, you have to protect your own space, and there aren’t really any lessons in that. That does take a bit of trial and error, to an extent, and it’s something that you’re sometimes having to do quite publicly. But, it is an honor and a privilege, without a doubt. As you’ve said, it means so much to people and you want to be worthy of that. You have to acknowledge that and be careful with it. Some days that’s tough, if you’re not in the mood.
I know you’re returning to the stage later this year to portray Macbeth. You’ve previously voiced the role for BBC Sounds, but how are you feeling about taking on the character in the theater?
I’m really excited about it. It’s been a while since I’ve done Shakespeare. It’s very thrilling but equally — and this analogy probably doesn’t stretch — it’s like when someone prepares for an Olympic event. It does feel like a bit of a mountain and, yeah, you’re daring to set yourself up against some fairly worthy competition from down the years. That’s both the challenge and the horror of doing these types of things. We’ve got a great director, Max Webster, who recently did “Life of Pi.” He’s full of big ideas. It’s going to be exciting, thrilling, and a little bit scary. I’m just going to take a deep breath.
Before we part ways, let’s discuss the future of “Good Omens.” Gaiman has said that he already has ideas for Season 3, should it happen. If you were to do another season, is there anyone in particular you’d love to work with next time around or anything specific you’d like to see happen for Crowley?
Oh, Neil Gaiman knows exactly where he wants to take it. If you’re working with people like Gaiman, I wouldn’t try to tamper with that creative void. Were he to ask my opinion, that would be a different thing, but I can’t imagine he would. He’s known these characters longer than me and what’s interesting is what he does with them. That’s the bit that I’m desperate to know. I do know where Crowley might end up next, but it would be very wrong if I told you.
[At this point, Tennant picks up a pencil and starts writing on a hotel pad of paper.]
I thought you were going to write it down for me then. Perhaps like a clandestine meeting on a bench in St James’ Park, but instead you’d write the information down and slide it across the table…
I should have done! I was drawing a line, which obviously, psychologically, I was thinking, “Say no more. You’re too tempted to reveal a secret!” It was my subconscious going “Shut the fuck up!”
#David Tennant#Michael Sheen#Good Omens#Neil Gaiman#Terry Pratchett#Ty Tennant#Peter Davison#Aziraphale#Crowley#Doctor Who#Macbeth#Ncuti Gatwa#Job#Ennon#Bright Young Things#Series 2#Matt Smith#John Hurt#Russell T. Davies#Catherine Tate#Max Webster#Life of Pi#Sex Education#Billie Piper#Rose Tyler#BBC Sounds
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Professor Trein: I've never seen your classmates- I mean, your students this behave.
MC: They just value their lives, professor.
Cerberus: Grrr...
MC: Oh. Is there anyone trying to cheat?
Random student: !!! *immediately rips off his cheat sheet*
MC and Professor Trein: ...
Professor Trein: Can I borrow Cerberus for my history class later?
MC: Sure thing, professor. But how about, Lucius?
Cerberus: Grrr...
MC: Aww~ Look at you, Cerberus! You're such a good boy! Be good to Professor Trein and his cat, hm? I'll play with you together with Lucifer after you finish your task. *pets him*
Cerberus: *wags his tail*
The students: *thinking* Curse Crowley...
Barbatos: Great work, MC. Here's your Hell Coffee.
MC: Thanks. *takes a sip* Ah.
MC: So bitter.
Barbatos: *chuckles* It's more bitter than before, isn't it?
MC: *smiles* Yes. *then their face saddens*
Barbatos: Is there something wrong?
MC: I just missed Luke and Simeon.
Barbatos: Hm. Then why not invite them here?
MC: ...
Barbatos: Don't tell me you have forgotten that you possess the power of the Ring of Light?
MC: ...
MC: *facepalm* Yes.
Barbatos: *chuckles* I figured. Now, don't sulk and enjoy your recess.
MC: Thank you, Barb.
MC: Vil... What are you doing here?
Vil: I've heard from your demon butler that you are turning yourself into an angel to gain access to this Celestial Realm.
MC: Yes?
Vil: I must see what you will look like, potato.
MC: ...
MC: Okay. I think it'll be fine if you're the only spectator- Lilia, what are you doing here too?
Lilia: Same reason. *while holding a camera*
MC: ...
MC: Whatever.
Solomon: *chuckles* You're famous even here, huh?
MC: More like infamous, but yeah. Anyway, Sol? Mind lending me a hand?
Solomon: No problem. *uses magic to change them*
Vil and Lilia: *in awe; also Lilia not forgetting to snap pictures*
MC: Okay! I'm ready to get my baby!
Solomon: And your other husbando.
MC: Right. *breathes in*
MC: I am the magician, MC…Ring of Light! Heed my words! Open the way forward and create a path where there was none!
MC: Unlock the Gates of the Celestial Realm!
Vil: Ugh... Everything is bright! I can't see a thing!
Lilia: Good thing I have my sunglasses.
Vil: *frowns*
*The light disappears after a few seconds and MC as well*
Solomon: Yup. I'm sure they are in the Celestial Realm right now.
MC: ...
Simeon: ...
MC: *ended up straddling him*
Simeon and MC: *both blushes in embarrassment*
MC: I am sorry!
Simeon: *chuckles* I thought for a second that I had committed a sin.
MC: Come on now. You're calling me a sin?
Simeon: *chuckles again* No. I mean, I have been thinking of you for a while.
MC: *smiles* Sorry for being gone. I got into some sort of... unexplainable event.
Simeon: Oh?
MC: By the way, is Luke here? I'm here to invite you and him to this new world I'm living in.
Simeon: Is it similar to Devildom?
MC: No. It's a bit similar to the human world, except with magicians.
Simeon: Oh. *smiles* We would love to be there.
MC: Great!
*Back to Twisted Wonderland*
Diavolo: Simeon! Luke! I'm so glad to see you again!
Simeon: *chuckles* We're glad to see you too, Diavolo.
Luke: Yeah!
Lucifer: I'm surprised you easily got permission, MC.
MC: What permission?
Lucifer: ...
Simeon: MC snatched Luke in front of Michael. *laughs*
Luke: *giggles* It was fun when the other angels started to chase us!
Lucifer: ...
Lucifer: MC, why you-
MC: It's my parental rights, Lucifer.
Lucifer: ...
Malleus: That is your son, child of man?
MC: Yes! Isn't he adorable?
Luke: *staring at Malleus and wondering if he's a demon*
Malleus: How old is he?
MC: Um. He's ten. Yes. He's ten years old.
Luke: *pouts* MC! I'm over a thousand years old!
Malleus: ...
Malleus: What? You are older than me? *squints his eyes*
MC: Mal, don't. *knows that he's judging his height*
#twisted wonderland#obey me mc#twst mc#obey me simeon#obey me luke#twst malleus#obey me lucifer#obey me barbatos#obey me diavolo#obey me cerberus#twst trein#twst vil#twst lilia#twst x obey me
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thinking about how much crowley and aziraphale have been getting slammed for their poor communication and on the one hand... absolutely, i agree 100%. they have so much work to do in that department, they are always missing each other when it comes to seeing what they each want from the other and expressing it clearly. but on the other hand... like... encompassing six thousand years into a conversation? six thousand years of knowing each other. six thousand years of gravitating toward one another
like... the bit that really gets me, in crowley's confession, is - "...and we've spent our existence pretending that we aren't. i mean, the last few years, not really" - this implication that like... at least on crowley's part... since they saved the world together he's allowed himself to be more open in how he feels about aziraphale. that in his mind he's already long since chosen Their Side, they've chosen their side in their behavior towards each other, and they've talked about... our car, our shop, but even before that...
we see in the minisodes, the way they already act. they're a pair that shows rather than tells all the time and it's so abundantly clear that everyone around them can see it, is constantly asking about it, assuming it, reading it on them like they're an open book - with everyone but each other.
but like how do you put into clumsy human words how much love you feel for someone who stood next to you while you created the stars? who helped you create them? how do you say openly how you feel to the one person who understands you and your nature better than anyone else, who indulges your every whim because they want to see you happy while everyone else says you were built wrong, you're too indulgent, you're too soft but you're perfect for him, specifically, because you stood at the beginning of the universe together?
like how are they supposed to talk about that? especially when it's so forbidden to talk about that?
there are so few words that truly feel like they properly encompass what love truly and genuinely means? what loving someone TRULY means? how it's giving up your onliness and entrusting yourself into the hands of another, now you're not just you, now you're you but the world is brighter and sharper and more beautiful because of another? how we're all stuck on a spinning rock in the middle of space in the middle of the universe in the middle of the galaxy in the middle of eternity just little grains of sand and then there's another little grain of sand in the scheme of things, but it's the most important one ever created because of how happy it makes you?
but multiply that by six thousand years
so like of course you fucking cry and you stare at each other with tears in your eyes like you're absolutely ESSENTIAL to one another. but like how do you make it work in words when you don't know if there are even words for the prospect of existing without one another? and you have this absolutely incandescent and fragile thing between you that everyone understands to exist, you understand it to exist too, and sometimes it is scary as fuck to admit that you need someone. it is terrifying and uncomfortable and vulnerable and we're just people who live maybe 100 years on this earth? a blink of an eye compared to six thousand years of shared existence?
like...? truthfully i don't think i could talk about it easily either because oh my god that's fucking terrifying. that six thousand years of your comfortable and beloved shared existence could go up in smoke with one misplaced word. like no fucking WONDER he can't get the words out. and no fucking wonder, it's easier to couch things in terms like group and team and everything when you're on the verge of falling apart into a million pieces because the other half of your soul wants to leave you behind. it's easier to say come with me, work with me, be my second in command, than to admit he's first in your heart and mind every second of every day since you saw him bringing light at the beginning of the universe???
just... you know? they need a fucking break. they need a vacation. they need a cottage in the south fucking downs
#aughghg hgh g hghg g ghg i am in pain#good omens#ineffable husbands#good omens 2 spoilers#go2 spoilers#spoilers#WHAT OTHER TAGS IDK i don't wanna spoil people ily <3#good omens 2
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Hello Neil! Not sure if you’ve answered/explained this already in the FAQ but since I didn’t see it, I’ll ask: What made Maggie and Nina immune to Aziraphale’s miracle during the bookshop attack after the ball?
I’ve seen some speculate there was a miracle blocker in place, others think the girls didn’t fall for it because they were already too suspicious of Crowley and Aziraphale, therefore didn’t fall under the “nobody will notice anything” category of perception (which I had always presumed to be “well, they might be minding their own business, see something strange but my miracle will make it so they don’t truly notice and continue with their day”, please correct me if I’m wrong)
Or was it simply that Aziraphale’s miracle wasn’t as powerful as usual thanks to the stress from Shax’s attack, so he just couldn’t focus properly on the miracle?
Also: hoping you’re having a lovely day!
When I wrote it I imagined the latter. Also I think Aziraphale is a bit lazy on his miracles because mostly humans are pretty suggestible. At that point in the story Maggie and Nina would have needed a lot more pushing than Aziraphale had the spoons for.
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Aziraphale's vest
I'd like to take a second and talk about his vest because I think it's a really good metaphor for Aziraphale's internal feelings.
At first glance it's obvious the vest is quite old. Really old in fact if you note the way it's practically disintegrating.
And it got me thinking a bit. The way the white practically bleeds from the edges of the neck, shoulders and buttons, going further and further, one day if he's persistent enough to wear it, it might even take over the entire vest. You could say that that, somehow, mirrors Heavens influence over Aziraphale. Slowly, slowly, biding their time, until it has completely ridden him of any colour. Until it has completely washed him of his identity, of his originality, of his character.
Take a look at his clothing when he's up in Heaven.
Completely and utterly white. Every piece of clothing he's wearing is pure and untarnished white. Upon entering Heaven, against his own accord, it has stripped him of his uniqueness, of anything that might distinguish him from any other angel who blindly follows orders and who's sole purpose is to do Heavens bidding.
Now, he could miracle the white patches on the vest away easily. But he doesn't want to.
The thing is. He likes the imperfect. He likes partaking in human activities and pleasures, like food, music, etc. Likes to indulge himself in earthly things Heaven would label as sinful or "sullying." And as someone who bas been on the receiving end of Heavens ridicule and passive aggression for millenia, as someone who for centuries has been told that he's underperforming and needs to do better, as someone who is all too aware of his own impurity by the standards an angel should hold and of the quite frankly unholy behaviour in performing immoral temptations and directly going against Heavens orders no more than a few times throughout the eras, it's no wonder he finds comfort in the imperfect.
He keeps the deteriorating edges because they are a perfect representation of his own internal feelings and image. After all, there's no rule that says he can't. And a big kudos to the costume department, for the patches perfectly encapsulate his religious trauma. Without it, he would probably be a very different person. He wouldn't be the same Aziraphale we know and love. The same way he likes being old-fashioned with his clothes and how that is a part of who he is, his trauma is a part of him as well, along with Heavens influence that has shaped him into who he is today, whether he likes it or not.
Every part of the vest illustrates Aziraphale's character and internal feelings, which brings me to another point I want to draw attention to, and that is the BACK of the vest.
It's DARK. And I don't think I'm mistaken when I say that most of us didn't expect it to look like that from behind. We all just assumed that it would be the same beige colour as the front, which is in tune with the rest of his attire. After all, seeing him wearing a dozen different outfits all throughout history, all of them some shade of white, it was the logical conclusion.
But no.
It's not white. It's a dark, slightly viridian or a dark blue colour. "Dark blue suggests a more mysterious depth or ominous quality. Power and authority: Dark blue signifies power and responsibility. "
Not what we would have expected that colour at all. Similarly to how one wouldn't expect an angel to perform temptations or be gluttonous, or envious, or slothful, or hedonistic. Not at first glance anyway.
Not unless you look carefully.
Not unless you know him.
The coat almost acts like a cover. The light over the dark. Almost as if it's trying to hide something. The only times we see Aziraphale not wearing the coat is in his bookshop. Which is logical, of course. You wouldn't wear a coat indoors, obviously. Except he DOES. He wears the coat when he and Crowley are drunk, he wears it when he's reading Agnes Nutter, he wears it when Gabriel and Sandalphon pop in, he wears it when he's talking to the Metatron, he wears it when he's listening to Shostakovich, he even wears it at the Ritz where it would be custom to take off your coat while dining. And it's worth noting that during the events happening (at least in the first season), the season is summer. Which would make it quite ridiculous to be wearing so many layers everywhere you go and therefore risk boiling. But he still wears the coat.
The only times he doesn't wear it is in the first episode after the sushi, when he's all ALONE, and in season 2 at the bookshop when Crowley comes back and in 1941.
And there's something oh so personal about that.
I don't think it's a coincidence that the darker part is specifically the back of the vest. There's always been this natural human instinct to protect yourself by never ever turning your back on a foe. And I don't think this is a conscious effort on Aziraphale's part, but rather genius writing, directing and costume design, and anyone who's watched and read Good Omens knows that almost nothing is coincidental.
Note this is probably the first time Aziraphale has called Crowley his friend, seeing how uncertain and doubtful he was to even say the word in this scene and how quick he was to deny their friendship in the Shakespeare scene. And the camera immediately cuts from Crowley to Aziraphale, who is turned away, whose back is turned to Crowley oh so casually without a care in the world. Just before he calls him his friend. His back is turned, and so is the dark part of his vest.
The dark part he only shows in his bookshop, when he's alone and there's no one there. The part that he now only shows to Crowley as well. Crowley who knows him so well and who's been with him through everything. "I won't tell anyone if you won't." And "you said trust me""and you did". Just this small motion of Aziraphale depicts exactly how much trust he has in Crowley not only that he'll keep him safe and protected but to accept him just as he is, to not judge him, to not demean him for his imperfections as an angel. Practically mirroring Crowley's self-protection mechanism that is reflected in his motions to hide his eyes with his sunglasses (there's a wonderful meta on this by @simply-brightly-zee here )
And it might just be clothing, or it might just be genius symbolism, but note how self-aware Aziraphale is of his looks when Gabriel pops up.
The desire to impress is almost unconscious in this scene, and how does he go about doing it? By making sure he looks presentable. Presentable, despite the white patches and the vest that is falling apart, he doesn't even realise it. Therefore, it's clear Aziraphale puts thought into his clothes, whether consciously or unconsciously.
I personally dont think any of this (the coat, the patches, the way he turns his back, when, where and around who he's most comfortable) is a deliberate and intentional act on Aziraphales part but rather creative brilliance from the directors and producers. So him being shown to expose the back of the vest only in scenes with Crowley (and the one in s2 infront of an amnesiac Gabriel with the intelligence and awareness of a squirrel) is a master move on the costume department's part. The symbolusm being so small and imperceptible, but holding so much meaning. This small metaphor shows how much Aziraphale trusts Crowley and how comfortable he is around him. Crowley who knows about Aziraphale's transgressions, sins, unholy behaviours, lack of interest and dedication to his job, and overall "incompetence" as Aziraphale might put it and how he's "just enough of a bastard to be worth knowing". Crowley, who will accept him and love him no matter what. Not despite those things, but because of those things.
They have found their "own side".
Edit: Not that important, but I just want to mention how, despite being tattered and falling apart, the vest is still in perfectly good condition. No matter the white seeping in and draining its colour, the vest doesn't have a single seam torn, not a button lost, perfect as the day it was bought. No matter what it's been put through, it's still kicking, whether by miracle or sheer willpower. Very much like the person wearing it.
#good omens#goodomens#aziraphale#crowley#goodomenss2#good omens 2#ineffable husbands#good omens season 2#aziracrow#goodomenss2spoilers#good omens meta#good omens analysis#analysis
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bit on the side?
bit on the side?
crowley doesn’t know what the fuck that even means. ok, yes, he’s familiar with the deluge of terms humans have concocted to define the complexity of their relations to each other.
side piece. sneaky link. friends with benefits. fuck buddies. situationship.
crowley knows what it means. he does. but when nina speaks the phrase to him, crowley can’t seem to recognize a single language, alive or otherwise dead, in which the words she says make sense. he briefly wonders if this is his version of aziraphale’s french.
because she’s talking about aziraphale.
aziraphale, the angel. the angel who likes his tea without sugar, but his wine with company. the angel who claims to have a distaste for “bebop,” yet crowley has caught him mouthing the words to queen’s “good old-fashioned lover boy” more than once in the bentley. the angel (bastard) who enjoys subjecting crowley to his magic act antics that under no circumstances would crowley ever admit to finding amusing or, satan forbid, endearing. the angel who popped into paris during the reign of terror because he got peckish for crepes, and even the threat of guillotine in that damp bastille cell could not deter him from baked goods in the end. the angel who still insists on dragging crowley to see productions of shakespeare, despite both being present for the original opening nights of almost every play the man wrote. the angel who is what heaven is supposed to be incarnate—pure and kind and too good for his own good, really.
and crowley is a demon.
he doesn’t think any of the typical labels apply. they’re not human, after all; it couldn’t be that simple. crowley can’t pinpoint exactly when it started or when it changed. 6,000 years is a long history to comb through. it was more than the acquiescence of two immortal beings to the familiarity of each other in a world full of temporary creations. it was more than a bloody arrangement at this point. crowley doesn’t know how it can be more than whatever it means to inhabit the other’s body and walk right into fatal danger, but they are. he’s inclined to cut his losses and say he knew—because deep down, he did know—he’s been fucked since eden and the damn wall and the damn rain he can’t help but associate with revelation.
other people’s love lives, nina had said. love lives. she’s projecting, crowley knows that. whatever’s going on with her and…lydia? linda? they say love makes you blind, but crowley would argue you see plenty of things. every passing glance between sips of champagne; every smile at the crisp sarcasm rolling off a forked tongue; every brush of fingers over the exchange of a briefcase full of books, the shaky grip on a tartan thermos, the drunken grab for another glass of wine across the table. silly things. things that aren’t there. for all the times aziraphale has implored him to read more, crowley swallows the urge to say he already reads into things more than he should.
he’s imagined it before; what it would be like to have more. a fair share of people have made assumptions about them in the past, though he’s not sure whether aziraphale has picked up on it, but that’s not why crowley suddenly feels as though armageddon is upon them once again. never has someone alluded to anything as…intimate as “hooking up.” crowley can brush away the implication that they’re together, but something screeches to a burning halt the moment nina insinuates what crowley’s only ever allowed himself to think about when he’s laudanum-level drunk and lonely because he has a greater chance of not remembering in the morning.
he remembers though. that’s usually when the guilt kicks in, when he’s hungover because he forgot to miracle the alcohol out of his system before passing out, and the headache pulses with the constant reminder that aziraphale is pure, pure, PURE. nothing he imagines on those nights is pure.
what gave him away? and if nina can see it, can aziraphale?
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I’m gonna SCREAM-
We’ve already established as a fandom that Metatron could teach a masterclass on gas lighting, but I wanna talk about how he specifically validates the things Aziraphale cares for while simultaneously devaluing them under the surface.
First off, this moment?
Tells us everything we need to know. It sets the scene for exactly the games Metatron is playing. He makes Muriel feel important while openly insulting them (flat out calling them stupid), aka seamlessly reinforcing the idea that they’re less than to both them and anyone else in the room. He knows he can get away with this easily, he knows that Muriel, lonely, overlooked little Muriel, will be completely distracted by the fact that someone so important is taking an interest in them.
This is already horribly clever, but then later on you realize it’s doing even MORE heavy lifting when he appoints Muriel to run the bookshop. “See? What’s important to you is what’s important to me! I’ve graciously taken the time to ensure your beloved shop is looked after by Muriel. You know, the dim one!” …let’s suffice it to say he’s ensnared too birds with one net for this one, and that a pattern is already starting to arise.
So when Metatron says Gabriel came to Aziraphale because he’s a “natural leader” and “doesn’t just tell people what they wanna hear”? Yah he’s full of shit. Aziraphale struggles with his sense of purpose when he doesn’t have someone or something guiding him, and for thousands of years he’s been terrified of sharing his true feelings and opinions to 90% of people he’s known. Completely just trying to butter him up. Wanna know the real reason Gabriel seeks asylum with Aziraphale?
Exactly this. Gabriel just says so point blank. It’s not because Aziraphale is this person for him, it’s because despite knowing nothing, he has this instinct that Aziraphale is the only one who can possibly understand why Gabriel did what he did. He is, I mean as far as we know, the only other angel who has fallen in love. (In general, let alone with a demon.)
But nope, can’t have that. We can throw the promise of restoring Crowley in the mix to sweeten the pot, but we can’t acknowledge why he’d want that so badly in the first place. So now it’s cause they work so well together. We can praise the angel for the fallen archangel Gabriel himself coming to him protection and guidance, give him a gold star. But we couldn’t DARE imply that it was by virtue of Aziraphale’s courage to choose earthly love over heavenly. How Gabriel didn’t need a leader, but a friend who’s truly known the joys of adoring that “particular person” and the pain of needing to hide it.
Cause then Aziraphale would start getting crazy ideas, like that his silly little human feelings have a great deal of worth. That they have the power to inspire, form cracks in the institution, fundamentally weaken what has controlled and harmed him. We wouldn’t want him to know the true value of the cards he holds when he has the ace in a match against you, now would we? After all…
Metatron uses this ingeniously sinister tactic of taking away Aziraphale’s choice while giving the illusion that he’s actually opening up doors. Notice how he tells Aziraphale he would have the authority to do something as extraordinary as turn a demon into an angel, yet he never once puts the much simpler alternative of just working with a demon on the table? The sleight of hand here is that he’s being offered the opportunity to freely be with Crowley… but he’s already freely with him as is, no bargain to be made. In fact he fought to be. Metatron disappears this accomplishment right before our eyes, while seamlessly maintaining the illusion to Aziraphale that he (Zira) is in control.
He sets Aziraphale up for failure by only providing the option he knows Crowley will not only decline but be deeply hurt by. It’s all so cleverly planned. Once this plays out exactly how he wants, he delivers the finishing blow by diminishing Crowley and his “damned fool questions”. Suddenly doing a complete 180 and emphasizing how foolish and troublesome he is. Metatron was offering Crowley by Aziraphale’s side as The Carrot. Now he’s telling Aziraphale it was stupid of him to want The Carrot, un-heavenly.
Aziraphale’s life, love, happiness, it’s all not only a massive inconvenience for Metatron but a liability. He has successfully taken a weapon from Aziraphale’s hands he didn’t even know he had. Metatron sees the writing on the wall, and he wants it contained.
#THE southern pansy doesn’t even realize he’s about to start a jod damn revolution#quick! annihilate his self esteem so he doesn’t start making people sniff out the bullshit on PURPOSE#good omens#ineffable husbands#season 2#2x06#meta#analysis#aziraphale#crowley#Muriel#metatron#Renew good omens#biceratops#Gabriel#ineffable bureaucracy
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On the Evolution of “Happily Ever After” and Why “Nothing Lasts Forever”
A reflection inspired by Good Omens 2
One of my favorite Tumblr posts on the second season of Good Omens 2 was actually not about the series at all, but our reaction to it, primarily the ending. @zehwulf wrote, “I think a lot of us—myself included—got a little too comfortable with assuming [Aziraphale and Crowley would] work on their issues right away post-Armageddon.” We did the work for them through meta, fanfiction, fanart, and building a plethora of headcanons. Who among us AO3-surfing fans didn’t read and love Demonology and the Tri-Phasic Model of Trauma: An Integrative Approach by Nnm?
In the 4 long years since season one was released, we did more than seek to understand and repair rifts between two fictional beings: we were forced to reckon with ourselves too. We faced a global pandemic, suffered traumatizing losses and isolation, and were forced to really and truly look into the face of our atrocities-ridden and capitalistic world. The mainstream rise of Diversity, Equity, Inclusion and Justice work, and our participation in this work, showed us that the systems in place were built to oppress and harm most of us, and they are.
So, what does this have to do with the evolution of “happily ever after”?
My friend put it best in a conversation we had following the season finale, when she pointed out a shift in media focus. The “happy end” in old stories about wars and kingdoms used to be “we killed the evil old king and put a noble young king in his place and now citizens can live in peace” and we’re transitioning into a period of “we tore down the whole fucking monarchy.”
If we look at season one, written to follow the beats of a love story, it comforted us by offering a pretty traditional happy ending pattern: you get your fancy dinner with your special someone, the romantic music plays, and you have a place to call your own. Season one’s finale provided a temporary freedom for Aziraphale and Crowley, the “breathing room,” but it didn't solve the problem that was Heaven and Hell, or the agendas belonging to those systems of oppression.
Is it good enough to keep our heads down, pretend the bad stuff isn’t happening, and live our own personal happy endings until we die? Moral quandaries aside, if you don't die (or if you care about the generations after you), then, like Aziraphale said, it “can’t last forever.” There’s a clear unpleasant end to the “happily ever after” that’s based on ignoring our problems– it’s the destruction of our relationships, and humanity.
Ineffable Bureaucracy can go off into the stars because they do not care about humanity.
You know who does?
Aziraphale.
And Aziraphale knows that Crowley cares about humanity too. (He knows because Crowley was the one who proposed sabotaging Armageddon in the first place, who only invited him to the stars when he thought all was lost, because Crowley would save humanity if he thought it was possible, and Aziraphale knows Crowley has survived losing Everything before, and he will do all in his power so that Crowley does not need to experience that again.)
In season one and two, we see how much they care about humanity, beyond their orders, to the point The Systems begin to frown at them. Aziraphale hears Crowley’s offer to run away together in the final episode of season two, to leave Earth behind, and just like the first time that offer was made in season one, he declines. He knows choosing only “us” is not a choice either of them can live with for the rest of eternity.
I believe season 3 will provide an opportunity to “dismantle the system,” but I don’t know how it will play out. I worry that Aziraphale has put himself in the now-dead trope of the “young noble king.” (I wish Crowley had told him why Gabriel was dismissed from his duties.) I worry that he would martyr himself as a sole agent for change. I worry that he doesn’t actually know how to dismantle anything by himself: because you can’t. He needs Crowley. He DOES. He needs Crowley, and Muriel, and other angels and demons and humans without fixed mindsets to help him. Only by learning to listen and making room at the table for all can they (and we) move past personal satisfaction to collective liberation.
Crowley was right when he said that Aziraphale had discovered his “civic obligations.”
So, I think we will get our modern-day happy ending– and it’s going to involve a lot of pain and discomfort, communication, healing and teamwork– and in the end, it’ll all be okay. There will be a time for rest and a time for “us.”
And most likely a cottage.
“Do the best you can until you know better. Then when you know better, do better.”
- Maya Angelou
Support the SAG-AFTRA strike and other unions. Trust @neil-gaiman. Register to vote if you haven’t yet. Hold yourself and others accountable with compassion. Read books. Keep doing the work. Rest. Then watch Good Omens 2 again.
#good omens 2#good omens#crowley#aziraphale#ineffable husbands#good omens meta#good omens 2 meta#ineffable advocacy#ineffable partners#neil gaiman#terry pratchett#gos2 spoilers#good omens 2 spoilers#nothing lasts forever#liked by Neil Gaiman
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A very long meta explaining why the confession scene in Good Omens is the best that has ever been written and performed on screen
First of, the scene begins with two different realisations that makes each of them believe that their dynamic will significantly change (Crowley wanting to confess his love and Aziraphale wanting to break out the news about heaven). This, you can see, creates an unprecedented shift in their energy, makes them super excited (Azi) and super nervous (Crowley) to break the news to one another. And despite the two matters being drastically different, when Aziraphale begins his revelation we don't get the Miscommunication trope where Crowley listens to the offer and passively retreats back his emotions. No. He is steadfast in his resolution, in his love for Aziraphale.
And that right here is king attitude no.1, because even if Aziraphale just threw something so godforsaken on him, he won't allow himself to be cowardly or let go of the one person he loves more than eternity. Crowley still bares his heart, still lets it all out, because he will not lose Aziraphale in his naivete of still believing that Heaven is good and Hell is evil. (I write this with supreme detachment of my own beliefs lol) He tries to make Aziraphale understand that sides didn't do them any good the past 6000 years, that the only solid foundation they ever had was them, and that Crowley would rather have them than have everything.
The way you hear Tennant's voice breaking when he said “And we spent our whole existence pretending that we aren��t”, is the perfect reflection of how Crowley genuinely despairs the time they lost and wouldn't have any more of it. And even with how bare and raw he's feeling with revealing all this, he still goes on. He still tries to tell him and I would like to spend our whole existence together, but struggles and struggles because he's strung wide open. But he keeps trying.
Now you see here a moment of disbelief on Aziraphale's behalf, because he doesn't understand why Crowley would refuse going back to heaven with him when all Aziraphale remembers of Angel!Crowley was how utterly bright his eyes shone when he lit up the stars and surely Crowley must miss that too? He wants the same thing Crowley is saying, just in a different dimension. The “I can make a difference” immediately changes to “We can make a difference” because that's all what’s ever been for Aziraphale; them changing the small engines of the world according to their partnered will. He is genuinely benign and not ill-intentioned when he says “Nothing lasts forever”, because he truly wants a better life for them, a better existence. And that's when it gets better: Crowley has his walls back up, he's walking away, because he can't bear that he was never enough as he is for Aziraphale. That he was never worth reciprocation.
But Aziraphale doesn't let him leave.
And that is king attitude no.2, because he doesn't want Crowley to leave when things are strewn all over the place that they don't know where they stand. All Aziraphale ever wanted was for them to stand on the same ground. He asks him to come back to him but hides it by finishing it with “to heaven!” because the whole conversation is going too fast for him, and he's undergoing a religious crisis of sorts that does not end in 6000 years, yet even so he still doesn't want to lose Crowley because he's everything he has and he can't do it without him and “I — I need you!”
And that's when it gets reaaally interesting. Aziraphale's expression then turns from sorrowful desperation to rageful desperation, because he's baring his heart and Crowley is walking away from him. Their solid ground is completely shaken when he says “I don't think you understand what I'm offering you” because he's trying to be subtle about his love for Crowley and still direct as much as he can, but Crowley responds with a condescending “I think I understand a whole lot better than you do” and if this isn't peak human beings in their arguments, I don't know what is. Because we all think we are so misunderstood every time we get into an argument with someone we love, and we absolutely despise it when we feel patronized, so it's no wonder Aziraphale bitterly says “Then there's nothing more to say”, because if Crowley understands, truly does, then he'd see right past his fear to how much he loves the ground Crowley walks over.
And on the other hand I don't believe Crowley truly meant to be patronizing, but in a desperate last attempt he wanted to make Aziraphale understand what he is trying to say, what he spent his entire eternity feeling for Aziraphale, what Aziraphale would be giving up if he goes to heaven. What their life sounds like with no nightingales.
“You idiot, we could've been.. us” is the very culmination of love confessions. It took every single emotion and equated it. Tennant's delivery of it was unsurpassed in the way that it truly covers everything. And the way he grabbed Aziraphale, not entirely lovingly but desperately and angrily and, honest to God, awfully, is the reason why their kiss is so perfect. No queerbaiting, no beating around bushes. It is raw and sad and giving and agonising. Crowley wants to say see what you're giving up? See what we can have? And all Aziraphale thinks is how could you lay this on me now after everything, after every chance we could've been something, after me loving you from the first time I've met you. He's angry towards himself too, because nothing he can offer Crowley will be good enough that he chooses him instead of his choices. Sheen's choice in making his character grab Crowley's shoulder and let it go and then grab it once more in desperation is so unexplainably perfect of how much Aziraphale wants to hold onto Crowley.
But in the back of his mind, Crowley isn't choosing the same. Instead, Crowley's choosing to run from something that no doubt will rebound in their faces. They are angels and demons of heaven and hell, how could Crowley expect they could run and hide without being a repercussion later on? At least what Aziraphale is suggesting ensures that they will have a high position of power, enough to make them together, enough to make them happy, but instead, Crowley is walking away.
And when Crowley lets go of him, not the other way around because of course it is Crowley who must let go and detach from the utter pain that pierced his heart, you can see his expression being one of defeated longing. He sees all expressions passing across Aziraphale, sees how torn apart the other man is, too, and awaits just a semblance of anything they could work with. But instead, Aziraphale's face closes, and he tells Crowley “I forgive you”, and Crowley thinks this must be his second falling, because he's never felt more pain. “Don’t bother”, he says, yet still waits for Aziraphale outside and doesn't leave until Aziraphale has left him. Because in the end, Crowley would always be there for Aziraphale, even if he doesn’t feel worthy of it.
And that, my beloveds, is why eternity will remember this scene.
#good omens#good omens 2#good omens spoilers#david tennant#michael sheen#good omens meta#LJ metas#regulusrules metas
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