veganineden - Tumblr blog

veganineden · 3 months

Text

SFX Magazine Issue 372 - Designing Good Omens ❤ 😊

PRODUCTION DESIGNER MICHAEL RALPH REVEALS HOW THE SHOW’S CENTREPIECE SET, WHICKBER STREET, WAS GIVEN A DEVILISHLY CLEVER UPGRADE FOR THE SECOND SEASON

WORDS: DAVE GOLDER

Invisible Columns And Thin Walls “The new studio is Pyramid Studios in Bathgate – it used to be a furniture warehouse. And unfortunately – or fortunately, because I accept these things as not challenges but gifts – right down the middle of that studio are a series of upright columns. But you’ll never spot them on screen. I had to build them in and integrate them into the walls and still get the streets between them. And it worked.

“There’s all sorts of cheeky design values to those sets. Normally a set like this is double-skin. In other words, you do an interior wall and an exterior wall, with an airspace in between. But really, the only time a viewer notices that there’s that width is at the doors and the windows. So I cheated all that. I ended up with single walls everywhere. So the exterior wall is the interior wall, just painted. All I did was make the sash windows and entrances wider to give it some depth as you walked in.”

GOOD OMENS HAD A CHANGE of location for its second season, but hopefully you didn’t notice. Because Whickber Street in Soho upped sticks from an airfield in Hertfordshire to a furniture warehouse in Bathgate, Edinburgh. It’s the kind of nonsensical geographical shenanigans that could only make sense in the crazy world of film and TV, and production designer Michael Ralph was the man in charge of rebuilding and expanding the show’s vast central set. “I wish we could have built more in season one than we did,” says Ralph, whose previous work has included Primeval and Dickensian. “We built the ground floor of everything and the facades of all the shops. But we didn’t build anything higher than that, because we were out on an airfield in a very, very difficult terrain and weather conditions, so we really couldn’t go much higher. Visual effects created the upper levels.”

But with season two the set has gone to a whole other level… literally. “What happened was that the rest of the street became integrated into the series’s storyline,” explains Ralph. “So we needed a record shop, we needed a coffee shop that actually had an inside, we needed a magic shop, we needed the pub. To introduce those meant we had to change the street with a layout that works from a storylines point of view. In other words, things like someone standing at the counter in the record shop had to be able to eyeball somebody standing at the counter in the coffee shop. They had to be able to eyeball Aziraphale sitting in his office in the window of the bookshop. But the rest of it was a pleasure to do inside, because we could expand it and I could go up two storeys.”

For most of the set, which is around 80 metres long and 60 metres wide, the two storeys only applied to the shop frontages, but in the case of Aziraphale’s bookshop, it allowed Ralph to build the mezzanine level for real this time. According to Ralph it became one of the cast and crews’ favourite places to hang out during down time.

But while AZ Fell & Co has grown in height, it actually has a slightly smaller footprint because of the logistics of adapting it to the new studio.

“Everybody swore to me that no one would notice,” says Ralph wryly. “I walked onto it and instinctively knew there was a difference immediately, and they hated me for that. I have this innate sense about spatial awareness and an eye like a spirit level.

“It’s not a lot, though – I think we’ve lost maybe two and a half feet on the front wall internally. I think that there’s a couple of other smaller areas, but only I’d notice. So I can be really annoying to my guys, but only on those levels. Not on any other. They actually quite like me…”

Populating The Bookshop “The props in the new bookshop set were a flawless reproduction from the set decorator Bronwyn Franklin [who is also Ralph’s wife]. It was really the worst-case scenario after season one. She works off the concept art that I produce, but what she does is she adds so much more to the character of the set. She doesn’t buy anything she doesn’t love, or doesn’t fit the character.

“But the things she put a lot of work into finding for season one, they were pretty much one-offs. When we burnt the set down in the sixth episode, we lost a lot of props, many of which had been spotted and appreciated by the fans. So Bronwyn had to discover a new set decorating technique: forensic buying.

“She found it all – duplicates and replicas. It took ages. In that respect, the Covid delay was very helpful for Bron. There’s 7,000 books in there and there’s not one fake book. That’s mainly because… it’s a weird thing to say, but we wanted it to smell and feel like a bookshop to everybody that was in it, all the time.

“It affects everybody subliminally; it affects everybody’s performance – actors and crew – it raises the bar 15 to 20%. And the detail, you know… We love a lot of detail.”

(look at the description under this, they called him 'Azi' hehehehe :D <3)

Aziraphale’s Inspirational Correspondence “There’s not one single scrap of paper on Aziraphale’s desk that isn’t written specifically for Aziraphale. Every single piece is not just fodder that’s been shoved there, it has a purpose; it’s a letter of thanks, or an enquiry about a book or something.

“Michael Sheen is so submerged in his character he would get lost sitting at his own desk, reading his own correspondence between takes. I believe wholeheartedly that if you put that much care into every single piece of detail, on that desk and in that room, that everybody feels it, including the crew, and then they give that set the same respect it deserves.

“They also lift their game because they believe that they’re doing something of so much care and value. Really, it’s a domino effect of passion and care for what you’re producing.”

Alternative Music “My daughter Mickey is lead graphic designer [two of Ralph’s sons worked on the series too, one as a concept artist, the other in props]. They’re the ones that produced all of that handwritten work on the desk. She’s the one that took on the record shop and made up 80 band names so that we didn’t have to get copyright clearance from real bands. Then she produced records and sleeves that spanned 50, 60 years of their recordings, and all of the graphics on the walls.

“I remember Michael and Neil [Gaiman] getting lost following one band’s history on the wall, looking at their posters and albums desperately trying to find out whether they survived that emo period.”

It’s A Kind Of Magic One of the new shops in Whickber Street for season two was Will Goldstone’s Magic Shop, which is full of as many Easter eggs as off-the-shelf conjuring tricks, including a Matt Smith Doctor Who-style fez and a toy orang-utan that’s a nod to Discworld’s The Librarian. Ralph says that while the series is full of references to Gaiman, Pratchett and Doctor Who, Michael Sheen never complained about a lack of Masters Of Sex in-jokes. “He’d be the last person to make that sort of comment!”

Ralph also reveals that the magic shop counter was another one of his wife’s purchases, bought at a Glasgow reclamation yard.

The Anansi Boys Connection Ralph reveals that Good Omens season two used the state-of-the-art special effects tech Volume (famous for its use in The Mandalorian to create virtual backdrops) for just one sequence, but he will be using it extensively elsewhere on another Gaiman TV series being made for Prime Video.

“We used Volume on the opening sequence to create the creation of the universe. I was designing Anansi Boys in duality with this project, which seems an outrageously suicidal thing to do. But it was fantastic and Anansi Boys was all on Volume. So I designed for Volume on one show and not Volume on the other. The complexities and the psychology of both is different.”

#sets #the bookshop #behind the scenes

4K notes · View notes

veganineden · 3 months

Text

PEACEFUL

#good omens #crowley #aziraphale #ineffable husbands #fanart

6K notes · View notes

veganineden · 3 months

Text

Demonology and the Tri-Phasic Model of Trauma.

The Tri-Phasic model of trauma consists of three healing phases:

1. Safety & Stability

2. Remembering & Grieving

3. Reconnecting & Integration

“She would sit here, with Crowley. She would sit, in compassionate honesty, with him. She would sit with him, for as long as he needed, as long as it took for him to feel safe enough to emerge from his cocoon.”

Inspired by the same name fanfic by Nnm on ao3, you can read it here:

Words cannot describe how much impact this beautiful fan-fiction has on me. It gave me the courage to pick up my own tree, one day it’ll become a forest too, just like Aubrey’s. Thank you.

#loooooove this art #fics that heal #demonology and the tri phasic model of trauma: an integrative approach

2K notes · View notes

veganineden · 4 months

Text

Crowley's Texts

I'm just so happy people "get" these

@mouseonamoose

#cute #fanart #Crowley #good omens

9K notes · View notes

veganineden · 5 months

Text

#laugh rule

150K notes · View notes

veganineden · 5 months

Photo

♡ ♡ ♡ I can finally share the piece I made for @theineffablecon ‘s artcontest !! I named it: “Falling in Love head first” and it was such a pleasure to draw! Thanks again to the wonderful people who organized it for this opportunity, I hope you all had great fun at the convention o(≧▽≦)o !!! ♡ ♡ ♡

#good omens #ineffable husbands #fanart #aziraphale #crowley

12K notes · View notes

veganineden · 5 months

Note

Oooh, I love this meta.

Why do you think Crowley didn't just get another apartment?

Hi! Thanks for the ask. I have French buttercream chocolate cake tonight. I know, right? It's amazing. *cuts you a slice*

To answer your question, I think we have to look at the whole thing with where Crowley parks The Bentley and when (in both seasons) and, also, the scenes that emphasize Crowley and Aziraphale avoiding being seen together anywhere in the mornings and what all this has to do with what he says is his living situation in S2.

Meta on Crowley "living in his car" in S2 under the cut.

For Crowley and Aziraphale, what has always been what *absolutely cannot happen* is Heaven/Hell figuring out that Crowley will stay in the bookshop until very, very late into the evening, as that is the one thing they'd have trouble justifying. If Crowley parked The Bentley in front of the bookshop in the afternoon/evening and it was still there at 7am the next morning, it would send a message to anyone watching that their relationship isn't just intelligence business, it's not just friendship...and it's not even really just sex. If Heaven/Hell saw The Bentley outside the bookshop all night often enough, they would assume that Crowley and Aziraphale are in a romantic relationship and this is the one thing that Crowley and Aziraphale do not want them to figure out. They can hatch a wild plan if they get caught to justify any of the rest of it and maybe get away with it but there's no way out if they get caught out being in love when they're supposed to be sworn enemies... so, if they want to spend time alone together in the privacy of the bookshop, how do they work around the problem of potentially being noticed? The show actually showed us subtly in S1 before a little more overtly in S2.

When Crowley is going to come over for awhile-- and especially when it's going to mean that he's there into the evening-- he doesn't park The Bentley in front of the bookshop. He parks it in the vicinity but not too close-- around where it was when Aziraphale called him in 2.01. Two or so minutes' drive out, on a side street. (A two minute drive is a 15 or so minute walk so not that far but a bit away.) If he's coming to the shop alone, he'll probably use the side entrance to the bookshop but if he's been out with Aziraphale-- like he was in their 'fuck everything, the world is ending' lunch at The Ritz in 2008-- they'll walk back to the bookshop. If anyone notices Crowley entering it, it'll be during the day, right? While not ideal, it's innocuous enough. Aziraphale's bookshop is theoretically a business and is also an angelic embassy and Aziraphale could say that he's trying to turn Crowley to the light and make him into an informant if they were caught. Conversely, it couldn't hurt Crowley-- whose job, like Aziraphale's, is to spy on his counterpart-- to seem like he's gaming the corruptible angel and getting intel to further the demonic goals of Hell so he could say he's luring the angel to trusting him. Being in the bookshop during the day, during what are (for normal businesses lol) business hours, when the business is also an embassy, is one thing. It's the evening that's the problem for them. At that time of day, the bookshop is nothing but Aziraphale's residence and Crowley's presence during those hours becomes much riskier. So, how to get around that?

Here's them walking back to the bookshop from wherever Crowley's parked The Bentley on a side street after lunch in 2008/Eleven Years Ago in S1:

During lunch in 2008, they already planned for Crowley to come back to the bookshop with Aziraphale and since there's no plan for him to leave in any hurry, Crowley is already not parked in front of the bookshop so no one can recognize his car there late at night. This is practiced between them; they've been doing it for awhile by this point. They still are in S2, when we have several scenes of Crowley in The Bentley parked on a side street near the bookshop.

Since Crowley can't be seen then leaving the bookshop once the sun is up or it'd defeat the purpose of the car not being parked in front of it, whenever he comes over, he leaves the bookshop through the side door at some ungodly pre-dawn hour, walks to his car a few streets over (apparating into it would be suspicious to anyone who might have found it so he usually walks, looking like he was just out late causing demonic trouble), and then, in the past, would drive back to his apartment in Mayfair. That way, when the sun came up, anyone who might be watching his place would see The Bentley parked in front of it. Didn't see Crowley leave the bookshop from the afternoon? You must have missed him in a crowd on the sidewalk somewhere because there's his gorgeous, old, very recognizable car, parked in front of his place in Mayfair, gleaming in that early morning sun.

No one was ever the wiser to the fact that on some of these nights, Crowley was not home in his apartment or out raising hell all night but was actually in the bookshop nearly until dawn.

Is it kind of miserable for Crowley to have to leave every time in the middle of the night and for him and Aziraphale to never really know what it's like to wake up together? To never get to have breakfast and mornings together? Of course. But it keeps them safe so they deal with it. As a result, though, they have a thing about mornings.

In 1.01, when Crowley calls Aziraphale in the middle of the night and they both have separately learned of Armageddon, he tells Aziraphale that they "need to talk" and then they both, without further discussion, are at their bench in St. James' Park the next day. During their talk, they decide to go to lunch and go directly there, which means that they met up sometime around 11am-12pm. So even Crowley calling in the middle of the night and setting up the meeting in the park with their code phrase means that the time of the meeting is always predetermined to be at least 11am, no matter what they need to discuss. Even after learning of Armageddon beginning, they waited until almost lunch the next day to meet up and talk about it because they never want to be seen in public together in the earlier mornings. They're afraid of someone seeing them going for a walk or getting a coffee together before midday and thinking they spent the previous night together. Crowley is always gone from the bookshop before the sun starts to come up and they never meet before 11am in an effort to keep anyone from figuring out that they are often in the bookshop-- and Aziraphale's bed-- together through the early morning hours.

Which tends to make this, their first time getting breakfast even if Crowley knew it wasn't really that because Aziraphale's "problem voice" was on, even more hilarious...

Crowley's like I left you blissed out and half-asleep in your bed *four hours ago*, angel... how on Earth is there a 'naked man friend' in your bookshop right now? He knows that Shax told him there's something going on and that Aziraphale called with a problem but this is the only time of day they usually spend apart and they always do so if Aziraphale is going to cheat on him-- which he's not lol-- this is when he would and based on the fact that Aziraphale panics at Crowley thinking there's another guy in the bookshop and based on Crowley's wtf? face at hearing there is, these two aren't sleeping with anyone else anymore and have a monogamous thing, even if they probably sort of forgot to have a discussion about it. Crowley can tell from Aziraphale's reaction that there's some misunderstanding here and then just gets bemused about it but also about ready to kill whatever guy, naked or not, is causing Aziraphale problems, only to find out that it's, well, the guy who tried to kill them.

In 2.01, when Gabriel makes his rather noticeable arrival on Aziraphale's doorstep, it is the mid-part of the morning-- probably somewhere around 9am as Maggie was just getting ready to open her store for the day, Nina was still busy but her more immediate pre-work coffee rush seemed to be winding down, and Aziraphale was having his breakfast tea on yet another day that his shop was not opening lol. The most major character to miss Gabriel's arrival is, of course, Crowley. Crowley's meeting with Shax is just before/happening in tandem with Aziraphale at Maggie's shop and then Gabriel's arrival and actually opens the storyline in the present in S2. The point is that Crowley misses Gabriel's arrival because he is not in the bookshop in the early mornings, which is then something that is heavily emphasized through Crowley and Aziraphale's first scene of the season via Nina to not just be about this particular early morning but all mornings.

When Aziraphale calls Crowley and has him meet him in Give Me Coffee, Nina has never met Crowley before. Give Me Coffee is fifteen steps across the street from the bookshop and sells coffee, tea and baked goods and Nina doesn't know Crowley. Nina has been there running it since post-S1. She knows Aziraphale though and, until the morning of 2.01, she thought the old bookseller a confirmed bachelor. In the span of 20 minutes, he gets a naked man possible deliveroo strippergram on his doorstep in front of the whole neighborhood and then then this other hot-- and surprisingly clothed-- Ginger Goth guy shows up to meet him for coffee. Nina's best guess for why the bookseller and his Crowley have never come across the street to her shop before and seem like they've literally never gotten breakfast together while they also "go way back" and have chemistry and affection for one another for days is that they're having an affair. Nina correctly guesses that their relationship is a secret and applies the most logical presumption that a human without knowledge of Heaven/Hell could-- that it's infidelity, not that they could be murdered if they were found out-- because these two live in London Soho in the year 2023 but are still afraid of being found out.

So, all of this shows how there's no Crowley in the bookshop in the morning. Neither of them have ever slipped across the street to bring back coffee and croissants for two at 7am or gone over to Nina's together. Aziraphale has been to Give Me Coffee alone before. Crowley and The Bentley are always nowhere to be found near the bookshop at this hour, which is how Crowley missed Gabriel's arrival.

So what does this all have to do with why Crowley doesn't just get a new apartment ahead of S2?

When Hell showed up in the form of Shax to reclaim the place in Mayfair in which Crowley was living, it really left Crowley with two choices. He wasn't about to tell Aziraphale because Aziraphale would feel like he had to ask him to move in with him for real and it was too dangerous. They can't have that so why bring it up and hurt them more? The two choices Crowley felt he had were to either get a new apartment or to just keep on as he's been living because the truth is... he hadn't been home to Mayfair that much lately anyway.

Before, Crowley and Aziraphale would try to go some amount of time between seeing each other but after S1, maybe with some exceptions around the Covid lockdowns but definitely not since they were lifted, they just stopped bothering that much. They were already together on borrowed time with no idea how much time they had until Armageddon: Round Two would start and they just wanted to be together so they kept up their whole routine of Crowley out before dawn and no mornings but Crowley had been more or less living in the bookshop for awhile ahead of S2.

As Aziraphale says here:

Meaning: they live together. Crowley's there all the time. Aziraphale does not mind. It's been months of Crowley in the bookshop every night. Aziraphale loves it. He hates him having to leave in the middle of the night as he always does but they've settled into a little domestic thing the best they can with the situation they have. The line is also laden with innuendo, suggesting they're not always just up talking and listening to old records until 4am but are regularly, ya know, setting off some alarm bells in Heaven together. (Couple Aziraphale's innuendo in the "plenty of use" scene with why Crowley says Muriel needs to leave the bookshop when he says he wants to take Aziraphale to breakfast at The Ritz. "We need a little 'us time'" meant all amnesiac angels and assorted representatives of Heaven and Hell need to get the Someplace out of this bookshop right now so I can finally watch that angel eat some pancakes and then take him to bed in our bed without worrying about someone needing a hot chocolate in the middle of the night.)

Their level of domesticity is actually shown to be pretty cute with this bit:

This is the most living together thing ever because it's saying that Crowley is just frequently in the bookshop while Aziraphale is out now. He's not even just there to see him but he spends time there alone while Aziraphale goes to the bank for change for the four books he sells a month and to his appointment with his barber and all his other little errands. You know Crowley likes waiting inside because he likes having a little time alone in a place where he's safe and won't be disturbed but also really the whole little domestic bliss of Aziraphale coming back and being all "Crowley? There you are" and showing him what he got at the shops and such. It's the most normal married thing imaginable and feels like they really live together and Crowley loves every minute of it.

So Hell taking his place in Mayfair back leaves Crowley with two options because it's still too risky for him and Aziraphale to just full on live together entirely: he can get a new apartment or he can basically just keep living with Aziraphale for most of the day and then spend the mornings in The Bentley/out.

If he gets a new apartment, he'd have to actually go there sometimes. He'd have to be seen moving his stuff into it and he'd have to get a new bed and he'd have to spend nights there sometimes to prove he's living there. It couldn't be suspiciously close to Aziraphale's place, so now he's got to drive more in the early morning hours. He's been spending so much time with Aziraphale, the thought of sleeping alone and spending the evenings alone again, even for a few nights now and then, is depressing. It was miserable before and now he can't to back to it again and he doesn't think Aziraphale would want to, either. He also doesn't exactly know how to tell him he'd have to be away some nights again without hurting him. They've both been alone more often than not for most of their existences and Crowley can't do it anymore. There's also, though, that getting another apartment also doesn't do much to help keep Heaven & Hell from thinking he and Aziraphale are involved... but pretending he's living in his car just might.

The only being of Heaven or Hell still talking to either him or Aziraphale is Shax and Crowley has to keep meeting up with her to get information on what's going on there and try to get a sense of how much time he and Aziraphale might have before Round Two. If he tells Shax that he's living in his car, then it makes him look less close to Aziraphale. Everyone knows Aziraphale has a private residence upstairs in the bookshop and that, if he and Crowley were really close, he'd have offered for Crowley to stay with him if he lost his apartment... so what if Crowley can make Heaven & Hell think they aren't that close, they just teamed up to stop Armageddon? He's even homeless now and the angel won't give him a place to stay. He tells Shax to tell Hell's Finance Office to send his bills to his car and Shax actually bought it and said she tried. Shax has been reporting back to Hell that Crowley is living in his car, which is what Crowley wanted her to think was the case.

Let Hell think they've won over him and taken his place and left him living in his car on a side street, let Shax keep meeting him in the early morning hours in his car on that side street... so that none of them figure out that he's actually living in the bookshop with Aziraphale.

In the meantime, no new apartment means no more nights away from Aziraphale. No commute back to it after picking up The Bentley on the side street means more time he can be with Aziraphale before he has to slip away in the early morning. He can just keep going from the bookshop to his car a few streets away each morning like he has been and that's the funniest part of it to him. Hell thinks they left him homeless and abandoned him and, really, they just made it easier for him to hide from them the fact that he's living with the angel he loves. All he has to do is bullshit them and he's good at that.

Crowley talking about living in his car is basically this in attitude, on steroids:

His pre-S2 conversations with Shax were like... Fuck, Shax, the crick in my neck from *sleeping in my car*... if Hell's Finance Office wants to find me, they can send the bills *to my car*... Bastard angel owns half of Soho, probably why I can't find a place... tell Lord Beezlebub if they're looking for me, they can go fuck themselves but if they absolutely have to contact me, they can find me *in my car*...

...and three hours or so earlier from every one of those conversations, Crowley was actually curled up in bed with Aziraphale in the bookshop.

#ineffable husbands #good omens #good omens 2 #crowley #aziraphale #good omens meta #aziracrow #the bentley

319 notes · View notes

veganineden · 5 months

Text

The Devil in Disguise: Some theory-ish ideas on the night of the ball, The Metatron, and Crowley

The Metatron & Saraqael messed with Crowley's mind while he was in Heaven. He comes back unaware that he's missing at least 10 hours that the show spends a lot of time establishing and, more concerningly... he is suddenly incapable of seeing Heaven as an existential threat to Aziraphale.

TW for talk of assault, PTSD.

Good Omens begins talking about time in reference to the night of the ball earlier in the season with Mr. Brown of Brown's World of Carpets in The Dirty Donkey scene. The writers set it up for us, all here's Mr. Brown-- he's going to set up this Whickber Street meeting for 6:30pm on Thursday evening after the shops close. You'll think the reason this is so specific is just a Mr. Brown's personality thing but then, as we get closer to it, at the top of 2.05, we're going to have about 30,000 scenes that do nothing but tell you, over and over and over again, what time this meeting ball starts. The entire purpose of this is for you to realize how much time passes through the night until the final act of 2.06... which we will then establish is happening in the 7am hour of Friday morning, some twelve hours after the meeting/ball began.

We go see Mr. Arnold and he helps us establish that today is Thursday and the meeting is tonight. Then, we visit Mrs. Cheng and she asks what time the meeting starts again, so Aziraphale will say "6:30" and confirm for us that he hasn't changed Mr. Brown's scheduled time. Then, Mutt originally can't go because he's taking his spouse to *dinner* for their anniversary-- this meeting is so early! reminds the scene. Then, Justine can come but she can only stay for a little while because the restaurant "picks up after 7pm." Then, Mrs. Sandwich arrives at the meeting and says basically the same thing as Justine did in the earlier scene-- that she can't stay long because her business is about to pick up. Then, Maggie is closing up her shop when Crowley is dispatched to get her. We now have every single major shopkeeper/trader in a separate scene, each of which reiterates how early this starts-- at 6:30pm on Thursday evening. When Nina gets to the ball, she adds an additional element: she's not fully under Aziraphale's spell so she comments on how everyone is speaking like they "just stepped out of 'Pride & Prejudice'," which is to say that everyone is speaking outside of time.

Nina is telling us that there's something wrong with relation to time but we know what that wrong thing is-- Aziraphale's Jane Austen ball spell. If you add it into the repeated references to time itself, though, you see it's another thing conveying a general feeling of something being way, way, way off about time on the night of the ball that the writers would like us to notice.

Why are we so obsessed with time on this night? What is the purpose of all of this?

To help you see that we are missing almost the entire night and that Crowley was in Heaven the entire time... and that there are some things that are really, really wrong with him when he comes back.

When we get into 2.06 and to the next morning, time is referenced again to help us see this. Crowley returns and it's surprisingly daylight, when it had been only a few hours past 6:30pm at best when he left for Heaven, right? In the morning, he takes Maggie & Nina outside to save them from Saraqael and both women comment on the time. We're talking about time again, as it's that important. Maggie says she's exhausted from being awake all night. Nina, crucially, says that her shop should have opened "a half an hour ago." Nina sells coffee so her shop likely opens at 6:30 or 7am, so it's 7 or 7:30am on Friday morning when the final act of 2.06 is happening.

That means that it's *at least* ten hours after Crowley went to Heaven but while he knows what time it is the next morning, he does not appear to know he's missing time. While Aziraphale is with The Metatron, Crowley will even look at his watch-- another reference to time passing-- and still not have this realization. The morning sun streams through the windows of the unclosed blinds, in a reverse parallel to 2.01, when Aziraphale closed the blinds after bringing Crowley into the bookshop, making it more comfortable for Crowley, who here seems to be aware that it's morning but unaffected by the bright sun; the show using the set and costumes to help illustrate this for us.

Because Crowley arrived with the angels and the group scene in the bookshop happened right after it, he and Aziraphale have not had a moment alone to speak yet. They actually won't get one before S2 is out because the bookshop is burned. In S1, it literally burned. In S2, it's burned, in the spy sense of the word-- everyone can get into it now so it's no longer a safe place to talk, which Crowley also seems to fail to fully recognize, which is partly because he fails to see Heaven as a danger to anyone but humanity, which we'll get to in a second. Aziraphale didn't say what he wanted to when Crowley first returned in the morning because he saw the angels, so he stops at "you came back", but he really has spent the entire prior night not knowing where Crowley was.

When The Metatron likely came on the Heavenly Zoom after Aziraphale stopped discorporating demons with it-- hinted at in Aziraphale and The Metatron's first interaction in the morning-- Aziraphale told The Metatron to go pound sand, which The Metatron figured he would. Not a lot of people want to spend more time with the leader of an organization that tried to kill them. We know Crowley isn't mentioned at this time because using Crowley as a tactic is new in the morning when Aziraphale talks with The Metatron at Marguerite's but Aziraphale told The Metatron he wouldn't go up to Heaven when they first spoke during the time we're missing. That much we already know.

So, Aziraphale then spent the night in a semi-panic because he might have started a war and he told The Metatron where he could stick it, which is kind of like trying to tell Putin you're quitting your job in the Russian Defense Ministry and could easily wind up with your ass tossed out a window but, most frightening to Aziraphale... Crowley hadn't come back.

Hours go by and no Crowley.

It's 1827 all over again. One minute, he's flirting with Crowley and the next minute, Crowley's gone from him in an instant. Crowley wouldn't do this willingly. They've talked about it. Crowley will tell him where he is now, all the time. He's working on not taking off when his PTSD is triggered. Aziraphale went to the spot he was taken in Edinburgh for the first time just the other day and called him from it to hear his voice and work on getting past it. Does Crowley still have to leave to some extent every damn day because he's not just living in the bookshop? Yes. Is even that a lot for Aziraphale at this point? Yes. Does Crowley know all of this? Yes. He makes it a point to tell Aziraphale that he'll get the humans out and then come back and that he won't leave Aziraphale on his own. Aziraphale believes him because he knows Crowley has no wish to hurt him and that is true. So, when Crowley doesn't come back all night, Aziraphale is panicked that something's happened to him.

He is correct that something has but neither of them ever get a moment to sort it out before S2 ends.

Look at the way Aziraphale reaches for Crowley when Crowley saves Maggie & Nina from Saraqael. He can't stop him because he doesn't want the shop lesbians turned into pillars of salt but he reaches for Crowley, like he just wants him to stay put for a moment, because this is exactly what happened ten hours or so ago now all over again-- Crowley left the bookshop to get the humans to safety and he didn't come back right away and Aziraphale was panic-stricken. He since hasn't even had a moment alone with him or the opportunity to ask him if he's alright.

This angel needs all these people out of his bookshop so he can find out what the fuck happened to Crowley all night. He still thinks, at this point, that if they can sort out these issues about the war and Gabriel, that this can happen and then everyone will go and he can be alone with Crowley. He can check on him and tell him what happened with The Metatron while he was gone and they can make a plan together, as opposed to the plan Aziraphale's had to make on his own. The Metatron has not yet appeared to change this, so Aziraphale is fine with Crowley sharing what he's found out about Gabriel and sorting everything out, in the hopes that then everyone will then leave them be for awhile.

When Crowley first arrived back in the bookshop and acted as if nothing was wrong, Aziraphale saw the angels behind him and he and Crowley aren't used to being open with one another in front of Heaven. They don't trust them. Gabriel, they've gotten used to but also Gabriel's proven himself kind of lovable, and he's one of them now. Michael, Uriel and Saraqael are not. So, Aziraphale didn't get into any of it with Crowley in that moment. He didn't say where were you? are you alright?, didn't hug him, etc.. The timing of all of this is by design on the part of The Metatron. If Crowley & Aziraphale don't have any time alone, they don't have any time to plan. If they don't have any time to make a plan, they're less trouble and easier to divide. That's why Crowley is sent back with the angels in tow.

Crowley's purpose in The Metatron's plan to get Aziraphale (and to destroy both of them, in the long run) is to unintentionally help The Metatron get Aziraphale to trust him. The way The Metatron does this is two-fold. The first bit is to have Crowley in Heaven and then send him back, (seemingly) fine, making Aziraphale think that if Crowley survived a trip to Heaven that they won't harm him in the future. The second bit is to send Crowley back with the information needed to solve the Gabriel mystery at the same time as Beez has been sent up to check on the results of the attack on the bookshop, which facilitates the revelation to Aziraphale of Ineffable Bureaucracy. The Metatron lets Gabe and Beez run off for exactly as long as it takes to get Aziraphale into the elevator-- all to make it look like Heaven has changed and provide Aziraphale with what he thinks is proof that he and Crowley would be allowed to be together in Heaven.

Note how Crowley says that what happened to Gabriel is that the angels want him back "so they can fire him" which, honestly, really already happened. Crowley watched the video we did but he doesn't remember it the way we do. He doesn't remember that The Metatron and Saraqael were trying to take Gabriel's memories and that Michael was complicit in it. These are all *extremely important* things that could have been shared with Aziraphale and the others but that Crowley seems to have forgotten that he saw.

Also note how The Metatron chooses not to appear in the bookshop until after Gabriel and the demons have left. By the time The Metatron appears, there's only Crowley (who is influenced by him) and angels who will do what he tells them to, and Aziraphale. Also note, though, that Gabriel gets his memories back... but doesn't seem to recall who now?

Super funny how Gabriel doesn't remember the angel that is important enough to have been at the big meetings-- and so, that he should have seen every few days for millennia lol-- and *that same angel* is the one who both has the canonical ability to take memories and is the one who recognized/is in league with The Metatron. Almost as if Gabriel got his memories back via Beez's fly and Saraqael instantly zapped his memory of them and of what happened to him so that he wouldn't be like hey, it's you guys... who totally obeyed The Metatron when he made me into a fallen angel and tried to take my memories from me. Aziraphale, don't trust these motherfuckers. They'll totally try to kill you and Crowley.

Almost as if Saraqael *is only there in the first place* to control Gabriel and Crowley's memories to facilitate what happens in the bookshop and keep it under control in the way that they and The Metatron want it to go. The Metatron, in all likelihood, is the one who cast all the demons to Hell, and Crowley is the only demon of the main group of them here who actually has memory issues so imagine what would have happened if The Metatron had rolled in when everyone was still there in the group scene. Gabriel would have been furious about what The Metatron did to him and said so... and Beez and the other demons would recognize The Metatron as the one who made them fall. Crowley would believe Beez, even if he couldn't remember it. Gabriel would go into Protector!Mode-- forget what The Metatron did to him, he's incensed over what he did to his love Beez and his new friend Crowley and, Gabriel supposes, those other demon guys over there, too lol. The demons start going from calling for Beez and Gabe's heads to joining up with them against The Metatron. Aziraphale would try to kill The Metatron if he knew all of that, forget getting into that elevator with him lol, so Ineffable Bureaucracy are allowed to escape-- for a little while, they're in a ton of danger after S2-- because that also helps The Metatron try to get Aziraphale to trust him, rather than starts a revolution. The Metatron only shows up after Dagon, Furfur and Shax leave, too, which further the suspicions that he's harmed them in the past and they wouldn't be too happy to see him.

So let's go back to what's wrong with Crowley...

Crowley, pre-trip to Heaven:

believes Beez about The Book of Life; growls at Gabriel that Aziraphale is "risking his entire existence" to help him and threatens him if anything happens to Aziraphale; not only remembers Heaven trying to kill them but brings it up to Gabriel in what is also a reminder of that to the audience; objected originally to Aziraphale taking care of Gabriel because of him trying to kill them and then has an anxiety attack over Gabriel in his house for basically most of the season; follows Aziraphale around Whickber Street after Shax starts sniffing around the bookshop; turns himself in to Muriel to work with Heaven as an informant without a second thought to protect Aziraphale, the bookshop, Maggie, Nina and Gabriel.

Crowley in Heaven:

promptly forgets the moment he gets off the elevator that his plan is that he is there to get the angels to protect the bookshop embassy, by appealing to their need to not be shown up by the demons; walks right by Michael & Uriel-- the archangels whose help he came up here to seek-- and continues to Muriel's office; becomes obsessed with finding out what happened to Gabriel; is spotted by Michael-- the smartest of the angels and the most suspicious, who is nominally in charge but for The Metatron-- and nothing comes of it, hinting that Michael might have been intercepted by The Metatron/Saraqael and roped into part of the plan (which also goes along with Michael and Uriel being sent with Crowley, Muriel and Saraqael back to the bookshop later on); is allowed into the files with permission from Saraqael, who is the only angel who recognizes The Metatron the next morning in the bookshop & is standing in for Sandalphon in some parts of the plot, according to Gaiman (Sandalphon & The Metatron are tight in Bible lore); Saraqael is the angel who was tasked with taking Gabriel's memories and they're the one Crowley is with most of his time in Heaven... the other angel being Muriel, whose own memories are suggested in a few scene to have been taken at some point; Crowley's memories issues are brought up again when he fails to recognize Saraqael; Crowley looks weirdly dazed while watching the Gabriel video; Saraqael is in league with The Metatron but both of them come off as the villains they are in the video they *want* Crowley to watch... but Crowley doesn't seem to remember that bit of what he saw afterwards; Crowley doesn't react to Saraqael trying to attack Gabriel after he finishes watching the video and, as we'll see, he doesn't seem to retain the same impression of the video that we do; Crowley tells Saraqael to come with him and Muriel back to the bookshop, despite having just watched a video in which they tried to take Gabriel's memories... meaning, that he fails to recognize Saraqael as a threat to himself, Gabriel and Aziraphale, and almost seems to tell Saraqael to come with him because Saraqael has influenced him to do so.

Crowley, post-trip to Heaven:

sits in a chair, listless, staring into space while Michael yells at Aziraphale that they will erase him from existence via The Book of Life (doesn't matter if this is real or if Michael can do it or not-- Crowley believed it was real pre-trip to Heaven and he'd protect Aziraphale from a piece of dust so why is he just sitting there); fails to tell Aziraphale that Gabriel is a fallen angel and that The Metatron ordered his identity stolen; fails to tell Aziraphale that Saraqael was trying to take Gabriel's memories on order of The Metatron before Gabriel outsmarted them while running to escape them and that Michael was complicit in all of it; recognizes that Heaven/Hell is toxic and a threat to *humanity*-- "when Heaven ends life on Earth, it'll just be as dead as if Hell ended it" and saving Maggie & Nina from Saraqael-- but fails to see that they are a threat to *Aziraphale*; goes a bit blank and stares at nothing, half-in/half-out of what is happening around him, when the conversation is about lost memories or The Book of Life; is staring into space at nothing on the floor when discussion is happening about lost memories-- Gabriel's-- until Aziraphale touches his arm... then, he looks up, still a little expressionless, and reacts to Ineffable Bureaucracy by offering them Alpha Centauri and talking about it in a way that makes it sound like an island he always meant to visit and not the option he always throws out to Aziraphale in a Defcon 1-level panic... Alpha Centauri isn't a trip to the Caymans to Crowley, it's this lol:

We can chitty chitty bang bang The Bentley to the stars, angel, I'm freaking out and out of ideas please send help!...meaning that, in the 2.06 group scene in the bookshop, he isn't telling Gabe and Beez to run, he's just offering them an idea of a place to go to if they're leaving... meaning, he fails to think they're in any danger and this is the same being who just watched a video last night in which The Metatron tried to attack Gabriel; and that's not even the worst of it... this is...

Go on. Day can't get any weirder... Crowley fails to see that Aziraphale does not want to go anywhere alone with The Metatron and is looking at him to come with them... instead, Crowley reacts like Aziraphale is asking if he'd mind if he goes and has a weird, unplanned coffee with his exhausting, bigoted dad and then he'll come back and spend the day with him; Crowley tells Aziraphale to go with The Metatron and just sits there in the damn chair while they walk out the door... this is *Crowley*, you guys. The same being that just spent a week trying to see if he could get Xanax to work for demons because of all the Heaven circling his bookshop safe space... the same being who got the heebie-jeebies over Shax and a bunch of junior demons at 6:30pm the night before... but now he's all no problem, honey, hope it goes well, I'll be here lounging in your chair, waiting for you to come back when *The Metatron* shows up and wants Aziraphale to go somewhere with him alone... This is also, of course, the moment that The Metatron gets the big villain music in the score-- right as he looks at Crowley, whom he's been monitoring like a hawk since he showed up; fails to recognize danger to Aziraphale so much that he just *stays in the bookshop* the whole time Aziraphale is with The Metatron-- doesn't follow them, even, or anything... he has no plans but for boozy breakfast (which is another indicator of him knowing that it's morning but not realizing he's missing time) and he completely believes that Aziraphale is in no danger at all and will return any moment, even as he gets anxious about how long it's taking; fails to mention the most obvious argument in the world for why Aziraphale shouldn't go to Heaven-- that they tried to murder them-- and so can never be trusted; fails again during the proposal to tell Aziraphale not to trust The Metatron because of what he just did to Gabriel on Monday and today is Friday morning and it's doubtful he just redeemed himself in a week lol... why did they have us see Crowley see the video but then *not* have him tell Aziraphale about it and ask that if that's what they were trying to do to Gabriel-- who had the political benefit of not being killed or sent directly to Hell because it would look like an institutional problem-- what does Aziraphale think that The Metatron would do to him, when he doesn't have any of the protections of Gabriel's old position?... this is *information that could save Aziraphale's life* and Crowley saw it with us but he doesn't seem to remember that he did because if he *did* remember that he did, he surely would tell Aziraphale because he loves Aziraphale and doesn't want anything to happen to him. He absolutely would have tried this argument if he remembered any of this from the video... but he also doesn't remember that Gabriel was already "fired" or that The Metatron and Saraqael and Michael are all a threat to Aziraphale... because he's been made to not remember that; finally, he never brings up something he believes in that he fears-- The Book of Life-- during the "no nightingales" conversation, even though it just came up when the angels were in the bookshop... but Crowley honestly might not even remember that it did, based on how out of it he was during that moment between Michael and Aziraphale.

Because Crowley can't recognize that he's missing time and that Heaven is an existential threat to Aziraphale and because Aziraphale feels like they can't talk alone without it being at least somewhat coded because the bookshop has been burned, they are each missing a huge part of what the other is trying to say and this results in the "no nightingales" disaster. Aziraphale knows he's in danger with The Metatron but Crowley's been programmed during the night to not recognize The Metatron, The Book of Life or Heaven in general as threats to Aziraphale. As a result, he can't understand that Aziraphale is trying to signal to him that he's made a plan and he needs Crowley to use their way of understanding each other and to follow his lead on it. Crowley, if he hadn't been harmed the night before, would have been able to see this and help Aziraphale. Aziraphale, for his part, fails to see that something's happened to Crowley and that's not terribly new for them, sadly, because so much has already happened to Crowley and Aziraphale is so sensitive to it that he doesn't think that Crowley's responses are the result of new trauma, just his already pre-existing trauma.

Even the prior night, Aziraphale downplayed Crowley's anxiety during the ball as just being his usual brand of anxiety amped up by the fact that they were trying something riskier and more public... until the brick got thrown through the window. He knows that Crowley has PTSD. One of the sweetest scenes in the series actually begins because of Aziraphale seeing Crowley slipping into a bit of PTSD fugue and pulling him out of it. Not uncoincidentally? It's from the other season finale. It's from the nightingales finale, as opposed to the no nightingales finale. It's this:

That scene actually begins with Crowley staring down at nothing in front of him, lost in thought, until Aziraphale gently brings him out of it and into the present moment. Because Crowley does this when they've been through an ordeal that's triggered things for him, Aziraphale is used to seeing it, so he doesn't recognize it in 2.06 as anything other than one of Crowley's default trauma responses. Because Crowley has only been influenced by The Metatron/Saraqael on specific things relating to threats to time and Aziraphale, he's otherwise alright and responding normally to other things, which fools Aziraphale into thinking that nothing happened to him... which is part of The Metatron's plan. He wants Aziraphale to think that Crowley is fine so that when they fail to communicate, he'll be so angry with/heartbroken over Crowley that he'll walk away from him and more easily get into the elevator.

Last time we saw a character on GO periodically sit in a chair this non-responsive, it was actually Gabriel occasionally fugue-ing out during his memory loss Jim era just an episode or so previously and Crowley's memory issues are paralleled with Gabriel's all season. Gabriel would space out when being overtaken by an outside force, which is what is kind of like what is happening with Crowley. Not possession like with Gabriel or God but his mind has been messed around with. Ironically, Crowley is the only one Aziraphale doesn't try to influence during the ball. While Aziraphale's actions during the ball are a whole other meta when it comes to just how fucked up all of that was, really... he left Crowley out of it. Part of it is that he doesn't have to love spell Crowley lol and that influencing him at all would have defeated the point of the ball in Aziraphale's mind but he also doesn't because he'd never do anything without Crowley's consent. He wouldn't anyway but he's extra-mindful of it because he knows Crowley has been through situations where his control over himself was taken from him and how that's affected him. Then, Crowley leaves the ball to help the humans and go to Heaven for help for Aziraphale and wound up kidnapped up there for 10 or so hours and suffering that same kind of non-consensual attack again.

Only other time Crowley is as periodically quiet and still, staring down at nothing and looking that forlorn, as he is in moments of 2.06? 1862. I'm not suggesting the exact same thing happened to him after 1827 when he was in Hell but I am suggesting the trauma response is the same and it's all over the bookshop scenes in 2.06 after he comes back from Heaven. He's literally standing like as tense and straight with his eyes lowered and speaking quietly as he did in 1862 in parts of 2.06, like before Aziraphale touches his arm when Gabriel and Beezlebub hold hands.

Crowley's had relevant memories taken by Saraqael and The Metatron to control him, so he spaces out when the conversation conflicts with what he's been influenced not to recognize as dangerous-- The Book of Life, the topic of lost memories/missing memories (he zones completely out of talk of Gabriel's lost memories once he gives everyone the means to figure it out)... most importantly, any moment that The Metatron and Saraqael and Michael and Heaven in general are threatening towards Aziraphale. He lets Michael threaten Aziraphale with non-existence. He lets Saraqael into the bookshop after knowing what they did to Gabriel because they've skewed what he thinks he saw on the video. He lets Aziraphale go with The Metatron without recognizing any danger to him at all.

This is intentional on the part of our villains here. They want to drive a wedge between them to get Aziraphale into the elevator. They've just influenced Crowley to not see them as a threat to Aziraphale but not much more than that so that he's otherwise normal-seeming in behavior. He remembers what happened at the ball enough that he snaps Mr. Brown back and asks what Aziraphale did to Shax. This is why The Metatron is watching Crowley like a hawk. He looks at him suspiciously when he retains enough control and empathy for humans-- sending Mr. Brown, Maggie and Nina to safety-- but he hears the women talk about time and realizes that Crowley doesn't respond, so the influence is working. He tests Crowley when he arrives to see if the influence is working in the what about you, demon? Do you know who I am? moment.

This is the reason why none of the other angels but for Saraqael recognize The Metatron, even if he doesn't look *that* different with a body. Saraqael messed with all of their minds to make it so that they don't for a few moments, specifically to give The Metatron an opportunity to test Crowley and be sure it's all still working.

(The saving Mr. Brown thing is especially heart-breaking because what do we learn about Mr. Brown's experience last night from what he says to Mutt? He can't remember where he was or what happened to him. It's a parallel to Crowley and another hint at it from the writers but is less horrifying because Mr. Brown's lack of memory might not be his choice but taking it from him was done out of empathy. PTSD-laden Crowley did that for him while under this influence. He made the call that Mr. Carpet didn't need to go through the trauma of remembering being attacked by the demons and snapped him into line for coffee-- symbolic freedom-- at Nina's, like it was another normal day for him. Meanwhile, Crowley can't remember what happened to himself last night for totally different reasons and doesn't even fully realize it yet.)

In S1, Aziraphale opens up the portal to Heaven and gets accidentally discorporated-- loses his body-- and the bookshop burns down. In S2, Aziraphale opens up the portal to Heaven, the bookshop is burnt as a safe house, and Crowley's mind is what is harmed by Heaven.

Because Crowley seems to be otherwise fine, Aziraphale doesn't think anything is more wrong than the usual amount of wrong and because The Metatron is breathing down their necks the whole time, Aziraphale never just says what happened to you last night? which would have changed everything because either it would have broken the hold they have over Crowley enough for him to remember that they have one or Aziraphale would have been standing there, horrified, as Crowley seemed confused by the idea that he was gone all night. Aziraphale doesn't ask because he knows something is wrong but everything is wrong at that moment and they can't get away from The Metatron enough to speak freely. Aziraphale is trying to convey a kind of plan (which seems to be 1941 and playing them for suckers) and begging Crowley to realize that he's terrified and trapped and needs him to help him but Crowley is incapable of fully recognizing that because he doesn't see Heaven as a threat to Aziraphale anymore, thanks to The Metatron. He just sees Heaven as a threat to their relationship and so starts to try to get Aziraphale to stay with him.

The worst part of this is that while it becomes a total fucking disaster in the bookshop, the very end of it is different. There's Crowley, staying by The Bentley, not leaving. It's not even that he wants Aziraphale to come to him instead of The Metatron so much as it's just him knowing he left the bookshop and he been working on not leaving. He wants Aziraphale to see he left the argument but not him. He doesn't know how this all works if Aziraphale goes to Heaven and he's still thinking of it in terms of 'if Aziraphale takes this job he's been offered by The Metatron' and not 'Aziraphale is about to be harmed by The Metatron' because of the influence... but he's not leaving. He promised Aziraphale he wouldn't leave him on his own, so he's sending a message that he won't. He just thinks that they're still going to have a relationship to work on because he thinks Aziraphale is about to become the Supreme Archangel of Heaven when, in reality, Aziraphale just walked into an elevator of death here. (He'll be fine in the long run. They'll bring him back. But I'm pretty sure nothing good is happening to Aziraphale in the short term.)

They eluded being forced into killing themselves in S1 by working together; they are separated and made to help one another's death in S2. Crowley influenced to watching helplessly as Aziraphale is taken from him is also, by design, an attempt at killing Crowley. They know he wouldn't want to live without Aziraphale. They're not as strong, not as much of a threat, apart as they are together.

Meanwhile, Aziraphale has no idea what just happened but it's a mess and it's one he's not sure he'll ever get to resolve because he just overheard The Metatron talking about The Second Coming and now he suspects he might not be safe but he also doesn't have a choice but to get into the elevator and he's doing it alone. He gets The Bentley to play Crowley "A Nightingale Sang in Berkeley Square" as an I love you and a response to Crowley saying "no nightingales" in the bookshop. It's a refusal to say they're done. There actually isn't an ineffable divorce. There's them each fucking it all up and then trying to apologize from across Whickber Street with The Metatron lurking around and they manage to but...

...what do you think happens when something happens to make Crowley realize what happened to him the night he spent in Heaven and what's wrong with him? He's going to feel like he killed Aziraphale. He's going to feel like he shot The Bullet Catch gun and didn't miss. Don't think The Metatron doesn't know it. Because what is Round Two? It's Crowley's "all of us versus all of them" from the end of S1. Why is Hell so understaffed in S2? Because most of the demons are getting into place for The Second Coming. It's Heaven and Hell (who still hate each other but are aligned) versus humanity. S2 has a focus on times Heaven and Hell have worked in tandem-- like with Job-- and then has them all in the bookshop at the end. It has Crowley bonding with Gabriel and Beez being kind to Aziraphale. It blends Heaven & Hell into the singular, corrupt system that it always has been and takes Crowley & Aziraphale's "our side" and starts adding to it. Beez and Gabriel are on their side now. Muriel and others will follow. But as they're doing all of this and as they're centering The Second Coming and The Metatron, you know whose presence was briefly mentioned but was otherwise suspiciously absent from S2?

Lucifer.

God made an appearance and not even just in flashback. It's God speaking through Gabriel earlier in the season, telling Crowley and Aziraphale to remember Job.

Where's Satan, though?

We've only noticed The Metatron, not that he and Satan are now, for awhile at least, on the same side, and Satan was not happy about S1. I don't think we should ignore the only references to Satan in S2--the quick lines they gave Shax and Dagon in the bookshop scene, wherein Shax said that they should give Gabriel and Beez to their master, Satan, and Dagon said that Satan wouldn't want them, except maybe "as hors d'oeurves." Ignoring for a moment how absolutely fucking horrifying a line that is on a show that codes sex as food this much, consider that Dagon just literally said that Lucifer/Satan would consider Gabe and Beez secondary-- just appetizers-- to a main course. Who is the main course?

Who else but Crowley & Aziraphale?

Do you really think that even if they held back on the Benedict Cumberbatch this round that Lucifer/Satan took the whole season off and had nothing to do with the end game of S2? The Lucifer/Satan who lost his antichrist kid in S1 and his armageddon in S1 because of Crowley and Aziraphale? The Lucifer who is very disturbingly obsessed with Crowley? The Lucifer who is now teamed up with Heaven for The Second Coming and so who might have actually been Upstairs himself when Crowley was the night of the ball-- or, at least, suggested what Saraqael and The Metatron did to Crowley? Because it's actually where we first saw this kind of thing in the plot, remember? Here are your instructions...

#ok I am listening #good omens meta #gos2

238 notes · View notes