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#craft for change
nasa · 9 months
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NASA Inspires Your Crafty Creations for World Embroidery Day
It’s amazing what you can do with a little needle and thread! For #WorldEmbroideryDay, we asked what NASA imagery inspired you. You responded with a variety of embroidered creations, highlighting our different areas of study.
Here’s what we found:
Webb’s Carina Nebula
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Wendy Edwards, a project coordinator with Earth Science Data Systems at NASA, created this embroidered piece inspired by Webb’s Carina Nebula image. Captured in infrared light, this image revealed for the first time previously invisible areas of star birth. Credit: Wendy Edwards, NASA. Pattern credit: Clare Bray, Climbing Goat Designs
Wendy Edwards, a project coordinator with Earth Science Data Systems at NASA, first learned cross stitch in middle school where she had to pick rotating electives and cross stitch/embroidery was one of the options.  “When I look up to the stars and think about how incredibly, incomprehensibly big it is out there in the universe, I’m reminded that the universe isn’t ‘out there’ at all. We’re in it,” she said. Her latest piece focused on Webb’s image release of the Carina Nebula. The image showcased the telescope’s ability to peer through cosmic dust, shedding new light on how stars form.
Ocean Color Imagery: Exploring the North Caspian Sea
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Danielle Currie of Satellite Stitches created a piece inspired by the Caspian Sea, taken by NASA’s ocean color satellites. Credit: Danielle Currie/Satellite Stitches
Danielle Currie is an environmental professional who resides in New Brunswick, Canada. She began embroidering at the beginning of the Covid-19 pandemic as a hobby to take her mind off the stress of the unknown. Danielle’s piece is titled “46.69, 50.43,” named after the coordinates of the area of the northern Caspian Sea captured by LandSat8 in 2019.
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An image of the Caspian Sea captured by Landsat 8 in 2019. Credit: NASA
Two Hubble Images of the Pillars of Creation, 1995 and 2015
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Melissa Cole of Star Stuff Stitching created an embroidery piece based on the Hubble image Pillars of Creation released in 1995. Credit: Melissa Cole, Star Stuff Stitching
Melissa Cole is an award-winning fiber artist from Philadelphia, PA, USA, inspired by the beauty and vastness of the universe. They began creating their own cross stitch patterns at 14, while living with their grandparents in rural Michigan, using colored pencils and graph paper.  The Pillars of Creation (Eagle Nebula, M16), released by the Hubble Telescope in 1995 when Melissa was just 11 years old, captured the imagination of a young person in a rural, religious setting, with limited access to science education.
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Lauren Wright Vartanian of the shop Neurons and Nebulas created this piece inspired by the Hubble Space Telescope’s 2015 25th anniversary re-capture of the Pillars of Creation. Credit:  Lauren Wright Vartanian, Neurons and Nebulas
Lauren Wright Vartanian of Guelph, Ontario Canada considers herself a huge space nerd. She’s a multidisciplinary artist who took up hand sewing after the birth of her daughter. She’s currently working on the illustrations for a science themed alphabet book, made entirely out of textile art. It is being published by Firefly Books and comes out in the fall of 2024. Lauren said she was enamored by the original Pillars image released by Hubble in 1995. When Hubble released a higher resolution capture in 2015, she fell in love even further! This is her tribute to those well-known images.
James Webb Telescope Captures Pillars of Creation
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Darci Lenker of Darci Lenker Art, created a rectangular version of Webb’s Pillars of Creation. Credit:  Darci Lenker of Darci Lenker Art
Darci Lenker of Norman, Oklahoma started embroidery in college more than 20 years ago, but mainly only used it as an embellishment for her other fiber works. In 2015, she started a daily embroidery project where she planned to do one one-inch circle of embroidery every day for a year.  She did a collection of miniature thread painted galaxies and nebulas for Science Museum Oklahoma in 2019. Lenker said she had previously embroidered the Hubble Telescope’s image of Pillars of Creation and was excited to see the new Webb Telescope image of the same thing. Lenker could not wait to stitch the same piece with bolder, more vivid colors.
Milky Way
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Darci Lenker of Darci Lenker Art was inspired by NASA’s imaging of the Milky Way Galaxy. Credit: Darci Lenker
In this piece, Lenker became inspired by the Milky Way Galaxy, which is organized into spiral arms of giant stars that illuminate interstellar gas and dust. The Sun is in a finger called the Orion Spur.
The Cosmic Microwave Background
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This image shows an embroidery design based on the cosmic microwave background, created by Jessica Campbell, who runs Astrostitches. Inside a tan wooden frame, a colorful oval is stitched onto a black background in shades of blue, green, yellow, and a little bit of red. Credit: Jessica Campbell/ Astrostitches
Jessica Campbell obtained her PhD in astrophysics from the University of Toronto studying interstellar dust and magnetic fields in the Milky Way Galaxy. Jessica promptly taught herself how to cross-stitch in March 2020 and has since enjoyed turning astronomical observations into realistic cross-stitches. Her piece was inspired by the cosmic microwave background, which displays the oldest light in the universe.
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The full-sky image of the temperature fluctuations (shown as color differences) in the cosmic microwave background, made from nine years of WMAP observations. These are the seeds of galaxies, from a time when the universe was under 400,000 years old. Credit: NASA/WMAP Science Team
GISSTEMP: NASA’s Yearly Temperature Release
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Katy Mersmann, a NASA social media specialist, created this embroidered piece based on NASA’s Goddard Institute for Space Studies (GISS) global annual temperature record. Earth’s average surface temperature in 2020 tied with 2016 as the warmest year on record. Credit: Katy Mersmann, NASA
Katy Mersmann is a social media specialist at NASA’s Goddard Space Flight Center in Greenbelt, Md. She started embroidering when she was in graduate school. Many of her pieces are inspired by her work as a communicator. With climate data in particular, she was inspired by the researchers who are doing the work to understand how the planet is changing. The GISTEMP piece above is based on a data visualization of 2020 global temperature anomalies, still currently tied for the warmest year on record.
In addition to embroidery, NASA continues to inspire art in all forms. Check out other creative takes with Landsat Crafts and the James Webb Space telescope public art gallery.
Make sure to follow us on Tumblr for your regular dose of space!
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ryllen · 14 days
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happy birthday to one of the greatest fics of all time <3 ( @bisexuallsokka , thank you for writing this masterpiece.)
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poorly-drawn-mdzs · 6 months
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If I was in a lucid dream with a ghost, I would simply impress them with my blunt rolling skills
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redisnotonfire · 25 days
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aussie-bookworm · 2 months
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Strange thing I've noticed on the website but the Welcome Home logo is looking... dirtier?
Here's what the home page logo looks like:
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And here's what the logo looks like on every other page:
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It's easier to notice on the orange, yellow and pink letters.
Probably isn't anything too significant but I figured it was worth pointing out after the mentions about mold
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mechanicalinfection · 4 months
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who the fuck is this springbonnie guy never heard of em
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cryptocism · 4 months
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current affliction: any moody-looking photo on pinterest is instantly used as reference for drawing The Guy
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incomingalbatross · 10 months
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Genuinely though the Final Problem is really well-done.
It's a death story in which Doyle's whole goal was to kill Holmes off, but he still did it with care and respect and attention to what the characters deserved. He didn't drop a bridge on him or get him shot by a random criminal just so he could go "HE'S DEAD, NOW GO AWAY." He actually successfully created a nemesis for Holmes within the scope of one short story—someone we can believe is a big enough threat that it justifies Holmes dying to stop him. Without ever even letting us meet the guy face-to-face! That's insane. But it works. Moriarty has an established place in pop culture as Holmes's nemesis because Doyle made us believe it, just within FINA. He made Holmes's death an accomplishment for Holmes, a crowning glory.
And he didn't phone in the rest of the story, either. It's filled with Holmes and Watson being themselves. We have Holmes telling the ins and outs of his fight with Moriarty, intelligent and self-possessed and full of a zest for life even as he repeats that he'd willingly give it up to take this guy down; we have Watson's loyalty and stubbornness that keeps him close to Holmes and the need to help others that ultimately lures him away. We get an incredibly dramatic site for Holmes's death that Watson spends entire paragraphs describing.
We also get Watson's grief in the narration, which—again—is not colored by the author's own decisions regarding Holmes. Doyle might be tired of him, but he knows Watson isn't! And so Watson's narration is wholly and sincerely a tribute to Holmes, and mourning for his death, because that is both what the fans want to hear and what Watson would want to write. It's just...honestly, this whole story is such a good example of how to kill off a beloved character, if you're really set on doing it.
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marypsue · 1 year
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There’ve been a few responses to/reblogs with tags on my post about DIY clothing embellishments that basically boil down to ‘I’d love to do this but I’m scared it’ll turn out bad/I’m not a good enough artist’. And I get it, I really do! I also want my art things to turn out nicely. But also...making it badly is sort of the point of punk DIY. 
Listen. We live in a world that would dearly love to charge you a subscription fee for breathing. The bastards are doing everything they possibly can to figure out how to turn art - stories, visual art, music, textile/fibre art, sculpture, crafts and creations of every kind - into a neat, discrete, packageable commodity, a product they can chop up into little pieces and stick behind a paywall so they can charge you for every drop of it you want to have in your life. 
The whole sneering idea that ‘everybody wants to be some kind of creator now’ and anything less than absolute mastery right out the gate is somehow shameful and embarrassing is a tool those bastards are using. It’s a way to reinforce the idea that only a set group of people can create and control art, and everybody else has to buy it. 
But art isn’t a product. Art is a fundamental human impulse. Nobody is entitled to a specific piece of art (which is where this message gets skewed into pitting people who love art against the artists who make it, while the bastards screw us all and run away with the money). But making art belongs to everybody. We make up songs and dances and stories, and paint things, and make clothes, and embellish them, and carve flowers into our furniture and our lintels and our doorframes, and make windows out of tiny pieces of coloured glass, and decorate our homes and our bodies and our lives with things we make and make up, simply for the love of beauty and of the act of creation. Grave goods from tens of thousands of years ago show that ancient hominids gave their dead wreaths of ceramic flowers, tattooed their bodies, beaded their shoes. Making things for the sake of beauty and enjoyment is one of the most ancient and human things we can do. 
The idea that we can’t, that we have to buy shit instead, because art is a product and you have to have the bestest prettiest most perfect product, is the enemy of joy. It’s the death of culture. And it means that, instead of whatever it is that you cherish and enjoy and value, you get whatever inoffensive (and to whom is it inoffensive?) bland meaningless samey-samey crap that the bastards want you to be allowed to have. What are you missing and what are you missing out on, if you don’t make or modify or decorate anything for yourself, if you don’t think you can because the product at the end won’t be polished or perfect or marketable enough? What do you lose? What do we lose? 
It is a desperately vital and necessary thing for you to make shit. For you to know that you can make shit, that you don’t have to just lie back and take whatever pablum the bastards want to force-feed you (and charge you through the nose for). That the bastards need you more than you need them. 
Become ungovernable. Be your own weirdly-endearing punk little freak. Paint on a t-shirt. Sing off-key in the shower or at karaoke night or at open mic night. Make up a story where you get to meet your favourite fictional character and you guys hug or fuck or punch each other in the face. Make art. Do it badly. Do it frequently. Do it enthusiastically. Do it for love and joy and creativity and fun and the spiteful joy of thumbing your nose at some smug motherfucker with a Swiss bank account who wants to track your heartbeat and location for the rest of your life in order to automatically pump AI-generated beats matched to your mood into your earbuds for a small monthly subscription fee of $24.99/month. It is literally the only way we are ever going to have even a chance to save art and our own lives from the bastards. 
So. Paint that t-shirt. 
(Also support artists where you can, and buy your music from Bandcamp.)
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just-null-cult · 7 months
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are you oka- oh.
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draagu · 5 months
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back at it again at krispy kreme
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thackeroy · 6 months
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This project...oh boy this project. So. I hate the yarn I used, it was an odd cotton yarn and my fingers did NOT like the texture of it, it almost felt like knitting with cotton wool which I also do not enjoy the texture of and makes me want to crawl out of my skin suit. But, despite my obvious dislike of touching this yarn, I do love this project because of what it is.
I did not make this as a wearable scarf, my point in making this was more as a teaching tool, as a physical and visible example of climate change. Every four rows, (every two garter bumps?) is representative of one year. The colours, starting with the blue, represent the average global temperature starting from 1922 all the way to 2021.
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rhadgar-khadgar · 10 months
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BEHOLD! I am now the proud owner of a real life Wonderous Wisdom Ball! *mad scientist cackling*
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tompuschautz · 21 days
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Radiozoa Floating In Cosmic Cesspool.
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kirby-the-gorb · 1 month
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#kirby#daily kirby#my art#digital#hal laboratory#nintendo#so like aliexpress used to have a terrible reputation in terms of like quality and truth in advertising and such right#but like. amazon and etsy are swamped with bootleggers and dropshippers now too#so I figured like. can't be any worse right?#besides I know how to double check descriptions and measurements and examine images critically#I've shopped shady sites before like back when banggood was the only place to get those cute diy miniature kits#(now you can get them at regular craft store chains which is Wild to me)#but I have never opened aliexpress because everyone was always just like 'Never Go There'#(but then again these days folks are doing massive temu hauls left and right)#(so clearly norms have changed even if common perception of aliexpress has not)#I open it up and I immediately find the rug I spent an entire day hunting for unsuccessfully earlier in the month.#and a ton of incredible bootleg kirbs.#and a style of hair clip I've been hunting for for *years*.#soooo I spent the entire day in a pastel fugue lol#(I have not spent any money yet but I'm probably gonna)#(so like I can't confirm that you're not gonna get scammed or whatever just like. use common sense.)#(don't trust sale prices read descriptions/reviews when available and try to avoid work stolen from independent artists)#(that's usually gonna be on printed stuff like phone cases and posters)#(and tbh I have no qualms with stolen official art as long as the quality is as advertised)#(but there's a big difference between stealing from Multinational Corporation and stealing from Some Guy)#anyway done rambling now <3
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