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unproduciblesmackdown · 9 months

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more info, via a couple of reviews:

"Is this the best, most exhilarating, most close-to-perpetual dancing ever to grace the Goodspeed Opera House stage?

It certainly could be.

The new stage adaptation of “Summer Stock” at the East Haddam theater has plenty to recommend it in terms of the canny script and the hummable songs. But it’s the dancing that leaves the biggest impression.

The show is jam-packed with choreography from Donna Feore, who also directs, that is thrillingly executed by the cast.

We’re talking: Gravity-defying kicks. Head-spinning turns. Male dancers lifting and tossing and catching the female ones. It runs the gamut from Cossack-dance athleticism to soft shoe grace, tap precision to Lindy hop energy.

How the cast manages to sing after executing these (literally) breathtaking numbers, I have no idea.

And how do they make it through two performances on some days? Amazing.

Also amazing: the fact that they do all this on Goodspeed’s small stage without making the space feel cramped.

So, yes, the dancing is phenomenal. But there’s more to the show than that.

This stage version of “Summer Stock” — which is enjoying its world premiere at Goodspeed — is inspired by the 1950 MGM movie starring Judy Garland and Gene Kelly. Writer Cheri Steinkellner, though, has reimagined the piece in many ways, making it better, stronger and propelled by a more modern sensibility. (Steinkellner’s writing credits range from “Cheers” to the Broadway adaptation of “Sister Act.”)

The foundational story, though, remains the same: A no-nonsense young woman named Jane is trying to save her family farm. Her actress sister (named Gloria in the version at Goodspeed) brings her compatriots to the farm to rehearse a show. Jane first spars with and then starts falling for Gloria’s beau Joe, the production’s director.

Steinkellner has also changed up the score, to great effect. While some tunes from the movie remain, she has pulled others that are in the public domain (such as “Accentuate the Positive,” “Paper Moon” and “It Had to Be You”), and she has woven them perfectly into various plot points and important emotional moments.

As director, Feore makes sure the whole enterprise has a dynamic spirit. It’s a story and a production that brims with optimism and cheerfulness.

Leading the cast is Corbin Bleu, who became famous with his work in “High School Musical” and has gone on to star in several Broadway shows, as Joe. Bleu is a true, and truly talented, triple-threat. He has a warm, welcoming presence as an actor; he also brings an authority to Joe so you believe he’s someone the actors respect and will follow. Bleu’s singing is strong and lustrous, and his dancing — particularly his tremendous tap ability — is … wow.

Arguably the biggest scene-stealer here is Veanne Cox, as the wealthy, snooty owner of huge property surrounding Jane’s. The way she trills dialogue can turn anything into a punchline. She can wave her arms about as her character repeats “l’amour” and generate audience laughs. When her character falls for the egoistic actor Montgomery Leach (played by J. Anthony Crane with Barrymore flair), Cox burbles with girlish romantic giddiness.

Danielle Wade does her own take on the Judy Garland role. She gives Jane a swagger and a tough façade that reveals a more human self during the course of the story. Wade’s most important feature is her voice, which is potent whether she’s finessing a ballad or powering through a big number. While she can’t compete with Garland’s renowned version of “Get Happy” (who could?), Wade does a good job in the number — choreographed and costumed in an homage to the original — that serves as the culmination of the production.

Arianna Rosario gets to play an interesting arc at Gloria. At first, Gloria seems to be a blithe, self-centered actress, but she later shows that she is quite the problem-solving producer. Rosario makes the transformation believable, as if Gloria is finally letting her real self come through.

The scenic design by Wilson Chin suggests the various elements of a Connecticut River Valley farm in the 1950s while still allowing room for the cast to burst into all of those big dance numbers. And the costume design by Tina McCartney provides a fun and functional take on country clothing of the era.

I will say that the second act could be tightened up (we don’t need to see so many beats of the rehearsal process), but, in total, this “Summer Stock” is sensational." [source]

(hooray for most directly explaining gloria's overall arc)

and the next review:

"A throwback to the golden age of Broadway and movie musicals, "Summer Stock" is a timeless, inspiring song-and-dance tale of good deeds, fairy tale showbiz, classic romance and backstage intrigue played out to such dazzling effect, you want to freeze frame it, take it home with you and watch it over and over again for pure fun and a let's-put-a-smile-on-your-face endorsement. This is Goodspeed Musicals at its best - old-fashioned musical entertainment designed to deliver by the bucket's load, stir the senses, rhythmically intoxicate you and dance up a continual storm of good cheer that's guaranteed to leave you breathless.

Animated. Airborne. Magical. Sweet-natured. Fresh-faced. Dance happy. It's all here, wrapped up in shiny gold ribbons and signature colors that complement and complete the picture with a technicolor flourish, a big bang and an internal logic that flows with appropriate style, stamina, full command and intent.

Adapted to the stage by Cheri Steinkellner, "Summer Stock" replays that popular let's- put-on-a-show conceit where everything rests of the big opening night, the box-office intake, the big kiss between the leading man and the leading lady and how a complete unknown saves the day right before the final fadeout. Here, struggling Connecticut farmer Jane Falbury decides to let her actress sister Abigail and her actor friends from New York use the family barn as a rehearsal space for their brand-new Broadway bound musical in exchange for doing the daily farm chores to raise enough money to keep the business from going completely under. One slight problem. During rehearsals, Jane finds herself falling for the show's handsome director, Joe Ross, who, happens to be engaged to the show's leading lady - her sister Abigail.

Staging "Summer Stock," director Donna Feore ("Chicago," "Billy Elliot," "A Chorus Line"), who doubles as choreographer, creates a loveable, intoxicating show that reels you in, grabs hold of you until the final curtain and lets you fall in love with every little detail, surprise, plot twist, joke, visual gag, one-liner and tilt of her jolly agenda while she articulates every element of this musical story with thrust, warmth, spin and splendid articulation. Directorially, she pulls it off spectacularly. No wrong moves here as "Summer Stock" catches fire with a spark, a gusto, a shine and a 1950s mentality infused with plenty of imagination, originality, style and flair. More importantly, the production never loses sight of its origins, its functional plotting and its love of musicals of yesteryear despite well-intentioned doses of kitsch, takeaway humor, giddy backchat and story arcs right out of the MGM library of backlot moviemaking. Feore, free spirit that she is, fuels the musical with a sharpened wit and sentiment that works especially well as does her decision to let "Summer Stock" remain rooted in the period from whence it came in terms of staging, development, expression and interaction.

Moving from screen to stage," "Summer Stock" retains only four songs from the 1950 MGM musical. The addition of several new songs to the original version of the score turns the two-act musical into more of a showstopping event and adds clarity, luster and vintage spin to its already proven material, its let's launch into another song and dance routine blueprint and its firm grasp on characterization, story evolution and its happily ever after conclusion. At Goodspeed, there are 28 important, recognizable, smartly placed musical numbers. They are: "Get Happy," "Happy Days Are Here Again/I Want to Be Happy," "Accentuate the Positive," "I'm Always Chasing Rainbows," "Always," "Always (reprise)," "It's Only a Paper Moon," "The Best Things in Life Are Free," "Dig for Your Dinner," "Me and My Shadow," "Howdy Neighbor, Happy Harvest," "Red Hot Mama," " 'Til We Meet Again," "You Wonderful You," "June Night," "Some of These Days," "Joe's Dance," "I'm Always Chasing Rainbows (reprise)," "It All Depends on You," "Always (reprise)," "Everybody Step," "Lucky Day," "How Ya Gonna Keep 'Em Down on the Farm," "Hinky-Dinky Parlez Vouz," "It Had to Be You," "Get Happy (reprise)" and "You Wonderful You (Finale)."

Musical director Adam Souza ("42nd Street," "Cabaret," "Next to Normal," "A Grand Night for Singing," "Because of Winn Dixie," "Rags") grabs hold of the "Summer Stock" score and allows it to breathe, gesticulate, excite, envelop and rhapsodize with the golden age sentimentality of MGM movie musicals and the timeless, larger-than-life spirit of old Broadway. Here, every song matters. Every song is important. Every song travels down memory lane. Every song is tuned to the max with sweet, centered, warm-heartedness. Every song fulfills its intended purpose. All of this is complemented by the strong, flavorful sound of Souza's orchestral team, all of whom share his tremendous sense of theatricality, musical interlude, impassioned communication and delight of the actual musical itself. They are: David Uhl (bass), Sal Ranniello (percussion), Liz Baker Smith (reed 1), Andrew Studenski (reed II), Travis Higgins III (trumpet) and Matthew Russo (trombone). As with other Goodspeed musicals, Souza doubles as conductor and keyboardist. As "Summer Stock" zings and pops, pretty music every song unfolds with a contagious orchestral musical glow, matched by the splendid musicality of the entire cast who address the catchy, homespun music and lyrics with perfect harmony, rhythm, phrasing and nostalgic commitment. These elements heighten the on-stage mode of the production, its progression from Act I to Act II, its send offs, its pastiche and its electrifying, barn-raising influence and thwack.

As with any big stage musical, choreography is key to a production's success, its fluidity of form, its artistic expression and its accompanying dance routines. Here, Feore, as choreographer, gives "Summer Stock" a highly personal touch of invigoration and speedy excitement that is tipped and generated with wonderfully elongated inspiration, stamina and determination. This is star quality choreography that peaks, shines and tilts with clever build ups, catchy dance steps and bold, concentrated rhythms, moves and beats that joyfully celebrate 1950's musicals in all their technicolor glory. As storyteller and dance interpreter, she brings great dimension and scope to the piece using techniques, styles, descriptions and an enriched canvas of thoughts and ideas that make their mark most engagingly. Everything that happens on the Goodspeed Musicals stage has been beautifully blocked, rehearsed and staged with such thrust and individuality, no two dance numbers are alike. In fact, once "Summer Stock" catches fire, there's no stopping it. Creating a freshly minted fusion of moods, tableaus, lifts, twirls and swirls, Feore pays homage to the actual vintage look and mindset of the musical, its dance-friendly art form and its free-flowing feel of excitement and exhilaration. Hands pop. Arms move heavenward. Dancers smile and glisten as they passionately ignite into joyful visions of sweetness, passion, frenzy and syncopation. Everyone is lost in the moment illustrating the traditions, the conscience and the power of musical theatre, giving and getting the most out of Feore's phenomenal, ovation-worthy choreography. Trained, drilled and confident, they each get a chance to shine - and shine they do - all making strong impressions that will live long in memory.

Making his Goodspeed Musicals debut, Corbin Bleu, as Joe Ross, a character originated by Gene Kelly in the 1950 film version, creates a "Wow!" song-and-dance-man factor chock full of charm, personality, self-confidence and full-beam, champagne delightness that astounds, cajoles and sparkles with leading man gait and luxury like no other. No matter what he does, he's a proverbial triple-threat (i.e., a player who excels at acting, singing and dancing) who makes everything that happens on stage feel fresh, spontaneous, real, raw and very much in the moment. It's in his eyes. It's in his moves. It's in his expressions. Exhibiting a sweet, contagious rapport that extends far beyond the footlights, it's the performance of the year and one that Bleu exudes with a Gene Kelly/Fred Astaire aura of showbiz savvy, knockabout whimsy, graceful athleticism and sterling encapsulation. "Joe's Dance," a solo dance number in Act II performed by Bleu only furthers that notion.

In the role of Jane Falbury, a role made famous by Judy Garland in the original "Summer Stock" MGM musical, Danielle Wade lights up the Goodspeed Musicals stage with a breezy, intuitive musical comedy performance of real warmth and spirit that is a constant joy to watch. Veanne Cox, cast in the role of the wickedly devious Connecticut farming magnate Margaret Wingate, is jaw-dropping brilliant, using humor, music, dance and melodrama in divinely daft and glorious ways that prompt applause and laughter whenever she's in the limelight. It's a scene-stealing performance so seamlessly entrenched in glee and fiery abandon, Cox, would be the ideal choice to play narcissistic Broadway diva Dee Dee Allen in the 2024 summer presentation of "The Prom" at Playhouse in Park in West Hartford. I'll personally deliver the contract. Other memorable performances are delivered by Arianna Rosario (Gloria Falbury), Stephen Lee Anderson (Henry "Pop" Falbury), Gilbert L. Bailey II (Phil Filmore), Will Roland (Orville Wingate) and J. Anthony Crane (Montgomery Leach). A musical escape brimming with delightful songs, engaging performances and full-beam dance numbers, "Summer Stock" is not only a bubbly tonic for theatergoers of all ages, but one that kicks nostalgia into high gear with uncomplicated bliss, fizz and vintage sparkle. It sings. It dances. It pops. It dazzles. Like "42nd Street" which played Goodspeed Musicals last season, it overflows with Kelly/Astaire lightness, punch and precision, sunny vibes and well-played exactitude. The energy displayed here is fast and furious with first-night exhilaration and thrill paired especially well with Corbin Bleu's charming star turn, Danielle Wade's joyous "Get Happy" abandon and Veanne Cox's well-prepped, icy cool villain. This is musical theatre of the highest order - infectious, irresistible, glorious. Its leave-your-troubles-at-the-door/Let's-put-on-a-show mentality accelerates with sparkle and cherry pie goodness. And boy, do we need it now!" [source]

(the reference to jane's sister abigail uses the film's names: abigail becomes gloria in this production, which is the name of abigail's actor in the film, which also mirrors how the role of herb is now phil, also the name of herb's actor in the film)

(also shoutout to providing A Full, Chronological List Of Songs. noting that according to another interview, intermission would be between "you wonderful you" and "june night")

#summer stock #dearth of peak relevant info for our purposes otherwise lol but hey #pressing f for danielle wade's performance Tending to be juxtaposed w/either corbin bleu's or judy garland's #which in fact doesn't always mean their going ''eh comes up short Relative to that comparison but good enough'' but yknow #also that role just isn't gonna be designed to be the most thrilling lol...let's get those character(tm) parts babeyyy #further photos of that preview performance do suggest there's more like midshow conflict b/w jane & gloria vs Only getting along great....#and intrigued here if it's like yeah gloria can be written to have Flaws kiiinda like the film dunking on her though not as much as it #(though not as much as it might've; parallel to orville; relevant to their compatibility lol though in this show it indeed just might not #go for ''conveniently gloria's also always already liked him & orville's just glad someone's being nice to him'' lmao. & in fact yes the #material already in the film was like hm sure could be the queer readings in these ''so you're doing cishettery wrong'' roles here #and going aw man wrt the comedy boys herb/phil & orville/orville not getting to interact more #herb getting to make One reference to kinda being the outsider/misfit even amongst the troupe like hey more abt that? what's your job also #meanwhile yeah you can do something like ''oh gloria has this idea re: being The Star but isn't actually as interested in that Process''#but that then instead of that Just being her at odds w/jane & her coming up short she can have her own arc still #finding out what behind the scenes work she Does want to do; jane & gloria of course ending up being mutually supportive one imagines #rather than jane Just being freer from Dealing With her lesser sister or what have you; whom can graciously enough accept this #and ofc we don't Need the partner swaps for everyone's guaranteed happiness communicated through ''they're not single''#whilest the lack of [oh this backup relationship was here the whole time kind of] does make your potential love triangle trickier then lol #hence perhaps some more significant conflict if you're like kissing your sister's date or what have you & she can't Just(tm) have yours #but then being The Lead can't be the ultimate of All [doing theatre]; having kissing status w/a guy isn't the ultimate of all Arcs/Life #(though noting tim wasn't Relieved if another ostensibly straight romance; a cliche in the modern musical; wasn't shoehorned in there...)#(also the awkward notes about Male Dancers and The Female Ones like alright? supposed relevance Where?)#long post ///

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navramanan · 1 year

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#too many men have NO shame NO haya NO respect vallahi. it almost gets me worked up #this one guy sat next to me ON PURPOSE. the seat next to his FRIEND was empty. then along the way several more got empty #he stayed sat next to me and i'm not dumb i knew it was on purpose #then minutes before his stop he starts talking to me 'is everything well?' i dont know u and wtf do you mean #he asked several times i said yeah very weirded out #then he goes where u from are you german. then he gestures to his head saying very good meaning me wearing hijab #VOMITTTTTT WHO ARE U EW EW EW #i got so icked out cuz the audacity????? how you commenting on that?????????#i hate that it when it has to be said cuz it should be COMMON sense not to act this way not to make stranger women uncomfortable #but you like imagine someone doing this to your sister???? the fact it has to be said #the fact men dont have this common sense in their brains and only (sometimes) clock it with comparisons to their mums or sisters #before getting off he stretched out his hand to me to shake it AUUGHHHH???? NOW WE DONT KNOW THAT'S HARAM?????#had to say no two times cuz he insisted like you fr frrrrrr have to be stupid to ignore body language #cuz i was visibly weirded out. then he tapped me on my shoulder before getting off. shivers #you think it's very good when a woman wears hijab bit THEN sit right next to a non mahram woman when you couldve sat next to your friend #you look her directly in her eyes make comments about her covering (v inappropriate) THEN try shaking her hand #it's always the ones so so delusional about what theyve done wrong may Allah guide them for the sake of the women they give a hard time to #i rarely have encounters like this but i'm sure other sisters have it worse and they are TIRED #if any non muslim tries to analize this interaction to come to the conclusion that he was being normal and i'm overreacting #give it a rest xx #nesi rants

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lina-lovebug · 3 months

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I'd Fight The Devil

Alastor x fem! reader

Background: (Y/N) is the elder Morningstar, and wants to fix her relationship with her dad. But her dad hates her boyfriend.

Part 1, Part 2, Part 3 - Finale

Allusions to sex, actual sex, angel being angel, and cannibalism

_____

Angel spit out his drink, "You're with Alastor?!"

"Yeah, thoughts?"

"And prayers, girl," Angel could never imagine a sweet girl like (Y/N) getting it on with the Radio Demon himself.

But everyone has their kinks, he supposed.

Alastor manifested behind her, and she immediately felt his presence. Pressing herself against him, he leaned into her warmth and kept his arms around her shoulders.

"How was your day, mon amour?"

"It'll be even better," She trailed off, turning around to face him, "when we meet my dad for dinner."

Silence.

And not even radio silence.

"Not to be rash, but I'm sure your father would sooner see my head on a pike than on my body," Alastor adored the fact that she was mending their bond, even more so when Lucifer makes the effort.

But announcing their relationship to him?

He could see it ending in flames.

"I know you two don't get along, but I thought a nice dinner might smooth things over."

"And if he disapproves of us?" He lifted her head upwards with his finger, bemused as to what her answer may be.

"Then he'll have to get used to it," (Y/N) replied, sending a shiver of excitement up his spine.

Only a feeling that the she-devil he was utterly obsessed with could provide.

"Ugh, can you guys go fuck somewhere else?" Angel said, "or at all? I can't imagine going a lifetime without dick."

Alastors eye twitch, "now that's our business, isn't it?"

"Okay, okay," Charlie spoke up, "you guys go get ready."

Charlie couldn't help but notice the change in Alastor. It had only been a few months, but being in her sisters presence alone has made him kind. Sure, the both of them would skin someone alive over an insult, but Alastor would rip out his own eyes if (Y/N) asked.

A perfect match.

(Y/N) dawned a black dress with a pearl necklace that Alastor bought for her. Well, she thinks he bought it but he actually stole it off of a fresh kill.

How sweet.

"Pumpkin! Oh look at you! You're as radiant as ever!" Lucifer fawned over his daughter as they made it to the restaurant, making it a point to ignore the red demon behind her.

"Catching strays?" Lucifer gestured to him.

"Lovely to see you again," Alastor retorted.

"Dad, why don't we go inside? And Alastor will be joining us," now, Lucifer didn't forget what he said. He recognized that the fearsome deer demon had the intention of claiming Princess (Y/N) as his own, but did his daughter return such feelings?

Honestly, Lucifer feared that.

Not it being Alastor persay, but his little girls being hurt.

He knew how awful it felt to go through the divorce with Lilith, and then her disappearance.

He didn't ever want his daughters to feel that way.

"So, Alastor, what do you do again?"

"I have a radio broadcast. Your daughter has actually helped me repair the studio after the attack," He laid his land on hers.

And Lucifer picked up Alastors hand.

And placed it away from hers.

"Uh, dad-"

"Look, if you two are fucking, don't tell me."

"Dad!" Her face burned red, "we aren't-that's not. . .I love Alastor, and he loves me. I want you to accept us both."

"Love? Whoa, whoa, whoa! Pumpkin, I don't think-"

"I'm not a little kid," She interrupted, "I'm a grown woman, and I'm able to make my own decisions. I want to be with Alastor because I love him. You may not think I know what love is, but I know it's what I feel with Alastor."

That's when he saw it.

That look.

Whilst (Y/N) was defending herself, defending their love, Alastor looked at her. Only her. And it was like he was staring at the nebula itself, seeing all its beauty in the Heir of Hell. His smile faltered, closing his mouth, and his eyes softened.

It's the same look that he used to give Lilith.

"If I ever hear that you've made her cry, or even laid a single hand upon her," Lucifer stared him down, "I'll make you disappear."

"A man true to his word. Looks like we have something in common," Alastor agreed, his hand back on hers. She gave him a smile, one that reminded him of Lilith.

The rest of dinner went off without any incidents. The small jab here and there, but no one died, and no one was stabbed. Lucifer learned more about his daughters business and how she lit up talking about it.

"You hardly ate, Alastor. Is something wrong?" (Y/N) asked when her father went to the restroom.

"Oh no, my dear. Just hungry for something else, is all," His eyes raked up her form, earning a cough from the she-devil.

Honestly, she didn't know where he was on his spectrum. She was fine never even being intimate, so long as he was happy, but this spark in his eyes lit a fire within her.

"O-oh. . .are you sure?" Believe it or not, (Y/N) had only had sex twice and both times she'd call it lackluster.

"I don't want you to force yourself if you don't want to," oh how innocent she was. Honestly, Alastor assumed he was aroace before he met the she-devil. Her ferocity - her chaos in fights, her genuine kindness, and her soul - itself brought out that spark.

There are moments where the carnal desire needs to be satisfied.

"Mon cher, I'd never ask if I didn't mean it."

That look, it made her softly gasp.

"Alast-"

"Ew."

Right.

Lucifer.

He showed up from his restroom break and found the pair giving eachother "fuck me" eyes.

"Could I eat my dinner without you groping my child?" Lucifer hissed, despite Alastor only touching her hand.

He blinked, thinking how he's never even groped a woman.

"Maybe."

Sick bastard.

_ _ _ ☆ _ _ _

"Fuck! Alastor!"

(Y/N) had never cum before, so Alastor being her first to ever do so and smiling away at her quivering legs made it so much better.

"Oh fuck. . ." She moaned weakly, his tongue slithering in and out of her to lick up every last drop.

"Al. . ." She was breathless, staring at his strained member. Reaching up to unzip his pants, he tutted as he grabbed her wrist.

"Al?"

"It's about you. Don't worry about me, amour," He purred, kissing the bite marks on her thighs.

"But you-"

Before she could detest further, wishing to satisfy him, the door opened.

"Oh my God, they were right! Alastor, you sly dog," Angel Dust was at the door, and Alastor quickly covered his beloveds' body with the covers before his horns started to grow and his back stretched.

"I'm going to kill you."

"Not before you make love to me, you're not," still in his demonic form, (Y/N) blew a gust of wind to slam the door shut.

Her body displayed on the bed, Alastor agreed.

"And stay in that form. It suits you."

#alastor imagine #alastor x reader #hazbin hotel imagine #hazbin hotel x reader

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erwinsvow · 2 months

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You creep carefully into Rafe’s bedroom, pushing the already-open door gently with your palm. Your eyes dart around, worried he’s going to be just around the corner, but you’re greeted with nothing—just the empty space that belongs to Rafe.

How exactly did you get yourself into this? It had started a few hours ago—at least that’s what you thought. You didn’t have any clue what Sarah and her new friends were up to, you were just over for a pre-planned girls night that was dismissed the second you walked into Tannyhill. Instead, Sarah asks for a favor, one that you deny almost immediately.

“You’ll be in and out, it won’t take more than a minute-”

“I am not sneaking into Rafe’s room for you, Sarah. What if he-he catches me? Finds me in there? What am I gonna say?”

“He’s not gonna be home later, I promise. It’ll be a second, and he’s always liked you most out of all my friends so he won’t even care-”

Your face flushes at the very sentence. Her brother, Rafe, the one that you’ve only interacted with on chance occasions, the one who makes your heartbeat speed up anytime he’s in the vicinity, that very Rafe, has always liked you?

You’re too caught up in that thought and its implications to even question Sarah anymore. Her new friends—Pogue friends, ones that you don’t know and aren’t sure how long they’ve known her—linger by the door. They seem eager to make sure that you agree.

You’re being moved around the board like a chess piece but you can’t find it in yourself to care. It’s shallow, you know, as one thought circulates through your mind, body, and bloodstream—Rafe has always liked you.

A hazy, dreamy mist settles over you. You agree to Sarah, feeling increasingly stupid as you settle into the living room and keep your eyes on the television. She left with her friends, and when Rafe comes down, you’re supposed to tell him you’re waiting for his sister. Once he leaves, you need to sneak into his bedroom to find a map they seem to desperately need. One of the boys suggests it’ll be in his sock drawer.

“It’s not a porn magazine, JJ, why would it be there-”

“Oh, um, I don’t know, just that it’s the number one male hiding spot-” “What studies are you basing this off of?”

"A little thing called the study of life, Pope-”

You had interrupted them yourself, reassuring that you’ll look in his dresser and his desk.

But now, walking into Rafe’s bedroom, you're losing all your nerve. You’ve thought about this before—you’d be lying to yourself to deny it. Any girl who has a best friend with a cute older brother has too. In the summers you sleep at Tannyhill more often than your own house, but you still could have never imagined this would be the reason you’re in Rafe’s room for the first time.

The house is silent, just like Sarah had told you. Mr. and Mrs. Cameron out at the country club, Wheezie at the beach, Sarah supposedly with you but actually with those Pogues. She says Rafe is gone too, driving around somewhere with his friends, and you believe her without a second thought.

But you do have a second thought, and it's the fact that this is so beyond wrong.

Looking through Rafe’s belongings with your eyes, your hands start to tremble at the idea of touching something of his without his permission. You want to swallow your nerves to do this for your friend, but you hesitate, hands hovering over the drawer to his dresser.

For a second, you want to puke, worried that you’ll open this drawer to find porn magazines like John B had said, or worse—photos of one of his girls that you really don’t want to see.

Your shaking hands pull open the top-most drawer, but everything calms down once it’s open. Besides for white socks and plaid boxers, there’s nothing in there. Your shoulders relax, your knees feeling weak.

Then you wonder for a second—why were you so worried about finding evidence of some other girl in his bedroom? Your mind spins briefly, worried at how attached you really are to Sarah’s brother, someone who’s never spoken to you more than a handful of times. A million thoughts run through your brain, all of them about Rafe and none of them noticing the way his bedroom door has just opened wide.

“Looking for something?” The timber of Rafe’s voice hits your ears and you freeze, probably looking like something out of a cartoon, shoulders tense, eyes wide. You’re still facing his dresser, and you really, really don’t want to turn, but you do, and then you wish you hadn’t.

Rafe’s dripping wet—damp hair sticking to his forehead, a towel around his waist and droplets of water glittering on his abs. He’s looking at you like he never has before. Your eyes are focused on everything else—the bare skin of his chest, his huge arms, the blue color of his towel.

“My eyes are up here, kid.”

Like a deer caught in headlights, you turn your gaze up to lock eyes. You’re terrified—he has to be angry, no, furious. You’re practically a stranger to him, a stranger invading his privacy. But when you finally take in his expression, it’s not angry. He looks amused, a smirk playing at his lips while he takes you in, standing before him like a child about to be reprimanded for touching something that doesn’t belong to them.

“I-I…” you trail off, swallowing hard, still staring at Rafe.

“You, you?” he mocks. You think you’re going to start crying but no tears well up—yet. “What’re you looking for?” he asks it seriously, his tone shifting.

You’ve never spoken to Rafe enough to notice, but he’s incredibly domineering. You shrink just from his gaze, while he closes the door and walks closer to you.

“Um, I-” You stop yourself short.

“Looking for trouble, huh?” He says it like it’s a joke, but you know he’s not kidding. Your head shakes, trying to convince him you’re not, but it’s not much use.

He’s not very far from you now, maybe another foot and you could smell the scent of his soap, another few inches and you could feel the heat radiating off of his bare body.

You realize how you must look right now, wearing a tiny dress because of the heat outside but now feeling goosebumps prick along your arms. Your bare feet rest on his carpet while your hands feel clammy from how scared you are.

“I, uh, I needed socks.” You look down at your feet and he does too, looking back up at the same time.

“Socks? From me?”

“Couldn’t find Sarah’s. She needs to do laundry.”

“So you came in here to get mine?”

“I-I’ll bring them back. Washed. Promise.” Your gaze is now dying to avoid his, looking all around his room and then turning back to the drawer to take out a pair.

You feel a wet hand on your arm, turning you back around at full force, his balled up socks falling from your hand as you stare Rafe in the eyes. He must be able to tell from the way your body shakes in his grip, how your eyelids are fluttering fast, how scared you are.

“Don’t lie to me, kid. I won’t like it.” You suck in a sharp breath. A few moments pass.

“I’m not lying, Rafe. Promise.”

You actually don’t know it happens—ending up with his towel on the floor and your sundress right next to it, tangled up in the sheets, your body folded in half with Rafe pounding into you. He grips your cheeks and fucks you like you’re his, like he owns your pussy and every other part of you. It goes on for so long you lose track, forgetting everything else but how to say Rafe’s name, remembering nothing but how he sounded groaning into your ear. He kisses you, hard and wet, and that’s when you cum for the third—fourth? fifth? you’ve lost track—time. He cums too—inside you, and normally you think you’d maybe have an issue with that, but since you were the one begging for it, you don’t think you’re allowed to say anything in the way of a complaint.

Rafe rolls off of you a little bit later, after you’ve had a chance to catch your breath. You think he’s gonna tell you to get out so you try to get up yourself, trying to balance on trembling legs, when he puts his hand on your waist and steadies you back onto the bed.

“What’d you need? You should sit.” You look up at him, surprised. He doesn’t like it. “Water?” You nod, and he pulls on some sweatpants and forgoes a shirt, walking out and closing the door softly behind him.

You get comfortable under Rafe’s sheets, pulling them up to cover yourself and body sinking into his bed. You reach out to find your phone, which has somehow ended up on the nightstand even though you don’t recall putting it there. There’s a few new messages.

Sarah: Did you go in yet?

Sarah: I think he left, go now!!

Then one from thirty minutes after that.

Sarah: Did you find it?? Call me!!

You reply quickly, setting the phone down when you hear Rafe’s hand on the doorknob.

Sorry, didn’t find anything. Had to go, I’ll see you tomorrow.

#this format is so fun! do you guys prefer tiny text or normal tho?#i hope everyone likes this one! i wrote it quick #rafe cameron #rafe cameron x reader

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ozzgin · 4 months

Note

OZZGIN!

May I request an idea/imagine?

It is about yandere! mental asylum patient and psychiatrist! reader, who is very practical and strict regarding her job, takes no BS from others. But, for some reason, she has a soft spot for yandere! mental asylum patient. The reason could either be he had a hard childhood in which he had to do what he had to do, which brutally killed his father, who used to abuse his mother and sister, but when the father tried to sell the sister into prostitution to buy more alcohol, all hell break lose. Psychiatrist! reader thinks what yandere! mental asylum the patient did was OKAY, and she wants to get him out of the asylum. They love each other deeply and would do anything, so far as to kill for one another. If you can, make it as twisted as you can. I live for some dark romance!

Please ignore my request if you are not able to do it. I completely understand. Thank you in advance! <3

Oh my, this request hits somewhat close to home as I have a friend incarcerated for similar reasons. I'm pondering the logistics behind this context you've provided, since murdering someone won't necessarily land you in a psych ward unless there are other symptoms that come with it. And so I've taken the liberty to expand the character's profile if that's alright. (Conveniently enough I still have my psychopathology lecture notes)

I want to add, however, that this story in no way romanticizes mental illness! If anything, one may consider it an opportunity to reflect on the fact that so many people struggling with disorders do not receive the proper care for it, or only do so when it's too late. Furthermore a medical professional should never, ever behave like this and whatever is written here should stay in the realm of fiction!

Yandere! Patient x Psychiatrist! Reader

Featuring a patient that's pushing the boundaries of your work ethic and might even succeed.

Content/warnings: female reader, detailed mentions of mental disorder, violence, obsessive behavior, breach of professional conduct

You roll up your sleeve and check your watch. He should be here soon. Out of habit, you shuffle the papers for a quick case review, even though you already know all the details by heart. You carefully set aside the patient’s MMPI and WHODAS entry assessments, then your first interviews. Your eyes briefly rest upon the resulting report you’ve comprised: Schizophreniform Disorder (Provisional) with good prognostic features; Diagnostic criteria consisting of delusions, disorganized speech (frequent derailment with episodes of incoherence, echolalia) and comorbid catatonia. Responds well to antipsychotic (clozapine 25mg/12 h) with no imminent need for dosage increase. As it currently stands, he will be fit for proper incarceration in less than 6 months. Is it something you agree with? Not quite. You’ve presented your case many times and it has always been met with pitiful shrugs and dismissals.

The door opens and you fix your posture, sweeping the documents back into your drawer. “And? How are you feeling today?” You ask, flashing a professional, cordial smile as the assisting nurse leads the patient to his seat and prepares her leave. “My chest hurts.” The man answers in a low voice, glaring at the nurse. He taps his foot against the plush carpet, seemingly restless. “How bad would you rate it? Chest pain is a somewhat common side effect of your medication.” You retort, following the movements of the woman finally excusing herself and exiting the room. Once you’re alone, the man’s shoulders droop and he visibly relaxes. “It’s not that, you know it. When can I touch you again?” He pleads, despair twisting his features. You tense up at the words. “Behave yourself. It hasn’t been that long.”

It’s not something you’re particularly proud of. In fact, you might even call it one of your great shames in life. You’ve always been a textbook professional, perhaps even too strict according to your coworkers and most patients. Not even in your wildest dreams would you have dared to imagine you’d violate the code of ethics by falling in love with your patient. But something about his situation stirred your sense of justice. Surely one cannot be punished for protecting their loved ones. The only criminal in the equation, at least in your eyes, was that joke of a father and he had it coming. So you found yourself wrestling against a blooming protectiveness and favoritism towards the young man brought here last month.

What would have normally compelled you into action had therefore been silently swept under the rug. Or even worse, you secretly indulged in it. A patient showing signs of affection towards you would instantly be transferred to a different psychiatrist. Yet you couldn’t put away the letters written by this one. Erratic, crumpled notes of “I love you” written countless times, pencil dug so deep it tore into the sheet. Bizarre illustrations that looked almost threatening. His elaborate delusions before medication was introduced, where he’d detail in grand narratives how you were fated for each other and nothing would stop him from having you sooner or later. You do not know what forces possessed you into this addictive plunge, but you’ve come to enjoy his violent, frenzied confessions. So much, that during one of the unsupervised meetings you let yourself pushed into the sofa as his hands tugged at your body in rabid need. It was so out of character that you wondered if it truly happened, though the bite marks and scratches on your neck and chest proved otherwise.

“Are they going to send me to prison?” He changes the subject and stands up, walking towards your desk. “Most likely. What you have is the result of a traumatic event, not a lifelong condition. Sporadic episodes that can be kept under control with antipsychotics aren’t enough of a reason to keep you in the hospital.” You press your legs together nervously and glance at him. “Can’t you just say it’s no longer working?” He suggests, kneeling before you and placing a hand on your thigh. “You know I can’t lie on the report.” You really don’t like it when he manipulates you like this. “Ah, yes, because lying is worse than fucking your patient.” He scoffs, annoyed. “Don’t threaten me like that”, you say as you turn towards him, but you’re stopped by the rough grip of his hand over your cheeks. “I’m not threatening you, I’m threatening everyone else. Listen, (Y/N), I’m not fucking around. I don’t mind pretending to be crazy if I have to. Will the meds still be working if I steal a shaving razor and cut the nurse open?” You try to open your mouth, but his fingers are pressed into your skin, locking your jaw into place. “I’m not going to prison. I’m not. Then I’ll never see you again and that can’t happen. You know that.”

Eventually he releases his hold, allowing you to speak. "I understand. Then there's no choice but to arrange your escape." You sigh, defeated, and he raises his eyebrows. "Won't that get you in trouble?" You chuckle at his statement. "Either way I'll be in trouble. You said it yourself. Might as well quit before I have to stand in front of the ethics board and have my license revoked." You'd prefer to keep the last ounce of pride if possible.

He sits on the floor and you notice his trembling hands. "Nervous?" You ask. "No. Just really happy. I'm not a bad person and you were the only one here to see it. But God, (Y/N), I'd kill anyone if it was for your sake. I can't wait to hold you whenever I want." He gazes at you as a smile widens on his face.

#female reader #male yandere #yandere #yandere x reader #yandere x you #yandere x darling #male yandere x reader #yandere imagine #yandere imagines #yandere scenarios #yandere headcanons #yandere oc x reader #obsessive yandere #tw yandere

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avtrbee · 10 months

Text

the prince

✢summary: what happens when your husband brings home a son that is not yours?

✢tags: arranged marriage gojo satoru x reader, reader is a clan kid, she’s v traditional, obvious cat and jon snow references

✢tw: implications of cheating, mentioned abuse, misogyny ig

✢ a/n: i’m not gonna lie to you guys, i know i’ve been a while and im really ashamed that i come back with something that i believe this isn’t my best work at all. i had this prompt in my head for a long time and i have wanted to publish this ever since. always love hearing from all of you and i’d like to get some feedback as well <33

You were a clan kid fortunate enough to be born with the clan’s cursed technique but unfortunate enough to be a woman. Your childhood tutors had drilled the duties of wives in your head, and had made you comfortable with the idea of an arranged marriage. You pride yourself as a good traditional daughter, whose greatest honor would be marrying your husband.

Never in your life did you imagine yourself caring for a child that is not yours.

That was, of course, until you met your husband.

You have heard of Gojo Satoru before and fought him a few times during sister-school events, but never in your life did you think he’d be who you were destined for. Still, he surprised you.

“You are my wife, my equal,” he promises you at the night of your wedding. The ceremony was over and the guests have gone home. You have said your vows in front of the gods and they have bounded you to this man.

He drags you off to bed and makes you sit on the floor with him.

Satoru looks at you with the moon shining on him making him look like an ethereal god. And to you, he was. Which is why you tilt your head at his statement. “Gojo-sama, I do not understand-”

“Satoru,” he says. “I am your husband, you should call me by my name y’know.” His voice is light and teasing, underplaying the reality of the situation. “I don’t want a slave. I want a confidant. A partner. I need someone. Do you understand?”

You nod. Strangely you do. “We must protect each other.”

You were both very lonely people thrust into a union none of you asked for. There are targets on your backs for sins you cannot control. You were alone, but not anymore.

Your husband nods and he takes his glasses off. You realize for the nth time that Satoru is a pretty, pretty man. His blue eyes shine and twinkle like the stars above.

He reaches for your hand- a strange gesture but you allow it anyway. “I will do right by you,” he promises. In his mind he remembers his mother, the one who loves too much but is loved so less. Like her, Satoru’s marriage is arranged by the clan. But he will not be his father.

He is a man of his word.

The next morning you find yourself waking to an empty bed with a smell of burning food. You catch your husband defeated before the stove with burnt scrambled egg on the table. “This is what couples do, right?”

You stare at him, simply horrified that you had failed to wake up first. You were supposed to cook him breakfast, not the other way around.

Satoru catches your expression. “Hey! It’s not that bad!” He pokes the pathetic excuse of a scrambled egg. His mother had always cooked for the family, it shouldn’t have been this hard. “…right?”

You ban him from your kitchen.

He takes you to the school next. You walk behind him, as is the norm, but Satoru makes a face that pushes you to stay beside him. His voice echoes in your head, you are my wife, my equal.

The weather was perfect, but he fusses about the fact that you decided to wear a sleeveless sundress that he deems inappropriate for the wind.

“Are you sure you’re not cold?”

“Yes, Satoru.”

Satoru’s eyes narrow suspiciously, like he does not believe you. He reaches over and takes your hand in his. His face morphs to an expression of victory. “Ha! Your hands are cold. You’re such a bad liar, Y/N.” He spits, but his voice lacks venom. You pretend to ignore his poor excuse to hold your hand. Deep inside you like it. Romance is for fiction and some anime you were lucky enough to watch. A distinguished member of your the Gojo clan does not deserve it, but your husband is a romantic.

He stops you from walking out of the shade of the trees and into the sunshine. He opens his tote bag and points to a closed umbrella. “Do you need this? To protect you from- y’know.”

His points up to the sun.

Against your will you find his needless worrying endearing. He does not know his role as a husband well, but he is trying. When you finally arrive inside the Tokyo school, his hand is still clasped in your. Satoru is loud and proud when he introduces you to everyone, even if you have done nothing to deserve such pride. His co-workers pity you for being married to him and offer their condolences. Satoru protests strongly.

“Y/N loves spending time with me!” he says, stomping his feet like a child. He tugs your hand and looks at you in support. “Right?”

You smile and nod. You do. You wonder if you may love him someday.

The night is dark, and Satoru is not home yet. It has been a slow 8 months since your marriage. The ladies from your clan were wrong. Your husband is not cruel. He does not scold you if you use your cursed technique even when you accidentally use it on him.

You have never been someone good with words, so you decide to bake him a simple carrot cake. Your husband has a sweet tooth and he has a penchant of liking things better if it came from you.

You had only just finished adding icing the cake when you felt Satoru’s cursed energy through the door. You take a look at your cake one last time before heading towards the door to greet him.

Traditionally a wife must wait for her husband to enter in the middle of the room kneeling for supplication- a tradition most ingrained in your head more than most. As a compromise, Satoru suggested to have you greet him by the door instead because- “The first thing I want to see when I get home is your cute face. Obviously.”

You dust off imaginary crumbs off your hands by wiping it on your pants before sliding the door open.

“Welcome ho-”

In front of you, Satoru looks cold. You wonder if this is how others see him. He looks down at you with a cold gaze, He does not tremble. There is a child in his arms.

Both child and Satoru looks at you with twin cold eyes. You shiver. “He’s mine.”

You hear maids scuffle from behind you, but you do not care. The child innocently rests his cheek on Satoru’s shoulder looking at you.

There is no doubt the child is his. Your husband’s hair is on his head and dear god- their eyes. They have the same eyes.

In your head you hear the ladies of your clan again. Stand tall, Y/N. They may have their mistresses, but you will always be his true wife.

Of course you knew about Satoru’s womanizer past- present. Are you upset? Are you angry? You do not know, truly. You are simply confused.

Your clan’s ladies have prepared you for worst; what to do when your husband brings home another woman, what to say if they came home violent, where to go if you are too broken and beaten to sleep beside him. But what if your husband brings home a son that is not yours?

There is a pain in your chest you do not understand. This is expected! Men cannot be held down by just their wives. Did you expect him to be different? A cold fury washes over you

“Welcome home.” You finish instead.

check out my masterlist, and don’t forget to lmk how i can improve this fic <33

#gojo satoru x y/n #gojo x reader #gojo satoru x reader #satoru gojo x reader #gojo satoru imagine #gojo satoru #jujutsu kaisen reader insert #jujutsu kaisen

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ponderingmoonlight · 6 months

Note

gojo x wife! y/n where megumi slips up and calls y/n mom since she helped raise him and gojo starts thinking about how they would be as parents?

Got ya! Love this request, hope you enjoy <3

Megumi accidentally calling Satoru's wife "mum"

Pairing: Gojo x wife!reader

Word Count: 1,4k

Synopsis: basically the request above lol

Warnings: this is pure fluff so enjoy, wrote this on my way to Disneyland so look over any spelling mistakes lol

Tags: @arehzhera @ploylulla @tzubaki @beatrexworld @kenstarsworld @dazaisdick @hellkaiserinphoenix @lauv4chuuya @shadowfoxey @starlightanyaaa @sindela @kayleegomez @sunshine7queen @magalimachete @mokoartpost @gatitam @idontknow1123 @creative1writings @sanicsmut @mynahx3 @sad-darksoul

Megumi always admired your tenderness. Since the day he met you when he was just a kid, you have grown on him like no one else. It seemed like you genuinely cared about him and his sister throughout this entire time, standing up for him when needed while leaving him for rest when he wasn’t in the mood to talk.

Despite being the longtime girlfriend and now wife of a chaotic person like Gojo Satoru, you never lost your spark, your cool temper, your striking beauty. You are simply always the (y/n) he knows and secretly admires from head to toe. He never truly admitted it, but to him, you are like a mother, one of the most important people in his life, the pivotal point of his decisions.

It shouldn’t have been such a big surprise then when he accidentally called you mom in front of basically everyone.

A brief moment of thoughtlessness in the middle of pure chaos. He didn’t put much thought into his words until they eventually slipped off his tongue with no turning back.

“Can we talk about this later mom?”

Gojo stand right by your side, hand casually placed around your hip like usual when his eyes dart towards Megumi immediately. Did he hear that correctly? Did Megumi-chan just call you “mom”?

“What did you just say, Megumi-chan?”

Fuck fuck fuck. A wave of embarrassment rolls over Megumi immediately, gaze fixed to the ground. He just called you mom. Fuck, he just called you mom! Not only in front of Gojo, but Yuji, Nanami and Nobara. This is bad. Very very bad.

“Megumi…”, you breathe out, tears stinging in your eyes immediately.

While you were always keen to give Megumi the best life possible in this cruel world, you never imagined that he’d see you as someone this important in his life. You it’s not always easy, living with Satoru and you. After all, he is the most chaotic person you know while you are the complete opposite of him. It never seemed as if Megumi enjoyed your company this much. While staying with you more than with Satoru, nothing like that ever slipped off his tongue.

But right now, he called you mom. He really called you mom.

“Sorry”, he mumbles, turning away from your widen eyes.

Fuck, how embarrassing. You must think he’s a total freak for saying something like that. Especially given the fact that you and Satoru don’t have any kids yet. Was has gotten into him?

Nanami’s eyes are darted towards him in silence, Nobara and Yuji giggling to themselves while all Megumi is able to do is hiding his blushing face in his uniform. He needs to get away from here. Fast.

Faster than any of you are able to react, he storms out of the room, leaving especially Satoru and you in pure shock.

“I think he really called you mom, darling”, Satoru breathes out.

You wipe your eyes, tears threatening to fall down your eyes.

“I never thought he’d see me like this. It might seem a little stupid, but…Megumi is like a son to me. To know that he feels the same about me is just…so overwhelming…”

Satoru can’t help but admire you. That little blush that creeps up your face, how you smile into yourself like a little child. All these nights you spent by Megumi’s side, caring for him and his sister when sick, having serious conversations with him when he caused trouble.

It dawns to him. You’d be such a good mom. In fact, this is what you already are to Megumi. All this time, Satoru never thought about having his own kids. Still being young, putting you and potential kids in the risk of this cruel world. But seeing you like this, all flustered by Megumi’s innocent words, totally amazed by the word “mum”. Maybe, just maybe…The thought of a baby in your arms crosses his mind, how you hold its tiny hands while humming it to sleep.

“I will look after him”, you announce, fumbling with your hands nervously while everyone around you just stands there bamboozled.

“Hey”, you greet him gently, sitting down beside him on the bench that overlooks the whole area.

His head rests in his hands, gaze fixed on the ground.

“I didn’t mean to say that”, he begins rapidly.

You bring your legs up, hugging them tightly while smiling down at him.

“I don’t have a problem with that at all. It’s just that…I never thought you’d see me as something other than Satoru Gojo’s wife. But I don’t want to interpret too much into it. After all, it was just a slip of your tongue, right? Just wanted to make sure you don’t feel bad or something. Don’t worry about it.”

With one gentle rub of his back you get back up, ready to leave when he suddenly grabs your hand.

“This wasn’t an accident. I never got to know my biological mum. And since the day I’ve met Satoru and you, you were always something like a mother to me. I really admire and appreciate you, (y/n).”

Oh. Your eyes begin to water all over again, you can’t help but swallow him with your arms.

“I feel the same, ‘Gumi”, you matter against the crook of his neck, careful not to touch his hair.

“Now now, what’s going on here? Are you stealing my girlfriend, Megumi-chan?” Satoru’s voice suddenly questions from behind, making Megumi jump out of your grasp in an instant.

“You know you have a real talent for ruining someone’s moment, right?”, you comment dryly.

“See you, Megumi.”

With Satoru’s hand holding onto yours tightly, you wander down the way to Jujutsu High. What a precious boy he is. You couldn’t be prouder of Megumi. And knowing that you had such an effect on him…You feel like crying all over again.

“I hope you told them not to make fun of Megumi for saying that”, you break the silence, earning a little chuckle from Satoru.

“Nanami did that for me, don’t worry. What did you talk about earlier?”

“Just wanted to make sure he isn’t embarrassed and that I know it was just a slip of the tongue. Nothing to put too much thought in. But it seems like he really sees me as something like a…mother figure, I guess.”

“Doesn’t surprise me the slightest.”

Huh? Your eyes dart towards him, feet stopping right in their tracks.

“What are you talking about?”

“Well, when he had to draw something, it was always the dogs, you and him. You holding his hand, you cooking, you kicking someone’s ass. Don’t you remember how everyone always thought you are his mother? All those years he looked up to you. It doesn’t surprise me that he sees you as his mum. But I should have seen it sooner, what a great mother you’d be.”

His explanation makes your heart skip a beat. Over the last years, you never lost a word over something like kids or being parents. After all, your situation was clear: you live in a world full of danger and death. No child should have to deal with this right from the start. But the way he looks at you with a warm smile, hand holding onto yours tightly. Does he mean…?

“I don’t know, Megumi’s words made me think about having our own kids.”

“Our own kids?”

You can’t believe your ears. Even though you never admitted it towards Satoru, the thought of having children definitely fills your heart with nothing but joy. And especially his kids…

“You already have been and would be such a great mother. What do you say, (y/n)? Mind if we try it?”

You aren’t able to answer. Instead, you let yourself fall into his already opened arms, giggling like an idiot. A child with Satoru Gojo, the love of your life. Yeah, this doesn’t sound bad at all. In fact, this sounds like heaven itself.

“I take this as a yes.”

“I’d love that”, you breathe out, pressing your lips against his longingly.

“You’d be such a great dad. I just know it”, you huff against his mouth, heart jumping up and down in joy.

“Even though I told Nobara and Yuji to make at least a little fun of Megumi-chan?”

“YOU DID WHAT?”

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junkdrawerfics · 1 year

Text

Simple Moment

I love Jasper Hale more than most things in my life.

Summary: Just a cute, fluffy moment with Jasper and his human, the reader. Mostly Bella and Alice talking about the two of you.

Word Count: 702

Warnings: None! Just fluff!

“So that’s Jasper’s girlfriend?” Bella asks Alice as they watch a familiar looking girl stride up to said vampire. She waggles her hand in front of the blond’s face, snapping him out of whatever thoughts he was stuck in. A small smile slips onto Bella’s lips as she watches him grin and murmur some greeting.

“Yep, that’s (Y/n),” Alice replies, smiling along fondly, “We met her just a year ago. She’s Jasper’s singer, like you’re Edward’s.”

Bella’s brows shoot up at this, “She’s human?” She knew that Jasper didn’t have complete control of his instincts yet, so the fact that he could be around someone whose blood is so tempting to him seems implausible. Yet there you are, pressing into his side with an adoring smile.

“Crazy huh?” Alice giggles at the gobsmacked look on her friend’s face, “Trust me, it wasn’t pretty at first. Jasper had to stay home for weeks because he couldn’t control himself at school.”

A question hangs on the tip of her tongue, but Bella keeps it to herself. It’s none of her business how they eventually came together, she imagines it might have been something similar to her and Edward’s story. Her curious eyes dart over to Jasper and the girl again. They’re settled down on the roots of a nearby tree, talking and smiling at each other. The softness of the moment strikes her. Had she ever seen the vampire look so carefree? Especially around a human?

“They’re cute, aren’t they?” The ravenette murmurs with a far away look, “She’ll be like us one day too, I’ve seen it, and they look so happy. She’s the one that helps him learn control. He’s even the one who changes her, I think. That part was still a little unclear.”

Bella looks at her with a smile, “It’s so cool that you’ve seen all of that.”

Alice shrugs but her smile betrays the pride she feels for her gift, “It has come to me over the months, not all together, you know. I’m just so happy he has someone now.”

Both look over at the couple again, fondness and genuine joy rolling off of them.

Jasper smiles slightly, eyes darting over to the pair.

“What is it?” You ask, glancing around the blonde to see his sister and the new girl staring at the two of you. A dark blush is quick to cover your face, which you hide in his shoulder.

Jasper chuckles lightly, pressing an adoring kiss to the crown of your head, “No worries, darlin’, they’re happy you’re here.”

You peak up at him with a small, teasing grin, “Really? And how do you feel, huh?”

The blonde raises an eyebrow at you, one of his oh so charming smirks pulling at the corner of his lips, “Why, it’s a pleasure to have you by my side, ma’am.”

Your teasing smile melts into a sigh and you bury your face back into his shoulder. Just his voice alone sets free a flock of butterflies in your chest. You’re probably as red as a tomato again.

“Don’t call me ma’am, makes me feel old,” you grumble to try and hide just how flustered his words made you feel.

“My apologies,” you can hear the grin in his voice, “...ma’am.”

You punch him in the side, knowing all too well that it won’t actually hurt him, but at least the intention is there. Jasper just chuckles again and pulls away to look at your bright face.

“I’m just teasin’ darlin’,” he hums, “You get riled up so easy.”

“You’re so mean.” You pout, scrunching your nose up at him.

The vampire only grins and leans close to press his cold lips against your forehead. Eyes fluttering closed, you take a moment to just savor the feeling. You never want it to go away. You never want him to go away.

“I love you, Jasper,” you mumble as you tuck back into his side.

He pulls you close, enveloped in your scent but so stricken with the genuine emotions rolling off you that it doesn’t even seem to bother him.

“I love you too, darlin’.” The words are soft, spoken so only you will hear him.

#jasper hale #jasper hale x reader #jasper whitlock #x reader #reader #reader insert #twilight #twilight saga #vampire #jasper whitlock x reader #i love him

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hsjazebel · 2 months

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Desperate part 1*

Word count: 2387

A/n: This is the first part of a series. It’s the first time I’ve written in a long time so I hope you like it! Also I would like to thank @gurugirl for her help which was very important to me!💘

Content Warning: this is a dbf story so if you don’t like these kind of things please just don’t read it! 18+, age gap (15 years), female masturbation - that’s all for this part.

part 2*

You never had so-called daddy issues as you always had a good relationship with your father, but there was something about that man with green eyes that made you feel desperate.

Your father had a large group of friends and they often organized parties and lunches or dinners together, but you never liked these things because there was no one of your age since everyone had younger children and the same age as your sister (so she often abandoned you to be with her friends) and because of this, you found everything very boring.

That is until a new figure appeared in the middle of a barbecue in your backyard: a handsome, curly-haired man with green eyes that seemed to peer into your soul.

You were sure you had never seen this man before because if you had you would definitely remember him given how amazingly handsome he was.

You were peacefully sunbathing on a lounger by the pool while continuing to watch videos on TikTok until your father arrived to interrupt your peace. “Y/n, I wanted to introduce you to someone! Harry. He arrived yesterday from London and as soon as I told him I was having a barbecue at home he wasted no time and arrived. Harry, this is my daughter Y/n!”

As soon as you lay eyes on Harry, your jaw nearly drops. You stand up and offer your hand to the man. “Nice to meet you, Harry.

“The pleasure is all mine. I’m surprised James has a daughter your age.”

You laugh at his joke; it was true many of your parents' friends were surprised when you said you were 23, given that both your parents were not yet 50.

Your hand is still in contact with Harry's and you honestly don't want to take it away, his hand was so big compared to yours and it was so soft and smooth. And then his beautiful voice with his English accent… oh god! You had always had a weakness for the English accent and hearing it on Harry you could say that you would imagine entering heaven like this.

“Let's say that Alice and I didn't wait long to get married and start a family, and she's not that big, she's still my little princess.” Your father's voice brings you back to reality and you feel Harry's hand slip away from yours. “Darling, Harry and I are going back to the others, I'll call you when lunch is ready!” And with that, he kisses you on the head and leaves with Harry not before the man with green eyes says goodbye to you.

After eating you decide to go back into the house to lie down for a while; staying in the sun all day had made you tired and in any case after lunch you always had the habit of taking a nap and the fact that your parents are having a party outside in your garden certainly won't stop you.

You get into the shower to get rid of the chlorine from the pool and also to cool off from all the heat today and finally get into your bed.

There's just one problem: after spending twenty long minutes tossing and turning in bed, you can't sleep, so you decide to do what you always do when you can't sleep: use your fingers to pleasure yourself. You slide your shorts down along with your panties and open your legs. You go straight to your clit because you know it's the fastest way to bring you to release and you start twisting your fingers quickly bringing dirty thoughts to your mind. But the only thing that appears in your head is the penetrating gaze of the English man you met not many hours ago and who is in your garden right now. You start to think about how good his hands would feel on you and how deep his voice would be as he whispers dirty things in your ear. Or how good his tongue would feel on your pussy and how quickly it would bring you to orgasm – because you could swear that man would know how to make a woman feel good. And so within a few minutes, you feel that feeling in your lower belly and you reach your orgasm with Harry in your mind.

You immediately feel tired all over your body and fall asleep soon after.

You didn't think you were that tired, but you were wrong because you woke up and the first thing you see when you open your eyes is your dog, Chery, lying on your legs - which you didn't even know how he got into your room seeing as the door was closed - and the alarm clock on your bedside table read 5:32 pm. You get out of bed and go to wash your face to try to remove some traces of sleep. Soon after you dress in a white top and a pair of shorts, pick up your dog, and go down to the living room.

As soon as you enter you notice from the glass doors overlooking the garden that all the guests have now left, but the thing that immediately catches your eye is Harry sitting on the sofa with your dad watching a football match. “Good morning sleeping beauty!” Your dad greets you.

“Mmh good morning,” you greet, putting your dog down and she jumps directly onto the sofa, placing himself next to Harry.

“There will be 5 of us this evening, Harry is also staying for dinner.”

“Yes, your father and I have a lot of time to catch up on,” Harry tells you with his beautiful smile that makes those pretty dimples of his appear that you want to touch with your index; and then those hands with which he is caressing Chery with… oh lord! Those same hands you fantasized about a few hours ago, with his long fingers and - ok maybe you shouldn't have thought so much about your father's friend like that but it wasn't your fault if he looked like a Greek god.

It's your father's voice that brings you back to reality, “I was thinking you could make your own special pasta, that dish is really delicious!”

“Oh, yes of course!”

Harry looks at you smiling and says, “I love pasta! I can't wait to taste it."

The dinner goes very well, you hear some anecdotes about your father's life as a teenager and you also discover that he was the most wanted boy at university! “I swear I remember being in the cafeteria one day and I heard this group of girls talking about how sexy James was and I was like what?? Are we talking about the same person?” Harry laughs.

And your father being the touchy man he is replies, “You're just jealous because they were talking about me and not you! If maybe at 21 you hadn't had long hair you would have seen that girls would have talked about you too!"

“Hey don't talk like that about my long hair,” Harry says putting a hand on his heart pretending to be hurt by your father's words.

And the evening continues like this, with constant banter between Harry and your father even when dinner is over and they decide to go out on the patio to drink a glass of whiskey while your mother goes to bed and you and your sister retire to your room.

"So Harry isn't that bad right?" Your sister starts. “If he wasn't Dad's friend I would also tell you to flirt with him.” Your eyelids widen at this statement and she continues, “Oh come on don't make that face, I know you think he’s sexy as hell.”

Well, actually your sister wasn't entirely wrong. “I can't deny he's handsome but I would never hit on him! He's dad's friend, like you said, and he'll be twice my age!"

“Yeah y/n as you say, but I know he has already enchanted you with his green eyes and his English accent! Goodnight and try not to dream about it,” she winks at you and walks out of your room leaving you alone.

You quickly realized that sleeping so much in the afternoon wasn't a great idea because you obviously weren't sleepy now and so you turned on the television to watch a few episodes of Friends while putting on a face mask.

After 5 episodes the tiredness was finally making itself felt so you decide to go to sleep, but you realize that the bottle of water on your bedside table is empty, and since you already know that you will wake up at night to drink, you take the bottle and go down to the kitchen to fill it up and finally, you can go to sleep afterward.

But what you don't expect when you get to the kitchen is to see Harry sitting on the couch reading a book. You remain frozen in your place for a moment, partly out of fear because certainly at this time of night, you weren't expecting anyone up, and also because you weren't expecting to see him.

He gives you a sweet smile as soon as he sees you, “Oh hi y/n! Sorry, I didn't mean to scare you."

“No, don't worry, I just didn't expect to see you here." You say as you walk behind the kitchen island to fill the bottle.

“Oh yes since while your father and I were talking it got late he offered me to stay here for the night and I accepted,” he follows you with his gaze as he closes the book and places it on the table placed in front of the sofa. “Sorry again for scaring you, I didn't think I'd find anyone awake at this hour. By the way, why are you awake?”

You finish filling the bottle by taking a sip and then reply, “I realized my bottle was empty so I came down to fill it. And I could ask the same question to you, why aren't you sleeping?”

"I wasn't sleepy either and I remembered that when I entered the house I had seen a bookshelf and I decided to stay here and read a bit, trying to get myself to sleep."

You approach the sofa where he is sitting, "What book did you choose?”

He takes it from the table and shows you the cover, "Dostoevsky's White Nights, I love this book."

Your eyes widen in surprise, "Oh my god it's my favorite book too! In fact, for the record, that book is mine.”

“So sorry for borrowing it without telling you,” he laughs. “So you like Russian literature?”

“We can say that I love literature in general, especially the classics. In Russian literature I especially love Dostoevsky and Tolstoy," you reply, sitting on the sofa, even if a little far from where Harry is.

“I've never read anything by Tolstoy, maybe I could ask you for some advice.”

“I would be more than happy to help you!”

So you start talking about this and that. You discover that he has a degree in economics and management and has his own company in London. He met your father at the university where they were both doing a master's degree.

“And what can you tell me about yourself? Do you study or work?" At this point, you both had moved a little closer to each other.

“I actually do both. I have been studying fashion marketing in Milan for two years and in the meantime, I work for an Italian fashion magazine!” You've always liked talking about what you study because it's been a great passion of yours since you were little and you still can't believe that you're doing your dream job.

“So you live in Milan? I have been there many times and I love that city as I love all of Italy.”

“Yes, I live in Milan but I always come back here in the summer to be with my family. And I love Italy too, everyone is so hospitable and nice!”

"You can say it for sure! And why did you decide to study in Italy from California? If I may ask,” he asks curiously.

“In reality, I have always liked the world of fashion and when I finished school I was sure of what I wanted to do. Then talking to Mum and Dad I tried to convince them to let me study abroad but Dad didn't seem very convinced, then in the end Mum convinced him and I started looking for a good course of study. I wasn't sure from the beginning about going to Milan but then thinking about it, that is the cradle of fashion and so I made my decision!”

“Wow, I'm really impressed y/n! And can you also speak Italian?”

“Well, I had to learn it to live by it even though my pronunciation isn't that perfect.”

“I also learned Italian during my business trips. It's a frequent destination and I've made a few friends who have taught me something!”

You end up talking about your experiences in Italy until you notice from the windows that the sky is starting to lighten, a sign that the sun will come out soon. Harry notices too and lets out a small laugh when you let out a yawn, covering your mouth with your hand, “Sorry, I think sleep is kicking in now,” you laugh too.

"Yes, you are right. I didn't realize how much time had passed. Maybe now it's time to go to sleep even if soon I think someone in your family will get up."

You nod in agreement with him, "Yes, you are right. I think it's time for bed!” You stand up and he does the same.

“Goodnight or rather buonanotte!” He tells you with the most beautiful smile you've ever seen.

“Buonanotte!” you reply and so you turn and walk towards the stairs to go back to your room, bringing to mind the words your sister had said to you hours before, “Try not to dream about him”. Maybe it will be a little difficult because when you finally get into your bed and close your eyes you see beautiful dimples and green eyes.

#harry styles #harry styles fic #harry styles smut #harry styles x reader #harry styles x yn #harry styles x you #harry styles blog #harry styles imagine #harry styles fanfic

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korizzybee · 4 months

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Clarisse’s younger sister has feelings for Percy Jackson

Pairing: Percy Jackson x black!fem!reader (romantic), Clarisse La Rue x black!fem!reader (platonic)

Synopsis: the new boy, Percy Jackson, shows up to camp, Clarisse’s younger sister Y/N falls for him.

Warnings: Y/N & Clarisse have different godly parents, Clarisse grabs Percy Jackson, Y/N is daughter of Apollo

I feel bad for the newbies that come to Camp Half Blood, my big sister, Clarisse, always feels the need to ‘break them in’ as she says. So when she told me she was going to be doing the same to the new boy, Percy, I felt bad for him.

Imagine my surprise when I saw her and her half-siblings storming out of the bathrooms, soaked. I looked to find the cause of her state walking out just a few minutes after her. I stared at him and he stared at me.

“You’re Percy Jackson, the boy who killed the Minotaur, correct?” I asked him, unlike Clarisse I wasn’t that skeptical to not believe him. Sometimes things just happen and you get that adrenaline rush.

“Uh..yea, I am.” He said, he seemed cautious of me. “Aren’t you Clarisse’s younger sister?” He asked me.

I stepped closer to him and held out my hand, I noticed the boy was slightly shorter than me. “Y/N La Rue, daughter of Apollo, best bow user at camp. Pleased to meet your acquaintance.” I said with a confident smile.

“Percy.” He said, shaking my hand and letting it go. For a boy, he had really soft hands. “Percy, did you somehow do that to Clarisse?” I asked. “I mean if you did, I don’t hate you for it or anything. It’s finally time someone here stood up to her, someone who isn’t Luke.”

“I don’t really know how to explain it..” he said to me, looking down at his hands. “Honestly, I’m not even sure I understand how it happened.”

I hummed and looked at the sky for second before looking back at him. “Well it was nice meeting you, Percy. Let’s chat again sometime, okay? Okay.” I said, not giving him the chance to respond as I walked back to my cabin.

The next day was capture the flag, and as usual, the Apollo kids were on the red team with the Ares kids. Mainly due to the fact Clarisse didn’t want to hurt me since I’m her younger sister.

After the conch blew, the red team let out a war cry. I didn’t of course, I didn’t want to accidentally scream too loud and bust everyone’s ear drums.

I looked at the other side of the stream where I locked eyes with Percy, I smirked and sent him a wink before walking away with the rest of my team. Clarisse was barking orders and I could tell she had a plan up her sleeve, must’ve had something to do with last night.

She turned to me, “you already know what to do, lil’ sis.” She said, ruffling my hair with a smug smile. I put on my helmet then ran into the part of the woods where Clarisse would hunt.

My job was to stay in the trees and shoot down anyone who just so happened to stumble in there. If I was captured, use my sonic scream to let them know where I am and to distract my enemies.

I climbed up high in one tree, part of me couldn’t stop hoping I would see Percy though. In my honest opinion I thought he was kinda cute.

Over the last ten or fifteen minutes I was able to take down ten campers from the blue team. What I love about my cabin being on the red team is that, that means the blue team barely has any campers that are good with bows.

They have the Hermes cabin, of course, but most Hermes kids prefer swords. I could clanking and other noises out in the distance, one distinctive voice I could make out clearly was Clarisse’s.

I like watching her fight so I climbed down from the tree and ran to the direction of the noise. I could see the lakeshore, once I got there, Clarisse let out the most shrilling scream I had ever heard.

A scream of pure anger, and the expression she wore on her face was murderous. Her spear. Her spear was broken. The only thing she felt was the closest she could get to having some sort of connection with Ares, now it was broken.

My eyes flickered over to Percy, I felt my heart beat speed up. I couldn’t tell if it was because I saw him, or because Clarisse stormed over to him and lifted him off the ground slightly by his armor.

Before I could go and stop her, the horn blew and the blue team ran down to the shore carrying our flag. I let out a breath I didn’t even know I was holding when Clarisse dropped him.

She stormed passed me, nearly bumping me in the shoulder. Percy and I locked eyes, I wanted to talk to him and ask him what happened. I wanted to also congratulate him on his first win, but I knew I needed to talk with Clarisse. So, instead, I just gave him a small smile and walked off.

Maybe tomorrow I could get the chance to meet up and talk with him.

#korizzybee’s work #x black reader #percy jackson #percy jackson x reader #pjo hoo toa #pjo x reader #percy jackon and the olympians #clarisse x reader #clarisse la rue x reader #clarisse la rue #percy jackson x you #percy pjo #Percy Jackson x black reader

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sanguineterrain · 10 months

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redamancy | steve harrington

Summary: redamancy (n.) - the act of loving someone who loves you back; a love returned in full // or, four times you kissed Steve Harrington, and one time he finally kissed you back.

Pairing: Steve Harrington x fem!reader

Word count: 5.2k

Warnings/tags: friends to lovers, 5+1 fic format, no use of y/n, FLUFF, PINING PINING, injured s4 steve, hospital setting, general vecna angst (eddie's alive bc i will never kill eddie in my fics), bed sharing, happy ending, and kissing. if that wasn't clear. :)

A/N: fun fact: this is the first time i've written a 5+1 fic! technically it's 4+1 but whatevs. if you enjoy this fic, please give it a reblog and support your local steve harrington tumblrina.

divider by firefly-graphics

i. the promise

"Would you ever get married?"

You open your eyes. The setting sun nearly blinds you through the windshield. Immediately, you stick out a hand to block it.

You're still reclined all the way back in the passenger seat, because Steve's fancy schmancy BMW can do that. He frequently lectures you about doing it while he's driving. Have I taught you nothing? Road safety!

"I mean, I guess so," you say. "If someone ever wants to put a ring on me."

You sit up and pull down the sun visor. Steve turns. His hair lightens in the summer, shades of reddish blond peeking through. He insists his hair has never been anything but brown, fiercely pledging his allegiance to brunettes. You coo at his highlights all the same.

"I want to," he says after a minute. "I wanna get married."

You're parked down the block from your house. You should've gotten out ten minutes ago, but there's never any rush when you're with Steve.

"The line to wed you will be out the door, champ," you say around a grin.

"Hm. I dunno." He stretches in his seat. "Maybe if I was the same guy I was a few years ago."

You wrinkle your nose. "I doubt that."

"But what can I really offer?" he continues. "I'm just some guy who can't get into college."

"That doesn't mean no one will marry you. Some people who go to college are dumber than dirt. They get married. College has nothing to do with it. You can go, if you really want to. One rejection doesn't say anything about you, Steve."

"I guess."

You pull the lever on the side. The seat shoots up with a brrrap! It clicks as you straighten.

"Where did all this come from, anyway?" you ask.

Steve shrugs. "Just thinking."

"Dangerous."

He smiles. "I like to live on the edge."

"Contemplating marriage like the world's biggest sap. Definitely edgy."

Steve hums. His hands are in his lap. He picks at a cuticle, a habit he’s recently developed. You wonder why he’s so anxious.

"Two people from our graduating class got married last week."

Your eyes widen. "You're kidding."

"Nope. Lisa Schell and Gary Brewer."

"Wait, didn't she cheat on him?"

"Yeah, but he slept with her sister, so I guess they called it even."

You shake your head. "That's insane. They're literally babies, Steve. That's like Dustin getting married."

Steve scowls. "He's not allowed to get married before me."

"Not even to his possibly fictional Suzie?"

"Not even to her."

You stare at the freckles on Steve's face and how his frizz kind of looks like a halo in the light. You imagine the feel of his hair in your hands, the warmth of his scalp.

"I'd marry you," you say.

Steve's eyebrows shoot up.

"What?"

"Like, if you were in a pinch."

He looks at you sideways. You flatten, then scrunch your hands over your knees. Your tongue feels too big for your mouth.

"I'm talking about spending the rest of my life with someone, you know. Not borrowing fifty bucks."

"Fifty bucks is a lot of money for some of us, Harrington."

"That’s probably how much Lisa's wedding dress cost."

"I hope she kept the receipt."

Silence descends. A soft breeze blows through your cracked window. You want to search Steve's glove box for gum, but you've just told him you'd marry him, so you can't do anything except think about the fact that those words came out of your mouth.

"Are you…" Steve begins, then pauses. "Why did you say that?"

"Because you're worried, for some incomprehensible reason, that no one will marry you."

"I scoop ice cream for a living."

You level him with a look.

"Steve. We're kids. Cut yourself some slack."

His eyes turn hollow. They've been doing that lately. You wish you knew why.

"I don't really feel like a kid these days," he says.

Something about the way Steve sounds makes you want to climb over the console and curl into him, cradle his head to your neck. Which is crazy. You guys don't do that. Steve isn't yours to do that with.

"Let's make a pact," you say softly.

He meets your eye. "A pact?"

"Mmhm. Let's say if both of us aren't married by… thirty, then we'll get married."

"Well, I don't want a pity marriage."

You roll your eyes. "It's not a pity marriage, Steve."

"Thirty is so late! You really think I won't be married by then?" he asks.

"No, I don't think that. I already said folks will be lined up to marry you," you say.

"I can't wait till I'm thirty."

"Or you'll turn into an old maid?"

"Meh meh meh," he mocks without any heat.

You purse your lips so you don't smile. "Fine. We'll split the difference. Twenty-four?"

Steve considers that. Really considers it. It suddenly occurs to you what you're promising and who you're promising it to. You wonder if you'll both forget about it. Or brush it off. Oh, what did we know? We were kids!

Except Steve doesn't feel like a kid. And maybe you don't either, as much as you wish you do.

"Do you mean it?" he asks.

"Of course I do."

"No, seriously." He's serious. "I mean it, so if you don't…"

"Steve, I said I mean it. I do."

"You'll marry me?"

"I will."

"Swear on it."

You hold out your right pinkie out, waiting. Steve hooks his finger over yours. Impulsively, you kiss your linked pinkies. To show that you really, truly mean it.

You try to picture it. What walking down the aisle to meet Steve at the altar would feel like. You wonder if he'd keep his hair long, like it is now. You like it long. Would he keep it long for you?

"Will you buy me a ring?" you ask. "If we get married, I mean."

"Of course I'd buy you a ring," Steve says. "I'd get you anything you wanted."

"Okay." Your heart hammers in your chest. "I'm gonna go home."

"Alright. Want me to pull up to the door?"

"No, it's fine. Walking is good for digestion. Those milkshakes were no joke."

Steve smiles. He has such a lovely smile. His Cupid's bow is shaped exactly like a heart.

"Same time tomorrow? It's movie night."

Right. Your movie night. A semi-regular occasion that includes you, Steve, Robin, and the kids, sometimes. You've watched at least a dozen movies this summer together. Only this time, you're watching a movie after promising to marry Steve.

"Sounds good," you say. "Will you pick me up?"

"Always."

Another promise. You hadn't realized how many Steve makes to you.

"'Kay. See you."

You get out. Steve waves as he pulls away from the curb.

Your ring finger feels bare. You rub it, hoping the feeling will go away.

ii. the wound

The plastic chair has turned your legs numb. Your butt is about to follow.

Can butts go numb? You're not sure. You'll find out soon, though.

You rub your eyes. God, you need sleep.

Across the room, you catch Joyce Byers' gaze. She smiles at you, though it's brittle. You try to smile back, feeling distinctly like you might break if you stretch your mouth too far.

She looks away, and your not-smile falls.

"They'll let us in soon," she says, like she knows. She does know. Better than you, certainly.

The hospital smells cold. It smells like a place people go to die.

Your heartbeat ratchets. You shouldn't think like that.

"You don't understand," comes Dustin's voice. He's at the receptionist's desk, flanked by Mike and Lucas. Dustin's face is red and blotchy, near tears.

"I need to see him. You won't let me see Eddie, so—"

The receptionist rears back, like she can't believe three children are daring to speak to her.

"Neither patient is cleared for visitors," she says icily. "Now, for the last time: have a seat."

Out of the corner of your eye, you see Joyce begin to stand, ready to herd the kids away. You beat her to it. Out of everyone in this room, you're probably the only person who has the strength to stand.

"Guys, c'mon. It won't be long."

They don't look at you. You don't take it personally. An hour earlier, you'd cornered Dustin and forced him to tell you what happened. What's been happening.

So he did. And now you're here.

You don't blame them for glaring at the prickly receptionist. But you know that won't do anything. It won't heal Steve quicker. And it won't make anybody feel better.

"Hey, Dustin." You lay a hand on his shoulder. He looks at you like you're not Steve. You wish it was you in surgery instead.

"Come sit," you say.

"I need to see him," he tells you.

"I know." Your throat tightens, threatening to trap your words altogether. You rush to get the rest out. "I do too. But this isn't going to make that happen faster. Come sit with me. Okay?"

"He'll be fine," Mike says quietly. "They don't wanna get sued by his asshole dad."

You nod, because yeah, good point. Quite possibly the first time Richard Harrington has brought anybody comfort. He's in Cancun, last you'd heard. You hope he chokes on a margarita.

Dustin follows you. Mike and Lucas sit next to Joyce. The five of you wait.

At some point, you fall asleep. When you wake up, it's to the contentious receptionist peering over you all.

"Mr. Harrington is awake," she says primly. "You may see him now, young man."

Dustin flies out of the chair, Lucas and Mike at his heels.

A part of you wants to go home, and you feel terrible for it. You feel terrible that Steve almost died, but you're the frightened one. You don't know if you can bear to see him tied to tubes and a heart monitor.

"Go on."

Joyce tracks you sleepily. Her hair is more knotted than before you fell asleep. She nods to the hallway.

"Go see him."

You can’t voice every thought, every fear. I don’t know if I can see him like this.

“It’s good he won’t wake up alone,” she says.

“He’s got a family.” You wave your hand weakly.

Joyce watches you for a moment. Then she gets up.

"Yes, he does."

She holds out her hand.

You don’t know Joyce Byers very well. This is probably the longest conversation you’ve had with her. You realize, then, that you're wrong—you’re not the one who’s strong enough to stand.

“Let’s go see him,” she says. "All of his loved ones should be there."

God, are you really that obvious?

You take her hand, and the two of you go down the hall.

Steve is nearly unrecognizable in the hospital bed. The kids are speaking to him, unusually quiet. They look up when you enter.

Steve’s eyes lock with yours.

“Hey,” is all you say.

“Hi,” he says, voice rough with disuse and getting choked by what Dustin had described as demon bats.

“Boys, come on,” Joyce calls. “Let’s make a cafeteria stop.”

You see Dustin about to protest, but Lucas tugs his arm like he knows, and goddamn, you really are that obvious, aren’t you?

You wait for the door to close behind you. Then you walk to Steve’s side.

The gnarled ring of flesh around his neck makes you queasy. The rest of him isn’t much better, red and purple smeared across any skin that’s not covered by the chalky hospital gown.

You sit in the chair. It’s the same plastic kind as the ones in the waiting room, but this one doesn’t feel so hard.

“Robin called me,” you say.

Steve closes his eyes. “I’m sorry.”

“Yeah, you’d better be.” Your voice cracks. “Can’t believe you went dimension-surfing without me.”

“You’re mad at me.”

Your breath is punched out of you.

“No,” you say softly. “My God, Steve. I’m not mad at you.”

His hand creeps to the edge of the bed. His fingers are scraped.

You take his hand and lace your fingers together. He slow-blinks. He’ll probably fall asleep in the next half hour.

“It’s okay if you are,” he whispers. “Mad, I mean. I’d be mad too.”

You know he wouldn’t be, though. You know Steve would forgive you in a heartbeat.

“I’m not mad,” you say, equally as quiet. “I just… I was scared."

He nods. "I'm sorry for scaring you."

You bow your head and close your eyes. When Robin had called, you'd run to the bathroom and coughed up stomach acid.

They say he’ll make it, she'd told you, and you'd realized with violent clarity that you love him.

But Steve doesn't need that right now. So you bury it.

You lean in and bring Steve's knuckles to your lips, taking care not to jostle him.

His eyes widen. Part of you hopes he won’t remember this conversation.

"Don't do that again," you say. “Not without me.”

"Okay,” he whispers. “I won't."

You wait until he falls asleep, hand in his.

iii. the brand

“There’s no way I’m getting in your death van, Munson!” Robin whines.

“Death van is an exaggeration, Buckley. If anything, it’s a life van. I’m still here, aren’t I?” Eddie asks.

“Definitely not because of that heap of metal,” Steve murmurs to you. You snicker.

It’s nearly dark, but a summer dark, where it doesn’t actually turn to night until well after nine PM. The top two buttons of Steve’s dress shirt are undone, and you can’t stop staring. It’s embarrassing, really. You’d nearly missed Eddie’s walk across the stage because of that damned triangle of tanned skin and dark chest hair.

“Why can’t we take the station wagon?” Robin asks.

“I think Nancy already left,” you say. “Sorry, Rob.”

“And I’ve put my car jacking days behind me,” Eddie announces, flinging his arms out. “So my van it shall be!”

Robin whips her head around to glare at Steve.

“This is your fault,” she accuses scathingly.

“Me?!”

“You just had to go and get a flat tire yesterday.”

“Yeah, Steve,” you add cheekily. “Why couldn’t you have foreseen the dreaded timeline where Eddie drives?”

“Et tu?” Eddie asks. “I’m hurt. I’m a great driver, y’know. Better than Steve, some have told me.”

“Dustin only told you that ‘cause you were high on morphine and about to burst into tears,” Robin says.

As they bicker, Steve draws closer, so your arms brush. You close the distance, crowding him.

“Y’okay?” he asks quietly.

“Yes,” you say, startled. “Why wouldn’t I be?”

“Just checking.”

“Are you okay?”

He turns to you. He looks like he’s searching for something. You don’t know what.

“Yeah,” Steve says after a minute. “I am. Better than, actually.”

“‘Cause I’m here, right?” you ask with a gooey grin.

“Yeah. ‘Cause you’re here.”

He sounds honest, so you turn away, because you can’t handle that and his chest hair.

"I should get to choose where we go," Robin says as you arrive at Eddie's van. "Since it may be our last trip and all."

"Funny you were in Band and not president of the drama club, Buckley," Eddie says dryly.

"Pot, kettle."

"How 'bout Rita's?" you suggest. "Unlimited refills and no one will hassle Eddie."

"Aw, you care about little ol' me?" Eddie asks.

"If you get us there in one piece, yes."

Eddie huffs. "No wonder you and the Hair are like this." He crosses his fingers.

"Damn right," Steve says. "We even finish each other's—"

"Terribly cliche sayings!" you say.

Robin looks at you for a moment, unusually smirky. Then she looks at Steve.

"You match. Blue dress, blue tie."

"That's so if she gets lost, they know who to return her to," Steve says.

You scoff. "More like the other way around."

He pouts. "Hey."

"Hay is for horses," you sing, skipping ahead to Eddie's van.

"I'm sorry, are you excited to ride in the Hell Van?" Robin asks.

You shrug. "We could use some excitement around here, couldn't we?"

"No!" all three say.

"I've had enough excitement for ten lifetimes," Robin mutters.

Eddie pulls the door open. Your smile quickly drops.

"Uh, Eddie? Where the fuck are the seats?"

"Right, so, usually I only have Gareth and Jeff ride with me. Gareth always calls shotgun—"

"Shotgun!" Robin hollers, and races to the front seat.

You stare at the single backseat chair. There's no way it's big enough for you and Steve.

"Holy shit," Steve says, taking stock of the "backseat."

Eddie rubs the back of his neck. "Yeah… listen, if I'd known we'd be taking her, I would've put the other seat in, swear! Usually we take it out for the equipment."

"Well, what are we supposed to do? Lay down and pray? This is how people get head injuries, Eddie," you say, arms folded.

"Maybe we can call a cab," Steve suggests.

"At this hour?" You shake your head. "No way. This isn't Indianapolis."

"Oh my God." Robin groans. "The solution is so obvious. Sit on Steve's lap. Boom. Now come on, I'm starving."

You tense. Steve is tactile, sure, and you've become acclimated to that over the years.

But this? This is way, way beyond that.

"Uh…" Steve glances at you. "Do you… I mean, if you don't mind?"

You glance at Eddie, who's got the tiniest smirk. You glower and he clears his throat, hiding his mouth behind a lock of hair.

"I don't mind," you say, more confident than you feel. "It's a short drive."

Eddie nods. "Definitely. I'll step on it."

"Please don't step on it," Robin calls. "We're already chancing fate by letting you drive in the first place."

Eddie huffs, walking to the driver's side. "Y'know, Buckley, you are just…"

You look at Steve. He smiles at you, sweet as always.

"This isn't gonna aggravate any injuries, right?" you ask. "Me… sitting on you?"

You wince at the wording.

"No, should be fine. My PT gave me the all clear a month ago."

You nod tightly. "Right. Okay. You go first."

Steve climbs in, planting his feet on the floor. You go next, stooping in front of him. You catch each other's gaze for a moment. Then you laugh, suddenly trying to look anywhere but at Steve.

"Right, so I'll just…"

You slide onto Steve's lap, trying to hold some of your weight so you won't crush him. He splays an easy hand over your belly and leans over to pull the van door shut. Your heart thunders in your chest.

"You can sit back, y'know," he says, breath tickling your ear. "’M not made of glass."

"Didn't want your legs to go numb," you joke weakly.

Steve makes an unhappy noise and tugs you back so you're fully seated on him. You angle yourself so you can look at him. Steve looks up at you, lightly tracing a pattern on your hip. Like you do this all the time.

"Hi," you say, too jittery to crack another joke.

Steve smiles gently. "Hey."

His tone is fond. You feel sick.

"Everybody good?" Eddie asks.

He adjusts the rear view mirror and you watch his eyebrows shoot up in the reflection.

"You two look cozy."

"Shut the fuck up, Munson," you mumble. "Just drive, already."

Eddie giggles like a gremlin in reply and turns the ignition.

It’s not bad, at first. Eddie takes it easy driving through Hawkins. Part of it is because he doesn’t want to attract attention. The other part is that Hopper promised Eddie a night in jail if he caught him running the stop signs again.

You personally think it’s a bluff. Robin does not; she’s enthusiastically annoying about road safety, and points out every single sign and red light. This causes Eddie to start slamming the breaks in retaliation.

“Holy fuck!” you yelp when Eddie hits the breaks particularly hard. “Eddie!”

Steve is quick to tug you backwards, considering you’re not belted. You scramble to grab his shoulders and twist to look at him.

“Thanks,” you say breathlessly.

He smiles, then leans away, glaring at the front.

“Really, Munson?”

“She started it!” Eddie insists. “Blame your BFF!”

“Can you drive like someone who doesn’t have a death wish?” Robin shoots back.

Steve’s hands are now on the small of your back and on your hip, respectively. Your legs hang over the side of the carseat, butt nestled quite firmly on his thighs.

God, you’re never living this down.

“Y’okay?”

Steve’s breath in your ear makes you squirm. You turn to look at him.

“Fine,” you murmur. “I’m not crushing you, am I?”

“No,” he says. “Don’t worry.”

Eddie breaks again, harder than before. You slip.

Steve reacts instantly, his hand grabbing the meat of your thigh. Your dress rides up, so it’s skin on skin.

The momentum is worse, however, because you jerk back. Right into Steve’s face.

Your nose mashes into his, which isn’t great. But then, your lips smush against his cheek. When you pull back, there’s a smeared lipstick print.

Maybe you’re the one with a death wish.

Robin is screeching incoherently but you can't focus on anything but the smudge of pink on Steve's cheek. Your chest feels tight.

He looks like he's yours.

"Yeah, we're fine, " Steve says, voice close enough to startle you back into the conversation.

He looks up at you. Your hand lands on the lipstick, like if you cover it, it'll go away. Steve tilts his head, mouth open in a question.

"Sorry," you rush out before he can speak. "I got some of my, uh, lipstick on you."

He relaxes.

"Oh. Thought I was bleeding or something," he says with a slight laugh. "'S okay, I can wipe it off when we get there."

"Uh-huh."

You drop your hand. You can't stop staring. Stop staring.

The print isn't exactly in the shape of your lips, but it's close. You can see the divots and where your lips parted. If someone were to see you two, they'd assume a lot of things you're not.

Steve's collar is wrinkled from the van ride from Hell. His neck is flushed. You wonder how your lipstick would look there.

Eddie presses the brake, softer this time. Steve's fingers dig into the meat of your thigh anyway. More marks.

"Alright, relax, gang," Eddie says. "We're almost there."

You touch Steve's cheek again and hope he'll forget to wash you off of his face.

iv. the secret

It's raining. You're in Steve's bed.

Thunder shakes the sky. You curl further into your—Steve’s—pillow. It smells like his soap and detergent.

You used to like the rain. Not so much these days. Rain makes you think of blood on asphalt and being alone at twenty-four. Rain silences you.

"Do you think he'll come back?"

You've never dared to ask anyone. Not even Joyce. She'd know. She wouldn't tell you the truth, though.

Nancy Wheeler probably could. She'd face you with that steel brow of hers and give it to you straight.

Yes. The monster's back. You're not getting married.

You slip your hand into Steve’s. He squeezes your fingers. Outside, the rain roars.

"I don't know," Steve says into the darkness.

You can't see him like this. It makes you mildly claustrophobic. Maybe you should turn on the hall light.

"Hopper said he was dead. So did that other guy—uh, Murray. And like, Eddie's okay. And Max. El would tell us if she sensed something. It's not like he could come back without making a sound. I mean, from what she told me, she basically, like, unraveled him from the inside out. Which is pretty gross, but also a good way to keep someone dead."

He's rambling. He's rambling to distract you.

God, what the fuck are you going to do when you're twenty-four and unmarried and Steve's forgotten all about you?

"I don't want anyone to die," you whisper.

Steve squeezes your hand harder.

"No one's gonna die."

You shift closer. You can barely make out Steve's silhouette. The ends of his hair tickle your knuckles.

"Hey," he says, and you try to find his eyes, but you can't. "Nothing's gonna happen, okay?"

"Yeah," you say, even though something did happen, something that almost took him away from you, and you don't know if you can handle that again.

"You can stay here as long as you want," he says.

"I can go back to my room."

Steve threads his fingers with yours. You can't see his eyes but it's okay.

"Don't," he says.

"Okay."

You scoot forward, closing another few inches between you two. Now, you feel Steve's breath on your face. He smells like minty toothpaste. He is alive.

The rain batters against the windows. You could kiss him. You could kiss him right now, and no one would know except for you and him.

His breath has begun to even out. You lean in blindly. Your lips land on his hair.

It's hardly a kiss. It’ll be your secret anyway.

+ and, finally, the first.

"Dustin wanted chocolate milk," you say, not looking up from the tub of yogurt you're searching the date for.

"Yeah," Steve says, parking the cart to the side. "Kid's addicted."

He opens the giant fridge door and a burst of cold air nips at your arm. You shy away.

"Six dollars? Jesus, does it come from gold cows?"

You snort, finally putting the yogurt in the cart. You stay at Steve’s house more often than not these days, so there’s no point in getting a separate cart.

"What?" Steve asks, looking at you.

"You're funny, that's what."

"I am?"

"You sound like somebody's grandpa."

"I do not!"

"Do too," you say sweetly.

"Do not."

"Do too infinity."

Steve rolls his eyes.

"Yeah, whatever. I'm a grandpa 'cause I don't wanna spend a leg and an arm on chocolate milk for the little shit? So be it."

"Steve," you begin, eyebrows drawing together. "It's his birthday. Have a heart, old man."

"Oh, good grief," he mumbles, but he takes the carton and puts it into the cart.

You smile. Steve shakes his head.

"This is why I don't go shopping with you. You're an enabler."

"I am," you say happily, walking alongside him as he pushes the cart.

"And you don't push the cart."

You tut. "Pretty girls don't push shopping carts, Steven."

"Oh, they just find some poor sap to push it for them, huh?"

"I'm so glad you're on board," you say, skipping ahead to the chip aisle.

You look through the shelves and land on two types of Doritos. Cool Ranch and Original. It’s a tough decision.

“Steve, what do you think?” You hold up the bags. “Which do they like better?”

“Ranch. According to Mike, liking the original flavors of snacks is lame.”

You snicker and take three bags of the Cool Ranch. Steve pushes the cart to you.

“I feel like we’re shopping for our kid,” you say. “We’re the awesome house everybody wants to visit because we have the best snacks and the biggest pool.”

You look up when Steve doesn’t reply. He stares at you, expression unreadable. Your smile dims.

“What?” you ask.

Steve shakes his head.

“Nothing,” he says quietly. “It’s nothing.”

“Steve, seriously. What is it?”

He shakes his head again.

“Nothing, really. Just zoned out for a second.”

He continues to push the cart down the aisle. You watch him for a moment, then follow. The two of you quickly check off the remaining items on Steve’s list (yes, his actual, physical grocery list), and then you check out.

The cashier smiles at you both in line. She’s an older woman, with the typical poofy blowout nearly every woman over fifty gets at Brenda’s Salon in downtown Hawkins. You busily put the items on the conveyor belt while Steve takes out his wallet and makes conversation with the cashier. It’s a good routine you two have established.

When the cashier’s done, you squeeze past the cart and grab half of the bags. Steve takes the receipt and the rest of the bags.

“You two are very sweet together,” the cashier says, her round cheeks blush-red like apples. “Have a wonderful day.”

“You too, ma’am,” Steve replies, and heads to the exit.

You’re frozen for a moment, startled until Steve calls your name. You heft the bags in your arms and hurry after him.

Steve stops and takes two of your bags before crossing the parking lot.

“Steve,” you say, and huff. “I can carry them.”

“Pretty girls don’t push carts or carry bags. It’s the rule, remember?”

You watch, unimpressed, as Steve then proceeds to try and get his car keys with an armful of grocery bags. When he almost drops a bag for the third time, you sigh and take pity.

“Which pocket?” you ask, snaking your arm around.

“Back left,” he says, smiling sheepishly.

You roll your eyes, feeling disgustingly fond. You shove your hand down Steve’s back jean pocket. He wiggles his eyebrows at you.

“Take me out to dinner at least,” he says.

“Pretty boys don’t get taken to dinner until the pretty girl has been asked out properly,” you shoot back.

Steve smiles, but the joke doesn’t land like it usually does. You step away as soon as you get the keys, clearing your throat.

“Well, I hope you’ve learned your lesson about carrying all the bags, Popeye.”

You open the trunk for him, then go to open the passenger side door.

“If I don’t carry all the bags, how else am I meant to show off to the ladies?”

You pull the handle on the driver’s side for Steve and he gets in, beaming cheekily at you.

“The only person who’s watching you make a fool of yourself is me, big guy,” you say. “So, mission failed.”

You open the glove compartment and start fishing through for gum. You find a Juicy Fruit packet but it’s empty.

“Damn, that’s what we forgot,” you say, defeatedly crumpling the cardboard. “Gum.”

You start to turn to Steve. “Do you think we—”

You’ve wondered, probably more than you should, about how Steve Harrington kisses.

Now you know: tenderly.

He cups both sides of your face, and you have to brace yourself on the center console for balance. Your other hand tangles in his hair. It’s as soft as you imagined, free of product, and you scrunch the baby hairs at the base of his scalp. Steve makes a quiet noise.

You kiss until you need air. Even then, Steve doesn’t let you go far. You part with only an inch or two between you.

“There’s gum in the middle compartment,” is the first thing he says.

“Huh?”

“In here.” He pats the compartment between the seats. “Hubba Bubba. I got it last week.”

You giggle and grab Steve’s face with both hands. His hands slip to your arms and he squeezes, smiling gently.

“What?” he asks.

“Fuck, I’m glad I know you,” you say.

Steve kisses you again. Two. Steve Harrington has officially kissed you two times.

You hope you’ll lose track at some point.

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