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#but we all have to start somewhere
kimtaegis · 1 year
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L♡VER studies
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dryad-trifles · 2 years
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i bought a knitting kit today and I can’t wait to try it out and make the worst fucking scarf anyone has ever seen
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avalencias · 3 months
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red moon rising….
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thevirgodoll · 11 months
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to all of my dolls finding themselves:
originality is the "aesthetic" you are looking for. individuality is the "it factor" you are looking for. from your personality, pieces, hair, cadence of voice...even down to your favorite foods or special interests. you aren't supposed to change every aspect about yourself to be more palatable for everyone you meet. that actually makes you BORING!!!
"but so and so is doing this" "but what if people don't like it" ... so??? don't take people disliking your aesthetic as a sign that you need to do something different. like, of course they don't like it or have second thoughts - it's because THEY wouldn't do it themselves because it wouldn't go with THEIR given aesthetic. HELLOO??????
unless they are like minded, stop asking other people to weigh in on the things you CLEARLY like about yourself. especially if it's a core personality trait or interest. your LIFE isn't a group project. your LIFE is not a co-op game.
and yes... people will try to force you to assimilate and follow the crowd by speaking misfortune on your rebrand, your expression, your hobbies, your chosen path out of jealousy. however, that jealousy is lowkey unspoken respect for the fact you have the candor to go against homogeneity.
your authentic dedication to everything that makes you YOU is what will bring you the illustrious life you so fervently seek in the end...not some book a celebrity wrote or a youtube video. it's in YOUR DNA to be a star already in anything you want to do.
there isn't one tutorial on this world wide web that will help you if you don't realize you have the components within you first. there is NOTHING wrong with you!!! you are EVERYTHING that is right already!!!
NEVER conform to the way they think you should shine.
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nevertheless-moving · 4 months
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unable to stop dwelling on the discworld trouser leg of time where, in the penultimate fight scene in Nightwatch, Carcer manages to kill teenage Sam Vimes.
Which means that the future that Duke Vimes came from can no longer exist, which means he can’t go home. Meanwhile you’ve got a bunch of history monks with stored up temporal energy, a prepared space outside of time, and the need to do some desperate damage control before the Auditors get involved. Death shows up, reality is unweaving, Sam is reading Carcer his discworld miranda rights because what else is he supposed to do.
and finally, with little other option, the monks de-age Sam so he fits the time period and send him back out into the fray.
(they didn't call it deageing of course. His memory is hazy, splintered during that terrible in between moment, They....took the time out of him? Sanded away the edges of his self for a terrible, workable fit? It...wasn't a good feeling.)
Just—damn. Sam Vimes having to live his whole crapsack life over again, but this time as his disillusioned-reillusioned, unwillingly-character-developed, noir-epic, Duke of Ankh, Commander Sir Samuel Vimes self. 
Younger (Older? He's never felt so Old, His steps so Childlike, reality twisting in his gut like one of Dibbler's pies) Sam Vimes walking around in a haze after the revolution. Desperate to go home, knowing he can’t. Wanting to drink. Knowing he can’t.
The whole precinct feels pity, he really took Keel’s death hard, hardly speaks except to do his job. Eventually he has to grit his teeth and start being present, because what else is there to do?
Resists the urge to drink until Colon takes the whole watch out to celebrate because -he’s going to be a father!
Come on Sammy, one drink won’t kill you— and after the first drink he’s cracking jokes and after the second hes smiling and after the third hes honestly the life of the party and sometime after that he’s crying about how he was going to be a father and my wife would be ashamed if she saw me drinking like this and— 
Oh shit, Did anyone else know he had a wife?? A PREGNANT wife??? What—aren’t you like 12—no you're 17 now aren't you but when did—
You guys n’ver met ’er—oh gods none if you ev’n know ‘er, is jus’ me...
What—when did you lose—
I lost her the same damn day I los’ ev’rythin else, whadya think...bleeding Carcer...the fuckin revolution...
So! That! Sam only vaguely remembers the night, but rumors travel faster than light on the disc, so by the next day the whole damn city knows about poor Sam brung low by the loss of his poor, tragic, pregnant wife, so young to be a widower, and the Seamstresses nod because they already knew, don’t ask them how, somethings you just have to know in that trade.
And his mother—I don’t know, sue me, I’m a time travel fiend but there’s something deeply intriguing about a man meeting his dead parent, who is somewhat younger than him, and stepping into the old relationship like a badly fitting thing that's supposed to fit well. She would know, right? How would she deal with her son’s impossible grief? Maybe she wouldn’t know—he spent most of the time out of the house, running with different street gangs, maybe he avoids her until she dies and lives with the guilt twice over. God, we don’t even know her name. There’s just so much narrative and emotional potential that I don’t even know where to start.
When he’s on duty, which is most time - it’s agonizing because at first he remembers cases, saves lives that would have been lost. But the more time passes, the hazier his memory because in the original timeline he was becoming an alcoholic. Fuck! A kid dies and he could have saved her if he hadn’t been such a drunk, if he had just remembered where the asshole lived, but it’s all a haze, and he wants to drown out his guilt, but that’s what caused this in the first place.
Good young Sammy, who spends his rare off-time in dusty libraries (and yes, the irony that he’s apparently Carrot now is not lost on him) reading gods-only-know.
It’s not like he can ask the wizards for help, cutthroat and vicious as they are now in the not-so-distant-past.
Good young Sam, who...talks to the Broken Drum’s pet Bouncer like he’s a real person and not a dumb rock? That’s a bit weird, but he’s a bit of a funny guy.
Good old Sam, who believed the testimony of the dwarf who said the humans were trying to rob him and let the dwarf go??
the PROBLEMS this man would cause, good grief. Can you imagine a moderately progressive middle aged man with some degree of begrudging diversity and equity training that he did, for all his sins, pay attention to, suddenly going back to like, 1990, going back just 30 years, and going...oh damn this is kind of fucked up, no man you can’t say that, holy shit.
Except Sam’s lived through even more rapidly shifting social moroes! There’s no seamstress guild, there’s no women allowed inside the university, there’s no black ribboner’s society. People hunted trolls for their teeth! But Sam can’t just unlearn everything, and he can’t shut up, and he has no real luck and anyway he would absolutely get himself (temporarily) fired.
FUCK. Sam has no idea what to do with that. None. Zero clue. Wanders around in a haze until that dwarf he saved from police brutality finds him and insists on repaying the debt. No, he insists, do you have any idea what debt means to a dwarf?
“Sort-of?” he replies hesitantly, and that honest admission of incomplete knowledge shows a hell of a lot more respect and understanding than any self proclaimed dwarf-expert ever did.
Gets a job as a surface man, hauling rocks into the city. It’s backbreaking work, but, in true Discworld fashion, it’s also one hell of a workout (again the irony of being Carrot is not lost him. he freezes for a minute while hauling a rock cart, when he remembers he's technically Lost Nobility too, in a strict sense, but someone curses at him in the street and he's comfortingly grounded)
And here is where this au slides into a SPECTACULAR romantic comedy, BEAR WITH ME. Because in his time on the Watch he’s already done noir, action adventure, war story, detective who dunnit, psychological horror, but guards guards only allowed him to be a romance protagonist in an extremely limited context.
Give me righteous, twenty-something-looking, can’t-say-he-doesn’t-have-style, young Sam Vimes, not an alcoholic,  being fed three square meals a day by his dwarven forced found family, hauling rocks. He is startled to find him bumping his head on a low hanging bar that he doesn’t think used to be there, eventually realizing that he’s an inch or two taller than he remembers. Huh. Guess all that bearhuggers really did stunt his growth.
Still doesn’t get what some of the looks from women he’s getting are about, sure, he’s dirty but so is everyone else. Fine, he took his shirt off, but it’s hot out, there’s far wrinklier than him hauling heavy loads, get a life. 
Happens to glance in the Ankh one day when it’s particularly slow and shiny and is startled to realize that he might be turning heads for a different reason. Oh. Right, not that he was ever a heartbreaker, but he did alright for himself... when he was a younger and his face hadn’t been broken so many times. Which...it isn't now.
Is mildly disturbed by the revelation.
Especially once things blow over at the precinct and what with high mortality rates, he ends up with getting hired again. The boys are delighted to have him back, nevermind that he’s an odd one, noone is ever quite in your corner like Vimsey, absence makes the heart fonder, no one else works that hard, and he’s not even competition for promotion. All around great guy, we should set him up with somebody and just, no.
It just keeps getting worse! He’s literate! He’s a feminist! He believes abuse victims! He’s got a tragic backstory! He’s unreasonably good in a fistfight! He’s kind to animals! Word gets around that there’s a good man on the watch and he’s just waiting for a good woman to come snap him up. The widower excuse doesn’t hold people off completely, and for some it’s its own sort-of appeal. 
Things REALLY become stressful after he rescues that carriage full of noblewoman.
What’s he supposed to do? Let them get robbed? Or worse? Chasing down and beating up 10 goons is as easy as beating up one, when they’re that stupid, getting separated like that, drunk and distracted, and he knows these streets better than anyone, really it’s nothing. And oh lord he’s Modest too.
I mean, they were genuinely greatful, as genuine as people like that are capable of being, the skill having grown rusty. And then there is something...magnetic about the man. An air of command.
So, soon enough you get Lady Marigold of Marigrave calling on Treckle Road for that gallant young officer who rescued them, she really needs to thank him. And Viscountess Elanor Thitzferal specifically requesting that he guard her at her next soiree. And Baroness Julieta van Shoeholten insisting that he come to her home while her husband’s away, for... manly protection.
Aaaah just zero sympathy from the guys. None. 'It’s become a competition, they’re just trying to see who can get me into bed first, it’s like I’m a piece of meat, you can’t send me sir, the Marquess greeted me in a nightee last time you made me go to—' and 'small gods Vimes are you even listening to yourself, shut the hell up'.
Simultaneous to this, (again this is several years into the timeline) swamp dragon accessories come into style. Which means abandoned swamp dragons scrounging on the street. Vimes takes one back to his apartment, blows his paycheck on dragon medicine, and eventually, heart in his chest, brings it to the Ramkin estate. The sunshine orphanage doesn’t even exist yet and he’s just standing outside the gates like an idiot, what is he thinking. Turns around, but her carriage is pulling up and—
well. they meet. it's cute. he's never felt so young. he's never felt so old, too old for her, too poor—
and certainly her thoughts linger too long on the awkward, kindly, handsome young commoner, but is it any wonder she doesn't quite connect it to the stern, dangerous, sexy young guard the ladies seem to be in some quiet, cuthroat competition over?
i have this gorgeous, absurd scene in my head in which Vimes is strong armed into standing guard at some high society soiree and one of the pushiest ladies insists he dance with here, or, if he prefers, if he's not confident about his skills, he can dance with her in-private at her home and he’s like [grinding teeth, looking for a way out, seeinf one] “I would be honored to dance with you.”
Steps right into some ultra-complex dance with multiple partner swaps (she never thought he'd pick this one, devilishly intimidating to one not strictly trained, and you barely spend anytime with your first partner).
But he does alright. Better than alright, for a common man, sometimes misstepping but his hands and feet always end up where they need to be. Raises several eyebrows part way into the song because he's throuwing in some slightly scandalous, no innovative, extra lifts and twirls that wouldn't become fashionable for another decade or two. Who even is that guy? Some out of towner? No, no he's in a guards uniform...how very strange.
Gets to Sybll and she's used to embarrassment during these dances, she tries to get out of them when she can... but can't always. Men awkwardly skipping the lifts, or worse, trying and failing. But him — oh it's him, the one who helped little Erold, and looked at her like—like—well like she was someone beautiful. And he's doing it again, and he's strong and there's a quiet moment where she's in the air, they lock eyes, and the rest of the room melts away.
And then the partners change again, the moment ended.
Just...living throught it all again. To the left, a dance he almost knows the steps to, throwing others off balance with erratic moves , honest mistakes, and delibrate stepping on toes. Improvising. Ruining. Improving. Getting far, far too much attention.
Hes almost excited when the first assassains start coming after him. It's like a hobby.
Everyone tells him he should get a hobby.
Interactions with young vetinari...I don't have the energy to write it all down, the slow circling in on each other, both burning with the need to fix the city, save it, their city.
needless to say he ends up fired again, life under real threat after offending some high lord.
Conveniently enough he has an employment opportunity- bodyguard to fucking Vetinari on his 'grand sneer.' The bastard knows vimes isn't what he seems, though sam is pretty sure that he doesnt know the exacts.
Vetinari hypothesis:(the ghost of keel? Keels son, with some hereditary curse? Or a larger spirit of justice possessing a string of unrelated souls? He knows things he shouldn't- mind reader? Fortune teller? Havelock once arranged for a wizard to bump into him on the street, the magical fool gave an odd double look and then muttered something about destiny looping in on itself giving him a headache. Destiny? Lost noble? And hes far too familiar with sybyl, one of the few bearable noblewomen in this city. And his thoughts on guilds, when havelock can trip him into speaking... Most of all, if hes reading him at all correctly (for all the mystery hes not that hard to read, unless thats a very clever cover) then it seems that behind those dark haunted eyes is Respect. Loyalty. For vetinari. What an interesting man. A puzzling asset. An intriguing threat. )
Did I mention the timeline is changing, healing slowly around the place where it was torn? Healing enough around scars to perhaps get some flexibility back, with some painful stretches and...massaging of said scar tissue?
And hes heading to unresting uberwald, a place where a werewolf pack still hunts humans and, truely unrelated but perhaps equally exhausting, an eldritch spirit of vengeance just might be looking to stretch its legs in a hapless vessel?
Opening drabble Vimes Vetinari Meta (Unwell) Scene from the Uberwald Grand Sneer
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exy-shmexy · 1 year
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Some more wholesome Twinyards for you
Aaron is alone at the library in the (very) late evening studying for an upcoming biochemistry exam. It's a random Tuesday. Aaron is startled by Andrew quietly dropping down on the chair in front of him. He blinks, wondering what the hell his chronically-allergic-to-libraries twin is doing here.
Andrew silently reaches into his backpack—an old discolored black thing Nicky got him when they started high school—and gets his own books out of it as if it were the most normal thing. He pushes Aaron's laptop slightly to the side with a corner of his textbook.
Aaron is too stunned to say anything.
He just watches Andrew splay an array of annotated papers in front of him, settling into his own homework session.
"What are you doing?" Aaron finally manages to ask after a long stretch of silence.
Andrew lifts his head, usual boredom plastered on his face. "Studying."
"You never come here."
Andrew shrugs. Aaron knows it's the end of the conversation because Andrew lowers his head and begins scribbling more notes down as he goes through his set of mandatory readings. Aaron stares, frowning. He tries to get back to his own biochemistry notes, but his brain has decided to stop working.
Andrew should be with Kevin and Neil for their usual evening practice session.
But then it hits him.
"You were listening?" he asks. Andrew looks up again, one eyebrow raised. "The other night, when I was talking with Matt," Aaron continues. "I told him Katelyn would be away for the week with the other cheerleaders. You heard us?"
Andrew sighs in what Aaron is now certain is feigned annoyance. "You don't like studying on your own, you can't focus if there isn't someone else with you."
Aaron blinks. "So you came here to... keep me company?"
"Neil and Kevin are being intolerable Exy junkies together. Nicky is out with Matt and Dan. Renee is... busy with Allison. Unless you made some friends on the football team no one knows about, which is highly unlikely considering you punched one of them—"
"He deserved it."
"—then I don't think there was any other option. Don't overthink it. I just couldn't stand the stickball fanatics a minute longer." And with that Andrew dives back into his coursework.
Aaron is smiling so big it's actually embarrassing. He clears his throat, knowing perfectly well Andrew didn't mean the last part of his statement because he never does anything he doesn't want to do. Andrew is with him because he knows Aaron can't stay focused ifhe doesn't have someone to study with. Usually it's Katelyn, but Katelyn isn't there.
Andrew is.
Aaron goes back to his intercellular communication notes. He loses track of time, and quickly forgets how long they stay in the library together. Once Aaron declares he's done for the night (having noticed Andrew had been done for a whole half hour and was busy getting ahead of his notes), he asks him if he wants to go to the sandwich place close by. His gift. Andrew accepts. They go together, and spend another hour together. They don't talk a lot, but the shared companionship is enough.
When the next Tuesday arrives and Andrew shows up again instead of Katelyn, Aaron is more than happy to clear up some space for his brother at the desk.
When he learns about this, Neil secretly tells Katelyn to give them one evening together away from everyone every week and she graciously accepts
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21stc3nturyd1gitalb0y · 5 months
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evolution of my misfits patches
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ruvviks · 9 days
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we would sell anything just to buy who we're not // we kill our way to heaven
taglist (opt in/out)
@shellibisshe, @florbelles, @ncytiri, @hibernationsuit, @stars-of-the-heart;
@lestatlioncunt, @katsigian, @radioactiveshitstorm, @estevnys, @adelaidedrubman;
@celticwoman, @rindemption, @carlosoliveiraa, @noirapocalypto, @dickytwister;
@killerspinal, @euryalex, @ri-a-rose, @velocitic, @thedeadthree
#tew#art#art:nathan#nuclearocs#nuclearart#ok so 1st of all: i'm sorry. no i'm not. yes i am. no#2nd of all: do not look at ruvik's scarring for too long i got lazy somewhere along the way#3rd of all: this piece takes place YEARS after the conclusion of both games. i have my own imaginary tew3 AND tew4. don't worry about it#4th of all: the way i see it is that eventually ruben's own appearance starts overwriting leslie's so he looks mostly like himself again#(just with hair and eyebrows and eyelashes. thanks leslie)#5th of all: yes i gave him a hearing aid the boy has survived a barn fire and part of his ear got burned away. it makes sense. to me#6th of all: yes i gave him pretty princess eyelashes and beautiful brown doe eyes and a nose bump. i will die on this hill#7th of all: when i designed nathan all those years back i did not even think about the color symbolism going on with his hair#which is now enhanced by the white patches in his eyebrow and eyelashes too. but yeah that's there now. much to think about!#and in this piece it's also in the clothing i gave them. didn't think about that either that just kinda happened. anyway#thank you for tuning in today i know i'm insane about these guys but like what can you do. sorry. bye#no wait hold on one more thing i made ruben taller than canon so he can hover over nathan like some victorian era skinny twinkish ghoul#not that nathan isn't a ghoul but. actually nathan is more ghoulish his base skin color is paler than ruben's. ok bye for real now#if you read all of that we will have a soft and bright late spring wedding with easily digestible food
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skeletalheartattack · 4 months
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#for context. a few weeks back i was playing on a fast respawn 2fort server#mostly because i just wanted to just. hang out somewhere without any real serious gameplay happening#that said. for the first few hours i was playing on there. was mostly playing gunslinger engineer and detonator pyro#and we had a good push up into their base but were stuck just at the entrance. with a heavy hold from the enemy team#but after a while. i just kinda got bored and wanted to just fuck about with the taunts and loadouts i had#first thing i did was play pyro and do the cheers taunt before getting on my bike and swerving a bunch as i drove#but i dont think anyone could tell thats what i was doing#so after a bit i just changed to scout. and started just riding my skateboard#(i also did the drinking and riding bit a few times but i eventually just ended up skateboarding around)#(one bit being me on the top of the bridge. doing the cheers taunt. getting on my board. and then skating off the bridge and killbinding)#so at some point. i kept getting stuck in place for some reason. like speficially on bumpy ground or... in the air#and the moment i got stuck in the air (for 30+ seconds mind you) i was just like ''my quantum board technique''#and from there. i just acted as if i was playing the newest Pro Skater game#saying stuff like ''i have to do manual ollie combo for 150000000 points''#or like ''i have to find grindrails on this level''#eventually found my way into the sewers and said something like ''IVE FOUND THE HALF PIPES''#before saying like ''man they really screwed up the physics since the last game''#a soldier on the other team was trying to find me the whole time saying ''wheres tony hawk''#specifically because he had a tony hawk avatar. and i only realized after he said something about it#anyway. after all that i skateboarded into a minisentry and died#and my last message was supposed to be ''my combo has ended'' but i ended up typing 'bombo'#and it made me laugh SO hard i couldnt backspace. and added on with ''my sweet bombo''#and then i left because i had nothing more to do there. my bombo had ended and i had to move on.
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boyfridged · 1 year
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Jason dreads the moment when Bruce starts talking. He’s probably trying to figure out the angle, sorting through his internal spreadsheets. They’re going to analyse the past year in as few words as possible, or discuss the treatment, to give Jason the illusion that he has any control over it. Or maybe they will get back to the topic of how Bruce simply cannot do what Jason wants him to; the judge, jury, and executioner lecture that Jason never really needed, because deep down he knows that his cries and requests were selfish. Childish, even. But the silence stretches. It starts feeling more like peace. “I love you,” Bruce says, and that’s not code for anything.
– semantics (read on ao3)
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friendlyeorzean · 6 months
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some earlier gposes from when I was still figuring shit out :D
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jyndor · 4 months
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spoilers for farha, which you all should watch but is very, very brutal even if it is not terribly graphic.
tw: infant murder, settler colonial violence. read with caution.
the scene where the one israeli genocider doesn't end up killing the infant is such a powerful scene for a number of reasons. but one aspect of it that sticks out to me is that when his commanding genocider tells him not to "waste a bullet" and he can't go through with curb stomping the fucking newborn to death, he ultimately condemns the baby to a crueler death - to starve to death, alone in the night, beside his family's bodies.
it is of course a crueler death, and I am sure the soldier is aware of what will become of that baby when he places the kerchief over his face and walks away. but this moment is not about the soldier being decent or kind at all, of course - if he was halfway decent he would die rather than kill that baby.
he doesn't care what will happen to that baby as long as he doesn't have to bear witness to it. to cover the baby's face is to cover his eyes to the cruelty of his and by extension israel's actions. it makes him uncomfortable to think of curb stomping a baby to death, but not of starving him. of leaving him alone and screaming.
he doesn't even consider for a second disobeying the order and shooting the baby, putting him out of his misery - as horrific as that would be.
because it isn't about the baby for him - it is about HIS comfort. he's comfortable with ethnic cleansing, he's comfortable with terrorizing a woman who has just given birth and her family, it is not at all about shame or horror or a tiny spot of decency in him. he's just not comfortable with having to step on a baby and kill him.
he is more comfortable with letting that baby starve out of sight than he is taking direct action against him.
this is the liberal zionist or frankly the liberal colonizer even beyond zionism - because it's all connected. as long as they do not have to be the ones to crush the infant to death under their boot, as long as they can shield their eyes from the brutality of their country, they'll take that option.
I think about israelis living so close to the gaza strip, living in relative security and having food and shelter and yes bomb shelters because THEY are citizens of a settler colonial state and people who are being colonized are going to resist the violence of occupation.
I think about how generally they are so removed and detached from the brutality of what israel does to palestinians, and how after oct 7th, many people who considered themselves liberal zionists went completely apeshit racist and genocidal, and this is according to actual peace activists in israel, actual anti-zionists in israel, actual leftists in israel. the ones who have refused to cover their eyes to the realities of the occupation and the genocide.
you see it on social media - people who consider themselves non-zionists or liberal zionists have been laughing at hateful genocidal zionist memes, and centering their own pain, and it reminds me of how liberals in the united states will do ANYTHING not to witness the horrors of us imperialism when it threatens their comfort.
this is not unique to zionists, this is a symptom of settler colonialism. I do believe that sometimes liberals can do better than that, but they often end up useless as allies to resistance, actual resistance, when it fucking matters the most.
so many liberal americans will continue to watch their favorite racist shows or buy disposable vapes or support joe biden, and they'll make all kinds of excuses about why they have to but the truth is this: they value their comfort more than they care about genocide.
I mean frankly even I do to some extent. I pay my taxes. I'm not gonna go to prison on tax evasion because I want to make a point about genocide. I wish I had the courage of my convictions to that level but I don't. I know that I would never go serve in the military even if it was conscription, I'd go to jail for that but that's never been a real concern for me here.
meanwhile, there are people who do not have the comfort to lose. in the film, farha does not have the privilege to choose comfort. she can close her eyes, she can look away, but she hears the baby cry and cry and cry until the baby passes away. she has no choice.
in choosing his own comfort, the soldier unknowingly condemns a child to witness trauma he can choose to ignore. now farha, a 14 year old girl, has to live with not being able to free herself from her sanctuary/prison to save the baby.
a 14 year old girl injures herself to save a baby, but a grown man covers a baby's face and lets it starve so he can live with himself. he still murdered that baby, but he'll tell himself that he didn't.
people often say they know what they'd have done if they'd lived during the holocaust or other atrocities. but honestly these same people don't do shit now. they cover their eyes.
if you're going to accept the deaths of innocent people, at least say that your comfort, your security, matters more to you than their lives.
because it clearly does.
anyway go watch farha on netflix.
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dexter-erotoph · 3 months
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dexter nation dont lose hope
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taviacoolcat · 11 months
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one of the best things about clive and jill's relationship is how open, honest, and vulnerable they are with each other from the very beginning of them being reunited again, specifically clive with jill.
i know clive, finding out he (probably) killed joshua, changes him from on revenge warpath to being ragged with guilt, but he really doesn't seem to hesitate to tell jill? when he's only just started to come to terms with it himself? i guess it could be argued that he probably felt obligated to tell her, and it is used to move the plot forward so they can travel to phoenix gate, but ultimately he wouldn't have talked it through with someone he didn't trust.
AND THEN when they get to rosaria and clive admits to jill that he was scared to go home. i love this scene because you can see where the conversation could've ended and then clive choosing to be completely honest with her about his feelings. and jill replying "i know." because she did know! she just wasn't sure if clive would admit it to her! but he does! ahhh!
then a little after is the barn scene, which honestly deserves its own post from a person more skilled with words than me because it's such a beautiful cutscene where they openingly share their guilt and trauma with one another.
all is to say i just think their relationship is so well done and lovely and they really make me insane
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kicktwine · 10 months
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the problem is I’m such a staunch believer in the slow buildup, the earnest enjoyment of meandering through terrible story decisions and weird nothing subplots to build up into a conclusion that explodes out from all that as fantastic storytelling and intrigue based on all that buildup, such that it makes it necessary to get through all that or you’re missing something essential, that I’m also a terrible person to talk to about what makes a story good. I can tell you plenty of what actually makes something tight and well-written and all that technical speak but how could anyone take my advice when I so so so love excruciatingly long unnecessarily complex fumbling and weird nonsense that spirals into, inexplicably, weird nonsense that makes you cry your lungs sore
#kipspeak#my point being everyone is too mean about post arr. sure f’lhammin did not have to be our problem but everything after that was like#meandering. Thinking. building. unnerving. they were cooking and i RESPECT their dubious food#i love homestuck and long audio dramas and dnd podcasts and indecipherable fancomics and lego ninjas and khux and im starting to love ffxiv#all incredibly long and made with passion and kinda weird and hard to get into#said with THE MOST affection in my heart#I could structure a kids show and I know how to write for tv but in my heart of hearts#I just want to write an impossibly long absurdity epic that is weird and a little bad and also makes you feel shrimp emotions#ALSO I feel 0% bad for not respecting ur theory or opinion if you haven’t played khux/dr/recoded I don’t feel bad about it at all I’m right#understand what’s going on in them and I’ll respect your theories. it’s like comics enjoyers but less chaotic#don’t let me get into comics. superheroes never really catch my interest but if you let me get into comics I’d explode#‘it gets really good’ is a genuine way to interest me#also don’t let me get into anime that do this. I already watched a thousand episodes of detective Conan—#maybe it’s a careful balance of weird and Good Storytelling Seeds. it has to have internal logic for one; and it has to have a structure#It has to be leading somewhere. and I want to see where it leads#we are GOING through the disney worlds. all of them. they are COOKING !!!!!!!!!!!!!!!!
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watmalik · 5 months
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I dreamt about a nursing student/nurse Wilson x Dr House AU, so I needed for it to become real (in a way) 😭
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