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#but being like all girls who listen to folklore are hot
shubblelive · 10 months
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i keep seeing people do that one tiktok trend where it’s like “behind every hot girl is a deep history with this album” with like. taylor swift. no, no no no. socially acceptable music isn’t allowed. i need julie and the phantoms, i need your city gave me asthma, i need smooth criminal (glee cast version), i need heat waves by glass animals but in a minecraft way.
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my tears ricochet (lt. bradley “rooster” bradshaw)
a/n: the juxtaposition of this piece to the fic i’m writing for these two that’s inspired by mine??? THIS IS GROWTH BABY! these two have come so far. not here though. they’re still in their angsty era. i haven’t written a fic in this style in a hot second but it was necessary. 
summary: A collection of moments from the early years after Rooster cut Rebel out of his life, as told by them.
inspired by “my tears ricochet” by taylor swift
part of same mistakes-verse
main masterlist | top gun: maverick masterlist
warnings: swearing, angst, brief mentions of death, i actually did research for this one, did you know it’s called a winging ceremony because i didn’t, my other general Navy inaccuracies, take a shot every time i say wondered, Coyote/Hangman/Phoenix/Rooster all went to TOPGUN together and i won’t be changing my mind, this is probably just a Rooster character study, is this poetic genius or have i just been listening to too much folklore, a run-on sentence
word count: 3,190
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i didn’t have it in myself to go with grace/and you’re the hero flying around, saving face/and if i’m dead to you why are you at the wake?
-
The first time you saw him, it felt like everything stopped. You had just turned to glance to see the latecomer to the ceremony when you heard the door open and saw him. You weren’t even sure it was him. But your breath caught in your throat all the same as you waited to be called up to the stage for your pinning ceremony. As he turned and faced the crowd, pointedly looking forward, you took in his tall stature, his brunette hair, you knew it was him. You turned around to face the Commanding Officer who was speaking, willing yourself to pretend he wasn’t there, to forget the fact that your ears were buzzing and your heart rate was rising. 
Why was he here? Why was he here? All he’d done since the day he’d left was trash your name, trash your Dad’s, to every friend of yours from high school. To anyone who knew your family who would give him the time of day. To anyone who would listen. You weren’t sure what you or your Dad had done to warrant his hatred but you knew you returned his hatred all the same. The confusion and hurt that had surfaced after he first left had quickly morphed into anger while you were at UCSD and as you enlisted in the Navy, that anger had taken hold. It broke your Dad’s heart, Uncle Ice’s too (although he’d never say it) at how quickly the anger and hatred had taken root in your heart, building a home there. Still, you couldn’t shake it, struggling to see past the clouds of emotion to the person who used to be your best friend. 
A cursory glance at your father and godfather showed you that they had yet to see the brunette and you took a shaky breath, turning back around, determined not to let him ruin this for you. You’d worked too hard for this day. You’d fought past all the anger, all the hatred, all the spite, using it all as fuel to prove to him that you belonged here just as much as he did. That you deserved your wings just as much as he did, no matter what kind of insults he’d thrown. 
A friend of yours, Petals, glanced at you. The two of you had quickly bonded, being two of the only girls in your training class. Ignoring her concerned look, you forced yourself to tune back into the ceremony, the CO now calling aviators up to the stage, along with their guests. Soon enough, it was your turn and you stoop up from your seat, making your way to the stage. 
“She is originally from San Diego, California and attended the University of California, San Diego. Pinning her today is her father Pete Mitchell.” Your Dad, dressed in his own uniform, followed you up to the stage. You hadn’t been sure if Uncle Ice would be able to make it to the ceremony and so Ice and Sarah stayed in the audience, although you knew they supported you on or off the stage. Your CO handed the wings to your Dad and your Dad smiled at you as he stood, waiting to get the all-clear from your CO to pin the wings on your uniform. 
“Don’t cry.” You whispered, already seeing the tears in his eyes. “You’ll make me cry.” He chuckled softly and takes the few steps to carefully attach the wings to your uniform. He pulls you into a tight hug as the crowd claps. 
“Proud of you kiddo. Always proud.” He whispers and you squeeze him in response. 
“I know Dad. I know.” You pull away, turning to shake your COs hand and you shake a few other officials’ hands as you walk off the stage. (If you were to look out into the audience, you would’ve seen the way Bradley was softly smiling at you from the back of the room.) You sat back down in your seat, Ice reaching out to squeeze your hand as you walked past. The rest of the ceremony passed without event and afterwards, there was a big party held. People milled around, talking to one another before heading out to the reception and you smiled brightly at Ice and Sarah as they walked towards you, Dad in tow. Ice hugged you first, and he held you for a long time. He squeezed you and then stepped back, taking you in. Sarah pulled you into a hug next, and although this one was shorter, you felt her love. 
“We’re proud of you kid.” Uncle Ice says and you smile at him. A man appears over your Dad’s shoulder and he turns, face lighting up. You glance behind you to see Bradley still hanging by the door, talking to an official, probably someone he knows. Your brain registers that the man talking to your Dad is someone who was part of their TOPGUN class and you turn back around, shaking the man’s hand. He turns back to your Dad and Uncle Ice, chatting with them. Sarah’s looking at you out of the corner of her eye, studying you ever so closely. 
“Are you alright?” She whispers and you shake your head. 
“Bradley’s here.” You whisper and you both turn to see him by the door. He’s already looking. 
“Go talk to him.” She whispers back as he slips out the door, all too aware he’s been caught. You hesitate only for a moment and then find yourself following him, squeezing past other pilots and their families as you try to catch up to him before he’s gone again. Just like the day he left. He glances behind him at the sound of the auditorium door opening and shutting again. He slows as you approach, coming to a stop and turning as you finally reach him. You’re slightly out of breath, the tall man able to make much longer strides than you ever would be. Neither of you says anything for a moment, the words hanging in the air. 
“I’m proud of you-”
“Why are you here?” Your words are harsh and he visibly flinches. He pauses and then swallows. 
“I- I don’t have a good answer.” He admits, hanging his head. You shake your head, scoffing. Your anger is coming off of you in waves, crackling in the air. 
“You don’t get to do this. You don’t get to just show up here and tell me you’re proud of me, like you haven’t spent the last six years trashing me, trashing Dad, acting like you didn’t tell me I was dead to you.” He sighed, shifting uncomfortably. 
“(Y/N)-” 
“I hate you.” The words make him visibly deflate. “Stay away from me.”
-
and i can go anywhere i want/anywhere i want, just not home
-
Deployment was the worst. It was probably your least favorite part of the job, which as why as your career had grown, you had shied away from them more and more, finding yourself stationed on bases faraway more and more, because at least with bases came stability, and stability ever so slightly eased the intense longing for home that’d been aching in your soul since the day you’d stepped foot in boot camp. 
Still, it never got easier, and the first time you’d deployed had, by far, been the worst. 
Over the years, you’d gotten used to being far away from Uncle Ice and Dad, both ever-so-busy, both constantly traveling. You’d grown up with your Dad leaving for deployments months at a time, going all the way around the world. This was different.
You were brand new to this squadron and most of them had been flying together for a while now. They were indifferent to you, not caring to make friends with you. It could be worse, but didn’t make it any less lonely. 
Dad was also deployed, halfway across the world from you, making what little communication you had even smaller. Uncle Ice was busy, and you knew he did the best he could, Sarah too, and yet your soul still ached. 
You missed him. You missed home. 
-
Deployment was the worst. That much Bradley had learned from very early on in his Naval career. The tiny ship bunks, the constant awareness that you were in the middle of ocean, never being able to talk to those back home, deployment rarely had it’s upsides. 
Still, he hadn’t had a home to go back to, not since the day he had left. Didn’t have any family to miss, anybody who would mourn his loss if he weren’t to return. 
It was ironic really then, that he was traveling the world for the Navy, following in his father’s footsteps, doing what he loved to do, all without his family. All without the family that had made him want to be here in the first place. 
-
and you can aim for my heart, go for blood/but you would still miss me in your bones
-
He missed you.
He’d never admit that, of course, but it didn’t change the fact that he did. 
The two of you had been the best of friends, looking out for each other in the way friends are supposed to, in the way best friends do. You were his best friend in every way of the word. He cared about you, and over time his feelings for you had changed. Changed from seeing you as his little sister and best friend to something more. He held out hope that maybe you returned them. 
Which is why your betrayal had hurt so bad. Why it had made him so angry. After everything the two of you had been through together, the fact that you stood by your Dad, supporting Maverick in his decision to pull his papers, it was unforgivable. 
And he’d been quick to turn, letting everyone from high school know just what kind of person you were. They had turned too, which maybe now he kind of regretted. He’d let the anger color his choices and now maybe they’d been the wrong ones. He wasn’t sorry for cutting you out, but he had no right to take your friends away. Especially now that you were at UCSD, meaning you either hadn’t applied to the Naval Academy or had been turned away. Maybe your own application had even been pulled by Maverick. And yet the hurt was still fresh, and he saw little reason to try to change the outcome, to make amends. 
Still, he worried. He’d heard from friends from high school what was going on with you, and while he feigned indifference to the knowledge that his best friend was floating through life untethered, lost and angry and confused, it worried him. The way you were acting was so unlike you that it was scary.
April had seen right through him. She always had, maybe always would. And she told him as much, reminding him that there was always time to fix the mistakes, to rebuild the bridge. 
He never would, his anger still much too strong, but it didn’t change the fact that he missed you. Missed you so much it hurt.
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and i still talk to you (when I’m screaming at the sky)
-
The sound of waves crashing onto the shore filled your ears as you sat on the beach, lost in thought. Tomorrow, you would graduate from USCD, and soon you would leave for boot camp. You swallowed your tears, trying to keep the anger at bay. This was a good thing. This was what you wanted. You had your whole life in front of you. It shouldn’t matter. 
But it did. It did matter. To you at least. He should be here. Should be there tomorrow, in the audience. He should be there to celebrate this with you. He should’ve been here to cheer you on this whole time. You had done it without him, but that didn’t mean you had wanted it to be that way. 
You desperately tried to blink back the tears burning your eyes. You wanted to talk to him. Wanted to give him a hug. Wanted to yell at him. Wanted to scream at him. Wanted to ask him why he had done this to you. Wanted to tell him how much you missed him. 
You sigh, laying back onto the cool sand, the night stars twinkling above you. 
You wondered what you would say to him if you ever saw him again. 
-
and when you can’t sleep at night (you hear my stolen lullabies)
-
He missed the sound of your voice most. Sure, there was a lot about you he missed, although he’d never dare say those words out loud. Your smile, the sound of your laughter, your godawful dance moves, he missed very part of his best friend. But it was the sound of your voice, talking to him about your day, singing in the car with him, whispered hush of late night conversations, sleepy murmurs as the two of you fell asleep on the couch, it was that he missed the most. Because despite it all, you had always been there and the sound of your voice had become somewhat of a comfort. Despite it all, you had always know just what to say and when to say it (and when to call him out on his bullshit, to hold him accountable). 
He tossed and turned, longing to pick up the phone, to hear your voice one more time. Your last words to him were burned into his memory, the echo of the empty hallway on that base, the anger aflame in your eyes, the way you had said I hate you and he had known you meant every word of it. He shifted again, rolling flat onto his back as he stared up at the wooden top of his bunk, the sounds of his roommate snoring quietly filling the air. 
He breathed out through his nose, wondering what you would say to him if he could talk to you. Wondered what you would do to assuage the guilt and anger that simmered in his chest, wondered what you would tell him about his inability to fall asleep most nights. Echoes of your voice bounced around his head, snippets of different conversations from years long past following him. 
-
i didn’t have it in me to go with grace/and so the battleships will sink beneath the waves/you had to kill me, but it killed you just the same
-
He didn’t like to think about it. And yet, he often wondered. He wondered if you were safe, if you were happy, if you had moved past your friendship with him. Wondered where you were stationed and if he’d cross paths with you again. He wondered if you would ever accept any apology if he were to give it, if you would give an explanation if he asked for it. Wondered if something happened to you, if anyone would tell him. Would anyone call? Or would he live life none the wiser that his best friend had passed on? 
They would tell him, right? He hoped they would, that despite him cutting them out, that Maverick or Ice would call. Someone would, right? 
He had lost you the day he left. He always hoped he wouldn’t lose you for good. 
-
and you’re tossing out blame, drunk on this pain/crossing out the good years
-
He’s tired. But not just, tired, exhausted. This exhaustion is bone-deep, lingering in his soul, no matter how much he sleeps. 
The sound of the Hard Deck is familiar, something he welcomes. He watches Phoenix, his wingman, in the corner next to Hangman. His ever-loyal lap dog Coyote stands nearby, watching his wingman bicker with the fiery pilot in front of him. Normally, he’d be over there, taking part in the bickering but tonight, he just can’t bring himself to. A drive earlier in the afternoon meant to clear his head took him past your house, address given to him by a friend from high school. It was a cute little place and for a brief moment, he had wondered what would happen if he were to stop. To pull into your driveway and knock on the door. If you would open it, or would Maverick. What would be said?
The sound of someone drunkenly climbing into the chair next to him brings him out of his thoughts. He glances over, seeing a fellow pilot from his TOPGUN class. Petals is her callsign, although he’s unsure as to why. He doesn’t know her well, although he thinks he could. She’s kind, a comfortable air following her. 
She sighs and then looks up at him. “Why do you hate her?” He frowns, eyes narrowing.
“What’re you-”
“(Y/N)? She doesn’t have a callsign yet.” He shakes his head, confusion running through his veins. Other emotions he doesn’t want to examine. “She should soon though, hear she’s being looked at for the next TOPGUN class already.” 
“How do you-”
“Flight school. Why do you hate her?”
“I’m sorry, how do you know that?” His eyes widen, baffled by the conversation. He’s maybe said three sentences to her since they’d gotten to Miramar, so why was this happening? Coming up now?
She shrugs, the words flowing freely in her drunken state. “Mentioned you today when I saw her. She got upset. Why do you hate her?” 
So you were in town, then.
He gapes at the girl in front of him, the weight on his soul crushing him even more. “I- I don’t-” He sighs, folding his hands on the table. He needs a drink. “It’s a long story.” 
She studies him for a moment and then looks away, glancing across the bar at her own wingman who’s calling her over. “It’s not my place-”
“Then don’t.”
She continues on anyways. “I don’t know what you’re keen on blaming her for but it’s more than likely misplaced.” 
He snorts, shaking his head, the anger threatening to overwhelm him again, flagging down the bartender. He needs to be drunk for this. “Yeah, I’m not so sure.” 
“She’s a good person.”
“The hell she is.” The words are out of his mouth before he can stop them. Does he really mean them? 
She sighs, climbing off the chair. “If you want to cross her out, cross out the friendship you had Bradshaw, that’s on you.” 
“Petals-”
“I don’t think you hate her as much as you say you do. But even if you do, maybe you should re-examine why you tossed her out of your life, why you’re throwing the blame on her.” He opens his mouth to respond but her figure is already retreating into the crowd of the bar. 
Once again, he has been left alone. 
Wasn’t that what he wanted?
-
and you’re cursing my name, wishing i stayed/look at how my tears ricochet
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pocketweiss · 10 months
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RWBY Characters’ Favorite Taylor Swift Albums!
In honor of the release of Speak Now TV, I present to you my long-awaited thoughts on which Taylor Swift albums would be the RWBY characters’ favorites! I tried to pick at least one character for each album (except evermore bc I just haven’t listened to it enough I’m so sorry evermore I’ll get to u I promise) RWBY also has a million characters so there are several who I have not (yet) given an album to.
(I also WILL be taking constructive criticism; I want to know if y’all disagree with my choices and/or which albums you think other characters would like!)
Ruby: Red (Taylor’s Version)
I know it’s *so* on the nose, but I couldn’t not choose it. Besides, I do genuinely believe that Ruby would love this album. This is an album she can appreciate all throughout her character arc. She loves to jam to the upbeat songs during the early volumes, and then in the later volumes when she’s in her Mental Illness Era, she gains a new appreciation for the sadder songs.
Favorite Song: At first her favorite is Stay Stay Stay, but around v8-9, she’s listening to Nothing New on repeat.
(Also, NO ONE let Taiyang get his hands on All Too Well ten minute version. He will never recover.)
Weiss: folklore
Folklore is for the depressed girlies, the burnt-out gifted kids, the perfectionists, and those who feel out of place. Weiss can certainly relate, so songs like this is me trying resonate strongly with her. And the last great american dynasty?? That one hits a little too close to home as well.
Favorite Song: mirrorball. I mean, come on. Any song that has mirror imagery/symbolism is so Weiss-coded. And the song as a whole is so her.
Blake: also folklore
Blake loves folklore for entirely different reasons than Weiss does. Blake is both a hopeless romantic and a lover of stories, so the trilogy of betty, august, and cardigan are right up her alley. (Those three songs also somewhat fit the v4-6 perspectives of Blake, Sun, and Yang, respectively. Just think about it.)
Favorite Song: betty. Again, just think about it.
Yang: 1989
Yang is absolutely an enjoyer of upbeat pop music. It’s great music to work out to, and in general gets her pumped up and makes her feel hot and powerful. Plus, even a lot of the sad songs on this album are less melancholic and more intense. She can easily channel any anger she has into these songs. Even when she’s in her angstiest moments, Yang still wants to be able to jam out.
Favorite Song: Bad Blood (though v4-5 Yang has a special appreciation for All You Had To Do Was Stay. Just think about it.)
Jaune: Debut
I feel like if anyone is going to listen to cheesy country music for teenage girls, it would be Jaune. It doesn’t help that he has that stupid guitar. He definitely tries to learn several of the songs from this album, but can’t get the hang of most of them.
Favorite Song: Teardrops On My Guitar. He *does* manage to learn this one on guitar, and he plays it *constantly* after Weiss rejects him.
Nora (and Ren): Lover
Nora is a lover of bubbly upbeat music and sappy love songs!! She’s SUCH a romantic, and she loves singing and dancing around to these songs. This album is also Ren’s favorite because it’s Nora’s favorite. He loves nothing more than to watch her sing and dance. They’re both such absolute saps, it’s adorable.
Nora’s Favorite Song: Paper Rings
Ren’s Favorite Song: Lover
Pyrrha: Fearless (Taylor’s Version)
Fearless is an album about girlhood, romance, and fantasy. With all of the pressure of being in the public eye and living up to expectations. Pyrrha wants nothing more than to be a normal girl and enjoy all of the classic teen experiences like everyone else. Gods know she’s also a hopeless romantic, and her idea of romance is very sweet and fairytale-like, which is very Fearless.
Favorite Song: You Belong With Me. It’s LITERALLY her pining for Jaune. Just think about it.
Sun and Neptune: Speak Now (Taylor’s Version)!!
To me, Sun and Neptune are the epitome of the true and pure definition of ‘boys will be boys’. They have this very endearing chaotic energy, and they’re not afraid to get excited about silly things. So I think they’d absolutely blast some ‘girly’ music in the car and scream-sing it with conviction.
Neptune’s Favorite Song: Haunted. This is the boys’ favorite song to blast in the car and sing along to. All of SSSN gets in on this.
Sun’s Favorite Song: Foolish One. This is less of a ‘scream in the car song’ for him and more of a ‘listen on late nights when you’re yearning for the girl who doesn’t love you back’ song. ):
Roman: reputation
The thing about reputation is, yes, it’s about revenge and spite and resonates with every girl who claims—whether accurately or not—to be a ‘bad bitch’. This alone fits the bill for Roman, but it’s important to note that reputation is ALSO an album full of powerful love songs. This makes it absolutely perfect for Roman, as he is so deeply in love with Neo. He loves to serenade her with songs like Don’t Blame Me or Dress, and he’s always so dramatic about it. Neo doesn’t really listen to Taylor herself, but she does adore it when Roman sings to her.
Favorite Song: King of My Heart. Idk it just feels right. Honorable mention to Getaway Car, which he always likes to put on when he hijacks an airship.
Cinder: Midnights
You’d think that Cinder would also be a rep girlie, and on paper she absolutely is. But something kept drawing me to Midnights for her. And for the longest time I didn’t understand why these Vibes were so strong. And then I realized. It’s the fucking Cinderella connection, innit. Meet me at midnight indeed.
Favorite Song: Vigilante Shit. reputation is for girlies who think they’re bad bitches but really aren’t, and Vigilante Shit is that same energy but cranked up to 11. I love her, but she thinks she’s so much cooler and more badass than anyone else thinks she is XD
Those are all of my thoughts for now! Let me know what you think, and feel free to add your suggestions as well (:
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thetaylorfiles · 6 months
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Does your friend want to trade husbands? Mine is useless TS connection wise lmao You're winning the six degrees of separation game! Although you did have a friend who went on a date with Taylor years ago right? It's just a matter of time now before you run into her at a party or something. Girl, I'm here manifesting that for you!
This post is brought to you by my first dose of Concerta. I was recently-ish diagnosed (by a doctor) that I have HDHD. I tried another one that didn’t work and now I’m trying this. Today is my first day and, I must state that I had an espresso when I normally don’t, but I’m in the mood to organize, so things, and my mind feels clearer. It’s got to be placebo affect or the coffee but I’ll take it! Anyway this’ll be far too long I’m sure. (Oh hey, now you get why I’m so obsessed with t swift! Kaylor began as a special interest and thankfully, by the time I stopped believing, I was hooked on her music and personality. Oh my god what was my point? Okay, clearly adhd not cured! 😂 um it’s long? Don’t read if you don’t want?
——-
Answer:
Yes, but that doesn’t count as an actual TS encounter. And now that I’m Very Old, if I attempt to make that happen via any connections, it would be to get my daughter anything personal or signed from her or just anything as long as it focused on her.
I introduced her to Taylor slowly over the years. And now she’s obsessed. But in a 10 year old way. She doesn’t know much if folklore or evermore unless it’s exile because Mom was so fucking obsessed with it she had no choice to listen and assume I’m right that it’s best ever. She knows that hits and the deep cuts I make her listen to.
My love language is giving gifts. I hate getting them unless I’m so comfortable I’m married to you or you’re my child and you’ve written something. Ha. So I give her tons of makeup and what not. But I found my 4 lover books with the diary entries and the posters and left them out. She sheepishly inquired if she could look at them all…? I said, “they’re yours.”
There was a point. Oh, don’t forget the perimenopause. And the cannabis. That really contributes to being forgetful. Why am I writing so much?!?
Oh!!! Yeah, I was close friends with a guy that was a working actor and still is. He’s not recognizable by name unless you know actors really well. He’s a character actor that books all sorts of series and guest spots but always as a friend. He’s super hot. Well he was back in his 20s. He told us that he was daring her. We made fun of him (She wasn’t cool the ), but more just to annoy HIM. He wasn’t super super smart but he was so sweet but still had that bad boy swagger. You know? He was like a brother to me but I get whey women hit on him.
So back in early twenties he dates her for … I wanna say a few months. She didn’t live here on LA at the time as far as I knew but came out often. Maybe she had another house? Anyway, they were more friends who were attracted to one another who met up when both were in town. Only one of our group met her, his best friend. All we heard was that she was nice and far from a boring good southern girl. That she seemed like a city girl. Anyway, they hooked up off and on. They never went anywhere together as they weren’t together. They were each others last night call after date one and two failed to produce the necessary love spark. But they were both stupid hot.
That’s all I know. I never met her or saw pics. No wait. I did. I saw one of them together at her place wherever she stayed then. Why did I explain that? Please tell me you asked me to! I’m sorry. I’m so high and wanting to talk and like make and complete goals!! 🤣🤣🤣 k, night. Gotta watch some tv downstairs once kids have vanished. Shhh
I have a feeling I didn’t answer a single one of your questions, nor did I speak to whatever you wrote about. I apologize. If you were in person you’d love me. When I get high (vapes), it makes me so much damn more pleasant!
Oh my god. Go to sleep!! (Bethenny voice on Scary Island) I’m referring to myself by the way. K, night. Tv time.
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hellomeowme · 4 days
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you said i killed you: haunt me then.
Is apparently my bio on discord. Today i spoke to pc, he showed me stuff he wrote as a child and recently about the two breakups hes been through, and talked about how he felt when i said that even though I wouldn’t “just date anyone”, i did date him “thoda impulsively”. He then asked me about what happened with k, and i said it was a delicious blend (im embellishing the quality of my phrasing, for the better) of emotional shallowness, him not liking me v much at all, and went on to mention how seeing him talk about other girls is like quote unquote pins and needles, especially since he said he was confused about his sexuality when he broke up with me.
what i failed to mentioned was also him traipsing into asexuality soon after; i believe i did this because (i cant remember before or after i saw a reel about how it feels to be the one girl who seems be romantically or physically unattractive, whilst my friends seem to have boys spinning around them as if they were the sun) i think after him mentioning how he mentioned he asked out this girl who didn’t realise he was, and getting asked for his ig handle by a random pretty girl in amritsar, him appreciating A and other girls’ beauty so much that ive realized that he just probably did not find me attractive at all. The same way it was w pc. Which is an insane amount of karma being thrown back into my face. I probably just attracted him for the same reason pc did, we are v similar, understand each other and gel v well. But im the girl best friend, not the girl you pine over or ask out in a club cuz shes pretty. Even pc descibes me a cold, cold dish of honesty as the “most adorable person in the world” while he describes his more recent ex as “cute, gorgeous , hot, she can be whatever she wants to be” and strikingly good looking as well.
i have spent the past hour or two trying to aesthetically lose my mind over this, because, like in the comments of that reel, saying this to my friends will only trigger a pity party or sympathy, they could never understand. I remember i saying how only after she found out z liked her did she feel not unlovable. Trying to listen and understand songs from folklore, and say stuff like “this is so cringe “ , “im swimming in a sea of mediocrity” to appease my self perceived onlookers; randomly A saying dating has nothing to do w attractiveness and everything w social skills and j saying ofc she said thta shes fucking hot bro (not verbatim but pretty close) come to mind.
one thing i said in an attempt to poetically portray my particular brand of rock bottom is that i wish i could gouge my eyes out so i wouldnt have to look at myself- i dont know if i meant it then, dont think i do know either. But yes - the ability to know what is beautiful and therefore to know youre not has got to be the cruelest joke played on me for a long time, and i cannot bring myself to laugh at the punch line.
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afro-elf · 4 years
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fine, i’ll elaborate on my thoughts about tylor sift but they will be disorganized
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disclaimer: i know a few people will read this and be like “op is a hozier fan can she really talk about the cultural obsession with mediocre white art?” and the answer is yes because a) i’m black and i have an english degree so can do whatever i fucking want, b) hozier is a better artist than taylor objectively, like his mediocre tracks would be considered her great ones, and c) the comparison of taylor to hozier is part of the problem Genuinely because i don’t even think white people like half the music they listen to, they just don’t wanna be left behind, we’ll get into this later. i’m sorry to everyone who is tired of hearing about him but hozier will be returning later in this post jsfglsjlgldsjlfd
second note: read this
i don’t just dislike taylor because she’s white. i don’t dislike taylor because she’s a woman. i don’t dislike her because she writes mean and petty lyrics about past relationships and people who wronged her. i don’t dislike taylor because her public circle of friends is almost exclusively blonde white celebrities with their own laundry lists of issues that includes ryan reynolds and blake lively who are poster children for white privilege and pseudo-excellence if i’ve ever seen them. i dislike taylor because the amalgamation of all of those things is so exemplary of a huge problem i have with the music industry in general but also like american society
fuck it, numbered list!
1. taylor swift consistently releases the same mediocre album but in different colors. every album is the same lyrically and tonally. her body of work rarely goes very far above “good for taylor swift”. folklore as both title and musical aesthetic is irrelevant to the actual content of the album, which is just every taylor swift album except set to folk pop and with a bit more cussing, congrats for baby’s first swear. i’ve seen folklore compared to much better bodies of work and even propped up by stans as album of the year, a distinction that rina sawayama and chloe x halle will be battling it out for if there is any justice in the world at all. the fact that she is allowed to do this and still be considered great when this is something that even white male artists are butchered critically for... astounds me. like we all know how well received all of coldplay’s similar sounding albums are.... Come on. 
2. i don’t think taylor or her work is particularly feminist and yet for some reason every time she frowns an army of white women brings her kleenex. i’m not saying taylor’s anger has always been unjustified, but her feminism to me has always felt like “i can do whatever a man can do” feminism, which is utterly fucking useless to me as a black woman. it’s only useful to her because as a wealthy, white, straight, cis white woman her ONLY obstacle in life is her gender. and if she just didn’t have that tricky little bitch then maybe people would take her seriously. like, just think about her music video for the man... what was the thesis of that? what was the point of that? with all of her privileges she’d just be gaining a single extra privilege. she’s a blonde blue eyed thin white girl, the world kisses her feet. i have no interest in proving myself any better or any worse than white men, they are not the standard for how a person should be treated, they’re cautionary tales, and white women are too. i think taylor capitalizes off of white woman victimhood, and it’s all over her writing style. even when she’s trying to be empowered, like in mad woman for example, there is this tone to it of victimization, poking the bear, unleashing the beast if you will. she invokes the imagery of salem witches and even more boldly chooses a noose to write about in the song which is..... surely going to be a white tumblr staple for many gifsets to come but holy shit is it hollow. she also tends to come back to teenage memories in her music and she’s thirty. i don’t think about being seventeen unless i’m being held at gunpoint but she seems to think about it All The Time. and part of this is to keep herself young, at least in her music, which only further ingrains this image of fragile teeny bopper taylor into the mind of the listener, fueling her victim image. this imagery and language means nothing because the world always rallies around taylor. even when she was the butt of jokes for not being beyonce (which she is not and never can be) and writing about her exes (which she does), she was largely supported by the industry and by critics. look at how many fucking awards she has!
3. folk and indie and alternative music is in a moment of transition, where musicians of color are getting the chance to really speak about how they’ve been treated in these overwhelmingly white circles and create their own standards and their own voices. and for taylor swift to swoop in with aaron dessner and jack antonoff fantano and almost reassert that mid-2010s indie sound as The Sound of folk pop in the popular consciousness.... it makes me violent! it! makes! me! violent! 
4. back to hozier! finally, i wanna talk about white standom, fandom, bandom, and womandom. i often see these very superficial comparisons between hozier and taylor (and hozier and florence and hozier and stevie nicks and hozier and whatever other white woman in fashion) and they frustrate me for more than one reason. i know that hozier has met taylor and said she’s cool, which is nice of him and he’s a nice man, but i’m not a nice man so i’m going to just say it: none of the people who have made those posts have listened to more than four hozier songs and it shows. the reason why this matters is because these posts catch on and create an image and preconception of hozier’s music that is divorced from reality and divorced from his influences and most importantly divorced from the deliberate and reverent blackness of his musical style. hozier has his white male privilege in the industry for sure but he’s not as towering of a giant as taylor and taylor’s music is an unsalted chicken, plain oatmeal, white paint drying on a white wall, a stick of unflavored gum. her music is so white it told me that its dad is a cop. i am, as a black hozier fan, exhausted with having to share space with white women who don’t know why hozier’s music kicks me in my lungs sometimes and think that taylor mentioning a tree ONCE in her 3 minute acoustic guitar slog about whatever suburb is the same when it simply is not. i swear some of you are pretending to love taylor because your friends love her and you don’t wanna be left out of the hot new musical discourse but she’s only the hot new musical discourse CONSTANTLY because she’s a white woman, she’s almost the Perfect white woman. like if someone asked me to describe a white woman, it would be taylor swift. her position at the top of the musical pyramid among people who eclipse her musically, vocally, and lyrically is only allowed because she’s The Perfect White Woman. she’s an ideal. white girls relate to her immediately because of it and now we have this unshakable mob of unbearable white women who think that the world has wronged someone who literally wrote fanfiction about the rich oil heiress white woman who owned her rhode island mansion before her aklghlghdhlgs it drives me fucking NUTS 
anyway that’s all. if you made it this far, listen to adia victoria, kaia kater, samantha crain, valerie june, kelsey lu, corinne bailey rae, brittany howard, kimya dawson, japanese breakfast, cold specks, left at london, rhiannon giddens, aisha badru, shea diamond, nadine shah, xenia rubinos, karen o, mirel wagner.... Anyone
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mediocre-writerr · 3 years
Text
epiphany [jennifer jareau]
folklore challenge: day 13
jennifer jareau x reader
requested by anon: Hi!!! I was wondering if you could do another JJ x reader? I absolutely love them. One where maybe the team is chasing someone like mr scratch but instead the gas they use makes the victim see their worst fear. And while chasing the unsub the reader gets sprayed with the gas. So unfortunately the team are forced to watch as the reader lives out her worst fear as there is no cure. It soon becomes obvious that the reader is watching JJ, Henry and Michael get hurt/killed and JJ is forced to watch from outside until she can't take it anymore and talks the reader off the edge and breaks the trance and just absolute fluff
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*not my gif*
You really should have listened to JJ about running more. 
The unsub you were after the last three days was finally in your line of sight. For a man who was in love with science more than anything else, well...maybe not more than killing people...anyway for a man who spends most of his day in a lab he was in pretty good shape. 
You chased him through the now-evacuated science building of Princeton University. You were about to tackle him to the ground when a smelly mist was shot into your face. 
There was a burning sensation that came from the spray. Your hands grasped your eyes as you screamed out in pain. You fell back onto the ground, holding your eyes tightly. 
“Y/N!” JJ exclaimed, running to your side as Morgan and Prentiss continued after him. 
The more your eyes stung, the more your mind started to grow woozy. You could feel beads of sweat starting to form on your forehead and your neck. The bulletproof vest made it feel like you were suffocating. 
You quickly tried to remove the vest off of you. When the whole world around you started changing. You forced yourself to blink, but you found yourself back on the battlefield where you first met JJ. 
“Listen to me right now!” your old general yelled at you and the rest of your squad, “We’re in the fight of our lives! So keep your helmets! Keep your lives! Here’s your rifle! Let’s fight for our country!”
You started crawling up the beach with the rest of your platoon. You continued crawling, shots being fired at you and around you. But you stopped when you saw someone’s body lying motionless to the right of you.
You crawled to them as quickly as you could, ignoring the yells and commands from your platoon and lieutenant. Your eyes adjusted to the girl lying in front of you, “JJ,” you whispered.
Your eyes scanned her motionless body. Three bullet holes going through her jacket. One in her shoulder, the other in her stomach, and the last one right through her ribs. 
“Jay!” you yelled out.
You pressed your hands against the flesh wounds, trying your hardest to keep the bleeding under control, “Sir! I think she’s bleeding out!” you screamed. 
The battlefield was growing worse by the second. Your fellow soldiers were dropping like flies. All of them starting to die around you. You can’t save them all.
“Sir! Anyone! Help me! Please! She’s dying!” you screamed, but everyone seemed to be ignoring you. 
You looked back down at your bloody hands to see a rifle pointing straight at JJ’s almost lifeless body. Her bright blue eyes were glossy with tears, “How could you do this?” she whispered.
“No...I didn’t. I didn’t mean to hurt you!” you yelled out, hot tears running down your face.
“I thought you loved me, but all you did was hurt me!” she screamed.
“I do love you! Please no! I didn’t mean to hurt you, please just come back to me please! Please!” 
Your voice echoed through the halls of the science wing. The rest of the team surrounded you as Morgan put the unsub in handcuffs. 
“What’s happening to her?!” Morgan yelled, pressing the unsub’s face into the cool tile floor.
He smirked, “The spray is working. Her true fears are showing,” 
“How do we help her?” Hotch asked, his angry-calm face on.
“You can’t all you can do is wait for it to pass,” he replied a smug shrug.
JJ cupped your sweaty face, concern pooling from her eyes. She shook her head, kissing your forehead, “I’m right here Y/N, it’s not real. Whatever you’re seeing is not real,” 
You didn’t know what was happening. The battlefield that you don’t speak about slowly faded from view. The strong stench of bleach filled your nose, uncovering all of your senses.
There was this stable beeping noise. The hospital you were in was way too quiet for your liking. You followed the beeping noise into the lonesome hospital room. 
One hospital bed was right next to a little baby incubator. The familiar shaggy blonde headed boy was lying in the hospital bed. An oxygen tube in both of their noses as feeding tubes were attached to their stomach. 
You watched the two of them breathe in and breathe out, “We never covered this in med school,” you hear a doctor say, “These two boys are someone’s son. What if we can’t help them?”
You turned your head quickly to see them in what looked like a hazmat suit. The boys beds suddenly surrounded by plastics. You looked down your own hands to see you were in a hazmat suit too. 
Your hand extended through the small little holes of the plastic wall. You held both of their hands. Henry’s hand limp in yours as Michael’s little fingers tightened around your finger.
“Henry, it’s going to be okay. We’re going to take you home to your Mommy. Same with you Michael. Your mom’s a fighter so you have to be too, okay?” you whispered to them, tears pooling in your eyes once more.
Then there was a sudden noise. A noise no one wants to hear in the hospital ever. But this time it was much louder. You immediately looked to your left to see Henry starting to flatline. 
“Doc!” you yelled, “I think he’s crashing now!” 
You turned to where the doctor was standing to see that he was gone. You tried to break through the plastic to get to him, but people started holding you back. 
“Henry!!” you screamed. 
You screamed even louder when the second flat line sound started playing in the room. You shot your head towards Michael, his little chest no longer rising and falling. 
“Let me go please!” you screamed, “Let me go!! Let me help them! They’re dying!!” 
JJ’s hand was still on your cheeks as you started thrashing around. She looked to the rest of the team, “What do we do? How do we help her?” she asked, frantically. 
Not only were you sweating, your body temperature was rising. One of the many side effects of the gas was the blazing fever that was starting. Your oxygen levels were falling by the second.
“She keeps yelling your names,” Reid pointed out, “Her greatest fears have to do with you and the boys,”
“I know that, but how do we stop it?!” she yelled. 
“There’s really nothing we can do. All that we can do is bring her to a hospital to help bring her fever down,” Prentiss told her, kneeling down and placing a hand on her shoulder. 
Hotch came walking back in after taking a phone call, “The ambulance is already on its way,” 
It was dark. The only light came from the end of the hall. It still looked like you were in a hospital, but Henry and Michael were nowhere to be seen. You followed the light, hearing your name being called.
You found the doctor standing there. Three bodybags lying in front of him. Each of them growing smaller in size, “Are you ready to identify the bodies?” the doctor asked. 
Before you got even a chance to respond the doctor started unzipping the bags. The first bag was the biggest one. You let out a gasp as you saw the beautiful blonde locks that you fell in love with.
Her piercing blue eyes were lifeless. There was a trail of dry blood from her mouth down her cheeks. A slit in her throat causing you to shake your head rapidly. 
Henry wasn’t smiling like he usually was, he had fear in his usual innocent eyes. The same slit that was marked on JJ’s was marked on the two boys.You let out a roaring sob at the sight of your sons. 
You shook your head, “No! They can’t be-”
“Is this Jennifer Jareau-Y/L/N, Henry Jareau-Y/L/N, and Michael Jareau-Y/L/N?” the doctor asked with no emotion in his eyes.
“Yes, but how-” 
“How come you didn’t save them? They needed you and you couldn’t save them!” the doctor screamed at you, “You are worthless! You’re not good enough for this family! You couldn’t even save your wife and children!” 
“I’m sorry! I’m sorry I couldn’t save you,” you muttered over and over again, hugging their cold lifeless bodies, “Please come back to me. I need my family. I can’t live without you, please,” 
JJ shook her head, as they waited for the ambulance, “I can’t take this anymore, I need to try and help her,” 
You kept muttering the same words over and over again. Tears were pouring down your face as you were shaking. Partially because of the fear, but mostly because of the fever that was still consuming your brain. 
JJ grabbed your hand and held it to her chest. Her rapid heartbeat pounding against your chest, “I’m right here Y/N. I’m still here, I need you to snap out of it please,” 
“The boys, they’re still here. And they’re waiting for us to come home to them. I need you, baby, please,” she whispered, pressing her cold forehead on your burning one, “Y/N come on,”
You started hearing JJ’s faint voice through the doctor’s scolding, “Y/N, listen to my voice. I love you,” 
“JJ?” you said, but it came out as a question more than an answer. 
There was a soft pounding that ached through the walls of the morgue. You started following the soft noise and JJ’s voice, “That’s it,” JJ noticed your eyes starting to flutter back open and becoming more alert, “I’m right here baby. I’m not going anywhere. I’m not leaving you behind,”
You started running towards her voice. A bright light, right down the hall. The closer you ran to it, the louder JJ’s voice and the pounding became. You could feel a soft grip on your face, comforting you even more. 
“JJ,” you whispered. Your eyes finally snapping back to reality. JJ had tears running down her cheeks. 
She let out a breathy sigh of relief, “Hi my love,” she whispered.
You looked around frantically and she moved your head softly to look right back in her bright blue eyes, “Shh...hey it’s okay. You’re okay, nothing can hurt you anymore,” 
The paramedics came running in. JJ helped you up from off the ground and towards the stretcher of the paramedics. Your head spinning a little bit. The paramedics checked your vitals and hooked you up to an IV with fluids.
They kept you under 24 hour watch at the hospital. Each on the team members keeping an eye on you in intervals. 
You and Hotch discussed the case. Morgan talked to you about sports that you pretended to care about to make him happy. Reid helped you with the crossword puzzle so you can and you quote “Be smart...you’ll never get as smart as me, but still smart,” 
Garcia shared all the gossip she learned from the last week alone. Occasionally, staring at you worriedly and you had to tell her a thousand times that you were okay. 
Prentiss teased you about JJ, acting like the older sister you always wanted. She was in the middle of teasing you again when there was a soft knock on the door. You saw JJ standing there with a soft smile on her face, Michael was in her arms and Henry rushed towards you.
“Mommy!” Henry exclaimed, climbing onto your bed. He curled up to your side, ruffling his shaggy hair, “Did you get hurt?”
You shook your head, pressing a soft kiss to his forehead, “No buddy, I’m just a little sick is all. Thank you for coming to visit me,” 
“You’re welcome! I missed you!” he squeezed you into a hug. 
“I missed you too,” you squeezed him even tighter.
JJ walked over and leaned towards you. You placed a soft kiss onto her lips, “Hi darling and hi little dude,” 
The blonde grabbed Michael��s clenched hand and waved for him, “Say hi Mommy,” you smiled widely at the sight of your family, “You feeling okay?” 
“Much better,” 
It had only been two minutes with your family, but it was just one breath of relief to make sense on what you had just seen.
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harryskalechips · 4 years
Text
Illicit affairs
A/N Hellooooo! I haven’t written in a while but enjoy this little sad piece inspired by Taylor Swift! Thank you for all the love! I hope you guys are doing well! Feel free to leave a kind message in my inbox ❤️
Y/N was a new intern at Colombia records when she met Harry Styles. Their relationship takes a turn however, when they start an affair.
Tw: Cheating
Thank you @harrysleftchelseaboot for letting me participate in your writing challenge! For any writers out there who want to give it a go make sure to check it out! I would love to read some new work. 
Prompts:
“Be a good girl and spread your legs for me.”
“I’d punch you, but that would ruin that pretty little face of yours.”
“I didn’t mean for this to happen.”
“Leave.”
Note: I do not condone cheating whatsoever! Please mind that this story is fictional! As much as it makes me sad to paint Harry as a cheater, it’s part of this storyline I thought of as I listened to Taylor’s album, Folklore.
Word count: 5k / Masterlist
Y/N never knew she was going to be in this type of predicament. Falling asleep every night in a man’s arms, only to wake up alone in her cold sheets at dawn. For some odd reason, his vanilla scent smothered her atmosphere every time, leaving her in a subspace-like condition. She found her thoughts easily shifting to him or feeling the need to touch him. She’s whipped but sadly also clingy. 
Does she have an excuse to feel this way? She was only 21 when she began working as an intern at this man’s record label. He was her first serious relationship and although he was married -there always seemed to be a weird tension between them.
It all started when she was assigned to follow Rob Stringer through his meetings in 2017...nonetheless she met Mr. Harry Styles. One of the members of the biggest boy band, One Direction. She knew exactly who he was, especially since he was sexualized by the media too often at an early stage of his career. She knew his first solo album was a hit and that in her job description, she had to be present at every interview he had. She also knew that the ring on his finger was a symbol of love for his wife that he married a year ago. 
Months on end, she barely spoke to him. She was shy -feeling as if her personality would bore Mr.Styles. One night however as the team went out to celebrate his last show for live on tour, he himself invited her. 
They were at a club in New York -A very private one to be exact when Harry found himself too interested in the quiet intern. To be honest, his life at home (when he was there) wasn’t what he planned for. His wife was too busy, only fighting him whenever he stepped foot inside. She barely had any more interests in his music or his life -and suddenly, it felt like two strangers living in that mansion. It wasn’t an excuse for him to keep glancing at the girl as she danced with her co-workers nor was it an excuse for him to buy her a drink. Funny enough, he always thought of himself as a hopeless romantic since he was waiting for that particular someone to love him back once again and save his marriage. But before he could stop himself, he was already walking towards the girls dancing on the floor and getting to know them.
After that night at the club, Y/N felt different towards Mr. Styles. Of course, she was still intimidated but she now knew him on a more personal level, leading her to call him Harry instead. That night as they sat in one the booth upstairs, she listened to his jokes and stories and it made her start to have a little crush on him. But hey, he was married and she would never want to ruin a relationship. 
As her days became busier at Columbia -sorting papers and running for Coffee, She always glanced at the elevator hoping Harry Styles would come out and was in need of a conversation with Rob in person. She knew he probably called her boss though the phone but her brain was rummaging for ideas why he would start appearing in her life once again. That was until one day she heard Gina and Louise in the staff room during break talking about Harry coming in tomorrow. Boy, did her heart began to beat fast. Maybe, it was manifestation but she was a bit too excited to see him again as it’s been a couple of months since she last saw him. 
~
“Y/N,” Rob calls out for her as he plays with a pen in his hand. “Meet me in the main conference room in five minutes. I need you to note down my meeting today.” He gives her a small smile and quickly walks off. She knew full well that this meeting was about Harry Styles. 
As she sat beside Rob at the long table, she realized that the whole table was filled with people from publicity and other departments. Right in front of her was the man she’s been thinking of, beside him was his manager. It’s not like she was deeply infatuated with him but she did love thinking about his pretty eyes. 
Matter of fact, as she first glanced at him, her eyes already met his. He was smiling and staying quiet as the meeting immediately began but his fingers played with his pen as he watched her. She was too focused on the shittier details of what they were discussing. He wanted to tell her so badly that she didn’t need to write some things down but he was having fun watching her bite her lip in stress. He wasn’t smooth though. Since she was already feeling his gaze burning through her. 
As the meeting went on, Harry became a bit more serious about why he came into the office. They were in the talks of his new second album and now, they had to plan publicity and tour. Some of the staff even asked how his trip to Japan was and although he was so excited to share his fantastic experiences, it was sad to mention how his wife didn’t even bother coming along. 
“Are you not going to say hi to me?” Harry teases Y/N as they’re the last ones to leave the conference room after their long meeting. She had to clean up the table while he chose to sit in his chair, pretending to do important things on his phone. When he waved bye to everyone as they left the room, he pointed at his phone, explaining he needed a few minutes to send “important emails” -he just wanted to catch up with his new friend, Y/N.
“Hi.” She tries her best to act normal and unaffected by his presence. “Sorry, I couldn’t say hi earlier. When Rob said five minutes, I didn’t know the meeting was already taking place.” Harry laughs at her apology since he wasn’t petty at all for her lack of greeting today. 
“I was just teasing. How are you?”
“I’ve been good.” She smiles back at him as she tosses the last remainder of paper cups in the bin. “I think the last time I saw you was last year. Where have you been?”
“Why did you miss me?” He raises his brow as he spins his chair a bit. He gives her a smirk as he watches her lean herself on the table. 
“Just a bit. I loved watching your interviews.” She rolls her eyes and crosses her arms against her chest. “At first I wanted to sleep through them but now I rather go through those back and forth instead of, filling random sheets out for Rob.”
“Heyy, I think I’m pretty interesting during interviews.”
“Oh no! Don’t get me wrong you are! It’s just you have such a raspy voice and you talk so slow! You can literally put me to bed anytime.”
“Am I talking slowly right now?”
“Just a bit. I haven’t seen you in a while. I kind of forgot!” She laughs. “ What else did you do other than Japan? Spent some time with your wife?” Y/N wasn’t going to lie… bringing up his wife kind of made her uncomfortable but she knew this was a good way to get to know him in a friendly way. 
Harry couldn’t help but give out a humourless scoff as he rests his head back on the chair. His eyes, however, meet her’s again. She couldn’t help but watch his adam’s apple bob up and down. 
“Marriage is hard you know. If I’m being honest with you, I haven’t spoken to her in a week. She’s been on vacation, travelling in Europe I think with her best friends.”
“She’s a model, right? She must have a lot of free time. I’m sure she can make space for you.” Harry slaps his knee in sarcastic humour as he shakes his head at Y/N’s innocent idea of who his wife truly is now. “I’m sorry. I guess it’s more complex than I thought. I haven’t really been in a relationship at least a long term one.”
“Are you free tonight?” Harry asks her out of the blue.
“Yes.” 
“Can I come over? We don’t need to do anything but I would love to hang out with you and I don’t know... forget I have all these responsibilities.”
“Sure.” What Y/N didn’t know that this night would forever change her relationship with Harry.
~
It was late in the night as Harry sat on Y/N’s couch talking to her about everything. His life, his career, his marriage. Usually, it wasn’t easy for him to open up so quickly to a stranger but for some odd feeling, his gut was telling him that he could trust this pretty girl beside him. It’s like he knew she was trustworthy and non-judgemental. 
Ever since he first noticed her during his meetings, he found himself involuntarily glancing at her. That was until he grew some balls and invited her to his after-party. Maybe, He did find her pretty and a bit too hot but even if his marriage is going through the rocks, he did not want to cheat. He didn’t want to be that type of guy. Yet during his time in Japan, he found himself thinking of what would happen if he was single right now? Would he actually make a move on her?
“What are you thinking of?” The same woman calls him out as she takes a swing of the wine bottle into her mouth. 
Yes, the found themselves enjoying Harry’s expensive red wine so now they’re passing the bottle. 
“You.” He was a bit tipsy and so was she but they were still sober enough to choose their words properly. 
“Me? Why me? Why not that hot model you call your wife.”
“She left my mind before I even met you.”
“Yet you’re still with her. Why?”
“I don’t know.” He looks at her as he takes a sip of wine. 
“Okay, so why are you thinking of me? Are you happy you have a new friend?” Her cheeks were very red at his confession but she was trying to make herself believe it was because of the alcohol. 
“I’m happy that I finally got to know the girl who sat quietly in the corner during my interviews.” He smirks at her as he watches her try to hide a smile. 
“I was intimidated by you!” 
“Why was that, love?” Y/N was not expecting him to call her that. She places the almost empty wine bottle on her coffee table and sits back in her same position as she’s wrapped in the same blanket Harry is.  
“You’re Harry Styles. Every woman is head over heels for you and Every man wants to be you.”
“Are you head over heels for me?” Harry squints his eyes as he says the first thing that comes out of his mouth. It wasn’t his intention to flirt with her but they both knew they had overpowering chemistry. The only thing holding them back is well… Harry’s marriage. 
“No.” She bluffs. He continues to look at her. “Fine, a bit but you’re married so I know how to control myself.” 
“What happens If I can’t?” his tone drops as he mumbles to himself. “I’m sorry what?” Y/N chokes as she looks at him. 
“I know I’m married fuck.” He sits up and rubs his face in frustration. “It’s just I never wanted a girl so bad after my marriage. I shouldn’t! I should be happily married but for some shit reason, I can’t get my mind off of you.”
“Harry, there’s consequences about what we’re talking about right now.” Y/N sits up as well as she watches him. Does it still count as cheating if his wife is barely in his life anymore? 
“I know. I’m sorry. I know you aren’t that type of girl. I would never disrespect you like this. I should leave.” He begins to stand up immediately. Y/N says nothing as she follows him to the front door of her apartment. 
“Thank you for coming, Harry.” She opens the door to let him out. He simply nods as he walks past her through the door. As she watches him walk down her hallway, she closes the door. How was she feeling? Well, she was trying her best to not feel regret but instead relief. She leans her body on the wooden surface, trying to make herself feel happy that nothing happened between them -Yet her heart was beating too fast for a guy she had just met.
The loud pounding on her door, however, makes her head shut up. She immediately opens it to find no one other than the curly-haired man who had just left her apartment a minute ago.
He immediately grasps her face into his hands as he kisses her eagerly, making her shut the door behind him. His body quickly pushing her’s against the wall, as his lips attack her jaw down to her neck. Her hands resting on his shoulders as she leans her head back to give him more area to leave his soft licks and kisses. 
“Shit Y/N. You’re making me go crazy.” 
“Harry.” She moans as he rubs himself against her centre. He whispers a command to her, making her jump and wrap her legs around his waist and he carries her to the first surface in his line of sight, which is her dining table. It was a dark wood wooden table that was meant only for eating purposes.
He helps her take off the sweater she was wearing as she throws it behind it her without a care. With her hand, she guides his mouth back to hers, making them both moan as this sexual tension is finally being relieved. Her nipples became hard in an instant as they felt the cold temperature. 
“Where’s your bedroom?” He pulls away as he’s unbuttoning his shirt. His mouth was open a little bit from their heated makeout and his lips were juicy pink after kissing her. He couldn’t take his eyes off her. 
“You want to fuck me right here?” Y/N blurts. She wasn’t the type to have sex with a new partner for the first time on her dining table but her room was a mess and she was a bit shy letting him in there. 
“Are you that eager baby?” A smirk plays on his lips as he tosses his shirt. “Well If you’re that needy, why won’t you take off my pants?” Y/N’s cheeks turn red as she reaches forward to unbuckle his jeans. “You know, how fucking long I’ve been jerking off with my right hand?” Harry asks as his hand runs through her soft hair, letting his thumb rub against her pink plump lips. 
“For a long time, Daddy?” She murmurs against the pad of his thumb as she lets his thumb enter her wet mouth. 
“Look at you, you’re a little devil.” Harry pushes his pants off until they reach mid-thigh. He quickly helps her out of her tights, pulling them off her almost instantly that she had to hold onto him. “Should I get a condom?” He pants as his hands involuntarily run themselves against her soft thighs.
“I’m on the pill and I’m clean.”
“I’m clean too.” He looks down at her closed legs as he pumps himself a bit. “I promise.” Y/N nods as her hands guide his body back closer towards her.
 “Be a good girl and spread your legs for me.” He whispers as he watches her show him her wet needy sex. “Fuck, you look so good right now.” He leans in to kiss her more. His mouth going south as they reach her breast. His mouth sucks on her nipple as the other grabs and rolls her the other one.
“Fuck stop teasing me. I need you.”
“Beg for me, Y/N. I know you want to.”
“Harry please!” She feels his hand directing his wet cock to her centre. Teasing her and playfully slapping her entrance. “Daddy!” His eyes immediately stop looking down as he grabs her hair, making her look at him. 
“You okay with this love? Do you like it rough?” Y/N nods her head as she stares into his eyes. 
“I need you to use your words, baby.”
“Yes, I want it rough.” 
“What did you call me earlier?” A cheeky smile forms on his face as he watches this little girl about to crumble in his hand. 
“Daddy.”
“You’re going to keep calling me that or what?”
“Only if you want me-” Harry inserts himself in her, making her choke on her sentence. 
“What do you call me?” He leans a bit further downs so their bodies rub against each other as his arm supports her back while the other hand chokes her neck. 
“Daddy! Fuck, I call you daddy!” 
“I know I’ve been deprived of some good sex but you feel so fucking tight! Do guys not know how to fuck you?”
“Only you can.” Harry pulls his hand away from her neck and instead grasps her face so she can watch their centres connecting. 
“You like that view? Is it turning you on? You’re fucking clenching me, baby!”
“Harder, daddy.” Her arm wraps around his shoulder as he pulls away and turns around, making her bend on the table.
“You want it harder baby? I’m going to fuck you so hard, you’ll never be able to sit at this table without remembering how I fucked you so good.”
~ The day after their first time sleeping with each other scared Y/N. As much as she tried to avoid letting Harry see her messy room, they ended up in there anyway. They participated in a couple more rounds and a deep conversation too until they fell asleep wrapped in each other’s arms. 
What Y/N was scared of was how Harry would react when he woke up in her sheets. Of course, they weren’t too drunk last night but the alcohol did give them a confidence boost. Now it’s the day time and they have to deal with this new boundary they had just crossed. 
“Good morning.” A raspy voice speaks up as she sets her head on her hand. Her elbow putting all its pressure on her pillow while she watches the man who’s laying on his stomach smile at her.
“Hi.” She gives a soft smile back. Harry immediately notices the hickeys on her neck, making him not guilty but a bit more proud.
“I marked you.” Y/N’s eyes widen as she sits up and wraps her hands around her neck. “Why you don’t like them?” Harry fixes his position too so he can rest his back against the headrest. He rubs his eyes for a few seconds before helping her straddle his waist. “What’s wrong, Baby?”
“You’re married.” Her finger mindlessly traces one of the sparrows on his chest. 
“I know.”
“You think she’ll get mad?”
“I don’t know. I don’t think she cares.”
~ Y/N and Harry’s affair went on for months that they even reached his tour and new album reveal. Although they never said the three most important words, Y/N already knew it was there.
What she loved the most these past months with Harry was their privacy.  The secret hookups in changing rooms, the knowing glances in a room full of strangers, and their affectionate touches when they had to pass things to one another in front of her boss. 
She knows he’s married and there was no doubt, they fought about his relationship status. But Harry explained that divorces in Hollywood were more complex than for a regular couple. And while Y/N pretended to understand, she truly didn’t. She didn’t understand why he had to keep up this act of being in a happy relationship when he can simply leave his wife -not for her benefit but for his own happiness. Still, every time this fight occurred, they chose to sweep it under the rug. Maybe it was because she wasn’t ready to lose him. He had always been so persistent on his reasoning why he’s been delaying that action. She was scared that he would leave her during another fight only to run back to his wife. What she didn’t know was that she may be a bit too right, after all, he wasn’t ready to admit that his marriage was over. 
“Hi, Baby!” Y/N opens her door to find her “boyfriend” with a bouquet of flowers. 
“Hi!” She wraps her arms around him in a hug as she lets him enter her apartment that they know too well. If she had to be truly honest... despite having so much alone time with Harry, she’s never been on a date with him but you know -that’s something she had to let go when she decided to get involved with a famous married man. Yet it still didn’t stop her heart from feeling envious when she would be in the restaurant with her friends watching a random couple have dinner together.
Harry takes his hood off and hands her the flowers. “I’m sorry I couldn’t text you this past couple of days. You know that woman who lives with me.” He sighs and gives her a kiss on the lips before continuing on, “We were having lunch together and she noticed I wasn’t wearing my ring anymore so we fought.”
“So you’re wearing it.” Y/N places the flowers on the table and crosses her arms.
“I have too.”
“No, you don’t Harry. She’s only wearing her’s for show. You’ve been cheating on her for seven months!” Y/N snaps at him. She hated it when he wore his ring. It was just a real sign that maybe he was lying to her during the times, he said he was over their marriage and he was going to leave her when things become less complicated.
“Baby, hey stop yelling.” He walks towards her so he can wrap his arms around her. “I’m sorry. You know I care so much about you. Please don’t cry.”
“I can’t stand that you’re married to another woman. Please leave her Harry.” Y/N pulls away as she holds onto his shoulders, begging him. “Please.”
“I’ll try.” He breathes out.
“You’ll try?” She pulls away immediately looking at him. “What do you mean? Have you not been trying to do that these past few months!” He rubs his face in frustration. 
“It’s hard Y/N. I told you countless times.” “I know it’s hard but what’s stopping you from doing it! You told me that you don’t want to lose me but for some odd reason, it seems like you don’t want to lose her!”
“She was my first love Goddammit!” He finally yells back at her. 
And that's the thing about illicit affairs
And clandestine meetings and stolen stares
They show their truth one single time
But they lie and they lie and they lie
A million little times
 They both found themselves caught off guard as the silence screamed in their ears. How could this safe space where they spent their nights rolling in the sheets feel so… indifferent? “Harry please be 100 percent honest with me.” Y/N backs away slowly as she reaches a few feet apart from Harry. “Do you want to leave her?” 
Silence.
“You told me you did? Did you change your mind?” Her eyes widen as she watches the man in front of her absolutely speechless. “I’d punch you, but that would ruin that pretty little face of yours.” She lets out a sarcastic laugh. 
“I didn’t mean for this to happen.”  He stares at the ground with his hands in his jeans. “Of course, I want to leave her! It’s just-”
“Leave.”
“What Baby no!” He quickly looks up and tries to make his way towards her. 
“Harry, stop. What we have is over! I’m not going to let you use me until your stupid sick marriage fixes itself!”
“Y/N that wasn’t my intention I swear! You know what marriage means to me! I can’t simply-”
“Fuck what you think of marriage! You don’t want to leave her but you rather continuously hide me while you go to awards with her -While you go on fucking dates with her!”
“It’s for publicity-”
“I don’t care!” She screams. “I realized that this isn’t working out and we should stop!” The pressure in her chest was making her hyperventilate. “We should have stopped months ago!”
“Fuck I don’t want to lose you, please. You’re the only thing that’s been making me so happy.” He reaches out to take her hands but she simply pulls away.
“Harry! Listen to yourself! You’re married! I’m starting to think you have a fear of having a failed marriage like your mom and dad! But please for the love of God, don’t drag me around because I won’t let you!” Harry’s faces change into anger as he gives her a cold look.
 “Well don’t drag my parents’ marriage into this! I told you that because I trusted you not so you can use it against me!”
“That’s not what I was trying to do!” Y/N pleads. “You won’t lever her Harry! You won’t!” 
“How do you think people will react!” He gestures with his hands. “ After three years of marriage, Harry Styles is getting divorced!” He mimics a random news reporter.
“So-” “I’m not going to let myself be categorized under Hollywood’s failed marriages!” “It was already failing before you met me! Can’t you see I just want you to be happy!”
“I am happy when you’re with me!”
“Well, I’m not!”
“You don’t mean that.” Harry scoffs as he runs his hand through his hair in frustration. 
“How can I not? I’m hearing stories every day about your fights at home. This isn’t even a relationship Harry! It’s an affair! An illicit one! And I-I’m a secret!”
“I don’t want to share you with the public! They will judge us and they’re going to ruin you as they ruined me!” He rambles on. “I’ve been stalked and judged for things I didn’t know matter!” 
“I would rather go through that with you -than to watch you from far away and only have you with me when we’re here inside this apartment.” She points at the floor. 
“I can’t Y/N. I can’t let that happen and I won’t.”
“Then this is over then.” She quickly wipes her tears as she notices Harry doing the same. The yelling seemed to die down as they finally realized that this problem they tried to ignore wasn’t going anywhere.
“You know… for some reason, you taught me a lot of things.” Harry clears his throat as he wipes his wet palms on his pants. “Despite only letting you have one half of me. You somehow took over my whole mind. God, I would love to fight for you Y/N.” He looks at her as he feels tears forming in his again. “I do - I truly would.” A pause happens before he continues, “ For you, I ‘d ruin myself a million times but I would never let you do the same.” He emphasizes to her. “ I don’t want to let you go but I know I should because even if I go get that divorce, I’d still want to keep you as my secret -and that’s not what you want.” 
“I-” Y/N stops herself. She wanted to tell him that she loves him but she knew it wouldn’t help them at all. “I’ll still see you for a while. After my internship though, I’ll be gone.”
“Do you think we’ll stay in touch.”
“I don’t think we should.” She blurts it out as her eyes glance at the fresh bouquet sitting on her table. 
“Alright. I guess that’s it.” Harry sniffles a bit before walking to the door. “I’ll see you.”
“Goodbye.”
And Y/N thought she wouldn’t have to see him again after her internship. Although her heart was broken, she found herself counting the days until she can find a new job. After their unexpected ending, she no longer found herself lonely in the mornings but during the nights too. 
The days he came by the office were more difficult than she thought. She would still feel his gaze on her during their meetings but he no longer greeted her nor gave her any attention. He would walk right past her desk when he visited the office but he would act as if he never knew her in the first place - Not a glance or a wave. 
And that was fine with Y/N, at least she tried her best to think it was. Until her meeting with Rob a week before Harry’s album release. 
~
“Y/N, I would love to offer you a job here at the company. I  will give you a position in Marketing for Harry Styles.” Rob hands her a manila folder across the table. “ You know a few months ago, he spoke about your hard work and how much potential you have and he’s right. This would look great on your resume and the pay will be better here than if you were to start off at another company.” 
Days of thinking and non-stop anxiety flooded Y/N’s mind. She knew her plan was to cut all ties with the pop star but the career that had just been handed to her had so much potential. Potentiality can help her with her student loans and give her a more comfortable life. She would be stupid if she passed the offer because of him. So with no more hesitation, she took her phone and called Rob.
“I’ll take the job offer.”
Part two here!!
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broadstbroskis · 3 years
Text
our love lasts so long | william nylander
a/n: oh hello!! am i here with yet another childhood friends to lovers fic?? why yes, yes i am. one (mildly) based on a taylor swift song, as the title would suggest (seven, a underrated folklore BOP)? yes again. the biggest of shoutouts to anyone who let me talk about this over the past few days but especially to @brockadoodles who listened to many many things and to @danglesnipecelly for reminding me about my childhood friends to lovers brand
word count: 7k
-----
The girls are being mean to her.
They’re older than her, a lot older than her, like already in grade school, and they all have friends here already, because they’ve all been here for a while. Noah frowns. It’s not her fault her daddy just got sent here. Florida’s too hot anyway; she still doesn’t understand how this ice rink even stays cold!
She shuffles her feet along. The Christmas songs are loud and there are a lot of people here but Daddy promised he’d take her around really fast after he finished working on shooting the puck with Jake. She just has to be super patient-she thinks that’s the thing Mommy always tells her to be-while she waits and then Daddy will play with her and those stupid girls won’t even matter.
(And yes she can use that word; she just can’t tell Mommy.)
The ice feels funny, not like she’s used to back at home in Canada, but before Noah can start to look for her Mommy to ask her, someone crashes into her and they both end up on the ice.
The boy who flew into her isn’t crying so Noah sucks her lip between her teeth and fights back her tears. “Hey!” He whines over to someone and then says something she can’t understand.
“Hey!” She whines and shoves him. “You’re s’pposed to say sorry when when you hit somebody!”
“I know!” His eyes widen. The blue is a pretty blue; it’s like the ice and Noah likes it. “My sister pushed me first though.”
“Oh.” Noah says. Jake is always pushing her around and he never gets in trouble for it. It’s not fair.  “Well she should say sorry to you then.”
The boy nods in agreement, his blond hair flopping everywhere. “Yeah but she’s older so she thinks she doesn’t have to do anything she doesn’t want to.”
Noah scowls. “So does Jake.”
The boy’s face lights up. “Well then we should be friends and we could fight them together!”
Someone else who’s going to help stop Jake from shooting pucks at her? Deal. “Okay.” Noah grins. “I’m Noah.”
He smiles back. “William.” 
-----
Willy’s at practice when he hears about the trade, the one that’s bringing Barrett Evans to the Blackhawks, and he hears it mostly because the boys think it means Jake Evans is going to join their team.
Willy’s playing a couple years up here, and there’s an argument going on during practice about if Jake’s doing the same; if he’ll join their team, how soon he’ll be able to get there if he is. That they’re more excited about the potential of Jake Evans joining this team than any discussion of his dad joining the actual Blackhawks is one of the reasons Willy likes this team so much. They’re all chill; no one cares what his dad does or where he plays. 
He’s just another one of the boys.
In about a week they find out Jake is joining their team, his mom quickly setting up a carpool to the rink with Willy’s, who is more than eager to agree, with the new baby taking up (in Willy’s opinion) too much space and time.
(What’d they need another sister for? Wasn’t two enough?)
Jake comes with two sisters of his own, another baby just like Willy’s sister, and then, even better, a dark haired girl that Willy only remembers from pictures and dreams, but a face that he recognizes instantly.
“Hey.” He taps the glass in front of where she’s sitting at his practice, writing something- probably homework. He’s supposed to do his in the car on the way to practice, Mum says so, but he never does, because he hates doing it, and like really, what’s the point if he’s going to be a famous NHL player anyway? 
Noah looks up, a little annoyed, but then her face breaks out into a smile when she sees it’s him. “William!”
“Willy.” He corrects.
She pulls a face. “Ew, like a wet willy?”
“No,” He laughs. “Like my name!”
“That’s dumb.”
“No it’s not!” It’s what everyone calls him.
Noah’s still frowning at him. “Yes it is, Will.”
“No dumber than the ark you’re named after.” He counters. If she’s going to be like that, he can play too. 
“At least I get cool animals on mine.” Noah huffs and then turns away from him, like she’s mad. 
“No hockey on it though.” Willy says and she turns back to him just to roll her eyes at him. “Not really worth it then, yeah?”
“You’re the worst.” Noah says, but she’s back to facing him and smiling again, showing off a couple missing teeth. “Don’t you do anything else?” He shakes his head, grinning. “That’s gonna change because I’m not playing hockey with you all the time.”
“Well I’m not playing dolls with you all the time.” Will says quickly. He has to do that enough with his sisters; he’s not doing anymore of it.
She rolls her eyes. “Stupid boys.” She mutters and goes back to her work.
“What does that mean?” Willy demands but before he can get an answer, his coach is calling them all back to practice and his break is done. He’s just going to have to bug her at the game tonight. 
(He does bug her at the game that night, but she annoys him right back, and by the second period, they’re laughing and grinning, friends once again).
-----
“Ok, but did you lose Alex or just like, misplace him?” Noah looks around her, searching for a head of blond hair in the crowd of people rushing around them in the mall.
“What’s the difference?” Will hisses, using her shoulder to stand on his toes, head turning as he searches for his brother.
“Like, are you actually asking because of a two language thing or are you just being a jerk because we lost your brother?”
Will glares over at him and drops down flat on his feet again, swearing as he does. “Mum’s doing to kill me.”
“Why?” Alex asks, reappearing suddenly with a soft pretzel in hand, and Noah screams, throwing her arms around him. “What happened?”
“We hate you.” Will says and Noah nods in agreement. “That’s what.”
“What’d I do?” Alex protests.
“Disappeared!” Noah cries. “With no warning.
“I told Will I was going to get a pretzel.” He defends. “He can’t listen and that’s my fault?”
Will reaches out like he’s going to pull his brother into a headlock-or worse, Noah’s not going to risk the two of them going at it like they do in their basement here in public-so she reaches out and grabs his hand, intercepting him before he can even make it to just ruffle his hair, or something. “Come on, Alex.” She teases, even as Will drops his jaw at her for stopping him. “We both know Will hears what he wants to hear.”
Alex laughs, looking as pleased as she knew he would, but Will’s jaw remains dropped. “Screw you” Will says, and because she’s still holding his one hand to keep it from going for his brother, she’s defenseless against the finger he pokes into her most ticklish spot.
“Stop!” She squirms away, or tries to- he won’t let go of her hand. “Will! Let go!”
He stops poking her side, but squeezes her hand and grins. “Nope, you chose this; now you’re stuck with me.”
“Your hand is sticky!” She whines. 
“I was testing tape.” Will grins, swinging their hands widely. “Now yours can be sticky too.”
Noah looks down at their hands, joined and still swinging wherever Will moves them. She hopes that’s all that’s on them but you never know with the DC Metro.
-----
There’s a girl giggling behind him.
Willy turns and she stops, but as soon as he turns back, she’s giggling again and this time, so is her friend.
He tugs at the blazer of his uniform, looking down at his shirt. Is his tie done funny? He’d gotten called out for that last week. But it looks fine, just like everyone else’s did earlier. He pulls out his phone. Hurry up. He sends Noah, watching the dots appear on his screen, like she’s texting back, but then she appears, right in front of him. “Finally.” He grabs her and tugs her away from this school, those girls, even more of them giggling at him.
Willy wipes at his face. Maybe there’s something on it? But nothing comes off on his hand and he frowns harder.
Noah’s biting her lip, like she’s trying not to laugh, and it only works for so long. “She has a crush on you, dummy.”
“Oh.” Willy says blankly, trying to sneak a look back at the first girl. 
“Oh,” Noah parrots. “Honest to god, Will, it’s a good thing you’re pretty.”
“Hey!” He forgets all about the girl, in favor of knocking his shoulders against hers-not hard enough to send her falling into the dirty snow of this New York suburb, but hard enough to make her laugh. “I’m athletic too!”
Noah bursts into laughter, this loud thing that’s bright and contagious and only serves to make Willy join in with her- not that he’s trying hard to stop himself. He’s always laughing when she is. “Sure bud,” She pats his arm. “You tell yourself that.”
-----
“Iced tea.” Noah hands a cup over to Will and then slides down so she’s sitting next to him, dangling her feet in the pool. It’s really too cold to go in, but that hasn’t stopped Will, who’s been swimming all afternoon on and off- and it hasn’t stopped him from pulling her in with him.
“How much sugar?” Will asks demandingly, as she rolls her eyes, like he’s not already taking a sip.
She’d normally answer with a snarky comment, just because he deserves it. But the nostalgia’s setting in; it’s been hitting her at random moments all week, and she’s inclined to just be nice to him, leaning against him as she says, “Come on, like I don’t know how you like your iced tea by now.”
Will sighs dramatically, taking her weight and pressing back against her. “Guess I’m going to have to make my own coffee now too, huh?”
“Two creams, one sugar.” Noah reminds him gently and he laughs, but it sounds kind of hollow, not at all like the honk that usually sends her into fits of giggles right along with him. It’s quiet after he stops, the only sound the pool filter a few feet away and the crickets just starting to chirp, and she hates the silence. In all their years of friendship, they’ve never been quiet people, never had to do an awkward dance while they figured out who they were each time they met. They fell right back into easy friendship, laughing and giggling, dragging each other into their favorite things and places, until one of them was leaving.
It feels different this time. “Are you really leaving?” There’d never been a doubt in her mind when her dad left DC that she’d see Will again. Maybe not for a few months, maybe not for a few years, but the day would come.
“For now.” Will shrugs. “I’m sure we’ll be back.”
“It’s Sweden.” Noah says quietly. She doesn’t have that same feeling this time. Sweden’s their home. Why would they leave? 
“It’s hockey.” Will says, like hockey, Sweden, and home- they’re all interchangeable. 
And maybe they are; hockey- the people Noah meets because of her dad’s team, the friends she’s made, Will, his family- hockey, as a concept, has been more of a home to her than any of the houses she’s known, than these temporary places she embraces every two years or so. 
But she’s been around long enough to know what comes after hockey and it’s the only thing that changes home. The offseason home becomes the main home. Dads start picking up carpool duties and volunteer coaching positions. The spotlight shifts to the kids and their dreams. 
It’s hockey and it’s Sweden and it’s home and whether they’re all different or the same, Noah knows this is the last time she’ll be seeing Will.
-----
Willy has minimal complaints about being a rookie, even if Reemer and Naz think he should have more. 
He’s, like, the definition of living the dream. He’s got a sweet apartment that he shares with one of his best friends. He’s on a dream line with two more of his best friends and they’re absolutely tearing it up. 
His team’s incredible, even if they’re a bunch of assholes sometimes (Willy is too sometimes, he admits), but they’re fun and they’re funny and they like to let loose and have a good time, for as often as they’re really fucking serious about the goal they’re all there for. 
Like today. Practice had been brutal and then there’d been a lift before a video session, but there’s nothing on the schedule for tomorrow so there hadn’t even been a question of if they were going out that night. Suggestions for where had been tossed out the second practice ended.
It’s a good night, things are going well and drinks are flowing (as they should be) and then Matts rolls back to the table, weirdly dejected after coming back from the bar trying to talk up a pretty girl, and he takes his chirps with as much grace as the worst loser Willy’s ever met can, but Willy looks over and he knows that girl. He’d recognize those eyes anywhere, even if her hair is longer and maybe darker? So he gets up, even as Matts calls after him, “Fuck you Willy,” and the rest of the boys laugh.
He leans his weight against Noah, laughing at the look on her face when she realizes it’s him. The annoyance leaves her face pretty quickly and a smile slides right in its place, like she’s waiting for him. “Matts is pretty annoyed you turned him down.” He teases, bypassing hello altogether.
“Yeah well,” She huffs and it’s like she’s trying for annoyed but Willy can see the smile that she’s hiding. “Matts needs to learn that just because he’s a big shot hockey player doesn’t mean every girl is going to drop into bed with him at the sound of his name and a free drink.”
“He’s a lot nicer than that.” Willy defends. “Usually. I didn’t mean it like that.” Because, well, Matts can be an asshole, but it’s not about bringing a girl home.
Noah looks at him skeptically. “I’ll take your word for it.”
“Yeah, I’ve never led you astray before .”
She bursts into laughter. “Yeah, okay.” The sarcasm drips from her tone, even through the laughter.
Willy pokes her but it only makes her laugh harder. “Name one time.”
“Sledding in DC, winter skate in New York, ditching school to go to the mall that one time in Westchester, taking the train into-“
He covers her mouth. “I said name one.”
When he removes his hand, Noah’s grinning up at him, and suddenly he realizes what’s different. It’s not her hair (which is darker, he’s sure now that he’s up close), or her smile (still bright and laughing), or her eyes (bright and green and unforgettable). It’s the oh fuck running through his brain, because he’d definitely take her home.
-----
Falling back into friendship with Will is easy; it’s pretending Noah doesn’t want more that’s hard.
It’s always been easy to be friends with Will. She can’t remember a time when they didn’t click, when things felt weird or uncomfortable between them. 
But that was before he started dragging her everywhere around Toronto- to the greatest restaurants she’s ever eaten at, to the Christmas Market, to breakfast on Thursday’s every week he’s in town because he knows that she doesn’t have class until the afternoon. 
The flutter in her stomach is so unfamiliar, something so unassociated with Will, that it takes her a while to place it. And of course he’s doing something so normal, so innocuous, so casual, it shouldn’t even register on her radar. He’s buying coffee, for Christ’s sake!
But he’s remembering that she likes oat milk in her iced coffee, even though she hasn’t really actually told him that; it’s just the order she always gives when they go for breakfast. And he’s ordered her a size up from what she usually gets, without her even asking, just because she’d mentioned being up late last night with homework.
“Here!” Will chirps happily, passing her the cup grinning, and there’s that flutter again, deep in her stomach, and it’s that, that small gesture that means so much, just knowing that he’s looking at her enough to know that she needs this extra large iced coffee with oat milk without even being told, that tells her what this feeling is.
This is a crush.
“Thanks.” She’s gonna tamp this baby down and fast. Why is she even crushing on Will at all? It must be, like, the years they’ve spent apart; she’s been desensitized to him or something. Suddenly, his hair’s all beautiful and his eyes are pretty and shit. Unreal.
“You’re welcome,” Will smiles. “But I didn’t just get this for you just because you look exhausted.”
“Is this a bribe?” She demands.
Will laughs. “Kind of.” She side-eyes him until he caves. “We’re all going out this weekend after the game and the team wants to meet you.”
“Oh.” She says, surprised. “That’s it?”
“You were expecting worse?”
She nods. “Much.”
“Well, nope.” He pops the ‘p.’ “Just gotta come hang out with me.”
“Ugh.” She complains. “Maybe that is worse.”
“I bought you that coffee. I’ll take it right back.” Will threatens.
“Never.” Noah cradles it close to her chest. “Not allowed.”
Will’s watching her, smiling, like he already knows she’s going to say yes, but he says anyway. “So you’ll come?”
“Of course, I’ll come.” It really wasn’t even a question. She would have come even if he hadn’t bribed her with the most amazing coffee she’s ever had to drink, but he sweetened the deal with that, so that’s how she finds herself slipping into the VIP section of a club on a Saturday night, eyes scanning to find him.
It’s not too hard to spot him and she soon finds herself sliding into a group of teammates and significant others, fighting back a laugh at the look on Auston Matthews’ face. “Hi!” She drapes herself over Will’s back, actually laughing at the look on his face and clinging tightly to make him work at pulling her off.
“God, you’re a pain.” He announces, finally tugging her around. 
“Always.” Noah laughs, because this is easy, this is normal. Teasing Will just like always. “It’s what I strive to be, a thorn in your side.”
“You don’t have to try.” She miscalculated this gravely. He’s in the perfect position to dance his fingers into her most ticklish spots. “You just are.”
“Are you going to introduce us, Willy?” Someone asks dryly, one of the guys across from them. “Or just stand there pretending the two of you are in your own little world?”
Will’s cheeks flush-something unusual for him, he’s never embarrassed- but he says, “This is Noah.” Simply; like everyone should know who she is to him just from that alone, and it kind of seems like they do. A bunch of their faces light up and a few of them lean into each other and start whispering together. But she doesn’t get a chance to ask him what he has said about her, what kind of talk he’s been talking, before he’s listing names off of everyone around them, like she’s going to remember all these people.
There’s immediate chatter from almost everyone around her; it’s as if each one of them have been dying to meet her for a different reason. “Willy’s kept pretty tight-lipped about you.” Connor-James-Matt?-She’s already forgotten every name Will’s told her- says, almost too casually. “How long have you guys been seeing each other?”
“Before or after you turned Matts down?” Someone else adds eagerly, even as Auston groans, a little embarrassed.
Will’s fighting back a laugh next to her and she wants to kill him, honestly, she really does. But she settles for the next best thing, plastering her hand over his bicep, playing up a part that she isn’t. “Oh, you know. Fifteen years, on and off, right, babe?”
“Fif-what?” That’s Naz that’s narrowing his eyes at them; she’s pretty sure.
And now Will loses it, at either that, or the faces the rest of his teammates are making, and she pulls her hand away, laughing right with him. “What the fuck?” Tyler says flatly. “You really are just friends.”
“That’s what I’ve been saying!” Will insists.
“He’s a terrible liar.” Noah says. “You’d know right away. His face gets all-”
“Nope.” Will pulls her away. “Think it’s time for a drink, don’t you?”
“Gets all what?” Someone calls. “All what?” 
She winks over her shoulder; she’ll get back to him later.
Noah doesn’t get around to him until much later, dragged to the bar with Will and then out dancing where they’re joined by a few of his fellow rookies. There might be times when they all go out looking to pick up, but this clearly isn’t one, every one of them out doing each other in the most ridiculous ways (Mitch wins; Mitch wins every time).
She gets back to the table a while later, when she’s dying of thirst and Will’s gone to the bar for refills, but it’s been long enough that she’s kind of forgotten she’s somewhat on the hot seat in this group. No one pounces immediately, but two of them- Morgan and Jake- move away from the team’s argument about a podcast they’ve been listening to and slide closer to her.
“So what’s the tell?” Morgan asks and Noah frowns for a second until she remembers earlier, laughing and declining. “Fine, sure. I admire the loyalty, I guess.” 
“It’s too easy for him to return the favor.” Noah laughs.
“Ok, so you’ve known Willy,” Jake says slowly, like he’s trying to calculate in real time. “For 15 years now?”
Noah nods. “Since we were four. Our dads got traded to the same hockey team and,” She shrugs. “Then again, and again, and again.”
Morgan kind of lights up, like this is the best news he’s heard all day. “What exactly was Willy like as a kid? Like has he always slept this much on any flat surface available? Or is that a weird thing he picked up in Sweden?”
“Always.” She laughs and then shrugs again. “I don’t know, I think he’s a lot like he is now. I don’t-I don’t think much has changed.”
And before she can even say anything else, the man himself is slipping in beside her, carelessly throwing his arm over her shoulders and gluing himself to her side. “Don’t talk to them.” Will demands. “They won’t have anything nice to say about me.”
“Rude.” Jake throws a wrapper at him, and it tangles in his hair but Will just shakes it out.
“Actually they’re asking me about you.” She tells him and he gasps dramatically.
“Don’t talk to them.” He demands again and she laughs.
“Why not?”
“I don’t want you ruining my image.”
“What image, pretty boy?” Morgan drawls, and Noah just laughs as Will retaliates by throwing the straw wrapper back at him but he doesn’t leave her side after that, remaining a comfortable weight pressed against her for the rest of the evening.
She doesn’t hate it. Stupid crush.
-----
“Happy Birthday.” Willy slides the gift across the counter but Noah doesn’t even reach for it, still looking down at the textbook she’s highlighting. She’s new-semester stressed still, the kind of stressed where her hair is constantly up in that bun for a few weeks and the bags never seem to leave her eyes. He can’t wait for another week or so, when she’ll finally crash and sleep for like, two days, a break she’s in desperate need of.
“What is it?” She asks skeptically and like, sure, the wrap job’s a little sketch, but Willy did it himself, no help from Mum or sisters. She should be, like, proud of his job mediocrely done. 
“Was I unclear?” He asks, and she gives him a look, reaching for it with an eye roll. 
“My birthday was last month.” She reminds him. “You sent me flowers.”
Willy knows. The flowers had been a placeholder because he’d wanted to be with her when she opened her real gift, to see her reaction, watch the smile grow over her face when she sees what’s in the box. “That was never your whole gift.” 
She smiles. “It could have been! It was just nice to know you were thinking of me.”
Willy stops just before he says something stupid, like that he’s always thinking of her. He hasn’t stopped thinking about her since they reunited last year and he probably won’t stop thinking about her, even after she finishes up with school and figures out her next step. It seems inevitable that fate will follow its same path they’ve travelled their entire lives, and they’ll end up crossing paths three times a year when Willy travels to whatever city she ends up in, knowing before they even meet for dinner that it’s not enough time, never enough time.
Instead he smiles and nods. “Come on, I’d never miss your birthday. Even if we have to celebrate late.”
Noah laughs. “Fair.” She says, finally reaching for the gift he’d laid out for her. And he knows what she’s going to find first, but that doesn’t change how nice it feels to know he nailed it when she opens the box of Swedish candies he’d brought back, a box of all her favorites. “Ohh!” She immediately pops one of her favorite chocolates into her mouth. “I don’t even care what the other thing is; this is amazing. Thank you!”
Willy laughs, kind of nervously. “At least look at it before you decide to stick it in a corner and never look at it again.”
She’s already pulling it out, peeling back the corners of the wrapping paper, and then looking up at him when she realizes it’s a jewelry box. He smiles encouragingly, feeling like he barely manages to get a full smile up before she’s opening, and then it stretches out fully in relief when she gasps. “Will.” She says finally, looking up at him, mouth opening and closing repeatedly. 
“Do you like it?” He asks hesitantly. He’d bought it on the spot the moment he saw it, the green of the peridot the exact shade of her eyes and her birthstone-or at least, it was, according to his sister. The necklace itself, a delicate chain dropping into a teardrop stone, this easy beauty that he couldn’t help associating with only her.  It’d felt too perfect to pass up. 
“I love it.” She says immediately. “This is-it’s-it’s perfect!” She gets out finally, and Willy breaks out into a smile, watching her lift the chain up to her neck. “Will you-” She breaks off, looking at him expectantly.
“Oh!” Willy gets it now, stands up to step behind her and gently takes the ends of the necklace. “Yeah, of course.” Noah lifts her hair and for a moment all Willy can concentrate on is the whiff of peach he gets suddenly. He fumbles the clasp for a second before he finally gets his shit together. “Why does your shampoo smell so good?”
She laughs, letting her hair tumble down again- another burst of peach to his nose- and turns to face him. “I switched it this summer. It’s nice, isn’t it?”
Nice? Maybe it’s because he spends all his time in a locker room with 23 other dudes, but it’s the best thing he’s ever smelled. He feels weird, knows it’s so not friends to want to pull her into his arms, just so he can hold her close and breathe in that smell, so he just nods.
“Yeah.” Willy says and his eyes are immediately drawn to her smile, to her fingers dragging the teardrop along the chain, and he- he flickers his eyes back up before he can go any lower. “It’s nice.”
-----
“You ready yet?” Will picks up his wallet off his island, where Noah’s been sitting for the last hour trying to tweak her resume one last time before submitting it to another job interview. “I’m going to miss my flight.”
“I’m going to kill you.” She says flatly. She’s only been calling that concern out to him since she walked in the door.
Will grins, throwing his arm around her shoulders and tugging her close into his side. If they weren’t about to spend the entire summer apart, maybe she’d fight it more, afraid that she’s taking too much from him to satiate her more-than-just-a-crush. But Will’s pulling his stupid Sugo hat on his head with the hand that’s not squeezing her close, and he’s about to leave her for four months, fresh off the devastation of the Bruins loss, so she curls in, greedily taking anything she can from him. “Save some cap space,” He hums. “If you did.”
“Oh my god.” She shoves him away. She takes it back. She takes it all back. She feels absolutely nothing for him; he’s the worst human she’s ever met.
Will pulls her back in and his arm stays around her the entire walk down to his car, when he only removes it so they can pack his bags in and then slide in their seats. As soon as he starts it and gets on the road, he reaches over again, just resting his hand on her knee.
“I can’t believe you’re just going to let me drive your car all summer.” Noah says, so she doesn't say something she regrets instead, like I love you, or worse, something about his hands and where else he can put them. 
Will glances at her briefly before turning his attention back to the road and Noah’s already grinning before he responds. “Don’t make me regret this.”
Shifting in her seat to better face him seems like a good idea until she actually does it and it means that his hand just moves further up her leg. She has to stop herself from looking at it, his fingers on the skin of her thigh. “You’ll still have a car when you get back.”
“The same car?”
“Maybe with a dent or two in it.” Noah teases, mostly just to annoy him. It works; he flickers his eyes over toward her in a glare. “I’m kidding.”
“You better be.”
“I’d totally get it fixed.” She continues, smiling when Will laughs. “Pristine condition. You’d never know.”
“Just how I want it.” He pulls up to departures and puts the car into park, so they can both step out; him to fly out and her to switch sides, meeting at the trunk. “Please don’t crash you or my car.” He says softly, pulling her into a hug.
“Please come back soon.” She counters, muttering the words into his chest.
It’s apparently not as quiet as she’d intended. “Wedding season.” He squeezes. “I’ll see you then.”
But that’s not what she meant at all. Noah doesn’t want him back for a weekend or two. She wants dry ink on a contract, locking him in to Toronto.
-----
When the start of the season comes around and Willy’s contract still hasn’t been signed, he can’t say he’s surprised to get a Snapchat from Noah, featuring her, Auston, and Mitch all pouting. 
“Come on.” He frowns at her, when they’re facetiming later that day- well into the night for him, actually. “You know why I’m doing this.” 
She pouts again, even though she’d been smiling only seconds before. “Doesn’t mean I have to like it. Why can’t you be in a standoff with management from here?”
“Why can’t you come work from home from here?” Willy counters and she actually huffs at him, but changes the subject.
When his holdout continues to last though, she does, finally, agree to come work from home from his place in Sweden, at least for a little, and Willy has to physically stop himself from fistpumping in excitement. It’s been too many months of seeing just her pixelated face through facetime, of conversations broken up by timezones, and late night calls that make him want things he knows he can’t have. 
It’s only a few days later but it feels like forever by the time that Noah is throwing herself into Willy’s arms the second that she exits the Stockholm Arlanda airport, and it’s only years of core stability training that don’t send them both flying to the ground. 
“How’s my car?” He teases, because it’s been a lot longer than the four months he promised and he just wants to see her smile, in person, without a lag from their stupid iPhones.
It works. “1 door left.” She chirps easily. “Don’t worry, Auston’s helping me fix it.”
“I’m sure he is.” Willy says darkly, because it was really no secret Matts still thought she was gorgeous, even if Willy was sure he’d never actually do anything about it. Pretty sure. At least 50%.
Noah laughs. “You’re hilarious.” She pats his arm a few times and pulls away to get in the car, but he wants to know about what. About Matts? It’s a legit concern, he feels. Maybe he’ll just fire off a text to Matts, just to be sure. “Will?” Noah’s leaning out of the passenger side. “Are we leaving or are we going to spend my whole trip here at the airport?”
“What if we are?” Willy shoots back, but he makes his way to the driver’s seat.
“If it meant that you were coming home?” Noah gives him a small smile. “I don’t think I’d even be mad.”
Willy gives her a tight smile. “Not yet.”
“Is it-” Noah makes a noise and then continues anyway. “Are you going to come home?”
“I want to.” She knows this; they don’t talk about his contract situation often, but they do, occasionally. “You know that.”
“Yeah.” She says softly. “I just-it’s getting close, yeah?”
Yeah, it was. The deadline was creeping closer and closer, with still no deal. He didn’t...love that, he’d say that for sure. He wanted to be back with the boys, playing; was ready to be back with Noah, for any time she’d give him. “Yeah.” He says, and then switches the topic completely, because he doesn’t want to think about what he’s going to do if this is the only time he gets with her until next fall. “You want to go to dinner with my family tonight?”
Noah’s eyes light up. “Yeah, oh my god!”
Willy laughs and takes the next exit on the highway, instead of driving further into town to go to his own place. Dinners with his parents and sisters is usually a quick cure to any spiraling thoughts about the signing deadline, and having Noah there today is even better. She’s a comforting weight against his side; a laughing presence with his mum as they gang up against him; a friend to his sisters after dinner, as they sit curled together in a corner of the living room whispering secrets and waving him away when he gets too close.
It’s a lot of things Willy doesn’t let himself think about, doesn’t let himself want, because Noah’s never given any hints she wants the same. And she’ll always fit with his family, because she grew up with him, with them, but one day she’ll find another guy who she just seamlessly fits into the side of, whose family she can easily laugh and joke with, because she’s that charming and friendly and nice. How could anyone not love her?
“I remember your sisters begging me to braid their hair at games all the time.” Noah says fondly, once she leaves their circle of secrets to come back to him. “God, I can’t believe how old they all are now.”
“Don’t remind me.” Will says darkly. His youngest sister just announced she has a boyfriend, her first boyfriend; he hates it the most.
Noah cackles, as if she knows what he’s thinking about, which, well, maybe she does, after the last hour. He doesn’t even want to know what they said about him (except he does, he really, really does). “If you promise to be nice to him, maybe she’ll let us go one a double date with them before I leave.”
Willy about blacks out when he hears her mention the word date and he’s pretty sure it shows on his face. “Really?” It’s the only word he can get out. Everything is wonderful; thank God, thank Jesus, thank who-fucking ever. This is the greatest-
Noah laughs. “Well I don’t think she’s going to let you meet him by yourself!” She nudges him with her shoulder. “But we could all go to dinner together!”
He takes it back. Everything is terrible and this is not even close to the greatest day ever.
They end up going for dinner with his sister and her boyfriend anyway-whatever, it’s fine.
“He was more than fine.” Noah protests, when they’re walking back to his place from the restaurant. It’s her last day here and Willy’s trying to soak up every bit of her that he can, so if that means walking to a restaurant in the cold, then so be it. “He was really nice!”
“He was, like, moderately nice, at best.” Willy pulls a face. 
“Don’t be that guy.” She shakes her head at him. “You know what guy I’m talking about.”
“Yeah.” He sighs. 
She nudges him. “You know, if you came back to Toronto with me, you’d never have to see him. Out of sight, out of mind.”
He wants to. He wants to so badly. He just...can’t. “You know I can’t.”
“But I don’t!” Noah says, frustratedly. “I don’t know why you can’t at all. You want to be there and they want you there. I don’t fucking get this!”
“Money. Terms.” He shrugs, sounding a lot more casual than he feels. “My agent’s taking care of things. That’s what he’s here for.”
“Well maybe it’s time to take care of things you want for yourself.” Noah mutters.
“What?” Will asks; he’s sure he heard her, but the bitterness is really unlike her.
“Nothing.” Noah curls into him and Willy wraps his arm around her shoulders without question. “Just cold. Left or right to get home?”
-----
Will’s text comes through in the middle of the afternoon, that they’re just ironing out the fine details and that he’ll be on a redeye that night.
You don’t even need to buy me a Christmas present this year. Noah sends in response. Best gift ever. 
When he doesn’t respond, though, she gets a little concerned. He always sends something back, always, whether it’s just a little emoji or some kind of quip, and that was prime for the taking. Call me at the airport? She follows it up. Do you need a ride when you get here? I still have your car.
Matts is grabbing me, going right to practice and meeting w kyle. Catch up later.
She actually startles at the response. He’s never, never been so short with her. It’s not even that the response itself was rude; it just...didn’t even feel like him. It feels like he’s pushing her away and the only thing she can think of is that he is. That he’d realized how she’d clung to him in Sweden in departures, the way she hadn’t been able to stop herself from running her hand down his back before pulling away, and he’d connected it to the fact that she’s definitely in love with him and was pulling away.
It’s the worst thought she’s had since she realized he was staying in Sweden for a while. She’d drunk a bottle of wine then to cope and she does the same now, but then she’s only more cranky the next morning when she’s still over thinking and she has a headache.
The knock on her door only makes her more annoyed, at least until she opens it and sees Will standing in the hallway. “Hi.” She breathes. She’d pictured him coming back to Toronto so many times, and look, she knows she doesn’t need to impress Will, who has seen her at her best and worst, but not once was she wearing sweats and the biggest sweatshirt that she owns. 
“Hi.” Will grins and she’s about to tell him to come in, but then he’s cupping her cheek and ducking down and it’s like time stops as he kisses her.
Noah can’t quite believe she was ever scared that Will didn’t love her. She doesn’t need him to say it, but he’s the one to pull away first, resting his forehead on hers, and they’re the first words out of his mouth. “I love you.” He kisses her again and god, she could do this forever. “You told me if I want something, to just take care of it myself, and I’m doing it. I don’t want to sit back anymore and let someone else love you. I love you.”
Will brushes his thumb over her cheek and Noah tries to gather a thought, any thought after a kiss that turned her brain to mush. “I don’t know when I started loving you,” She says, smiling when she sees the grin grow across Will’s face. “But I think it was before I even know what love was, and I don’t ever want to stop.”
The next kiss is the worst one yet, the smile still on his face (and hers), but that’s okay, Noah muses. They have time. 
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platypanthewriter · 3 years
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Hook Possum 1/4
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Art by @monsdasarah​ for Harringrove Big Bang!
Steve had told the manager of Camp Butternut Springs every year of his life that the mildewed, papier-mache-masked, six-foot-tall opossum mascot was terrifying.  The mask was chipped and patched, fixed with different colors of gray over the mangy glued-on fur.  Its long, stained rat tail had drug through the red camp dirt for decades, and by the summer of 85, the dirty thing looked like it had been dyed with blood.
Hook Possum looked more like a zombie than a possum, with its mesh eyes staring in their ragged, uneven sockets, its lovingly molded teeth half broken off and stained with grime.  Inexplicably—but later, retroactively, mythologized by a ton of camp folklore—it had a hook hand off a pirate costume, gleaming in the sun.
Every goddamn year the goddamn manager had the goddamn Hook Possum outfit on some poor camp counsellor, out greeting campers—the goddamn moron—and every fucking goddamn year one of the already-homesick and worried new campers burst into sobs at first sight of the horrifying thing.  Steve wondered whether the manager was actually in the huge, blank-eyed Hook Possum costume this year, like a prick, because it was even bigger than usual—as tall as Steve, with its ripped ratty ears, and broad-shouldered in a way Steve suspected wasn’t padding.
The hook hand didn’t exactly help.
Steve grabbed the first wailing child he saw around the waist, then two more, and stomped over to the damn possum.  “Here, look, Hook Possum’s not scary,” he said, and they all screamed, because it was so clearly a lie.  
Hook Possum, somewhat to his credit, dropped to a crouch, his shoulders hunched, and Steve thought maybe it wasn’t the manager, just some poor camp counsellor that got roped in, because the manager probably would have roared like a lion—just for fun—and the kids would have wet themselves all over Steve’s lap.  
“Hook Possum just lives here!” Steve told the screaming infants he was holding.  “If you get scared at night,” Steve shouted over their desperate wailing and struggles, “—away from home?  Hook Possum is here to keep you safe.  Right?”
Whoever was playing Hook Possum flinched, and its creepy head jerked around to look at him.
“HELP!” shrieked the kid under his arm, his voice nasal, because he was holding his nose against Hook Possum’s fug of mildew and B.O.
“Nobody has ever yet been murdered by Hook Possum,” Steve gritted out.  “Right?!” he prompted the moron in the mascot suit again, nudging a fur-suited leg with his shoe.  “Hook Possum is like a...camp guardian!  Right?”
Hook Possum stared at his face, which was chilling—after Steve’s first visit to Camp Butternut Springs, Hook Possum had featured in every one of Steve’s childhood nightmares, and the costume was even worse after nearly two decades of wear—but Steve was as tall as the thing now, and he set his jaw.  
“Hook Possum is friendly, right,” he growled, and Hook Possum gave a jerky nod, making a weird choking noise, like maybe it had already eaten a couple of kids.
“Y-ye-ahssss,” the thing hissed, and Steve was tempted to push the whole mess, including the person inside, under a bus.  “Safe as houses,” said the possum, just as strangled-sounding, but it was better than staring silently, so Steve grinned ruefully at the kids, who were quieting as they realized they weren’t murdered—not yet, anyway.  
“You’ll get used to Hook Possum,” he said cheerfully.  “We all do.  Eventually.” 
It had occurred to Steve one night when he was fourteen, and firmly over his terror of Hook Possum, that the perfect cover for an actual serial killer would be a terrifying full-body costume everyone was trying to ignore.  He and Tommy had followed the costume around every time it had someone in it, looking for suspicious behavior.  Years later, he’d donned it himself, and for the first time in his life didn’t fear getting murdered by Hook Possum.  He only worried he might die of heatstroke in padded fur boots, gloves, and a bodysuit in July in Indiana, except for a few startling glimpses of himself in the mirror over the sinks.  
His suggestion every week in the suggestion box was still ‘burn the Hook Possum costume and bury the ashes under a rock’, though, because he was a rational human being who understood what needed to be done.
When he’d talked Robin into applying with him at the camp instead of the video store, he’d snuck the costume on and leaned into her cabin.  She’d screamed satisfyingly, and nearly killed him with an oar.  She’d argued for burying the ashes of Hook Possum in seven different locations around the US, lest it rise again, and they’d put that in the suggestion box, to no response whatsoever.
 It was pretty obvious the current Hook Possum wasn’t used to the cheerful voice necessary to offset its...everything, so Steve did his best.  “Are you guys telling me you’re afraid of possums?” he teased, and the littlest kid, a girl, reached out and lightly batted its nose.  The smell of cigarettes wafted up.  
“I’m afraid,” said the boy, thickly, and Steve nodded slowly, feeling nothing but respect for a smart child.
“Hook Possum protects you guys,” he told them, sitting them on their feet.  “From whatever, you know, else.”
“What could be out there,” the scared boy whispered, his eyes widening, “—that’s worse than—”
“...yeah,” said Hook Possum, in a weird squeaky voice like a Disney mouse.  “Yeah, that’s what I’m here for, I’m here to protect you guys from...nightmares?” he suggested, glancing at Steve, who shrugged, nodding, because it was a pretty good idea.
“You’re soft,” said the littlest kid, grabbing one of the other snifflers by the wrist, and shoving it into Hook Possum’s fur.
“You stink,” said the boy, and Steve elbowed him.
“I’m a possum,” hissed Hook Possum, and the kid nodded.  
“That makes sense.”
Steve muffled his laughter, but he was pretty sure the possum heard, because his crooked, whiskery mask jerked up, and his terrifying mesh eyes stared into Steve’s soul.  He smelled like long winters in a damp shed, and cigarettes, and B.O.— because it was worn every year in the summer in Indiana—but the smallest kids were gathering around and asking questions about possums, and Steve had to call upon his knowledge from years past, and explain things like how possums were too awesome to get ticks.  
Hook Possum listened intently—or maybe just glared at him, smoke drifting from its eye mesh—until Steve was a little annoyed, and mentioned that mother possums carried babies around on their backs.  That was probably way too mean, because the whole horde of children grabbed hold of Hook Possum’s every appendage, and he flailed his hook only once before vanishing in the giggling pile.  
“Here, here, no—” Steve yelped, unable to watch a human being consumed by piranha, and he reached into the laughing, yelping pile and hauled Hook Possum up by the arm, dusting him off.  Two small children dangled from his other arm, and one had him around the neck.  “You have to be nice to Hook Possum!” Steve told them.  “Who’s he gonna stay up protecting, huh?  The kids who’re nice to him, or the little, uh, cusses that knee him in the...shins?”
“...the nice ones,” came a small, grumbly voice from one of the criers, and “Probably the nice ones,” from a little girl who sighed heavily, and another kid just said, “Fine.”  The dude in the possum suit just panted against Steve’s shoulder for a second, and Steve let him, familiar with getting dogpiled by small children with weaponized knees.  
“...jesus,” came a faint whisper from in the possum suit, and Steve pinched him, even though he was grimacing with sympathy.  He lifted the kids off Hook Possum—once the littlest ones had decided he was safe, they tried to drag him around and show everyone how brave they were—and the human in the suit tried to wipe his face, or something, and smacked his hook-hand into the head of his costume.  He sighed, and Steve squeezed his shoulder, and patted his back, ushering the kids away.
“What are you doing here,” Hook Possum wheezed, as Steve pushed him back to sit on one of the picnic table benches.  “What are you doing here,” he repeated, sounding bewildered.
“My dad owns the place,” Steve said in a low voice, as the littlest boy ran back to the buses, screaming about how he’d met Hook Possum, and Robin and Nancy looked over, resigned.  “That’s why it pays so well.  We went to him and told him he could have a staff that would work hard, or he could have three underpaid girls who want it on their resume for becoming teachers, and the second week they’d all have nervous breakdowns.  Why, do...do I know you?” he asked, narrowing his eyes at the blank mesh eyes, and trying to place the weird squeaky voice.
Hook Possum nodded slowly, but Steve was pretty sure he was still staring.  Maybe it was just the mesh eyes.  “...oh,” he said quietly.  “Your...dad.  Owns...it.”
“Yep,” Steve said, shrugging.  “I mean, he owns the company that owns a bunch of camps, you know, but—anyway, you’ve never been a counselor before, right?  I can show you around, if you want.  What’s your name?  How d’you know me?”
Hook Possum stared at him some more, and then said, even higher, like Mickey Mouse, “He’s, like, the owner’s boss?” he asked weakly.  “...name’s Hook Possum.”
“What the fuck,” Steve muttered, staring back into the mesh eyes, but then he saw Robin’s arm fly up as she was consumed in a wave of children, and he clapped Hook Possum on the shoulder and ran off.  
 He saw the guy later, too, still in the costume, even though it was July in Indiana.  He was talking to Max Mayfield, so Steve wandered over.  “You need some help getting out of that?” he offered, because nobody would stay in a horrible hot stinking furry sweat bag by choice.
“No,” said Hook Possum, too quickly, and Max groaned into her hands.  
“Uh,” said Steve, who was starting to wonder if they’d found some possum-obsessed weirdo for a counselor.  “You must...really like possums.”
Max burst into giggles, laughing harder than Steve had ever seen her, and Hook Possum’s long face swung to look at her, then at Steve, then back at her, and then he stomped away.  Because the costume had big, dirty, saggy fur paw-booties, he had to lift his feet high, like a cartoon, and Steve started snickering too.
Hook Possum hunched his shoulders, and scuttled around the edge of one of the cabins, out of sight.  
“Oh my god,” Max cackled.  “He’s finally found his true identity!  Trash rat.”
“Is...is that...Billy,” Steve asked, the thought of Billy Hargrove, camp counselor, hauling off and punching kids, or murdering them, suddenly much less funny.  “What—isn’t he back in Hawkins?!  How’d he get here?!”
“Uh, no!  No, no,” Max said quickly, grimacing and waving her hands.  “Definitely, um, not, no.  It’s, ah, he lives on my street.  He’s, um, saving money to move out.”
“Oh,” Steve said, relieved.  
“The pay’s really good here,” Max explained, too fast.  “—and, uh, mmmm...hiiiis dad’s kinda shitty, so he needs money to get out of his house.”
“Well, he should be able to,” Steve told her, giving her two thumbs-up so she’d make a face.  “We’re practically all seniors, that’s what a lot of us are doing, that or paying for college.”
“...yeah,” Max sighed.  “He can...move away.  Finally.”
“Sounds like you’ll miss him,” Steve said, grinning at her, “—he the brother you never had?”
“...yeah, he um.  He sort of is,” she said, swallowing, and Steve patted her shoulder gingerly.  
“Uh,” he said cautiously, “Um, you...you know you can always give me a call, right?”
“Thought you had kind of a problem with my family,” she sighed, and he shook his head.  
“I’ve got no problem with you.”
“...yeah, that’s what we thought,” Max muttered, maybe, and Steve frowned at her.  “Go away,” she told him, sighing, “It’s fine.”
 They got everybody sorted into cabins, and Steve saw Hook Possum ducking into a bunk in the counselor’s cabin.  He stared for a long moment, watching the enormous possum negotiate its tail and its creepy, vacant-eyed mask and lie down on the lower bunk.
“It’s hot as Satan’s asshole in here,” he groaned.
“...what are you doing,” Steve hissed.  “They cannot be paying you enough to stay in that thing.  There is not enough money in the world to stay in that thing for more than a couple hours.”
“Ah, fuck,” said Hook Possum, sitting up and smacking his head on the upper bunk.  “Shit fuck,” he groaned, “—I can’t see in this thing—”
“Then take it off,” Steve told him, sitting next to him on the bunk and reaching in to feel for the ties behind the guy’s neck, but Hook Possum grabbed Steve’s hand, scrambling back.  
“No!  No, uh,” he stopped, then tried again.  “I need the money,” he said softly.  “I need it—”
“Okay, okay, did you agree to some—some massive bonus bullshit to keep this damn costume on?  Because you’re gonna die of heatstroke in there,” Steve told him.  “I don’t care how much he offered you, you can’t wear that thing all summer—”
“No, I did, I agreed to—to bonus bullshit to keep the damn costume on,” Hook Possum whispered, the fingers in his paw-glove squeezing Steve’s arm, hard.  “I can’t take it off.  He’s—he’s giving me a huge bonus.”
“Fuck,” Steve breathed.  “You’re gonna die in there, I’m not kidding.  You can stay in the shade, or—and we can bring you ice, lots of ice, you could try an ice pack on your neck—”
“I need this job,” the guy said, and Steve nodded, letting him go.
“Okay, okay.  We’ll figure this out, but if the manager comes out, I’m kneeing him in the balls, because—”
“No!  I need the money,” Hook Possum hissed, the weird cartoony voice even odder in a serious conversation.  
“Jesus,” Steve said, sighing.  “Okay.  I’m gonna check in with you, alright?  If you start to keel over, I’m taking it off, we’ll figure out something to tell the manager.”
“Don’t take it off,” said Hook Possum, like he was the last soldier holding the line, and Steve got caught up in it, like a moron.  
“I’m not leaving you in there,” he said, like the trenches were getting shelled.  “I’m not letting anyone die in a possum costume,” he said, to remind himself they weren’t at D-Day.  Hook Possum sighed, his shoulders slumping as he growled.  “And you can’t sleep in that thing, jesus,” Steve said,  “At least change at night.”
“You’d—somebody’d see me,” Hook Possum said, and Steve shook him, a little.  
“We aren’t possum spies, nobody’s gonna tell.”
“How do I know you’re not possum spies,” Hook Possum hissed back, and Steve started snickering.
“Okay, okay, um, curtain?  What about a curtain, we’ll just staple it up here and nobody’ll see your, uh, late night transformation.”
“Oh,” said Hook Possum, snickering a little, like he did realize how ridiculous it all was, and looking around.  “That...might work.”
“Gonna transform out of your outfit like a shitty Cinderella,” Steve sighed, and Hook Possum laughed harder.  “You’re gonna have to shower in the dead of night,” Steve told him.  “I’ll let everybody know it’s just, y’know, just our resident possum.  Creeping around.”  He started laughing again, and Hook Possum elbowed him.  “How are you gonna eat?”
“Shouldn’t be feeding the wildlife in the cafeteria anyway,” Hook Possum pointed out.  “There are signs everywhere.”
“...you know you’re a human, right,” Steve told him, trying not to giggle.
Hook Possum shook with laughter against him.  “I’ll just climb into a trash can and knock it over at three am.  It’s the way of my people.”
“Oh my god,” Steve wheezed.  “I’m gonna get in trouble for feeding the wildlife and letting a possum nest in here, aren’t I?  I’ll sneak you burgers, I promise.”
“Why,” Hook Possum laughed, edging away.  “It’s not your problem, Harrington—”
“Hey, Max likes you, you’re part of the weirdo family we got going on,” Steve said, clapping the guy’s shoulder, and the possum mask swung towards him again.
“...does she?” he asked, snorting softly.
“She does,” Steve confirmed.  “She said.”  Hook Possum stared like a creepy puppet, and Steve was unable to resist reaching up and patting the dusty, greasy fur between the costume ears.  “You’re one of us, now.”
“...once you feed wildlife, it can create a dependency,” Hook Possum said, batting Steve’s hand away, but he was laughing audibly now.  “I read that in a flyer.”
“I can’t believe they handed a possum a flyer about possums,” Steve said, and Hook Possum snorted.
“Right?  Like who the fuck deals with wildlife by handing them flyers, what a moron.”
“I didn’t know possums could read,” Steve said, and Hook Possum kicked at him, completely missing.  “What a smart possum you are.”
“Fuck you, if I could see in this thing—” 
“Oooo, you gonna murder me with your little—your plastic pirate hook hand?” Steve asked, and Hook Possum laughed harder, letting himself fall sideways to curl up on the bunk.  
“Fuck you,” he mumbled again, wheezing with laughter.
Steve wondered who he was—whether he’d defended Max from Billy, or just showed her some skateboard tricks.  Whether he was younger, maybe—Steve didn’t know most of the freshmen—and what he’d look like in about ten minutes when he gave up on the incredibly stupid idea of living in a possum suit for the whole damn summer.
 Steve got hauled into setting up the welcome dinner, sitting the tables out, and putting cleanish rocks on the stacks of napkins to keep them from blowing away.  Hook Possum was useless at it—he nearly dropped the plates, and then bumped into a table because he couldn’t see, almost overturning it, and finally Steve put both hands on his furry possum shoulders and walked him over to a group of smaller kids who were milling around, bored by the orientation speech.
As he wandered by later, he heard Hook Possum telling them “Possum Facts.”
“Possums are gonna be the next police dogs,” he was saying, as Steve stared over.  “They’re gonna yell ‘Fly, my pretties!’ and the perp will be overwhelmed by possums.”
“That’s good,” said one solemn little kid, softly.  “I’m afraid of dogs.”
“Hook Possum is here to protect us,” said another one.  “You can find him if you’re scared of dogs.”
The first kid nodded, wide-eyed, and Hook Possum stared at one, then the other.  “...uh, yeeeah,” he said, slowly.  “Sure.”
“He’ll fight the dogs, Robin said,” said the first kid, and Hook Possum’s mask jerked towards her.  
“Wait, what?!” he hissed, and Steve ducked away, smothering snickers.
 Dinner was uneventful, as usual, in that there was so much chaos Steve was deadened to it, automatically reaching in to stop Dustin from using his spoon to catapult peas at Erica Sinclair and starting WWIII.   
He snuck off when he saw Hook Possum tiptoeing away like a stealthy cartoon.  “D’you need me to feed the wildlife?” he asked, and Hook Possum yelped, spinning around, so his tail whipped Steve in the legs.  
“Holy shit,” he panted, in his weird squeaky voice.
“Sorry, forgot you were a possum on the edge, man,” Steve told him, clapping a hand to his shoulder, and Hook Possum started laughing again, cigarette smoke trailing out of the eyeholes of his mask.  Steve watched it.  “...you have no idea how fucking creepy that looks,” he said.  “It’s eerie.”
“Creepier than my big blank eyes?” Hook Possum asked, and Steve wished he could see the expression of the person in the suit—whether it was resigned, or entertained, or what.  
“D’you want me to get you some food?” Steve asked.  “I can’t see you using the tongs, or like...seeing the buffet very well.”
“Also, I’m filthy,” Hook Possum said, raising a dusty paw.  
“That too,” Steve agreed.
“...I can get something later,” Hook Possum said, laughing a little.  
“You still have to eat, man,” Steve told him.  “And drink some water, at least.”
“What’s going on back here,” came Max’s voice, and they both swiveled.  She had a tray in her hands, and her eyes narrowed.
“Harrington was offering to feed the wildlife,” said Hook Possum, and she snorted.
“You’re a camp counselor, set a good example,” she hissed, waving Steve away.  “Didn’t you see the flyers, Steve?  You can’t feed possums.”
“Everyone saw the flyers, they even gave them to him,” Steve said, pointing.  “Possums probably can’t even read.”
“I barely can, in this,” Hook Possum admitted.  “I had to hold it up over my eyeholes.”
“Hrm,” said Max.  “Okay, Steve, go away, Nancy said to tell you you’re on dishes.”
Steve sighed, and left them to it.
 When he was done, he found an old tatty camp flag in the storage shed, half faded and ripped—he remembered somebody getting in trouble, in years past, for leaving it up all winter—and nailed it up over Hook Possum’s bunk with pruny fingers from the suds in the cooking tent.  He put a hook where the grommet could lift it away, in case Hook Possum’s struggles with his mask caught on the fabric, and then stepped back to look at his handiwork just as Robin wandered in.  
“That’s...really something,” she said, raising his eyebrows.  “We all get one of those?”
“No, it’s for the possum guy,” Steve told her, hooking the flag’s bottom corner up to show that the bunk was slightly easier to climb into.  “He’s like...contracted to wear the damn thing 24/7.  He gets a bonus or something.”
“That’s bullshit.  He’s gonna die of heatstroke,” Robin said, and Steve nodded, shrugging.
“That’s what I said.  Anyway, I told him I’d hide the bunk so he didn’t have to, like, lie there in the costume all night.”
“Playing possum,” she snorted, and Steve grinned, imagining the dude in full possum array, sprawled on his back like roadkill.  
“Sexy,” he snorted, and she waggled her eyebrows.
PART ONE | TWO | THREE | FOUR
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baby, kiss it better - m. tkachuk
I saw a 13-minute video last night just called “the Tkachuk brothers annoying people” and immediately got an idea. Two and a half hours later, this was the result. Title is from cardigan off of Taylor Swift’s masterful new album folklore. Listen if you haven’t, and let me know what you think of this (and the album!)
——
You glanced up at the arena clock. 4:12 left in the first intermission. Taryn rubbed your shoulder lightly, catching your attention. “You good? You’re looking a little on edge.”
You blinked a few times, shooting her a tight smile. “Yeah. It’s good, I’m good. Just a little tired, nervous since the team’s down.” The score was 0-2, Vancouver having gotten in two early goals that the Flames hadn’t been able to catch up to. 
“There’s still 40 minutes of play,” she said, shrugging, “so don’t get too worked up. Weirder things have happened.”
This smile was a genuine one. “Fair.”
Chantal shuffled back into her seat, precariously balancing two trays of food in her left hand while trying to hold her phone in her right. “Hot dog for Taryn, and nachos for you, love,” she said, passing the chips over. 
“Thanks, mom,” you said. You and Matthew had been married for just under two years, but it still never ceased to amaze you how welcoming his family had been, straight from the start. It had never been a question of if you’d “fit in” or not with them; you were treated like a second daughter from the moment Matty brought you home to St. Louis. His mom was beyond grateful her son had finally found someone to tamp down his attitude, Brady loved having another person on his side when he’d chirp his brother, and Taryn was excited to finally have another girl around the house. You loved your own parents, but being grafted so easily onto the Tkachuk family tree was something unexpected but so, so welcome nonetheless. 
It had become something of an annual tradition to have them fly in for a week or so at least once during the season, usually at some point between Matthew’s birthday in December and your own in March. Keith was tied up with something back in Missouri, so he had sent his regrets and his wife and daughter on a plane to Calgary in his stead. They stayed in one of the spare rooms in the house you and Matthew had bought just before the wedding, a gorgeous slate gray four-bedroom on the edge of the city. It had an enormous yard that was practically begging for a dog, so you had dragged Matty to the animal shelter right after returning from your honeymoon in the Seychelles. Cocoa was the other love of your life, an exceedingly friendly lab mix whose chocolate brown eyes had captured you the moment you saw her. 
But Chantal really had turned into your second mom, even outside of your relationship with Matthew. You hung out with her and Taryn on your own accord during the off-season, and on more than one occasion Matty had walked into your bedroom only to see you on FaceTime with his mom. 
“It’s nothing,” she said, waving you off. “I know how you feel about cheese.” It’s true, you had an ongoing love affair with cheese. 
You bent down, taking a sip of water before replying to a text, slipping your phone back into your jeans pocket. You had never been the type of person to check your phone during games, even when Matty wasn’t on a shift. You were his wife, sure, but you were a hockey fan before you ever met and would rather step on a Lego barefoot than miss a single second of the action. The referee dropped the puck at center ice and the second period began. 
Midway through the period, they had cut the Canucks lead by half, Lindholm sneaking a wrap-around goal in the fourth minute, but were still trailing by one. The frustration was beginning to show. Chirps were being thrown more freely, hits got a little dirtier, and more than a few sticks had been banged against the wall in frustration on the home bench. Which is why it wasn’t particularly surprising when Matty dropped the gloves after a decidedly nasty cross-check on one of their rookies. 
Matty got into fights. It’s what he did, he was an enforcer; you knew that when you met him, starry-eyed and 21 and about to finish college. Even with the league’s increasingly restrictive rules on fighting, he always found a way around them. And if he couldn’t find a way around them, he just broke them. There was a reason he led the team by a mile in penalty minutes. You had long since accepted that some nights your husband would come home bruised and battered, a little worse for wear. It was the part he played on the team, and since he had been named captain after Giordano’s retirement, he felt a newfound responsibility to look after his team even more than before. Especially the new players, and especially the rookies. He remembered the feeling of being lost in a new city, in a country that wasn’t his own, with next to nobody that he actually knew. Nobody fucked with his boys, not on his watch. 
Like the rest of the thousands of fans, you watched the fight. You were invested. You played with the hem of your jersey, the same one Matty had given you for your first anniversary when you were dating. You were as proud as anyone wearing it to games back then, and the sentiment hadn’t changed after more than three years. All that was different was that you were wearing a jersey that had your last name on it too. 
Fights rarely made you nervous anymore. Hockey was a rough game, and fighting was a part of it. Everyone knew Matty could hold his own, and despite his devil-may-care attitude, he was usually good about not picking fights he didn’t think he could win. But all of the bets were off as soon as the gloves were thrown and the fists went flying. 
For the first few seconds, it seemed like Matty had the upper hand; he had grabbed a hold of the other player’s collar and had managed to land a few well-placed punches, but his lead was short-lived. He lost his footing for just a moment, but the Canucks player saw an opening and moved in, landing hooks and uppercuts and jabs that Matthew barely missed. The linesmen tried to move in, break up the pair, but they shook them off. Matty tried to land a punch with his left hand, but he missed his face and hit the helmet. The close-up on the screen broadcast his wince for the whole crowd to see. You felt a pang in your heart. As much as you understood that this was his job, this is what he was meant to be doing, it never got any easier. He tried to take a jab with his bad hand, an ill-advised decision that led to him cursing not-so-under-his-breath. The Canucks player missed one, harmlessly hitting the air above his head as Matty ducked. Then he just barely grazed his neck. 
And then he didn’t miss one, his fist leveling with Matty’s cheek. He lost balance, his skates coming out from under him as he fell to the ice, first his shoulder, then his head. You thanked God that he hadn’t been so stupid as to take off his helmet, but you didn’t like how he landed on his hand and how slowly he was getting up. The athletic trainer jogged out on the ice, kneeling next to your husband as your hand shot out to the chair on your left, fingers interlacing with Taryn’s as you held your breath, waiting for him to get up. And he got up a minute or two later, but there was blood and gauze and he had to be supported on both sides, gingerly skating off the ice and going straight to the dressing room. 
You tried to steady your breathing, reminding yourself that injuries happened all the time in sports, that half the time they weren’t nearly as bad as they looked, and that Matthew was one of the toughest people you knew and he would fight tooth and nail to get back out onto the ice barring anything extreme. 
Play continued for a few minutes. You broke your “no-phone” vow and pulled it out, flipping it over and over in your hands as you glanced down at the home screen, waiting for a text to come through. He knew to call you if it was something serious, or to get someone else to contact you, but leaving you hanging wasn’t something he was known for. At the next break in the action, an icing call against Vancouver, the PA system crackled to life. “Number 19, forward Matthew Tkachuk, will not be returning to the game following an assessment by the team’s medical and athletic training staff.” A nervous ripple of whispers chorused through the crowd. You gripped Taryn’s hand so hard you thought you’d break it. Your knuckles were so tight you feared they’d split. He’d never been pulled from a game after a fight; five minute majors here and there, once or twice a season he’d get a game misconduct and be thrown out for ten, but never in your entire relationship had it been his injuries that kept him from playing. 
You turned to Taryn and Chantal, your eyes wide-open in fear and your heart racing. Fuck it, you weren’t going to wait for someone to give you permission to see your own husband when he was probably in the worst shape you’d ever seen him. Chantal’s expression mirrored your own; she knew this feeling, she’d dealt with it for the twenty years her sons had played hockey. She looked over at you, mouthing three words. Go to him. You frantically nodded, squeezing Taryn’s hand before shooting up from your seat, grabbing your bag and shoving the strap over your head. One way or another, you didn’t think you’d be back. 
The heels of your boots clicked underfoot as you made your way out onto the concourse, following the familiar signs of the Saddledome to the private elevators on the far side of the arena. The attendant on call was an usher you knew, thank God, who opened the elevator doors immediately as you walked up. You tapped your foot nervously as the elevator descended down, down, down until it hit the lowest level, the underground corridors that were usually crowded with players, families, and media after games. It was eerily silent as you jogged through, the only sounds being your boots against the floor and the distant roar of fans as play continued. One left and two rights later, you were standing outside of the door to the dressing room, pausing for exactly two seconds to steel yourself to see whatever condition Matthew was in. Once you hand calmed your still-shaking hands as much as your body would allow you, you pushed the door open. 
You were greeted by the team doctor and the head athletic trainer, crowded around your husband, who was propped up on what looked like a massage table. His jersey and pads had been stripped off, all that remained was his sweat-soaked t-shirt. He caught your eye. “It’s worse than it looks, I promise, babe.” You gingerly took a few steps forward. Matty’s good arm, the one that wasn’t  being worked on, wrapped around your waist. He kissed you on the shoulder. 
“What’s the damage?” You asked timidly, tucking a piece of hair behind your ear and looking at the doctor. He finished splinting Matty’s third finger. 
“Couple minor cuts, mild concussion, sprained wrist, one broken finger,” he listed off. You sucked in a breath. He must have sensed the worry radiating off your body, because he smiled kindly at you. “I won’t lie, it’s not good, but I’ve seen worse. He should be back in a few weeks at the longest.” He turned to Matthew. “We’re done here, but you’ve got to promise me to take it easy.” He looked pointedly at you. “Listen to your wife when she tells you to slow down.” Matthew nodded, a hint of his old smile returning. “It really shouldn’t hurt much, but if it’s bothering you you can take some Tylenol. Let me know if it gets significantly worse.” The doctor zipped his bag shut, leaving with the trainer out the door and your husband with a finger splint and wrist brace. 
You carefully hopped up onto the table, carding your hands through his curls, your foreheads just barely touching. He was sweaty, but you couldn’t have cared less. “You really scared me out there, you know,” your voice said, cracking. 
Matty felt a pang race through his body, one that had absolutely nothing to do with his physical injuries. This was his wife, and he had scared her, even though it wasn’t entirely in his own hands and even though that was something he swore on their wedding day he’d never do to her. His heart broke like he broke his promise. “I’m sorry. He was about to beat up on the rookie, and I felt like I had to do something. I couldn’t just stand by and watch it when I could do something. But I worried you, and I shouldn’t have.”
You pulled away slightly, gently grabbing his good hand and running yout thumb over his knuckles. “I know, and how much you care about the boys, how deeply you care for the people in your life, is one of my favorite things about you. It’s one of the first things that made me fall in love with you.” The corner of his lip twitched up in a half-smile. “But I’ve never been scared for you in a fight before, Matty. And this scared the shit out of me, babe.”
His fingers skated up your arm to brush away the lone tear rolling down your cheek. You hadn’t even realized you were crying. “I promised when we got married that I’d always take care of you, put your needs before my own. I didn’t do that today.”
“I get that it’s what you do, I get that you’re an enforcer,” you said, shaking your head. “And I don’t want you to ever feel like you have to give that up for me. I married you for you, all parts of you. And like it or not, that includes the parts of you that beat people up on occasion.” You gave a watery laugh. “I’m not asking you to stop fighting altogether. The boys need someone to back them up, and I’m proud that you’re that person. I’m just asking you to maybe think a little more before you go to drop the gloves, you know?” His blue eyes pierced into your own, his expression softening. “This was fine when you were 21, and I knew what I was getting into back then. I know what I’m getting into now. But,” you took a shaky breath, “there’s someone else you’ve got to worry about.” 
His brows furrowed, not quite able to piece it together. You took a hard swallow. This wasn’t how I wanted to tell him. “I want to bring our baby to games. There’s nothing more that I want than for them to get to see you doing what you love. But I don’t want our son or daughter to have to see their father laid out on the ice because he couldn’t keep his temper in check for once in his life.” The tears were coming more freely now, and you reached up one hand in a futile effort to try and wipe them away, while the hand that was holding yours tightened almost imperceptibly. 
Matthew’s eyes searched your face, looking for any trace of a joke, but he should have known better. This wasn’t something you’d joke about. His breath hitched in his throat. “You’re pregnant?” His heart lifted. While the two of you hadn’t been actively trying, you had gone off birth control a few months ago, having agreed that you were both open to the idea of a baby now, choosing to let whatever happened, happen. 
You nodded, a real smile emerging on your face for the first time all night. Almost on its own accord, his hand moved to your stomach, hovering over it as if he was expecting you to already be showing. You looked down at his awestruck face, silent permission for his hand to creep under your jersey, pressing flush against your stomach. “How long have you known?”
You tilted your head. “I found out two days ago, just before I left to go pick up Taryn and Mom from the airport.”
“Do they know?”
“No,” you said, shaking your head. “I wanted you to be the first. I was going to tell you this weekend, but…” 
“Plans change.” You nodded. 
“How far along are you?”
You met his eyes. “Eight weeks.” Matty silently cursed himself. He wished you had been able to do it how you wanted. He leaned into you, ghosting a kiss over your lips that enchanted you and comforted you and took your breath away all at the same time. He pulled away. “I promise I’ll take a step back from the fighting. You’re right that it’s my job, but this, you, will always be more important.” He took a deep breath. “Being your husband is the best thing I’ve ever done in my life. But this,” he breathed, running his thumb over your skin under his jersey, just above where your son or daughter the size of a raspberry was, “being a dad?” His voice cracked. “I’m never going to do anything better. I don’t care if we win the Cup, or I get into the Hall of Fame, or sign the biggest contract the league’s ever seen. You and this baby are the most important people in my life. And I swear I’ll never do anything again that could make you question that.”
He kissed you again, but this one was different. This one grounded you, somehow communicating all of the guilt, and confusion, and happiness he was experiencing without saying a single word. “And I’m so, so happy about this, babe. Do you know how happy I am?”
It was a little bit of a rhetorical question, but you smiled anyway. “Really happy?”
A full-blown grin burst out onto his face. “I’m fucking ecstatic, babe. We’re having a baby. You’re gonna be a mom. I’m gonna be a dad.”
Tears welled up in your eyes, but just like the kiss, these were different. Happy tears. “You’re gonna be a dad.”
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taylorswifthongkong · 3 years
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Taylor Swift broke all her rules with Folklore — and gave herself a much-needed escape The pop star, one of EW's 2020 Entertainers of the Year, delves deep into her surprise eighth album, Rebekah Harkness, and a Joe Biden presidency. By Alex Suskind
“He is my co-writer on ‛Betty’ and ‛Exile,’” replies Taylor Swift with deadpan precision. The question Who is William Bowery? was, at the time we spoke, one of 2020’s great mysteries, right up there with the existence of Joe Exotic and the sudden arrival of murder hornets. An unknown writer credited on the year’s biggest album? It must be an alias.
Is he your brother?
“He’s William Bowery,” says Swift with a smile.
It's early November, after Election Day but before Swift eventually revealed Bowery's true identity to the world (the leading theory, that he was boyfriend Joe Alwyn, proved prescient). But, like all Swiftian riddles, it was fun to puzzle over for months, particularly in this hot mess of a year, when brief distractions are as comforting as a well-worn cardigan. Thankfully, the Bowery... erhm, Alwyn-assisted Folklore — a Swift project filled with muted pianos and whisper-quiet snares, recorded in secret with Jack Antonoff and the National’s Aaron Dessner — delivered.
“The only people who knew were the people I was making it with, my boyfriend, my family, and a small management team,” Swift, 30, tells EW of the album's hush-hush recording sessions. That gave the intimate Folklore a mystique all its own: the first surprise Taylor Swift album, one that prioritized fantastical tales over personal confessions.
“Early in quarantine, I started watching lots of films,” she explains. “Consuming other people’s storytelling opened this portal in my imagination and made me feel like, Why have I never created characters and intersecting storylines?” That’s how she ended up with three songs about an imagined love triangle (“Cardigan,” “Betty,” “August”), one about a clandestine romance (“Illicit Affairs”), and another chronicling a doomed relationship (“Exile”). Others tell of sumptuous real-life figures like Rebekah Harkness, a divorcee who married the heir to Standard Oil — and whose home Swift purchased 31 years after her death. The result, “The Last Great American Dynasty,” hones in on Harkness’ story, until Swift cleverly injects herself.
And yet, it wouldn’t be a Swift album without a few barbed postmortems over her own history. Notably, “My Tears Ricochet” and “Mad Woman," which touch on her former label head Scott Borchetta selling the masters to Swift’s catalog to her known nemesis Scooter Braun. Mere hours after our interview, the lyrics’ real-life origins took a surprising twist, when news broke that Swift’s music had once again been sold, to another private equity firm, for a reported $300 million. Though Swift ignored repeated requests for comment on the transaction, she did tweet a statement, hitting back at Braun while noting that she had begun re-recording her old albums — something she first promised in 2019 as a way of retaining agency over her creative legacy. (Later, she would tease a snippet of that reimagined work, with a new version of her hit 2008 single "Love Story.")
Like surprise-dropping Folklore, like pissing off the president by endorsing his opponents, like shooing away haters, Swift does what suits her. “I don’t think we often hear about women who did whatever the hell they wanted,” she says of Harkness — something Swift is clearly intent on changing. For her, that means basking in the world of, and favorable response to, Folklore. As she says in our interview, “I have this weird thing where, in order to create the next thing, I attack the previous thing. I don’t love that I do that, but it is the thing that has kept me pivoting to another world every time I make an album. But with this one, I still love it.”
ENTERTAINMENT WEEKLY: We’ve spent the year quarantined in our houses, trying to stay healthy and avoiding friends and family. Were you surprised by your ability to create and release a full album in the middle of a pandemic?
TAYLOR SWIFT: I was. I wasn't expecting to make an album. Early on in quarantine, I started watching lots of films. We would watch a different movie every night. I'm ashamed to say I hadn't seen Pan's Labyrinth before. One night I'd watch that, then I'd watch L.A. Confidential, then we'd watch Rear Window, then we'd watch Jane Eyre. I feel like consuming other people's art and storytelling sort of opened this portal in my imagination and made me feel like, "Well, why have I never done this before? Why have I never created characters and intersecting storylines? And why haven't I ever sort of freed myself up to do that from a narrative standpoint?" There is something a little heavy about knowing when you put out an album, people are going to take it so literally that everything you say could be clickbait. It was really, really freeing to be able to just be inspired by worlds created by the films you watch or books you've read or places you've dreamed of or people that you've wondered about, not just being inspired by your own experience.
In that vain, what's it like to sit down and write something like “Betty,” which is told from the perspective of a 17-year-old boy?
That was huge for me. And I think it came from the fact that my co-writer, William Bowery [Joe Alwyn], is male — and he was the one who originally thought of the chorus melody. And hearing him sing it, I thought, "That sounds really cool." Obviously, I don't have a male voice, but I thought, "I could have a male perspective." Patty Griffin wrote this song, “Top of the World.” It's one of my favorite songs of all time, and it's from the perspective of this older man who has lived a life full of regret, and he's kind of taking stock of that regret. So, I thought, "This is something that people I am a huge fan of have done. This would be fun to kind of take this for a spin."
What are your favorite William Bowery conspiracies?
I love them all individually and equally. I love all the conspiracy theories around this album. [With] "Betty," Jack Antonoff would text me these articles and think pieces and in-depth Tumblr posts on what this love triangle meant to the person who had listened to it. And that's exactly what I was hoping would happen with this album. I wrote these stories for a specific reason and from a specific place about specific people that I imagined, but I wanted that to all change given who was listening to it. And I wanted it to start out as mine and become other people's. It's been really fun to watch.
One of the other unique things about Folklore — the parameters around it were completely different from anything you'd done. There was no long roll out, no stadium-sized pop anthems, no aiming for the radio-friendly single. How fearful were you in avoiding what had worked in the past?
I didn't think about any of that for the very first time. And a lot of this album was kind of distilled down to the purest version of what the story is. Songwriting on this album is exactly the way that I would write if I considered nothing else other than, "What words do I want to write? What stories do I want to tell? What melodies do I want to sing? What production is essential to tell those stories?" It was a very do-it-yourself experience. My management team, we created absolutely everything in advance — every lyric video, every individual album package. And then we called our label a week in advance and said, "Here's what we have.” The photo shoot was me and the photographer walking out into a field. I'd done my hair and makeup and brought some nightgowns. These experiences I was used to having with 100 people on set, commanding alongside other people in a very committee fashion — all of a sudden it was me and a photographer, or me and my DP. It was a new challenge, because I love collaboration. But there's something really fun about knowing what you can do if it's just you doing it.
Did you find it freeing?
I did. Every project involves different levels of collaboration, because on other albums there are things that my stylist will think of that I never would've thought of. But if I had all those people on the photo shoot, I would've had to have them quarantine away from their families for weeks on end, and I would've had to ask things of them that I didn't think were fair if I could figure out a way to do it [myself]. I had this idea for the [Folklore album cover] that it would be this girl sleepwalking through the forest in a nightgown in 1830 [laughs]. Very specific. A pioneer woman sleepwalking at night. I made a moodboard and sent it to Beth [Garrabrant], who I had never worked with before, who shoots only on film. We were just carrying bags across a field and putting the bags of film down, and then taking pictures. It was a blast.
Folklore includes plenty of intimate acoustic echoes to what you've done in the past. But there are also a lot of new sonics here, too — these quiet, powerful, intricately layered harmonics. What was it like to receive the music from Aaron and try to write lyrics on top of it? 
Well, Aaron is one of the most effortlessly prolific creators I've ever worked with. It's really mind-blowing. And every time I've spoken to an artist since this whole process [began], I said, "You need to work with him. It'll change the way you create." He would send me these — he calls them sketches, but it's basically an instrumental track. the second day — the day after I texted him and said, "Hey, would you ever want to work together?" — he sent me this file of probably 30 of these instrumentals and every single one of them was one of the most interesting, exciting things I had ever heard. Music can be beautiful, but it can be lacking that evocative nature. There was something about everything he created that is an immediate image in my head or melody that I came up with. So much so that I'd start writing as soon as I heard a new one. And oftentimes what I would send back would inspire him to make more instrumentals and then send me that one. And then I wrote the song and it started to shape the project, form-fitted and customized to what we wanted to do.
It was weird because I had never made an album and not played it for my girlfriends or told my friends. The only people who knew were the people that I was making it with, my boyfriend, my family, and then my management team. So that's the smallest number of people I've ever had know about something. I'm usually playing it for everyone that I'm friends with. So I had a lot of friends texting me things like, "Why didn't you say on our everyday FaceTimes you were making a record?"
Was it nice to be able to keep it a secret?
Well, it felt like it was only my thing. It felt like such an inner world I was escaping to every day that it almost didn't feel like an album. Because I wasn't making a song and finishing it and going, "Oh my God, that is catchy.” I wasn't making these things with any purpose in mind. And so it was almost like having it just be mine was this really sweet, nice, pure part of the world as everything else in the world was burning and crashing and feeling this sickness and sadness. I almost didn't process it as an album. This was just my daydream space.
Does it still feel like that?
Yeah, because I love it so much. I have this weird thing that I do when I create something where in order to create the next thing I kind of, in my head, attack the previous thing. I don't love that I do that but it is the thing that has kept me pivoting to another world every time I make an album. But with this one, I just still love it. I'm so proud of it. And so that feels very foreign to me. That doesn't feel like a normal experience that I've had with releasing albums.
When did you first learn about Rebekah Harkness?
Oh, I learned about her as soon as I was being walked through [her former Rhode Island] home. I got the house when I was in my early twenties as a place for my family to congregate and be together. I was told about her, I think, by the real estate agent who was walking us through the property. And as soon as I found out about her, I wanted to know everything I could. So I started reading. I found her so interesting. And then as more parallels began to develop between our two lives — being the lady that lives in that house on the hill that everybody gets to gossip about — I was always looking for an opportunity to write about her. And I finally found it.
I love that you break the fourth wall in the song. Did you go in thinking you’d include yourself in the story?
I think that in my head, I always wanted to do a country music, standard narrative device, which is: the first verse you sing about someone else, the second verse you sing about someone else who's even closer to you, and then in the third verse, you go, "Surprise! It was me.” You bring it personal for the last verse. And I'd always thought that if I were to tell that story, I would want to include the similarities — our lives or our reputations or our scandals.
How often did you regale friends about the history of Rebekah and Holiday House while hanging out at Holiday House? 
Anyone who's been there before knows that I do “The Tour,” in quotes, where I show everyone through the house. And I tell them different anecdotes about each room, because I've done that much research on this house and this woman. So in every single room, there's a different anecdote about Rebekah Harkness. If you have a mixed group of people who've been there before and people who haven't, [the people who’ve been there] are like, "Oh, she's going to do the tour. She's got to tell you the story about how the ballerinas used to practice on the lawn.” And they'll go get a drink and skip it because it's the same every time. But for me, I'm telling the story with the same electric enthusiasm, because it's just endlessly entertaining to me that this fabulous woman lived there. She just did whatever she wanted.
There are a handful of songs on Folklore that feel like pretty clear nods to your personal life over the last year, including your relationships with Scott Borchetta and Scooter Braun. How long did it take to crystallize the feelings you had around both of them into “My Tears Ricochet” or “Mad Woman”?
I found myself being very triggered by any stories, movies, or narratives revolving around divorce, which felt weird because I haven't experienced it directly. There’s no reason it should cause me so much pain, but all of a sudden it felt like something I had been through. I think that happens any time you've been in a 15-year relationship and it ends in a messy, upsetting way. So I wrote “My Tears Ricochet” and I was using a lot of imagery that I had conjured up while comparing a relationship ending to when people end an actual marriage. All of a sudden this person that you trusted more than anyone in the world is the person that can hurt you the worst. Then all of a sudden the things that you have been through together, hurt. All of a sudden, the person who was your best friend is now your biggest nemesis, etc. etc. etc. I think I wrote some of the first lyrics to that song after watching Marriage Story and hearing about when marriages go wrong and end in such a catastrophic way. So these songs are in some ways imaginary, in some ways not, and in some ways both.
How did it feel to drop an F-bomb on "Mad Woman"?
F---ing fantastic.
And that’s the first time you ever recorded one on a record, right?
Yeah. Every rule book was thrown out. I always had these rules in my head and one of them was, You haven't done this before, so you can't ever do this. “Well, you've never had an explicit sticker, so you can't ever have an explicit sticker.” But that was one of the times where I felt like you need to follow the language and you need to follow the storyline. And if the storyline and the language match up and you end up saying the F-word, just go for it. I wasn't adhering to any of the guidelines that I had placed on myself. I decided to just make what I wanted to make. And I'm really happy that the fans were stoked about that because I think they could feel that. I'm not blaming anyone else for me restricting myself in the past. That was all, I guess, making what I want to make. I think my fans could feel that I opened the gate and ran out of the pasture for the first time, which I'm glad they picked up on because they're very intuitive.
Let’s talk about “Epiphany.” The first verse is a nod to your grandfather, Dean, who fought in World War II. What does his story mean to you personally? 
I wanted to write about him for awhile. He died when I was very young, but my dad would always tell this story that the only thing that his dad would ever say about the war was when somebody would ask him, "Why do you have such a positive outlook on life?" My grandfather would reply, "Well, I'm not supposed to be here. I shouldn't be here." My dad and his brothers always kind of imagined that what he had experienced was really awful and traumatic and that he'd seen a lot of terrible things. So when they did research, they learned that he had fought at the Battles of Guadalcanal, at Cape Gloucester, at Talasea, at Okinawa. He had seen a lot of heavy fire and casualties — all of the things that nightmares are made of. He was one of the first people to sign up for the war. But you know, these are things that you can only imagine that a lot of people in that generation didn't speak about because, a) they didn't want people that they came home to to worry about them, and b) it just was so bad that it was the actual definition of unspeakable.
That theme continues in the next verse, which is a pretty overt nod to what’s been happening during COVID. As someone who lives in Nashville, how difficult has it been to see folks on Lower Broadway crowding the bars without masks?
I mean, you just immediately think of the health workers who are putting their lives on the line — and oftentimes losing their lives. If they make it out of this, if they see the other side of it, there's going to be a lot of trauma that comes with that; there's going to be things that they witnessed that they will never be able to un-see. And that was the connection that I drew. I did a lot of research on my grandfather in the beginning of quarantine, and it hit me very quickly that we've got a version of that trauma happening right now in our hospitals. God, you hope people would respect it and would understand that going out for a night isn't worth the ripple effect that it causes. But obviously we're seeing that a lot of people don't seem to have their eyes open to that — or if they do, a lot of people don't care, which is upsetting.
You had the Lover Fest East and West scheduled this year. How hard has it been to both not perform for your fans this year, and see the music industry at large go through such a brutal change?
It's confusing. It's hard to watch. I think that maybe me wanting to make as much music as possible during this time was a way for me to feel like I could reach out my hand and touch my fans, even if I couldn't physically reach out or take a picture with them. We've had a lot of different, amazing, fun, sort of underground traditions we've built over the years that involve a lot of human interaction, and so I have no idea what's going to happen with touring; none of us do. And that's a scary thing. You can't look to somebody in the music industry who's been around a long time, or an expert touring manager or promoter and [ask] what's going to happen and have them give you an answer. I think we're all just trying to keep our eyes on the horizon and see what it looks like. So we're just kind of sitting tight and trying to take care of whatever creative spark might exist and trying to figure out how to reach our fans in other ways, because we just can't do that right now.
When you are able to perform again, do you have plans on resurfacing a Lover Fest-type event?
I don't know what incarnation it'll take and I really would need to sit down and think about it for a good solid couple of months before I figured out the answer. Because whatever we do, I want it to be something that is thoughtful and will make the fans happy and I hope I can achieve that. I'm going to try really hard to.
In addition to recording an album, you spent this year supporting Joe Biden and Kamala Harris in the election. Where were you when it was called in their favor? 
Well, when the results were coming in, I was actually at the property where we shot the Entertainment Weekly cover. I was hanging out with my photographer friend, Beth, and the wonderful couple that owned the farm where we [were]. And we realized really early into the night that we weren't going to get an accurate picture of the results. Then, a couple of days later, I was on a video shoot, but I was directing, and I was standing there with my face shield and mask on next to my director of photography, Rodrigo Prieto. And I just remember a news alert coming up on my phone that said, "Biden is our next president. He's won the election." And I showed it to Rodrigo and he said, "I'm always going to remember the moment that we learned this." And I looked around, and people's face shields were starting to fog up because a lot of people were really misty-eyed and emotional, and it was not loud. It wasn't popping bottles of champagne. It was this moment of quiet, cautious elation and relief.
Do you ever think about what Folklore would have sounded like if you, Aaron, and Jack had been in the same room?
I think about it all the time. I think that a lot of what has happened with the album has to do with us all being in a collective emotional place. Obviously everybody's lives have different complexities and whatnot, but I think most of us were feeling really shaken up and really out of place and confused and in need of something comforting all at the same time. And for me, that thing that was comforting was making music that felt sort of like I was trying to hug my fans through the speakers. That was truly my intent. Just trying to hug them when I can't hug them.
I wanted to talk about some of the lyrics on Folklore. One of my favorite pieces of wordplay is in “August”: that flip of "sipped away like a bottle of wine/slipped away like a moment in time.” Was there an "aha moment" for you while writing that?
I was really excited about "August slipped away into a moment of time/August sipped away like a bottle of wine." That was a song where Jack sent me the instrumental and I wrote the song pretty much on the spot; it just was an intuitive thing. And that was actually the first song that I wrote of the "Betty" triangle. So the Betty songs are "August," "Cardigan," and "Betty." "August" was actually the first one, which is strange because it's the song from the other girl's perspective.
Yeah, I assumed you wrote "Cardigan" first.
It would be safe to assume that "Cardigan" would be first, but it wasn't. It was very strange how it happened, but it kind of pieced together one song at a time, starting with "August," where I kind of wanted to explore the element of This is from the perspective of a girl who was having her first brush with love. And then all of a sudden she's treated like she's the other girl, because there was another situation that had already been in place, but "August" girl thought she was really falling in love. It kind of explores the idea of the undefined relationship. As humans, we're all encouraged to just be cool and just let it happen, and don't ask what the relationship is — Are we exclusive? But if you are chill about it, especially when you're young, you learn the very hard lesson that if you don't define something, oftentimes they can gaslight you into thinking it was nothing at all, and that it never happened. And how do you mourn the loss of something once it ends, if you're being made to believe that it never happened at all?
"I almost didn't process it as an album," says Taylor Swift of making Folklore. "And it's still hard for me to process as an entity or a commodity, because [it] was just my daydream space."
On the flip side, "Peace" is bit more defined in terms of how one approaches a relationship. There's this really striking line, "The devil's in the details, but you got a friend in me/Would it be enough if I can never give you peace?" How did that line come to you?
I'm really proud of that one too. I heard the track immediately. Aaron sent it to me, and it had this immediate sense of serenity running through it. The first word that popped into my head was peace, but I thought that it would be too on-the-nose to sing about being calm, or to sing about serenity, or to sing about finding peace with someone. Because you have this very conflicted, very dramatic conflict-written lyric paired with this very, very calming sound of the instrumental. But, "The devil's in the details," is one of those phrases that I've written down over the years. That's a common phrase that is used in the English language every day. And I just thought it sounded really cool because of the D, D sound. And I thought, "I'll hang onto those in a list, and then, I'll finally find the right place for them in a story." I think that's how a lot of people feel where it's like, "Yeah, the devil's in the details. Everybody's complex when you look under the hood of the car." But basically saying, "I'm there for you if you want that, if this complexity is what you want."
There's another clever turn-of-phrase on "This is Me Trying." "I didn't know if you'd care if I came back/I have a lot of regrets about that." That feels like a nod toward your fans, and some of the feelings you had about retreating from the public sphere.
Absolutely. I think I was writing from three different characters' perspectives, one who's going through that; I was channeling the emotions I was feeling in 2016, 2017, where I just felt like I was worth absolutely nothing. And then, the second verse is about dealing with addiction and issues with struggling every day. And every second of the day, you're trying not to fall into old patterns, and nobody around you can see that, and no one gives you credit for it. And then, the third verse, I was thinking, what would the National do? What lyric would Matt Berninger write? What chords would the National play? And it's funny because I've since played this song for Aaron, and he's like, "That's not what we would've done at all." He's like, "I love that song, but that's totally different than what we would've done with it."
When we last spoke, in April 2019, we were talking about albums we were listening to at the time and you professed your love for the National and I Am Easy to Find. Two months later, you met up with Aaron at their concert, and now, we're here talking about the National again.
Yeah, I was at the show where they were playing through I Am Easy to Find. What I loved about [that album] was they had female vocalists singing from female perspectives, and that triggered and fired something in me where I thought, "I've got to play with different perspectives because that is so intriguing when you hear a female perspective come in from a band where you're used to only hearing a male perspective." It just sparked something in me. And obviously, you mentioning the National is the reason why Folklore came to be. So, thank you for that, Alex.
I'm here for all of your songwriting muse needs in the future.
I can't wait to see what comes out of this interview.
This interview has been edited and condensed.
For more on our Entertainers of the Year and Best & Worst of 2020, order the January issue of Entertainment Weekly or find it on newsstands beginning Dec. 18. (You can also pick up the full set of six covers here.) Don’t forget to subscribe for more exclusive interviews and photos, only in EW.
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u-no-poo · 3 years
Text
The Phoenix Ymbryne ||  Millard Nullings
Pairing: Millard Nullings x Fem!Reader
Devil’s Acre Era (includes events in TDODA)
Word Count: 2.3k words
Summary: You are a peculiar who can take the form of a Phoenix. Wights were a constant threat until an invisible boy takes you to your new home. Getting to know him made you realize your purpose and the worth of all you’ve been through.
A/n: this fic includes South-East Asian references and i wrote it in a way you’ll learn easily. so whatever your race is, step inside Y/n’s boots and enjoy this adventure fluff. 
︵‿︵‿︵ʚ˚̣̣̣͙ɞ・༺❀༻・ ʚ˚̣̣̣͙ɞ︵‿︵‿︵
1900, Manila
The gust of wind rustling the forest almost silenced your pounding heart, but not quite. You transformed into a blazing bird and shoot through the bright sky, searching the brown earthen hues below. Your bird form made you an easy target, knowing that the wights after you have hunting guns; but your bird form also allowed you to scan the forest with your peculiar intuition. You could detect souls and sense their objectives. As you fly towards the outskirts of the woods, you located the two wights running away.
Suddenly, you felt another soul wandering through the thickets. A lone, pure heart, a good aura that you wouldn’t expect right after getting chased by blank-eyed monsters. Driven by curiosity, you roamed above the trees where you felt the presence. It was a floating map. You perched on a branch and watched the huge map turn, as if being held by a person. You looked from another angle at it revealed a floating suit and trousers. Carefully eyeing the subject and its pavement shoes leaving a calculated trail, there was only one word you can fathom: peculiar.
It had been over half a century since you’ve seen another peculiar, and it fascinated you how you couldn’t actually see this one. You continued watching the invisible who seem to be looking for something; a landmark? a person? a girl who can turn into a two-feet-tall fiery bird? If it was the latter, you knew you couldn’t easily trust someone, even if your intuition screamed this person’s good intentions.
You flew towards your house by the river, and judging by the angle of the floating clothes below, you knew you’ve been spotted. The moment you reached your home, you transformed back to your sixteen year-old body and slipped in a floor length skirt, a white sleeved shirt made from pineapple fabrics, and a scarf around your neck. You prepared hot chocolate in case that invisible peculiar pays a visit.
It only took a few minutes until you heard a knock on your door. Reluctantly, you opened it to reveal the same floating clothes that seemed to belong to the western world.
"Who are you?"
"Millard Nullings, at your service." A voice of a teenage boy spoke up. You moved aside to allow him enter your home, saying your name as you lead him to the drawing room. At first, you thought it was going to be painfully awkward, but it immediately changed into a pleasant, curious atmosphere when his body headed straight towards the ancient maps on your walls, as if being pulled by a magnet.
"Thank you, this place is incredibly interesting. For the longest time I thought these maps were never to be found again," Millard said as he took the hot chocolate from your hand while staring at the walls.
"These are from my old ymbryne. She was a real treasure," you said, standing beside him. "It shows hundreds of ancient loops across Asia. I wouldn't have found my current home without these maps. Oh, and Millard... may I ask how did you get here?"
"The wights after you were caught a while ago. This loop is marked empty in A Map of Days, so catching two of Caul's followers in here is intriguing. It wasn't long until I found the entrance after leapfrogging through a parallel loop nearby."
Brushing off more questions in your head, you offered him a seat and took sips of hot chocolate.
"Perplexus wasn't wrong when he marked this loop empty," you said. Millard's head most likely whipped up at the mention of the famous cartographer.
You smiled at this and continued. "When my old loop was raided, my ymbryne suggested this small loop. It was an empty peculiar menagerie. I suspect a dozen peculiar animals used to live here with all the traces I've found. But for over fifty years, I haven't seen any peculiarity in this area." You turn your head towards the window. "Past those Cacao trees is the membrane of the loop. A small provincial village with normal people, normal chickens, and a normal carabao. So seeing you here feels more surreal than it sounds," you admitted.
"What about your bird?" he asked, "that tall phoenix flying around the woods?"
A twinge of realization came over you and you sigh, reluctant to admit your peculiarity.
"That was me," you say finally.
"What! You can turn into a phoenix? You're an ymbryne?" Millard's voice was a mix of astonishment and confusion.
"How else did you think I manage to revive this loop?" You smiled.
"I just thought ymbrynes' bird forms are supposed to be inconspicuous. But you were...incredibly remarkable."
Your cheeks heated up at the comment and you divert your gaze with a soft chuckle.
"That baffled me as well, that's why I only transform in important situations. Locals believed me to be a magical bird, thus driving many hunters' attention. My bird form is known as Adarna. Similar to a phoenix, but distinct in certain features."
"Adarna? I've never heard of that kind of bird before."
"It is a famous folklore bird in the Philippines. There are stories about it, even in the Tales of the Peculiar." You stood and picked up an old children's book on the bookshelf across the room. You handed it to Millard, which you assume, made him smile.
"This is an ancient version indeed. I annotate many of the Tales but I've never seen this before. Would you mind letting me borrow this?" You couldn't bring yourself to say no to him, so you insisted he could keep it. Stating that you didn't need a copy, having memorized it for the longest time.
After minutes of discussion, you noticed how he got so excited in the topic of maps, history and his friends. It felt like you were listening to a teacher who loved his work, and you weren't complaining as you found this adorable. You were both having good laughs with Millard's stories, until he finally said, "I trust you expect a reassurance that the wights wouldn't trouble you anymore, but we can't be certain."
Your eyebrows furrowed at this, "what are you planning?"
"To take you to Devil's Acre."
You were surprised and slightly taken aback. He must've seen the faraway look on your face so he continues, "Y/n, you don't have to go now. I can just leave you a detailed map to help you reach the panloopticon anytime."
You paced around the drawing room. "So you're letting me go there alone?"
“If that's what you like, yes. I don't want to rush you into leaving your home, but I’ll feel much better if you let me take you there myself." His British drawl made your throat dry, you could only nod.
"I'll take my time to think about it, but as soon as the wights come near this area, I'll head to your loop for safety." You decided it's only smart to stay home until real danger emerge, despite how much you'd like to go with Millard. "Why don't you stay here for a while?"
"That can be a problem. You see, my ymbryne left me with strict rules..."
"You weren't supposed to be here, aren't you?"
You both just laughed at this.
A while later, a loud commotion started in the other side of the loop membrane. Villagers were screaming and animals were flocking away.
"Was that a regular noise within your loop?"
"For fifty years of living this exact same day over and over again, I can assure you that was most unnatural." You got up and pocketed an old but sharp dagger as Millard packed the maps and the book you gave him.
"Those are certainly Wights looking for their other comrades. We ought to flee this place now," he said.
You both slipped through the backdoor towards the river, careful not to trip into the mud. When you reach the bamboo raft, he held your hand and made sure you wouldn't lose balance. This gesture, however, made you lose your composure instead.
"You seem nervous, is it the raft? Should I let you cross the river first?"
"No, no, it's safe," you said as you both stood on the either side of the raft, trying not to slip as you crossed the river holding tall pieces of bamboo to keep yourselves steady. "I guess I just feel sad that I'm leaving home for good," you say. It was true, but you couldn't bring yourself to admit that he made you flustered.
"I understand that this loop may close permanently as you leave," he said, "but in the Devil's Acre, you may train with other ymbrynes ang get the chance to create new loops, have wards of your own—"
"Train with other ymbrynes?" You exclaimed as the raft reached the other side of the river.
"Yes, they're rather lovely. Miss Avocet and all the other ymbrynes would love to guide you. I also believe my friends will celebrate your company. Horace will cook feast, Olive and Claire will surely entertain you, oh," he said, clearly excited, "the celebration will never be enough!"
"Are you kidding me?" You laughed soundlessly as you headed towards the forest. "Your presence alone is more than enough."
He did not reply anything for a moment and you bit your lip. Millard lead the way to another loop that was connected to the panloopticon. It was a silent but surprisingly comfortable walk. He told you to watch your steps in some parts of the forest and you give every useful information you had about your homeland.
"There it is, come here, y/n." He spotted the portal door propped amongst the old trenches of the place that was once bloodstained by war.
Shivers crawled down your spine as you paced forward. Millard noticed your uneasy expression and ran circles on your knuckles. "You can tell me if you don't want to come," he whispered gently, "we'll figure out another way if you're ever uncomfortable."
"Thank you, but I really want to go with you. I want to meet your family and read your books." A smile painted its way on your face just thinking about it.
Without another question, he lead you through the door while gripping your hand. You held your breath and let him guide your steps. His fingers traced your forehead and you opened your eyes.
═ ∘◦ ❉ ◦∘ ═
1886, London
"Where are we?" You stare at the plain, unfamiliar bedroom infront of you.
"The third floor of panloopticon," Millard said with a relieved sigh. "We just crossed half the world in a matter of seconds, I trust the kitchen will have something to ease our loop-lag."
Without even thinking about it, you pulled him in a hug. He caught his breath and wrapped his arms around you as you feel tears streaming down your face. You missed your country but don't regret being with this boy at all. "Thank you," you managed to whisper.
It had been less than a week since you first arrived. Millard's friends were the kindest people you have ever met. The first time you saw Miss Peregrine, she was furious at Millard for running off without permission, but her mood changed when she met you and realized you were an ymbryne too. You were immediately recruited in Miss Avocet's academy and made friends with many other people in the Acre. You get along very well with Miss Wren who was interested in your peculiarity and the fact that you lived in a menagerie loop in Asia.
Desolations came and you stayed in the Ditch House with Millard reading books for you. While it was raining blood, bones and ashes outside, you were having the time of your life with your new family.
You stayed in the Academy while the rest of Miss Peregrine's wards take on their adventure to France, giving all your best wishes for Millard.
You fought in the battle of the Devil's Acre and tended to the injured with the other ymbrynes-in-training. When you heard the news that Caul was defeated, you were elated and incredibly happy.
You were one of the ninety-five peculiars who broke loop-bound in Jacob's house. You could finally go anywhere you like without the fear of aging forward rapidly, and Millard promised many trips with you, you could only shut him up with a peck on the cheek.
═ ∘◦ ❉ ◦∘ ═
1940, Cairnholm
So many good things happened to you that week, but nothing could beat the joy you felt when you found out that the ymbrynes-in-training are to live with Miss Cuckoo, and Miss Peregrine and her wards in Cairnholm.
You stare at the dog roses in Fiona's garden, you were filled with mixed emotions and wanted a quiet time. All of them are celebrating inside the house; all except Millard, who was wearing a velvet smoking jacket for the occasion.
"It's beautiful here," you said while watching his clothes head your way, "you must be happy that you're home."
"You are my home," he said sincerely, now standing in front of you.
You couldn't grab any witty reply, in fact, you couldn't find any words at all. You knew you were blushing ferociously by now.    
"Mind if I talk to you about something that's been bothering me for a while?" He broke the silence and you nod at him.
"With everything we went through these past weeks, I found myself hoping to stay alive."
You stifled a laugh. "Isn't that a good thing? Wishing you'd survive?"
"That's the point, I wanted to stay alive, not just because we ought to take surviving as a priority, but because I can't get you out of my mind."
Your face went blank. "What do you mean, Millard?"
"I wish it was a choice, but it wasn't. I fell in love with you, Y/n. I'd love you for as long as time."
"And we have time," you reassured him, "I love you too," and with that, he kissed you.
Both smiling into the kiss, you leaned against each other, swaying in the breeze of the garden and basking in each other's presence forevermore.
140 notes · View notes
gaylorlyrics · 3 years
Text
Cowboy Like Me
Howdy partner! this song is clearly a reference to Taylors roots in country music - but it goes deeper than that. It’s about Karlie, and how both girls have built their careers off of selling the idea of love, karlie through modeling and Taylor through songwriting. Both are super ambitious and focused, playing the game and driving their careers forward, but have rags (ok - not rags, but upper middle class normalcy) to riches stories, which makes them feel like the don’t quite belong in the celeb world.
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And the tennis court was covered up
Several people have noticed that this could be a reference to Tennis Court by Lorde. The last time Kaylor was seen together was the below pic at Lorde’s bday. Reading the lyrics to Tennis Court, it almost seems like the same setting as CBM. Lorde’s song explores the dark side of fame, talking about not fitting in and being surrounded by superficial fame. She says “let’s go down to the tennis courts to talk it out” and then we have CBLM that starts in the middle of a sentence with “and”, and takes place at the tennis court, where the cowboys are trying to impress the rich folks, almost as if the songs are sequential.
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With some tent-like thing
Here we’re already getting the theme of not belonging somewhere. Taylor doesn’t say canopy - which is what she is referring to and actually would fit both in terms of syllables and rhyme scheme - she says “tent-like thing” which is both dismissive of her surroundings and tells us that maybe she doesn’t quite know the right word for them.
And you asked me to dance
Let’s just take a moment to remember that 1) Karlie is a dancer and 2) kaylor started at vsfs2013 where they danced on stage together like this:
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dancer karlie!
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But I said, "Dancing is a dangerous game"
This references DWOHT -  which is the ultimate Kaylor song and is all about dancing even though its dangerous, like in the lyrics “can we dance through an avalanche?”, “Swaying as the room burned down”, etc. 
Oh, I thought This is gonna be one of those things
There’s a song called Just One Of Those Things by Nat Porter that you can listen to here, and it seems like Tay is referencing it here. The song lists great loves (ex. Romeo & Juliet) being cast aside and belittled as “one of those things”. This reminds me of people saying that being gay is a “phase” in order to devalue it. Specifically one line in Just One Of Those Things really makes me think about Kaylor - “If we'd thought a bit, of the end of it When we started painting the town We'd have been aware that our love affair Was too hot, not to cool down”. It expresses how they were so loud while glass closeting and had so much chemistry that they couldn't just tone it down they had to go completely dark in order to keep closeting.
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Now I know I'm never gonna love again
In many ways this references the theme of “right where you left me”, Taylor can’t move on because she fell too hard for Karlie and no love will ever compare.
I've got some tricks up my sleeve Takes one to know one You're a cowboy like me
Taylor sees a lot of herself in Karlie. They know how to play the same games in terms of their careers and bearding, but because of this they understand each others vulnerabilities, etc.
Never wanted love Just a fancy car
They weren’t looking for love when they met, they were both just in the place they were because they were trying to advance their careers. However, as Tay has talked about before, the lure or riches and fancy cars isn’t enough to satisfy her. It also references this line in King Of My Heart, where Tay literally says that all the boys aren’t as good as her lover (Karlie) is.
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Now I'm waiting by the phone Like I'm sitting in an airport bar You had some tricks up your sleeve Takes one to know one
You're a cowboy like me
also:
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Perched in the dark Telling all the rich folks anything they wanna hear Like it could be love I could be the way forward Only if they pay for it
Both Karlie and Taylor have built their careers off of selling the idea of love - Taylor through her music and Karlie through her modeling, especially with Victoria’s Secret. Both of them are capitalizing and cashing in on romance. They play the game of love to be valuable to the record labels, fashion brands, and industry overall, getting the “rich people” in the industry to invest in them and their careers. However, both are caught off guard when they encounter the real thing and actually fall in love.
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You're a bandit like me Eyes full of stars
Taylor talks about eyes a lot, but I think this has two meanings. 1 - both of their eyes are full of stars because they are surrounded by other celebs and so they are literally seeing stars all the time. 2 - the more conventional meaning would be that their eyes are bright and beautiful.
It also references two songs that are very much about Karlie: “Starry eyes sparkin’ up my darkest night” in Call It What You Want, and “The stars in your eyes shined brighter in Tupelo” in Dorothea.
Hustling for the good life
Again, Taylor brings attention to the fact that they are both really career focused and trying really hard to be as successful as possible. They don’t have the same type of fallbacks that celebs with famous parents and old money have.
Never thought I'd meet you here It could be love We could be the way forward And I know I'll pay for it
Here Taylor knows that she’ll pay for her relationship with karlie in two ways, 1- she’s paying for it in that by falling in love and pursuing a relationship she’s on the “treacherous” road making her life much more complicated given that she’s choosing not to come out, 2- she is literally paying for beards so she can have a public muse for her relationship songs.
[Chorus]
And the skeletons in both our closets
Plotted hard to fuck this up
Here Tay is talking about closets again. This actually makes me think of two meanings. 
1- it makes me think of the “skin and bones” line in treacherous (maybe because I was just talking about that song) and how tay has used that type of language to talk about her and her lover in the past. The skeletons in the closet could be a reference to the past karlie and Taylor being in the closet, when they were both really thin and Taylor was battling her eating disorder. In the past they were plotting so hard to cover their tracks and stay in the closet, which eventually messed everything up for them. 
2 - The more obvious interpretation is that the skeletons in the closet are the people who were controlling their careers, who they have now moved away from, like SB2. These people messed things up by keeping them in the closet.
And the old men that I've swindled
Both karlie and tay have had careers that were mostly controlled by men who are older than them - VS CMO Ed razek, SB2, etc. These men thought that they were controlling kaylors careers, but kaylor is individually profiting as well.
Really did believe I was the one
This references The One, the first track on folklore.
And the ladies lunching have their stories about When you passed through town
Karlie has quite the rep for making people fall in love with her quite easily (see the klossanova video that @theprologues​ made here). 
But that was all before I locked it down
Love locked down! for more details check out this post and this one, but basically Karlie posted and image with the caption “love locked down” on March 6, 2016, on the same day Taylor posted “one year down” with the picture of a locket. This was one year after their Vogue cover came out in March 2015. Because of this, it seems like they were celebrating their anniversary some sort. Hence the line “I locked it down”. 
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Now you hang from my lips Like the Gardens of Babylon
The Hanging Gardens of Babylon is one of the 7 ancient wonders of the world, known as very beautiful and an incredible feat in engineering (beauty + engineering are both things that describe karlie!). However, archeologists are unable to find proof of their location - therefore it’s unclear if the gardens “were an actual construction or a poetic creation”. 
With your boots beneath my bed
This is a metaphor for sleeping together and is also referencing cowboy boots.
Forever is the sweetest con
It’s impossible to be with each other forever - when we say forever we know that we will actually be separated by mortality and factors we can’t control. However, Taylor is okay being “conned” with ideas of forever, because it’s understood that they will be with each other as long as possible.
And yet, this also references Hoax - it’s a different way of saying “your faithless love’s the only hoax I believe in”. Leaving us wondering if the love was real or a con.
[Chorus]
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drariellevalentine · 3 years
Note
A prompt where mc is unconscious in Ethan's arms.
Oof. This one really broke my heart.
This Is Me Trying
Pairing:- Ethan Ramsey x Arielle Valentine
Warnings:- angst. Major heart wrenching angst.
Takes place during the events of OHSY’s Chapter 5.
Song inspiration:- Folklore by Taylor Swift (I was listening to it on repeat the whole time)
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Arielle’s PoV:-
Just when you’re about to take a break, you get paged by Eth- Dr. Ramsey. With a sigh, you turn around and walk towards the diagnostics office.
You step inside the diagnostics office as the glass doors open with a hiss to see Dr. Ramsey pinching the bridge of his nose.
“Yes?”
He looks up, anger and irritation clear in his face. “I thought you had at least a bit of maturity but I can see that I was wrong.” You stifle the urge to roll your eyes.
“What did I do?”, you ask trying to keep your voice as level as possible noticing that June and Baz are in the room.
As soon as he hears your words, he gets up and slams a stack of papers in front of you. You pick them up to see the name “Gwyneth Monroe” on the top. You wince slightly.
“I thought I had specifically told you that the diagnostics team does not seek patients and that they come to us! I come in and receive the news that Gwyneth Monroe had been approached by a ‘Dr. Valentine’. The same person I said no to as for reaching out.”
“Well excuse me for trying to keep this team afloat! I was only doing what’s best for the team! And besides, by doing this we’ll still be able to treat patients who can’t afford treatment!”
“That’s what you think! The board is thrilled about this and Naveen has told me that the board wants us to ‘move our focus towards high-profile patients’.” His eyes are filled with fury.
“Well I’m sorry but you can’t expect me to just stand there doing absolutely nothing while this team sinks to the bottom.”, you shrug.
“Guys, you should calm down for a moment. The patient’s probably waiting for us and we don’t want to keep them waiting.”, Baz says tentatively.
“Oh yes, from now on just like Dr. Valentine wanted we need to provide all our special patients with VIP treatment!” Your anger flares as he pokes accusations at you.
“I never said that! I’m sorry but the only way that we can still keep running this team just like Naveen wanted is by changing and adjusting a little!”
“And what do you know about Naveen’s vision? Just because you are his goddaughter doesn’t give you more authority then the rest of us, nor does it to make decisions without my approval.” Your mouth drops open as you gape at him. Baz’s eyes widen as June speaks up. “Ethan, that’s extremely low.” Ethan scoffs.
“Seriously?! I thought you knew how hard I worked for this position! Turns out you think that I got into this fellowship because of Naveen and not because of my own damn effort.”
“Stop twisting my words, Arielle.”, he says giving you a death stare.
“I never twisted your damn words.”, you clap back.
“Well, maybe you’re still not ready for a position like this. Seeming that you can’t follow a simple set of instructions.”
“How many times do I have to say it?! I was doing what we needed to do in order to keep our team afloat!!”
“And I told you not to do something which is exactly what you’ve done! I thought you had learned your lesson from last year, but clearly I’ve misjudged you.”
“Don’t you dare bring last year’s events into this! That has nothing to do with this!”, you shout.
“It has the utmost important and impact. Clearly representing your lack of being able to follow a set of instructions!”
“I can’t believe you!”
“We’ll get used to it then. If you pull one more stunt like this, I won’t hesitate to terminate your fellowship.” That sentence triggers something inside of you, a last straw.
“Well in that case, consider my whole damn job ’terminated’!” You slam your ID badge on his desk and rush out of that office as fast as your heels can take you, ignoring Baz and June’s shouts.
Ethan’s PoV:-
You slump back into your chair, and pinch the bridge of your nose.
“Ethan, I know you’re our boss and all that but what in the world did you do that for?! That poor girl just quit her job!” You turn to Baz.
“And she won’t be the only one if this conversation continues.”, you say. They both exit the room.
“Lord, one day she’ll be the death of me!” You decide to go to the ER to help with any patients. After attending to a few casualties, you go back to your office when you see Harper standing at the entrance, arms crossed. You raise your eyebrows.
“Was that Dr. Valentine I saw rushing out of here?”
“Yes.”
“What the hell were you thinking, Ethan?! You can’t just shout at her like that.”
“Well, I can if I need to.”
“Well maybe when she deserves it. You damn very well know that what she did didn’t make you angry. You’re angry that what she says is right, and worried that Naveen’s vision will be compromised.”
You sigh. “...maybe I was a bit too hard on her.”
“A bit?”, she looks at you incredulously.
“Fine! I was hard on her, so what?! It’s not like she’s actually going to resign her job, it was a hot-headed decision.”
“Oh really? Then what’s this?” She waves a minute stack of papers. You take it from her and read it. It’s a resignation letter, signed. Your eyes widen in disbelief.
“She came to me, with a resignation letter and said that she wanted me to sign these papers. She’s very clear-headed and informed me that it isn’t a rash decision, but one that she’s been mulling over for sometime. She’s gotten an offer to transfer her residency back to New York, offering her a part in researching preeclampsia treatments.”
“She wouldn’t…”, your mind says.
“Naveen’s signed them too.”
“What?!” You scan the papers and notice your mentor’s signature at the bottom. “Damn it… I should go talk to her.”
“You should, And do it now. She’s leaving in a few hours to New York. The young doctor’s got quite a few connections.”
“Just tell me where she is!”
She shrugs. “She’s handing over all her patients to other residents so she could be anywhere. Dr. Hirata, Dr. Delarosa and both Dr. Mirani’s have tried talking her out of it but she wouldn’t budge. So did her friends and Dr. Lahela. Naveen tried his best but couldn’t either.”
“Well why didn’t you?!”, you ask.
“You really thought I didn’t? She’s quite the woman, didn’t waver a second. And you know how intimidating I can be.”
“Well, of course she is.”, your mind reminds you as you rush out of the office.
Arielle’s PoV:-
You’re walking through the halls of Edenbrook, handing out your charts to everyone just like you did when you were suspended. Except this time, it’ll be the last. You try to ignore your friends’ voices as you hand out the last of your charts. You quickly change into a white cropped top and a pair of jeans and gather all your things from the locker, slowly loading everything into your locker. You would have asked your friends, but you don’t have the heart to face them.
You quickly check everything off, ignoring the multiple pages you receive from your friends and him. You turn off your pager and take off your white coat, Edenbrook’s logo etched on it and hand it over to Zaid.
“I thought I’d never say this but, I’m going to miss you Valentine.”
“You know what Zaid? Me too, after all who else is going to annoy me in the mornings!”
“God, I’m going to miss you so much!”, Ines wraps you up in a hug. “Have you told your friends anything?”
You shake your head. “I can’t right now. I might fly back and visit in a week or two Probably with lots of presents cause they’ll all hate me.”
She gives you a knowing look. “You know that he didn’t really mean it.”
“I know. But I can’t go on like this.” She nods. You wave one last time before you head out back to your car. You put on your sunglasses as you unlock your car. You’re about to start the engine when you realise your backpack’s still in the office.
“Crap!” You know you’ll have to get it yourself. You head back in, and take the back way to the elevator. Luckily, it’s empty. You get in and press the button for the 9th floor. The elevator slowly descends up, 3rd…...4th…...5th..”-
The elevator dings, it’s doors opening to reveal…
“Dr. Valentine.” You can see the relief in his eyes, his chest lightly heaving.
“He’s been looking for you.” The realisation dawns on you as he enters the elevator.
Suddenly, the elevator jerks slightly. You lightly stumble as there’s no bar to hold for support. You spot the bar near him and decide to stay as far as possible.
Suddenly he presses the emergency button, the elevator stops in its tracks.
“What did you do that for?!” He ignores you. You ask again.
“One argument. One argument and you quit.”
“It wasn’t one argument! You literally blamed everything on me when I was trying to help!”
“So you sign these?!” He waves your resignation papers in front of you.
“You can’t expect me to keep doing this!”
“Doing what?! I never asked you to do anything!” You take a deep breath.
“I can’t do this anymore. Seeing you every day, us acting like nothing more than colleagues, maybe friends. Acting like absolutely nothing happened between us, it hurts, Ethan. It hurts every day, every hour every minute of my damn life!.”, you blurt out. His eyes soften as he hears your words.
“Arielle, I know and I’ve told”-
“Screw my job, screw your damn ethics and morals, screw everything damn it! I’m head over heels in love with you, Ethan Jonah Ramsey, and you can’t expect me to keep quiet!” His eyes widen as he realise the extent of your words. Tears start to roll down your cheeks.
“Do you know how hard it was for me, when you left? I found out from one of the nurses, for God’s sake!”
“I couldn’t bring myself to tell you”-
“And when you came back, after two whole months you address us as something that was in the past, something that already was finished. Was it all that meant to you?”
“I- you know that’s not true”-
“I just can’t do it anymore, Ethan. I don’t know what you’ve heard but I’m leaving Boston in a few hours. I only came back for my bag, nothing else.”
“Wait, we can”-
“I can’t, Ethan, I can’t. I feel like I’m a rope in a game of tug-of-war. You acting hot then cold.You being there right beside me, but not being able to kiss you...I can’t stand it.” You can see his eyes slowly tearing up.
Not being able to look at him, you turn around and press the emergency button, the elevator descends up again. He slams the button again, the elevator stops in its tracks. “Well you can’t expect me to let you leave just like that!”
“I don’t. Which is why I’ve told everyone I’m going to New York.”, you respond as you punch the button again, the lift slowly going up.
“I don’t care where you go, Arielle Cerise Valentine. I will find you, even if it means travelling to the ends of the damn earth.”, he responds as he presses the button again, the lift halts to a stop. His sentence tugs right at your heartstrings, breaking your heart even more.
“Ethan, please don’t. I’m begging you, it hurts. Let me go, you have to let me go.”
“I can’t. How could I?”
“...then I’ll do it for you.” You press the button for the last time, the elevator finally arriving at the ninth floor. You slowly take a step towards the office.
Ethan pulls you back to his arms, his lips meeting yours in a heady kiss. You don’t have the strength to pull away, but you know you have to. You break the kiss as the elevator door starts to open.
“I’m sorry…”
Ethan’s PoV:-
You don’t know what to do, your heart beating irrationally. “Arielle, wait!” She doesn’t look back. In a last attempt, you press the button to close the doors. They close as you sigh in relief. She looks at you, this time really looks at you. Her beautiful violet irises meeting yours. You press the emergency button one last time, never taking your eyes off of her.
“You can’t leave me, I know I’m being selfish but please don’t.” She takes one last look at you, then turns away.
In crushing defeat, you take your hand off the button, the doors start to open as she slowly walks to them. You try to memorise every inch of her, who knows when he’ll see her again. She’s about to step out when suddenly the elevator jerks quite violently.
She’s thrown back into the right wall as your shoulder forcefully collides with another wall. You’re about to help her when a second later, the elevator drops. You hold on to the metal bar for dear life as the elevator rapidly descends down several feet.
Remembering you’re not alone in the midst of the chaos as you hear screams, you see Arielle’s petite body hit the top of the elevator and drop down with a terrifying thud. You watch in horror, cursing as you’re not able to do anything.
“No!!!”
The elevator finally stops after what seems like an eternity. We rush towards Arielle, trying not to focus on the bright blood stains on her white top and hair.
“Arielle? Arielle?! Can you hear me?! Please, wake up damn it!”
Her eyelashes lightly flutter. You quickly take her in your arms.
“Mmm… i-it hu-hurts E-Ethan.” Your eyes well up once again as she struggles to speak, pain completely unbearable, for you mentally and for her physically.
“Shhhh….I know. Can you tell me where it hurts?” She tries to speak but winces in pain.
“Okay, I’m going to examine you slowly and I want you to blink once if it hurts.” She nods very slowly. Suddenly, you hear a tune. You realise it’s your phone.
“Just one second, Rookie. It’s probably Naveen or Harper.” You slowly prop her up against the wall and answer the call.
“Hello?”
“Oh thank god, Ethan! We were so worried. How many people are inside? Is anyone hurt?”, Harper asks.
“No, it was just me and Ari”- You’re interrupted by a soft thud. You whip around to see Arielle lying unconscious on the floor. You drop to your knees.
“Rookie!”
“Ethan?! What happened?!” You can hear Harper yelling but you ignore it, all your attention on her.
“Rookie! Arielle, wake up!!”
This time her eyes stayed shut.
************************************************
Author’s Note:- Okay, first of all I commend you if there isn’t even a single tear rolling across your face. I know I cried while writing this which is why if you see any mistakes, ignore them cause this wasn’t even edited once. But on a bit of a more of a happier note, I’m writing/brainstorming a part 2 to this so...
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advocaado · 3 years
Text
Fiction does not exist in a vacuum and absolutely can and does affect reality.
HOWEVER
Before you pin on your thought police badge and march off to start attacking people on the internet for the media they consume and create, let’s take a minute to talk about nuance and identify some actual problematic trends in media which have real life consequences.
The big question you need to ask yourself before you decry a person or piece of media is: Is that person/piece of media promoting, validating, and normalizing trends or acts that hurt real people? Or is that person/piece of media exploring a dark theme in fiction/harmlessly indulging in a kink?
Below are some examples of cases where “problematic” content in fiction is a danger to real life people, and many where it isn’t. This will not be an exhaustive list. I don’t have endless amounts of time to sit here and talk about every problem in fictional media, and even if I did, I wouldn’t, because there are many more things I’d rather do with my time.
Disclaimer: No media is 100% problem free. No human is 100% problem free. Engaging with others online to discuss problems in media is totally fine. If you don’t like something, it’s your god given right to bitch about it. Bitch to your heart’s content. Just don’t be an absolute ass cloak about it.
Example 1: Huckleberry Finn
This book famously contains racism. Is this a problem? No, not really. Listen. This book is literally about how racism is bad. The message is to not be a racist piece of shit. That’s the takeaway. If you got any other message from this book you need to work on your reading comprehension. Books that teach lessons are good things and impact society in positive ways. This book does literally the opposite of normalizing, promoting, and validating racism. It’s taught in schools for this exact reason. It’s not sugarcoated and that’s exactly what makes it powerful.
Example 2: Fairy Tail
The famous complaint about this and other works by Hiro Mashima is that the women are overly sexualized. Over sexualization of women is a big problem in media across the globe, but particularly in the media that comes out of Japan. It’s a problem that absolutely does affect real women. More on that later. But is Mashima really the big perpetuater of the kind of gross male reader voyeurism that has such a fierce grip on the anime industry? Actually, no. Not really. Yes, almost all the female characters in Fairy Tail are hot and have big boobs in a way that appeals to men. However, the lens through which Mashima tells his stories is not voyeuristic. He doesn’t go out of his way to draw panty shots or sexualize female characters nonconsensually. 9 times out of 10 the women are sexy because they want to be and do it in a way that is empowering for them. There are occasional exceptions, but by and large Fairy Tail is not the big offender of female objectification in anime. Moreover, almost all its male characters are hot and have six packs and idol hair in a way that appeals to women. Everyone is hot. There is no deeper meaning here. Enjoy this series if you like to watch hot people having fun and going on adventures together.
Example 3: Goblin Slayer
Oh, boy, Goblin Slayer. Now here’s a can of worms. Many upon many have decried GS for its inclusion of rape scenes and mentions. The goblins in GS have no females of their own species so they must impregnate human women to continue their race. This sounds utterly awful and it is. But is this finally our shining example of a dark theme in fiction that is problematic in a way that is dangerous to real people? Sorry, but no. Firstly, the concept of a fantasy creature who needs to use humans to reproduce was not invented by Kumo Kagyu and is in fact common in folklore around the world. He didn’t make it up as a way to condone rape. Could he have? Sure. But that’s not the reality of the series. The assault by goblins on human women is not treated as a good thing by Kagyu. It is shocking and horrific and has big consequences within the narrative for both the goblins and their victims. It isn’t treated lightly and does not serve to normalize, validate, or promote rape in real life. The reader/viewer is meant to be disgusted by the goblins, and these scenes, which are few and brief, serve their intended purpose. Nobody is going out and assaulting women in real life because they thought it was cool when the goblins did it in GS.
Oh, but Goblin Slayer, I’m not done with you just yet. Because while it would be a huge stretch to label the inclusion of rape in the series a danger to real life people, there’s something else that you don’t need to stretch nearly so much to identify as such. Remember when I talked about the voyeuristic male gaze being a concerning trend in anime? Well, GS has that in spades. The normalization of sexually objectifying women in non sexual situations is very much present in the series. Describing in loving detail the chest size/shape of every female character often and with gusto is a big part of the light novels. Kagyu loves to describe what a girl’s boobs are doing while she’s sitting at a table eating or doing any other mundane thing for no reason other than to sexualize her for the reader. He made the intentional decision to make Sword Maiden, a rape victim, very overtly sexual for the male gaze without the character having any agency in it. Sword maiden isn’t trying to be sexy. She doesn’t own her sexuality. Hell, she’s blind. Being sexy doesn’t empower her. She’s just fap fodder for the male reader. These things normalize objectifying women and are part of a longtime trend in anime which have real world consequences for both women and men. The sexualization of nonconsenting women is a huge problem in Japan and very much promoted through their media. Anime and light novels continue to send and perpetuate the message that objectifying women is okay and natural for boys to do, and while Kagyu certainly isn’t the worst offender, he’s happily hopped aboard that trolly because he doesn’t see anything wrong with it. And he can’t, because it’s been SO normalized.
Example 4: The Birth of a Nation.
This movie, while entirely fictional, is straight up anti-black propaganda intentionally made to spread hate and fear of black people. Obviously this is incredibly problematic and harmful to real black people. This movie was designed to be that way. The message is very clear. It’s a movie meant to rally whites against blacks, and it did. Horrifically so. Typically media containing hateful messages is less overt about it today, but abusing stereotypes and caricatures of real groups of people and otherwise intentionally perpetuating harmful ideas through fiction is a shitty thing to do and should be wholeheartedly condemned. (Note the keyword “intentionally”. If an author does this out of ignorance, which is all too common, rather than condemn we should seek to educate. People are capable of learning and growing and canceling them for mistakes made in ignorance is every bit as shitty as the mistake they made in the first place.)
Example 5: Fanfiction and shipping
At last, we come to fan media. This is where “don’t like don’t read” becomes the golden rule. Indulging in a kink or exploring dark themes in fanfiction is harmless 99.9% of the time. Fanfiction simply doesn’t have the reach, and thereby the influence, that mainstream media has. If someone wants to write something really fucked up, that’s their choice and nobody is making you read it. Unless the author is outright condoning harming real people, it’s really not your business what they choose to write about. Furthermore, deciding to read fucked up fanfiction does NOT make you a bad person. As stated before, the human psyche is messy and the world is not squeaky clean or a safe place. People are drawn to dark things and there’s really nothing wrong with that so long as real people aren’t being harmed. If something makes you uncomfortable, don’t engage. Protect yourself. You’re not making the world a better place by harassing people online. You’re just being a jerk and honestly doing far more harm to real ass people than that 20 year old writer on AO3 who wanted to write a story about Sasuke having sex with Naruto’s son because of 10 years of repressed sexual impulses toward Naruto.
I could say more but I’m tired and ready to celebrate my Friday by getting drunk. Feel free to interact if you want, just do everyone a favor and don’t be a dick.
TLDR
Things that make you a bad person:
Murdering people
Sexually assaulting/harassing people
Having sex with children
Creating or indulging in porn of real minors
Harassing and sending death threats to real people over the fictional media they create and consume
Espousing, condoning, or perpetuating hate toward marginalized peoples
Espousing, condoning, or perpetuating hate toward anyone tbh
Using fiction as a vehicle to promote, validate, and normalize causing harm to real people
Generally being an ass cloak
Things that DON’T make you a bad person
Consuming media that contains problematic elements
Creating media that contains problematic elements so long as you aren’t promoting, validating, and normalizing harmful acts toward real people
Writing fanfiction
Reading fanfiction
Shipping whatever you goddamn want to ship
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