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#but because of that it is just not as compelling to me you know.
fallloverfic · 3 days
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Me: I read/watch Delicious in Dungeon for The Plot The Plot (spoilers for S01E17: Harpy/Chimera; CW blood and injury):
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And this episode we have the absolute best problem: THERE'S SO MUCH OF IT alkdjaljda
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I always loved this bit in the manga, with Kabru using logic to point out that Toshiro's frustration, while valid from a legal standpoint (and debatably from an ethical one), doesn't make any sense because he'd have done the same thing in Laios' shoes. Kabru defending Laios :3
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Kabru being supportive of Laios more T-T The soft looks. Love them so much.
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There's just something very compelling about how Toshiro is holding his hips in this shot alkjdlajda
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I know Toshiro was miserable during this but they are really cute together T-T Poor Laios wanting to be friends and being very bad at it, which is a total mood.
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Kabru protecc :3333 I just love seeing so much of Kabru's strategic mind at work this episode. He's always thinking and planning something and I love it.
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This shot was just really fucking good. In the manga, Kabru's slightly cropped out of the panel, but the way Trigger like fully defines his musculature is nice. Poor Falin :( Is okay, she gets her revenge and kills him back roflmao
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Blessed Plot TM.
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Just Them TM. Themmmm. So good.
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Couples counseling goes swimmingly alkdjaldja Also I know that Toshiro is holding Laios' leg so that Laios stops kicking his hip/ass but also that leg grab alkdjaldjalj
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MEANWHILE THE BABIESSS. Just love them T-T Kabru just being like -very modest about his own abilities-, learning for future combat situations, and also, "This man is insane and dangerous." aalkdjaldj
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I want it noted that this is Kabru looking at Laios, and while obviously the idea is to focus on Laios' obsession with monsters and the danger that poses were he to become lord of the dungeon, I keep think about that slo-mo pan-up shot and how beautifully Laios is posed here. Just Labru thoughts.
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So soft for each other, these two. Frustration, aggravation, annoyance, pain, but also envy and softness. Toshiro's little, "That's the part of you that I envy." just kills me. Lots of Toshiro softness this episode. His Japanese VA did an excellent job showing his softness for Falin. Also Laios' constant YOU NEED TO EAT SOMETHING kept getting to me alkdjaldja
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THEMMMMMMM They end meeeee T-T "I'm glad we got to chat" just ahhhhhh
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I don't think Laios is going to forget you any time soon Kabru aldkjaldjalj Bless the animation of Kabru he is so beautiful and just ahhh
This episode was so fucking good. Looking forward to next week :3
Other delicious Plot:
The Plot in Episode 3
The Plot in Episode 7
The Plot in Episode 9
The Plot in Episode 11
The Plot in Episode 13
The Plot in Episode 14
The Plot in Episode 15
The Plot in Episode 16
The Plot in Episode 17 (you are here)
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communistkenobi · 3 days
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in that post abt the gender unicorn graphic, in the comments the idea of the “split attraction model” is brought up and you say you dont want to litigate that. however, im really curious what your opinion is bc i have some ideas abt it too. i feel like its sort of an incomplete analysis? like, people feel different ways about others and that cant really be flattened into like two modes of attraction. but i personally would call myself aromantic and bisexual so obviously i have some level of investment of the idea. anyways i just ask because in general i find your analysis and opinions compelling
thank you! re: this graphic
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My issue with splitting “physical attraction” and “emotional attraction” is that it does the same naturalising trick that the chromosomes-as-the-symbol-of-sex does - by splitting the emotional from the physical, this implies that physical attraction is natural, without emotion, and by the same token that emotion can exist completely detached from the physical body of the person you emotionally desire. Like I just don’t think this is true! For example, the idea of “casual sex,” ie sex that is devoid of emotion/emotional investment, is a social construction, it is a sexual act that is being contrasted against societal norms of “serious sex” or “invested sex” or whatever you want to call it - sex that is being done in the context of a monogamous, married relationship, or an otherwise exclusive long-term one. the base social unit of much of western society is the nuclear family, and the nuclear family is “ideally” produced by monogamous, cis-heterosexual, racially homogeneous reproductive sex. That is the norm by which all other sexual behaviour and activity is judged by.
and to be clear I’m not using “emotional” in an idealistic or moral sense, I am not using it as a shorthand for romantic feelings, I am purposefully using the language the graphic is using - I mean any emotion. Like just to be super clear, I’m not suggesting that people who have casual sex all secretly love the people they fuck, or that sex has to always be a serious emotional endeavour, or that people who do not feel sexual attraction to the people they have romantic feelings for are secretly lying, but that I don’t think sex is something that can be devoid of emotionality entirely. Like I think we are engaging in this Cartesian body/mind dualism where the physical acts we perform are somehow wholly separate from our emotional states. Pleasure has an emotional component to it, I don’t know how to articulate my experiences with pleasure that do not involve some level of emotionality, and emotionality has a physical character to it. Like in fact I think this graphic is treating emotions as ideal states - it reminds me of like old misogynistic psychological theory that described rationality as an absence of emotion, that to engage in rationality is to move away from emotion. It treats rationality as “out there,” objective, natural, detached from social influence, and emotion as “in here,” in our hearts, ruled by the social. And this distinction is made on the idea that the social world is detached from the physical world, which is pure idealism.
this is not a dismissal or denial of anyone who feels a disconnect between their sexual and romantic desires, such as asexual or aromantic people - while I am neither of those things, I have experienced intense physical desire for the person I’m fucking while actively dissociating during sex as a result of dysphoria/heteronormativity/etc etc. by the same token I have also felt emotionally compelled to be physically attracted to someone without actually feeling physical desire. These are both emotional states that were in conflict with my physical desires, or rather my physical desires as I understood them at the time. our ability to interpret and understand our desires is itself social! otherwise heteronormativity wouldn’t be a thing. We don’t have unmediated, unemotional access to physical desire, which I think this graphic is arguing, intentionally or not.
so having complicated, contradictory, disconnected, or otherwise ‘non-normative’ relationships to our emotional states vis a vis physical desire is obviously very real, and the reason they are real is because physical desire is also socially mediated and constructed. What and who we find attractive, why types of bodies, physical and character traits, etc are attractive to us are all part of (joker voice) society.
now, idk how you easily communicate this in graphic format. perhaps these things are unsuited to the medium of easily digestible graphics, or perhaps I’m limited in my imagination. either way I don’t think bifurcating emotional-desire-as-social and physical-desire-as-natural is particularly helpful
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gallawitchxx · 2 days
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hi beeee!! i hope you're doing okay 💖💖💖
ooohohohoho okay for the kiss thingy: god knows why cuz it sounds potentially very painful but i feel so compelled to request 28 🙏
sweet deanna! i'm hanging in, thanks love! 💖 so you & @lingy910y both requested #28 & i want to fill both of your prompts. but because you were (rightfully) afraid of pain, i gave you one that's a bit strange, but has a promisingly happy ending? you can be the judge! xx
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send me a number & i'll write you a smoocheroo 😚
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#28: ...as a lie ps. this is inspired by this post about dealer!mickey & insomniac!ian, who have now rotted my brain.
Ian hasn’t slept in days.
It’s happened before—endless energy is one of his tried-and-true symptoms of mania—but this isn’t that. He’s taking his meds, his skin isn’t crawling and his mind is fairly quiet. Quiet enough to frustrate him as he tosses and turns and wonders what the fuck’s going on.
His schedule has been all over the place lately; his normal routine lost to the endless cycles of employment and Gallagher family responsibilities. He’d been hoping to add school to the mix this semester so that he could have other, less hectic options than a rig-riding EMT, but he’d pushed it off. A pity, now that all-nighters are apparently his thing.
Night two, he googles a few things, which is a huge mistake. Who can fall asleep after reading about how even just twenty-four hours without sleep can begin to derail your bodily systems? Sleep deprivation can cause or worsen conditions like Type 2 diabetes, High blood pressure, Stroke, Heart attack—his pulse leaps as his phone clatters to the ground.
Night three, he takes to the streets, running around the Southside until his lungs burn and his knees wobble. As he passes the clinic that gave his seventeen-year-old self a lifetime prescription for antipsychotics, he knows that if this lasts much longer, he should call his doctor. Tell them his nighttime meds aren’t putting him to sleep anymore. Nip this insomnia thing in the bud before it can overthrow the delicate balance he’s worked so hard to maintain.
Night four, desperate and a bit delusion, he pulls up a number he hasn’t used in years, saved under a contact labeled, DO NOT TEXT.
He breaks his own rule: Hey. Still making house calls?
The response is almost immediate: the fuck u care for?
Ian rolls his bloodshot eyes, typing: It’s an emergency.
Three little dots herald a response that makes him laugh: a weed emergency?
He stays strong: Wouldn’t ask if I didn’t need it.
The next text makes his chest clench: u ok?
He decides to keep it vague—I can’t sleep, but it’s not what you think.—and hopes he doesn’t have to explain further and is relieved to read: u want ur usual?
Another clench: Indica
Two texts arrive in rapid succession: what else do u want? can i give u head while u smoke or no?
There it is: the reason Ian doesn’t use this number anymore.
Maybe in another life it would be a blessing to have a weed dealer to lovers arc with your childhood crush, but in this one, it was a curse. A curse that lasted almost a whole year, bringing with it an endless bouquet of blissful fucks and free weed, and a million moments of tenderness Ian knew nobody else was getting out of the guy. A curse that eventually came to collect payment in the form of bloodied knuckles, broken hearts and ego wounds. A curse that still clings to Ian’s psyche, filling his dreams with gentle, tattooed fingers and bright blue eyes and a sweet and savory scent that can only be described as Mickey.
Mickey, now DO NOT TEXT.
On second thought, maybe he should never sleep again.
The knock at the door makes him hard—a Pavlovian response that irks him more than the three sleepless nights he’s suffered so far. Three raps, one right after the other. The last one no more than a brush of his hand.
Ian adjusts himself and answers the door.
Fuck, one look at that smug asshole and he’s immediately right back in it. Lust and like and maybe even a little bit of reckless fucking love fill his body, rising to the surface like sweet cream. A layer of fat on the roof of one’s mouth; a treat to lick later, a reminder that they didn’t end things because they weren’t insanely hot for one another and potentially soulmates. They were just idiots. Stubborn, petty dicks.
Oh Pride, the great slayer of men.
Jesus, he needs to sleep.
“First one’s on the house,” Mickey says as he crosses the threshold, a joint held tightly between C and K.
Hours slip by. They laugh, they smoke. It feels like old times. Ian’s body is loose in a way it hasn’t been in years. It feels good. Like maybe-he-could-sleep-tonight good. And as he melts further into the couch, he starts to get a little horny too. Because Mickey’s yapping on and on about some asshole that frequents the bar he works at, and Ian’s listening, he swears he’s listening, but he’s also staring at Mickey’s mouth like he wants to take Mickey up on that text message and shut him the fuck up with his dick.
Like he wants to taste the stale smoke of his tongue.
Wants him to stay the night.
Forever, maybe.
Mickey finishes his story. His eyes go soft and he drums his fingers against his knee. “Should get outta your hair, Gallagher,” he says. “Letcha sleep.”
That’s the last thing Ian wants.
“Not tired,” he fibs.
Mickey cocks an eyebrow. “You’re not? ’S been days, man. This shit’s gotta be hittin’ ya by now.”
It’s true. It has been days and this shit is hitting him. Or maybe he’s having a sleep-deprivation-induced stroke. He just knows Mickey can’t go.
“Can’t go to sleep without a goodnight kiss.”
Mickey’s already leaning in when he asks, “Then you promise you’ll hit the hay?”
Ian nods as Mickey presses a kiss to his lying lips.
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gonzo-rella · 14 hours
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Them | Art Donaldson
MASTERLIST | AO3 | KO-FI
Relationship(s): Art Donaldson x gn!reader (unrequited romantic), Art Donaldson x Tashi Duncan x Patrick Zweig (romantic)
Summary: You'll never be them.
Warnings: Angst, unhappy relationship. (Let me know if I need to add any)
Word count: 0.3k
(A/N: I saw Challengers today and… oh boy. This throuple is so fucking compelling, I like depressing shit, and I had a crush on Mike Faist's Connor Murphy when I was a teen, so I figured why not write something to combine my crush, my love of depressing shit and my fascination with this throuple to write a little thing. I thought it'd be a really interesting dynamic to explore. If you'd be interested in seeing more from this idea, let me know, and I'll happily write something! I'm tempted to write an angsty thing where the reader is finally open about the fact that they know about Art's feelings for Tashi and Patrick.)
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You’ll never be them. 
You’ll never be Tashi Duncan, whose gaze he craves like sunlight. It’s like he searches for his reflection in her eyes- no matter the distance between them- because that’s the only place he wants to exist, or can exist. He gets lost in them. It’s a good job he doesn’t want to leave; he couldn’t if he tried.
You’ll never be Patrick Zweig, whose smile would make his knees buckle were his legs not strong from years of training. His stare can’t stop time quite like Tashi’s, but he’d probably melt if Patrick looked at him for long enough.
Their history is something you’ve pieced together from scraps of anecdotes he’s reluctantly offered up over the time you’ve been together. Each one serves as a bedtime story you can’t help but tell yourself late at night, the ceiling a screen on which to project memories that aren’t yours. Art always faces away from you when you’re in bed together. You used to wonder if he was dreaming of them, or just her, or just him. But, one night, you noticed the moonlight reflected in his eyes, and you realised he was lying awake, too, as tortured by Tashi and Patrick as you.
He can love more than one person at a time. Maybe he loves you, too. But, he doesn’t love you like Tashi, or like Patrick. You know that. He can say those three magic words all he wants. He can kiss you. He can look at you. It all rings hollow when adoration practically radiates off him when he locks eyes with Patrick or Tashi. You recognise it because it’s like the adoration that radiates off you when you look at him.
But, you don’t say anything. Just like how Art doesn’t say anything.
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iersei · 1 day
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okay. let's talk about black terry jr.
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TL;DR: terry jr is black. that is something that should not be erased. regardless of your access to or willingness to search for the canon material that confirms this, you should not be depicting him as white. whitewashing terry by refusing to think of him as black creates an unsafe space for our black community members, and you should re-examine your personal biases if you choose to insist on continuing to see terry as white.
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terry jr is black. point-blank. and if terry jr is canonically black, then he should be depicted as such.
i will concede that it is something that you might not spot if you listen through the podcast casually. it's something that i didn't know was actually official in any capacity until recently. and i would like to note that i do not have and have never had access to the dndads patreon. i have not listened to any of the teen talks in full (even the ones released to the public. it's just not my jam.), and any information or spitballing contained within is something that i have either been told second-hand or am completely unaware of. i also didn't look at the official poster (the "everything is alright" poster) that depicted both terry jr and samantha as black.
but the fact of the matter remains that terry jr and samantha are black and have been acknowledged as such within the source material.
once again, i myself didn't seek this information out enough to know it was official canon. so then why have i always depicted them as black anyway?
well when i started engaging with the fandom, i saw what was being presented to me in the fandom was overwhelmingly that terry was indeed black or at least popularly interpreted to be black. and my first and only thought was that that was nice. so i decided to roll with it.
if i really wanted to check if that was canon and it being canon was important to me, i could always have asked around. i could've sought out information from official sources. because if they were black and i just missed it in some way, i would've wanted to check myself. especially because doing so would lead to whitewashing.
but i didn't feel the need to do that because i think that just the added racial diversity was really cool to see on its own.
for argument's sake, there is still the possibility that you'd think it is simply just popular fanon. let's say you chose to not check for yourself whether or not he was canonically black. or let's say that, for whatever reason, you think that what is available isn't enough to sufficiently deem him canonically black. so let's discuss why terry should still be depicted as black even if it was "just" fanon and there were no official artworks to go off of.
i am not of the opinion that fanon in general should be taken as gospel. in fact, there are quite a few things within dndads fanon itself that i personally disagree with and choose not to engage with. the reason why this interpretation in particular is a sore spot is the question of why, after seeing the popular portrayal and recognizing the ability to create racial diversity in a space where a good amount of appearances and identities can be up for interpretation, someone would still choose to depict him as white.
why do you choose to depict him as white? do you have any personal biases that make you think that he would or should be white? do you think that it is unimportant or inconsequential to not depict him as a person of color?
what would be so compelling about making him white that you would choose to go against this interpretation? why is it so important that you continue to see him as white?
who are you ignoring in the process?
i do not think it is deliberately malicious to initially think that terry jr is white. it is the unfortunate truth that white tends to be considered the default. but it begins to rub me the wrong way when anyone chooses to stick with that idea when presented with any evidence or argument to the contrary.
though i will admit that i am not black, i am still a person of color. and i think that creating a fandom space where we can highlight, create, and celebrate racial variety means creating a space where people of color feel safer. and because i would like to uplift the black fandom member who tried to voice their own personal take on this matter, i would like to link back to [this post from vivalapersistence] as the reason why i felt compelled to talk about this in the first place.
i don't want to talk over him, but i want to point out his statement that having this kind of solid representation is important and means something to him as a black person in this community. erasing terry as black means that you would be, intentionally or not, erasing and silencing black voices. it takes away that element of representation within the fandom and does real harm to the black people within when you decide that that representation isn't important. there are real racial connotations to the argument here, and it's frankly a little callous to pretend like there's not.
so maybe let's be nice to the BIPOC in our community spaces, okay?
and i want to make it clear right now. if you want to discuss what i say here, you can discuss this with me.
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zzthekaiju · 2 days
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Best of the Reptiles in Media - 01 - Godzilla (Monsterverse)
I figure that while I'm using this blog, I might as well post my ramblings on a subject dear to my heart: That being the representation of reptiles as characters in media. And not just villainous or vile ones like we're so used to. I'm talking about ones that inspire me. The ones that are legitimately compelling to me. And these posts are an excuse to espouse why.
Plus, it's just fun. You can thank the likes of @tyrantisterror and @bogleech for inspiring me to do these.
So who better to start with than with the lizard who's been an inspiration to me for almost my entire life. That being the one known as Gojira. AKA...Godzilla.
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This is the one character in these posts who probably needs no introduction. Ever since his debut in 1954, the walking embodiment of the horrors of nuclear war, among other things, has been nothing less than an icon. This is the beast people think about when they hear "giant monster" or "kaiju". This is truly the King of the Monsters.
My introduction to Godzilla was a children's book called "Godzilla on Monster Island". It was a fun read full of neat monsters living together and teaming up to stop an evil plan. And it left me wanting more. I wanted more stories of these fantastic yet friendly beasts being friends and living together while having fun adventures. Little me was a bit disappointed to find that Godzilla spent more time fighting his fellow kaiju and trashing cities instead.
The truth, as I would find out, was that Godzilla is never just one thing. He is a fun defender of the Earth. He's the terrifying consequences of our tampering with both nature and science. And in recent memory, he's been a lot of other things. But most of the time, he's either hero or mankind's hubris on two legs. To me, he was a giant dinosaur that could fire thermonuclear breath, and that was all that mattered. It was after hearing about the historical significance of him that my respect doubled.
Back then, I would tell you that my favorite Godzilla from a design standpoint was the 2002 version. Personality wise, almost every Showa appearance post-1964.
But in 2014, everything changed. In came a Goji that seemed to have everything I could ask for. So, we're going to look at the one that resonates with me the most. The Monsterverse version.
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That right there is perhaps one of the most awe-inspiring entrances I've ever seen in a cinema.
Before the release of Godzilla (2014), the franchise had entered something of a slump period. The last film was all the way back in 2004, and sadly, the kaiju genre was still something of a niche thing growing up. Here in America, you either liked superheroes or real-life celebrities as a kid. If you liked monsters, let alone giant monsters, you were one of the weird kids. That, or one of the kids who never lost their passion for dinosaurs. But those were rare.
Then Gareth Edwards unleashed this film, and while one could argue that Pacific Rim (2013) got the ball rolling, THIS ultimately resurrected the entire franchise of the Big G, and got him a degree of general respect from most film-goers (so long as you ignore the irritating internet drama regarding screen-time back then).
But let's get to the meat of this post. Why is this Godzilla so much better to me than the rest? A few things, really.
First off, there's Godzilla's role in the Monsterverse's narrative. For the most part, he is a guardian of the natural order, a means of bringing balance to imbalance. He is a metaphor for how nature is capable of righting itself, and how we either have to deal with it, or live with the consequences. In practice, Godzilla ends up going up against almost every monster, most of which are only a threat because we awakened them/created them. Yet despite this, he doesn't go out of his way to destroy us. He's not mindlessly destructive or particularly vengeful either. He knows we're a part of the world too. We just tend to grate a bit more on his nerves because of how much we screw up. If there's one thing this series isn't afraid to show, it's that...well, "the arrogance of man is thinking nature is within our control, and not the other way around."
Design-wise, this is one of the best Godzilla's around. He's bulky, has a killer stare, and there's something oddly endearing about how...well, meaty he is. He's like if my aforementioned previous favorite design, the 2002 one, put on both a lot of muscle and weight. It also ties into his fighting style, said to have been inspired particularly by bears. Even the sounds associated with him are amazing. From that hype-inducing charge of his thermonuclear breath to what might be the best rendition of the classic roar.
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Then there is the body language. This Godzilla's usual gait is slow, almost plodding at times. He shows clear signs of exhaustion in some scenes. What he goes through is hard, and his job is even harder, but he still does it. It really helps sell his personality most of the time.
Part of why I like the Monsterverse so much is that, for the most part, the kaiju are treated as characters in their own right (that's not to say they weren't in previous iterations, far from it, but it's a bit more pronounced here than most of the post-Showa stuff). Sure, some films in this verse are better about it than others (more on that later...), but I like how you can glean what Godzilla is thinking of just by looking at his eyes. Of particular note is how they widen in "Godzilla: King of the Monsters" when Ghidorah gains the upper hand during the final battle, his absolute sneer of anger in the first movie when the male MUTO approaches him, or...this.
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This scene. This one right here encapsulates so much of what I love about this iteration. Where Godzilla, dazed and thoroughly battered by both the fight with the MUTOS and having a building fall right on him, locks eyes with a tiny little soldier. You see a sense of tiredness, of pain, of acknowledgement, and maybe even a little wonder. This is not just some mindless beast fighting for its turf. It's a thinking being. And he's hurt. The most powerful creature on the planet isn't invincible, neither on the outside and definitely not on the inside.
And you know what? I've been there. There are times where I feel like I'm carrying the weight of the world, that there are things too heavy to bear, and its suffocating. Godzilla constantly shows throughout the Monsterverse that his job as a living balancing act is wearing on him. He gets put through so. Much. Crap. From getting buildings dropped on him to being personally dropped from a distance above the clouds to watching his symbiotic partner/mate die, it's almost unfair how we're expected to not really sympathize with him as much as...I'll get to that later.
But he never gives up. Despite all the pain and fatigue, he gets back up, and he fights. And he fights. And he continues until the deed is done. Someone has to rise to the occasion, and it might as well be him. If not him, then who?
That is the biggest reason I resonate with this Godzilla. His awe-inspiring design is one thing, but he gave me the strength to persevere. I don't give up, because he never did. Never before had the Big G been such a hero to me. Such that in 2014 I found myself silently sobbing to myself when it seemed like he was dead near the end even though that was clearly not the case. It's hardly a surprise that I based my personal Godzilla AU on him, albeit with the more sympathetic traits dialed up. Stuff like this made G14 and KOTM some of my favorite kaiju flicks...
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...which made it more than a little disappointing when Wingard took the helm and basically said "screw that, this is about the monke now!" Yeah, GvK is the weakest entry in the series for me for a reason. Godzilla's more redeeming qualities are buried under a narrative that clearly is not interested in giving him the time of day or even the benefit of a doubt. Both it and it's successor, GxK, are Kong movies through and through, and that means poor Big G is put out of focus.
I cannot tell you how much I HATE this idea that the only way a monster can be relatable is if it either looks almost just like us or is really cute. Yes, I understand the universal appeal, but they had such a good thing going for Godzilla! And they throw almost all of it away just so that they can make Kong look better by comparison.
Credit where it's due, these issues are slightly improved in GxK. It's not only firmly established that Godzilla is an overall benefit to the world for keeping the other Titans in check, but we get some interesting bits with him like how he instantly responds and prepares to answer the call of the Iwi and help them. It shows that despite his tenuous relationship with humans, there are ones he clearly gives a lot of thought to. And there's also how he makes the Roman Coliseum his own personal bed. Not only is it kind of hilariously adorable, but if you remember how in KOTM he had his own man-made temple, you get the impression that he has a bit of homesickness. That's the kind of thing I like to see! More of that and less "he's only ever angry and he only ever fights, character is for primates only".
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Also, while the Evolved design has nice details, I WANT THAT GUT BACK! it just looks weird otherwise with that disproportionately skinny waist.
But thankfully, our prayers might be answered:
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With GxK's roaring success (ha!), it's more than likely that the next Monsterverse entry will finally give Godzilla an overdue character arc that doesn't begin and end with "destroy everyone and act big and scary and nothing else". Just please make sure that he doesn't have to die to get that. There are plenty of ways you can make us invest in the guy's story without having to kill him. I WANT to see more of that emotional vulnerability teased across the movies. I want to see him come to terms with how he's been going about his job. And more importantly...I want to see a more explicit Mothzilla scene. A nuzzle and everything. But that's just me.
Whatever the quality of his current status, nothing is taking away how much I love this version of Godzilla. He's taken me out of some very dark places, and for that, I say long live the king.
Also, he brought Mothzilla into the public sphere and every Mothzilla pic made since is the cutest thing ever, so I just love him even more.
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andypantsx3 · 2 days
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Your master list has jjk listed as "coming soon."
I'm curious who you would eventually like to write for from jjk! I know you have your plate full right now, but I'd love to know which characters have dug their claws into your brain :-)
My personal favorites are Megumi and Toge, plus a platonic love for Todo (He just has such a unique and fun personality - he always cheers me up!).
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Error my angel!!!!! I am unfortunately aboard the Gojo express 😔lmao. So my most pressing JJK idea is for him!! Eventually I would love to write for Yuuta, Toge, Megumi as well because they are my faves!!!! I like them more than Gojo, actually, it's just that I am compelled by what I think Gojo's pigtail-pulling style of courtship would be lol.
And in terms of other fandoms, I also have an idea I desperately want to write for Trigun's Millions Knives!!! And if I had unlimited time and energy I would play all the way through HSR and Genshin because like dozens of those boys are so beautiful and I wanna write for them too. 🥺 But I need their lore and a feel for their personalities first.
There is sooooooooo much I want to write and not enough time in which to do it!!!!! I wish universal basic income was a thing so all of us could make our livings typing out our fun lil anime man fic. 🥺
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quitealotofsodapop · 11 hours
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That's not forgetting the fact MK was also in big trouble.
Wukong: 1300 years, Macaque! We have been married, officially, for over 1300 years! What in Newa's name would compelling you to look me in the eye and lie to my face about this!? For over a year!
Macaque: I-I know, but Peaches this was important! I promise, I promise I was only trying to protect you and our cubs!
Wukong: FAT LOAD OF GOOD THAT DID! We all got dragged into it anyway, Liu'er! Xiaotian was searching for you every day, getting into fights with demons and celestials alike to figure out where you went! Our powers are gone, we're being chased across all of China and beyond while our home is a literal icicle, and the Lady Bone Demon has Ringu Jingu Bang! How is this protecting us!?
Tang, whispering to MK: Is... is this the famous temper that once gave Sun Wukong the reputation of being capable of cowing even the great Li Jing!?
MK nods mutely: I heard the story. Apparently, I was there, just not born yet.
Small cute headcanon, but I headcanon that Tripitaka had officiated Wukong and Macaque's official wedding in JTTW Stone Egg au
referencing. Hehe I love all of this
Macaque: "Are son was getting into fights!?... did he win?" Wukong: "OF COURSE HE WON! HE'S OUR SON! DON'T CHANGE THE SUBJECT!" The Noodle Shop Gang: (*keeping a safe distance*) Tang, whispering jokingly: "Oh my gosh. Flashback to the Golden Pouch Mountain, am I right?" Nezha, with a thousand-yard stare: "Yeah, Macaque is not in Sun Wukong's good graces at the moment. I stll remember having to hoist him up so that he could look my father in the eye while he screamed." Tang, fascinated: "I... I was just joking but omg. He had you lift him up? Thats so cute!" Nezha: "Yeah, I wasn't about to argue with a hormonal expectant monkey. The only reason that anger wasn't directed at me was because he saw me as a cub to protect. My father crumbled like a stone pillar after the first five minutes." MK, laughing nervously: "I was there! Just an Egg though." The Noodle Shop Gang: (*realising just how old MK is*) "wut"
And oh gosh the legendary "Shouting at General Li Jing for the Rhino King incident". I love the idea of historians jotting that down and forgetting the context of why Sun Wukong was so furious at the Pagoda King.
I feel like Macaque deliberately struck himself out of many records to keep his and MK's presence a secret from mortal eyes and ears. But some people (esp demon historians) still wrote down that the Monkey King had a super-protective-adoring mate during his Journey to the West.
Basically most of Macaque's reunion + MK's reveal to his mom/baba that he's been secretly a superhero is Wukong yelling at them for hours from worry.
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callsign-relic · 1 day
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Humans having minibot friends is so adorable and silly to me because they’re not terribly huge compared to them, like two or three times their size maybe, so it’s like having a squishier american girl doll for your coworker
Also I like the weird sense of scale of the minibot casually speaking to a full sized mech who’s multiple times their size and just enormous, while the human whose hand they’re holding is just awed and maybe unsettled by the difference, especially if the big mech doesn’t even talk to them. Idk it’s compelling to me
WKDHDHS SQUISHY AMERICAN GIRL DOLL 😭 but yes this is so true!! And cute omg
Hooogghhh that last bit gave me a great visual.,, a minibot and human working together around the base, and the pair of them have to go to a full sized bot to get something they need for whatever assignment they’re working on. The minibot’s leading the human around, thus why the human’s holding the minibot’s hand— their hand only wrapping around one or two of minibot’s fingers, as their hand was still quite large in comparison.
The two of them stride up to the full sized bot, and the closer they get, the more the human has to reel their head back. The human mainly worked with on the human side of human-bot relations within the base, usually only seeing their minibot partner when it came to interactions with the bots. So to just stride up to one of the full sized bots so casually, the human is reminded just how large this species was. And how tiny humans really were in the sense of the universe.
“…how’s it been workin’ with the humans, by the way?” The big bot asks, snapping the human out of their daze. “I hear they can be kinda finicky.”
“Hey, I’ve got one right here with me, you know.” The minibot swings their hand forward, pulling you a little closer up to the front. The big bot’s gaze finally lands on you, blinking as if they were taken aback.
“Oh! Oh, sorry. I hadn’t even seen you there.” From there the big bot takes a knee to be polite and introduce themself, but the human’s still shocked throughout the entire rest of the conversation. The human was right there, yet the bot didn’t even notice them till the minibot pointed them out. Imagine if the bot had started walking, taking a step forward right in the human’s direction— they’d be crushed with the bot none the wiser.
The human tries not to take anymore assignments to the bot side of the base until they can process what happened HAHAHA
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If I wanted to start listening to naddpod where should I start?
this is my favorite question, i fucking love naddpod.
short answer: wherever you want (as long as, campaign wise, it’s an episode one)
long answer:
i personally am a completionist and preferred to start with campaigns that are already done. as someone who is constantly relistening to campaigns while keeping up week-to-week, i’ll say this: it’s easier in my opinion (opinion) to start at the beginning of campaign one.
for starters, you get to hear them learn the game and hit their stride all at once, which is easier. there are inside jokes made throughout that largely reference c1 content. c3 is a sequel of sorts to c1 and while it is easy enough to listen to c1 after it and consider it a prequel, it does rely on established lore from campaign one.
i would also say, personally, that some of the things at the beginning of c1 are harder to get through because they’re learning the game and murph is getting comfortable with performing the show. it’s taken me a couple of months to get through the first half of c1 on this relisten and i know i’ll be done with the second half so much faster. listening to that first, without knowing where it’ll end up, is a bit easier than going in with the knowledge of how much knows mechanics now, six years later.
one last thing (it’s the long answer for a reason) - some people aren’t quite bought in until the galaderon saga. i know it’s hard to give something that much of a chance sometimes, but it’s easier if you’re already fans of the people.
the stories they tell are elaborate and compelling. they’re just sometimes finding their footing for a bit.
and again, you can start anywhere. the long answer is just my opinion based partially on where i started and how i reflect on it, 3ish years after of listening later.
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ohfallingdisco · 12 hours
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That “Steve, you need to RUN” leak video doing the rounds right now. That voice has got to be either Jonathan or Will. And there’s more people there.
The Disappearance of Holly Wheeler would motivate every single character to get out and do something more than anything else. I feel sick. Even with a time jump, she’s going to be so young, and how are the Wheeler parents supposed to understand it? And so Nancy asks her friends for help, or she doesn’t need to, and it doesn’t really matter anyway because we know they’ll all be there.
Nancy, Jonathan, Steve, Robin—who else? The line “grab him by the throat” in the second recording? I can see the second ‘run’ scream, which sounds even more desperate, being denial, with music in an episode.
Is it Steve’s death scene? Is he just getting Vecna’d? Or is something happening to Jonathan? Is it a ‘go, save yourself’ plea? it’s safe to say Vecna is there, and active, if someone is getting grabbed by the throat.
A darker, compelling thought—Lonnie Byers. If Steve and Jonathan snuck off somewhere in the middle of the night to investigate, and Lonnie followed, he could have messed up a plan and caused one of them to get hurt. That’s probably just the fanfic author in me thinking, but at least all options are accounted for lol.
Anyway, if Holly goes missing and then this turns out to be a death, you can say goodbye to me too! Please give us a break :’)
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layersofsymbolism · 15 hours
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I'm not really sure how to introduce this one. It's a continuation of the Zevlor story that's quickly becoming a novel. But I'm posting it for you guys because it's kind of a snippet. It's after we find our man in the illithid colony, and he finds out what happened while he was enthralled. A brief warning. There is some angst, emotional pain, a little self-harm, and major feelings here. No smut in this one. It's also a pretty long scene. I did cry while writing it. I'm not sorry.
Tav is based on my current, who is a noble high elf silver dragon disciple. Highfalutin, I know, but that's what was in my head.
You approach Gale with a bit of trepidation. You're not sure if he'll agree, or even if your idea will work, but you have to try. Zevlor needs his people on his side. Or, at least, for them to understand what actually happened in those dark lands, when he was taken by the Absolute. But you couldn't be the one to do it.
As you move to stand near the wizard, sitting cross-legged on a mat and reading some dusty book you'd found in the house of healing, he looks up and smiles. "Greetings, Tav." Seeing the expression on your face, he rises with a look of concern. "My, you seem agitated. How can I help?"
You bite your lip and take a breath, then speak, your voice tight and apologetic. "I need a favor. If it's not... if you can manage it." 
He nods, taking your hand and pressing it. He can be so sweet sometimes. "If it is in my power, I shall do my utmost. What do you need?" 
You nod and squeeze his hand, grateful for his friendly devotion. "How are you with... mental domination?" 
His eyes widen a little, but he smiles. "I can cast the spell. Depending on the intended victim, I suppose I could maintain it almost indefinitely, as long as there are no other distractions. The power and duration really depend upon my concentration and the target's resistance. But so can you. Why? Who are we dominating today?"
You worry your lower lip with your teeth again and shake your head before continuing. "It cannot be me. They all know... look, Gale. We both know how powerful the elder brain is... with an unprepared mind, it would be almost impossible to resist its influence. Is that right?"
He nods slowly. "Yes, of course, but... oh, I see." He catches on quickly, you reflect, as he works out for himself what you want. "Let me see if I can guess your thought process. I assume this is in reference to your Hellrider and how his people have been treating him since... all that. You want to show them that what happened was not his fault, and you think a little demonstration of that kind of power would be a good way to do that. You can not perform this feat yourself because of your known association with him, so you want me to make a tiefling stand on one foot or something to demonstrate how easy it is to lose oneself in the face of strong magic." He ruminates for a moment, looking thoughtful, then shrugs and smiles. "I don't see that it could hurt to try. Courtesy dictates that I must warn the person I am to control, but even then, I should be able to hold them to my will for some time. May I involve another of our group?"
You nod. "If you think it will help. I can't really keep secrets from any of you anyway. Who are you planning to bring?"
He squeezes your hand and nods decisively before releasing you. "I had a thought to take Karlach with me. She's a tiefling, and she well knows how it is to be compelled to do things she doesn't want. I will go immediately. I saw a group of refugees in the inn recently. I imagine they haven't gone anywhere. I shall do my best to make them understand. Who is the intended target?" 
You watch Gale as he nearly bounces on his toes, seeming eager, as always, to demonstrate his skill. "Whoever is the strongest. But... well, don't hurt anyone or humiliate them too much. Just... never mind, you know what to do. It is in your capable hands."
Gale grins and bows. "My lady, I live to serve. Rest a while. You've been burning the candle at both ends lately, and you're a bit overwrought. Stay near. I'll come find you when I'm finished."
You watch him as he heads off to find Karlach and the other tieflings. You are overwrought, nervous, your concern over Zevlor and the refugees, the remaining Chosen, and the Elder Brain mingling and draining your mental faculties. You wander back to your own tent, sitting on a cushion just outside the flap and trying to meditate for a little while to clear your head. 
After what seems like ages, but is probably closer to half an hour, you sense Gale and Karlach returning, open your eyes, and struggle to your feet, trying to read their expressions. As they draw near, you can see that they are both smiling. Gale with an expression of satisfaction and Karlach a cheeky grin, bouncing a little as she approaches. She looks around when she arrives, before speaking at half her normal volume. "It worked! You're a genius, Tav. Cal volunteered. He hopped on one foot and everything! Gale was even going to make him slap Lia, but I stopped him, so he grabbed Dammon with the spell too and made them dance together! There was nothing they could do about it." She slaps Gale on the back, and the wizard wheezes, but looks pleased nonetheless. 
"Yes indeed," he continues with a smug expression. "Rolan has the strongest mind, but I do not think he would have taken my meddling with it lightly. So I thought maybe, if I dominated two of them at once, when they were prepared for it... and I made it quite clear that my powers do not nearly match those of the brain. I think it's had the desired effect. I believe Tilses went to look for him. She has been on his side the whole time anyway, and the others seem prepared both to apologize and forgive."
You blow out a breath and sag with relief. It was a long shot, and could have gone quite badly, especially with Rolan being so protective of his siblings... But hearing that your plan had worked was a welcome bright spot in an otherwise trying day. You pull them both into a hug, Gale grunting with wounded dignity and with the pressure of the grinning tiefling’s muscles crushing you both, thank them profusely, and then head off to look for Zevlor. Maybe this news would help with the deep depression he'd been struggling with since you rescued him.
The soft call of the scale you'd planted on him leads you toward Rethwin Town. As you approach the mason's guild, you see that Cerys, as well as Tilses, are standing near the doors, heads together in a fervent whispered discussion. You are opening your mouth to greet them when you're startled by a crash from inside, and the crunch and rattle of splintered wood. Cerys notices you first, and waits for you to arrive with a concerned expression. They're both looking at you nervously as another burst of noise echoes from beyond the half open doors, causing them both to flinch as you hurry over. 
Noting your concern, Tilses raises her hands, palms facing you. "He's not in any trouble. At least, not from fiends or undead. His only enemy is... well, himself." 
Your eyes widen. "Zevlor is making those noises?"
She nods, voice low, "yeah, the Commander is in a state at the moment. We came looking for him and heard the crashes... we thought he was being attacked. But... He's alone in there. At first he was shouting about being weak and unworthy, but then... well, he just started tearing the place apart."
You turn to go into the building, but Cerys catches your arm. "You might not want to go in there, Tav. He's unhinged. I've never seen him in this mood before. He might be... dangerous." 
You smile reassuringly and pat her hand. "He won't hurt me." Though, with the sounds coming from beyond the doors, you're not quite so sure as you pretend. "Go back to the inn. Please. If... if anything goes wrong... I can defend myself, but I don't want you in the crossfire. Just in case."
They exchange a long look, but then nod. "Very well," Tilses says quietly. "If anyone can help him, it's you. We know him, but he may be embarrassed... I know he thinks very highly of you." She grips your arm, a plea in her eyes, and then she and the other woman move off, looking over their shoulders once or twice. You wait until they are out of sight, and then take a deep breath and turn toward the doors. 
It is dim and dusty in the building, golden motes drifting through the newly revealed sunbeams that are filtering through holes in the battered roof. There is a flurry of movement in the back room, and you pass through the second set of doors just as Zevlor seizes a thick, rotten log from a cradle by the ruined fireplace and rips it in half with his bare hands. He casts the pieces aside and paces the width of the room, his hands shoved into his hair. There is blood on his face and hands, spattered on his dully gleaming armor, and a wreck of shattered crates and tools is scattered about. Your heart aches for him, but you hold your tongue for a moment as you sidle through the door and stand next to it, leaning your back against the wall. 
He doesn't notice you at first, so great is his distress, and in the relative quiet, you can hear him whimpering to himself, his voice hovering on the raw edge of sanity. "I tried. I'm so sorry. I wasn't strong enough. They're dead. They hate me. They're right to hate me. It's all my fault. If I had only been stronger..." He grabs another crate and sends it hurtling into the stone wall, where it explodes in a shower of splinters and small nails. You turn your head, but don't move, feeling a few shards pepper the side of your face. He turns back to pace in the other direction, stumbling and nearly falling over as he finally catches sight of you. He freezes and his eyes go wide, orange rings in deep black, shining in the gloom. His mouth wags for a moment, but then firms as he turns his face away. 
His words are a low, pained growl when he finally speaks. "You shouldn't be here." His hands flex, and you see that some of his claws are broken, his fingertips bloody. "I couldn't bear it if I... I  killed them. Leave, before I..."
You stand away from the wall, approaching him slowly, staying well out of his reach, but preparing a shield just in case. "We both know that's not true," you say quietly, your own hands wringing at your robes. "You weren't in control of..." 
He cuts you off with a roar, swinging his fist until it meets a supporting beam with a loud crack of splintered wood. The edifice sways, and dust and bits of ancient birds nests filter down from above. He's not a big man, but in this extremis he's terrifyingly strong, and you hope he doesn't manage to bring the whole roof down on your heads. "But I am responsible! I led them, it was me that... I..." He winces, looking at his hand in confusion, and you see the flash of white bone peeking through his scraped, ruby skin. Dark blood drips onto the floor from his torn flesh, drops scattering among the dust and ashes. "I wasn't good enough for them. I'm not strong enough, couldn't resist her. They're dead because of me. You don't want to associate... I've failed everyone. You deserve someone who..."
He stands there trembling for a moment before looking up and quickly striding toward you, raising his wounded hand to shove you back against the wall, your head hitting the stone so hard you see brief stars drift across your vision. He's on you in an instant, mouth crushing yours, bloody fingers pulling at your clothes. You feel all of his rage and shame and desperation as he kisses you frantically, his teeth cutting into your lips. You let him tear at you, neither returning his violent kiss nor trying to push him away. You're slightly dazed when he suddenly gasps and rips himself away from you. He pants, eyes blazing... "Gods I... I'm... you see? Im no good to anyone. I could have..." He reaches out as if to touch the drop of blood oozing from your bruised lips, a horrified expression on his face, but the lowers his eyes and drops to his knees before you. He covers his face with his hands and keens. "You don't want to be near me. Nobody wants to be near me. I see their faces when... you should leave me. I could never... never be good enough for... I'm not the man you..." he stops, shaking silently in the dust, ragged breaths filtering through his hands. 
You stand still for a moment, stunned, but then slowly let yourself sink to the floor, sliding your back down the wall until you’re sitting before him. You keep your tone gentle, "I am perfectly capable of judging for myself what kind of man you are. Here." You reach out and, ever so gently, ease his hands from his face, being careful not to put pressure on the broken one. He resists at first, but then relents. You inspect his bloody hand, lamenting to yourself that you cannot heal him, but you let coolness flow from your fingers, hoping to soothe him and ease the pain into numbness. "Hold still," you say as you release his fingers and reach beneath the hem of your robe to tear a strip from your linen under tunic. He flinches at the ripping sound, but keeps his hand stretched out before him, breathing harshly. You carefully wrap the linen around his hand, sinking a deeper cold into his inflamed flesh as you delicately press on the exposed little bone, easing it back into place and pinching the skin together before wrapping his palm firmly and tucking the end of the makeshift bandage under itself. You cradle the wounded appendage and reach out with your other hand, cupping his cheek lightly. His eyes are wide, sparkling with unshed tears, his mouth working in shock, lip trembling. You lean forward a little to hold his eyes, keeping your voice soft, soothing, "you do not have to carry the world on your shoulders, my love. Let me take some of the weight. Come here."
A silent tear tracks down his ravaged cheek, but he allows you to draw him toward you, laying his bandaged hand on your lap and shifting him so he's sitting before you before pressing his face into your shoulder, lifting your chin to avoid his horns. He curls his tail around himself and hesitantly wraps his good arm around your back, and you hold the armored tiefling close as his lean frame hitches and trembes with silent, heart-wrenching sobs.
The fading beams have crawled a long way up the wall before a low voice nudges you out of your doze. "My. Aren't you two a mess." Zevlor is cradled in your arms, having fallen into a deep sleep after crying himself out. Shadowheart crouches next to you, her expression unusually soft, and looks you over. You know you must look shocking, with your lips bruised and cut, and little streaks of dried blood on your face, your eyes puffy from weeping with heartache over Zevlor's pain. She reaches out and brushes a lock of hair out of your eyes, dropping her voice to a quiet whisper. "We saw the other two return, but it took a while to get it out of them. We waited as long as we dared, and then I came because, well, I'm the most subtle." She smiles. "Good thing too. You look like you both could use a little attention." You nod and shift slightly, letting her see Zevlor's hand, wrapped in the bloody bandage on your lap. He tenses a little, tightening his grip on you and murmuring into your robe, but doesn't wake, such is his exhaustion. Shadowheart reaches out, very lightly touching her fingers to his, and whispers the spell. His breath hitches and he shudders as the tingling power filters through him, but then sighs, seeming to feel the relief even in his sleep. She heals you next, the sensation making your skin prickle with gooseflesh, but you feel the small cuts close and the bruises fade.
"Thank you," you mouth silently, and she nods, leaning back on her heels. 
"We will leave you alone as long as you wish. We just wanted to know you were safe." Her expression becomes thoughtful. "You love him." Her own nod follows yours, and she reaches out to brush one knuckle down your cheek before standing. "I'm happy for you. Truly. I will tell the others you are both alright. Take as long as you need. You deserve to be happy." Her smile is almost sweet as she turns away and silently exits the room. 
The last light is fading when Zevlor stirs against you. Slowly he turns, easing himself around in your grasp until his eyes, just a flicker of fire in the darkness now, gaze up at you. His voice is a husky whisper, "did you mean it? What you said, before. You called me... or, maybe I was dreaming." He closes his eyes for a moment and sighs, a soft, happy sound. "If so, it was a wonderful dream."
You look down at him with a soft smile and bend your head to place a light kiss on his full lips. "I did. And you are. Ai armiel telere maenen hir, Zevlor, and I can only hope you feel the same." He sits up, keeping his arm about you and chuckling softly, looking at you with undisguised adoration. 
"I don't know what that means, but I think I can guess. I can see it now, in your eyes." He cups your cheek with a gentle hand. "Are you certain this is what you want? Me? Because, I know... my heart is yours for as long as I draw breath. I love you. So very much." You nod yes, and he slowly leans toward you, taking a deep trembling breath before pressing his lips softly to yours. 
Zevlor kisses you chastely for a little while, his lips and hands full of tenderness, before placing a kiss on your forehead, and then resting his own against yours. "Very well, my lady. Together, then." His words are a feather brush against your lips. "But you need me at my best if we are to prevail in this... I will seek the Oathbreaker Knight."
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20 Questions for Fic Writers
Thanks to @kiwiana-writes for the tag!! I did this back in like... October, and a LOT has changed since then lol
How many works do you have on ao3?
29
What's your total ao3 word count?
299,988 (though this includes 110,000 from the co-written PJO AU and 2,000 words from Manu's fic that I podficced to)
What fandoms do you write for?
Only RWRB for now, though never say never to others. I recently read Check, Please! and I've had some thoughts, but I have far too many WIPs for RWRB to write them rn. Also I have some ideas for The Pairing, but again, I have... so many RWRB wips...
Top five fics by kudos:
Longer Than Most | 26K, trans Henry accidental pregnancy (also this is how I found out it had become my top kudos-ed fic AH)
The Super Six Take a Lie Detector Test | Vanity Fair | 7K, YouTube interview
Let Me inside (I Want to Get to Know You) | 6K, epistolary roommates
Claremont 2008 | 28K, canon divergence where Ellen gets elected in 2008, childhood friends to lovers
(Dil)Do It Yourself | 17K, meet cute at a DIY dildo workshop
Do you respond to comments?
I really try to. But. I have gotten quite behind recently. I would love to catch up but it's just a bit overwhelming at the moment.
What is the fic you wrote with the angstiest ending?
I don't really have any angsty endings?? but a fic @affectionatelyrs and I are working on is going to have an ambiguous ending and my joke is that someone should the version of it where things take the angsty route
What's the fic you wrote with the happiest ending?
I mostly write happy endings, but I am going to say that Let Me inside (I Want to Get to Know You) is the happiest because it's kinda the tropiest
Do you get hate on fics?
Not hate, but I've gotten one or two weird comments, or comments asking about updates.
Do you write smut?
I do! (this is one of the things that's changed since the fall)
Craziest crossover:
The closest I've gotten to a crossover is the PJO AU, but that's not even an actual crossover.
Have you ever had a fic stolen?
Nope.
Have you ever had a fic translated?
Nope.
Have you ever co-written a fic before?
Yes!! Super Six and the Siren's Call with @inexplicablymine and @read-and-write- was the first, and then I wrote Let Me inside (I Want to Get to Know You) with @affectionatelyrs. I also did the podficcing of the voice notes for love has a voice (and it's yours) by Manu. I've also got a couple more projects coming up with Jamie also.
All time favorite ship?
Well that I've written for, FirstPrince :)
What's a wip you want to finish but doubt you ever will?
Unfortunately I don't know if I'll ever finish Baby's First Pride because I've grown a ton as a writer since then and I would want to redo the old chapters and that just isn't all the compelling to me anymore...
What are your writing strengths?
I fucking hate this question. But I am going with dialogue and humor (and humorous dialogue) which has been co-signed by others so I feel less weird about saying this.
What are your writing weaknesses?
I would like to be able to keep smut more concise at times, because it always turns into a Big Scene but it doesn't always need to be a Big Scene. And I've been trying to work on a particular style of writing which is a bit more uhhh snappy? I don't know how to describe it. But that's still a huge work in progress, because I always get more rambly than I want.
Thoughts on dialogue in another language?
I definitely try to include it for the characters in RWRB who speak other languages, and when I do I lean on my friends who speak those languages as a native speaker.
First fandom you wrote in?
Officially: RWRB. For myself: HP.
Favorite fic you've written?
Honestly it's always whatever I'm working on at the moment, which is a couple of WIPs: Fire Island WIP, Parasocial Relationship AU with @affectionatelyrs, and my Big Bang fic come to mind.
But really I want to know what y'all's favorite fic of mine is!!!!
I'll tag 20 people, sorry if anyone's done this recently, but in case anyone wants to go again: @mainstreamelectricalparade @14carrotghoul @anincompletelist @littlemisskittentoes @gay-flyboys
and @songliili @gayrootvegetable @leojfitz @welcometololaland @rmd-writes
and @bigassbowlingballhead @eusuntgratie @captainjunglegym @cactusdragon517 @cricketnationrise
and @violetbaudelaire-quagmire @bribumblebee @nocoastposts @magicandarchery @itsmaybitheway!!!
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wlwdwtys · 2 days
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Viewer arg by Rainbott
I have just found out that the main video of the Viewer arg has been taken down and I am heartbroken. A bit.
Lemme explain what the Viewer arg actually is, or, was. It was a project made by Rainbott (THEY'RE AMAZING YOU CAN FIND THEM ON YOUTUBE AND INSTAGRAM CHECK THEM OUT). It was an arg which started out as a dsmp quiz video on YouTube in which you could explore the smp and test your knowledge, but underneath that you could find a story about self-doubt, struggles of creators on YouTube and the stress of going to college and needing to be an adult.
Now that that's out of the way, I can say that I'm probably one of the only people who even remembers it. It was an obscure project by a small content creator, which was also unfinished and objectively, not that good. However since the moment I first went through it in 2021, I fell in love with it and have not been able to stop thinking about it ever since. (Help) It was casual but had an interesting plot and was quite atmospheric. The main video was made by a ton of different artists which all put a lot of their love and effort into it which I absolutely adored. It was interesting and enticing and it was made by someone with clearly a lot of passion for what they were doing.
Even if it wasn't particularly popular, I literally didn't care. I took that as a challenge, creating my own theories, timeline and going through the game multiple times, writing out interesting details. If you're curious then you can find the fruit of my work here:
I was quite obsessed, forcing like 3 other people, my friends, to see it.
And I was just about to continue writing the script for a whole ass video essay when I went to check and realised that the main video, as well as two songs and the iceberg video all of which had significant sections of the plot were hidden. It, honestly, broke my heart. I felt quite stupid for still liking this project that even the author seemingly deemed as stupid. But, well, I'd still like to say thank you to Rainbott for inspiring me. They said that with this project they wanted to show people that you didn't have to be big or have special programs or something to make an arg, to make a compelling story. It was them because of whom I made my first animation and even my first 3d model. Thank you. Even if you might think that this project didn't matter, please know that there are people who were genuinely affected by it. Keep doing what you love and being an inspiration to many. Thank you.
@rainbott
Even if I forget your face, please remember me - 'A lost memory' by Rainbott
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punch-love · 2 days
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11? (for the ask game)
11. Is there an unpopular character you like that the fandom doesn’t? Why?
I love Sylvie. I don't just like her, I genuinely love her. She's one of the best characters in the show, and I find her arc to be well written and incredibly interesting. I think a lot of the backlash she gets is because she's a female character with traditionally unlikable traits (that are liked within Loki), that she briefly got in the way of the main mlm ship, and also because she doesn't have a girlboss ending and/or girlbossed too hard for the average male character enjoyer.
There's just something really compelling to me about a goddess being forced to live in endless apocalypses - all while the keepers of time itself are repeatedly trying to erase her existence, which they have deemed an unforgivable mistake. The fact that she was unable to form relationships or really interact with anyone that would remember her that wasn't her enemy reflects so heavily in who she is.
Which makes the fact that all she wants is to live an incredibly normal, stable, and routine life all the more beautiful. I love that she wants to work a minimum wage job with a uniform, that she drinks a soda on the hood of her beat-up truck and asks her coworker if he needs a ride home. That she goes to the record shop where someone knows her as a regular (because she can do that now, be somewhere for more than one day and not have it be destroyed) so she can listen to music, something that speaks to her soul. I love that she was willing to kill anyone who got in her way to have this piece of the world. That she doesn't care about the fallout of her actions because she'd never change them. Sylvie is so unapologetic, violent, feral, and human in a way that I just love. In her head, she really doesn't see herself as a goddess so much as someone prevented from being human, and she truly will do anything to never let that happen again. I'm compelled! I'm interested. I might never stop thinking about her.
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fannyyann · 1 day
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hi! I’m not really sure why so many people ship mattdrai, and I was just wondering what it is about them that you like personally? I’m not usually someone who can see ships unless they have a lot of “canon” content, and I’ve seen them only interact like twice. can you help me see it?
hiiiii anon! i like mattdrai so much because as individuals matthew and leon are veeeery similar. they're two sides of the same "yappy alternate captain who likes to start shit and is obsessed with his quieter captain" coin and from the interactions they have had on the ice it's very clear that they have FUN riling each other up and that kind of dynamic has always been my favorite across all my fandoms.
also, i definitely get where you're coming from with canon content but from a writing and creating stand point it's sooooo fun to not really have anything but their personalities and canon events to work with!
but before i link you to the mattdrai primer, and some of my favorite canon moments, i'm going to say something super insane and say if canon ships are more your speed you should definitely just get into all matthew and his teammates because there's sooooo much good stuff going on in the panthers locker room lmao
anyway, here's a pretty comprehensive primer for their ~lore up to November 2023 and a list of things not mentioned in it but i'm constantly thinking about:
that time leon very gently grabbed matthew by the waist to pull him away from mike smith
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(much funnier and compelling behavior because darnell nurse comes in after this and just pulls matthew back by the neck)
2. the way leon is pretty well known for zooming into scrums when connor's involved, but has been known to just stand by and watch while connor and matthew get into it.
like here in round 2:
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and then again earlier this season:
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(this is THE most compelling thing about matthew and leon's actual canon, like WHY DOES HE DO THAT?? what's different about matthew???)
3. that time in december 2022 one of the oilers' charity partners chirped matthew in the comments of one of leon's friends & family puma sponcons and instead of deleting the comment, he just deleted the whole post (which, if you scroll through his feed, you know he doesn't delete his sponcon posts lmao)
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4. and then of course, my favorite hidden gem, the fact that matthew got some of his game worn jerseys from the 2023 asg signed by all the guys there, and then all the guys from the atlantic team (8:05), so somewhere in matthew's possession he has a jersey he asked leon to sign :')
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