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#and now i feel like the actual lore is just gonna disappoint
maebird-melody · 8 months
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I love how all we got is a smattering of promotional material and now this website is basically writing the lore of Toxinelle and Griffe Noir, whole cloth.
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vvynia · 5 months
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abby and your family’s thanksgiving
pairing: a. anderson x black southern belle!reader
genre: fluff w/ brief mention of smut (mdni)
word count: its headcanons so its short but idk the specific number sowwwy
warnings: not beta read, brief mentions of homophobia but only bc reader’s family isn’t like that, mention of family drama, pregnancy mention, brief moment where religion is talked about (saying grace/prayer)
synopsis: this is literally just headcanons of what would happen if our beloved abby anderson attended your family’s thanksgiving/reunion if you don’t celebrate. very much black reader-centric, but anyone’s welcome to read it esp if you’re from the south cause this is also heavily southern reader coded.
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bringing abby anderson to your black (southern) family’s thanksgiving would be a sight to behold.
and imagine its everyone’s FIRST time meeting her too. assuming everyone is super cool and unhateful, i just know she’d have all the aunties’ attention. they see her height, her build and turn to you talkin about, “now, where’d you find her?”
abby would 100% be in ya grandmama’s backyard huddled around the grill with the uncles and dads. she’s got a lil beer in hand (she probably doesn’t even like beer but she likes fitting in and it isn’t all bad when the bonding is genuine) one of em goes “mhm that turkey bout done smokin” and abby is taking mental notes cause one day, she’s gonna smoke a turkey for you two’s family, in your backyard, and your grandkids are gonna be running around
the kids are OBSESSED with her. they climb her like she’s a jungle gym, ask her to throw them in the air, ask her all types of questions. “ABIGAIL! come play with us!” and she does, but the whole time she’s wondering how they discovered what her full name is cause she sure ain’t tell em lool
sometime after, she gets together in the livingroom with you and your cousins, then that one uncle or aunt comes in, says a few words, then leaves with a plate. the gossip commences lol and she’s so in tune to what ya’ll are talking about. she thought her family could dog somebody out?
all that pales in comparison to yall’s words. these sly (and sometimes even blatant) insults are unhinged, the storyline is juicy. she feels like she’s listening to an audiobook of lore. and whenever she asks a question for clarification, someone is always ready to start from the beginning with “see, what had happened was” and “to make a long story short” (the story was not made short)
then it actually comes time to eat, time for her to have her taste buds born anew
your family has whipped up some southern classics: sweet potato pie, pig feet, neck bones and collard greens, cabbage, pound cake, and every other dish you can think of.
you were in charge of the sweet tea, but this year you made a peach batch cause you know abby likes peaches 🥰
ya’ll say grace cause lets be real, if this is the south, somebody baptist and its probably the family matriarch lol
abby is respectful about it whether she believes in god or not cause your family has treated her with the most open of arms and she can feel the love and hospitality all around (if god is real, she thinks, he would’ve wanted everyone who believes in him to be like my sweet girl’s family)
when ya’ll are done and everyone has plated their food, they’re all silently waiting for the white girl’s reaction. they’re trying to play it off, be casual, not stare LOL but they know what’s coming i must admit
and abby doesn’t disappoint cause as you’re sitting next to her, soon as she puts some of them collard greens in her mouth and a couple candied yams and your grandaddy’s secret cast iron skillet macaroni recipe in her mouth, the satisfaction is written all over her face
everyone starts laughing when one of the kids say, “damn, girl, is it good?” to which they’re scolded lol but ofc abby nods like she’s trying to shake the hair follicles out her head
after everyone has ate and said what they’re thankful for (she says she’s thankful for you ofc but she leaves out how thankful she is for getting to strap you down at least twice a week), you two go sit on the porch alone.
you’re leaned against her in a two-seater rocking chair, bellies impossibly full, enjoying the gentle breeze and setting sun and the scent of food that is still wafting from the house
one of your cousin’s kids runs up from the backyard, comes up to you asking for help with opening a new toy, so you help
abby sees how cool you are, how in your element you are with your family, and this moment truly solidifies how much she wants this with you too. ya’ll have had the kids conversation before, so she knows you want at least one
she can’t help but think how gorgeous you’d look bein her housewife, barefoot and pregnant and divine and ethereal, starting a family, never having to worry for a thing bc she’s gonna take care of you
and she knows, when she needs it, you’ll take care of her too
I LOVE LOVE
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littledemondani · 5 months
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Miss ma'am your most recent smutty blurb for my last jealous fuckboy!Eddie thought has absolutely WRECKED ME!!! Why is he not real!!! I need him so bad this is driving me insane oh my god
But I'm DYINGGG to hear more of your thoughts too! Like how do you think would he react or like how is he gonna try to shrug off the jealousy when you tell him that you wanna stop hooking up and fooling around because you kinda wanna go back to the dating scene......
But like not in a way where you're implying that you wanna date him (because duh he's the resident fuckboy!!! And also because it's kind of your own way of burying down your budding feelings for him because you think he's not the type to settle down)
Is he gonna agree??? Is he gonna think about actually asking you to be official??? How is he gonna react??? I WANNA KNOWWW
(is it too obvious that i'm in WAYYY too deep in the jealous fuckboy!Eddie lore lmaoooooo)
i’ve talked with @andvys about this exact idea!! i have a few scenarios that i keep flip flopping between. (also, i love that you’re wanting his lore! he’s got lots of it lmao)
first scenario is eddie not giving a shit about it. he treats you bringing up wanting to date like it isn’t a big deal. he’s in denial about his feelings, so while he is disappointed, he just sees it as good pussy he can’t fuck anymore. brutal, i know, but he is a fuckboy after all. 🤷🏻‍♀️ during the time away from eddie, you end up dating this really nice guy but you find yourself not being as into him as you thought you’d be. he doesn’t kiss you, fuck you, treat you, or understand you the way eddie does. you’re constantly comparing the two. because you are also in denial about your feelings for him.
second scenario is him questioning why you want to start dating. from the very beginning, you have told eddie dating isn’t your thing, it isn’t something you want right now, you just want to fuck without strings attached. he does this in a teasing way, because you don’t talk to him about anything. you keep most things to yourself so he begins to wonder if you met someone that may have changed your mind. when you tell him that yeah, you did, and he’s really sweet and different from the others, his jealousy shows.
i see fboy eddie being so damn stubborn that he wouldn’t ask you right away to be official. he is struggling with his own beliefs and attitude towards being in a relationship that it keeps him from all of that. he doesn’t feel like he’d be a good enough boyfriend, he has been hurt one too many times in his past to believe that a relationship with not just you, but anyone, would be long lasting and not end in fucking disaster.
so a definite break from him does happen in his lore, and during that time he buries his feelings in pussy. you don’t talk to him the way you used to and only see him at parties or bars that the both of you happen to be at. you see him with different girls each time and hear about them from your friends who run in the same social circle as him.
there’s so much more i could go on and on about, but i haven’t fully finished deciding on what to keep and change and add.
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genericpuff · 1 month
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I really adore your blog! It’s was my haven when I got so…disappointed and disgusted by Lore Olympus. One feeling I noticed while reading the comic is whenever Persephone describes the mortal realm, I just felt like I wanted her to go back there. The nature looks so beautiful, she’s away from awful men, and Demeter seems tough but fair. I know Rachel likes the Underworld and Olympus as the high life, but the Mortal Realm had beautiful imagery. It just felt like loss the further she went.
Her getting to spend more time in the Mortal Realm was exactly what I was hoping for when she got sentenced to work there after the trial arc. Like obviously it's under not-so-great-conditions, but I was really hoping Rachel was gonna use it as an opportunity to actually give Persephone more character growth, and so she could prove herself as a lot of her character arc at that point revolved around her being a "B-grade goddess". We didn't get that though, it felt like a missed opportunity back then and it still feels like a missed opportunity now, especially with Persephone waxing poetic about how she doesn't know who she is like... yeah, you don't know who you are because you went from being tethered to your mother to being tethered to your husband 😭 She never got a chance to define herself as a person 😔
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auramgold · 2 months
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On Acht and Romance
going into side order, from the september direct trailer where Acht was first revealed i remember the joke at the time clearly being "and now Marina's ex is here".
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the way this line [image description in alt] was written was basically the only evidence for this kind of idea, when the theories were kind of "Marina's order tantrum is sucking people in from her past and the DLC will be about going through her memories", so ellipses in a line like this is basically all theory crafters on no info need to go for shipping.
i'm not one who's super into plot theory crafting, i know full well the tendency to theorize something that's cooler than what you actually get and being disappointed that the story didn't live up to your imagination. the things i was obsessed with in side order promotional material was the obvious bleached coral theme, the symbolism of coral ejecting it that which keeps it safe out of stress being mapped onto Marina, the idea of her pushing those she loves (and those that keep her colorful) away out of a spiral (and it does turn out that was basically exactly what the prologue was going for)
so the whole "Acht and Marina exes" thing was kinda just a joke to me, wasn't even on my radar as something they were actually going to lean into, frankly i was still scared nintendo was going to make them kill pearlina by sending Marina to superhell or smth and we'd end up with a splatoonified destiel meme
so when the DLC comes out and it is legitimately a "they knew each other since childhood" thing, and the running bit is Acht feeling awkward third-wheeling pearlina, and it's explicit in text that one of the reasons they're coming back after the DLC is over is to scope out Pearl as the girl who took down the NILS statue who is now dating Marina... it struck me as really interesting.
at first it was me keeping up the "Marina and Acht are exes" as a joke, but as i kept reading dialogue lines, it slowly became less of a joke, they were to some degree dating because opposite but complimentary autisms, and then drifting apart as Marina got pulled away on the big girl assignment with DJ Octavio, and then the despair of knowing Marina left without even saying goodbye to Acht... it fits well into that reading, it slowly became less of a joke to believe that
but the thing that really makes me think this is intentional subtext is the final Acht diary entry you get from clearing Eight's palette. through the rest of side order talking about Acht's backstory, it seemed like they were retconning the OE lore that Acht had gotten themself sanitized intentionally, losing themself so they could explore their music deeper. but in the final diary, where Acht directly says they drifted into the deepsea metro to fall into their music, because, and i quote
"Hey, Marina. You can guess the chaos your desertion caused. I ended up without much to do except make music. "
they fell into a depression spiral when their girlfriend deserted their society without so much as saying goodbye, falling into their music deep away from interacting with everyone else, to the point that, as the old lore implies, they chose to give up their identity to escape the depression, but sanitization so thoroughly did it that they forget even making the choice.
so when they get brought out of that haze back into being themself again, with the only the barest strung-together horrified memories of what happened in the half a decade interim gap in their life, only to find themself replaced by some inkling they don't know at all, of course they're gonna be awkward seeing the two flirting.
they put on a stoic face because that's clearly their coping mechanism within this damaged body they barely recognize, hiding their eyes behind their tinted glasses so they can't be seen beneath. but the only time they let themself be vulnerable, the only time their eyes can be seen, is when they charge out in the climax when the world is at stake, diving in to try to save Marina, leaving the elevator and its protection behind to help the only person they remember ever caring about.
it's why i don't really like the aroace reading that much, because i think this reading is even more tragic and fits into the themes. the world has changed, it can't go back to how it once was, you can't put the octolings back in the canyon bottle. Marina abandoned Acht to the point they got their identity destroyed willingly to escape the pain, and when Acht came back they were replaced by the inkling whose voice they remember even through the haze of sanitized memories.
the lingering effects of sanitization have changed how they relate to everything (i think there's a fair argument to be made for the idea that sanitization took their gender can't have shit in the deepsea metro), but Acht clearly still cares for Marina and still, the slightest bit, resents having to be reminded repeatedly every time pearlina flirts in front of them how they were replaced.
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sporesgalaxy · 1 year
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I've been seeing a lot of Trigun posts around and ngl it's got me interested in the show! What's your recommendation for what to start with first? Like reading the manga first or starting with Stampede?
I actually really recommend MY experience, which was Trigun 1998 -> Trigun Stampede -> Trigun & Trigun Maximum manga
I'll explain why under the cut :) But tl;dr the order is
Very Little Lore Explained -> Some Lore Explained -> All Lore Explained And Woven Beautifully Into The Themes
Trigun 1998
the Trigun 1998 anime was made before the manga was finished, so some major plot points towards the end are very different because they were at least partially improvised. There is also very very little worldbuilding lore revealed in the 1998 anime-- but when they did touch on it, it really piqued my interest!
I'd imagine the 1998 anime might be a bit disappointing to watch after Stampede or the manga, when you're aware of all the cool characters and worldbuilding you're missing out on. Going into 1998 blind, I just felt vaguely confused yet emotionally compelled & willing to accept it because YeeHaw Space Cowboy, yknow?
Stampede
Trigun Stampede was made after the completion of the manga, and was clearly more than excited to dig into the worldbuilding and villain buildup that the original anime missed out on. But as I've said it ends up so tightly paced that it's missing the weight 1998's slower pacing could lend to the Average Human Lives around Vash.
It will offer you much more worldbuilding and some very strong character introductions, which I think are good lead-ups for meeting the characters in their Fullest Forms in the manga.
The Manga
Now, the animes are gonna leave you with a lot of questions. About character motivations and Plants, mostly. You'll feel the themes were well-delivered, but have the distinct feeling that they could be stronger. They're also going to leave you wanting more time to spend with these charming, lovable characters.
I am delighted to say that the manga delivers everything you could possibly be left wanting for after the animes BEAUTIFULLY, AND THEN SOME!!!!!!! I've been devouring it at a record pace and it has yet to disappoint. The themes and their spectacular deliveries are changing my brain chemistry. I'm absorbing it into my soul.
Please Please Please even if you dont like either anime, read the manga anyway. Especially if you don't like either anime because you feel they don't deliver on their philosophical musings adequately. Because the manga DOES deliver. So much. Please I'm begging. It's so good it's so fucking good
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ruumirmir · 4 months
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𝘈 𝘴𝘦𝘳𝘪𝘦𝘴 𝘰𝘧 𝘷𝘰𝘪𝘤𝘦𝘭𝘪𝘯𝘦𝘴 𝘧𝘳𝘰𝘮 𝘗𝘢𝘯𝘵𝘢𝘭𝘰𝘯𝘦'𝘴 𝘥𝘢𝘳𝘭𝘪𝘯𝘨, 𝘛𝘰 𝘺𝘰𝘶, 𝘛𝘳𝘢𝘷𝘦𝘭𝘭𝘦𝘳 𝘰𝘧 𝘢 𝘵𝘩𝘰𝘶𝘴𝘢𝘯𝘥 𝘴𝘵𝘢𝘳𝘴
Part I Part II (coming soon)
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ੈ♡˳ Author's◇ note - Haha what if I pretended my shamelessly OCfied male reader was a character :))) Here's to me doing everything possible to build up my "reader" lore. Everything except actually drawing and naming him 😭 If you're curious about previous posts regarding my mans, you could skim over These!! Me when writing this: im gonna make up SO MUCH BULLSHIT about snezhnaya and the other harbingers.
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𝘝𝘰𝘪𝘤𝘦 : ENG - Stephen Fu (Noe Archiviste from Vanitas no Carte) JP - Kento Ito (Dan Heng from Honkai Star Rail)
𝘉𝘪𝘳𝘵𝘩𝘥𝘢𝘺 : October 19 (Libra)
𝘈𝘧𝘧𝘪𝘭𝘪𝘢𝘵𝘪𝘰𝘯 : Northland Bank of the Fatui
𝘝𝘪𝘴𝘪𝘰𝘯 : Hydro
𝘊𝘰𝘯𝘴𝘵𝘦𝘭𝘭𝘢𝘵𝘪𝘰𝘯 : Cygnus Venatici (The Hunting Swan)
A senior branch manager of Snezhnaya’s Northland bank. As a fatuus, he is formally well-known as the Venator Dux, who mans the Snezhnayan Order of Gold and Exchange founded by the Ninth Harbinger. He hunts in pursuit of the Tsar's vision, but his loyalties are far removed from her.
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𝘝𝘰𝘪𝘤𝘦-𝘖𝘷𝘦𝘳𝘴
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𝘏𝘦𝘭𝘭𝘰 Ah, the renowned traveller, in the flesh. A visitor to each of the seven nations, while your reputation has run across the continent twice over. It is a pleasure to make your acquaintance. If you've heard of the Snezhnayan Order of Gold and Exchange, that'd be me who's in charge of it. I am one of the agents within Lord Regrator's primary circle of officials, so you may address me as Venator dux.
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𝘊𝘩𝘢𝘵: 𝘐𝘮𝘱𝘳𝘦𝘴𝘴𝘪𝘰𝘯𝘴 I've been in my respective position for over a decade now, and for the last four years, have come across choice tales surrounding your name. A big fan of your work, really! Lord Regrator has had his interest piqued for a while now... so for the sake of civilized peace and alliance, let's get along... shall we? Try not to cause any trouble and I might consider putting in a good word for you.
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𝘊𝘩𝘢𝘵: 𝘋𝘶𝘵𝘺 𝘉𝘦𝘩𝘪𝘯𝘥 𝘋𝘦𝘴𝘬𝘴 A large bulk of my work is centered around days of scrawling pen over paper... but really, one can only digest hefty documents for so long. I've had my fill for many years on end-... now, I'd prefer to partake in more physical tasks.
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𝘊𝘩𝘢𝘵: 𝘛𝘳𝘢𝘪𝘯𝘪𝘯𝘨 I fear the new batch of rookies are growing too lax in their combat training… perhaps it was my uninspiring teaching method today. As a Venator, it simply won’t do to disappoint them. Traveller, would you help a man out and join the session today? The trainees could do with a fresh perspective on things.
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𝘞𝘩𝘦𝘯 𝘐𝘵 𝘙𝘢𝘪𝘯𝘴
No shelter to be seen... here's to praying that you don't catch a cold. Oh don't worry about me, I seldom get sick.
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𝘞𝘩𝘦𝘯 𝘛𝘩𝘶𝘯𝘥𝘦𝘳 𝘚𝘵𝘳𝘪𝘬𝘦𝘴 I've always wondered how the real clap of thunder would feel in comparison to a shock of electro. Unless you want to volunteer for that, watch your step.
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𝘞𝘩𝘦𝘯 𝘐𝘵 𝘚𝘯𝘰𝘸𝘴 Eh... I've seen it once, I've seen it a thousand times. That being said, the nights that are covered in an impossibly slow curtain of snowfall are some of the rarer times I stop to admire it.
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𝘞𝘩𝘦𝘯 𝘵𝘩𝘦 𝘚𝘶𝘯 𝘐𝘴 𝘖𝘶𝘵 Finally. Some real warmth to my face. I am but a simple man, languishing like a wilted flower in the absence of our sun's blazing gaze.
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𝘐𝘯 𝘵𝘩𝘦 𝘋𝘦𝘴𝘦𝘳𝘵 Actually... I think I might just prefer the miserable winter cold over this.
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𝘞𝘩𝘦𝘯 𝘵𝘩𝘦 𝘞𝘪𝘯𝘥 𝘐𝘴 𝘉𝘭𝘰𝘸𝘪𝘯𝘨 What's with the aggressive breeze today? Does the Anemo archon have bills to pay?
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𝘎𝘰𝘰𝘥 𝘔𝘰𝘳𝘯𝘪𝘯𝘨 Good morning. I was about to stop by the city lake on my way to the bank and feed the local geese. You can come along if you'd like. Keep your distance from Tatiana though. She bites.
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𝘎𝘰𝘰𝘥 𝘈𝘧𝘵𝘦𝘳𝘯𝘰𝘰𝘯 On a slow lazy day, I'd be waking up around noon. Fortunately, the weekend is right around the corner, so I can do just that.
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𝘎𝘰𝘰𝘥 𝘌𝘷𝘦𝘯𝘪𝘯𝘨 Although the Northland "bank" closes to the public by evening, the building itself stays open till midnight for other classified affairs. So I may as well make the most of my break time before I'm needed again.
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𝘎𝘰𝘰𝘥 𝘕𝘪𝘨𝘩𝘵 Oh, I must've lost track of time. It's quite late into the night, so before I go, let me walk you back to whatever establishment you're staying at... Oh, uh- I'm... not sure I heard you correctly. You said you live... inside... a teapot...?
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𝘈𝘣𝘰𝘶𝘵 𝘵𝘩𝘦 𝘝𝘦𝘯𝘢𝘵𝘰𝘳: 𝘚𝘯𝘦𝘻𝘩𝘯𝘢𝘺𝘢𝘯 𝘖𝘳𝘥𝘦𝘳 𝘰𝘧 𝘎𝘰𝘭𝘥 𝘢𝘯𝘥 𝘌𝘹𝘤𝘩𝘢𝘯𝘨𝘦 It was the very first decree of order at the hands of Lord Regrator when he came into power as a Harbinger many years ago; to inaugurate a faction dedicated to rearing the potential he painstakingly carved into the foundations of the Northland bank. It is just as the name implies. An executive body responsible for developing economic policies and providing regulation, consulting, and forecasting of socioeconomic and business development, ranging from simple roadside shops to production factories-Oh, have I lost you? Haha... don't apologize, I've seen that expression a couple times before. In simple terms: we help run the nation's cycle of mora, trade system, and citizen’s businesses.
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𝘈𝘣𝘰𝘶𝘵 𝘵𝘩𝘦 𝘝𝘦𝘯𝘢𝘵𝘰𝘳: 𝘛𝘩𝘦 𝘏𝘶𝘯𝘵 [Unlocked at Friendship Lv. 4] The title bestowed upon me, Venator Dux, signifies not just leadership but mastery over a successful hunt- or in some cases, a successful business strategy. The master hunter requires a discerning eye, a mind that can decipher the intricate patterns woven by our adversaries. Information is our ammunition, and knowledge is the silent arrow that strikes before the prey even realizes the hunt has begun.
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𝘈𝘣𝘰𝘶𝘵 𝘜𝘴: 𝘗𝘦𝘳𝘧𝘰𝘳𝘮𝘪𝘯𝘨 𝘈𝘳𝘵𝘴 Various forms of dance and song are the lifeblood of Snezhnaya’s festivals. During fall, you’ll find multiple dance troupes and clowns passing each village, town, and city to perform. I personally look forward to the dancers.
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𝘈𝘣𝘰𝘶𝘵 𝘜𝘴: 𝘓𝘰𝘺𝘢𝘭𝘵𝘺 [Unlocked at Friendship Lv. 6] Your little companion has stuck with you since day one? Truly? That is… a highly admirable trait, one that I will always stand by. Loyalty is not a mere pledge, it anticipates the unspoken desires of another; a commitment that transcends the superficial bonds of allegiance. I keep this ideal close to my heart... for only a single person.
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𝘈𝘣𝘰𝘶𝘵 𝘛𝘩𝘦 𝘝𝘪𝘴𝘪𝘰𝘯 I was hesitant to use a delusion in the first place, so frankly, I’m glad to have been gifted this for whatever reason I was found worthy of. However… Lord Regrator harbours an uncanny dislike for my vision. It’s not something that has been brought up, but I can read between the lines.
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𝘚𝘰𝘮𝘦𝘵𝘩𝘪𝘯𝘨 𝘵𝘰 𝘚𝘩𝘢𝘳𝘦 You didn’t hear it from me, but I encourage the employees at the bank to keep a list of all the infuriating and rude customers. It’s to spice up all the sparring and combat practice sessions by naming and dressing up the dummies as people they’d like to kick- Ha!
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𝘐𝘯𝘵𝘦𝘳𝘦𝘴𝘵𝘪𝘯𝘨 𝘛𝘩𝘪𝘯𝘨𝘴 This wintry climate is harsh and unsustainable for various flora and fauna. The Charmomila flower doesn’t care about any of that. They’ll grow in obnoxious places if they want to. The real deal comes from the summer butterflies that feast on its nectar. After a while their wings turn a beautiful honey-yellow, which are harvested and brewed into the sweetest and most expensive nonalcoholic beverage you’ll find around here. I enjoy a glass of one semi-regularly on work mornings.
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𝘈𝘣𝘰𝘶𝘵 𝘙𝘦𝘨𝘳𝘢𝘵𝘰𝘳: 𝘈𝘷𝘢𝘳𝘪𝘤𝘦 [Unlocked at Friendship Lv. 6] He will have my sincere respect, always. Lord Regrator has built his empire up from a scratch in the dirt, something impossible to do were he a lesser man. His sacrifices of blood, sweat, and tears has bled into the policies that the bank stands on today. Money breeds imbalance and power, which in turn grants freedom and recognition if you are on the right side of the coin. Regrator is a utilizing man and he guards what’s his, zealously. He will take and take until his arms sag with the weight, and uphold his promise to give out the correct equivalents because he lets his value of fair exchange lead him like a vice. For as long as he stays true to his greed, I will be the hand that reaches forward to grasp what he desires.
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𝘈𝘣𝘰𝘶𝘵 𝘙𝘦𝘨𝘳𝘢𝘵𝘰𝘳: 𝘋𝘦𝘤𝘰𝘳𝘶𝘮 [Unlocked at Friendship Lv. 6] Lord Regrator expects a strict level of decorousness from everyone working under his name- from me to even the most forgotten grunts. It's nothing outrageous of course. You would only ever see the metaphorical boot-licking than a literal one. I find it a bit much sometimes but the public eye is nothing to scoff at. Especially to a man of his status. The Snezhnayan dvoryane make up more than a third of the Northland Bank's clientele- not to mention the stakes a couple of them have invested. And if there is anything that those feather-headed fools care about, it's posh theatrics. *Sigh* Still... I quite enjoy falling in step with Pantalone's politesse. He has a beautiful manner of speech that I've never been able to measure up to.
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𝘈𝘣𝘰𝘶𝘵 𝘙𝘦𝘨𝘳𝘢𝘵𝘰𝘳: 𝘈𝘭𝘭 𝘛𝘩𝘢𝘵 𝘎𝘭𝘪𝘵𝘵𝘦𝘳𝘴 [Unlocked at Friendship Lv. 6] …Why do I feel like you’re trying to fish for critical information...? Fine- I'll concede. It's your head on the line anyways. Lord Regrator is a big player in the system of underground businesses that connect Nathan and Snezhnaya. Technically it could be called a black market, but it’s mainly run by a small council of social elites from both nations. There are occasional hosted auctions, that my lord targets to buy out priceless artifacts from. I’m talking about lost pieces of history and endangered caged beasts over items with resell value. Now… with that being said, as long as this secret remains safe… so do you. It’s always me who’s dispatched to make sure it stays that way.
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david-talks-sw · 1 year
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Luke Skywalker in 'The Last Jedi' (2/2)
OK, so in Part 1/2 of this post, we explored why Luke's TLJ characterization isn't really inconsistent with what had previously been established in Star Wars lore. It tracks. Dare I say: it works.
And yet... something still feels off, right?
Well, the reason for this is because Luke's character development is impacted by the film's structure, which in turn is impacted by - of all things - Poe's lack of development in Episode VII! Just hear me out!
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The intention: Making the audience feel the same emotions as the protagonist, deuteragonists and antagonist.
This is what most movies strive for. Unless the film is trying to go for some dramatic irony, you want your audience to be on the same page with your protagonist, emotionally-speaking.
And y'know what? Rian Johnson does this very well.
Overall, he displays a very good grasp of making us, the audience, feel the same emotions as a film’s protagonist (generally, the main character, whose POV we follow) or deuteragonist (the ‘secondary main character’).
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Rey was expecting to meet the Luke from the Original Trilogy, the Luke from Legends... and instead was disappointed to meet an old jaded hermit. Just like many of the fans were.
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Finn is fooled by DJ, mistaking him for an archetypal "misfit with a heart of gold". Just like the fans were.
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Poe is increasingly frustrated with Holdo, just like we were.
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Call it "meta", call it "subversive", the bottom line is that some of the narrative choices that a lot of fans criticize the film for are intentionally placed there to put you in the same mental state as the characters you're following, even during the film's twists.
But as a result, if a character isn’t the protagonist (Rey), or the deuteragonists (Poe or Finn), or even the antagonist (Kylo)... they'll barely get any development.
They might get one or two scenes for themselves tops, but overall secondary characters like Luke, or Holdo, or DJ will mostly be shown through the filter of Rey or Poe’s or Finn's POV.
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The Problem: Luke isn't a protagonist or deuteragonist, so he isn't developed to the audience's satisfaction.
Don't get me wrong: Luke has the second-most screen time in the whole film, but that's because Rey is the one with the most screen time, and he's primarily a character in her storyline.
To be fair, he does have his own subplot, he's the spiritual center of the whole film. But concretely, he’s one step above support characters like Holdo, Leia, Rose and DJ. We're barely shown his own POV and mainly view him through Rey's lens.
Like, there's a reason why in this scene...
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... we don't see what Luke witnessed in Ben’s mind, simply his reaction to it: Rey didn’t see it either.
All three "Rashomon" flashbacks are what Rey is picturing in her mind when she’s being told three different versions of the story. She doesn't see what Luke witnessed, so we don't see it either.
And you know what? On paper... this is also not really an issue. It's actually quite standard. I mean, Yoda doesn't get much backstory or an arc in Empire Strikes Back. He's just the mentor figure, and we see him through Luke's POV.
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There's no arguing that Luke in TLJ receives much more development than Yoda does in ESB.
But y’know what?
Yoda was also never the protagonist of a whole other trilogy.
So if you're gonna tell an audience that "the protagonist of the previous trilogy strayed from the path and is now a completely different person" - even if they eventually make their way back with a character arc - I don’t think it’s out of order for audience members to expect more development than a regular mentor archetype.
Context is expected, and when it isn't delivered, that'll kill the suspension of disbelief, for many fans. They're not just disappointed in Luke like Rey is, they're not immersed in the movie anymore.
So how do you go for what Rian was going while also trying to keep about half the fans from jumping ship?
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The Solution (?) Delving deeper into Luke.
So let’s suppose Luke was treated like a deuteragonist. Suppose we see his own POV more, rather than just seeing him through Rey’s eyes. Would that help? And what would that look like?
Firstly, we keep that deleted scene of him mourning Han’s loss.
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Or we show it like in the comic adaptation of TLJ, with Luke getting angry at his decision to cut himself off from the Force, unintentionally levitating objects until Chewie consoles him.
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WHAT IT DOES: Either version humanizes Luke, shows who he is beneath the jaded mask he's putting on, gives audience a chance to mourn Han with him.
We keep that deleted scene of him explaining to Rey why he thinks the Jedi were flawed, also known as the “3rd lesson scene”.
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WHAT IT DOES: Spells out Luke's rationalization that the Jedi Order needs to end. Marks the beginning of Luke's wake up call.
We add one or two additional short flashbacks of Ben gradually becoming darker and unhinged. Maybe he harms one of his fellow students in a fit of rage.
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WHAT IT DOES: Clarifies that Ben was going through a dark period and that's why Luke went to confront him in his hut. He didn't just saunter into Ben's hut, sabers blazing.
Maybe halfway through the film, we see Luke pack his bag as he prepares to rescue his friends with Rey, only to find her communicating with Kyloe.
After all, the novelization shows that, upon opening himself to the Force and sensing Leia, he immediately decides to get back in the game. So if that’s not just something Jason Fry added to embellish stuff, let’s see that.
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WHAT IT DOES: Drives home the fact that Luke realizes his mistake. (Although, it might also take away from the subsequent scene with Yoda).
Finally, let’s actually see what Luke saw in Ben’s mind: him killing Lor San Tekka, killing Han, killing Leia, murdering Chewie and countless more innocents all with a smile on his face.
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WHAT IT DOES: Provides context for Luke's extreme reaction.
Most of these things are already technically canon, the only difference is that it would be shown on screen. And if all these elements are added, then Luke’s reasons for staying away and his reaction in Ben’s hut are already more understandable.
So where’s the flaws in this solution?
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Solution Flaw #1: Plot twist would be ruined.
Talking about this one:
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Again, we're seeing Luke THROUGH Rey's POV, for the most part. Our reaction is - intentionally - the same reaction as Rey.
The whole point of the twist is that
we, with Rey, believe Kylo can be redeemed, because
we, like Rey, remember Luke redeemed Vader.
So when she realizes “oh shit, Luke was right, he’s too far gone”... we react that way too.
But if we had seen Ben’s turn as well, if we had seen how he was during his training, if we had seen what Luke’s saw in Ben’s mind, we would all collectively agree with Luke and think that Rey is making a mistake in trying to redeem Kylo.
So when Rey walks away from Luke, rather than hoping she succeeds, we’d just be waiting for her to inevitably fail. We'd be thinking:
"Rey, you moron, you're walking into a trap and Kylo isn't gonna turn!"
Emotionally-speaking, we would be detached from the protagonist.
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Solution Flaw #2: Increase in the runtime at the cost of other scenes.
The Last Jedi is already the longest film in the franchise. Adding just three of the above-suggestions would increase that runtime, which wouldn’t work. So you’d need to take something out.
But Finn and Poe’s storylines are already stripped down to their bare bones as it is. Hell, so was the Rey/Luke storyline, for that matter.
Actually, wait... why do we have three storylines, in the first place?
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After all, if we look at The Empire Strikes Back, they only have two storylines, right?
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The protagonist, Luke, goes to Dagobah.
The deuteragonists, Han and Leia, evade the Empire.
Main plot & subplot. Great.
Wouldn't it be better to just have Poe and Finn do the Canto Bight storyline together? That would give us sme remaining time to focus on Luke’s past, right? Where’s the issue?
Well, Rian Johnson put it this way:
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Bottom line, in The Force Awakens, Poe is a clear-cut character. Simple as that. He’s charismatic and fun, but there isn’t much room for him to grow.
A lot of people compare his character to Han, but there's an issue with that comparison (besides the obvious fact that Finn is Han and Poe is Leia)...
In ANH, Han has an arc. He's the philosophical antagonist of the film, he's only out for himself which conflicts with Luke's attempts to help others. Han goes from being a selfish irresponsible gun-slinger to taking responsibility and becoming a selfless rebel, a part of something bigger. Arc concluded.
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(Hell, this very reason is why Harrison Ford didn’t wanna keep playing him and lobbied to kill him off.)
So in ESB, Leia is the one who has the arc. Han is just being himself. Leia is the one who must slowly come to terms with the fact that she does love him, despite him being a total nerf-herder. So she and Han bicker, there’s conflict there, but there’s also an underlying affection.
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As such, when Poe doesn’t have an arc in TFA, and is already on great terms with Finn, then there’s no conflict if you put them together in a subplot.
And conflict is crucial, in storytelling. If it's absent, then the story becomes boring.
As a result, Rian Johnson had to create conflict and growth for Poe.
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Which means that, now, a third storyline is thrown in the mix... and the pacing and development of the other two are affected by this. Some really good scenes need to be cut, some stuff needs to get shuffled around.
For example, remember this deleted scene, from further up?
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In the commentary, Rian explained that the reason it wasn’t in the film is because it didn’t intercut well with the other two storylines. *Three and a half, if you wanna count Kylo's personal scenes.
As such, there’s no space to add more scenes to develop Luke's perspective.
And if Rian made more space, well, that wouldn't work either. Because while Luke is the spiritual core of the film... this isn't his movie. He's not the protagonist anymore. But he used to be, and if you show him too much (not as Rey's mentor figure, that is, but as a protagonist or deuteragonist), he'll take the spotlight off the new cast with the snap of a finger.
When Michael Arndt was working on the Sequels with George Lucas in 2012, he encountered this same issue:
“Early on I tried to write versions of the story where [Rey] is at home, her home is destroyed, and then she goes on the road and meets Luke. And then she goes and kicks the bad guy’s ass. It just never worked and I struggled with this. This was back in 2012. It just felt like every time Luke came in and entered the movie, he just took it over. Suddenly you didn’t care about your main character anymore because, ‘Oh f*ck, Luke Skywalker's here. I want to see what he’s going to do’.” - Michael Arndt, Entertainment Weekly, 2015
And I'm guessing this is a problem that JJ had to deal with too, hence why Luke was pushed to the end of Episode VII: so as to give the new characters a chance to be developed a bit more, first.
“In a very general sense, the original idea for Episode VII started midway through what we now know as Episode VIII...” - Pablo Hidalgo, Twitter, 2016
There's finally the fact that, while most of those ideas can make Luke's fall more understandable... his story isn't about "how he fell".
It's about how he got back up. The whole point of the film is that even when you've reached your lowest point you can still inspire and be inspired by hope.
So while adding any of the above scenes would only reinforce what was already shown in the movie, be it explicit or subtextual... they wouldn't ADD anything to the theme of learning from failure and getting back in the saddle.
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Do I care about Luke’s characterization in TLJ...?
In spite of what the length and intricacy of these two posts might indicate... I don’t, really 😅
Like, sure, I wish more had been done with the character, but Luke was never really my childhood hero, Obi-Wan was.
So Luke in TLJ isn’t a gaping wound in my chest. I didn't whine about it in 2017, nor did I shed tears of joy and said “he’s finally back” when we saw him in The Mandalorian, for example.
Like, it was an awesome scene, but in my mind Luke never left.
Also I’m the type of Star Wars fan who’ll tolerate any addition to the canon by virtue of it being new Star Wars content.
So even if that addition is something I didn’t enjoy during the viewing, I still focus on the positive and roll with it, I come up with a headcanon that'll make it work.
Because you get to do that, with a transmedia franchise!
If you don’t like how it went down in the movie? There's always a comic around the corner that'll retcon it and/or retroactively make it better... that's how it was for the Prequels.
But for the Sequels, it's difficult. There's a scarcity of transmedia content, when it comes to stuff set around the Sequels era.
I mean, can you think of any
Luke-centric work
that serves as a meaningful addendum to what's seen of him in the Sequels?
A novel, a comic issue and a distantly-relevant manga.
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That's it.
(The Mandalorian and Book of Boba Fett are too soon after ROTJ to have any meaningful impact on Luke's journey in the Sequels. Some people see Luke's behavior in those shows as "the beginning of his failure", but I covered why I don't think this is really the case, here.)
Instead of just three items, how about a comic mini-series focusing on the year Luke spent training Leia, or on his adventures across the galaxy as he tries to rebuild the Jedi Order? Maybe he meets Cal Kestis, or Quinlan Vos? Maybe he needs to face against an Oppo Rancisis who was consumed by the darkness, post-Order 66?
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Or better yet, how about a video game centered on Luke, in the style of Fallen Order or Jedi Academy?
Get Mark Hamill to motion cap it, he's done it before.
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This would also allow the fans who grew up with the powerhouse that is Legends Grandmaster Luke Skywaker to have some fun!
Many fans wanted to see Luke in action, in TLJ, and instead got a pretend-samurai fight. Which is nice, powerful and symbolic, he goes out like a true Jedi, it makes the Force more than a superpower... but it's not a lightsaber duel. In a game, though? Players can go to town.
I dunno... any additional content would've smoothed the blow for many people who didn't like what was done with Luke in TLJ. Sure, you'd always have people who just hated the whole thing, but if transmedia content helped reduce the hate for the Prequels, it could've done the same with Luke.
I'm not sure why that route wasn't taken.
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ganondoodle · 9 months
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read about all the armor set pieces i never bothered to fin before stopping to play to make sure i wasnt missing any potential useful info and came across the thing that im guessing is the reward for the shrines given its description and i just
kinda sank back into sadness and desperation bc of how much i dont like it and im fearing they are just gonna mess it all up even further
i said it before but i have a seething hatred for how totk hurts botw in retrospect, like wow i liked the mystery of the sonau but never wanted an answer to it, i liked the mystery of who the ancient hero was bc of its strange depiction and man did i not want this kind of answer, some things not having an answer can be more interesting than having one, cant we focus on going forward instead of looking back further and further, it was fine with the shiekah but at the end of botw it felt like a relieved sigh of "ok the past is gone and done, now we can built a better future and move o-" NOPE LOL LOOK BACK EVEN FURTHER THERE WERE THE COOLEST PEOPLE EVEN FURTHER IN THE PAST OMG YOU GUYYSSS LOOKS HOW COOL THEY WERE AND ALSO FUCKED IT ALL UP LOOOOOK LOOOK
like in general i have nothing against introducing a new species/nation to zelda but the way they did the sonau is just nothing but frustrating to me, coming out of basically nowhere and suddendly being shoved into EVERYTHING, everything shiekah, basically erased bc ACTUALLY the sonau were here first lol and they were so much cooler and better in every aspect dont you DARE even THINK of any other boring old group central to the better game of the two (botw)
like i get it they are the new cool thing but they feel so much more suddendly FORCED into EVERY aspect of both lore and world and how everyone absolutely obsesses over them its like the devs were so scared of the player not being interested in them that they felt the need to make every second NPC obsessed with them just so they can constantly shove in your face how interesting they are (like i think they way this was done just made me even less interested/more annoyed, sorry, their design is neat yeah but i really dont care, you failed to make me care and TELLING me to care wont change that), the ancient shiekah felt so much better integrated as a natural part of the world without being annoying about it and i just ....
i worry about whats to come, both for possible DLC, or worse even another game pretending to be connected to it or just .. in general ... especially given how successful totk was and still looks like its only praised outside of my bubble of like minded people
i now got alot of people interested into my totk rewrite but now im worried ... isnt my energy and time better spent on something else .. especially if they are just gonna make it all worse anyway/mess with it more, like after seeing how much totk disappointed me yet how successful it is i doubt it will get better again
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Man. I’m honestly sad about Hazbin Hotel being the way it is. Maybe, maybe it will surprise me and somehow the last 2 episodes will make the first 6 more engaging or enjoyable but like…(general vent/overall impression so far below)
Lord, it’s so clear that they had SOOOO MUUUUCH they want to get through, and for whatever reason they don’t seem to believe in their work and their story enough to let it take it’s time.
I think if they had just let the first 8 episodes be about the general main cast, maybe with each episode focusing on the improvement and work towards redemption for each hotel resident, we would have a LOT better groundwork for building up to all the intense things and lore they want to include later.
But we’re seeing either full character arcs being speed run or we’re having big twists or revelations nearly every episode and it’s just…I WANT to feel moved by this show. I WANT!!! To like the show!!! I really want to!
Because there are moments that show depth, that could have been really really interesting if we knew more about the characters, if we got to see more of how the characters interact with each other, if we got to see them take the TIME to build up to and resolve their conflicts.
But how it stands, we get at least one, if not two new characters shoved into every episode. They show up create chaos or sing a song about something important to them that we just learned about, and then they leave.
I WANT to get to know these characters! I want to see a flashback or something where Camilla and her daughters were trying to hide from the Angels, and Camilla has to fight back to protect them.
I want to see how the hotel residents ACTUALLY bonded during learning to fight with each other.
I want to learn more about Alastor from literally ANYTHING other than an exposition dump.
Sorry, again if you find these characters to be emotionally deep or they are important to you, nothing I say should take that away.
This is a lot more vent-y than usual, but I guess I’m just sad and disappointed b/c it seems like the writers and creators behind Hazbin don’t believe in their own story and their own characters. This is just how it comes off to me, and it’s just a bummer man.
This was the same feeling I had when the Pilot came out, but the Pilot at least had charm. And while I was ultimately disappointed by its writing, it was clear it was the product of a bunch of people, and bunch of artists, coming together to create something.
And even if the Pilot still needed a lot of work and improvement, you could tell that the people making it really believed in the story and characters and were excited to make it!
I didn’t really want to see the Pilot picked up when it came out in 2019, because while I admired the passion of the creators, animators, voice actors, and composers, I wasn’t sure if I personally believed in the story.
Then it got picked up, and I thought “Okay then. I’m not gonna assume the worst. There must be more to this than I initially thought. I don’t know how I’ll feel about the series, but I want to give it a chance. I hope it’s well done, I hope it’s good”
It’s come out now, and so far, to me, it’s just bad. There are still those little moments of creativity, but they are few and far between, and a lot of the time when I watch the show I’m just waiting for the next song, because that’s usually the one part of the show that is at least catchy.
I guess my only reflection I have for this moment is just. Supreme disappointment.
Sorry again for the post that’s less a review and more a vent/rant post. I think at the end of the day if I DO write any actual reviews of the episode, they will largely be me talking about things I WISH we could have seen in the show, but didn’t get to.
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cursedvibes · 8 months
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"Don't interfere with Gojo's fight, you'll only be a burden" 🤡 anyways I think we all agree this was a terrible fight with a terribly executed ending. It feels like bad writing, with Gege unsealing Gojo and not knowing what to do with him having a bunch of characters waiting to progress and be developed. Just unnecessary, like what did the fight accomplish? Gojo straight up forgetting about Megumi and being like "oh nvm, i was never gonna win anywyay" just feels OOC.
One of the most anticipated fights in the whole manga and it was kinda trash. I hope the plot moves along now. Like you said, I want to see the students fighting Sukuna and Kenjaku, also give me the parent Kenjaku reveal moment with Yuji, Gege, and some KenJin flashbacks. Perhaps add in a little "Jin is actually alive". As compensation.
Also waiting on that Sukuna/Yuji fight. Please Gege let that one be good.
I don't know if it's because Gege lost passion for the story, but there would've been dozens of better options on how to do the fight besides "students sit on their ass and watch the live stream of their teacher's death". F in chat, guys! No, don't interfere, that would be too interesting and feel way too natural.
I really don't want to be this harsh, but everything since Gojo's unsealing has just been very questionable writing decisions. I like the Culling Game actually, I enjoyed it more than Shibuya, even when we were focusing on characters I didn't care as much about. It didn't have the constant threat of death I expected, but it was still good and I especially liked all the new lore and character exploration. Execution of Yuki's death was meh and there could've been done more with the fight, but it still moved me. Tsumiki turning out to be a piece of cardboard was my first real disappointment, but I could've looked past that if her and Yorozu's death would've been executed better. And after that it was just kinda...bad.
Angel agrees to unseal Gojo without explanation despite refusing to do that earlier. Backdoor has no drawbacks, Gojo is just out now. He's kinda weird post-Prison Realm and definitely different from before with changed priorities, but we don't get anything concrete about him or his time in containment that would give more depth to this. He just feels kinda detached. And then one month timeskip. I still remember when people said we would get flashbacks during the fight to explain what the characters were up to. But nope, nothing. Who knows if the main characters have an actual plan, Gojo definitely doesn't seem prepared. We get vague hints at Gojo using his time in the Prison Realm to adjust his domain, but we don't hear his perspective on that (would've been too interesting), we are just told about how he must feel by other characters. It's such basic things that could have made this fight more engaging and moving, but we barely get anything. On top of that it is stretched over 14 chapters and 4 months for no reason. Just make it hit harder from the beginning and shorten it that way. Kenjaku and Yuki were powerhouses and they didn't need this much time. Also the constant Gojover teasers got old very fast.
However, Gojo did manage to strip Sukuna off his domain and Mahoraga, so that will make things a little bit easier for the others. Sukuna can't just vaporize everyone with Malevolent Shrine anymore.
With the Kenjaku vs Gojo fight not happening, I am more confident though that we will get more focus on Kenjaku & Yuuji and explore their relationship and past. Feels like there will be more time dedicated to them, although that also depends on how Yuuji vs Sukuna goes. I am very excited for what's to come either way.
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nanite-city · 5 months
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If there's another trolls movie and or special, what do you think it or they will be about?
So what I Think a 4th trolls movie would be about and what I Want a 4th trolls movie to be about are two totally separate things so I'll just tell you both lol What I would like: Bring Barb back. please. please pl Bringing back any of the characters from world tour would be rlly cool actually. I'd also love to see more of the Funk Trolls and their future tech environment. imo I think it'd be cool if the next trolls movie leaned a little more sci-fi !! trolls in space would be a cool thing to explore. Maybe have a larger than life foe threatening their world and it could have a message about being seemingly small and insignificant but there being strength in numbers and friendship or whatever lol As for a special though, I'd love a Barb-centric spinoff or adventure with Poppy or Viva or honestly any other troll(s). But I'm biased bc she's my favorite and I think as a character has a lot of potential now that she's one of the "good guys". It would also be neat if they did a Valentines or Halloween special (it doesnt have to be those Exact holidays but something trolls-specific that's similar). What I Think they'll Actually do: An interview Walt Dohrn said that if they do end up making a trolls 4, they already have plans for "new locations and new characters", meaning I Think each trolls movie is just gonna take the main characters (literally just poppy and branch. maybe tiny for comic relief) to another place and the already beyond crowded cast of characters is just going to keep growing. Nevermind expanding on already existing lore or worldbuilding or characters, check out the new guys that we're gonna shove half the cast to the side to make room for !! I'm honestly just being bitter about this approach bc I feel like they have a Lot of stuff to work with already that they're more than likely going to ignore in favor of whatever new stuff they can cram in. I liked Brozone and Viva and Velvet and Veneer, don't get me wrong, but I wasn't a fan of how None of the characters from world tour had a role, and they even cast aside the rest of the snack pack (Smidge wasn't even in tbt and that really surprised me). In a podcast Cooper's voice actor also expressed disappointment that he wasn't going to have a real role in this movie, despite it being entirely about long lost family (something you'd think Cooper, having a long lost sibling of his own, would be a part of), and said that they called him in to do only a few lines, said they'd call him back for more, and never did. So YEAH big tldr is that idk what specifically they're going to do, but it's almost a guarantee that they're gonna clutter the movie with more characters and places instead of building on established material. also there will probably be a broppy wedding bc of course there will be.
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askdacast · 5 months
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since I started liking/posting stuff related to the funny boomer Minecraft Youtubers playing an improv death game, I'm probably gonna post more opinion or lore posts occasionally when I have time; the Life Series is like one of my pet obsessions I circle back to every time a new season comes up like most people.
(to my friends/other followers who have no idea what I'm talking about, I'm sorry)
I don't usually watch the main Hermitcraft/other SMP videos because they aren't my thing compared to the Life Series SMPs, but I do enjoy what the creators put out and they all deserve lots of praise for the hard work they've put in (especially after a lot of unwarranted criticism lately over Secret Life + Hermitcraft Season 9)
and now for a scorching hot take that will disappoint a lot of fans
I really like the Desert Duo...but only platonically, and lemme tell you "platonic" and "Hermitcraft/Life Series fanart" go together about as well as water and oil
I'm already not a fan of shipping in general as a personal taste, but when it comes to shipping real content creators, my discomfort is doubled. If you ship them I'm not gonna hate on you or ask you to stop, you're free to do as you like and I'm not the internet police.
That being said, Grian and Scar are super close friends iRL (if you include Mumbo, I consider them a "DO NOT SEPARATE" trio) and it's honestly really heartwarming to see them in other series just goofing around and even doing RL meet-ups (mostly Grian/Mumbo). To me I've always loved seeing really close friendships like these, and I will try to refrain from snarking about how people on the internet are really bad at distinguishing Philia love (friendship, really deep friendship) from Eros (romantic love).
The point is, I kinda feel uncomfortable when I see shipping of them cuz it feels like willfully misinterpreting the bond of actual real people. I know a lot of people say "separate the CCs from their personas in the series/lore," and I understand why, but the whole practice doesn't sit well with me. It almost feels like instead of creating something actually derivative of the real people, it's like smooching two dolls that just happen to be labelled "Grian" and "Scar". And as a writer myself for other things, I really like to pay respect to the subject matter I'm writing about, and that includes real people. And considering Grian iRL is a straight married man who's said before he doesn't really like the shipping (Scar to my knowledge has not given his opinion on it), it feels even more uncomfy to me when people try to ship him with one of his actual close best friends.
Yes in a way the real people are separate from the personas they put in Hermitcraft or the Life Series. They're like actors, doing it for the job and the sake of us the audience. (Considering I'm a big fan of Vtubers, I'm very acquainted with this paradox) Even still I can't help but always be cognizant of how they're still real people trying to put out their heart and soul to the public, and we enjoy what they do with deep respect for what they're doing. Shipping, especially if they've voiced their disapproval for it (even though they haven't banned it), feels just a tinge not respecting them as actual people, and feels a bit parasocial-y.
But again these are just my personal feelings, this is NOT a hate/call-out post to anyone in the fandom or demanding anyone to stop shipping the hermits. That being said you're likely to not get any out of me for the reasons I've stated above.
and a side note to talk about lore specifically, I just think platonic Desert Duo (for the Life Series specifically) is even more interesting than taking the romantic lens, because we can still have the angst and the doomed narrative and the unsaid trust between Grian and Scar, and still be able to celebrate each of them individually as respective players/creators, without having to make every achievement they make be about 'oooo because fate'
I haven't seen anyone yet posit the theory that (CHARACTER) Grian has distanced himself from (CHARACTER) Scar not because of just trauma but also that Grian thinks Scar is perfectly capable of holding on his own (shenanigans and carelessness aside). Like he's known Scar long enough to trust that he can survive on his own, and thinks that they should try to not hold each other back, and depending on who you ask this was either a really good or REALLY REALLY BAD CALL in Secret Life (because Scar did win on his own merits, but was left all alone)
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genericpuff · 4 months
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I'm not sure if you've answered this question before but what were some of the things that made you interested in Lore Olympus in the past and at what point did you lose interest?
I adored the art in the beginning, and just like, the really warm-feeling romance that just had me feeling so giddy reading it. There were some red flags in the beginning like the age gap, but I kinda fell for the same mindset of "well they're gods so what does it matter" (obviously I can't in good faith use that argument anymore because if the age gap didn't matter then it either wouldn't exist or wouldn't be brought up in the first place lmao but it took me a while to realize that).
Now, to be fair, LO was also one of my first introductions to webtoons as a format, prior to that I had read mostly manga and left-to-right indie webcomics (i.e. comics that were hosted on their own site) and I was still in the early years of my own development as a writer and artist (I still feel like I'm early in that development tbh) so of course there were undoubtedly a lot of obvious flaws that went over my head (and I was younger and inexperienced so I wasn't as critical of what media I was watching / reading as I am now) but that's been half the fun of catching them now - it's given me a lot more perspective and helped me hone my own skills in my writing by analyzing what's wrong with LO and brainstorming on how those problems can be avoided.
But then there was the Act of Wrath plotline and I was completely sold on it being gold. Anyone who's read my original work knows how much of a SUCKER I am for "dark alter ego" plotlines, I eat that shit up like junk food. But what I like about the dark alter ego tropes is when they're used to explore the subconscious, question one's morals and true identity, etc. That was what I was hoping for and expecting with the AoW plotline in LO - that her "dark self" was gonna be a reflection of how she felt "held back" by her circumstances in the Mortal Realm, and her wrath being something she could use for retribution (in a "do no harm but take no shit" kinda way). Especially with how naive and innocent she was in the beginning, I loved the idea of her slowly coming to terms with her "darker" side and learning not to suppress her emotions until they had nowhere else to go and exploded (which was how I interpreted the AoW).
So when it didn't do that, or even explore an ounce of nuance regarding her relationship with her wrath, I was very disappointed to say the least. When Eris was revealed to be the one who "blessed" her with wrath, that was when the rose colored glasses started to fall off and I realized "wait, does Rachel not have an actual plan for this whole Kore vs. Persephone thing???" And now her wrath is literally just there to... give her the power to bully people?? It just feels so disheartening to see such potential squandered.
Don't get me wrong, I'm not gonna chastise a story if it doesn't go exactly where I want it to go, there would be no fun in that anyways (and that's what fanfiction is for lmao). But when a story is leaving very interesting but connectable breadcrumbs that are VERY clearly leading you somewhere and then just... doesn't, that's when it's disappointing and unsatisfying. LO feels like a "creator vs. the reader" story in the worst way possible, where it's constantly leaving breadcrumbs, getting pissed when the audience "figures it out", so then it overcorrects and tries to "subvert" itself to keep the readers "on their toes"... but the problem is that all it really does is punish the readers for paying attention and investing themselves in the story by giving them a worse story. It's like Rachel's getting mad at people for figuring out a story that she's writing and hinting towards.
And this has been going on for YEARS now, it's like a Shepard tone where it sounds like it keeps getting higher and higher in pitch but then doesn't actually resolve so your brain is just scrambling trying to figure out what in the world it could be "building up to".
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There's nothing. It's not building up to anything. It's just constantly putting down new plot threads that are slightly altered versions of previous plot threads and expecting you to keep following along while it makes a mess of itself. It feels like you're going somewhere but you're actually still just running in place. It's just Rachel never learning how to progress past the middle school writing level of "and then this happened and then this happened and then this happened". Not only is it disorganized writing, but it's just... it's so boring. Nothing's exciting or interesting anymore when it keeps distracting itself with shiny new plotlines and characters that never get resolved.
It's like when you were a kid and thought "man , when I grow up, I'm gonna eat nothing but chocolate cake and ice cream every day forever!" and then you get older and you realize you were being silly because eating nothing but chocolate cake and ice cream every day 1.) isn't good for you and doesn't feel good, and 2.) the appeal and novelty of it wears off if you can have it any time you want, it doesn't feel as special anymore as it did when you were a kid and having those things was a treat.
To compare this back to LO, none of its "reveals" feel like treats anymore, they feel like just another half-assed attempt to keep people interested. It's clickbait.
And don't get me wrong, you CAN totally subvert the breadcrumbs you put down for your audience and go in a completely different direction than where the audience was expecting, but it takes a shitload of skill and thought to do it well. Attack on Titan is one of the best recent examples of a story appearing to completely throw out its original script halfway through, only for that script to actually still be relevant in a very complex and thought out way. Especially when there ARE hints towards the big "twist" that make you go back and rewatch it and realize "WAIT, THEY'VE BEEN GIVING US THE ANSWERS ALL THIS TIME?!?!"
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(it would be TWO MORE FUCKING SEASONS before this ending would make sense, that's fucking GENIUS foreshadowing and in the CREDITS SEQUENCE LIKE ?? IT'S SO BLINK AND YOU'LL MISS IT HOLY SHIT-)
Evidently Rachel does not have that skill and is not willing to put in that thought; maybe she could some day, but I don't think she's learning it on the job as well as she thinks she is.
And it's disappointing as fuck because it could have been so much better than this. Rachel is literally the only one getting in her own way of LO being something truly great.
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bloodgulchblog · 2 months
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Have you seen that YouTube video where some guy reads every Halo novel back to back and then reviews them? If so what did you think
The Brian David Gilbert one? Oh yeah, all my friends showed me it when it came out. (It was honestly kind of cute seeing how many people thought of me immediately.)
Rewatching it to refresh myself because it's been a couple years and a full-novel reread for me since the last time...
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High fiving BDG because the Master Chief parts of The Flood were definitely the most boring parts.
He didn't have anything to say about First Strike which I think is a shame because I think it's better than The Fall of Reach and actually has A Theme I Find Interesting.
Rightful recognition of Contact Harvest as pretty damn good.
Rightful recognition of the Forerunner Trilogy as dense oldschool-style SF with deep worldbuilding. (Also the San'Shyuum thing.)
I disagree with him about, and have significant problems with, Kilo Five. He is correct that Kilo Five actually delves into some of the dark places in Halo in a way it really needed, and I would even say that its writing is extremely engaging by Halo novel standards. However, while he does notice the obvious parallels between what ONI is doing post-war and the kind of shit the CIA has pulled again and again irl, I think he misses some of the subtext I see where it feels like it justifies some shit a liiiiittle too much if you know the author's irl politics re: the military. He also doesn't seem to notice the character assassinations (particularly of Catherine Halsey) that I and a lot of other fans see/object to in those books. I kind of gaze into the middle distance with a haunted expression at the suggestion that these are the ones to read if you don't touch any of the others just because they are, ironically, so heavy-handed and feel like they treat certain kinds of evil as inevitable in a way that actually feels way worse to me than the excuse plot offered by the earlier/lighter Halo novels. (But idk, that's me? Nobody is committing a crime if they disagree with my frenzied insane person red string diagrams about Kilo Five.)
I'd swap Pariah for Dirt in the Evolutions anthology if it were me, but I think these are solid standouts.
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Broken Circle is neat but really nonessential he's not wrong.
A one-sentence review of New Blood is probably not enough space to get into how fucked up the Spartan-IV program is, but yeah. New Blood is fun if you don't find Buck's first person narration annoying. (It comes and goes for me in that one.)
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BDG you're an absolute sweetheart, I think Hunters in the Dark is kind of goofy in a way I cannot in good conscience ignore if I'm gonna review it. But it really really is so much fun and I love that one a lot anyway. The "it's like Halo 3... 2" observation is solid.
High fiving him again because I also found Last Light disappointing. And it is also a me problem.
Fractures!
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Hell yeah these are all good pulls from Fractures, I would say Shadow of Intent is the pick of the litter in that anthology for me. Interesting that as a Kilo Five enjoyer he didn't single out Rossbach's World, which is the last we've heard about Osman and Black Box. (Also, that one is good.) I think Oasis is worth an honorable mention because I'm an Envoy stan, and the Forerunner stories are interesting but I wouldn't go for them if you don't already have a healthy interest in the trilogy.
This tangent is so fucking funny now that we know more things:
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Oh BDG, oh buddy, it's really not for the people like you and me huh. (Disclaimer: I have no idea if BDG likes the Halo tv show or not and I have no desire to dig up evidence about it.)
Also, while you're here, this is the bloodgulchblog origin story:
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Smoke and Shadow is fun so it's a little sad that when he ends that sentence with "whatever," I can't actually say he's wrong to. (Sorry Rion your part of the lore just.... hasn't... touched anything that touches anything else anymore.)
ENVOY IS GOOD AND EVERYONE SHOULD CARE ABOUT IT okay okay I'm cool I'm normal, anyway. Envoy is the Halo novel that restored my faith in reading Halo novels and reminded me that authors can care and know how to do nuanced, interesting themes in this space. It's great. Everyone in this book has war refugee trauma (except the Spartans which have Spartan trauma) and that's incredible to me. Please care about Envoy if you have spare room in your heart for Halo side characters.
I am cheered to see someone indifferent to the Veta Lopis stories, but I still feel petty for feeling it.
I don't have a lot to say about Legacy of Onyx here but it's always so fun seeing someone else suffer and care.
Bad Blood, the Blood is Bad now is a fun joke but lol yeah. It does have this very vital moment where Chief and Arbiter talk, though. For the first and only time in years.
PROPS FOR NOTICING THE YA NOVELS they're actually pretty nice.
"The Master Chief is the protagonist and boy does he shoot some people" is most of how I feel about Silent Storm and Oblivion too, I know they have their fans but Troy Denning's Chief books don't do much for me personally.
Renegades hadn't had its followup Point of Light yet but yeah, Spark stuff is interesting.
I had to remember that oh yeah, there are multiple books now that didn't exist when this was made. I wonder if he read them?
OKAY I THINK THAT'S ALL I HAD TO SAY as always if y'all want specific book opinions, I might have a tag for them. Or just yell in my ask box, I'm sure I can scrounge up some thoughts.
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eshtaresht · 1 year
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guys how are we feeling? in pain, devastated, or screaming crying throwing up, what's the consensus here? spoilers for ep 11 under the cut (and minor spoiler for manga)
first things first, my theory from the last week is proven wrong. still don't know what the red plants were for (safekeeping? protecting from the last run?), but nai ain't gonna exploit them to "fix" vash. instead he EXPLOITS HIM AND SUBJECTS TO MENTAL TURTURE AND WIPES HIS MEMORIES CLEAN TO ACCES A HIGHER DIMENSION and create more independent babies ig
(yep the plant mpreg moment is sure a thing... for the next week, get ready for mass abortion)
finally, a gate that's an actual GATE. I think the plants lore was pretty self explanatory, but I'm so happy we're getting it and it's much more comprehensive that the manga, even(and 98' anime basically didn't explain anything and I had to spoil myself through fandom wiki to understand who vash and knives were). like, it's changed A LOT but it's in the same lane
this knives is so capable, holy shit!! everyone was already joking that he would put kniveses of the past to shame, and it's so true... he knows what he wants and how he wants it done and when he just goes ahead and does it. what a giga chad, honestly
I'm a bit disappointed they didn't keep the manga version of knives pre-tessla (that was softer than vash and wanted humans to like him), but it's definetely better than the old anime. like, he's colder due to him being the stronger twin, but he's still playful and doesn't hate ppl. he kinda distrusts rem, but they fucked around out of curiosity rather than malice. also, and I can't be the only one who noticed, his file name said "kni"? mmm ok interesting I'll have to think about it
that probably was the sequence code knives was talking about in ep 8, he used it again for the great fall. I wonder what it said, had to be something important to rem that vash could guess. geranium? their birthday?
the tessla sequence was quite short, but DAMN. status: alive. after all they've done to her. they put her on ice in this condition so they can keep studying her later. and the twins made her come alive. I'm gonna be sick it's so much worse..... no comas or suicide attempts this time, but these kids were still traumatized as hell (vash looks worse, like he haven't slept or probably eaten in a couple of days)
it was a serious moment but when nai revealed he was reading THE BIBLE I can't ahajakahajajahah... like, NO WONDER HE STARTED A RELIGION omg... pls put that book down you've got the message wrong
and or birthday boy vash... oh babygirl I'm so sorry. when I said I wanted to see him going through this I didn't mean a literal mental torture gaslight dimension!!! like, it's SO crucial to his character to REMEMBER all the good and terrible things he went through.... to have it taken away while he can't do anything, even when he clings to the memories as hard as he can, knives still takes EVERYTHING away from him, until he's the only thing tying vash to this world.
again, any other knives could never! and even before tearing apart all those memories, he gaslights vash even further, saying that he did the fall for him (which is true) and so it's basically his fault (which is very much not true)... and this BREAKS him quite literally... AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA
on a brighter note, loved that goofy meryl & nico interaction, remember, when we could still laugh? now it seems like meryl is gonna manage to reach vash in his infinite soup of despair, and that breaks his gate?? I'm so thrilled for the finale it's not at all like I imagined already said this in my previous post, but the flowers are a consistent theme for stampede instead of angels and, like... it's just makes sense for a plant to be a plant, yk. also it's pretty. july is already being destroyed by the roots, I wonder if that's gonna be it or there'll be a big kaboom (in this case it would be hard for meryl to survive, but potentially vash could make a root cacoon to protect her)
also this ep gets bonus points for showing what's going on in the city with the police guys and civilians, 'cause usually stampede isn't great at background and side characters
now making theories about the (potential) second season. amnesia aspect is getting established rlly hard rn! the only question is whether vash gets to remember key moments (like rem, meryl, wolfwood) or if he only retains the vibes of "someone important who said I shoud protect ppl". because it's gonna be interesting if he forgets everyone completely and when nico and meryl (and milly, fingers crossed) eventially find him, he''s like "hi, have we met?"
oh, the POTENTIAL! I think he's gonna get his 98' characterization as super goofy, borderline annoying, because he just doesn't remember all the pain! at least, he doesn't remember the details and fills the blanks with astonishing amounts of cope. and when he's finally able to remember, oh boy, he's gonna crumble.......
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