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#and im struggling with condensing how much love I have for this character into a short description
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captain link!! (introduced back in this comic but more info in tags)
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unorthodoxx-page · 1 year
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I honestly love the way you write your fanfics! I'm planning on writing my own but im not really good at writing one (I know this because of past works i did). Any tips to share?
LONG POST BELOW  Also this is just my opinion, and I’d love to hear what everyone else thinks!
My best advice is to write the stories anyway. Even if you never post them, if you have something finished, you have something to edit. It's easier to see plotting mistakes, inconsistent character voices, and weak exposition in a finished piece.
The plotting process is different for everyone, and I don’t plug my story into a 3 Act outline, but it’s a good idea to have an understanding of some of these structures.  Especially if you’re just starting out, it kind of gives you a base to build off of and gets you thinking about smaller sections of your story.   I also always suggest knowing your middle before you even start writing. Many people (including myself lol) have really good beginning and ending ideas, but struggle to connect them. Even if it's just one sentence explaining the middle, then you at least have something to work off of.   An unclear/unknown middle will kill a story, trust me.  
Now, writing style is subjective, but I think what's around the style is what people focus on when they say ‘I don’t/do like this writing style’.  For example, I started with poetry, so a lot of my prose reads like a poem in certain spots. Now, this gives me interesting sentences, but not good paragraphs.  It’s the delicate balance of explanations around those sentences that’s typically the hardest part.  Too much or too little can be glaringly obvious to a reader, and it can be hard to find a sweet spot.  I personally struggle with too much when explaining action.  I have an example below: 
Example below is from an old personal work so be kind lol.
Brianna flicks the dead blunt over the banister and bumps Imani on the shoulder on her way back to the party.  Imani nods in acknowledgment but she follows the blunt as long as she can to the ground below.  She doesn’t see it land, but her eyes snag on single red cup.  Her cup, she’s sure of it.  How did she find herself in this cycle of shitty interactions that end with her buzzed and alone on this railing.  Imani should be in there dancing, making memories that she’ll laugh about and decisions that she’ll regret.  Not introspecting like some philosophical bitch.
Now, the above isn’t bad but it definitely has a chunky beginning.
Brianna bumps Imani in solidarity and flicks the dying blunt over the railing.  Imani doesn’t look up when the girl leaves, instead, she tracks the faint glow as far down as she can.  She doesn’t see it land, but her eyes snag on a single cup in a sea of red.  It’s the one she dropped, she’s sure of it.  How does she always find herself in this shitty cycle that ends with her buzzed and alone?  She should be in there dancing, making memories and decisions that she’ll regret.  Not introspecting like some philosophical bitch.
See?  The first two sentences had too much explained action, so it took away from the scene and the solid sentences at the end.  The second one condenses those actions into something more character driven.  Which is another point to keep in mind: What can your character voice add to this scene?  Even if you’re describing the world, you’re doing it from the POV of the character.  What word choice would they use?  Is it big or is it massive?  Is it a warm sun or an unforgiving one?  Even one line of character observation in a paragraph can change the entire feel. 
Even in the example above “bump in solidarity” hints at the conversation before this sentence.  You don’t have to read it to know Brianna was comforting her about something.  Just the fact that Imani sees it as a solidarity motion tells you everything you need to know.  
I don’t know if that helps, but those are some of my broad tips that I keep in mind when I’m writing.  
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sigmabateman · 9 months
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thank you so much @velvetcrowbar444 for tagging me to talk about 5 things im obsessed with at the moment!!
this got longer than i anticipated so im putting it under the cut, but for simplicity's sake i'll tag people up here: @nights-decay, @boycentriccplot, @flaming-tsunami, @sourgelatin no pressure though of course!
persona 5... ok i have to be honest ive been really reluctant to talk about this on here and its why ive been quiet the past at least week or so. no idea why. i guess cause its so different from the stuff i usually post about that i feel like, embarrassed? but i started playing persona 5 royal around may and really liked it but i didnt have the time to properly get into it until now and it has completely taken over my life entirely without me even realising. to be honest i could obsess over like a rock on the ground if i saw it at the right time in my life but hands down persona 5 is one the best if not the best game ive ever played in my life. the story is engaging, the characters are distinctive and realistic and i really really care about all of them, the gameplay is so much fun and combat is buttery fucking smooth like nothing ive ever played before, the music is top tier and what got me interested in the game in the first place, and the ART DIRECTION. it speaks for itself to be honest ESPECIALLY compared to the older games. i was shocked starting persona 4 because of how different it is to persona 5 like, persona 5 has SUCH a distinct visual identity as well as tone, themes, imagery etc it is all just so stunning and perfect and i want to live in it. but i think about it so often like literally 24/7 that i may as well be. i <3 persona 5 and i <3 YUSUKE KITAGAWA. he's definitely my favourite character and he came out of NOWHERE but hes actually everything in the world to me. one of the characters ever.
persona 4 is it a copout to say that? i did try and condense both games into one bullet point but 1. they're such a mainstay in my life right now i was struggling to think of more points and 2. it kind of lost its precision and didn't effectively convey just how personapilled i am right now. i originally wasn't gonna play 4, all i knew is that it was more difficult and less good so i thought i should stay away. but if you go anywhere persona-related on the internet (which i would warn against, the fandom is a fucking cesspit the likes of which i havent seen in a long time as an obscure-shit-enjoyer) you'll quickly run into adachi. and as a lover of men with high-pitched voices and sexypedia entries... i couldn't stay away. before even starting the game i had made a d6 and d20 with different adachis on each face so really it was just a matter of time. and you know what... it's not that bad. the graphics were a SHOCKING step down but i find the low(er) poly style really charming. the adachi model is too cute T_T whenever i see it in the game world i just wanna sit with it for ages. i wonder if i could get it like 3d printed so i could keep him on my desk with me at all times... its bad for me ! the combat is fucking clunky espeically compared to 5 and i kind of hate it but that just makes it more rewarding when i can finally stop LOL. some of the characters (especially the main few (yosuke, chie, yukiko)) took a bit to grow on me but its kind of sweet.. its like authentic.. our relationship is growing as i get to know them better... but dojima and nanako ive loved since i first set eyes on them. too cute. it makes me feel so fatherless. its like.. a lot more magnetic than i expected it to be. i love it even with all its flaws. i saw a meme about it being like twin peaks and thats kind of so real. and you know i love a murder mystery... so yeah tldr i like persona now. but its hard to talk about it on here because it is such a big fandom but not like an active one like spiderman or like good omens or whatever slightly more normal people are watching so its kind of intimidating. maybe ill get over myself, maybe ill go silent for 3 months until i get into something new. we'll see i guess LOL
my gender identity TUMBLR MOMENT I KNOW but i dont know.. ive had a lot of time to myself recently and its kind of brought things to the surface that i just didnt have time or space to think about before. turns out there was a LOT OF STUFF i was repressing without even knowing. like that tweet 'im probably nonbinary but i have a job so idrc about that rn'. i posted on instagram "gender around cis people: boy, gender around trans people: girlboy, gender by myself: computer program" and that kind of sums it up i think. can i coin like.. complicatedgender. where your answer to the question "whats your gender?" is "it's complicated..." cause thats me. its just COMPLICATED okay!!!! but my pronouns havent changed or anything so its chilllllll
going to bed at a reasonable time. i phrased that like a joke answer but its true. i downloaded pokemon sleep and now i go to bed at 11:30pm cause at 11 i get a notification saying my pokemon are sleepy and shit i gotta take care of my pokemon!! i dont even know if its doing me any good to be honest like i dont feel much better when i wake up but making myself get into bed and shut my eyes means more thinking time and to be honest my favourite activity is thinking. even if as silly as it sounds i never give myself time to do it. its playing a weirdly big role in my life rn so yeah id say im obsessed with it!!!
this asmr video. im secretly always posting about asmr so really i could just say that, but like, ASMR | The Mortician (No Talking – You're Dead) specifically is such a mainstay i can feel its influence seeping into my life like an infection. this video would actually show up in my recommended for YEARS but i never watched it. gave me a major ick for some reason. but then i got into this guys stuff and saw it again and thought id give it a go and now its like an extra limb. fuck my 3rd bullet point, this is my gender identity. i could not articulate in words what it is about the mortician that i love so much, but i really really do. i am certifiably obsessed. cant believe i made it through this whole thing without mentioning alex. but there you are. yay this was fun :D
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piercedpressure · 2 years
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how has deja evolved over the years? i swear she gets redesigned like every few months /pos lol
LMAOOO ud be right cause shes changed stories each year (im painfully indecisive), this year is the only story ive genuinely been interested in exploring since i finally landed on a genre i think would fit her best? and i consider her redesigns to be a sort of progression into how ive grown as a writer and maybe as a person since shes been with me for so long lmao
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ill place this under read more cause ill go into condensed detail about her evolution for her characterization, her design, and a small timeline for her story contexts but tl;dr shes grown so much and has gotten way more complex. i love her so much
2017-early 2018: she actually started out as a sona concept! design wise, nothing really special tbh, i was throwing stuff i really liked. for 2017, she was just a throwaway concept, but i was rapidly improving towards the end of that year...
mid-2018: ... that i ended up reusing her concept as a character concept, and during that year, i made an au with a friend that spiraled into something that lasted about the next 2 years, that then included her as one of the main characters LMAO. i wanted to draw crazy hair and also a cute mask, so i did. i ended up making it so that the masks were to both hide her identity (shes a fugitive in the au) and to be some sort of metaphor. her personality was very outwardly sweet, but she could also kill you so it best to not get on her bad side, but she was also in a constant learned helplessnes. big deja year
2019: design wise, i removed the mask, made her fatter (despite me not knowing how to draw fat people yet), and made her sorta baby-faced, since her character is a lot more childish during this bit? story wise, her story was included in an anthology about different kinds of love in a post-apocalyptic fantasy world. during this time, i was going through a Lot mentally, and it sorta marked the beginning of a really horrible period in my life thats still kind of ongoing, so i used her story in a more experimental sense so i can figure out different workarounds in an escapist way? this is also when i started pairing her with her now-partner-in-stories, lualhati, and from this point, lulu and deja are inseparable
2020: for this year, i was sorta putting her story off? i was really struggling to figure out what to do with it other than the deja/lulu love story, but at the same time, that marked me going through a journey of adding fat people to my work. dejas always been small fat, but her body hasnt actually been drawn well enough. we all start from somewhere though. she was a lot more calm in this version, and is sort of a leader figure for a village in a fantasy world. but i wasnt really feeling it.........
2021: last year was when i really started digging deep into what i wanted to do. i wanted weird gay trans cathartic art. so dejas story was that. still wasnt really feeling it, but u can tell i was really experimenting trying to land on something i was passionate about. while i did like her design since its a turning point in my art, and its visually loud (the color palette, holy shit), IT WAS SO HARD TO DRAW? i understand that 2021 me was really going at it with very loud and distinct designs, but the reason why i didnt even draw her for months after was because she was so fucking hard to draw. and i didnt put enough effort to portraying her fatness (which will soon become a very important aspect of her character). but were about to pull a gamer move
2022: up until now, since 2018-2019, i wasnt really satisfied with her story. it didnt really fit what i wanted, bc i was mostly concerned with how other people would react if i talked about them, especially since deja/lulu have always been very personal to me. but i had a vision. where deja and lulu are in a revenge drama thriller in a city in the middle of nowhere. and i havent stopped thinking about it day and night ever fucking since. i brought back a lot of elements from past designs (mostly cause i thought theyd look great, i was right), and im finally getting to a point where im figuring out how i draw fat people. now, dejas characterization came really easy to me (hypervigilent, short-tempered, mysterious, a second away from realizing shes trans). her story explores themes surrounding violence, secrets, and suffocating marriages, and while its a far heavier story than the past ones, its the first time ive been genuinely excited to see how its grown. i could ramble about this all day lol
deja is a growing character and she keeps getting better and better every time im exploring her, and she genuinely means the world to me. thank u for reading this if u have decided to read this
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foryouthegays · 3 years
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spreading propaganda [Dream SMP] liveblog yall lets go. this is so long i am sorry but the end is an actual summary of what happens asldkfa
sellout timer pog: 00:30:20, 01:00:40, 01:31:35, 02:02:03 (for like a second), 02:03:00, 02:34:35
time spent reading donations: 10 minutes, 20ish seconds. 
fanart credit he puts up (all from twitter i think): snumkt, reinneart, lihnsu, sestqr, jester_u, Brigade_Lost, natonyy
also taggin @antarctic-empire-technoblade​ :) theres an actual summary at the end that isnt just me ramblin so,,,,,,ye. i am so sorry its so long a;dkfja i dont know how to condense things 
00:00:35 “i stole a lot of sand recently,” ah yes, a casual conversation starter, the admission of theft 
00:03:55 hE HAS A VILLAGER TRADING HALL CHAPEL IN THE VILLAGE SIR THAT IS ILLEGAL 
00:04:13 
tubbo: -..--...--- 
ranboo: that means beans right
no, ranboo, not it does not (i put it into a translator and it just. it doesnt mean anything. i didnt see any spaces so im just. what was mr tubbo trying to say
00:04:35: relationship advice with technoblade! [reading donation] “‘techno, my boyfriend said he’ll never sub to you, how do i handle this travesty?’ uh, clearly you need to break up with him, and send me more money, is the most- that’s the most unbiased opinion I can give you, it’s just a good life decision, alright? It’s just a good life decision.”
00:16:00 ranboo hi!!!! him garden :D 
HOUND ARMY HOUND ARMY 00:18:10
00:20:15 ‘i have not made a tier list [for dinosaurs] yet’ Y E T? ? ? ?? ? 
00:20:55
“‘Hey, are you uncomfortable with being part of the SBI family dynamic?’ Uh, I don’t really- it’s not a matter of being uncomfortable, it’s just a matter of people making massive revisions to my character and the lore three months into the story without telling me, and it’s like, ‘no, that doesn’t- the story doesn’t- so many things don’t make sense now! What?? What???’ but if you want to make like, fanart of it, it’s fine”
00:21:25 imagine believing in airplanes, couldnt be me
00:21:35 SKLDJFAK a dono is like, hey can u call my new cousin a nerd, and technos like [claps] yOUVE COME TO THE RIGHT MAN im all about bullying infant children 
lakjshdfl 00:26:15 ‘philza this does not sound lore at all please’ poor techno
00:27:30 HKJSFDL :crab: TUBBO IS GONE :crab: also i cant tell if techno says ‘KILL HIM DEAD’ or ‘KILL HIM, DAD’ 
00:30:20 ‘we should have a grinch episode, where i go around stealing presents from l’manburg’ DO IT
also i was in chat at 00:31:25ish and i said ‘subscribe to technoblade’ and RIGHT AFTER techno said ‘did i hear subscribe to technoblade?’ and i felt so heard 
00:33:25 why is his only response to being seen in enemy lines to just stay realllyyyyy still a;lkdfjasf 
00:39:45 ‘this is crucial information coming to you live from anarchy news’ A;LSDKFJA;LSDF
00:46:25 :CRAB: RANBOO IS GONE :CRAB: DEAD MEN TELL NO TALES 
alkdfja; 00:47:55 techno talks (sarcastically) abt how great it is when chat tells him where his stuff is
00:48:50 awww techno showin his not-dad his hound army!!! so cute 
00:55:30 techno specifies that theyre all characters/roleplayin!!!
techno talkin to phil is literally like a kid talkin to his dad after not seein him for a while. like yeah yeah family isnt canon in this but KSJDFLA hes like ‘phillll tommys being annoying also look at this new poster!!!!’ its so cute
01:09:20 A;SDJFADSL THE VILLAGER JUST. FALLS THROUGH THE FLOOR
techno nd phil reference smp earth at 01:19:50!!!!
(ik some people dont like enbyctechno so heres ur warnin, its just for this line tho) techno says ‘no one man should have this power’ but he HAS that power. therefore. mr c!blade is not a guy 01:35:00ish idk im not goin back to check
01:38:35 alright gang lets split up and look for clues 
01:45:20 ‘my chat’s sayin theres a 0% chance this is gonna work,,,,thATS A CHANCE I’M WILLING TO TAKE, CHAT’ skjdflasl;dfjaf (also, bit after, after readin the wiki say its 0% chance: ‘i like those odds’) 
01:48:15 [abt the zombie villager baby] 
Techno: on the bright side, we may have inflicted the optimal amount of trauma onto this child for it to become funny? 
Ranboo: ooooh yeah! it can become a minecraft youtuber!
techno: yeeeeeeah!!
pls get some therapy
a;ldkfassa the mental image of techno ownin an orphanage,,,,paldkfajslfasf 01:51:35
a;ldsifjasdklf ranboo is canonically a villager now, pog 01:56:50
01:57:50 ranboo: ‘they say that im built different, i am built different, in the fact that i have no moral backbone.’
01:58:30 BLOOD FOR THE BLOOD GOD also why is techno so good at the bow like WHAT he looks in third person and turns nd shoots in like a second and hits most of the time its scary literally look at ranboo a;ldsjkfadsf hes like a porcupine 
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ASKLJDFASLDF RANBOOS ‘OH NO HE KNOWS HOW TO OPEN DOORS’ AT 02:02:25 JUST HAS SUCH TECHNO SKYBLOCK VID VIBES ADLKJFALSDFJA OH MY GOSH
02:06:35 “i feel there has been an attempt on my life,” "no thats just how we greet each other in our country” nether lore pog?
02:08:45 why does techno casually type at 120 wpm?????  god i hate him so much why is he like thisssss ugh (also it took ~3 seconds to type 7 words (34 characters) which is 140 wpm and 680 cpm if i know how to do math i hate it here) /lh
nd then he types ‘punz we’re all outside your house get over here’ which is 47 characters nd 9 words nd it took him 5 seconds to type which is 564 cpm and 108 wpm so his average (from these two samples which. isnt a lot. should i do a post abt this in the future?) is 124 wpm and 622 cpm. hes so fast. 
SDA;FKJASDF PHIL WHY R U SO VIOLENT 
02:17:00 PUNZ POG ALSO MANIFOLD KILLED IN THE HOLY LAND
technos complainin bout the fights bein boring,,,,,,,fight them all, techno. do it. 1v8. do it, coward. 
02:24:02 ‘maybe the real combat was the friends we made along the way’ 
02:25:16 i love that technos first instinct when someone dies is to check what sword/axe killed them nd what enchants r on it aldskfjads
i love how techno calls the manhunt music ‘dream music’ its so funny to me
right before he ends the stream he says ‘p e r h a p s’ to techno plushies and i just,,,, wa n t 
if ya just want an actual summary and not that MESS:
Technoblade starts the stream in his house. the first thing he does is put another piece of fanart in his house, this one by snumkt on twitter. he goes to l’manburg, where he sneaks around very sneakily (/s) and replaces anti-techno propaganda with pro-techno fanart, stating that “If they take it down, it’s ‘cause they hate fanartists.” (00:09:18). 
While placing posters, Techno checks in on his hound army, and reveals that he thinks someone had been in the area, because a wolf teleported to him while he was home. He thinks someone placed water, the dog stood up, and then teleported. (00:18:25)
After breeding the dogs, Techno reads donations and one of the questions is about the SBI family dynamics. Here’s what he says at 00:20:55 
“‘Hey, are you uncomfortable with being part of the SBI family dynamic?’ Uh, I don’t really- it’s not a matter of being uncomfortable, it’s just a matter of people making massive revisions to my character and the lore three months into the story without telling me, and it’s like, ‘no, that doesn’t- the story doesn’t- so many things don’t make sense now! What?? What???’ but if you want to make like, fanart of it, it’s fine”
He then meets up with Philza, who is being escorted by Tubbo. Techno goes to Philzas house, and hides in his new basement. He joins their VC and finds Phil, Wilbur, Tommy, and Tubbo. talking about birthdays. Tubbo goes to the basement and sees Technos invis particles, hits him, and he is revealed. Techno kills tubbo, and declares it canon as a joke. 
He goes back outside, deafened on Discord, and puts down more propaganda. Philza joins his call, and they meet up to try and find Technos stolen items. They don’t find the barrel, but they do find a hidden room under the podium. Techno puts a piece of propaganda in the room. (00:43:30)
While Phil is killing an enderman, Ranboo finds them, and is killed by Techno. (00:46:25) 
Techno takes Phil to see his Hound Army, but they’re stopped by Tubbo. Techno tries to pretend to be Ranboo, but Ranboo goes up to them, so his cover is blown. Techno’s chased to the portal. Phil and Techno meet again in the Nether, and they go back to the house. 
At the house, Phil and Techno talk about the SBI characters, the sellout timer goes off, and then they go downstairs to cure a zombie villager. While it’s curing, Techno gathers books to make a new bow, with Power V, Punch II, Unbreaking III, Flame, and Mending. 
Philza reveals that Ranboo is coming over to give Phil a present. Techno seems excited at this, mostly at the fact that Ranboo can be his new bows test subject. 
Before Ranboo arrives, the villager is cured, and they find out it is a nitwit, meaning it can’t trade or get a job. Techno and Phil start working on a tunnel to bring the villager to a lava pool, so the other villagers won’t gossip and raise their prices. 
Ranboo joins the call at 01:15:35, right before they’re going to bring the villager to the lava pool. He gifts Techno and Phil four Netherite ingots.
After struggling to get the villager to the right height, Techno forces Ranboo to boat the villager into the lava. Ranboo escapes by throwing a pearl, and the villager dies.
Ranboo, Techno, and Phil talk about duping Netherite, and the current plot, and then Techno finds a zombie baby villager. It’s caught in a boat, and Techno nametags it ‘Orphan.’ They talk about the cobblestone tower, Philzas’ death to a baby zombie, and how if you don’t see a child's parents, you should assume that they are an orphan and attack them. 
Techno talks to Jack Manifold through chat about his axe. Techno, Philza, and Ranboo go around and look for zombie villagers. Techno finds an igloo, with two villagers. Techno was going to try and turn them into zombie villagers, but decides to not when he finds out that theres a 0% chance of that happening on Easy mode. 
They all go back to Orphan, and bully it when they find out it still hasn’t grown up. Techno and Ranboo make a joke about how it’s traumatized, so it’ll be funny and can be come a minecraft youtuber. please get some help. (01:48:15)
After Orphan grows up, Techno trades and gets the Bottle of Enchanting trade for one emerald. They all joke about Techno owning an orphanage at 01:51:35.
Phil, Techno, and Ranboo decide go to the Hound Army, but Techno remembers that Ranboo is part of L’manburg, and tries to kill him (with his new bow) when they enter the nether. He doesn’t succeed, and he continues fighting until he drinks and invis pot on the Prime Path. Techno and Phil meet up in the Bee Dome, where Ranboo finds them. Techno tries to kill him, but runs out of arrows. 
After reading donations, Techno, Ranboo, and Phil are back together at the Bee Dome, and they decide to team up in case someone finds them. They go outside of the Dome, and chase Jack Manifold out of his own country.
Manifold joins the VC, and they try to blame Punz on his attempted murder. After Manifold says “i feel there has been an attempt on my life,” Techno says that that’s how he greets people in his country.
Manifold asks if they want to help him get revenge on Punz, and Techno agrees. They gather more people, and by the time they get to Punz’s tower, their party is Manifold, Techno, Phil, Ranboo, Fundy, and Antfrost. Punz is in the Nether, so they wait until he gets back. 
Ranboo and Techno have a whisper conversation:
Ranboo: are you just going to jump fundy
Techno: no im gonna make jack 1v1 LMAO
Ranboo: good plan
While Fundy is taking a screenshot of Techno for his thumbnail, Philza attacks Fundy with a crossbow and his sword. He claims it was because he was getting bored. 
In the same spirit, Techno asks if they could kill Manifold to pass the time. The mob, which now includes Fundy, chases Manifold. He runs to the Holy Land, and the mob boos him.  Techno tells Antfrost to kill Manifold, and that the mob won’t tell that he was killed in the Holy Land. Manifold hands Antfrost his sword. 
While Antfrost debates killing Manifold or not, the mob chants ‘peer pressure!’ at him. Techno quickly realizes that Antfrost isn’t in the VC, and is extremely confused. The sword gets handed to Fundy, who gets into a battle with Manifold. Philza tells Fundy that he’s forgiven, if he can kill Manifold. The battle calms, and neither of the contestants die.
Techno convinces the mob to go to the pit trap, and tries to lure someone onto the trapped blocks using rotten flesh. Fundy takes the bait, but moves out of the way before the button is pressed. Antfrost sneaks up behind him and punches him into the pit. Fundy survives the fall, but is shot by Manifold to death. 
During the commotion, Punz makes his way back to his house, and the mob moves towards him to end his life. Manifold says that he’s going to kill Punz, and Techno says that the mob’ll have his back. He tells the mob to not have Manifold’s back. 
at 02:17:00, Punz joins the call, and is confused as to why Manifold wants to kill him. Manifold explains that Punz tried to kill him, siting his source as Technoblade. 
also, 2:17:15 technoswear!
Techno encourages Punz, saying “Punz, he actually dropped his sword by accident and now I have it, so it’d be really easy to beat him up,” and “he also just killed in the holy land, so you have a sort of...religious motivation to take him out.”
Punz tries to fight Manifold without armor (Manifold is wearing a full enchanted set of armor, with a Netherite chestplate and everything else Diamond), which fails miserably, and Manifold is killed. 
Techno decides to fight Manifold with his goons (the mob) for the audience retention, and Manifold’s quickly killed. The final hit was from CaptainPuffy. Ponk rushes in and grabs some of Manifold’s items. Puffy takes the rest.
Manifold complains about getting bullied, so Techno gives him his sword back and tells him to avenge himself. While looking for Ponk (or Punz? this is kinda unclear), Punz swoops in and kills Manifold in two hits. 
Manifold finds Ponk and chases after him, trying to kill him. The mob follows, and Ranboo kills Ponk with thorns. Manifold takes Ponks stuff. 
Right after respawning, Ponk was blown up by a creeper, and Techno claimed both as canon. 
The mini fights continue, and Manifold is killed by Punz. 
Ranboo changes the ‘Days since last war crime’ sign to 0.
Phil tells Techno that he’s going back to the base, and the L’manburgians question him as to what base he’s talking about. Phil tells Fundy that he ripped off his ankle shackles and left. While they talk, Techno starts running back to the base, and Ranboo whispers “lets run back” to him. Ranboo follows Techno, but quickly looses him.
Phil and Techno join a separate VC together and they go back to the base. 
At 02:29:15, Phil says “I trust you” to Techno and I am going to cry. 
Right before getting to the base, Phil drinks some honey, and Techno says “that’s the only thing we have honey for, now that we’ve uh...uh I guess you don’t know about that.” He’s referring to the Vault, I think, because the redstone required honey to work properly. 
Philza responds, “the honey- wait, what did you use the honey for?” 
“uhhh....food.” Techno, for some reason, doesn’t want to show Phil the vault. 
Ranboo whispers to Techno: “My alliance isnt with lmanburg, its with the people who help me. phil helped me.”
out loud, Techno laughs about it with phil, saying, “well, I’ve stabbed him like twelve times this week, so, I [laughs] I don’t know if that entirely qualifies here.”
Techno messages Ranboo back with “new phone who this” 
Ranboo replies, “no one,” and then, “:)”
Going back to the honey talk, Philza asked if Techno had been hiding anything diabolical from him, and Techno asks if he would do such a thing. Philza guesses several things he could use honey for, such as a flying machine, TNT dupers, and a door.
Techno takes him to the vault. 02:32:00. i LOVE peoples reactions to the vault, it’s always so good. Philza responds with a surprised ‘HOLY SHIT’ and some laughing. Techno also confirms my math of 55 withers. 
02:34:10 “i’ve seen this government, on the server, and everything to do with government is just bad. I’ve watched it completely destroy and tear down people’s wills and change people, I’ve seen it change the nicest people into complete and utter tyrants, so...I think it’s about time--”
“We need revenge. [sellout timer goes off] and more importantly, we neED SUBSCRIBERS ON YOUTUBE DOT COM” phil joinin anarchy pog? 
anyway that was it ;alskdfjas;f
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crimeronan · 4 years
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ik youre not a therapist and i dont want like therapy or anything but im 17 and ive known i was bipolar for 3 years now and i dont know how im supposed to live the rest of my life like this. im so fucking tired. how do you stay alive
you sent this a couple days ago & i’m posting at a weird time so i’m not sure if you’ll see it but.  
i’ve been looking at this message trying to decide how to respond
because i don’t know your situation, your symptoms, how you’re feeling, whether you’ve had positive or negative experiences with medication, psychiatrists, therapists, hospitals, all that related shit
the bipolar life advice i give to people is vastly different depending on the individual. it’s not a one size fits all thing.  and there’s never even a guarantee that my advice will be the right choice
so since i don’t know about your situation or experiences or what you want, i’m not gonna tell you what to do.  i’m gonna focus on the “how do you stay alive” question and try to pen down some personal feelings. and if they help then great, and if they don’t then... this is the most honest i can be
(you can always ask another question to get a better answer. my inbox is a coin slot and i am a vending machine of varied-degrees-of-helpfulness replies offered at varied-inconvenient-too-long-intervals)
-
how do i stay alive
it’s a 2-parter, actually.  i pondered how to condense my thoughts/feelings, and it came down to these two things
1. love 2. spite
-
1. love
the spite is easier to write about than the love.  love is hard to reach when i feel like shit.
spite is where i go when i want to die.  love is where i go when i want to want to live.
maybe i don’t want to be alive.  but maybe i wish i did.  spite doesn’t help me much there.  spite keeps me afloat, but it doesn’t make the floating pleasurable.  there’s more to life than outlasting everything that ever hurt me.  i need a reason to continue when there’s no enemy to fight
so. love
i almost wrote about the spite alone because that’s rawer, realer, more visceral.  that’s the shit that CONNECTS when everything feels hopeless.  but it would be a lie of omission.  spite is only one of the major food groups, you’ll waste away from malnutrition if you eat it for every meal. or at least, i will.
“so you’ve got a bunch of people you love,” you say, “and you stick around for them.  cry on them.  support each other.  like each other.  fine.”  you’ve heard this story before
nah.
i mean - yes.  i have people i love.  i live with two partners, i’ve got a third girlfriend, i’ve got a long-distance platonic life partner.  i have a support net, i have a family i’ve forged, i have confidence that i’m not alone.  i have, in a bare-bones checklist sort of way, fulfilled my physiological human need for connection
but i could live without every single one of them.  i’m not dependent upon any of them for my survival.  i’m not dependent upon them for love, given or received.  (this isn’t a callous cruelty, it won’t hurt them if/when they read this.  i’ve told them all this, they know.  they’re glad of it.)
so.  what the fuck does “love” mean, then?
the short explanation is that it’s my love of life, of things in the world.  it’s all the little connections i’ve made.  every time i love something, a hook tethers to the universe.  hook enough tethers, and i no longer feel the need to float away.  no dissolution of self today, sir
the rest of this section is some of the things i love. partially it’s to show how i connect to little things and ascribe magic to the mundane.  partially it’s because i like thinking about things i love, i like typing them out, and i like that i could keep going for thousands and thousands of words.
i am laying in bed at 7:30 AM with the lights off and the shades drawn.  blue  light comes through the slats because it’s the better time of year, the one where i finally get vitamin D, the one where the birds chirp at 4AM, the one where the sky isn’t impenetrably black til 10PM.
there’s a weighted blanket tucked around my legs.  my partner rafi bought it for us to share because it’s soothing and heavy and comforting and helps with my physical pain.  right now it’s soft on my skin and if i get too emotional as i write, i can pull it over me like a cloak until i’m settled.
the apartment’s walls are blank because we’ve spent eight months intending to put art up and keep forgetting.  but there’s a newly-unearthed dining area in the kitchen because i finally shifted around the unpacked boxes that were dominating the space.  it’s new and it surprises me every time i walk out there.  it’s open and inviting and bright and it’s a sign that we’re making this place home.
we’ll put a cheap IKEA table by the window and we’ll probably never eat family dinners there - why would we sit in hard chairs and make stiff conversation when we could all cuddle on the couch - but my partner dev will create a place to do their art and the surface will be constantly littered with drying watercolor experiments.
we’ll hang our art one of these days, too, when our collective adhd offers a miraculous combo of remembering + having time + having motivation + having inspiration.  rafi has the most art because they’ve been collecting it for years.  i have to start smaller.  i’m not used to keeping physical objects.  dev has a few pieces thrifted or bought at local artist events or painted themselves
so we’ll put art up in the living room, my single “you are magic” flower print alongside a naked monster lady that dev fell in love with when we browsed art at a yuletide event months ago, alongside rafi’s monster girls and comic characters and book characters and literature art and quotes and abstract pieces and whatever else they have hiding in boxes.
my head protests that naked monster ladies do not belong in the living room, although the picture isn’t overtly sexual.  but then i remember that they do, actually, because it’s our space and we can do whatever we want with it as long as the lease isn’t broken.  there isn’t anyone in the local social circles who’d be perturbed by the decor, as far as i know.  i don’t have to hide anything from my parents because i live 3600 miles from them, and even though i miss my mom, the distance is good for me
there are two exquisite chairs on the porch.  they fold and recline from thrones to nearly-horizontal beds.  there are pillows and cupholders and trays and specific spaces for both a book and a phone.  i can sit there while the morning sun rises and read or play word games or browse tumblr, cup of coffee beside me, trees shielding my eyes from stabby sunbeams
there are remnants of the last tenant’s garden in one corner of the yard.  we’ve done fuckall for yardwork but plants struggle through anyway.  some seem to have sprouted by accident.  mushroom clusters populate the edges of the fence.  the apartment squirrel (there are probably several, but i like to think it’s a single energetic creature) runs back and forth along the fence & i always lose my train of thought & then laugh my ASS off at the “SQUIRREL! XD” adhd moment.  birds kick up leaf litter and play on the ground looking for insects to eat, they wiggle their tail feathers and flap their wings and sometimes they disappear and then return with friends
a little more than eleven months ago, i packed all of dev’s and my shit into a uhaul and drove and drove and drove to get to this city i’d never been in before to live with a partner i’d never cohabitated with.  we were homeless for more than a month, we weathered some financial disasters, we met some great people and some shitty ones
on the drive i fell in love with the sky.  i didn’t know how big it can get - actually, that’s a lie.  i’d FORGOTTEN how big it can get.  i’ve loved the sky thirty miles out to sea, no land in sight in any direction, just blue water and blue space above.  i’ve loved the vastness and the yawning beneath me and the knowledge that everything is BIGGER than i can fathom.  the depth of the sea doesn’t frighten me, it’s home. i don’t want to die, but if i had to, the ocean makes a soothing grave
in north dakota i discovered that i’ve been partially blind my whole life, which is a different tale that showed me i’ll never stop learning myself.  in montana we struggled up thousands of feet of mountains with the car huffing and puffing at the trailer’s weight, and when we finally coasted downward, it felt like sudden freefall.  we ended up in the pitch darkness of night on sheer winding interstates with midnight construction projects forcing detours.  the mountains felt hungry, they had teeth.  mountain cliffs are much scarier to me than the ocean depths
i bought a red bull and poured a little out the driver’s side door as an offering to hermes, because i’m not particularly religious but i’ll take help where i can get it.  slammed that back in a few gulps and shook to bright-eyed alertness and ended up behind a slow-driving red pickup truck that guided us over about a hundred miles of mountain terrain
i thought, that’s just some construction worker driving between sites.  the roads are empty at this time of night, but it’s an interstate.  of course we’d end up behind someone.  this isn’t divine intervention.  this isn’t the benevolence of a god
i thought, but it can be a little magic.  if i want it to be.  
and it was.  it stays with me.
god help me but i’ve been writing this stream of consciousness for more than 30 minutes and i’ve said nothing.  i haven’t talked about the city, the parks, the people, the conversations, the books, the tv shows, the movies, the communities, the library, the animals, writing, reading, singing, acting, swimming, analyzing, creating, supporting, building.  and i can keep going.  i can come up with hundreds and hundreds of things i love and i can write paragraphs about all of them
so i’ll stop here.  you get the picture.  love is the life i’ve made for myself, the surroundings i’ve built, the quiet moments i can capture, the inspiration i pin, the magic i commit to memory.
i had to work so damn hard for every single bit of this.
i’ll be fucking damned if i let it go because my brain tried to trick me into thinking death is better.
-
2. spite
there are people who want me to die.
i don’t mean that i have a giant entourage of personalized enemies who curse my name and plan my individual demise.  although there have been plenty of people who have not liked me much.  probably some of them would enjoy my death.  i don’t give a shit about that
there are people who want me dead because i am a dot on a grid they dislike.  a faceless anonymous enemy who meets too many bad criteria with numbers and percentages and shrinking majorities and shifting public opinion
because i’m gay.  because i’m bipolar.  because i’m autistic.  because i’m a dropout.  because i grew up poor.  because my spine curves and my shoulders ache.  because i squandered my potential, because i didn’t have enough potential, because i didn’t love god enough, because i love the wrong gods, because i don’t worship, because i worship wrong, because i didn’t seek a husband, because i never wanted one, because i talk too much, because i can’t be controlled, because i chose to leave the fold when i realized it was suffocating me, because i’m ugly, because i’m gorgeous, because my body belongs to me
pick your poison.
this bothered me growing up, a lot. i knew i did not deserve to die. but if enough people tell you that you should, a little part of you will wonder if they’re right.  that little part might become bigger the closer they get and the louder they shout and the longer they wear you down
we know the rough shape of this story, i don’t need to tell it.  mine was messy and not triumphant and i survived more by chance than premeditation.
i’m older now.  by and large i’m still young as shit - i’m 24 - but GOD i am LEAGUES away from 15, 16, 17. i know who i am. i know what i want. i know how to get it. and when i don’t know that, i find out. i tell the truth.  i ask for what i want.  i use my time how i want.  i do what i want.
there are days that i can’t access the “love” side of the equation.  no finding poetry in birdsong or sugared coffee for me, thank you, i feel like shit and the world is awful and everything is too big and fast and cruel and everything wants me to die and it wants everything i love to die, too.  everyone i love.  it’s all garbage. the good doesn’t touch me
trauma is difficult to describe.  the difficulty is compounded by the fact that my trauma is influenced by my various neurodivergences, bipolar included.  i never know if i’m feeling what other people do.  i don’t know if i’m voicing unpalatable feelings others are afraid to express - or if i’m just othering myself, admitting i’m not as human as everyone else.
there is something malevolent and monstrous inside me.  i don’t touch it all the time.  but i don’t pretend it isn’t there.  it sits in my chest and molders or radiates or oozes.  it presses at my throat.  it curdles in my stomach.  it hurts what it touches, whether that’s me or someone i love or someone i hate.  it sets things aflame with no regard for the precious or the fragile.  it tears down walls and razes shelters and begs for apocalyptic rain.
i can give this thing names, clinical descriptors.  i know what it is on a diagnostic chart, in a ponderous article, in an academic debate, in a fiction novel, in a war movie, in a memoir.  there are a thousand ways to describe this thing.  the descriptors aren’t important.  what is important is this - i have learned that most people do not walk side-by-side with a tornado-hurricane-hellfire-weaponized-open-nuclear-reactor.  this is not a “normal” expression of human emotion, this is not me trying to ascribe power to “bad bipolar feelings.”  this thing lives in me and i know why it’s there and it is not designed to be held/silenced/muzzled/controlled by my body.
it does not help to pretend this thing does not exist.  it does not help to try to reason it away or ignore it or tell it to stop.  it wants what it wants, it does what it does.  possibly if i was better at therapy or stubbornness then i wouldn’t resign myself to that
but it is fucking EXHAUSTING to try to fight something that’s part of me.  to try to reshape it, rename it, pare it down, make it consumable for the masses.  it’s a war i have never won and it’s a war that i will lose if i keep fighting it.  i cannot fight with myself.  i cannot beat my monster into submission.  if we’re gonna battle like that, head to head, me trying to cut it down, me trying to be the hero, it rearing back like a fire-breathing dragon,
then it’s stronger.  it’s always stronger.
so i surrender.
but that’s not where i stop.
can’t fight it.  can’t kill it.  can’t muzzle it.  can’t reshape it, can’t disarm it, can’t contain it.  
alright.  
so what now.
if the surrender was a full giving-up, this is where i’d passively accept that i’m doomed to hurt and destroy everything precious to me.  can’t fix it.  will lose everything, will never experience or deserve happiness, will make the world worse simply by existing.
that sure does sound like impending-doom rhetoric.  hop skip and a jump from some dire-ass conclusions.  
so fuck that, i say. 
here’s a better question.
if it has to get out, then what happens if i control where it goes?
here’s the thing.
the monster doesn’t care what it kills or destroys or hurts.  
“have a conscience, care about things, remember love, stop yourself, don’t do this don’t do this don’t do this.” 
 losing battle.  lost war.
 it’s not the monster’s fault.  the monster doesn’t have complex motivations or hates or fears.  it exists to protect me through scorched earth.  a remnant of a chemical imbalance, maladaptive coping mechanism, bipolar crazy, traumatized injury.  it doesn’t know that its job is obsolete.
i can’t change the monster.
but my mind is a separate thing.  my mind knows what matters, what my priorities are, what i find precious, what i want to protect.  my mind remembers all the things the monster doesn’t.  
my mind has learned things the monster can’t.
when i fight it head-on, the malevolence is stronger than me.  but as i am, walking with it, sitting in my bed writing this while examining the void and the consciousness, describing it, quantifying it,
that’s when i’m stronger.
and with my mind as the stronger force, i can decide where the monster goes.  what it touches.  what it destroys.  what it burns.  where the ashes land.
i do not want to be a destructive person.  i want to be someone who builds, repairs, changes.  i want to make the world better for kids like me.  i want to stop pouring more gasoline onto a fire that’s been burning since long before i was born.  i want to believe - i do believe - that positive change is better than negative.  i do my best to plant good things and enact that positive change instead of becoming a beacon of wrath.
but there are a lot of kids surrounded by people who want them to die, and not all of them have a protective monster.
so it’s good.
when i’m depressed, my mind loses its battles.  my cognizance slips.  i forget why i care.  i forget what i want.  i forget how happiness feels, how to find pleasure in quiet moments.  
i don’t get depressed as often as i used to since my meds are adjusted correctly now.  but it still happens.  it will keep happening for the rest of my life.
my mind weakens and curls up and stops fighting, and the monster is always there.
it’s a very powerful thing when it wants to be.
it wants to survive.
the thing is, it knows there are people that want me/us/whatever dead.  it’s been fighting them forever.  die like they want?  my mind says, sure, what does it matter.
the monster says, nah.  our work isn’t done.  and fuck them, anyway.
so we get up.
-
so that’s how i stay alive.
i typed this for 90 minutes and after editing i’d spent two hours on this post.  i don’t know if anyone will read it all.  i don’t know if it’ll mean anything.  i don’t know if these thoughts even make sense, much less if i’ve conveyed the feelings i have.
i love being alive.  and when i don’t, i love being a monster.  it’s good.  all of it is good.  i’ve reconciled my uglier pieces.  it’s not one or the other, love or spite.  it’s symbiosis.  i need both, i love both.
no guarantees that this is helpful, but based purely on my own life experience, these are my tips for survival:
you’ll have to find your own roots.  i can’t give them to you.  
but it’s possible to dig them in and spread them far enough that one uprooted peg doesn’t shift your whole equilibrium.  
and when you’re tired, rest, and let yourself be tired, and find the reason why you’re staying in the world. 
 i’m positive there’s at least one.
figure out why you’re losing your battles and then change the game.
if you can’t win one setup, don’t try to beat the system.  adjust your strategy.
you’ll be surprised by what you can love when you stop fighting the disparate pieces of you, and instead figure out how to use them.
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lemongogo · 4 years
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hey im the anon abt gyutaro/ume and i dont remember what happens to demons after they die ?? did i miss smth ? regardless i wanna ask what do you think their fate should be ? cause on one hand i think they're just victims of a cruel world who took the first way out they could find but on the other hand it doesnt rlly justify all the slaughter, and i also think abt the demon slayers who also suffered horrible fates and used it to fuel their determination to save other people from that pain
hi !! i don’t think kny ever explicitly mentions what happens to demons after they die (as in we never have concrete evidence of where they go or how their lives after are spent), but i think the general consensus is that the demons go to hell. 
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in some cases, the family can decide to go with them (ex: rui and i think akaza? if i remember correctly?) but their fate is pretty much sealed from that point forward i believe. 
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heres a pic of gyuutarou and ume, actually, in chapter 97 !!
but yeah !! thats something i think about a lot tbh. as you mentioned, many of the demons we’ve seen have either been groomed into demonhood (rui, ume, susamaru, etc.) or had their pain and suffering exploited (akaza, gyuutarou) for the sake of advancing other demons’ plans (muzan, douma, etc). so i agree ! a lot of these characters are unfortunate victims in themselves and its impossible to view their stories without incorporating the struggles they’ve had to face as both humans AND demons. especially considering that lots of these individuals experience muzan’s abuse regardless of their status relative to him (such as with the upper and lower moons). i think this is best explained through akaza’s relationship with muzan,
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(ch. 67)
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(ch.156)
and further explored though tanjiro’s observation of rui’s death. he notes that being a demon, for most, is an existence punctuated by extreme grief and despair, and that’s equally supported, i think, by the humanization of these demons following death. that their original conscious is restored (albeit with knowledge of everything they’ve done) and are oftentimes plagued by the guilt of what’s happened.
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(ch.43)
what he says here is probably what sums it up for me. that while it’s important to condemn these demons and hold them accountable for the truly awful things they’ve done, it’s also important to consider the suffering they've experienced through existence alone. its so !! complex !! and thats what i love about kny. i love how .. you have some demons who are entirely despicable and bask in the carnage they create, but you also have some for whom demonhood was simply what appeared to be the only answer towards living a healthier life or righting the wrongs that’ve been done to them (usually with false promises and manipulation unbeknownst to them). and .. its so hard to figure out where to.. draw that line. or view these characters at least. because you sympathize with their pain, but you also realize that their actions have caused endless pain for many hundreds of people. tanjiro losing his entire family, giyuu losing his. shinobu watching her sister die before her very eyes, and kanao the same. the ubuyashiki family’s curse or the slaughter of himejima’s children. you look at characters like sanemi, shinobu, or giyuu and understand that you cannot invalidate their view of demons either. while kanae and tanjiro may find hope and humanity in demons, they exist as monsters who feast on pain to everyone else. its important not to discredit their perspective when making a personal choice to observe the demons’ hardships yknow. shinobu’s anger is just as warranted as tanjiro’s optimism and that neither are wrong for how they personally feel demons should be handled after death. 
im like. AAAAAAAA theres so much to it , its really hard for me to condense into a few sentences AHAHA im so sry for making u read this if u still are. but . i guess i’m not too sure. i think maybe, had i experienced the same pain as those above, it would be easy for me to say the demons deserve to go to the worst hell imaginable regardless of what they’ve gone through because that history isn’t accessible to everyone like it has been the audience (or that they’ve seemingly made the conscious decision to cause harm w/o understanding the ways in which demonhood obscures their original conscious/morality). but at the same time, you have those like tanjiro whose world view is shaped by positive encounters with demons like nezuko, tamayo, yushirou, etc. where it seems very evident that . theres more to it than what meets the eye. 
one of my friends ive talked to about this had a rly good perspective on it thats kinda stuck with me since !! she said she likes to view their conclusion as some . separation of identity?? if that makes sense?? that the demon side of them goes to hell while their human form goes to heaven (or division into whichever afterlife). and !! i think thats a really neat interpretation because there’s obvious descrepancy between demon personas and human personas. that the demon personas are like. exaggerations of their flaws, almost (akaza becoming hellbent on battle spirits and physical victories when hajuki’s fury & determination was fueled by love in a sense) while their human personas are the truest sense of self. and depending on which influence there is (muzan vs the appearance of loved ones), their identity changes accordingly. so ! idk ! thats one nice way of looking at it. holding their demon personas accountable while also recognizing that many of these characters deserve some form of healing after many hundreds of years of abuse. its hard because ofc i don’t want to negate the harms they’ve caused but its also? not cut and dry given the environment they were placed in and the fact that muzan’s blood essentially removes their humanity against their will you know. so in this way at least you have both forms of self receiving the proper conclusion. 
whwhwhw so im. !!!!!!!!!!!! ah !! i can’t say i have a definite answer but i think the one above is smth thats comforting to me. i think the story settles with sending them to hell once they’ve regained their past self but also .. “softens” it by providing them company by their loved ones who are willing to go w them?? so thats rly cool to look at too. because it holds them accountable for all that’s happened but also.. recognizes that they’re not wholly responsible for it either and that .. even in hell they’re able to keep their connections and human emotions/experiences . its tragic yet oddly. fitting, i think, of the kny narrative. while i like the aforementioned interpretation, i also really.. appreciate the way its set up in canon too. like yeah i want the best for them but also. it fits in with the tragic nature of demonhood and what it meant for them all. oddly enough. 
u make a good point too !! about demon slayers experiencing the same hardships but using their pain to help others. i think a lot of it is plainly chalked up to luck in terms of.. what they were exposed to following tragedy. how shinobu and kanae were saved by himejima, tanjiro saved by giyuu, kanao picked up by shinobu and kanae, sanemi given the guidance of kagaya while akaza was killed by muzan during his lowest moment, ume and gyuutarou were cornered by douma, rui misled by muzan, etc. i think circumstance is definitely a large factor in determining the paths that were taken. such as sanemi’s anger being validated and heard by ubuyashiki vs, say, akaza’s same anger being intentionally exploited for muzan’s gain.
aaa anyways. theres a lot 2 be said about this. like. SO much on my mind and obviously the extent of muzan’s abuse goes far deeper than what’s briefly mentioned here but.  i love talking about the complexities of kny . and how i view the demons vs the corps and how each of them have grown into their respective stories . AA but ill end it here THNK U >> also so sry for making u read thru all of this i get so excited i could talk abt kny all day long if i had the chance AAA 
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toast-the-unknowing · 4 years
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any tips for writing dialogue? i struggle so bad to make it sound authentic and as a result always turn to descriptive imagery instead. (which is fine if im writing something angsty, but not cute and fluffy ya feel?) any tips would be greatly appreciated! ty
The other day in my D&D party, our hedgewitch (who learns his magic through intense study of books and nature) asked our sorcerer (who has innate magic powers and also sometimes just blows shit up on accident) if she could teach him how she cast fireball. Our sorcerer said "you, uh, you know -- " and she waved her hands around " -- you do. The spell."
I am kind of feeling like our sorcerer right now, because dialogue more than anything else about writing is the part that just sorta happens for me, and when I try to articulate how I do it, it is hard to say anything other than "the voices say stuff and I write it down real fast before I can forget."
I will say, because dialogue is often the first thing I am writing in a new scene or a new story, it gets written out in long chunks with very few other words popping up. I might note the emotions a character is having or the way a piece of dialogue is delivered, or jot down what the character is thinking that isn't getting said so I have it for frame of reference later, and I will write down an action that's essential to my understanding of what is happening in the scene, but it's really mostly just the dialogue. I'm not even doing tags or punctuation at this point. Without knowing your process, writing dialogue JUST as dialogue may help you find a flow, which generally results in more natural sounding lines. It's a theory I have, anyway.
The absolute hardest bits of dialogue for me are when I have a chunk of dialogue from the beginning of a scene, and a chunk of dialogue from later in that scene, and I have to connect them, because oh man it's so hard to force dialogue down a specific pathway. The dialogue wants to run rampant! It wants to be free! It doesn't WANT to go over there where the plot needs it to! Generally there's a way that I could stitch up the hole in these scenes in two lines that would take us LOGICALLY from point a to point b, but that just...doesn't sound good, and doesn't feel natural.
Sometimes I just literally can't get there from here, and either the earlier dialogue or the later dialogue needs to go, but usually what works is to just follow the last line I have with, "okay what's something that the character might say in response to that. What's something the other character might say in response to that. Is that line something that would evoke an emotional reaction from this character? Is it something that would make them think of another topic of conversation?" And just keep writing and seeing where the conversation goes until I find a more natural bridge to the later dialogue.
This may be helpful even if you aren't looking for a connection per se, but are just trying to make dialogue happen, or if you know the general beats your scene needs to be hitting but don't have anything laid out. We often know what we want a scene to ACCOMPLISH, in terms of the plot or the character arc or the relationship, and that can sometimes put pressure on the dialogue to address that. Asking yourself when you get stuck "how would he feel about that" or "what would she have to say about that" or "what mood or agenda or thought process is this person having that their conversation partner doesn't know about" can get you unstuck and ground the dialogue in what's natural for your characters.
Maybe the way the conversation goes when you do that is not where you thought it would or where you need it to. That's awesome! I love letting a conversation wander and just see where it goes. I used to watch one of those shows with a giant ensemble and a dozen story lines every week, and I noticed after a while that there would be scenes where a character would walk into a room, say all of the things that were important to the plot, and then leave, without anyone reacting. Obviously that's a pacing problem, they just had too much story to tell and not enough time, but it was SO WEIRD. And it was boring. The little moments in a conversation where the characters are talking about something "unimportant" are the best moments, I love those! So if you're worried your dialogue is getting off point, maybe follow it, it might lead you to a really authentic moment.
Obviously, don't just have your characters talk for five minutes about, like, the latest Marvel movie, just for the sake of saying something off topic. But this is a really good way of incorporating other elements from your story. Is there something that's thematically relevant to the story even if it doesn't have anything to do with the plot? Is there a side character who's not in this scene that your characters might be worried about, or annoyed with, or making fun of? Is there something that exists in the space because you created it with your descriptive imagery, and now that it exists the characters might comment on it or be affected by it? Is there something that happened earlier in the story that has been dealt with on a plot level but that your characters might still be having some residual emotions about?
I do realize that this tip for writing dialogue basically turned into "write more dialogue," but maybe in and of itself that would help! Practice makes perfect?
I will say, keep each character’s turn with the talking stick SHORT. Speeches rarely sound authentic. You want back and forth. Short lines are good. Short sentences within lines are good, too, although I fully admit to having a weakness for stupidly long sentences. But dialogue lets you bend the rules, go ahead and break out the sentence fragments.
Dialogue also sounds better if it has a chance to breathe; this is something I do actively work at, because it's the part of dialogue that isn't dialogue. If one character says something kind of heavy, or something unexpected, or something that puts a pin on the current topic of conversation, there's probably going to be a beat before anyone else says anything. Sometimes the character needs to take a beat FOR THEMSELVES before they continue with the thing they were saying! Screenwriters have it so fucking easy here, man, because they just get to write (beat) and then the directors get some close ups of actors' faces and the editor cuts that moment to breathe in for them. Prose writers gotta do it for themselves.
For a little beat, sometimes just placing your dialogue tag where you need it to be -- e.g. "he says" before the dialogue instead of after -- can do it. Sometimes you gotta get creative. This is where you can get cliched things like characters constantly raising their eyebrows or shrugging or smirking, which, cliches become cliches for a reason, they work, but you don't want to overdo it. Sometimes it helps to draw on the surroundings and the set up. Put your characters in a setting where things are happening around them, then you can take a beat while you describe one of those things that’s happening. Give the characters an activity to do, and intersperse that action through the dialogue. For the "this is a place that hurts" conversation in it all will fall, fall right into place, I knew I was going to want to have LOTS of beats in that conversation, so I made them go get lunch, and every time Adam wasn't able to say something one of them would eat some pizza or pick up a napkin. I am not a very visual thinker and I write all my dialogue first, so I have to find ways to fill these beats after the fact, and sometimes I struggle with it. This might be something that you can do a great job with, if descriptions and imagery are happening in your head anyway! Put them to work!
The flip side of "keep it short" and "let the dialogue breathe" is don't write superfluous lines. Look for places that you can condense. If you have a conversation where one character isn't really saying anything of substance, but is just kind of interjecting questions like a sidekick asking the late night host "no, I don't know, who was it?" that's probably a place you can crunch your back-and-forth down into one (not too long) line delivery.
Also, seriously, if descriptive imagery is what's easy for you, lean into it! You can totally write fluff that is more narration-heavy than dialogue-heavy, for one thing. But beyond that, is there a reason that descriptions are easier for you to write? Are there tools you use in that writing that you can apply to dialogue? If you're a visual thinker, can you use that to visualize where the characters are to help get in their heads? If you like finding fun little turns of phrase for your description, oh man, puts some fun turns of phrase in that dialogue. I think dialogue can seem like a completely different thing from narration, but at the end of the day, they're both writing. If you can do the one I absolutely have faith you can find a way to do the other. Good luck!
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violentviolette · 4 years
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So I was on your fandom blog and I saw that you believe Bakugou (at least in assuming) to have ASPD. Is wondering if you could expand on that? I personally see him as NPD but I'd love to hear your side of things
first off anon bless u for being on my fandom blog that takes courage cause it’s a wicked hot mess over there lol and secondly to everyone else yes im about to spend an embarrassing amount of effort overanalyzing an anime man, no u shouldn’t apply this logic to diagnosing real people u don’t know or urself, no its not that deep but yes u can fuck right off if u wanna cry about me headcanoning ur favs with “shitty” illnesses. eat my dick.
But now down to the good shit! So I actually think bakugou has comorbid aspd/npd. But for this since u said u already see him as having npd I’ll just focus on the aspd criteria but im totally down to talk more about npd as well if u wanna. (the rest is under a cut because frankly mobile users would have drawn and quartered me otherwise)
So first im gonna go thru the dsm v criteria that are required for diagnosis that bakugou fits/exhibits (leaving out the few things that don’t pertain to him just for length and also because not every person has to fit every single criteria to qualify)
1. Significant impairments in personality as manifested by
a. identity (self esteem derived from power, pleasure, or personal gain), self direction (goal setting based on personal gratification, absence of prosocial standards and culturally normal ethical behavior)
katsukis entire sense of self is built upon his ability to “win” and to always be number one and come out on top. He absolutely cant stand to be viewed as less than that because if so, his entire sense of self begins to crumble. Part of the reason he’s so antagonistic towards Izuku in the early chapters is the fact that Izuku challenges that identity. He (unintentionally and intentionally) challenges katsuki and wont give way to him (which is the right thing to do, but we see how “well” katsuki handles that). He also doesn’t have a good sense of “prosocial standards.” katsuki has created his own internal sense of morals and values, he’s decided whats worth his time and effort based on his own opinions and not on what society deems worthwhile behavior. He’s constantly getting admonished that his attitude “isn’t that of a hero” because his values are different than the ones of the society around him. But he doesn’t care, as long as he “wins” then everythings good. And its not until he stops “winning” and his behavior begins to get in the way of his goals does he begin to realize that he has a problem.
b. impairments in interpersonal functioning as manifested by lack of empathy (lack of concern for feelings, needs, or suffering of others) and lack of intimacy (incapacity for mutually intimate relationships, use of dominance or intimidation to control others)
I could frankly write a whole essay about just this bit alone but I’ll try to condense my thoughts. So. Lets talk about katsukis lack of empathy. This boy wouldn’t know another person’s emotions if they walked up and punched him in the face. Which they do. On multiple occasions. But I digress. Katsuki is known for his shitty bedside manner, his lack of concern for the feelings of others is literally what cost him his provisional license, but aside from with Izuku (who we’ve established is a source of Baggage for katsuki and shouldn’t be counted among his normal behavior because at the start of the series they BOTH bring out the worst in one another and overcoming that is part of both of their character arcs and growth and a main theme of the damn story. Win and save. Save and win. Ahem. But again I digress) katsuki isn’t vindictive or cruel in an unnecessary way about other peoples emotions. He doesn’t use them against people, it just doesn’t occur to him that they exist. But as we see katsuki grow and begin to try and change his unhealthy behavior, we see that he’s not oblivious of others emotions in the same way todoroki is (who I headcanon as autistic along with izuku (who also has adhd), but that’s a whole nother post lol), he just doesn’t know what to do with them. He can handle things like kirishima feeling insecure, because he can logically talk to him about how strong he is to encourage and support him, but really struggles with more intimate and open forms of emotional support, like with Izuku.
He also struggles with forming prosocial bonds and friends. At the start of the series katsuki doesn’t have friends, he has lackeys he controls with intimidation and fear because he doesn’t know any other way to be. He has trust and intimacy issues and doesn’t like people getting too close to him because he feels displays of vulnerability are what makes someone weak (see those asocial morals and values we talked about earlier). After his time at UA, a few large helpings of some humble pie, and the diligent and hard work of a small group of fearless idiots (aka kaminari whose literally too prosocial for his own good and has zero self preservation instincts, and kirishima who has an endless supply of patience and understands empathy and other peoples emotions to a degree that’s baffling to me) he is able to start deconstructing that idea and realizing that u can be vulnerable and let people close to u and still be strong. That the mortifying ordeal of being known isn’t actually the worst things ever. Also that when confronted with people who aren’t actually afraid of him, he doesn’t know how else to deter them from getting close to him. The fact that none of the other kids in 1-A take katsukis shit and even go so far as to pick on him and mock him and call him out on his bullshit is a MAJOR turning point for his socialization skills.
2. pathological personality traits in the following catagories
a. antagonism, characterized by hostility (persistent and frequent angry feelings, anger or irritability in response to minor slights or insults, nasty mean vengeful behavior), callousness (lack of concern for the feelings and problems of others)
I mean. Do I even have to expand on this point? I feel like no
b. disinhibition, characterized by impulsivity (acting on the spur of the moment in response to immediate stimuli, acting without a plan or consideration for outcomes, difficulty establishing and following plans), risk taking (lack of concern for ones limitations and denial of the reality of personal danger, engaging in potentially risky and self-damaging activities without regard for consequences)
this is a criteria where u have to adjust for the world these characters are living in. but even then, by hero standards, katsuki is still impulsive. His teachers are constantly admonishing him in the early series for charging headfirst into a situation, loosing himself to his emotions and anger, and letting things get the better of him because hes not taking the time to properly assess the situation, this also bleeds into katsukis inability to work with others or ask for help. He charges headfirst into a situation by himself, blows up anything in his way, and then asks questions later. His teammates are often left totally in the dark to his plans, motives, or other moves and have to just play catch up to him the entire time. In the deku vs. kacchan 1 fight we see this behavior come out in full force. He has no plan, he blows up half the building with zero regard for their goals, and leaves iida completely in the dark. Momo pointing this all out and dragging him for filth during the recap is another wakeup moment for him, having to confront the realities of his impulsive and negative behavior whereas before he was only praised for it.
so if we take a look at even just that, which is still about ¾ of the diagnostic criteria, I think u can see where this really starts to explain his personality. Katsuki is hot headed, angry, impulsive, stubborn, selfish, he gets in his own way more often than not, he struggles with prosocial behavior, making friends, and relating emotionally to others. He has a hard time comforting people and usually does so in a blunt and logical way, he isn’t great at sympathy and being soft, kind, or gentle with other people. It takes a considerable amount of effort for him to realize where his world view and his morals and goals are warped and doing him more harm than good, and he absolutely cant stand to be vulnerable or honest about his feelings with others. 
All those things, imo, as someone with aspd & npd, are what make me feel like hes a good character representation of what the complexities of living with these disorders is like. Katsuki isn’t inherently a bad person, and as we see him grow and change, we see the ways in which hes becoming better, but its still hard for him. And despite what a lot of fandom thinks, if u look at the canon, the main person katsuki hurts with his behavior is himself. And I think that’s really important because people with aspd & npd are so often catagorized as abusive villians whose only goal in life is to hurt others. Whereas with katsuki we see where these things and this kind of thinking gets in the way of his goals and ultimately hurts him. and thats what I think makes him the most relatable and makes his growth all the much more satisfying. Katsuki is both fundamentally the same and an entirely different person from when we first meet him. his personality didn’t magically completely change, hes not just a tsundere whose suddenly all mushy feely and hyper empathetic, he’s just learning how to deal with his emotions and the world and getting better at being a healthy person.
So yea, those are my thoughts! There was apparently a whole 1600 words of them so my apologies for writing u a literal dissertation on this lol I just really love this fucking character
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americankimchi · 5 years
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i have enough to buy one of the dragon age games, but im not sure which one to get? they all sound so good !! do u have any recommendations??
OH ANON YOU’VE COME TO THE RIGHT PLACE!!!
it depends on what kind of experience you want!
each of the dragon age games are self-contained stories set in the same timeline, a few years apart. each has its own main character (customizable to your heart’s content) and each has its own cast of lovable npcs to be charmed by
they’re also connected stories that lead into each other! playing one gives you information important to understand the next one (not required per se, but sort of like watching marvel movies: if you watch the first avengers movie you’ll more understand the second one and etc.)
dragon age: origins is first, followed by dragon age 2, and finally dragon age: inquisition (dragon age 4 is currently being made)
pros and cons of each game:
origins: 
the oldest, and it sure looks like it. the graphics are old, but dragon age origins has an EXTENSIVE selection of mods to choose from that you can tweak and edit to your preference (dragon age: redesigned is a perfect choice for this imo and one i use) the combat is reminiscent of pillars of eternity, so if you enjoyed that game you’ll thoroughly enjoy this one. this game is about a small band of unlikely heroes looking to save the world; sort of your typical fantasy story but it doesn’t mean it’s predictable. out of all three games it has the most in terms of skill selection and character builds. it also has the most in terms of dialogue choices and characterization; your character is not voiced, so the devs and writers had more freedom on that front. 
(“do you need a ladder, so you can get off my back?”)
it also has the most, in my opinion, flexibility wrt world states (the current state of the world wrt a specific save file. world-states are basically shorthand for ‘the overall effect of the choices you have made and how they impacted thedas, the setting, at large’). for fear of spoiling i won’t say more but compared to dragon age 2 and dragon age inquisition, dragon age origins allows you WAY more options regarding the fate of your main characters and the country you play in. 
da2: 
the second in the series, this game is more focused on a small area over a long period of time. specifically: this game feels more down-to-earth, more about the relationships between people than about saving the world. the combat is similar to origins, but the skillsets have become more streamlined and condensed. there’s still a LOT of customization (wouldn’t be a dragon age game if it wasn’t) so no fear on that front; there’s less subclasses in this one though but that just means that you have more abilities wrt the one that you choose. less bigger choices for class progression, more smaller specific ones. 
your character is voiced, and you can only choose your gender and appearance, not your race. that’s not a bad thing, of course, just that you start off as a human. this is the only dragon age game so far that has this restriction, but it’s not weaker overall for this decision. it allows for more focus on the interaction between your player character and the npcs in the game: you have a family who you can decide the dynamics between, you have a home, you have a city. you also have, interestingly enough, the choice to more solidly define your character’s personality in ways that will change how they can interact with the world. 
(INTRODUCING THE THREE PERSONALITIES: BLUE, PURPLE, AND RED)
i think this game is interesting because it’s not your typical “heroic” story. it’s not about doing good for the sake of doing good, but doing good for the sake of survival and the struggle to stay afloat during turbulent times.
i will say dragon age 2′s greatest weakness is the lack of different maps, but since this game was made fairly quickly i can forgive that. the story is excellent, however.
inquisition:
the largest out of the three games, and the most visually impressive. the combat is the MOST streamlined in this game, and forces you to make strategic choices wrt your skill selection. While you can unlock as many skills as you want (so long as you have the ability points to spend) you can only take a few with you into each combat encounter, and skills cannot be swapped on the fly. (think of it as preparing spells at the beginning of each day in dnd, except instead of once per day it’s any time so long as you’re not in combat)
(or you can be like me and just shove walking bomb into your repertoire and rain hellfire and damnation on ur enemies……………………..coughs)
your character is voiced, but does not have a defined backstory; you are provided a nebulous idea of your character’s general background based on your race, but unlike origins and da2 it does not provide you an in-game cutscene or level to explore that background. inquisition starts you in media res of the newest global catastrophe, and has a middle ground in terms of dialogue between origins and da2. the dialogue wheel is still there, but the game doesn’t lock you into a personality type, allowing your character more flexibility in responses. 
inquisition has the MOST in terms of raw content, with enough quests and things to do to have money and power (the in-game currency to unlock new areas and quests on the war table, your hub for interacting with the world at large) spilling out of your pockets by mid-to-late game. the boss fights are nothing to sneeze at either… me big love dragons :’)
as for story, this game feels more…….. political? and i don’t mean that it talks about real world politics i mean that you’re pretty much juggling saving the world and appeasing international powers the whole way through the game. inquisition is also VERY closely linked to dragon age 2′s storyline, so i can’t say more without spoiling that game as well. again, you don’t need to play the preceding dragon age to play the next one as you will be provided with that information in-game, but each game heavily influences the next one.
tl;dr:
you want story: pick any game
you want the FULL story: chronologically from origins -> da2 -> inquisition. 
you want a highly customized main character, an underdog story, and a world that you can influence down to the smallest detail: origins
you want a more personalized story that deals with the raw, ugly relationships between people and a realistic take on the heroic journey: dragon age 2
you want streamlined combat, to take control of an international organization as both its religious and political leader, and cool boss fights: inquisition
i actually made a more meme-y post regarding the pros and cons of each game here if you don’t care about spoilers hgfjgf: [link]
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pjsta · 6 years
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Ok but a lot of people will never fully understand just how important Ryan having dyspraxia is to me so here's some reasons for you:
- It's a hidden disability most people have never even heard about, so here's to educating them!!
- As people don't know it exists, representation is scarce
- Seriously i knew maybe two characters with dyspraxia before at the most
- and thats out of everything I've ever watched/read
- I don't even remember who one of them is but I'm sure I knew two
- and they dont really get into how it affected the characters either
- I now have a third character to whom I can relate whoooo
- Ryan seems to dislike talking about it bc of the reactions of people around him and honestly often times same
- First things first it is impossible for me, a dyspraxic, to condense the entirety of my dyspraxia down into a 1 minute summary and it often makes people awkwardly go oh... ummm????
- like i have a vague script but do i stick to it? Nope.
- seriously though i love that we got to see how different people react to his dyspraxia bc they were all so real and realistic
- He feels like he's letting his nan down (he's not but i feel this)
- But Grace was amazing and so supportive with him without trying to push so hard that he feels even more like a let down and she told him you already make me proud and im cry bc that is how you support and grace is the best fail to change my mind
- Graeme often treats it like he's using it as an excuse
- remember the "oh you going to blame this on dyspraxia too"
- seriously graeme, f u for that line
- i may think it myself often but it is Not. Cool. to say and it hurts like hell
- also he kinda seemed to treat him like a child sometimes and thats bad enough for neurotypical teenagers but pls dont bc we especially really dont need that
- Yaz knowing about it but not seeming to really know how to treat him??
- she occasionally seemed to think 'how should i treat him in this specific scenario'
- surprise surprise treat him like you would anyone else unless otherwise is said duh
- but i did like her making sure he would be ok with the climbing the ladder bc theres a difference between treating someone differently and actively making sure they're comfortable doing a thing
- (also fyi sloped ladders are mostly alright. Vertical ladders that go very very high can go die)
- yes riding a bike can be a real struggle for us dyspraxics
- if i didnt have the support and practice i did would very likely be in the same boat
- theres a reason why i dont trust myself on a bike on roads
- like yeah nope not a good plan
- ryan obviously not liking this aspect of himself is so relatable bc there're honestly times when i hate it too
- sometimes its just kinda there and other times its like i could really do without this pls go away and to see ryan do the same is just yh same
- i love that he said like despite this im actually a capable person but at the same time i hate it bc i know just what it feels like to know im a capable person but not always feel like it bc i cant always do things like everyone else can
- also!! Representation!!
- ik i said this earlier but the fact that we *actually* get representation for once and in a show as huge as doctor who?? THANK YOU SO SO MUCH!!!!
- im really so so happy about this omg
- also it's dyspraxia foundation's dyspraxia awareness week so it's great timing too
- im so proud of ryan though
- he keeps going and keeps trying and im so proud
- you got this ryan
- i really hope we can maybe explore more of how it affects him
- its a thing that affects everyone differently so it would be good if they can show a massive variation and there's seriously so much they could do with this
- like stuff like messy incomprehensible hand writing bc motor control skills hate us
- falling over bc suddenly all balance has disappeared and centre of gravity does not exist for us so whoops over we go
- balancing on tiptoes bc we know we're just gonna fall over but we're going to feel good doing it
- maybe a bit of how it affected him at school
- like there were times when yaz seemed to remember from when they were kids and hes just different enough for it to be noticeable and not just with coordination difficulties but maybe thats just me seeing these things
- slower processing skills lead to not getting things down enough in the classroom which leads to gaps in our knowledge!!
- I had a slope and a funny cushion at school to try to help my writing and focus?? So little gadgets (fidget cube anyone??) to try to help him
- good time management is not a thing. What do you mean an hour has passed in five minutes or five minutes has taken a year??
- ryan trying to get his thoughts out in a comprehensible order and just ending up in a tangled mess of stammer, words and thoughts that worked in his head but didn't come out right at all and oops but you guys know what i mean right??
- coordination working for a while then suddenly just up and disappearing
- ryan being given instructions and needing them written down all the time bc error 404 short term memory does not exist is a thing and no i cant remember this thing you literally just said what??
- ryan organising sthg in a way that everyone else goes wait what why but to him makes perfect sense
- the evil that is shoelaces
- maybe aversion to extreme tastes?? Bc thats a thing
- Distractions! Distractions! Distractions!
- showing that dyspraxia is not all about being clumsy and coordination there are so many ways in which it can affect us
- also mental health can really be affected by it bc we live in a world not built for us and when people dont believe it exists or dont support us in it very well it can be very damaging
- *something goes wrong*: flail and freeze
So yeah, Ryan being dyspraxic means so much to me
Thank you, Doctor Who
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swampgallows · 6 years
Text
i just woke up, it’s close to noon here, five hours is good enough i guess. i keep thinking about college and how fucking suicidally depressed i was then and how ive spent half of this year being unemployed and generally just struggling to take care of myself in the most banal and basic ways possible, and how depression really does just delete years from your life. you live through them in a daze,  you’re already a ghost, you’re already dead. questing in wrath of the lich king is honestly some of the last shit i remember concretely before going into a two year gray area of passing my classes and nothing else. i remember breaking up with my boyfriend because he chose raiding over me. i dont want to talk about it again. the memory is still painful. still, even still, ten years later. and in late 2008 i was attacked in my dorm room and i was screaming and my roommates thought i was being a big ol slut. they thought any guy that came over was someone i was fucking. when i went to blizzcon in 2008 and my brother stayed in my dorm they thought i was fucking him too until i told them he was my little brother. they tried so fucking hard to suppress my interests and make me “like them”. “there’s more to life than world of warcraft and pokemon” they said as if going to college basketball games and rewatching disney movies has any more enrichment or depth beyond what i was fucking doing. my life is so full of hatred, from myself, from other people, just being fostered in me in general, and it’s only within the last few years that i’ve gotten to heal from it at all, all the time being hurt more and more
i was talking to a friend yesterday who is just 19 and thinking about where i was when i was 19, which of course puts me in 2009 again, the year i dropped out of existence, and i was telling them about how i was essentially raised by the ilk of 4chan and the piece of shit community on wow that, like, since i’m around ~liberal genderqueer~ tumblr-type spaces all the time, genuinely shocks me to remember still exists, of those fucking hypermasculine overcompensating military dudes. and we were talking about how like, nerds in general tend to have shit social skills or anxiety or are Othered in ways that have them reinforce this piece of shit pecking order where the loudest and meanest proclaim themselves the Leader and everyone just follows them because theyre too meek to challenge them or they mistake arrogance for confidence and assume any asshole crowing that loud about how Right they are all the time Must Be Right. 
and i thought of my own life, my ex QP, my old friend groups, my abusive ex boyfriend, how i mistook so long their malice as strength, how i was duped by their self-aggrandizement. they had no skills, no talents, no girlfriend (except when i dated them), no women in their lives in general, no real friends they could count on (except, for my abuser, an older man with 3 children and a brand new divorce whose house he muscled and manipulated himself into—”i cant even bear to be in the old master bedroom anymore”—and my abuser promptly MOVED HIMSELF INTO IT) no hobbies, and the one or two hobbies that they had—fishing, video games—they were fucking less-than-passable at. my ex-qp wasn’t good at video games. he would use cheat codes or just play the strongest character and rely on everyone else to pick up his slack. warrior, carry, tank, what have you; all of us his underlings to support him to victory—”I’m doing all of the damage and getting none of the kills”—he would whine, oblivious to the concept of teamwork and seeking credit within the only realm he had a semblance of succeeding in. 
anyway so when i first joined tumblr i swung the pendulum in the other direction because i absolutely had to, it was for my survival to become a virulent feminazi as they put it, and i was obnoxious about it, and i reposted rape statistics all the time and challenged people all the time because i had to. i had to let it overtake me in order to purge all of the 10+ years of toxic social conditioning that places like 4chan and their little infestations in WoW and all of my abusive partners instilled in me. i had to be vocal about rape this and sexual assault that because i spent the better part of my adolescence trying to laugh away the fact that i was raped as a child, trying to make jokes about my “delicious flat chest” and pedobear and “surprise buttsecks/it’s not rape if you yell surprise” and “delicious loli”; some of the images i had willingly saved on my ancient hard drive are absolutely harrowing to go through now as an adult knowing my mushy impressionable 14 year old traumatized mind was trying to cope with and gloss over what had happened to me and with the future i was facing as a budding adolescent in this kind of environment. men didnt want to be responsible for what happened to me or with what would happen to me, it made them uncomfortable for me to talk about it, so i was told to laugh it away, that nobody cares that i was raped, that i was stronger if i could just laugh about it, that no topics were beyond reproach or off limits, and that if i wasnt desensitized to my own suffering then i was weak, i was a sheep, i was a burden, i was letting my emotions get the better of me.
obviously, tumblr as a whole DIRECTLY acts in opposition of this: everything is rooted in our traumas, which we are expected to lay bare for all to be taken seriously: 4chan demanded that we invalidate the trauma by making a joke of it and allowing the masses to pick it apart for their own entertainment, to become part of the anonymous “legion” by offering up our individuality to be consumed by the group (as a currency of “lulz”, basically); tumblr, reflexively, demands we validate the trauma by making it an open and public integral asset to our identity, to have easily digestible and categorized characteristics so as to fit into the tumblr hierarchy of needs, their own misinterpreted facsimile and microcosm of existing systematic oppression, and obtain a sort of fixed currency of privilege or “woke points” dependent on identity politics. so i definitely needed to purge my previous conditioning with this reclamation of my identity as a survivor, etc, and had about 7 years of misplaced anger and fury condensed into a good two or so years instead, and even now im still parsing details. 
it wasnt until i was 22 that i had even heard the term asexuality and it wasnt until i was 25 that i realized i was bi (or “could be” bi), even though i had already been in love with and sexually active with women years prior lmao. i had been told by every possible source that having a dick inside me would change my life and change my outlook and change me into a better person or whatever the fuck, that i would “understand” and “grow up” and “become a woman” or whatever and guess what it did fucking NOTHING, just like every teen drama romance or whatever tries to stress over and over, sex is not a magical lifechanging event that hands you a million dollars and a healthy brain. it changes your life in some ways and it’s definitely not something to be taken lightly but in no way is it a cure for anything.
i dont know where i’m going with this, im just fucking pissed off about my life, im pissed off that healing takes so long and that i had to do any of it in the first place. im so pissed about all of my time wasted with this fucking piece of shit body and fucking piece of shit brain and i wish i could just go back to work and be a functional human being but im like just a short leap away from doing any of that. i have to get in touch w my previous HMO once the new year starts now that im confirmed for medi-cal, and i should have done it months ago, but i have to just accept that this whole time ive been not USELESS but just utterly CONSUMED by self-preservation, that it is taking most of my effort to want to be alive and stay on this planet any longer. especially now with my teeth bugging me so bad because i cant fucking take care of myself so im grinding my teeth and clenching my jaw and i guess eating improperly or what have you idont fucking know. im going to buy a waterpik even though it’s fifty dollars and i have not made ANY MONEY in the last 6 months or done ANY of what i wanted to do and i still have a number of commissions needling at me that i genuinely like cant fucking even look at withotu fucking hitting myself and crying, and im seriously not trying to make fucking excuses, i am so fucking ashamed and consumed by self-hatred about this, this has been a problem for me SINCE COLLEGE where i was an ART MAJOR that i had to fucking beat the shit out of myself to try to draw anything “seriously”, and i do mean literally beating myself, bludgeoning myself with my morris sticks and smacking myself in the face/head and clawing at my skin, and i fucking hate it
i just know i need like SO MUCH recovery or healing or whatever the fuck, i feel so long overdue for very basic shit, and part of me feels like a withering plant, like pouring water over dry leaves thinking it’s just going to saturate itself and be instantly rejuvenated. im losing leaves in the process, as it were, and getting no “water” all this time. i feel like i’m in drought mode. these last six months are me basically conserving all i have, toeing away from the edge of the cliff because iw as so ready yall i was so fucking ready, i was ready to jump off, i spent whole lunch hours just ready to fucking leap, staring down the void, staring at the winding road that went up the mountain, staring at the deer who stared back at me, hiding my face from Adults who treated me like a wind-up doll, i just couldnt take it, ic ouldnt be somewhere that sterile, i couldnt be spending so much of my life getting so little back, i coudlnt see my friends ever, i couldnt breathe, but in general my brain is sick and i need to heal from all of these things, i need to figure out how i can cope with being alive because i am going to be alive at least a little longer and i need to not fear and crave death simultaneously. i do not want to die, I DO NOT want to die, but i cannot live in a constant state of recuperating. my life has just felt like the Shutting Down... screen for the last 2 years. 
NEED a new dentist NEED my teeth fixed PLEASE GOD open the stem cell dentin treatment to clinics worldwide GOD fix my TEETH PLEASE let me REGROW my TEETH NEED therapy NEED to fix my brain NEED to figure out how i can cope with being unable to support myself in this shit fucking economy NEED TO RECOVER NEED TO GET BETTER PLEASE IM FUCKING SUFFERING 
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goldenscript · 6 years
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HEY HEY it’s fine, your health always comes first! my friday was really interesting and today i finally went grocery shopping so there’s that. how’s your weekend so far? LMAO UR LITERALLY ME. i often feel detached from people or even myself but it takes .0000081 seconds for a tear to slip out when im reading or watching anime. omg i cried sm the second season of haikyuu bc like.. my baby oiks deserved to go to nationals man, seijoh deserved to go ;-; dont get me wrong i was sooo proud of (1/?)
our crows but like.. oikawa!!! i watched a couple episodes of avatar yesterday and i already love how flawed zuko is, you can see it right from the start. i already know what happens tho okay HAHAH. AND GIRL IM SO HYPED FOR INFINITY WAR!! LIKE aSDJD I CANT EVEN EXPRESS HOW I FEEL, SHIT’S BOUT TO GO DOWN. WHICH REMINDS ME, BOKU NO HERO ACADEMIA IS SET IN A UNIVERSE WITH SUPERHEROES AND IT’S HONESTLY V CUTE. which ALSO reminds me i had a fic draft about how an ex-superhero mc who’s next door (2/?)             
who’s next door neighbors with a notorious anti-hero (superrrr orig ik, i was like in 9th grade ok i’m cringing) and she finds out about him through some funny circumstances bc for one, she’s not dumb. she can piece it together. she lost her powers in some way and is trynna adjust to reg human life and she doesn’t want anything to do with playing hero anymore bc of uh “PLOT.” shit happens. never got past the 3rd chapter lol which made me realize that long fics weren’t for me, i lose (3/?)
motivation too fast but it just sucks bc idk how to condense it enough for it to be a oneshot. when i randomly write, they still hit up to 20k so I DONT KNOW?? maybe i just write too much. i’m just as disorganized as i was 4-5 years ago ;; AH FF(.)net AND QUOTEV. GOOD OL’ TIMES. the first fic i read was about infinite’s woohyun bc he was my bby at the time lmaooo. and wow  i’d love to read your revamped fics and whatever else you have in mind!! the thing about fantasy is that it’s so broad (4/?)        
u can literally do anything with it!! LMAO WELL I MEAN TBRH IT’S JUST BTS but HM WHO DO YOU THINK MAtCHES THE JOB DESCRIPTIONS?? wink wink. ALSO sorry that i talk so much omg u must hate reading my messages lmao i feel like i always have a lot to say (5/5!!!)  -sjsu    
lemme just say that i don’t hate getting your messages at all ok!!!!!!!!!!!! i feel like i have a lot to say especially when the topics are within my interests and girl talking to me abt cringey fanfics, ugly crying over sports anime, & black panther are perfect enough reasons to babble over! i promise!!!!!!!! i look forward to talking to you girl (’:
thank you! i honestly just went out to my friend’s bday dinner yesterday night and chilled at home all day today. i’m supposed to hang with my dad and probably go out driving tomorrow so we’ll see. as of rn, i’m fooling myself into thinking that i’m gonna work on my english paper rn but i’m compromising and telling myself to just find quotes and write my thesis then saving the actually writing for tomorrow. but LMAO I’M GLAD YOU CAN RELATE. I WORRY THAT I’M ALONE ON THIS SOMETIMES. yeah, i detach easily and i don’t mean to but sometimes i prefer to let my mind drift and daydream because it’s so much more interesting than day to day life. buT I GET SO EMOTIONALLY INVESTED IN ANIME OK. I CRIED FOR SEASON TWO ALSO. LIKE OIKAWA WAS SO HARDWORKING AND FUCK WHEN THEY LOST TO THE CROWS I WAS SO SAD BC I HONESTLY WISHED THEY COULD BOTH WIN SOMEHOW. like fuck that anime is good, making us sympathize and love like literally everyone you meet because the biggest antagonist in that damn show is time and how one minor point just fucks everyone over and kjsdhfsjkdhf i love haikyuu!! sooooo much. god
LMAO IT’S OK. i spoil myself a lot with shows and movies bc i’m a big like movie person especially in the MCU and horror cuz i like knowing that what i’m watching is worth all the fuss (this goes for most movies in general) although for black panther i didn’t spoil myself because i could feel it in my gut that it would end my entire existence and guess what it did? ended my entire existence. AND OMG INFINITY WAR SDFSDKJHF I’M SOLELY WATCHING IT FOR T’CHALLA TBH. I NEEDA KNOW WHAT ELSE IS GONNA HAPPEN WITH HIM AND THE REST OF WAKANDA OK. AND OMG IT IS? I LOVE THAT. OK FOR SURE I’M WATCHING IT OK.
i only played an interactive story app abt superheroes and it was so freakin’ cool. now this makes me want to replay it ‘cuz it’s just a trip man. the story line is great and i love the idea of superpowers. and omg that story of yours sounds so cool! like imo a trope / plot can seem “cliche” but how you execute it is what really makes the biggest different! like make me feel!!! make me love and hate your characters!!!!!!!! but yeah, honestly, i’m really starting to disbelieve in my skills at writing multi-part fics bc it’s a STRUGGLE. i write to finish i think. but i’m challenging myself to write series bc i have a few that i reallyyyyyyyyyyy want to write. and holy shit 20k????????? that’s amazing! i’ve only done that like once and i haven’t read it in hella long.
whenever i get around to it (man, i’m starting to get annoyed with myself for using this phrase kjsdhkjfsh), i will most def hit you up!!!!!!!! my first fic was like......... uh.... fuck i can’t even remember but i will admit i did try writing twilight fanfic too. in terms of kpop, my first was this jungkook drabble that i never saved and actually deleted after a few days but another one was this yoongi drabble that i currently have up rn that isn’t too bad. but ok girl telling me, a girl who thrives off structure and a basis, that something is broad is HELL for me. like i really need to think things over and make sure it makes sense and it’s just hard. i struggle but i’m trying.
rjgnkjsgkjsdhfkjshf alright, alright mundane jobs for earth-bound bts:
jin: cafeteria lady (sorry bb), everyone loves him, his station’s the cleanest, and no one hates him like............. at all. not even Boss, who everyone FEARS
yoongi: janitor but not really he doesn’t clean and his boss loves him too much to make him do work
hobi: retail worker bc he will not let any atrocity walk out of the store no matter what, doesn’t need his powers to get anyone to buy anything, makes pouches A Thing
joon: librarian, likes to observe ppl, somehow likes humanity even tho we’re messes (”aren’t we all messes, after all?”)
jimin & tae: delivery boys aka the bats bc they move like they’re coming straight out of hell
jungkook: mcd cashier, hates his job, sometimes gives people melted ice cream bc they looked at him funny
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lcncasters-blog · 7 years
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hey everyone!!! i’m d, i’m 23, and i use they/them pronouns. super hyped about being here so i’ma just get right into it
so kai is my fave character and kinda notoriously The Worst while also being The Best, so i’m warning y’all before we even go in that he’s actually so sloppy and wild pls proceed w/ caution. i’ve been playing him for over 4 years. that being said, he does have a fuck ton of information, so while the bullet points are going to be as condensed as i can possibly make them, you should really check out the appearance section (or you can just look at my sidebar which is wonderful artwork of kai one of my close friends did for me --- give them love on their art blog nialls ok SO talented) of his STATS FRAMEWORK and then if you really hate yourself i have a DEVELOPMENT TAG too with a bunch of headcanons (feel free to RB the rebloggable ones from me btw)
LOUIS TOMLINSON? no ⏤ KAI LANCASTER, the DEMIBOY is TWENTY-THREE and was born with a GOLD soul, and now has a GREY soul. i would describe HIM/THEM as EXUBERANT + BRAVE, yet CARELESS + IMPATIENT. KAI spends HIS/THEIR time PLAYING AT SMALL VENUES WITH HIS ALT ROCK BAND AND WORKING AS A NANNY and has lived in seattle for TWO YEARS.
TW FOR TERMINAL ILLNESS/CANCER, SUBSTANCE ABUSE MENTIONS, ABLEISM, & MENTIONS OF SELF-HARM/SUICIDE.
kai was born a gold soul into a pretty posh, old-money typea family in manchester, uk. like i’m talking on his mothers side they’re all doctors, lawyers, scholars, etc, etc, and on his dad’s side entrepeneurs. his parents themselves built a fairly large business from the ground up together that now goes by the name of lancaster industries. their current biggest venture and pretty much what they’ve built the whole of their fortune on is a chain of luxury hotels that you can find basically in every major city in the world.
he had 3 younger sisters who he essentially raised considering his parents were too busy to be around during their childhood. only two of them are still living, his youngest sister having passed a couple years ago at the age of 7 from leukemia.
his mother is literally the devil? kai always hated school/struggled in it for a multitude of reasons, not the least of which were his not diagnosed adhd and his dyslexia, which he never got the help he probably needed for. he’s always kinda just thought he was extremely stupid, and that idea was reinforced by the way his mother always used to tell him the very same thing. “think harder, kai. use your brain.” is a phrase that’s essentially been reinforced so many times in his head, he p much hears her voice ringing in his ears every time he gets so much as vaguely confused now.
that being said, despite how he struggled in school, he was always a very vibrant, kind, charismatic, and magnetic young person. he tends to draw people into him with his silly nature and upbeat attitude, and he’s kind of the Eternal Optimist, so he was fairly popular when he was attending. to say he has eccentricities would be putting it lightly, and he’s loud, never seeming to run out of things to say or fail to command the interest of the room.
anyway things with his mum only got worse in his relationship with her when he barely managed to complete his a levels by the skin of his teeth (and with an absurd amount of tutoring), and then refused to go to the university of her choosing. she p much wanted him to “get his shit together” so he could take over the family business someday, but i am not kidding when i say kai would wilt away and probably legit just die if he had to work in a place like that forever – and that’s assuming he even got through business school in the first place.
his father was always a push-over and sort of was absent/bent to her will when he was around, so he didn’t bother to defend kai when his mother decided 2 cut him off from everything and essentially ex-communicate him once she realised he was refusing 2 be manipulated and forced into shit anymore.
that was at age 18, and by that point he had plans to move out and travel to london with his best mate anyway, so he was basically like “peace out” and got the hell out of dodge. he still harbours a lot of guilt for abandoning his younger sisters, particularly so considering his youngest one fell ill so soon after his departure.
he lives, breathes, and sleeps piano. music as a whole is something he’s passionate about, having taken the time to develop his somewhat unorthodox voice, but the way his fingers fly over the ivories is a living art form more than it is anything. it’s how he communicates, how he speaks his deepest truth and just like? put those feelings out there into the world that he otherwise wouldn’t be able to articulate in the common vernacular.
so what he wants to do with his life is to just? talk to people? through his music? to play for them and the be in front of a crowd every night and to feel the energy of them, to command them with his presence and to exist with them in that way. he almost gets high off of it? he’s been playing small shows since age nineteen with his band, but since he moved to america he obvi hasn’t had them and has been on his own.
SORRY I’M REALLY TRYING TO CONDENSE THIS so ok basically he was in love w this girl from the time they were 14. they lost their virginity 2 each other, they were on & off all through HS, & then through to age 20 after he moved away and all that. she was v v ill and struggled with mental illness and kai tried his best 2 take care of her, but he was always in over his head despite his dedication to like making her feel OKAY. she needed help that he could not give 2 her, and they ended up breaking up & him letting her go at the end. she died soon after that, and it remains unclear 2 him whether or not it was a suicide. it was officially ruled as an “accident”, but he knows different and yeah i mean. essentially like.... the most “smudges” on his soul kinda came from his sitch w her bc he was always coming and leaving and dropping her and returning when she needed him and like. he TRIED but he just COULDN’T? anyways
after that he got involved with this boy who was a substance abuser, addicted to H to b exact, and for a while he thought that he was getting better and they were building off of each other, building a healthy life together. the fact he called kai his “new addiction” was probably never a good thing, but kai didn’t recognize that at the time. they got engaged eventually, and kai was 100% convinced that he was the actual love of his life after caro. of course, in the end, it wasn’t built to last, and when it went bad, it went really bad. kai eventually felt like there was a chasm several miles deep between them, and he had no hope of getting to the other side again. he broke it off, broke the guy’s heart, and made his soul even darker.
THIS NEXT ONE IS KINDA AN OPTION CONNECTION OKAY SO IF ANY1 IS INTERESTED PLS PLS LMK!!!
kai has been posting vids on YT of him covering songs on his YouTube for like actual years, and when he was around 20 he met this person via the comments section on one of them. they seemed to be quite the fan of his interpretation of some of the songs he chose to play. they ended up talking more and more as time went on, exchanging contact information, and grew very very very close.
that was the start of the LDR that is what brought him to america/to seattle in the first place. they were together for about eight months and had seen each other in person three times for a total of about 3 weeks before he made the decision to get started on his visa and move to the states. the moment he was able to, he crossed the pond and moved in w them!!
strain on their relationship was created when at first kai was unable to find work and contribute to the bills and the household funds. they lived in a tiny flat, and going from barely seeing each other to having each other all at once and all the time was a lot. on top of that, kai was homesick and restless and felt trapped because that’s what kai does and it’s not okay and it’s totally wrong and he cheated on them soooo there’s another tick against his soul ig. within six months of his arrival, they broke up, and kai moved out.
he couch surfed w some friends he’d met 4 a while, and eventually found a decent paying job as a nanny for a well off family.
he plays live shows at small venues in bars/clubs and still seeks to make a living as a musician but it’s hard out there and plus his soul aint exactly the prettiest to look at any more. i mean he doesn’t have a DARK DARK grey soul, it’s more a lighter grey, not quite silver, but definitely not storm clouds.
he’s still working on getting his full citizenship though he’s v v v close 2 it & has been lowkey getting help from his cousin w paying for the process so!!
THAT’S BASICALLY IT
last but not least IM REALLY FUCKING SORRY  ICOULDN’T MAKE THIS SHORTER I JUST HAVE A LOT OF THOUGHTS AND fEELIGNSA
SEND ME AN IM OR LIKE IF YOU WANT TO PLOT!
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aibrechts · 7 years
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Would you do a Tyki/Allen reclist??
YES, i certainly WILL HAHA
if you know me then you know i love my tykillens 100% consensual and thats. That’s a bit tough, cause not many in the fandom seem to agree with me lol.  it’s a bit of a wasteland in ao3 not gonna lie but the tag there has recently been blessed, and I’ll dig out some old gold too
Honestly it’s uh. It’s probably gonna be easiest to organise this by authors and then I’ll like. Pick a couple of my favourites from each of them, and link a few randoms i like at the end. 
 Moonswing: I love the way this author writes them - the dialogue especially is quick, witty and so so fun, and the ideas they come up with are
Loves Company is the first poker pair fic i read that gave me hope for this ship. it’s so light and funny and good and went a long way to inspiring me to continue writing for the pair.Some Minor Issues looks like it’s only just been started and I honestly cant wait for more. Modern AU where Tyki is the son of a mob boss, the best trans Allen i’ve ever read (in a world of fem!allen i have finally found an oasis of casual and accurate representation). definitely excited to see where it goes, if it goes, idk if it’s gonna be continued or what but !!!!Reapers is another new one, and the title kinda says it all lol. Allen and Lavi are reapers working for the Earl, and Allen is designated Tyki’s personal servant ahahaha
hiat:Not gonna lie i haven’t actually read a LOT from this author, but what I have read has been exceptional
A Small Reprieve is wonderful, especially considering it’s the author’s first smut like. Damn. It’s sweet and a little bit sad, but this is Tykillen so what did u expect lmaoFondant and Fakery is so cute and sweet like omfg ahahaha it’s all the lighthearted Tykillen fluff i ever neededWorlds Apart is probably my favourite from them, but im not sure if it’s ongoing or if they’ve abandoned it? Another mob AU and i really really hope they continue it because !!!!! im in love with this fic ahahaha and want to see more
ArbitrarySpaces:oohhh boyyyy //rubs hands together
While You Sleep is somehow the only soulmates au (that i know of) and i love it?? its amazing and cute, where each Allen and Tyki sees through the other’s eyes in their dreams.Mr. Poker Face is super funny and lighthearted - i love the flow of dialogue, it’s so quick and witty and them I honestly yelled a lil when I saw it’d been updated with a second chapter.How to Build a Life Together depicts snapshots of Tyki and Allen, uh. Building a life together i guess lol. Each chapter is a different point in their relationship, starting from the point where Tyki gives Allen a rock (and not in the traditional sense. That comes later lmao).
rustandstardust:they’ve got some damn good shit i tell ya
it’s all a game is so ???? good ??? casino au where allen’s a tease and tyki’s a sucker, everything feels so lavish and indulgent and i love it!connection I haven’t… actually…. read. But! it’s on my agenda tonight tbh and I have high expectations lollove me like you mean it is also really good, like. I don’t know what else to say lmfao it’s just… good. 
CandyCrackpot:I am shocked and appalled by the fact I almost missed them because they’re like. Like. If there’s a holy trinity in this fandom then they’re god. just. Just straight up they’re a fucking god okay.
Gamble got me on the bottom!tyki hype train and i have yet to follow through - mostly because i’m intimidated by the quality of writing and characterisation that went into this 100% rly fukkin good would recommend.//squints// and uh that’s all for them??? but they have a HEAP of other fics for this fandom ((if ur looking for some soft papa mana and baby allen fluff then Smile is def the place to go))
Hurryup:every time i think about them my chest gets tight and my hands start shaking like ???? is this love ?????????????? fam help i think im dying honest to god
shutdown is… its, uh. I honestly can’t put it into words. It’s the best Tykillen fic I’ve ever read. It’s beautiful, subtle, quiet, so bitter and sweet, but somehow not bittersweet and i honestly. i dont know how to explain how that’s possible but it is and it’s perfect and i will scream from the top of mount fucking ararat about how good it is til the day i drop dead okay like. if you read only one fic from this list, let it be this one.idk why i thought they’d written more tykillen than that, probably because it was so fucking good and the characterisation was flawless, but for the life of me i can’t find any others for this ship by them so…??? but lots of link/allen if ur into that. i haven’t read them personally but if shutdown is any indication they’re gonna be lit like a talking bush.
—Assorted—
Chinchirinoda’s fic Worship gave me a hand kink. No kidding, it’s short and sweet and quiet and sad and lovely and one of my OG favourite Tykillen fics
I haven’t actually read Allen’s worst Struggle by slaying_dragons, or Night of Truce (new author on the block what up) but I have the tabs open and im prob gonna get to those tonight too lol
Let’s Do Something Wrong by kittybandit is a super cute collection of super short super sweet prompt-drabbles. Like condensed milk. Or a shot of straight cordial. Or cocaine. The yoga one is def my favourite, but they’re all amazing
autumntea is the kind of cruel where they’ll write 700-ish words and every single letter is perfect and amazing and makes u want MORE but then like. there isn’t. there isn’t more thERES NEVER MORE AND I WISH THERE WAS BC IT’S ALL SO GOOD. all of it. Every tykillen fic they wrote is a dicktease and i want MORE, DAMMIT
If you want crack (and for some reason Kingdom Hearts characters working in a casino ????), Sin City Dreamers by The_Button_Harlequin is lit the most well-written shitpost i’ve ever had the experience of reading, like. I lit couldn’t stop laughing while reading it it’s… No, i can’t explain it, you have to read it yourself to understand lmfao definitely worth it, I promise. i promise.
And, uh. I dont mean to toot my own horn (i totally do bruh look at my ego okay) but if you’d like a chef’s special then i recommend make it out alive for smut, and Pilate saith unto them, behold the man for ‘fluff’ (so far as fluff goes in my vocabulary) and Mutually Beneficial for Tyki’s big dumb crush.
There you have it !!! that’s. That’s pretty much the entire consensual Tykillen tag right there. And it’s all good like idk how yall do it but ur fukkin masterminds okay im honestly in shock, still in shock actually after reading Hurryup’s fic last night like. fuck i wanna cry just thinking about it lmfao it’s so perfect and beautiful and sad like jesus fam let me breathe. 
I know you’re going to find something in here you love and if you don’t then im. i don’t know what to tell u man lol this is the best of the best so i hope u enjoy yourself
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fabjohn · 7 years
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hi there, im a lonely little fanfic writer uwu how would you go about executing an "enemies to friends to lovers" dynamic between paul and stu in a fic around 15-20 chapters? i always wanted write something like that, but i have trouble deciding how long it would actually take for a relationship like that to form realistically, and what elements/events could change the speed at which it happens and stuff like that so////. please let me know if you have any ideas/tips for me o;
well i mean, this is a difficult thing to answer because there are SO many ways you could go about this. it’s your story--you tell me how it’s going to happen! i can try to offer some advice though. (and forgive me if i come across as condescending; i’m answering this as if you’re a beginner, but you may not be! take from this what you will) 
first of all, i would scrap the 15-20 chapters criteria. just completely forget it, toss it out the window, it never happened. in my experience, one of the worst things you can do is try to take a simple idea and drag it out for the sake of writing a 200k behemoth. the reverse can be just damaging; if your idea is so big and complicated that you need 200k to make it happen, yet you try to condense it down into 5k, you’ll never be satisfied with the end result. plus chapter lengths are completely arbitrary. some people write 1k chapters, i usually end up writing about 15-20k per chapter, and some even do more. really it’s just personal preference, though you should be mindful of your story’s flow. i end up trying to have some kind of theme to each chapter; i start in one place and try to bring it full circle, where the characters have reached some kind of new understanding at the end. some people divide chapters every time they introduce a new story element. for example, chapter one introduces paul, a wannabe rocker but his dad wants him to get a real job. chapter two brings john into the picture, maybe he visits paul’s house, and the readers get to see their relationship. chapter three then starts the real meat of the story, where they try to defy jim’s wishes so paul can be in the band. this is something that can realistically be done in 1k or less, and while it’s a little choppy for my taste, is a really easy format to tackle for beginners imo. with fanfiction there’s really no right or wrong way, so just find something you’re comfortable with. what might be 15-20 chapters for you might be just one chapter for someone else. 
as for your actual question lol, this dynamic is a tricky one imo. to make things easier on yourself while you plot this out, i would put the thought of them becoming lovers on the back burner for now. i say this because it’s so easy to skip over the “friends” part of this dynamic and hop straight over into lovers, so just take it one step at a time. how would they go from enemies to friends? there are a million ways to answer this and none of them are wrong. so this is where your personal experience can be such an asset in your writing. how would you become friends with someone you hated? make it personal for you, think about what your actions would be, what the other person would have to do to earn your respect, and that will make your story feel true. your readers will believe it and get invested and feel it, because you’ve made it real. it’s easy to say that one day, completely out of the blue, stu just approaches paul like “listen, i’m tired of fighting and you’re really not that bad. let’s be friends.” and depending on the level of hatred between them, this can come across as just unrealistic and lazy (in any case, it’s just uninteresting). your readers know you’re not being truthful. they know you’re rushing through the hard part just so they can kiss sooner. don’t do that. the great thing about this dynamic is that it’s a perfect slow burn, so milk that shit for all it’s worth. make your readers crave that eventual softness between them, build it so much that by the time paul and stu so much as brush hands, your audience is weeping and rejoicing. 
but anyway, if the personal experience approach doesn’t work for you, here’s a potential jumping off point: they’re part of the same band, so while they may not like each other, they’re still a team at the end of the day. so if someone in the audience is heckling stu during a show, for example, saying they know he can’t play bass and he’s just a waste of space, paul might jump to his defense. he wouldn’t go too far (ie “fuck you!! he’s the best bass player in the whole world and we’re so lucky to have him!!”) but he might very well tell them to fuck off, stu’s doing a better job than they ever could. keep in mind though, depending on the dynamic you set up for them (and the amount of drama you want to add into this), stu might not be entirely grateful for the intervention. he might get pissed off and tell paul he can fend for himself, thank you very much. so getting over that enemies to friends obstacle can be a little difficult, because if they’re too willing to become friends, it will be unrealistic and boring, but if they hate each other so much that neither of them are willing to give, then it’s going to be very, very hard on you to find a realistic solution. you need the perfect combination of circumstance and mood; some sort of catalyst for the beginning of their friendship that happens at a time when they’re open to it. and that’s not something i can just give you, it’s something that needs to spring up naturally within the context of your story. 
i imagine this will probably be the longest part of your fic, since imo the transition from enemies to friends is never really a quick thing. you’re not going to fight someone one day, yell at them and tell them you hate them, only to change your mind the next day and invite them to the movies and tell them your deepest darkest secrets. the change should be gradual (it always depends on the circumstances though; a life or death situation could speed things up, but in general i would say it’s a slow process), so i would break it up into phases. first they’re just enemies, then they develop a grudging respect for each other, followed by finding common ground (maybe they aren’t so different after all), being casual buddies (they can have fun together but it’s not that deep), until they’re finally actual friends. 
so here’s a (VERY VERY BAD DO NOT DO THIS) example of how things could unfold: stu is antagonized during a show, paul defends him, stu tells him he doesn’t need his help, but surprise! the asshole from the audience meets them outside afterward and he’s pissed off and aggressive. paul fights him off with his sweet karate moves, and stu finally has to offer paul his thanks. on the way home, stu is like “i didn’t know you did karate” and paul is like “yeah i’ve been taking lessons since i was five” and stu is like “haha i did too, maybe i shouldn’t have quit.” they let it drop for now and go back to normal, maybe they might catch each other’s eye and smile during shows, but nothing more. except hamburg is rough, they run into drunken sailors and rough crowds all the time, and one day stu shows up with a black eye and while paul isn’t deeply concerned, he’s still a nice guy and can’t sit by while one of his band mates is struggling. so he’s like “you need to learn some self defense tbh” and now he’s giving stu private lessons and they bond. 
i need to get up early tomorrow and it’s late, so i’m going to leave it here for now. writing friends to lovers tends to be easier, since that’s the basis for like 90% of the fics out there, so you should be good to go once you firmly establish their friendship. definitely keep an eye on where you want them to end up so your story doesn’t go off the rails, but one of my biggest pet peeves in enemies-friends-lovers fics is when they’re still enemies and one of them thinks “he has such pretty lips though... wait did i really just think that!? fuck that guy he’s gross!!” so that’s something to be cautious of, and why i suggest putting the lovers idea aside during the beginning stages so little moments like that don’t slip through the cracks. (though it can be interesting if you disguise little thoughts like that, for example, stu thinking “paul and his stupid girly eyebrows god i want to rip them out so i don’t have to look at them anymore,” only for them to be something he really loves about paul later. remember: love and hate stimulate the same parts of the brain, so you can really have some fun with this duality.) 
anyway! i hope this helps. i’m always open to asks like this, so let me know if you need anything else. but always keep in mind that there’s no right or wrong way to go about this. you can totally disregard everything i’ve said and still write an awesome fic. just focus on the unique story you want to tell, and the rest will come naturally. 
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