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#after she died in endgame
thetimelordbatgirl · 1 year
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I think what doomed the MCU quality-wise was deciding to leave it open-ended and keep going. Continuity and characterizations don't stand a chance when there's no endgame in mind. Pun somewhat intended. Endgame wasn't a good movie but it took Phase 4 for a lot of people, myself included, to realize that. I think Endgame's legacy - and the MCU's for that matter - would be a lot more favorable if that movie HAD been the actual endgame.
That's an on-going point really against the current MCU: Endgame had been set up basically as the finale of Phases 1-3, meaning it feels like a perfect conclusion to everything that had been set up...but of course, cause the MCU refuses to end, even Endgame sets up stuff that we see in Phase 4, Loki being a obvious example, but instead of going back to his whole, "The sun will shine on us again." thing to Thor in Infinity War, we just...go into a Loki show in Phase 4 that in itself is just setting up Kang. And then you got the Gamora thing the movie set up that...doesn't even seem to be getting explored in the new Guardians movie as she's already with them again, as even Love And Thunder showed Thor leaving the guardians at least to do his own thing again.
And with the mention of Love And Thunder: 'Thor will return.'- again, they very confident that they'll give Thor another movie that they didn't even tell the director or Chris Hemsworth who as we know, has decided to take a break from acting due to wanting to spend time with his family after discovering he has two APOE4 Genes, making him ten times likely to develop Alzheimer's disease. Like I will point out: Disney couldn't predict this, but the fact remains that they refuse to just plan stuff out before going ahead, meaning they jumped instantly to 'Thor will return' in the same phase that already has various open endings to plots to come, with I think only WandaVision's open ending concluding....in the train wreck that was Multiverse Of Madness that in itself has ANOTHER open ending.
And yes, I know they claim to now have two plans, aka Multiverse stuff and Kang plans, but here's the thing: they entered Phase 4 by that logic with zero plans beyond doing random crap with open endings, because they couldn't just take a break to do planning so they set up random stuff we may either get or may not get. Like, if they really wanted to continue the MCU so badly after Endgame, they should have just rebooted at best or waited to do planning, as now we in a mess that's quality is showing as we see with the reactions to No Way Home, Multiverse Of Madness, Love And Thunder and now Ant Man And The Wasp: Quantumania (which is literally meant to start off the planned phase 5 too ironically).
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michyeosseo · 8 months
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Jang Semi-sshi, I wish you love your mother-in-law for a long time. May it be unwavering.                 – Lee Eunsung
Yoon Hae Young and Choi Myung Gil as JANG SE-MI & BAEK DO-YI LADY DURIAN (2023) 1.16
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bylertruther · 2 years
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ok now tht i’ve gotten my mushy gushiness out can i just say.... that it is soooooo funny tht midlevens FINALLY got their i love you after four seasons..... and it.... lmao... i can’t even say it 🤭... it was... 🤭 bdjshfbdj based on a literal boldfaced lie that mike’s boy best friend told him and it was that boldfaced unbelievable and so painfully clockable lie that made mike feel loved and seen and safe enough to give eleven what he previously could not and stubbornly would not and that even when he did finally give her his speech after his boy best friend told him to it just made the vines around her neck tighten and was filled with things that the show itself refutes and proves to be yet another lie. because even when he says it... he isn’t saying it. he can’t say it. not really. not to her. not in the way she wants. LIKE LMAOOOOOOOOOOOOO 🫣🤭💀
#byler#so insane. rip in peace to eleven tho and max who literally died bc of mike's gay ass. other things too bt im ignoring tht rn. BDFHJBDJHBFJD#thinking abt how mike has tried to recreate moments he had with will with her but failed [which implies tht they are romantic and moments he#felt were important to him and ones that he believes you should have with a lover which makes u wonder why he had those with will#when HE'S the one that initiated said moments with will and claims tht they're just friends seriously JUST friends but ok..]#and when she begs him while crying to please tell her he loves her he cannot do it and refuses to do it because mike is NOT a liar#and he won't lie not about this and not to her which is why he won't even WRITE it as a goodbye he's never said it#bc he knows the way that she'll take it and he knows he won't mean it that way#and it's only when his boy best friend who is JUST his friend and ONLY his friend confesses his love and makes him feel seen#for the very first time in his life probably and shows him that he IS worthy and he IS MORE than enough and that he's so very loved#and SEEN and WANTED that he goes and does it but ONLY after being pushed to by said boy best friend who's JUST a friend#and then when he DOES tell her he loves her finally his speech is a direct response to his boy best friend's confession that contradicts#everything that she wants and is and needs and lies because he's scared and overwhelmed and doesn't want her to fucking DIE#because if SHE dies if SUPERMAN dies then they're ALL dead and it's like season one when mike CANONICALLY says that they need her#because they're no use without her#and they can't fight this evil in hawkins and save the literal world without eleven#but like. yeah. okay. midleven rulez and she's definitely NOT going to dump his ass and that painting and entire confession is#definitely NOT EVER going to come up again not even ONCE not even in PASSING nope absolutely not surely bc midleven is endgame<3#bc of course the girl who just went through an entire fucking journey this season to AS SHE SAYS WITH HER OWN MOUTH find out who she is#is going to want to go back to someone that she CANONICALLY does not need and has not spoken to and tha#--t made her feel like a monster at her lowest and that simply does not see her as anything other than the weapon they found in the woods#of course she wants to go back to someone that idolizes her and it's totally meaningless that the memories she thought of#while reviving max were 'not hopper. not mike. you.' and 'there's more to life than stupid boys' literally right after tht monologue.#like im srry bt. girl what world are u living on<3#the crazy together scene was planned before the kids were cast it was part of the audition dnd is canonically code for mike and will#eleven literally thinks tht mike is going to be her brother in s1 and everything that she asks him to do or that everyone expects him to do#for her is something that he UNPROMPTED does for will without hesitation and their first kisses were put in bc of millie not written in#but yeah. ok. midleven is endgame. sure. ofc. yes. ur so right. mr shawn 'nothing is an accident' levy is wrong. the duffers r wrong. yup.#[and mike does love her platonically n see her as a person bt. she's superman before she's el hopper. he idolizes her. max sees her. u kno?]#mine
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cursedfortune · 2 years
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canon rewrite: (write us a scene from Mortem's canon from her POV! If you'd like 👀)
@kazeofthemagun//@lady-quen
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Have you seen it...? It's bright and unmistakable, that of the sun. It radiated warmth that all upon the world below basked within, so rarely considering how the rays sought to kill everything upon the earth's surface.
But there was no sun in the sky. An unsettling confusion stilled the feet of those that dwelled upon this small planet as day turned to night in an instant. The orb within the sky that had once burned was there one moment and gone the next. Like a stone tossed into a pond; the flames rippling across the black expanse of the sky - warping the stars that the sun so often outshined during the day.
"You know it's too late when the stars begin fading, disappearing. There's nothing you can, it's already too close."
She remembered the words well; of the monstrosity that was condensing their universe. Pulling stars, planets, galaxies, souls from their existence and undoing creation itself. They had been warned, once upon a time, that the fragment that shaped itself into that of a void was ever persisting - unrelenting, and that someday she it would find them. As it found any ounce of life that existed and unraveled it.
Mortem could feel it, the shift. The potential that thrived around her suddenly drained as they were faced with the rumored End.
"Do you know what it's like to watch the stars you have grown up staring at suddenly disappear without a goodbye? Can you imagine the feeling of your old friend, the sun, vanishing as though it was never there? Or feel the undoing of your home beneath your feet as it begins to collapse in upon itself before the nothingness that is her sweeps in to end it all. For all the friends you have made, the family you have loved, to cease to be. To end up in the afterlife and for no one else to show up as you are left, waiting, hoping, praying that someone from your world would arrive. Do you know what it's like to be the sole survivor of a world that has been unraveled out of existence? To know all those memories rest within you now and knowing there is no way to ever get back what was lost? But to claim it as a loss wouldn't even do it justice. It was taken. By choice. By a being that hates the way her soul writhes within her body, one too small for her. A choice of such utter indifference that no emotion can penetrate it. Unstoppable. Unrelenting. Inevitable."
Terrifying. If there was one thing that scared Mortem, it was this. The absolute indifference that undid creation, that rendered entropy invalid, that cleaved through potential.
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She always knew the threat would find them, as small as they are. It was as she once was told by a soul from a distant star so long ago, inevitable. That was the void. Though others stood in confusion the witch immediately began to silently weep. They were in the midst of their final push against their enemy, taken by surprise now with her its arrival.
Shakily her hand lifted, invisibly writing an invocation into the air as her soul moved her worn body. Calling upon their universe's destroyer, their archivist, the last remaining cosmic tool. "Leviathan. I wish to make a deal." Her voice strained as stars continued flickering out - swallowed in the blacker than black circle that was ever expanding within the dark sky.
She was heard. It writhed and it twisted in its obsidian essence; pulling itself from where it had been into a shape that her world could withstand, to linger before her as pseudo-old friends. Wearing a face that wouldn't scare others around them, it stood before the ancient witch with a wry smile and deadened eyes as it waited.
"Take my true name from me and in return, eat this world. I would ask you find us a new star and deposit this world there."
"And if there are no stars to find?" Robed arms loosely crossed. She knew him too well that wasn't the only question. It didn't matter if there were stars or not, what if it simply didn't wish to humor her full request.
"Then our existence will be archived within you and that's better than the nonexistence we face." Mortem hardly hesitated to answer with the barest of smiles, "Our potential lives on indefinitely."
"Convince me."
Her eyes glanced to the void before back to him, the calm she had so often drowned within having shed as her emotions were allowed to heighten at the demand. Gaze steeling despite the unacknowledged tears as she curled her fingers inwardly into fists. "You have used my people, this world, for thousands of years. We have supported you, we played your games - we bargained with you and helped you recover lost pieces of yourself. How many witches alone dwell within you that were unfairly taken in the war?! And now I give you my name, the name of a dying witch-- give my world sanctuary, you are the only possibility we have in both surviving that and ending it."
His head turned partially away, scanning the immediately surroundings before his gaze fell back upon her. Silent, not entirely moved just yet. Of course, the Leviathan nearly had all that he wanted - this world wasn't such a necessity anymore. But the rest of the universe was.
"If not for us, for this bargain, then for yourself. I know, in due time, you will fall to the void like the rest of us if it's not stopped. That is your god, after-all. How much of yourself are you willing to lose?" Her lips curled into a sneer as she extended her hand only for the Leviathan to untangle his limbs and clasp it in turn, having no need to process further.
"Don't move." He warned as the entirety of himself unraveled into ribbons once more that squirmed within the air. Black at first, then white, as an innumerable amount of teeth revealed themselves. His shape engulfing their small world, their even smaller moon - jaws pulling open, widening as it slipped them inside its mouth and clamped down. And into a different void they went, one far less cruel than that of the other.
She stood, staring at the starless sky. The emptiness. The stasis they all fell within. All too aware and yet unable to do anything at all.
"Mortem." Her eyes turned slowly to the voice laced with worry, with appreciation. The true hero of this tale, a woman from another world who also walked towards her death. The witch didn't need the acknowledgement of what she had done but it didn't stop the girl from tiredly smiling in the way only those about to die knew how to. It was a last ditch effort, the fighting chance to push back upon their enemy and take their solution to the void itself to see this nightmare end. And though the amber eyes staring her way were going to fizzle out sooner than she would, it was a kind moment to experience one seeing how much she loved her world and knowing that same person would never have the chance to utter the truth. Let her planet and its denizens hate her as long as they like, it mattered not to what needed to be done.
The ancient witch rested her hand upon the hilt of her sword, weathered gaze dipping. A knight regarding her queen, an expression of solidarity for their final march.
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stydiaendgame · 1 year
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Why does the movie feel like a visual fanfiction to me😂😭
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baylardo · 26 days
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feeling so normal reading voyager books today hahaha
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caligvlasaqvarivm · 2 months
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Murder, Love, and Destiny: An Eridan Ampora Character Study
Warnings for things from Homestuck, like discussions of child abuse, mental illness, murder, suicide, etc. etc.
Because there's a huge wall of text after this point, I'm going to summarize what I hope to convince you of in bullet point format, and then hope you'll actually read the rest of the text before arguing with me about it.
Eridan is the least casteist highblood, if you ignore all the slurs.
Those are his emotional support slurs.
Pale EriKar was not only canon, but set up to be endgame.
Eridan is incredibly plot-relevant, thematically relevant, and was definitely originally intended to be brought back to life, alongside the other dead trolls.
He's Sad.
The first thing we have to establish is what counts as "canon" for the purpose of this essay. I am only counting the original comic up to Game Over, after which there's a general consensus that Hussie kind of gave up on his original planned ending, and slapped together something that most people hate. So I am immediately disqualifying Pesterquest, supplementary material, fanworks deemed canon, the epilogues, and Homestuck^2.
Moreover, we are taking Hussie's commentaries with a grain of salt, for two reasons. The first reason is that I firmly believe - and will be arguing - that the original plan was to bring Eridan (and the other dead trolls) back; therefore, Hussie (who has a track record of playing coy with future plot twists) can't speak too fondly of him, lest he give it away. The second reason for de-emphasizing Hussie's words is that, post-retcon, Hussie isn't very well going to say that he had plans for a better ending, and then didn't execute on them; to save face, he has to act as though his trashing of several prior plot threads, including but not limited to Eridan, was the plan all along.
Therefore, this essay will not be putting too much emphasis on Word of God, and will instead be relying on textual evidence from the comic itself, of which there is plenty. So without further ado:
Eridan is a Consummate Murderer.
The reason I'm starting with this point is that, far more than any other, this truth lies at the core of his being. Eridan is formally introduced to us with a murder, and he's haunted by an overpowering genocide complex. He outright describes to Rose at one point that "killin is all i evver done practically," and uses "murder" as an expletive (ie "swweet stinkin murder"). With a conservative estimate of 5 kills per week for 4 sweeps (Vriska looks VERY young when she has to start killing, and Eridan was likely a similar age when he began), both Eridan and Vriska easily have bodycounts above 2000 - the real number is probably even higher.
At this point, many raise an objection that Eridan is only killing lusii, but I believe we need to count his kills as troll murders, for three reasons: first, a dead lusus results in the orphaned troll being culled; second, one has to assume he has had cases of trolls trying to defend their lusii, or coming after him for vengeance; and third - and most importantly - Eridan HIMSELF is thinking about the orphaned trolls.
Compare Feferi: Go Home:
That should keep her happy for a while. At least until she dies.
To Eridan: Go Home:
That should keep her happy for a while. And make a freshly orphaned troll somewhere very sad.
So Eridan, to a much greater extent than even Feferi, is thinking about the orphaned trolls he's leaving behind, and considers his own actions to be murder.
Now that we've established the facts regarding his murders - a rough bodycount, and the fact that, by his own admission, he barely had any hobbies outside of it - we can move on to the effect that it's had on him. It's not very good!
Vriska's manipul8tions and murders had to be done for her own sake - if she ever stopped, she died. Therefore, much of Vriska's personality revolves around justifying her own actions so she doesn't have to reckon with her softer feelings, like guilt or kindness - which she expresses would be viewed as scandalous by others of her caste.
But if Eridan ever stops feeding Gl'bgolyb, everybody dies. The stakes he has riding on his shoulders are, at all times, the fate of all trolls, including all his friends. Given Dualscar's title was "Orphaner," it's implied that killing lusii for Gl'bgolyb has always been a violet blood's duty, and is seen as such by the others, which is why nobody expresses gratitude for his hard work even a single time.
Which brings us to our next point:
Eridan is Crushed by Anxiety.
If Eridan stops killing lusii, everybody - especially his friends, but everybody else, too - dies.
If Eridan ever shows guilt or kindness, he'll be considered "weak" by the standards of highbloods - he shares this with Vriska.
Eridan is expected, by aristocratic tradition, to take on the mantle of his ancestor Dualscar and finish his work. Dualscar met a comedically cringefail end, so this is a massive undertaking.
Before finding out that god tiering is an option - so, for nearly his entire life - Eridan has had to live with the expectation that he will outlive all of his friends. The lowbloods from culling or dying on the battlefield, the highbloods from old age, and Feferi from being killed by the Empress when she gets old enough.
(This is reflected in who he talks to the most - Feferi, who's the only one with a natural lifespan longer than his, Vriska, who's a highblood, Kanaya, who's practically guaranteed to survive into adulthood, and Karkat, whose anonblood allows Eridan to give him the benefit of the doubt.)
Also if he can't land his concupiscent quadrants he'll die from that too, but that seems pretty secondary to the rest of his concerns.
He can't even make friends with the other highbloods, because sea dwellers are expected to hate and antagonize them.
He had a free ticket into adulthood, but would almost certainly be expected to join the army and serve as a commander. That is to say, his fate of performing the role of a vicious, murderous sea dweller seems dreadfully inevitable to him.
NO WONDER he can't stop having emotional breakdowns. NO WONDER his chatlogs swing wildly from relentless self-aggrandizement to traumadumping. NO WONDER he's obsessed with murder and death and genocide.
Doc Scratch calls him a "vengeful boy on the path of nihilism," and it's not hard to see why: Eridan's entire life has been about living up to the role imposed on him by society, sacrificing his own time and sanity for everyone else, which he "nevver got any appreciation for anywway." And all he had to look forward to was more of the same, all his friends dropping dead one by one before him. For Eridan, there has never been any hope.
SGRUB could have been a way out for him, but a combination of his own terrible choices, spurred on by his anxieties, and his teammates' unwillingness to knock some sense into him, meant that he only wound up mired even deeper in his hopelessness.
We all know about how Eridan wouldn't stop killing the angels on his planet, provoking their aggression and turning it into a ball of death. How he was definitely not supposed to be doing this, and how his stubborn insistence on it led to his further ostracization from the rest of the group. The thing is, when we look at his angel-murders from the point of view that Eridan's entire life has been about murdering things or else Something Bad™ happens, it actually starts to become... kind of sad.
KARKAT: BETWEEN A TRIGGERHAPPY PRINCE WITH A GOD WEAPON BLASTING ANYTHING THAT TWITCHED AND A MILLION CRAZED ANGELS HE DELIBERATELY ENRAGED, IT WASN'T WHAT I'D CALL AN IDEAL SOCIAL HUB. KARKAT: IF YOU WERE LONELY WHY DIDN'T YOU VENTURE OUT MORE OFTEN? ERIDAN: wwell i wwoulda but nobody else wwas vvolunteerin to pick up the slack on angel killin duties
Killing the angels is something he feels like his has to do, because his entire life has been about killing things he doesn't want to kill. He's unable to break out of that mindset on his own, and his unpleasant personality has scared off anyone who might want to help. No one on the team tries to understand his thought process on a deeper level, not even Karkat, who just tells him it was an idiotic thing to do without addressing his underlying anxieties at all. Indeed, "nobody understands."
And this is really the root of why I think so many people get the wrong read on Eridan - Eridan is constantly contradicting himself, constantly denying his own feelings, constantly pushing an image that he doesn't actually believe in, and constantly insisting that he's fine with all the horrible shit in his life - that he likes it, even. After all, he can't admit to his guilt for his murders, or how much he doesn't want to watch his friends die, or how scared he is about the future - that'd be weakness!
CC: I can't look after you anymore. CA: I DIDNT EVER NEED ANYONE TO LOOK AFTER ME CA: i was totally fuckin fine my ambitions were noble
You see his contradictory nature with his stated love of history, which he only ever offhandedly mentions - because he's not actually that interested in history, it's just something that's expected of someone of his station. And you see it with his wavy accent, which he himself calls "weird" and drops when he's trying to be emotionally sincere. And you see it with his dumbass outfit, which is very clearly an imitation of Dualscar (with the only exception being the wizard-ass scarf, because wizards are his actual interest. I don't believe he likes fashion. I genuinely believe - and Eridan himself says so - that he basically has no hobbies outside of murder).
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Even being proud to be a sea dweller is pretty much an outright lie:
CC: You can't )(ave t)(e sort of affinity for "our kind" t)(at you profess if you've only spent, w)(at... CC: A few days underwater, maybe? IN YOUR W)(OL-E LIF-E!
One that he tells because he's SCARED OF THE OCEAN. Because he knows what lives in the ocean, because he's been feeding it his entire life. I see a lot of people who give Eridan an interest in marine life, and I'm telling you, that's just got no basis in canon. He's fucking TERRIFIED of the sea.
And for that matter, land dweller genocide. Eridan doesn't want to do it. Both Feferi AND his internal narration call him out for not actually wanting to do it. He outright states he wouldn't kill his friends.
CA: wwell CA: im not goin to vvery wwell kill you am i that wwould be fuckin unconscionable CA: wwhat kind of friend wwould i be
But he feels like he HAS to want it, HAS to believe in it, HAS to be talking about it constantly, because that's what's expected from him as a sea dweller, and a sea dweller is ALL that he will get to be. The mutation that puts a violet streak in his hair is damning. It's a fate he feels like he can't escape. Which brings us to:
Eridan is Not Actually Casteist, Well He Is But Not Like That, It's Complicated
Secondary title: Those Are His Emotional Support Slurs, Okay
In the exact same vein (haha) as secretly not wanting all the land dwellers dead, Eridan also genuinely doesn't feel like he's better than lower blood castes. Vriska and Equius obviously put quite a bit of stock into being nobility, and both have acted superior to Karkat for it. Feferi actually revels in her high status, and while she is genuinely well-meaning, she's not as interested in abolishing casteism as she is in changing the meaning of "culling" specifically (the hemocaste, aristocracy, and casteism still very much exist in a Beforus under her rule). Gamzee MIGHT be the only highblood less casteist than Eridan, but then again, as soon as he snaps, he does say a lot of casteist stuff to Equius, although it's unclear how serious he is, and he also proceeds to get really into his weird highblood clown cult.
Meanwhile, Eridan - despite all his slurs and talk of genocide - does not actually try to "pull rank" on a lowblood for being a lower caste than him with a single exception. That exception is Sollux... after he's already shown having entirely caste-neutral opinions on Sollux:
CC: But Sollux finally came t)(roug)(, and now I believe t)(e full c)(ain is complete! CA: man that guy CA: hes a fuckin drama machine it is fuckin pathetic CC: YOUR STUPID FIS)(Y FAC-E IS T)(-E DRAMA MAC)(IN-E T)(AT DO-ES NOT)(ING BUT W)(IN-E AND GLUB. CC: 38P CA: fuck SORRY CC: Anyway you s)(ouldn't say t)(at about )(im, )(e is a )(ero and )(e saved my life. CA: yeah sorry
CA: my feelins seem petty and meaninless noww CA: she had better things to wworry about than my ovverwwrought bullshit CA: like the dead guy wwho savved her CA: so forget it thanks anywway
It's only AFTER he's mad at Sollux for dating Feferi that he starts going in on Sollux with casteist rhetoric... which is treated as unrequited flirting and not serious casteism:
ERIDAN: hey finless this doesnt concern those wwith mustard sludge slippin through their vveins ERIDAN: its a matter for royalty only ERIDAN: so keep your mouth closed or ill slit you open ovver my next meal SOLLUX: w/e bro, not iintere2ted. FEFERI: -Eridan, please! I don't want to see any more dueling. FEFERI: Don't try to provoke )(im. It's not like I don't know w)(at you're doing! You keep trying to spark a rivalry wit)( )(im to get me to auspisticize between you two, and pull us out of our quadrant! FEFERI: It is t)(e oldest and lamest trick in t)(e book. It didn't work t)(en and it won't work now!
THEY don't even think he's being casteist.
In fact, directly contradicting this earlier argument he has with Feferi:
CC: T)(is is t)(e last time I will say t)(is. CC: W-E AR-E NOT B-ETT-ER T)(AN ANYBODY!!!!! CC: GLUB. >38( CA: pshh CA: hemospectrum begs to differ
He OUTRIGHT states his real feelings here:
CA: im the biggest fuckin idiot who ever lived CA: i cant BELIEVE i just opened up to you like a chump when i knew what was comin CA: i am one sad fuckin brinesucker CA: overemotional sappy trash youre right im not better than anybody CA: im worse than anybody CA: EVERYBODY CA: all the bodies
So the question of "is Eridan casteist" has an answer of "kind of, but also no." Eridan DOES espouse the rhetoric; he's constantly saying stuff that a casteist sea dweller "should" be saying. However, if you look at his ACTIONS, and the way he actually treats people, he doesn't actually care about blood color. He'll hit on anybody, and he's rude as fuck to everybody. The real problem with him is that he's terrible to talk to, not that he's discriminatory.
That's the thing about Eridan. Understanding him means looking past the way he presents himself, the lies he tells to himself, and even, at times, the way the narration presents him. His "overblown emotional theatrics" seem a lot less overblown when his problems ARE so real, deep-seated, and constantly causing him an unimaginable amount of anguish.
The problem is, the main people he has to bounce those problems against are Feferi, Vriska, and Kanaya, three of the people most comfortable with their privileged positions, for whom Eridan's genuine emotional distress seems like needless melodrama. Feferi loves being a princess, Vriska enjoys her noble privileges, Kanaya doesn't need to worry about culling. But for Eridan, his noble status, and the duties and expectations placed on him for it, have caused him nothing but pain - of course he would feel like nobody understands. Most of his closest friends genuinely don't, nor do they try to.
Because that's what he is at his core - a traumatized fucking child, who doesn't see any way out. Eridan is not a casteist genocidal sea dweller... he just wishes he was one, and tries to be one, because if he actually was one, he wouldn't feel so awful and scared and sad all the time. He'd be normal, like his friends.
The reason he constantly spouts anti-land dweller rhetoric and uses casteist language is to assuage this cognitive dissonance. That's why he has to come off so strong, present himself in such an aggrandized way, act like such a douchebag. They're his emotional support slurs. He doesn't actually believe what he says, which means he's a Bad Sea Dweller, which means he's Failing, which means Something Bad Will Happen, so he'd better get his ass in line and say something casteist!
And it's all made worse because:
Eridan is Dumb of Ass (and True of Word)
Oh my god you guys he's so stupid that it hurts.
Okay, that's not entirely fair. Eridan is clearly well-educated and book smart; he has some of the most elegant prose out of the trolls, and he's prone to going off on insane rants with it. (Actually, his language gets more flowery and showy when he's trying to impress a stranger, and gets progressively more laid back, chill, and even kind of "bro"-y when he starts talking to people he doesn't feel like he needs to impress.)
CA: at this point i find all her adorable black pixie dabblins to be prime kiddie playtime shit CA: all of her FRAUDULENT MAGICS cannot come close to posin threat to my mastery ovver the TRUEST SCIENCES CA: an wwith my empiricists wwand i servve as the righteous hope that wwill incinerate delusion and the deluded alike CA: my holy fire is the wwhite fury bled from the wwrath-wweary eyes of fifty thousand nonfictional angels CA: and wwhen theyre finished wweepin they wwill boww before their prince GG: wow what are you talking about
What I mean is this: his brain is so full of anxiety and cognitive dissonance and murder and death that he struggles to care about other people, which has devastating effects on his social skills. I go really in-depth on how his though process informs his behavior here. The question may have popped up in your mind already: if his casteism stuff isn't actually real, then what is Eridan actually like? The answer is, overwhelmingly, and discomfortingly, SINCERE.
This boy is gunning at 100% emotional earnestness 100% of the time, and it's deeply uncomfortable for others to deal with. He'll swing wildly from insults and derogatory language, to stating a desire to kill all land dwellers, to awe and amazement at his friends' prowess, to demanding that they do things for him, to traumadumping and venting, without missing a beat. Often in the same conversation.
CA: kan its hard GA: What CA: being a kid and growwing up CA: its hard and nobody understands
He's also specifically terrible at parsing hostility. Functionally, he interprets all hostility aimed AT him as either pitch/ashen flirting or "ironic repartee," and similarly views his own hostile words as verbal jousting, pitch/ashen advances, or even just factual descriptions of the world around him (ie calling Nepeta a "kittycat shipper cavve girl"). Hostility and aggression are just kind of his baseline, default state of being, and he basically has no ability to differentiate between good and bad attention. I talk more in-depth about his emotionally bereft upbringing (and shitty lusus) here, but suffice to say that our boy isn't getting any emotional support at home, and as a result, craves attention, no matter what kind.
This also means he's insanely gullible. For example, Rose calls him an idiot to his face, and then blows up his computer, sarcastically calling it "your first lesson in showmanship." Eridan proceeds to literally considers it that, blowing up Jade's computer after he's done talking to her. Furthermore, Kanaya sees him as a burden, insults him to his face, and pretty much just bullies him along with Rose for fun.
So she trains Eridan to become a powerful white wizard of hope to challenge her, as a joke.
And yet, in spite of all that, Eridan still has nothing but gratitude and praise for Kanaya:
ERIDAN: kan i been meanin to thank you KANAYA: For What ERIDAN: for all that trainin you did ERIDAN: i wwouldnt be the incredible holy wwizard i am noww wwithout your help KANAYA: But I Didnt Even Really Train You I Just Made You A Wand ERIDAN: yeah wwell thats all i needed i guess ERIDAN: i just needed for someone to showw a little faith in me so im sayin thanks i owwe ya KANAYA: Okay Then Youre Welcome KANAYA: I Hope You Use Your Magnificent Powers Of Light And Hope For Goodness And Purity And Lets Not Forget Science ERIDAN: dont wworry im all ovver that shit you dont evven knoww KANAYA: Uh Oh I Hope That Didnt Come Off As Too Sarcastic ERIDAN: wwhat KANAYA: The Thing I Just Said KANAYA: I Didnt Even Realize How Sarcastic I Was Being Its Starting To Become A Problem I Think KANAYA: Please Dont Take Too Much Offense ERIDAN: haha damn kan if thats your idea of offense bein made then i honestly gotta fuckin wworry for you ERIDAN: tell you wwhat ill givve you some lessons in dealin out the dark umbrage to repay you for your tutelage in the wwhite science
Like, he's in the middle of genuinely thanking her for believing in him, she makes fun of him to his face, and his response is to laugh it off and offer to teach her how to properly insult someone. It's honestly... kind of sad. Not that he doesn't deserve the ridicule, but what we're seeing here is a traumatized, emotionally neglected boy trying to communicate the best that he can that he loves and appreciates his friends, and receiving nothing but mockery in return.
It's really not a surprise, then, that he goes off the deep end. His entire life prior to the game has been shit; he got broken up with as soon as he entered the game (by someone who didn't even care enough not to use fish puns while doing it); he's ostracized and avoided for the game's duration; and then he spends the rest of his time on the meteor being bullied. He feels deeply hopeless and anxious about their situation because he literally doesn't know how else to exist, and his concerns are dismissed and mocked at every turn. When Feferi turns on him with intent to kill, that's his breaking point.
I see a lot of people say he goes grimdark, or succumbs to external influence somehow, but I don't think that needs to be true (nor is it) - he's just a deeply traumatized kid with almost no support network who's finally been pushed to the edge, despite displaying every possible warning sign and making multiple cries for help. Yes, ultimately, he's guilty for his own actions, but his killing spree - alongside Gamzee's and Vriska's - represents a cohesive failure as a team to address very clear problems in their midst.
So Feferi and Kanaya are sick of his ass. Sollux hates him platonically, Equius doesn't like him, and Nepeta thinks of him as a creep. Vriska is his awkward ex, and Terezi agrees with him when he calls himself pathetic. He never interacts with Tavros, Aradia, or sober!Gamzee. Is there anyone that treats him nicely?
Uh, okay, so I swear this isn't shipping goggles -
Pale EriKar Is Canon And I Can Prove It
So, I'm going to start this with a disclaimer: you can ship what you want to ship. I don't mind. I don't care. Headcanons are valid, death of the author, etc. What you do in your free time is up to you.
What I am attempting to argue in this section is that an Eridan/Karkat moirallegiance was heavily foreshadowed, one of the most heavily foreshadowed things in the entire comic, and - assuming that the original ending of Homestuck included all the dead trolls being brought back and redeemed - was going to be endgame. There's a torrential amount of evidence pointing to this, and very little of it is acknowledged even by the EriKar shippers, which is a shame.
At the very least, I'll be happy if I can convince some Karkat RPers to be extra nice to Eridans, because they are actually just friends who care deeply about each other. Canonically.
The first thing to note is that Eridan and Karkat, at least prior to SGRUB, talk all the time, to the point where Feferi feels the need to comment on it:
CC: You know, I'm not sure w)(y we never talk about our romantic aspirations. CC: We s)(ould more often. It is kind of -EXCITING! CA: shrug CC: Probably because you fill your gossip quota wit)( your nubby )(orned bro. CC: You leave not)(ing left to talk about wit)( your dear sweet moirail! CC: We are supposed to )(elp eac)( ot)(er wit)( t)(at stuff too, remember. CA: maybe CA: seems kinda CA: odd though
("Can you please stop having an emotional affair with Karkat" "Eh, I'll think about it")
The second thing to note is what the contents of those conversations entail. Sure, they "gossip," but it goes deeper than that, because they gossip about things that Karkat would NEVER gossip about with anybody else, because Karkat usually respects his "VERY GOOD FRIEND"s. For example, here Eridan mentions that Karkat has speculated on Kanaya's love life with him:
CA: you dont wwant to be our auspistice cause you dont wwant to get locked into that sort of relation wwith her i can respect that GA: No Thats Not It CA: yeah it is your real feelins run pretty awwful RUDDY methinks evverybody knowws it CA: especially that assblood karkat he and me havve you so pegged about that its upright silly
And it's not even a one-off thing, because here Karkat is again, mentioning Nepeta's crush on him:
KARKAT: OK, BUT TO BE FAIR, I'M PRETTY SURE SHE'S STILL OBSESSED WITH ME. KARKAT: IT'S A VERY UNFORTUNATE, VERY RED AND VERY UNREQUITED SITUATION I'VE BEEN TRYING TO TIPTOE AROUND FOR A LONG TIME, OK? KARKAT: HER DISINTEREST IN YOUR ADVANCE WASN'T A REFLECTION ON YOU AT ALL. KARKAT: COME ON, WE TALKED ABOUT THIS.
It's a situation he's been trying to "tiptoe around for a long time," and he tells ERIDAN, of all people? MULTIPLE TIMES? (AND HE ALSO TELLS ERIDAN THAT THE REJECTION WASN'T HIS FAULT???? WHAT??????)
So we've established that they talk frequently and about some pretty seriously sensitive topics. But did you know that they also talk about... their feelings?
See, the thing is, Karkat has always been weirdly nice to Eridan. Here he is in a memo near the very beginning of their game, when Karkat is at his most "rah rah, I'm the big bad leader":
FCA: i got a problem FCA: wwith feferi FCA: and im really kinda sittin here in bad shape about it emotionally speakin CCG: OK, WELL CCG: I GET THAT, I HEAR YOU BRO CCG: BUT THIS IS STILL NOT THE RIGHT PLACE FOR THIS SO I'VE GOT TO BAN YOU. CCG banned FCA from responding to memo. CCG: BUT SERIOUSLY JUST GET IN TOUCH WITH ME IN PRIVATE ABOUT IT, OK MAN? CCG: WE'LL GET YOUR SHIT STRAIGHTENED OUT.
Compare that to Tavros asking for advice later down in the same memo:
PAT: sINCE i DON'T KNOW WHERE YOU ARE NOW, bUT MAYBE HELP ME, PAT: aBOUT A THING THAT HAS TO DO WITH A GIRL, PAT: lIKE, PAT: a ROMANCE THING, yOU MIGHT KNOW ABOUT, CCG: YOU PEOPLE ARE IMBECILES. CCG: ALL OF YOU. CCG: I AM NOT POSTING THESE MEMOS TO COUNSEL YOU ON YOUR PAST AND FUTURE DATING PROBLEMS!!!!!!!!!!!!!!!!! CCG: WHY ARE YOU ALL SUCH BASKET CASES. I DON'T EVEN KNOW WHAT TO SAY ANYMORE. PAT: sORRY, CCG: SHOULD I BAN YOU? WHAT'S EVEN THE POINT ANYMORE! ONE OF YOU STOOGES WILL BE RIGHT ON THE LAST ONES HEELS WITH ANOTHER SOB STORY. CCG: JUST CCG: HURRY UP AND TELL ME WHAT YOUR PROBLEM IS BRO.
He then proceeds to dispense no actual love advice; he just points out that Vriska can totally read this memo too, and then mocks them both when she shows up - thus making it clear that he is giving Eridan special treatment.
You see it again in his discussion with Eridan in [S] Kanaya: Return to the Core, where Eridan invokes a "pact" between them, and Karkat immediately plays nice with him, despite himself being extremely high-strung and stressed out:
KARKAT: RIGHT, IT'S POWERED BY SCIENCE, I FORGOT. KARKAT: OR HOPE. WHATEVER THE FUCK THAT MEANS. ERIDAN: i dont fuckin need this from you i take enough shit as it is from the rest a you dirtscrapers i thought you and me had a kinda pact or wwhatevver KARKAT: OK FINE, SHUT UP, I APOLOGIZE. I KNOW IT'S TOUGH BEING YOU.
That's definitely pity, which Karkat states to be the basis of all relationships besides pitch. But, sure, okay, Karkat is sometimes nice to his friends. He is, after all, the Friendship Troll, so that's not necessarily out of the ordinary. But how about the fact that it goes both ways?
That's right, Eridan "100% aggro 100% of the time" Ampora is actually really considerate toward Karkat's feelings, and basically nobody else's. Upon hearing that Karkat is distressed that Sollux has died, Eridan actively puts his own meltdown about his breakup with Feferi on pause:
TC: BeCaUsE OuR GoOd bRo sOlLuX JuSt kIcKeD ThE WiCkEd mOtHeRfUcKiN ShIt CA: wwhat the fuck do you mean by that CA: are you sayin hes dead TC: YeAh :o( CA: oh fuck CA: oh god fuck noww i feel like an asshole
He then goes on to chastise Gamzee for his shitty advice, demanding to be given the chance to comfort Karkat himself instead:
TC: BuT I ToLd hIm tO Be cHiLl TC: BeCaUsE ThErE Is a mIrAcLe cOmInG, i cAn fEeL It CA: that is the wworst fuckin advvice CA: wwhat an awwful thing a you to say CA: MAGIC ISNT REAL STUPID STOP BELIEVVIN IN IT TC: i'Ve gOt tO BeLiEvE At wHaT My hEaRt tElLs iN Me, EvEn iF It's a fAkE ThInG TC: HoNk CA: this is a lot a pointless fuckin rubbish and isnt no emotional help to him or me either for that matter CA: put kar on
Before finally giving up when Gamzee insists he's "too scared of Jack" to help, drinking some Faygo, and trying to ask past Karkat for help, because past Karkat isn't sad yet about Sollux dying. So, to recap,
Eridan's first instinct when in emotional duress is to go to Karkat.
Eridan feels like he knows Karkat well enough to know that Gamzee's advice would be useless (and is proven right by the fact that Gamzee and Karkat's moirallegiance fails for similar reasons).
Eridan is willing to shelve his own emotional meltdown for Karkat's sake.
Eridan demands to be the one to provide Karkat with emotional support.
And this is, again, not a one-off thing. In the memo Karkat opens right after Eridan and Gamzee have both turned murderous, after he's spent several minutes making death threats toward Eridan and insulting him directly, he goes:
CCG: I'M SO UPSET, I'M JUST COMPLETELY FREAKING OUT IN EVERY WAY POSSIBLE. PCA: yeah i knoww wwhat its like you wwanna talk about it
Eridan spends this entire memo under the belief that it's a completely run-of-the-mill conversation they're having:
PCA: i mean yeah obvviously i kneww you wwerent serious PCA: i guess i appreciate the effort youre puttin into cheerin me up PCA: i can alwways count on you for some good ironic repartee kar nobody else really gets our sense a humor CCG: UGH, NO PCA: are you busy PCA: you said youd try to make it to lowwaa soon wwell howw about it
Which implies that offering to listen to Karkat's feelings is also a completely regular thing for them.
But something magical is ALSO happening within this last memo, and to really explain it, I'll first have to be a little mean to the GamKar shippers (sorry).
So, canonically, GamKar doesn't work out for them, despite also being somewhat foreshadowed. In fact, they feature on Nepeta's shipping wall, which is actually, in my opinion, foreshadowing that it WOULDN'T work out. (Nepeta's ships being wrong, and shipping being something she needs to learn to outgrow, is a whole essay on its own, that I'm not getting into here.)
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But the thing is, the seeds for them not working out were also planted in the first - and only - real post-moirallegiance interaction that they have with each other, where Gamzee tries to calm Karkat down... and FAILS:
GAMZEE: naw brother, i was just about to all say for you to try and get your settle down on, maybe. GAMZEE: :o( ... KARKAT: OK KARKAT: OK YEAH KARKAT: I GUESS YOU'RE RIGHT. KARKAT: NO, YOU'RE RIGHT, I SHOULD RELAX. KARKAT: AND BREATHE. KARKAT: I MEAN, WHAT ARE MOIRAILS FOR, RIGHT? KARKAT: THIS IS HOW IT WORKS, I STOP YOU FROM KILLING EVERYBODY, THEN YOU RETURN THE FAVOR AND CALM ME DOWN AND I JUST KARKAT: BREATHE KARKAT: LIKE KARKAT: THIS... KARKAT: SNIIIIIIIIIIIIFFFFFFFFFFFFFUCK, THAT SUN IS BRIGHT. KARKAT: CALL ME CRAZY, BUT IT'S KIND OF HARD TO RELAX WITHIN A STONE'S THROW FROM, OH, I GUESS ONLY THE BIGGEST FUCKING STAR ANY MORTAL HAS EVER LAID EYES ON. ... KARKAT: BUT I MEAN, CAN THIS BE HEALTHY? KARKAT: AREN'T WE GOING TO GET BURNED OR HAVE OUR RETINAS SCORCHED BY LOOKING AT IT? KARKAT: OH GOD I THINK I'M HAVING A PANIC ATTACK.
But let's go back to that memo where Karkat is freaking out in every way possible. This is how he starts that memo - so upset about the deaths of his friends and terrified by Gamzee that he can barely string together a coherent thought:
CCG: WE ARE SO SCREWED. CCG: OH FUCK OH FUCK OH FUCK. CCG: GUYS, I AM TERRIFIED, I DON'T KNOW WHAT TO DO. CCG: I'M IN A ROOM FULL OF BODIES, AND I THINK I'M NOT SUPPOSED TO TURN MY BACK ON THEM? CCG: OH MY GOD, I JUST HEARD A HONK. ... CCG: FEFERI, I'M SORRY. CCG: IT WAS MY FAULT, I DIDN'T KNOW WHAT TO DO. PCC: Sorry for w)(at?? CCG: FOR CCG: I CCG: I CAN'T DO THIS CCG: IT'S TOO MUCH FOR ME, I'M SORRY.
In fact, he's so distressed that he bans Past!Feferi and Past!Gamzee almost immediately after they come in. But then Eridan comes in, and... I mean, first of all, just compare how long it takes for him to ban Eridan:
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But more interesting are the contents of their conversation. Over the course of talking to Eridan... Karkat completely calms the fuck down. Like he's entirely forgotten that he's shitting his pants with fear. In fact, he even starts critiquing Eridan for his dumbassery:
PCA: evven if i wwasnt compelled to think you wwere still bein flippant and ironic wwith me you cant exactly outright reject me can you CCG: WHY NOT PCA: cause youre future you PCA: doesnt count unless its present you til then its all fair game CCG: IS THIS REAL, ARE YOU BEING IRONIC OR SOMETHING, I CAN'T EVEN TELL ANYMORE CCG: THE PROBLEM IS, I CAN'T PUT THIS SORT OF BEHAVIOR PAST YOU AT ALL, SO I DON'T KNOW. ... CCG: YOU'RE KILLING ANGELS NOW, AREN'T YOU PCA: no CCG: YOU ARE KILLING FUCKING ANGELS, RIGHT NOW, IN THE PAST, WITH YOUR SHITTY GUN. I JUST KNOW IT. PCA: wwell uh PCA: therere just so damn many kar and theyre not gettin any less bloody pissed is the thing CCG: THIS IS WHY IT WOULD NEVER WORK BETWEEN US, MAN.
It's extremely funny. Over the course of talking to Eridan, he goes from:
CCG: OH GOD OH GOD OH MAN OH GOD CCG: NO NO NO NO NO NO NO NO NO
To:
CCG banned PCA from responding to memo. CCG: ANYWAY CCG: THAT'S IT I GUESS.
Eridan isn't even trying to calm Karkat down. He still succeeds in doing so. This is because they are soul mates. And I mean that in the sense that the comic literally calls being moirails soul mates, which it doesn't do for the other quadrants:
A reasonable human translation would be the concept of a soul mate, but in a more platonic sense, and with a more specific social purpose.
That "social purpose" being that an even-tempered troll calms down a more hot-tempered one, and vice versa.
It also goes on to note:
But some pale pairings, as the one above [referring to a picture of Nepeta and Equius], will be strikingly obvious to all who know them.
But what's really interesting is the next page.
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And yet others will seem to have been hatched for each other.
Did you catch that? Let me zoom in.
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(Also, the blue and red cuttlefish to represent Sollux - Feferi and Sollux spend the whole game together, and even wind up talking about their feelings constantly in a pile - more on piles in a sec.)
In fact... in Eridan's first visual appearance...
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The crab has always been there for him.
It's also important to talk about the bottle of Faygo that's been photoshopped to be candy red, Karkat's blood color. The path that it takes actually directly mirrors Karkat's relationships with Gamzee and Eridan - it's initially something that Gamzee has, but winds up being ejected out of his life, and washes up on Eridan's shore. In fact:
TC: SnAtCh aN IcEcOlD, dOg TC: MoThErFuCkIn cHuG ThAt sHiT LiKe yOu aNd tHe bOtTlE WaS ReUnItEd lOvErS CA: are you recommendin a bevverage to me or somethin CA: is that wwhat this is TC: YeAh mAn SlAm A FaYgO CA: i dont havve a fuckin faygo you stupid fuck wwhy wwould i keep that disgusting shit on hand TC: ArE YoU MoThErFuCkIn sUrE AbOuT ThAt? CA: oh CA: oh god youre right i do CA: i totally forgot about it TC: YoU SeE MaN TC: MoThEr TC: FuCkIn TC: MiRaClEs TC: :o)
When Gamzee and Eridan discuss this exact bottle, Gamzee even likens it to "reunited lovers"; it's something that Eridan has had this whole time (after all, he was cheating on Feferi with the guy), but never realized.
There are a few miscellaneous things that don't really mean anything on their own, but put next to all this other stuff, is worth considering, so I'll list those now.
First, they both do the bonk:
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Second:
CG: ARE WE NOT FRIENDS ANYMORE BECAUSE OF STUFF I SAID. TA: eheheheh you LIITERALLY a2k me that every tiime are you jokiing. TA: ii cant even tell anymore. CG: IT'S A JOKE MORON. CG: HONESTLY I'M JUST GLAD NOBODY ELSE IS PRIVVY TO OUR CONVERSATIONS.
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Third, Karkat muses to his future self about how he misses his friends, especially the assholes, two pages before staring at a dead Eridan's ass (joking, he's definitely looking at WV, but it's still significant that this thought is being associated with Eridan):
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CCG: I MEAN, DON'T GET ME WRONG. CCG: I MISS ALL OF MY DEAD FRIENDS A LOT. CCG: EVEN THE ASSHOLES! I MISS THEM TOO. MAYBE EVEN ESPECIALLY THEM, IN SOME PERVERSE WAY. CCG: AND I SHOULD BE RELIEVED THAT THEY ALL SEEM TO BE HAPPY IN SOME WAY, EVEN IF IT'S BY FLOATING NEBULOUSLY THROUGH DREAM PROJECTIONS WITH THEIR FREAKY BLANK EYES. CCG: AND I GUESS I AM RELIEVED ABOUT THAT. CCG: BUT AT THE SAME TIME IT'S LEFT ME UNSETTLED.
Fourth, in the same conversation, he bemoans his failed relationship with Terezi, before Future!Karkat chastises Past!Karkat for his instability and mixed signals. Going back to the page on moirallegiances, an explicit function of a proper pale relationship is stabilizing a troll's other relationships:
The two partners in a strong pale relationship will serve to balance and complement each other's emotional profiles, and thus allow their other relationships to be more successful.
Of course, I don't need to tell you how messy and unstable Eridan's relationships have been.
And finally, Piles of Stuff™ are associated with moirails, and directly stated in-comic to cause an outpouring of emotion:
Standing near this pile stirs powerful emotions. The closer you stand to piles of stuff, the more freely the feelings flow. It is a law of reality.
So here's a seven-word tragedy for you: For Sale, Shitty Wand Pile, Never Used:
ERIDAN: at least i got the upright basic decency to hide my shitty wand pile somewwhere in the lab you wwont find it dont evven bother lookin KARKAT: WHY DO YOU ASSHOLES HAVE PILES OF THINGS, JUST STOP.
(Which he specifically tells Karkat about.)
So, yeah, what I'm saying is, there's just, like, a weirdly large amount to read into here. That Karkat and Eridan are probably soulmates or whatever. And that this is important because...
Eridan Is Plot Relevant (Well All The Dead Trolls Are But This Is An Essay About Eridan)
So. Now we are going to talk about themes. Yes, like we are in schoolfeeding again. I'm going to keep it simple, because "The Themes of Homestuck" is a whole essay on its own, and this one about just the shitty fish boy is already way too long.
I think it's fairly non-controversial to posit that the main theme of Homestuck is, "children should mature, care about each other, and throw off the shackles of their old society, because they will be responsible for a new world one day."
Up until Game Over/the Retcon, this is so prevalent and well-established that SBURB/SGRUB's coming-of-age themes will outright be commented upon by the characters, and the main villain is a child who deliberately stunted his own growth so he could go around kicking over other peoples' toys forevermore.
So, the thing is, with that being the theme of Homestuck, if ALL of the Alternian trolls don't survive to the end, the ending is thematically unsatisfying, because the message suddenly gains an addendum of "well, some kids just need to die," which totally sucks. Like, sure, Eridan was a violent, crazed murderer even at the best of times, but his permanent death within the canon ending kind of means that the comic is saying that people in his position don't deserve kindness or second chances. That position being a traumatized, emotionally neglected child, who was being bullied by people he considered his friends. It's a pretty terrible message.
It's even worse when you consider what other trolls don't make it to the end - Nepeta, the most outspoken troll against the hemospectrum (and Davepeta does NOT count, don't try to tell me the final culmination of Nepeta's character arc is being combined with some guy she barely knows and a bird). Feferi, who genuinely wanted the best for others, even if she was kind of a privileged princess. Aradia and Sollux also stay behind in the bubbles, even though their lives have pretty much been endless parades of suffering and being used by other people. Even Equius doesn't deserve it - he was kind of a casteist freak, but not irredeemably so, and the fact that he became kinder to Karkat over the course of SGRUB proved that he had the capacity to change. And Tavros, allergic to himself and being insulted by Vriska, is a terrible way to end his arc.
It's also really clear that, since half his friends are dead, Karkat just doesn't really have anything to do. His title is the Knight of Blood, and Blood is about bonds - romance, friendship. And yet, he ends the comic having never figured out what Blood was about, with no confirmed filled quadrants (sorry DaveKat likers, but within the comic itself, DaveKat is never confirmed), and most of his bonds nothing more than ghosts in the bubbles. It's a terribly unsatisfying ending for the most narratively important troll.
I think, then, that even if you don't agree that Homestuck should have ended with full revivals and redemption arcs for all the trolls, the essay is going to proceed on like you do, so, sorry, I guess.
The thing with Eridan, specifically, is that he's actually tied deeply into the plot and themes, and his return means more than just Karkat finally getting a date (although that's important, too). Eridan is directly intertwined with a prophecy to kill Lord English; he's set up to mirror Caliborn and Calliope; and thematically, his redemption would be the most clear instance of the "interrogating society" part of the theme of Homestuck, because Eridan is kind of the Society Troll. And also, he was definitely supposed to be Roxy's wizard boyfriend.
Just gonna get that last one out of the way real quick because it's a fast one, Roxy fucking loves wizards and is a hipster. Eridan is a wizard and is also a hipster. Roxy has a crush on a prince. Eridan is also a prince. Roxy wears a purple striped scarf. Eridan wears a blue striped scarf. Roxy uses rifles. Eridan uses rifles. Momlonde's introduction includes a passive-aggressive fridge battle that features a cameo of Eridan's quirk.
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Using the colorful MAGNET LETTERS, you recently left a succinct message, which may or may not have been directed toward anyone in particular. But you couldn't find the letter W, so you just stuck two V's together. Your mother then purchased a fresh pack of W's and left them there for your convenience.
Yeah. So. Uh. Not only did Eridan need to be brought back to date Karkat pale, but he also needed to be brought back to date Roxy flushed. Can you imagine how funny it would be. They'd get together within 5 minutes of meeting for the first time and Rose would lose her shit. Anyway.
Him being a parallel to Calliope and Caliborn is also a quick one - Caliborn uses Riflekind/Sceptrekind, and Calliope uses Pistolkind/Wandkind. Eridan's two weapons are rifles and wands. Lord English is described as an evil wizard and at one point is shown using Calliope's wand. Eridan is also an evil wizard who uses a wand.
Look, I'm not saying that Eridan is necessarily directly related to these two, nor am I even necessarily saying that he and Roxy HAVE to date, but I am saying that he's got Weird Plot Connections that make him bizarrely relevant to characters that only come into play well after his death - almost like the comic was setting up that he would be coming back. His reaction to Cronus supports this, which I go into detail about here.
There's other strange "Eridan's plot important" things, too - like the fact that he's completely unimpressed by Faygo, considering it to be "just soda," and seems to be the only non-cultist who's okay with it. Or the fact that he's actually been awake on Derse since before the game (but unable to hear the horrorterrors, maybe foreshadowing some psychic resistance?) which he casually reveals to Kanaya and which Terezi is aware of, hence he's included in the people she names are "in" on the existence of the game. Or the fact that the genetic code for Alternia's first guardian was written within the pages of four FLARP books, with the addition of a fifth code Gamzee wrote in Karkat's ~ATH book... but Eridan was the fifth FLARP player in the team, implying that Doc Scratch/LE influencing Gamzee caused him to usurp Eridan's part of the first guardian code, giving LE his way into the trolls' universe.
Individually, it's all kind of nothing, but it just paints a bigger picture of Eridan being weirdly relevant, especially when we get to the juicy stuff:
The Prophecy
ARANEA: The 8ard of Hope may seem a little jaded these days, 8ut he once had a deeply a8iding faith in magic, and dedicated himself to 8ecoming a great wizard. He 8ecame convinced he was hatched to defeat an extraordinarily evil magician, one he swore the angels foretold of. ... [T]his magician once somehow from afar tried to strike him down at a young age, so he would never have to face him. 8ut the evil spell was deflected, sealing the magician's spirit away in a series of unassuming vessels until he could find some other cunning way to enter our universe. ... ARANEA: 8ut at some point he 8ecame disillusioned with magic. If there ever was any truth to his far fetched vision, the legacy of defeating the evil magician would have to 8e passed on to his descendant, or if his descendant proved to 8e as much of a failure as he did, then perhaps on to some other Hero of Hope.
ERIDAN: i slaughtered enough angels to knoww my limits and wwhere i stand against the lord of all angels they prophecized
GG: im pretty sure hes from the future! CA: wwhy GG: because he said hes my grandson CA: wwhat the fuck is a grandson CA: is that some kind of pervverse human familial thing GG: umm yes ... CA: that gun i just gavve you is somethin of a hatchright to the kid CA: happy i could play a role in your dirty stinkin lineage GG: like an heirloom? i guess it could be ... CA: i kinda think thats wwhy i found the gun in the first place CA: but noww im forsakin it because fuck i just found a better destiny than my old crappy one wwhich i nevver got any appreciation for anywway
Jake is supposed to have been the one to defeat Lord English. (No, Jake defeating pre-LE Caliborn right before he gets sealed into Cal doesn't count! He doesn't even get the final blow in that fight, DIRK does.)
But Eridan at one point had that destiny on his shoulders. Aranea turbohealing Jake, and the resultant hope field, summons a bunch of angels, which are heavily associated with Eridan - yet another random connection that Eridan has with future plot events.
Jake was another character, alongside Karkat, who was kind of reduced to a joke by the end, despite the fact that he had literally, directly, been passed the destiny of defeating Lord English. It's hard not to see this as a consequence, at least in part, of removing Eridan from the story. By cutting him out of the fabric of the ending, several plot threads - including this prophecy - are left dangling in irrelevance. And so Jake, like Karkat, now has nothing to do.
Homestuck is generally a series where every prophecy does come true, which makes it kind of startling when several prophecies fail to - Feferi's to "unite the two races," Jake's to defeat Lord English, and Karkat's to bring "compassion, forgiveness, and equality among all bloodlines" in the Signless's place.
That last one is actually relevant to:
The Thematic Importance of EriKar As Soul Mates
Eridan represents the worst aspects of Alternian society. He's a sea dweller at the top of the caste structure, with free reign to murder whoever he wants, soaked in the blood of thousands of innocent trolls. He espouses the casteist rhetoric that their society is built on, calling for the deaths of all land dwellers and the oppression of the lower castes. And while he should be benefitting from his position of privilege, it has also done nothing but hurt him.
Karkat, meanwhile, is a pariah. A mutant who would've been culled on sight, who spent his entire life living in hiding, and most of the game in fear that he would be ostracized or worse by the rest of his friends if they found out about his blood color. He's also the second coming of Troll Jesus, and thus, more despised by the Alternian ruling class than a mutant normally would be. For most of his life, he dreamed of nothing more than finding belonging within the society that had deemed him unfit.
Their friendship is something that "should not be." The highblood and the mutant. The royal-v and the off-spectrum. The empress's sea dweller and the second coming of the signless. Eridan "should" see Karkat as a miscreant to cull on sight. Karkat "should" be terrified of Eridan's very existence.
But in reality, Eridan doesn't give a shit about blood color, and Karkat just wants to be accepted. Eridan just wants someone to care about him, and Karkat loves his friends. Aside from Feferi, Eridan is the only highblood who never comments about Karkat's mutant blood, and they were best buddies even before Eridan knew.
Eridan and Karkat getting together isn't JUST the two most undateable trolls on the team finally landing a stable quadrant. These two, moreso than any other pairing, represent the themes of Homestuck. Children growing up, caring about each other, and throwing off the shackles of their old society.
In the pre-retcon timeline, their team failed to do so. This led to Gamzee falling into his highblood clown cult, Equius letting himself and Nepeta die by submitting to his place in the hemospectrum, Vriska killing Tavros because she couldn't allow herself to show weakness, and Eridan completing his caste's dream of genocide. Karkat spent the entire meteor trip and beyond beating himself up about it, since he considered it all to be his fault.
But with the introduction of John's retcon powers, they have the chance to, one by one, redeem themselves. I believe that's how the original ending would have gone: Terezi would ask John to bring Vriska back, because she only feels comfortable fixing her own mistakes. Vriska would then have asked John to bring back Tavros, whom she regretted killing. Tavros would be there for Gamzee, rendering him an ally. Gamzee would ask John to bring back Equius and Nepeta. Equius would ask John to help him not make the same mistakes with Aradia, and Aradiabot would catch John by the wrist and demand he bring her back in time to before she died, allowing her to circumvent her own death and Sollux's guilt. Sollux would ask John to keep him from provoking Eridan, saving Feferi. And Feferi would be pretty ok with the way things were... but KARKAT would then pull John aside, and drop an entire book of mistakes he made on John's lap, and this would result in a finalized timeline where all his friends are alive and god-tiered.
Because all the trolls SHOULD have survived.
Vriska should've survived because people should be allowed to have second chances.
Tavros should've survived because caring about each other, and being willing to show kindness and mercy, are good things.
Gamzee should have survived because people mired in religious fundamentalism and cults deserve to be offered a helping hand.
Equius should've survived because people should be allowed to grow and change their beliefs.
Nepeta should've survived because she was the anti-casteism troll. Casteism is bad, folks! Not only that, but I'm convinced that she was originally going to give the Ultimate Self exposition, and Davepetasprite^2 had to be contrived in the canon ending in order to shortcut Nepeta's character development, ruining it in the process.
Aradia should've been allowed to stay with the rest of the team and live a life free of the control of evil uncles and shitty ancestors.
Sollux should've been allowed to stay with the rest of the team because we all deserve to heal and be happy.
Feferi should've survived so she could be in a kismesistude with Nepeta, and realize that casteism itself is bad, not just the definition of culling, and then used her Witch of Life powers to even out the lifespans between the next generation of trolls, which needs to happen or else casteism will just happen again as long-lived highbloods inevitably amass power. And, also, it would complete the prophecy Gl'bgolyb gave her that she was intended to unite the two races (dream bubbles don't count, because by that metric, Sollux did more than she did by establishing a connection between the trolls and humans).
And Eridan should've survived, because the harm society has done to us can be undone. We don't have to submit to the roles it imposes, to the laws it wrote, to the abuse it inflicted. We can be free.
I've seen a lot of people who believe that such-and-such character did SUCH awful things that they don't deserve a happy ending. Oftentimes, it's Eridan, but nearly all of the dead trolls have gotten this treatment. So, let me just ask all of you who have gotten this far and still hold that opinion one thing. Do you think that's what Troll Jesus would have wanted?
This is why pale EriKar is so important: for it to happen, Eridan has to make a choice between upholding the beliefs of his shitty society, or pursuing a happier, kinder future, one where he outright rejects the caste system. For it to happen, Karkat has to shake all his insecurities about not being good enough by Alternian standards, and take on the duty of creating something better than what he came from. If pale EriKar happens, it means Eridan and Karkat choose love, not fear. Compassion, forgiveness, and equality.
This choice - this pairing - is the ultimate representation of giving Alternian society one big middle finger. Saying, we don't need you anymore, fuck off! Saying, we reject you at your core; we will choose something better! Saying, we will create a new world, and it will be kinder than the one we came from!
Pale EriKar means LOVE WINS.
Thank you for reading.
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royalsweetteaa · 10 months
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sadbucksblog asked: Ok here’s a thought that’s been running through my head. 1940s steve forcing himself on shy!innocent!reader and forcing her to marry him. Later when reader found out that he ‘died’ (during the plane crash), she was secretly glad. But surprise surprise Endgame steve came back to return the infinity stones n decides to stay with his widow for good.In my head, endgame steve is meaner & more jaded 😈
Oh, definitely!! Endgame Steve gives the most dom vibes out of all his previous versions. If reader thought Steve was bad in the 1940s, she has another thing coming when he returns. His stay in the modern age has corrupted him more and made him kinkier. Like imagine the things he would do against 40s reader now that he knows how to pleasure a woman, because I know for sure they didn’t care about that stuff in the 40s.
18+ ONLY | MINORS DNI
WARNING - Following contains: non-con, explicit smut, forced marriage, misogyny, 40s gender roles, dom/sub dynamic, dom!Steve, unbalanced power dynamic, mentions of somnophilia, slight bondage, dumbification, loss of virginity.
Title: His return
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I imagine with this scenario, Steve liked Y/N a lot before he received the serum. You were so sweet and actually nice to him unlike the rest of the girls, but whenever he asked you on a date, you would reject him, saying you only saw him as a good friend.
And so after he got his super soldier strength, he expected you to like him back, because all women love strong and masculine men who can protect and provide for them (at least that’s how the gender norms were back in the 1940s). So imagine to his surprise when you kindly reject him even then after he has become a living female fantasy.
He literally cannot contain his fury and forces himself on you the same day, ignoring your pleas when you beg him to stop because you wanted to save yourself for marriage and give your virginity to someone you love.
“Don’t worry, my love. It’s not a sin if we end up getting married. You will take me as your husband or I’m going to tell everyone how much of a whore you are for spreading your legs so easily for me.” Steve threatened.
You were so scared, and knowing you had little authority in this situation, you did as he said. You knew no one would side with you if you were to protest against the new hero of the country; Captain America.
A month later, the two of you married and became husband and wife. Steve made you into his little house wife, and for each mission he came home from, he would fuck you for hours until you passed out. You were so clueless of the things Steve did to you sometimes, like whenever he would thrust inside of you in a specific angle causing you to feel an arising sensation from your abdomen. You didn’t know what it was, but it felt good no matter how shameful you were of it.
Whenever you accidentally dropped something, like a plate of food or when you burned dinner in the oven because you forgot the time, Steve would punish you by harsh spanking, telling you how bad of a wife you are for messing up your husband’s food. You would cry and apologize profusely until he stopped and left you with a sore butt.
He would also take you when you were fast asleep. You were a light sleeper, and only would you wake up when he jackhammered into you, causing a burning feeling around your sore pussy. Steve was huge due to his bodily enhancement, and it took a while for you to get used to his size. He would hardly talk when he fucked you as his only mission was to cum for relief. Steve was a busy man after all, with the war still ongoing. The weeks he was gone were the most peaceful times of your life ever since Steve took claim of you.
One fateful day, a military personnel visited you at your house and gave you the unfortunate news of the Captain’s loss. You shedded tears, but not because of Steve’s death. It was rather because the nightmare of a life was finally over. You felt relieved knowing Steve could never put his hands on you ever again.
2 years pass by, and you have all forgotten about Steve Rogers. You would occasionally see his face on posters and articles, and while it brought back some of the trauma, you always reminded yourself that he was gone for good.
At least, you thought he was.
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It was a day like any other in your small little suburban house that you moved to after selling Steve’s house, and you suddenly heard the doorbell ring to your front door. You shouted ‘coming!’ to whoever was waiting outside, and turned off the temperature of your oven where there were freshly baked cinnamon rolls waiting for you later.
You open the door, and it’s like your whole world shatters before your eyes. There he was, your unmistakably still alive husband standing there. He looked more older, and it was only 2 years ago he was announced dead.
“Hello, my love. Have you missed me?” He asked darkly. You shrieked and tried to escape through the back door, but it was too late. Steve ran after you and grabbed you around your waist and held you down on the floor, preventing you from struggling away.
“That is no way to greet your husband after thinking he was dead for such a long time. I expected better from you, my wife. Maybe you have forgotten who you belong to and I need to give your dumb little brain a reminder.” He said, and carried you upstairs to your bedroom.
He threw you onto the bed like a rag doll and started to tie your wrists with velvet ropes he had brought with him to the headboard. This was new to you from all your previous experiences of having sex with Steve, and it scared you. “S-Steve, what is this?..what are you-!”
“I’m going to fuck you so hard and make you wish you never pulled that little escape stunt earlier. Silly woman, thinking you stand a chance against me. You’re mine, and I’ll do everything in my power to make sure your dumb head understands that.”
He ripped your clothes off harshly, and he unbuttoned his trousers to free his cock from the restraints. You expected him to penetrate you like he always did before. That was the only type of sex you two were familiar with. But this ‘new’ version of Steve had different plans.
Your eyes widened when his face lowered at your pussy, causing you to feel distressed. “W-Wait, don’t do that!…I-It probably smells, I don’t want you to get too close to it!”
“Oh, Y/N, my sweet wife. You’re so clueless. What I did and did not do before I disappeared was when I was a boy. But I’m a man now, and I’m going to teach you so many things of how we can pleasure each other.”
His tongue stuck out of his mouth and he licked a stripe of your cunt, causing you to cry out a moan. You have never felt anything like this before. It almost felt unreal. It only got worse when his tongue glided between your pussy lips, gathering all your juices for him to savour.
“You taste delicious, my love. There isn’t a thing that’s more tastier than your sweet pussy…” he mumbled into your sensitive skin.
Steve never talked like this during sex, and somehow you preferred him not to talk because it made it easier to not enjoy it. This Steve however was making it harder to hate it with each new thing he did, and it made you feel horrible about yourself.
Suddenly, Steve used what felt like his thumb to rub at a particular spot. It caused your whole body to jolt at once like you were electrocuted, and you felt an overwhelming heat spread across your whole body.
“Do you know what this little pearl is, doll? It’s called a clitoris. It’s your most sensitive part of your pussy, and it will only be recognized as what engorges your wetness and surrounds your vagina in 2009 - about 70 years from now on. It also has about 8,000 nerve endings, which is why you become so sensitive when I touch it. Isn’t that fascinating, my love?”
You didn’t pick up a word of what he was rambling about because you were too out of it from his circling motion of rubbing your pearly nub. You couldn’t stop moaning and panting. Again came that familiar feeling of a rising high. Before you knew it, the feeling hit you like a wave and you felt your hole quivering.
“Aaaww, you just came. How cute….” He cooed, with a victorious grin. “Now, let’s get to the main course of this session. Haven’t been in this pussy for a loooong time. And I’m sure you’ve been a good girl not having anyone else inside you, right?”
You didn’t respond to that question, still pretty out of what had taken place moments earlier.
He slapped your cheek lightly but harsh enough to take you out from your daze. “Answer me, whore.”
“N-No! I haven’t, Steve! No one has been inside of me since you disappeared! I promise!” You answered with frantic.
He smiled again. “Good.”
He aimed his cock at your hole and shoved himself in with little care. He groaned loudly, sounding so content with the current feeling. “Oh, I’ve missed her…missed your pussy so much…I’ve missed you..” he said followed with a grunt. “I’m so glad I’m back. Back together with you.”
For the rest of the evening, he would torture you with new tricks of his that opened a new world of sex for you. By the end of the night, Steve had you wrapped in his strong arms, whispering the most obscene things and promises in your ear. Most of them were connected to one promise that made you dread for the future.
A promise of never leaving you ever again.
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Note from author: this turned out a lot longer than I originally planned but I really enjoyed the concept and couldn’t help myself. I’m a hoe for endgame AND 40s Steve.🧍Anyways, thank you @sadbucksblog for sharing your idea! <3 Hope you enjoy it!
(This has been reposted here as I have deleted my old account!)
Hearts & Reblogs are very appreciated! <3
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loveindefinitely · 4 months
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༊*·˚ FOREVER WINTER (IF YOU GO) — task force 141 x reader
05 — THESE THINGS EAT AT YOUR BONES
featuring. simon 'ghost' riley + johnny 'soap' mactavish + kyle 'gaz' garrick + john 'bravo six' price + (non-endgame phillip graves)
warnings. nsfw, fem!reader, fmmmm, enemies to lovers, slow burn, polyamory, ghostsoap, pricegaz, alerudy, heavy angst, requited unrequited love, graphic violence
series masterlist. read on ao3. fanfic playlist.
<- previous part | next part ->
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You were seventeen when you enlisted.
Obviously, you had to lie about your age – just a year off, not a drastic difference. The recruiters wouldn’t care enough to double check, anyways. Anyone willing to join their forces was good enough in their books.
You’d been desperate, desperate for a sense of community, for a home, for something to occupy your time with.
Things hadn’t been easy after your mother had passed.
She’d raised you on her own; having taken you from your father before you could realise what a father was. Said he was a bad man, didn’t deserve an angel like yourself. Sometimes, you wished that you’d known him, or at least had a father figure to look up to.
That was rare, however. Your mother had done a great job in raising you – making sure you had morals and looked out for others. Always had a roof over your head, food made with love in your tummy.
It was only three months prior to your enlistment that she passed.
While you were at school, she was shot and killed in your childhood home. The day you walked through that front door, backpack a hefty weight on your shoulders, and saw her wide-eyed corpse on the living room carpet, was the day that a piece of you died.
That night, with the cool fabric of the paramedic’s shock blanket around your frame, you looked up what happens after you die with shaky, blood-stained hands. A question you hadn’t had to consider. Not until then.
The police wrote down your stilted words in their government-issued notepads, attempts of sympathy on their faces.
All you could focus on was the tap tap tap of your foot against the carpet, the chewed up flesh of your inner cheek, and the burning of your eyes.
You had, thankfully, managed a choked up explanation of what you’d seen.
“I came home. From school. She was just. There. On the carpet. Her eyes were open,” you managed to whisper, eyes remaining in your lap.
“How did you feel when you saw her?” The officer asked.
You had half the mind to ask him that very same question. You didn’t, of course.
“I felt that she deserved a better death than this. Sir.”
The time after that passed in quick, blurry memories. A hand on your shoulder here, a trauma nurse there, all the while your mind could only supply you with the image of the one person you had. Gone.
“Here.”
You’d looked up with bloodshot eyes and chapped lips. The man looked to be in his late forties, with greying hair and saggy features. In his hands was a steaming cup of tea – extended towards you. With trembling fingers, you took it from the man.
“Thank you,” you’d murmured, before blowing across the liquid with a soft breath. It rippled with the flowing air, tea leaves simmering on the bottom. If you looked hard enough, you could make out a tree.
“Is it alright if I join you?” He asked, gesturing to the chair in front of you. You nodded, and he moved to get comfortable in his seat, eyes remaining on you. “I’m sorry for your loss.”
That was, funnily enough, the first time you’d heard those words said to you. 
“I’m Herschel Shepherd,” the man supplied, with a small, comforting smile. He extended a weathered hand to you, and after a moment, you accepted it with a light shake. “I think I might know who’s responsible for your mother’s death.”
You swallowed. “What? Are you,” you worked your heavy tongue, “Are you in the FBI?”
He loosed a hearty chuckle at that, before shaking his head. “No, kid. I’m a bit higher up than that.”
You didn’t have it in you to push. Not then, not with the smell of blood a consistent rot in your nose. You just nodded, accepting that explanation, squeezing your hands together for comfort.
“There’s been some rumours,” Shepherd leaned his elbows against his knees, lowering himself to meet you at eye level. “Of a secret organisation, searching and killing those affiliated with the army. Especially those who served, and then ran.”
Your brows furrowed, mouth opening and closing around nothing. “What does this have to do. With anything – my mum, she wasn’t –”
“She was, kid,” Shepherd interrupted with a raised hand. “She was a renowned Lieutenant. Served for ten years.”
Tap tap tap, your foot goes.
“She would’ve told me,” you managed out, throat choking up and nostrils flaring. “She wouldn’t have hid that from me. I’d know. You’re lying.”
“She didn’t tell you to keep you safe,” he urged, resting his hand on your bouncing knee in comfort. “But… This is more than just her. This is an attack on our country, on you, kid. I’m investigating this group, their ideals, their plans. You can help.”
You shook your head adamantly. “No. This has nothing to do with me.”
“It has everything to do with you,” Shepherd immediately retorted, and you felt your chest caving in, your shoulders deflating. “It’s up to you. I hope to see you in my regiment, kid.”
Then, he’d stood, and dropped a card onto your lap. Without another word, he left.
It was later that night, when you found yourself near passing out, that you’d read his business card. It had his name, his title – Lieutenant General – and a regiment. You weren’t sure how any of it worked, if you could do this, if you were made for something like the army. That night, you’d studied and watched and learned everything you could about his regiment.
Three months later, you’d stood before him, gun in hand.
He just smiled, knowingly, and clapped a hand on your shoulder. He leaned down and whispered, “Together, we’ll avenge her.”
And you did, under his wing. You set things right.
*
Your ears ring, the bumps of the vehicle doing nothing to snap you out of your daze. It’s like your insides have turned inside out, every molecule of liquid evaporated with a single name.
“He’s a good man,” you manage to say, breaking the stunned silence of the 141. You don’t dare to look up, to see their expressions, their apprehension. “He saved me. Multiple times. He wouldn’t hurt anyone without a reason, he wouldn’t.”
Even as you say the words, try and plead, you find yourself losing faith. It’s a devastating thing, one that has you wanting to wretch your near-empty stomach.
“We did some digging,” Price murmurs, sounding sorrowful and almost guilty. “We found the truth.”
The entire time that Price retells the intel he and ‘Laswell’ found, you find yourself falling deeper and deeper into your pit of despair. Like you’re clawing with your nails to get out, yet all you’re finding is unrelenting stone, breaking the keratin with every scratch.
By the time that all the information has been told, your body feels as though it’s frozen. 
It isn’t until you feel a thumb wipe against your cheek that you realise you’re crying. Finally, finally, you look up, and meet Soap’s mirthful eyes. His thumb is rough where it wipes away your tears, gathering the salty liquid against the ridges of his fingertips.
Could it get worse than this? Worse than being told that the only other man in your life – the only other person you’d trusted – was a bad man? Working with Graves? How hadn’t you known? Why hadn’t Graves told you –
Why. Why. Why?
“He was the closest thing I had to a father,” you manage, feeling almost manic with it. “He – he and Graves, they’re all I have, I can’t, you can’t–”
You barely manage to open the small window before you’re hurling your empty guts, nothing coming out but air and some bile burning the back of your throat. Your throat, eyes, your entire body aches.
Two large hands rub at your back, and you can hear words being said, but you can’t understand them, can’t hear anything but a low buzz in the back of your mind. Your breath comes out in loud, sharp pants, and you can’t help but sniffle as tears roll down your cheeks and drip from your chin.
Your entire life has just been flipped on its head, and you can’t handle it. You are a Colonel, you’re supposed to be impenetrable, but this, this is everything you ever had. Gone with a few words, a single mission.
“It’s okay, lass, fuck,” you can finally make out Soap saying, recognising one of the hands as his. It’s an, admittedly, comforting weight, one that you find yourself leaning back into. “Steamin’ Jesus.”
“Kyle, do you have water?” Price calls out to the front, and soon, a hand directs your head to enter the van once more, an opened water bottle being pressed to your lips. Price holds it, his hand stroking the back of your neck in support. “Have a drink, darlin’,” he encourages, tilting your head back as you swallow the ice-cold water. “There we go,”he murmurs, his touch unrelenting.
“You good, love?” Gaz calls from the front, brows furrowed where he’s half-watching in the rearview mirror.
All you can give him is a small, weak nod, but he seems to accept it. 
Your mind is spinning at a mile per minute, shuddering when Price pulls the bottle away and Soap continues to rub your back in calming circles. This is, you think, the one time you’ll allow yourself to be comforted by them. This was already crossing too many of the boundaries you’d put up in your head, a clear violation of the separation you’d planned out.
Ghost, true to his name, remains still where he sits in front of you, calculating as he stares you down.
“What are the chances,” he begins, focus remaining on you even if everyone else’s is suddenly on him, “That General’s personal pet is also Graves’ girl who had a change of heart?”
“Si–” Soap begins, before Ghost cuts him off.
“How do we know she’s not a fuckin’ spy,” he spits out, glaring at you with everything he has, “And we’ve been too fuckin’ stupid to figure it out!”
You’re not in control of your body, at this point. Your emotions are.
With one breath, you pull out the blade hooked to your hollister, grip it in a fist, and grab the scruff of Ghost’s uniform and pull him close. Grabbing his hand, you slide the knife into it, grabbing his wrist, pulling it forward so the knife is pressed against your neck.
“Kill me,” you breathe, chest heaving, eyes burning with rage, “Kill me if you think I’m a spy. Slice the knife through my fucking throat, Lieutenant, do it.”
His irises are blown black, the white of his eyes stark against the grease paint smeared over his visible skin. You can feel his heavy breaths through his mask, brushing against your snarled lips. You pull him even closer, your fist unrelenting against the fabric of his uniform.
There’s an uproar around you, Soap yelling something to you both, Price trying to tug you away by his grip on your upper arm, Gaz trying to both focus on not crashing and whatever the hell is happening behind him.
You’re strong, however. Trained and built for hand-to-hand battle, and you don’t move an inch. Not when you’re so determined, so stubborn.
“Kill. Me.” You hiss, the words quiet enough to only be heard by the man holding a knife to your throat. You lean in closer, and you can feel a small trickle of blood fall down your bared neck, but it’s a thrilling type of pain.
“You’re a crazy bastard,” he spits back, but he notably eases the knife away from your skin. You just lean into it further, more blood being let. “If you keep tryna call bluffs like this, you’ll be sent home in a casket.”
“What home, Lieutenant?” You ask, almost desperate for his answer, a demand. You narrow your gaze, refusing to break eye contact. “If you can find where the fuck I belong, I’ll be happy to die within its walls.”
The two of you standoff, your eyes doing all the speaking, before Ghost allows the blade to fall from his grip, hitting the floor of the van with a clunk. “You win, Sweetheart,” he taunts, the words being breathed against your own mouth, mere millimetres apart. “Congratulations.”
You finally allow yourself to be pulled back, Soap shooting you a shell-shocked look, his jaw clenching as he looks between you both. Price finally eases his grip around your arm, barking, “Don’t pull that shit! One wrong move and –”
“My whole life has been one wrong move,” you grit out, falling back into your seat with shallow breaths. You drag your hand down your face, before resting against the sticky heat of your blood, pooling at the dip of your neck. “What’s one more?”
There’s no response. You don’t hope for one, don’t expect one, but it still leaves you unsteady. Unsure. Even when everyone just sits in an odd sort of limbo for a few minutes, you struggle to come down from that high, that overwhelming need for control.
“Here.” 
When you look up, it’s to see Soap, a medkit in his lap. Price is sitting on the other side next to Ghost, talking quietly to him, stern expressions displayed on them both. They seem lost in conversation – a serious one, considering your current situation.
“What’re you doing?” You find yourself asking, watching as he rips open an alcoholic wipe and takes it out, your leg bouncing. He gives you a friendly smile, this side of hopeful.
“Patchin’ ye up, Sweetheart. Goes both ways,” he explains, and your eyes go glassy once more. “Can aye fix ye up?”
You don’t trust your words, so you simply nod, tilting your head back. You find yourself rocked by the rhythm of Gaz’s driving, finding solace in the comfort of semi-safety. Although not as safe as you would’ve been at Graves’ base, there was a sense of… protectiveness that came with being with the 141.
Wincing, you grit your teeth as Soap cleans up the blood from your throat, his gentle ministrations so at odds with his bumbling, charismatic character. He’s precise, careful to not hurt you too much, delicate movements made by harsh hands.
“You sure do like playin’ with fire, lass,” he murmurs, swiping the last bits of drying blood from the hollow of your throat, the tip of his tongue peeking out from between his lips.  “Can respect that.”
“I’m sorry for… that,” you sigh, watching as he deposits the used wipe into a hazard bag. Good practice, you think, prioritising avoiding any bloodborne diseases. You’re silently impressed. “Didn’t mean to lose my shit. Just. A lot.”
“I know,” he returns, earnest, opening a bottle of sanitary cream and swiping some onto his finger, bringing it to soothe over your small wound.
“I don’t know who to trust.”
Those words aren’t exactly good ones to say, not to a borderline enemy with his hands on your neck. But it feels like an otherworldly force makes you say them, makes you expose yourself even further to this man. Maybe a taunt, maybe a small punishment for saving his life.
He pauses, but quickly covers up his hesitation with returned fervour. “I don’t envy ya, hen. It’s an absolute shitshow. But…” he grabs some medical tape, cutting it to length to put over your wound. Apparently it’s worse than you’d thought. “Ye heard what happened. Shepherd, Graves, they’re not worthy of ya.”
That gives you pause. Worthy. What made someone worthy? What kind of clarifications?
Did he think he was worthy? Ghost? Price? Gaz?
“You think I’m better than the General?” You raise a brow, attempting to goad him, spark that flame of banter that always seemed to haunt the Scot.
“I know ye are. Seen it with my own eyes.”
Your heart skips a beat.
“We’re nearly back at the safehouse,” Gaz calls from the front, tapping his hands against the steering wheel to a silent rhythm. Price grunts out a reply, and Ghost remains silent, watching. Always watching.
Finishing up his quick first aid job, Soap tilts your head back down with a grip on your chin, his thumb stroking along your bottom lip. “There we go, Sweetheart. Good as new,” he whispers, the corner of his lips tilting into a kind grin.
“How’s the arm?” You find yourself asking, looking to the bandaged ligament. “Feeling alright?”
“Definitely better than if aye’d let it get infected,” he hums, looking down to his arm. “Once this blows over, nurses on base will sort it out.”
You hadn’t noticed before, but you realise that his thigh is pressed against yours, and your leg has stopped bouncing. No more tap tap tap. Just… the feel of fabric against your own, heated by the flesh underneath. The comforting touch of another human, not sexual, not for any reason but to simply… exist.
Ten minutes pass of comfortable silence between you both, before the vehicle comes to a stop, Gaz turning off the engine with a turn of his keys, unbuckling his seat belt and hopping out of the car.
“Out we get,” Price says to you all, gentler than he’d been before. The doors burst open, Gaz flinging the keys back to his Captain, urging the four of you to hop out and head in.
You’re the last to get out, Gaz extending a calloused hand for you to take, ever the gentleman. Accepting it, you jump down, looking to the awaiting men. The Los Vaqueros are rushing inside, talking amongst themselves, relief thick in their words, hands being slapped against each other’s backs.
Price is looking at you as he says, “I think we have a call to make.”
As it turns out, the call is to the last person on Earth you want to talk to right now. In the middle of the same table you’d stood beside Rudy at, mere hours ago, is a computer.
One with General Shepherd’s face on it.
Price had given you the mercy in deciding whether you’d show yourself or not. You still hadn’t made the choice, instead standing off to the side, Gaz and Soap at either side of you. Alejandro stands at the right of the table, and Ghost has his arms folded over his chest at the left.
“You hid this,” Price grips the table, livid, “Why.”
Not a question, not really, more of a command than anything. An order from a Captain.
Shepherd’s response has your blood running cold, reality finally cementing inside of yourself. You claw at your palms when he responds, drily, “We all keep secrets, Captain.”
And, oh, what a slap in the face that is.
“Why the hell wasn’t I informed?” Price snaps, his shoulders rising and falling with each barely restrained breath. He seems to fill out his uniform more than he had before, in the dim light of the room.
The boarded up window allows for a small sliver of sunset to cast against all of you, a small joy in the darkness of the safehouse. And the situation at hand.
“Consider yourself well informed now, John,” Shepherd’s tone lowers, more grating, forceful.
“Oh, that's really fuckin' helpful, General. Thank you. But you're a day late and a missile short. There's three of them – we only found two.”
“Then point yourself in that direction, and fix it,” Shepherd booms, and you can’t help the instinctual flinch of your body. You’d grown up being frightened of his raised voice, the threat that came along with it. Even in the safety of this house, you can’t help your response.
Price scoffs a laugh with no humour, his mouth falling into a grim, dangerous line. “And who fixes you, eh?”
You can hear, more than see, Shepherd’s returning snarl. “I don’t need fixing. I’m a patriot protecting my country.”
Gaz and Soap share a look above your head, but you don’t care, not now. Not when Price stands up, slamming his hand against the table, not when Alejandro curses under his breath.
Not when all you can think about is the empty promises Shepherd made.
“You’re protecting your own ass,” Price cusses, turning back to glare at the man on the screen.
“I do what needs to be done, and no one holds me down with a roll of red tape. I know what's best for the cause.”
Price chuckles, eyes a fire of fury, leaning down once more to the laptop. “You’ve lost your mind, General.”
“And you've forgotten what you're fighting for, John. To do good, you gotta do some bad. When we shit, we bury it, that's how it works,” Shepherd replies, hard and strong in his belief.
You’re at the verge of losing it.
“Yeah,” Price begins, before pointing his finger to the camera, “But we don’t bury each other with it, do we?”
“You need to turn off that side o' your head and face down the real enemy,” Shepherd warns, and it’s the final straw.
“Isn’t that what you told me, Herschel? That the organisation was the real enemy?” You quip, and for a minute, you wonder if he’s ended the call.
That is, until, a choked off voice filters in, “Kid?”
Rushing forward, you turn the laptop to face you, and your entire system seems to revolt as you see the man you once cared for like a father. 
“Tell me that you didn’t betray them,” you hiss, leaning in closer, your entire face filling the screen. “Tell me that you didn’t ruin lives – tell me you didn’t make a deal with my Commander behind my back. Tell me, Herschel.”
“You wouldn’t understand –” he begins, but that’s all you needed to know.
Stepping away, you give him a final, cold smile. “Was it worth it?”
“What –” he starts once more, before you grab the handle of your gun, pulling it up to rest as a comforting weight in your hand.
“Was it worth ruining my life? Was it worth ruining this mission?”
“You’re just a kid.”
“I am a Colonel!” You shout, emotions bubbling over as you slam the gun onto the table, eyes blazing. “And when I find you, you’re going to wish you never fucked me over. What was your favourite method? Flaying? Dismemberment?”
“You’ve always been too soft and easy to manipulate,” Shepherd snaps back, voice booming through the speakers.
Your voice is as dangerous as you’ve ever heard it.
“Immolation? That was your favourite, wasn’t it?”
His eyes widen on the screen, seeming to understand, to seemingly take you seriously. Too late. Too fucking late.
“Let’s see if it’s still your favourite when it’s your turn to be the victim,” you slowly say, annunciating every word with clear speech. “Thank you for your teachings, General.”
With that, you slam the laptop screen shut, and prepare to face the fire.
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taglist. @lilpothoscuttings @jng-yuan @iruzias @insatiablekittie @1wh4re1nova @kaoyamamegami @supernaturalstilinski @inthemiddle0feverywhere @msecho19 @nogood-boyo @alfa-jor @lalashhyl @letmeapologise @honeybeeznutz @1mawh0re @oreo-cream @lalashhyl @someonepleasedateme @letmeapologise @uhhellnogetoffpleasenowty @inarabee
author's note. im so hyped for all of the future plot points. and romance. ohmygod. yes, ghost does eventually come around. yes, he's the longest slow burn. yes, he's the most intense enemies to lovers. wbk. i also got covid so i have a lot of time to rot in bed and suffer while writing!! ALSOOO there is so much fire symbolism... ;)
your comments mean soso much to me, every time iread one i squeal and feel all excited!! thank u for ur support commenters, i DO read all of them. more than once. &lt;3
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softgreengrass · 3 months
Text
The Gold
Natasha Romanoff x Reader
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Summary: angst, au where clint dies on vormir instead of natasha, set a few months after endgame, relationship troubles😬
Word Count: 1.3k
Warnings: survivor’s guilt, breakup
Author’s Note: based on “the gold” by manchester orchestra and phoebe bridgers
You wake to birds chirping. Natasha has opened the window. She’s nowhere to be seen, probably in the kitchen or out for a run. All at once, a crushing melancholy falls onto your chest, the one that’s been appearing with increasing frequency ever since she returned.
She hadn’t wanted to come back; anyone could see that. She wished she was dead instead of Clint, instead of Tony. And she meant it. She wanted to be dead.
Because of that, it had never felt like a victory to you. You knew the others agreed —Wanda, Peter, Bucky— but that didn’t make it much easier.
Even the things Thanos hadn’t taken, he had changed.
You get up slowly, all too aware of the lump in your throat and the fragility of your heart. If Natasha so much as looks at you wrong this morning, you’ll lose it. Again.
You know she’s tired of it, of your mood swings and sensitivity, but it all stems from her and she knows that too. Those first few weeks after her return had set a certain tone.
Natasha is standing at the kitchen counter, staring at the coffee pot. You know why instantly. You always do.
“I forgot how he used to drink straight from this,” she murmurs.
“I know.”
You’ve grown used to Natasha’s blank stare: it doesn’t twist your heart the way it used to. Some days you think she found your biggest store of sympathy and dried it all up. You shuffle past her, open the freezer, and pull out hash browns.
“I was going to visit Laura today,” she says numbly.
“You visited her yesterday, baby,” you say, glancing up at her as you dump the hash browns onto a pan. “I think she’s okay for today.”
Natasha swallows. You can see the pain in her eyes, the sinkhole of regret. “I don’t have any other plans.”
“You could stay home with me.”
Your tone is neutral, but you know she picks up on the hope in it. And you can feel the distance that grows between you the longer she takes to answer.
“Come on, Nat,” you smile, like your eyes aren’t already stinging with tears.
“I want to be useful,” she pleads. “I… you’re too good to me here. I can’t be useful.”
It takes you a second to process what on earth she could possibly mean. Natasha stands quietly.
In another life, you could’ve said the words on your tongue. Could’ve told her that you need her like water, that the most useful thing she could possibly do is just be with you. But you know you can survive without her. At this point she must know that too.
And yet, there’s something yearning in her eyes, like she has faith in you.
The hash browns crackle and give you an excuse to look at them instead of her.
Somewhere deep inside of you, you know Natasha has always been fine without you. She doesn’t love you in the way you love her, in the way that would summon sympathy and energy out of thin air. She used to, maybe. It’s all bitter on your tongue.
She clears her throat. “I got an email. Apparently they want to give us medals.“
“You brought back half the universe. The least you deserve is a medal.”
You know what she wants to say to that. The silence is frustrated and thick, the lump in your throat quickly returning. You hate that nothing is easy anymore.
“I’m going to Laura’s,” she says eventually.
You can’t find it in you to respond; you can barely make yourself nod. The oil on the pan bubbles and spatters violently, and you realize that’s how your blood feels, singing your arteries and your veins and your heart.
When the door closes behind her, you close your eyes.
Your dad’s face comes to mind. “Don’t open your eyes for a while,” he used to say, his voice gravelly but gentle. “Just breathe that moment down.”
It had helped, especially in your teenage years when you were quick to anger and quicker to hurt. Regret used to swallow you whole. You had told Natasha that once, years ago, when you visited his grave together for the first time. She had been polite.
You don’t want to resent her. God, how you don’t. But the past couple of months have worn you down to the bone, and it would be one thing if she was fighting too, but she gave up on that cliff. You don’t know how much longer you can do all the caring for.
And it’s not like your relationship was perfect before, either. You had met her at a high point. It had always been a steady decline.
A hard wave of guilt nearly knocks the breath out of you, and you have to grip the counter to keep your balance. You love her. You’ll fight for as long as you can.
You eat the burnt hash browns right out of the pan, even though you don’t feel hungry.
By ten, Natasha still hasn’t come home, and you’re back in bed, blinking back more tears, since that feels like all you do nowadays. Now accompanying the gloom and guilt in your ribcage is an unrelenting discomfort. It’s that same old helpless feeling, the one that knows things are going to change and there’s nothing you can do about it.
The vertigo of it all rocks you to sleep.
You make it another week before one of Natasha’s nightmares wakes you up and you’re so full of discontent you can’t breathe. Still, you swallow it down and find her hand in the dark.
“Nat, you’re right here,” you whisper.
A squeeze of her hand and she opens her eyes, frantically looking around.
“It was just a dream.”
Wild eyes find your own; a sheen of sweat coats her face. Her breath heaves. “Sorry.”
“Don’t apologize.” The words burn in your throat. How many times will you have to tell her that?
Her head falls back against the pillow with a sigh.
Your eyes ache for sleep, but then there it is again, that realization that soon you might never be in bed with her again. You’re not sure how to appreciate it fully.
“Are you hungry?” she asks coarsely, staring up at the ceiling.
You’re not. “I could eat.”
She smears peanut butter onto toast into the kitchen, gives the first one to you. It must be the millionth time the two of you have been in the kitchen together, dark circles under your eyes and hair frizzy.
“You know I wish none of that ever happened,” Natasha says softly.
“Of course,” you furrow your brow. “I wish it didn’t either.”
“No, I mean,” she huffs. “I wish we didn’t change. I wish I didn’t change.”
It’s like something has pierced your heart. You can’t find anything to say to comfort her, because you wish that just as much as she does.
“I don’t want you to go,” she admits, her bottom lip quivering. “But I don’t want to hold you back just because I’m stuck.”
“Nat…”
She swallows thickly. “It’s your choice.”
You hate that you already know your answer, that you’ve known it for so long. You hate it.
Your arms wrap around her tightly as you take in her softness and her scent again. Her cheek is damp against your shoulder, your own eyes welling with relentless tears.
It feels like stiff fingers prodding at your throat and your chest: it makes you want to curl into a ball. You’re horrified at the idea of a life without her, especially one where you know she’s still walking around. But it’s either drown or freefall, and you need to give yourself a chance.
“I’m sorry, baby,” you mutter into her neck.
“It’s okay,” she whispers. “I’m sorry too.”
She holds you as wave after wave of bittersweet relief and regret crash over you, and you fall asleep in each other’s arms once more. The next morning she helps you gather your things.
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0daylighthours0 · 1 month
Text
A Deep Dive into Milkvan and Byler's Development: If Milkvan Was Endgame All Along, Why Was it Written Like This???
SO. I've been rewatching st with my mother, who's never seen it before. And she was a fan of milkvan throughout seasons 1 and 2. Viewing those seasons again I could see why, they're cute. However, come season 3 and INSTANT distaste. And, listen, my mother is not the consciously shipping gal. She simply routes for main character pairings as writers intend, doesn't read between the lines, doesn't nothing. And she does NOT know my own opinions on the pairing. In other words, completely unbiased, uninternet drama influenced eyes. We've now reached season 3 and, after getting through a chunk of it, I asked her,
"so what do you think of Mike and El?"
and she expressed to me that they seem to be, quote:
"not very good together."
She said El's character doesn't suit the way she's acting now (in the first few episodes, concerning Mike), that Mike is more likeable and interesting when he's away from her. She doesn't like the way they ditched the party, and when it comes to their 'making out' the scenes are seen by her from Hopper's perspective (in other words, distasteful). She claimed that they'd be much better characters as friends.
And ya know what, she's right. And I mean like - duh, that's what we've been saying all this time, I'm not stating anything new here. But guys, wouldn't it be strange if the central couple of the show, pivotal that it is liked by audiences and is rooted for by them as they are THE pair, would be so dislikable like this? So uninteresting, so cliche.
I mean, okay, let's do a little mental experiment I like to do to test if I'm not just acting delulu. Let's play a game. In this game, milkvan ARE meant to be endgame. They are in love, they were all along, and they're here to draw in viewers and appease all El stans. Now, seasons 1 and 2 their relationship is honestly fine. Surface level, yeah, people will watch and appreciate them. They perfectly blend in with all the other neat pairings of the seasons, and have their own unique character traits to stand out as a main couple.
Just pretending our mate Will doesn't exist, we now get into season 3. Now, writers have nothing to lose here. If you've finished season 2, you probably like milkvan already. The issue is that they're already together now, so what's the conflict going to be? The arc? And every central couple needs that conflict to stay juicy.
Just take a look:
Jancy: quarrels, struggle to understand one another
Jopper: not yet together, one sided? will they won't they
Lumax: ...
Lumax? Lumax. Huh, guess they were simply together. Some loveable bickering, maintained a friendly dynamic while clearly in closer proximity. Well then, writers can do the same for milkvan right? Well, yes easily. But one might argue that since they are supposed to be THE pairing they need more going on between them than that. So what'll it be? Well, it seems that writers thought,
"hey, why not break them up?"
ok so.. that's a bit risky. I mean you want people to like this ship, if you break them up then that threats: 1. there being a disliking to one or both characters, 2. coming off generic if done incorrectly, 3. the break up might make no sense considering how in love they came off as just a season ago. But hey.. it could work, if done right. Some kind of misunderstanding, similar to Jancy. Maybe an argument leading to a sudden parting. I mean, yeah, Yeah! I can see that. Perhaps Mike is being too overprotective whilst El's trying to sacrifice herself for something, so she NEEDS to separate herself from him attempting to hurt him less. Or, I dunno, something akin. What's crucial is that us, AS THE AUDIENCE, still know them to be deeply in love. I mean, we have to still want them to be together. And we've seen couple trouble before. Just take a look at Lumax season 4 - did you or did you not want the best for both of them as a pair? You most likely did. See, it's doable. So did people like milkvan season 3 the same way, even after a separation plot? No.
Okay well, there are obviously those who'll always love milkvan no matter but, see, season 3 tainted it. "We need to write them like this cause it's more realistic to teenager behavior" my ars. You can make it messy without making it icky. Not only did it sour their unique dynamic, it flabbergastingly stomped on Mike as a character.
Honestly, I feel Mike has always been a mild struggle to write. Season 1 his motivations were 'find Will' (who still doesn't exist in our mind game yet shh) and 'protect El'. This worked well for him. Afterwards though, El and Will became more separate plots to him. But as a main character it remained integral that he be closely linked to them somehow. This sets him apart from Lucas and Dustin, who can easily be given any arc any season as their plots have the flexibility of a side quest nature. Since what Mike does is meant to matter more - with there probably being a better way of phrasing that but you know what I mean - it's harder knowing what he'll do when El and Will (who we'll GET to sh.) are their own separate people. And Mike is just a boy, he doesn't have super powers and he isn't a cop, which leaves there even less for him to do which is of significance. Season 2 writers decided upon having him support Will's arc, making himself of enough relevance by being able to take credit for some Will development in the story, and the plots that surrounded that, and then Mike was thrown a little bone by being the one to come up with the idea of burning those vines in the finale.
Truthfully, you don't really remember Mike's deeds much when reminiscing the series. It isn't like Dustin who's bond with Dart sticks to everyone, or Nancy and Jonathan responsible for kicking out Hawkins Lab. This is due to them, again, being able to traverse all sorts of adventures without limits. But my guy Mike can't do dat. Sadly, this kind of leads to him coming of as a little.. well... insignificant. And I know I know, the Mike truthers are gonna come at my throat. And hey! I love him too. I only want the best for my boy.
This makes season 3 a unique case cause it seems that, for the plot they decided they wanted, writers actually had to almost entirely change his character. I mean mate s2 Mike and s3 Mike are two different peoples, don't even. And I don't believe that the Duffers had their story and character turnouts completely drawn out from the very start at all. If I was to guess, I'd assume they have vague ideas of little plots they plan to include in future, but there is definitely a lot that has come unpredicted or changed throughout st's runtime. And one of those phenomenons are Michael Wheeler. So they decided to make this guy a di-
So they decided to make him more douchy, more movie typical teenage guy. It's not as if he wholly sucked, he didn't, but he didn't really do much. Whined about his girlfriend, separated the party. I mean what even was his arc? (UnLESS–)
You see, if milkvan is written to be loved, then season 3 was strike one. All of its charm was stripped away. It seems they had some cute scenes after their reconciliation, but it's not enough. It's just sort of
"oh, ok, so they're happy with eachother now. yayy."
and Stranger Things should want to be anything but boring. Sure they often enjoy indulging in tropes, but they always do something different with them. Something standoutish. And from this point on milkvan just got dull. Either writers ran out of ideas or lost interest, honestly (still with our mind game of telling ourselves they're meant to be).
But it's okay. Look, so season 3 was a bit rocky, maybe lost a couple of fans for the guys, but it is salvageable. Easily, easily. Looks like we want a plot of Mike struggling to tell El he loves her. Great! Much to work with.
So let's get into it. Season 4! Choices were... made. And, okay, now we can't go any further without bringing in our boy Will.
Mike is intrinsically tied to Will and El and has been from the start. Maybe Will was more of an accident. Maybe s1 Will was just a plot device for Mike, then s2 Will was a plot device again and Mike needed to be there as the main boy character. Come season 3 and it seems their relationship still matters. Will was sidelined - hard - so most of Mike's moments revolved around El. But as his bond with Mike is the only that's been properly built up, that's the only friend we'll get him interacting with in a way that matters. So the Mike and Will tie continues!
But that does not have to be the case for season 4. Now the writers have a chance.
They made Will gay.
Ok so.. ok so yeah that's fine. Yeah! I mean they didn't have to do that, might put them in hot water with the bylers since milkvan is their golden beauty but.. you know what no no that's okay. He's been hinted at being queer since episode 1, why not make it canon! Cool that works. Explore that, especially since we now have Vecna who can easily target Will for this. Give him a boyfriend! Or a guy crush. He's at a new school now? That's cool. Maybe we can explore some new male character Will's taken interest in. Hey maybe he meets someone who interests him which rises to surface his whole sexuality plot and-
he's in love with Mike.
Ok. No. No. What are you doing? What do you mean?? You didn't have to do that. Strike- strike EFING TWO mates! Strike. 👏 efing. 👏 2!
This was part 1. I am tired and gots to get my ars in bed. But ohohoh, do not worry. I am just getting started.
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ttulipwritezz · 2 months
Text
King Of My Heart (Body And Soul)~ R. Lupin.
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Chapter 2 -  Expectations
Ootp! Remus Lupin x Sirius's sister!Reader
Synopsis: When James and Lily died, and your brother was sent to Azkaban, Remus was the only person you have left. Until he left too. What happens when he returns after the events of Sirius's escape, only to find out you have a son? A son that's his.
WC: 1.4k
Warnings: lots of italics, probably grammatical mistakes, might be ooc idk, child (?), fem reader, italics are flashbacks ( idk), love (ew), Sirius is back, [ look at series masterlist for all content warnings]
A/n: This is more of the backstory and how they came to be, along with lots of awkwardness from both ends, I promise there's more remus in the next chapter <3 oh and reunion with Sirius and thanks to @lixzey for making me wanna push the awkwardness~ :) If you enjoyed this please reblog and comment :)
Series Masterlist, Main Masterlist, Navigation
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You and Remus were in love, you had been in love for 6 years.
Everyone knew you'd be endgame, and your brother hated it, to an extent.
Sirius loved that his little sister was happy, that she had joy in her life after the roughness of their family life. But he was scared, scared because he knew how much Remus would push people away, push himself away.
He didn’t want you hurt. But you were.
~
You found out in October, two weeks before Halloween.
You had been talking with Lily through letters back and forth, discussing your recent morning nausea and sickness.
She had asked when was the last time you and Remus had slept together, strange you considered that question, you replied a week ago at most.
Her letter came back with the words "you might be pregnant, dear...why don't you take this potion i sent along?"
And along with it there was a potion in a small vial with a piece of parchment guiding you through the process.
All you had to do was drink half of the potion and wait for the other half to shift hues.
And sure enough, the once rust coloured potion soon turned blue, signalling your current state.
You were carrying Remus's child, a child you hadn't talked about, a child you were sure you weren't ready for.
~
It was now hallows eve, the day you thought you had worked up the courage to tell Remus.
Children around town had just finished trick or treating and your husband was bringing back the basket with remaining candy.
He came into the bedroom with you and went straight to the shower, promising to return in a bit.
Your eyes heavy with sleep, you sit down on the edge of the bed, waiting for Remus to come out of the bathroom.
He sees them on your trousers before in your eyes, your tears. His brows furrowed in concern and pity as he looked at your face, eyes dull with sorrow and fear, so uncharacteristic of your usual glimmer and joy.
"What's the matter, dove?" He asks, voice slightly hoarse from the drowsiness in the back of his mind.
You don't answer, only look at him like you're out of words. You're thinking, thinking what a little Remus would look like, how they’d have the same nose, probably his same freckles dusting their face, and the same sandy locks of hair with deep roots.
You wonder if he'd want this, a kid, if this could be the one thing Remus would give up the world for.
"Come here, darling" he says and takes your body into his, nuzzling your face in the warmth of his polyester sweater. He understands, he always does.
That's how you sleep that night, unaware of the chaos that was soon to follow.
~
Remus rushed out of bed the moment  the potter's deer patronus knocked on the window.
The white buck stopped at the foot of his bed and let out a call of help, soon disintegrating to mist after.
That night Remus lost three friends, you lost a brother to azkaban and you lost Remus.
He left the morning after. With your heart shattered to pieces, you let him go.
Your mind screamed at you to tell him. Tell him and maybe he'd stay. Tell him and maybe he'd reconsider. But your heart, ever the kind one, ever the selfless one, let him go. In hopes that one day you'd see him again.
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Remus was half expecting you to slam the door in his face. To make a face of absolute disgust and just lock him out. But of course the other half of him was longing to hold you, see you after so long. So it came as a welcome surprise when you widened the door and let him inside.
 "Uhm...come in, please, we were expecting you" You said,  trying not to let your voice waver.
Remus felt so awkward. His hands were clammy, his posture was stiff and his jaw was clenched. He felt like he couldn't move, no more than if he had been hit with the petrificus curse.
You weren't in a much better predicament yourself. You could feel your eyes pricking with tears at the mere sight of him. The same man who left you. The man you let go. The man you still loved.
As he made his way inside the house you let your eyes roam across his figure. His hands were littered in large scars, far bigger than those you'd seen before. His face was shrunken, eyes hollower than you remembered. His smile lines were far more prominent now and his sandy brown hair had a few streaks of grey littered throughout.
"Where is the rest of the order? Where's sirius?" Why did you leave? Why are you back? How are you? You had so many questions but the rest were best kept to yourself.
 "They're on the way, I was just...early" I wanted to see you. 
Remus hated himself for leaving you. He wanted to tell you that. He regretted each night, even more so on full moons. After leaving the realisation of what he had done dawned on him, it was already  too late.
Alas, by the time he had worked up the courage to talk, You were already making your way across the hall to embrace your brother who had just arrived.
When did he get there? How consumed in his thoughts was Remus?
You greeted Sirius with a hug and a look-over of his whole figure. His posture was shrunken, eyes even hollower than Remus's and instead of his signature smirk, only a ghost of a smile was left on his face.
A feeling of guilt consumed you. Your brother was back after azkaban. Innocent. And your mind was all consumed by Remus.
You ushered the rest of the order inside and told Regulus to pack up his things and clear out the living room. The confused and curious glances you got from everyone did little to ease your nerves.
Sirius pulled you aside. You prepared yourself for the conversation you knew was to follow.
“Who’s that?” 
It was a valid question, Sirius was well aware that Remus had left that night. After their teary reunion, the werewolf had gotten an earful from the oldest Black. He was shocked and thought that  you had found someone new, unlike Remus, Sirius was quick to notice the similarities between the small boy and you. He deduced that he was your son.
“Uhm- He’s my son.”
You were staring at your feet, and your hands were fidgety.
There was a long pause. The silence was so loud you could hear the clock ticking.
“I…I have a nephew?” His words came out uncertain. Cautious and slow.
With a hum you replied “His name is Regulus. Regulus Jace.” You left out the last name. Legally he was a lupin. And so were you. But it wasn’t that hard to conceal that at hogwarts.
At the mention of his little brother, Sirius seemed to grimace. But he put a smile on.
“You named him after Reggie?-” He asked. And continued as you opened your mouth to answer.
“Who’s..who’s the father?” He didn’t want to assume the worst. He was happy, truely he was. After that “bastard” (as he put it) left you it was only fair. No matter how much he ached to see the two of you together again.
“It is Remus.” You replied, vulnerability lacing your voice.
His face seemed to light up, eyes widening, both in shock and delight. Before he would alert the whole house, however, you let him know one more thing.
“He doesn’t know. Neither of them do. I haven’t told them.” 
Your chest felt heavy, and your throat seemed to close up. It was hard for you to talk about. Despite being married you and Remus had never talked about kids, let alone with your friends. The feelings of contempt and guilt surrounded you.
Next thing you know, Sirius is pulling you in for a hug, securely wrapping his arms around you and trying to soothe your worries. His right hand wraps around your back as his left brushes against your hair in a calming manner.
It all comes crashing down. The weight of the lies, the guilt, the fear, the hatred. You cannot hold back the tears that rush down your face. A sob rakes though your body. You feel so much, everything, all at once, joy, relief, contempt, familiarity of an embrace.
But most of all...love. Love you haven’t felt in fourteen years.
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scarlethexelove · 3 days
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can you please write Y/N and Wanda also Natasha is not dead here (up to you thooooo) , and Y/N pretty much replaced Vision. But before these events Natasha has always been there for Wanda, (after Endgame) so she didn’t make a hex but still griefed about Y/N and Wanda making a big move for Y/N’s reincarnation but in a good way. After Y/N being back from the dead. She learns that her soon to be wife has already fallen for Natasha and her reincarnation just meant nothing and Y/N didn’t go on with her life and ended it just there.
Wands regretted everything until she lost herself and made a big mess with the universe (pretty much MoM) and overall Wanda regretting everything, and when she gets us back (it can be Wanda taking another one of us in an another universe) or her just making us alive from the dead *this all can be up to you author*
I love your stories 🖤
I'm Sorry
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Pairings: Wanda Maximoff x Reader
Word Count: 3590
Warnings: Cheating (Allusions to it but really it is there), Angst, Major character death, Mentions of Murdering innocent people, Angry Wanda, Suicide by others, Not really a happy ending, tiny bit of fluff like very little.
A/n: This one was fun. I hope I did it justice. I may have changed a little bit of it but I hope you still like it.
NO ONE IS PERMITTED TO STEAL, COPY, OR REBLOG MY WORK AS THEIR OWN
Everything hurts. You have a splitting headache and it feels like you got run over by a MACK truck. Your face scrunches up in pain, the lights too bright even with your eyes closed. Sensory overload has you curling in on yourself. Hands come up to clamp on your ears when you hear a voice, but it’s so loud and muffled that you don’t even know who is talking to you. All you want is for all of it to stop. You had been an experiment but that experience doesn’t compare to what you are feeling right now. 
“Nat turn the lights off.” Wanda orders the older woman in the room. Nat flicks the light off as she watches Wanda brush some hairs back. You let out a whimper at the contact. It breaks her heart seeing you like this. When her hand brushes against your skin she can feel you. She feels your pain. Red whisps leave her fingers slowly seeping into your skin. Soon enough the pain starts to dissipate. 
Wanda crawls in the bed behind you wrapping herself around your frame. You feel a body pressed against yours and you immediately know who it is. “Wanda.” You whisper. You turn around in her hold and nuzzle into her neck. “I’m here sweetheart.” Wanda combs her fingers through your hair. You're so tired and she feels like home. You fight to stay awake but her ministrations have your eyes closing. “It’s ok detka get some rest.” Wanda whispers and kisses the top of your head. You finally let yourself drift off to sleep. 
A little over 5 years ago the team was fighting Thanos. Your powers let you see brief points into the future. You saw that if you died that Wanda would be safe. Thanos needed you gone to get what he wants but you also saw that in the end the Avengers would win. The event that sets that in motion was your death. So as much as it pained you you let it happen. To save Wanda, to save the world. Wanda could move on but the fate of the universe was in your hands. 
“Wanda.” Nat says softly from the corner of the room. She looks at you curled into Wanda’s arms. A sight she had hoped to never see again. “Natty, she needs this.” Wanda says softly, still stroking your hair as you sleep. Nat just nods. It hurts but she knows it is something that Wanda had to do. 
Your mind races. Your dreams are of your last memories. The fight with Thanos and how you let him kill you just in order to save everyone else. Your body shoots straight up as your chest heaves from the memories. You feel a hand rubbing up and down your back but you haven’t quite gained control. You mind questioning how you are here. Why are you alive? You should be dead. That was all your mind could see and you had accepted that fact but here you are. Tears stream down your face. “Why?” You're not sure what you are asking, who you are asking the question of. You feel so small. “Why what detka?” Wanda asks you with concern on her face. “Why am I here? I should be dead.” Your voice breaks and Wanda’s heart hurts seeing you like this. 
Wanda starts explaining everything that had happened while you were gone. Excluding some details. They had worked tirelessly to bring back those that were snapped away. Wanda and Nat become the de facto leaders of the Avengers. It took 5 years but they finally did. Once that was done they set out to bring you back. It took some time but somehow when Bruce had snapped his fingers he was able to bring you back. But somehow you ended up in a pocket universe in a deep sleep. They were finally able to get you back safely. All the information flooding into your mind is a lot to handle but eventually you understand. Somehow the universe had different plans for you. 
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It’s been a few months since you came back. Most things are the same but something seems off. Wanda hasn’t been as loving towards you. Before she was always so touchy and wanting nothing more than to crawl under the sheets cuddling while watching some sitcoms. But now she barely even gives you a hug. Sleeping in the same bed has you feeling like she isn’t even there. She is a million miles away even if she is only right beside you. Your heart hurts not understanding, is she still mad at you for letting Thanos kill you. Anytime you try to talk to her she just brushes you off and says nothing is wrong. So you're left alone to your thoughts and worries.
Nat had moved into your shared home while you were away. The two women grew closer at the loss of so many others. You want to be angry and jealous that Nat gets more attention than you but you still trust Wanda hoping that she will come around eventually. 
You’re walking towards the kitchen when you can hear a hushed discussion between Wanda and Nat. You stop just shy of the door frame listening in when you hear your name mentioned. “Wanda you need to tell Y/n.” Nat says her body leaning on the counter and arms crossed against her chest. “Tell her what Nat?” Wanda counters. She sits at the table with a sad look adorning her face. “You know what Wands.” Wanda lets out a sigh. “I can’t do that to her Nat.” Wanda’s voice is low. “You can’t keep lying to her. You can’t keep lying to me. I love you Wanda.” There is a pause in the conversation before Wanda speaks up. “I love you too.” Your heart drops the moment the words spill from Wanda’s mouth. 
You’re quick to turn on your heels as the tears start to stream down your face. Holding in a sob as it all makes sense now. In your absence the two had fallen in love. You’ve somehow become the other woman in Wanda’s life. You don’t know how you didn’t see this coming. Your powers should have felt this but they hadn’t and now you’re left heartbroken. You push into your shared room focusing on pulling yourself back together. You can’t let them know that you know until you figure out what to do. 
The buzzing of your phone pulls you out of your despair for the moment. You see Fury’s name flash on the screen. You quickly wipe your tears and answer the phone. “Sir.” You say masking the waver in your voice. “Y/l/n I have a mission for you. Since you have been cleared for duty I would like you to head out tonight with Barton and Barnes. I have sent over the reports for you to go over. Good luck out there and glad to have you back.” The phone line goes dead as the man hangs up the phone. You open the report sent to your phone. You now see the flashes in your mind of how the mission will go. And that is where you see it. What you’re going to do. 
That night you enter the Quinjet greeted by the two men. Hugs and joy at your return. Your powers are always a significant help to missions. You three go over the plans for the mission. You lay out what you had seen in your vision, excluding one crucial part that the men don’t need to know. You know if they did they would try and stop you. But your heart aches and you put on a fake smile so that no one would expect a thing. 
Everything was set to go. A long message meant to play for Wanda after it was already too late. This would be your last mission. Wanda and Nat would have all that they could ever want. You wouldn’t be the burden that you know you are. They should have just left you dead if they were going to do this to you. So you made that decision for them. You weren’t going to come back from this mission alive. 
The mission was going perfectly. Playing out exactly as you had seen it. Bucky and Clint were together and far away from you. You snuck into the building off the side. It held some hostages that had been taken by Hydra. You snuck in taking out every agent that you passed. It didn’t take long for you to make it to the hostages. You were able to release them from their binds and get them out of the building safely. But you knew it wasn’t over yet. Bucky and Clint were waiting exactly where you told them too. Having each hostage run towards them for safety while you stood with your back towards the open area. 
You waited knowing what was to come soon. You could change the outcome but you didn’t want to. You didn’t want to be in a world where Wanda loved someone else. You waited with bated breath as the last hostage ran towards your teammates. You exhale the air in your lungs before a sharp pain in your stomach is felt. You grit your teeth turning around firing off a few rounds, but you're hit with another round to the shoulder. You can hear the muffled sounds of Bucky and Clint calling out for you but you push through. Another shot to the leg sends you kneeling on the ground. You push through the pain as you stand. A few steps forward as you unload your mag into the man. Another man appears with his finger on the trigger of his gun. You watch as an arrow sores through the air and hits the man directly in the chest. His finger squeezes the trigger as he falls. You’re hit with the array of bullets. Your body sways before falling to your knees then falling to the ground. The ground below you stains red as your body goes cold. 
Wanda felt a change in the universe. She cries out causing Nat to panic next to her. Wanda clutches her chest in pain. She felt this twice before. Once when Pietro died, the second when you died fighting Thanos. She had never wanted to feel that pain again but here she is feeling it. The world stops turning at that moment. Not again she thinks tears streaming down her face. 
The doorbell rings but Wanda doesn’t hear it. Nat tries to console the younger woman pleading for her to tell her what is going on. It continues to ring when no one answers until Nat gets up and finds out what is going on. Wanda sits sobbing on the couch. Nat walks back in with a folded paper with your hand writing on it. Wanda scribbled on the top. 
Wanda sees this snatching the paper from her hands and quickly opening it before reading the words delicately written across the page. 
My dearest Wanda,
You’re reading this because I’m gone. I’m sorry to do this to you
but I can’t live life like this. I know that you no longer love me.
I see the way you look at Natasha and I know she is now
the love of your life. I want you to be happy. I saw this coming
and I could have changed it but who am I to keep you from the 
one you love. Don’t mourn for me, just live your life. You don’t
have to worry about me anymore and you can be happy, that 
is all I have ever wanted for you. But my love I can’t live in
a world where you love someone else. So this is goodbye.
Love,
Y/N
Tears hit the paper blurring the words in front of her. Wanda’s heart shatters into a million pieces. How could this have happened? How could she have thrown away all that you two have? She is absolutely disgusted with herself and with Nat. This isn’t how it was supposed to go but she was blinded and now her eyes are finally open but now it could be too late.
Through the tears Wanda gets up making her way out the door and immediately taking off towards the compound. Her magic lifts her into the sky as she flies as fast as she possibly can to the one place she knows you would be. Praying that maybe it was all wrong, maybe you can be saved. Nat calls out for her as she leaves her alone standing in the yard. 
The ground cracks below Wanda’s feet as she lands hard on the ground. Anger and guilt pumping through her veins as she walks towards the building. Her magic slamming doors open as she makes her way to the med bay. Your body is already lying there. Bucky and Clint talking outside the room. Windows lining the wall as they keep looking back at your body. Wondering what they would tell the angry redhead but they didn’t have to wait too long. They spot Wanda fear and sorrow on their faces. “Wanda we can -” Clint is cut off. “Save it.” 
Wanda makes her way into the room. The boys walked away looking like kicked puppies. Wanda’s breath picks up as she sees your still body encased in a black bag. The top half of it unzipped revealing your pale skin and blood staining your suit. You look so peaceful like you could be sleeping. Wanda cups your cheek, a light jerk of her hand when she feels how cold you are. She lets her magic slip out the ends of her fingers going into your head. Fresh tears streaming down her face. “I can’t feel you.” A sob wracking her body. “I’m sorry. I’m sorry love you never deserved any of this.”
Wanda silently sobs as she sits next to you. Your hand in hers as she just stares blankly at your body. The door clicks open a while later. Wanda doesn’t turn to look. “Go away.” Her voice is hoarse from all the crying but she doesn’t care. “Wands.” Nat whispers. “I said leave.” Wanda’s voice raises as her head snaps towards the door red swirling in her eyes. Nat knows she is just upset so she doesn’t back down. “Detka.” She whispers. “Don’t you dare detka me.” Wanda stands letting your hand drop off the side of the bed. “This is all your fault. She is fucking dead because of you.” Wanda seethes. “Don’t put that blame on me Wanda. You're just as much the problem.” Wanda stalks towards Nat red surrounding her body and slamming her into the window, a crack forming behind her body. “Don’t you fucking dare blame me. It should have been you. You should have died back then. I would still have her. She is more of a woman than you will ever be. I let myself be blinded by you. Blinded by the love you gave but I didn’t love you. I don’t fucking love you.” As hard as Nat can be, Wanda's words cut deep. Tears shine in her eyes as she holds back a sob. Wanda sends Nat’s body flying through walls until she lands outside. Wanda follows as she does so. Releasing Nat’s body which is now battered and bruised. She then flies off into the night. 
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It’s been months since anyone has seen Wanda, held up in a small cabin in the middle of nowhere surrounded by mountains. Some have tried but they always get blasted out so they stopped trying. She has been lost to the Avengers and they aren’t sure they could ever get her back. The day they lost you they also lost her. 
Wanda’s black tipped fingers comb through a book. A very dangerous book. The more she searches the darkness in her soul grows and the blacked tips grow. She has tried everything in the book to bring you back to life but none of it works. She had another attempt today, something new, something hopeful but it ends with a magical outburst throwing everything in the cabin. She continues to comb through the pages ignoring the disarray around her. She closes her eyes and lets her magic do the work. It’s not long before she finds something new. She thought she had seen all that this book had to offer. All that the Darkhold had to offer to the Scarlet Witch. 
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You are sitting in your living room, two small boys cuddled into each of your sides as you watch a movie. Empty bowls of ice cream sitting on the coffee table that you have your feet propped up on. You laugh as your son Tommy tries to mimic you. You other son Billy giggling along. Tommy huffs and crosses his arms. “Not funny.” He mumbles. You can’t help but ruffle his hair which makes him swat at your hand causing you to chuckle. “One day buddy you will reach it.” You kiss the top of his head. All of you falling back into the silence, the only sound is the movie playing. 
Your mind flashes to a vision of Wanda but not your Wanda standing in the middle of your living room. Her face twisted into something you can’t even imagine in your wildest dreams from the woman you loved. The pain that she has caused to get to this point. As your world comes back to you you are met with a star shaped portal in the middle of your living room. What was once an image in your head now in front of you. 
Wanda’s hand wraps around the young girl's throat in front of you. “What did you do?” She seethes. The two boys next to you are terrified. You quickly stand and tell them to run but Wanda’s head snaps towards you. The couch you were once on is now thrown at the stairs blocking the way. You push your boys behind you in a protective manner. Wanda’s eyes trailing the boys curiously, a small warm spot forming in her heart seeing your protective nature. She didn’t expect to find you with kids but she always wanted a family with you so it can’t hurt. 
“Wanda!” You yell at her. Wanda is startled by the anger in your voice. You have never yelled at her like that. “Let the girl go.” You demand of her. Her hand slips from the girl's neck as she coughs on the ground holding her throat. Wanda starts stalking towards you but you back up with your boys behind you. 
Billy tugs on your shirt a little trying to get your attention and you quickly look back at him. “Is that Mama?” His voice sounds so small. Your attention quickly turns back to the woman in front of you who has stopped. You can see tears in her eyes at Billy’s words. “That is not your Mama.” You shake your head. You can see the hurt on Wanda’s face as she gets closer to you. “I can be.” She says a crack in her voice. 
You start to walk towards the woman but your boys try to stop you. You motion that you will be ok as you stand in front of Wanda. “You could never be my Wanda.” She falls to her knees, her hand on her chest as she looks up at you. “I can see your hurt and your pain but you have caused so much more and for what.” Tears rolled down her cheeks. “I did it for you.” She whispers. “I would never want you to do this for me. Wanda you murdered people. Good people.” Wanda stands back up and moves towards you, her hand reaching out to cup your cheek. You back up away from her touch. “I wanted you back.” You scoff and shake your head. “After seeing what you did I could never want you. I miss my Wanda but you are not her and could never be.” 
Wanda’s face twists in anger. You try to back up again but she is quicker this time. She grabs your wrist in her hands. “Wanda that hurts.” You whimper as she digs her nails in. “Too bad. I’ll make you love me just you see. Now that I have you back I will never let you go again.” There is a panic that rises in you. “We will have the perfect little family.” She looks behind you. “Won’t we boys?” They are too scared to say or do anything just holding onto each other for comfort. 
Wanda keeps one hand on you as she turns around. Her wrist flicking as America is thrown back through the portal. It dissipates from the middle of the room before she turns back to you. You struggle to get free but she is stronger than you remember. She clicks her tongue and looks at you, her hand finally reaching to cup your cheek. Red whisps leave her fingers as they sink into your mind. “All mine now.” She replaces every memory and thought of your Wanda with her. Changes the fear to love. You’re hers now and no one will change that. Her magic soon flowed into the boys having the perfect little family. She would tear the world in two to keep you and the boys forever. 
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Text
Healing Bonds
Yelena Belova x Fem!Reader, Natasha Romanoff x Fem!Reader(Past)
Summary: You find Yelena after Natasha, your ex-lover, has passed and you feel like it's your duty to keep Yelena close. What happens though when feelings rise up for the blonde Russian?
Word Count: 3.2K
Warnings: Lots of angst and hurt
A/N: So This idea had come to me after rewatching Endgame, Black Widow, and Hawkeye so here you go.
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The first time you met Yelena Belova wasn't until after her sister and your ex-lover, Natasha Romanoff, died. Natasha had always talked about Yelena and how much she loved her. You cried when you first laid eyes on Yelena. The two looked nothing alike, and you were thankful for that because you don't think you could look at her if she did.
When you told Yelena who you were to Natasha, she cried, wishing for a million different scenarios in which her sister was still here with them, and all you could do was hug Yelena, which earned you a handful of punches. You learned quickly that Yelena could be a very violent person when dealing with certain emotions. The first time it happened, you let it. You let her get her aggression out.
"It's not fair! You had so much time with her! You got to be happy with her! Me? I got a mission that almost got us killed after 20 years of silence!" She yelled, and you just held her tighter. "I'm sorry, Yelena," You whispered over and over and over.
In those moments, as her fists collided with your body, you could feel the pain in her words. It wasn't just about Natasha's death; it was about the years lost, the missions that tore them apart, and the void left by the silence between them. You understood Yelena's anger, even if it was directed at you. It wasn’t as if she could direct it at the person she wanted to.
As the punches subsided, she finally collapsed into your arms, exhausted from the emotional storm that had consumed her. You sat there in silence for a while, the weight of Natasha's absence hanging heavily between the two of you. The room felt colder, emptier, and you couldn't shake the guilt that gnawed at you.
"I wish she had more time with you too, Yelena," You said softly, your words barely audible. Yelena didn't respond, but her grip on you tightened, seeking solace in your shared grief.
In the aftermath of that turbulent encounter, the two of you began a journey of healing together. You were bound by the love you had both lost, and as the two of you navigated the tangled web of emotions, a new connection formed. A connection born out of pain, but one that held the promise of understanding and, perhaps, even redemption in the face of the losses you both endured in the wake of the Snap and beyond.
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You ended up taking Yelena home with you, offering her a permanent place by your side. She continued going on missions, which you had expected. The first time she left without telling you, and there was no note. You thought you'd lost her forever, sitting on the back porch in the summer evening air, your Y/H/C hair whipping around you as silent tears fell.
You didn't hear her come in, not until she was next to you did you notice her presence. "Why are you crying?" Her accent, thick and familiar, filled your ears as you grabbed her, pulling her in tightly, close, your heart hammering in your chest. "I thought I'd lost you too... don't... don't fucking do that again, Yelena!" You yelled at her, your voice trembling as tears flowed freely.
Yelena's expression softened as she held you, understanding the fear that gripped you during her absence. "I had to go. It was a last-minute mission, and I didn't want to wake you," she explained, her words a mix of apology and reassurance.
"It doesn't matter. Just... just tell me next time, please," You pleaded, your grip on her not loosening. The relief of having her back overwhelmed the anger that had fueled your outburst.
Yelena nodded, pressing a gentle kiss to the top of your head. "I promise. I'm sorry for making you worry," she said, her voice soothing. The two of you stayed there, entwined on the porch, the summer breeze carrying away the tension that had momentarily fractured your newfound connection.
From that day forward, Yelena kept her promise. She would leave for her missions, but not without a word or a note, ensuring that you wouldn't have to endure the heart-wrenching uncertainty of her absence again. In the quiet moments between her departures and returns, your bond deepened, and the scars of your shared losses began to heal, one mission at a time.
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You decided to form a company a little over a year after Natasha died, the weight of her absence still heavy in your heart. Standing at her grave, you whispered into the wind, "I'm going to start a company. I don't want to be an Avenger anymore. Not without you, but I can help others. I know I can." The breeze felt like Natasha's touch, a comforting caress that seemed to echo her approval.
"Yelena and I have been living together for six months now, Tasha. She's exactly as you described. A spitfire and a brat at times. I don't know if you can forgive me or not when I say this, but I could see myself with her. She's my type, a power bottom with a bratty side." You chuckled as the wind picked up. "Okay okay... I understand, only if she moves first," You whispered, as if seeking Natasha's consent in the elements around you.
Your company started up with few hiccups. You planned on making a business out of seeking out people with powers and talents that could be considered Avengers, teaming them up with a manager. Eventually, you aimed to expand to other countries, each with its own headquarters. The goal was to create a network of skilled individuals, ready to defend against threats on a global scale.
You envisioned a world where those of you left in America could stay here unless faced with a Thanos-level threat, something you fervently hoped would never happen again. The legacy of the Avengers would live on through this new venture, a tribute to Natasha and a commitment to protecting a world that had lost so much but still held the potential for hope and resilience.
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You come home to find Yelena sitting on the couch with a pot of mac & cheese covered in hot sauce, using a too-big spoon. "Y/N! I made mac & cheese! Would you like some?" she asks, and you’re too exhausted to yell at her. You sit next to her, taking the spoon and eating some. "How was your day?" she inquires.
"Stressful, Lena. More and more people are learning about my company, and we're getting more and more applications," You reply, leaning your head back against the couch, closing your eyes. You hear her set the pot down on the coffee table before she curls up against your side. "Anything I can do?" she asks.
You remind yourself of the promise you made to Natasha. "Whatever you think sounds good. You've known me for over a year now, Lena. What is it that you think I want? What will make me feel better?" You don't open your eyes or look at her. you’re testing her, and she knows it.
You feel her shift off the couch, and you clench your fists. She's never going to make the first move as you fiddle with the band on your ring finger—the one you haven't taken off since Natasha gave it to you.
Yelena returns with a blanket, draping it over both of you. "How about a movie night? We can just relax and take a break from all the chaos," she suggests, her voice soft. It's a simple gesture, but the warmth of her presence and the consideration behind her words start to ease the tension within you.
You nod, finally opening your eyes to meet hers. "Yeah, that sounds good, Lena," you admit, a small smile playing on your lips. Maybe in that moment, amidst the mac & cheese, the too-big spoon, and the movie night proposal, you found a way to let go, even if just for a little while.
Yelena picks the movie while you change into pajamas, a tank top and shorts. You notice her eyes on your body, but choose to ignore it for the time being as you make popcorn and pour us some vodka sprites. Carrying the drinks and popcorn over, Yelena has picked out John Wick. You can’t help but chuckle at the choice as you settle back into the couch. Yelena moves closer, fitting into you like a puzzle piece as she takes your left arm and wrap it around her shoulders. You simply smile at the gesture, sipping on your drink and eating popcorn as the movie plays out.
About halfway through the movie, you feel Yelena absent-mindedly playing with the band Natasha had given you. She's engrossed in the movie, and you watch her, finding her reactions more enthralling than the movie at this point. It's a subtle touch, her fingers tracing the contours of the ring on your finger, and you can't help but be drawn to the way she navigates the emotions tied to Natasha's memory.
As the scenes of John Wick unfold on the screen, you lean your head against Yelena's, savoring the comfort of the moment. Her actions speak louder than any words, and in the quiet intimacy of that movie night, you start to understand that healing doesn't always come from grand gestures or elaborate plans. Sometimes, it's found in the simplicity of sharing a movie, a drink, and the touch of someone who cares. And in those stolen glances and unspoken connections, you find a new layer of solace, a fragile bridge between the past and the potential for a future where happiness is not just a memory but a living, breathing reality.
You whisper in Yelena's ear, "Tasha gave me the ring." Yelena is pulled from the movie, looking down at your hand that she's been playing with. "It was a promise ring. She got it for me in Budapest. Saying when things settled down, she'd do the whole down on one knee, and we'd have this beautiful wedding where she'd wear a black dress instead of a white one. Everyone would be there, and we'd go back to Budapest for our honeymoon. When we'd come back, we'd ask for a safe house where we could just live quietly between missions..."
You don't realize you’re crying until Yelena is wiping the tears from your face. "I'm sorry... I didn't... I'm ruining movie night, aren't I?" You choke on your own sobs, but Yelena just pulls you against her, hugging you tightly. "No, you haven't ruined anything, Y/N. It's okay."
You hold onto her, shifting slightly until she's in your lap, once again feeling like a puzzle piece as we bury our faces into each other's necks. "If you had gotten married, I hope she would have come found me to be her maid of honor... though I don't know how good I'd be at that," Yelena admits.
In that vulnerable moment, amidst the shared pain and unspoken understanding, Yelena's admission brings a bittersweet smile to your face. The weight of Natasha's absence still lingers, but in Yelena's presence, you find a different kind of strength—a strength born out of shared grief, compassion, and the subtle promise of moving forward, even if it's one tear-streaked movie night at a time.
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Yelena wakes you up, gently calling your name and crawling onto your bed. "Y/N... Y/N..." She speaks softly, shaking your arm lightly. In your half-awake form, you turn to face her, pulling her into a tight embrace, her face against your chest. You can smell her shampoo, pomegranates, and make a noise of content. "Y/N, I have to go," Yelena whispers.
"No," You refuse, not letting her go. In fact, you hold her a little tighter. "Yes, I must. The widows need me," she insists.
"I really don't want you to go... I worry so much every time you go out that door. I know you're the world's greatest assassin, but so was Natasha before you," You confess. Yelena cups your cheeks. "I'll come back. I promise."
Natasha said those exact words too. You feel the tears in your eyes, spilling over before I have a chance to stop them. They're down your cheeks and running over her fingers. "I know words mean very little. I know Nat said similar words. I'm not leaving, though. I'll come back. It's just freeing more widows that have been found. That's all. It's safe. I promise. None of them come close to my skills."
Yelena wipes your tears and assures you that she'll come back. You know you have to let her go. "Please just come back safe, Lena. Please," You lean your forehead against hers. "I can't do this without you," You finally confess.
"I'll come back. I'll always come back. You can't get rid of me, not anymore. You're too deep into this," Yelena tells you, and you look at her, searching her face. "Lena..." Gods, you want to kiss her so badly just to show her how much you need her, but you promised Tasha...
Yelena leans in, kissing your cheek, almost reaching your lips. It's the first time she's ever kissed you in any way. "I'll be back. A few days, that's all," she reassures, placing another kiss on your cheek before she leaves. She looks at you one last time with a smile before heading out, leaving you there, curled up into a ball and crying. Now, you definitely couldn’t lose her.
The weight of her absence already looms large, and the brief touch of her lips on your cheek lingers like a promise in the air. As you try to gather yourself, the echoes of Yelena's words and the warmth of her fleeting kiss become the anchor in the storm of your fears. You know you must trust her, just as Natasha had asked you to trust her own choices.
In the solitude of your room, you cling to the hope that Yelena will return, that the few days she's away won't stretch into an eternity. The scent of pomegranates still lingers in the air, a reminder of her presence, and you find solace in the belief that your connection, however fragile, will endure the challenges that lie ahead.
"Please tell me you'll count that as the first move, Tasha?" You ask, directing your words to the air as you look at the ring on your finger. There's a moment of silent contemplation, a silent conversation with a memory.
Then, you get up and get dressed, facing the day with a mix of vulnerability and determination. The echoes of Yelena's departure still resonate in your mind, but as you glance at the ring, you find a subtle strength. The journey ahead may be uncertain, but in that quiet acknowledgment, you feel the weight of a promise made, a connection forged, and a future that holds the potential for healing and new beginnings.
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"Yelena kissed my cheek; she almost kissed my lips, actually," You run your fingers across your cheek and the corner of your lip. "She had to go on a mission, and she told me the same words you did before you left me forever. I broke down. I seem to do that quite a bit with her now." You’re looking at Natasha's grave. It has been two years now since she left. "Tasha, I know we had our plans, and I will never forget them, but I want to move on... I need to, and in order to do that..." You pull the ring off your finger, twisting it between your fingers. "I need to give this back to you, darling." You’re trying not to choke on your tears as they flow freely down your face. You wrap it up in a little cloth, a red one, and bury it just a little ways down. "Please be happy for me, darling. You know she'll always treat me right." You are full-blown crying as you kiss her gravestone and head back home, hoping Yelena is finally home.
As you walk away, the weight of the past feels a bit lighter, as if the act of returning the ring is a step towards embracing the future. The pain is still there, the memories still vivid, but in the tears and the quiet goodbye, there's a sense of release and a tentative hope for what lies ahead. You head back home, your heart heavy but with a flicker of anticipation, hoping Yelena's absence will soon be replaced by her comforting presence.
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When Yelena comes back home, she finds you crying on the floor. She picks you up into her arms and holds you as you sob. When you finally come to from your crying session and register that she's back, you cup her cheeks and slam your lips against hers a little rougher than you intend. You soften up a bit when you realize how rough you truly were.
"You're back..." you whisper against her lips.
"I told you I'd be back," she whispers back, grabbing the back of your neck and pulling you back in. The two of you kiss, hungry and passionate, as if she's been waiting all her life for this moment. In the embrace of her arms, the pain of the past and the uncertainty of the future momentarily fade away. There's only the warmth of the present and the promise of a new chapter, where healing and love can coexist, a testament to the resilience of the heart after weathering the storms of loss.
"Yelena..." You pull back, leaning your forehead on hers.
"I've been waiting forever for that," Yelena admits.
"I know you were grieving, so I just wanted to be here for you, and I was never sure if I should act on my feelings," Yelena tells you, and you give her a soft, quick kiss this time.
"I talked with Tasha about it and promised I wouldn't make the first move," Yelena laughs. "When was this?" she questions.
"A year ago at her grave. You were on a mission, and I went to visit her just before starting up the Avengers company. I told her about how I was falling for you and to not hate me for it. The wind whipped around me, and so I promised I wouldn't make the first move. When you kissed my cheek before leaving, I took that as you making the first move. I visited Natasha yesterday and told her about it and gave back her ring. I left it with her so that I could move forward," You explain, feeling a mixture of vulnerability and relief.
Yelena brushes her thumbs against your tear-stained cheeks and listens to your words. "I promise I'll live up to your expectations. I'll do everything I can to do right by you, Y/F/N," she says, and you chuckle at the use of your full name.
"I know you will, and so does Natasha. I don't think I could be in better hands than yours, Lena," You say, feeling a sense of acceptance and hope for the future. The weight of grief begins to lift, replaced by the promise of a new chapter, and the knowledge that love, even after loss, has the power to mend and rebuild.
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eddiezpaghetti · 4 months
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Okay, so my experience with Stranger Things is a weird one.
I didn't care when it first came out, started to watch it out of "might as well" in 2020, wasn't interested in it enough to make it past S2, forgot about it outside of going "oh, hey, cool, there's a lesbian in it now, I guess," in S3, got really annoyed when "Running Up That Hill" got popular from it because it was a song I listened to on fucking loop after one of my best friends died in high school and I fully expected its appearance in the show to ignore the whole survivor's guilt theme of the song (and was very happy to learn later that it did the exact opposite of ignoring the lyrics), saw people drawing Eddie, suddenly got a lot more interested, watched just the fourth season like a fucking psychopath because I was seriously only there for Eddie, then got interested enough to start the show over properly, having mostly forgotten what I did watch of the show before.
And let me tell you something from the perspective of someone who started with the complete fourth season, who wasn't there from the start, who wasn't tainted by ship goggles or this internal battle of hope and despair, who wasn't theorizing about what the painting could be or expecting Mike and Will to kiss when Volume 2 happened or rooting for Mike and Eleven's relationship to go down in flames or whatever the fuck. Just someone who went blind into Season 4.
It's really fucking obvious that Will and Mike are gonna be endgame.
Like holy fuck. It's so fucking blatant I don't even know why people are nervous.
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No sane fucking person would shoot this scene this way if they wanted the audience to care about El and Mike as a couple. Despite being all blurry in the background, Will's reaction to what's happening here is smackdab in the fucking middle, clearly showing that the important part is what's going through his head here. What he's feeling. It's like the opposite of that scene from Kingdom Hearts II where Sora and Riku reunite and Kairi just fucking vanishes into the aether while it's happening because, despite the fact that she was standing between them when the scene began, she doesn't matter to the scene, so she's just kind of gone when the camera angle changes. Will could have been behind one of their heads, or so far in the distance he blends in with the background, but he's not. He's so obvious that despite being massively blurred out, he's still the first goddamn thing you look at. What, you think that's an accident? You think he's in the middle of this dramatic fucking scene because of a mistake? He basically has a big flashing neon arrow pointing at him with "THIS IS THE POINT" being screamed through a megaphone.
And then this?
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They're paired up like they're taking fucking prom pictures. Each one of these pairs is so fucking close to one another and so fucking far from everyone else. It's not, "Oh, they're standing vaguely near each other in a group shot," it's fucking Noah's Ark out here. Again, there's no way to take this as an accident. It's not just a framing issue. If they wanted to make the shot look balanced while still not hiding anyone else behind El, they would have scattered people around much more naturally. Even if they wanted to keep Nancy with Jonathan and Hopper with Joyce, there's so much room on that hill for three people to stand on El's left and three on her right. But they didn't do that. They put Mike and Will together on purpose in the most obvious way possible.
Like I get that coming up with crackpot theories is fun in and of itself and I'm not blaming anyone for having fun. I totally get the appeal of arguing a point and reaching for every stupid little thing to pull into it because it's like a game, okay? I've done that. But if you're trying to actually convince someone (whether it's someone who wants to believe or someone who's pissed at the very idea that Mike and Will could be in love), stay away from blue and yellow lights, stay away from costume design, stay away from the existence of closets in backgrounds. And don't worry about whether Mike's gay or bi when he's in love with Will either way. I'll give you a little tip about persuasion: You're only as strong as your weakest argument. Even if you've got strong stuff in there, too, the person you're trying to convince is going to dismiss anything you say as complete insanity the second you start going on an entire tangent about the shape of a character's fucking pocket.
Sometimes, clothes are just clothes. Sometimes, there's a closet in the background because it helps establish that a character is in a bedroom. Sometimes, blue and yellow are just a couple of colors that look nice together. And sure, it might be set designers and costume designers and cinematographers smirking and winking at the audience from behind the camera. But if the show was just those things, instead of those things in the context of everything else, they wouldn't be saying anything of note.
But this?
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This tells a story all on its own. Someone with no context can look at this and automatically assume that each paired person is standing with someone they care about deeply, seeking comfort as they watch some sort of disaster unfold. And yeah, romantic couples usually come in twos, and we live in an amatonormative society, so that's going to be the first association anyone makes seeing a bunch of people paired off.
It's the same reason you look at this
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And go, "Oh..."
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"Those two are probably a couple."
And I genuinely don't understand how people could have watched S4 Vol. 2 and gotten scared. Because as someone who went in with no investment whatsoever, I just looked at these two--
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--and went, "Oh, those two are a couple. Good for them." And I moved on. Shut up about the trees for five seconds and just see the forest for what it is.
Oh, and if you're still nervous? Little thing from a storyteller here: You don't leave a hanging thread like "Will confessed his romantic feelings for Mike by projecting them onto El, but Mike either didn't understand or at least didn't say he understood," without coming back to that later. That's Chekov's gun hanging on the wall, babes. It's gonna fire at some point. If Mike was going to reject Will's feelings, if they weren't relevant, they would have had that discussion in Argyle's van. There'd be no reason to leave you in suspense.
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teambyler · 2 months
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Mike was saying "I love you" to Will
Most people see Mike's monologue and think of it as "proof" that he and El are an endgame couple, but it's actually one of the strongest hints of a Byler conclusion.
Because Mike was saying "I love you" to Will.
Sounds crazy? Of course! He was speaking directly to El, after all. What the hell am I talking about?
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Some have focused on contradictions and other issues with what Mike says, including listing El's superpowers instead of the full person she wants to be loved for being. Plus he had to do it (and was pushed by Will), or else El and their friends in Hawkins might have died. It does seem like El sensed something off in what he said, which would explain why she hardly talked to him afterward. But I actually disagree about Mike's "I love you" being a total lie. In the official script it's written that it had a positive effect on El (although the way it was ultimately shot and edited made it more ambiguous). (I got this screencap from a TikTok video):
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And so, in the van, Will DID make Mike love El. Mike MIGHT have wondered whether Will was talking about himself too, but one thing he was convinced of was that that El loved him because "he's the heart." Feeling like she loved him for who he was made him love her. I think it's more accurate to say that, while Mike's monologue may have had issues, he DID feel something genuine... BUT the logic of events leads more toward a BYLER conclusion than away from one.
The problem for Mike and El is that Mike was saying "I love you" to the idea of El that WILL put in his head:
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Will said that El felt like a mistake, and that Mike made her feel like she was better for being different. She was terrified of losing him and so that's why she pushed him away.
So Mike came out of that conversation with new feelings for El: he thought that SHE needed HIM to love her, not because of "dumb luck," but because of his unique qualities. Who HE is helps her be a superhero.
But El's journey in Season 4 was to LEAVE Mike to "be a superhero." When she left a note for Mike, she tellingly signed it "From El." When she realized he couldn't say he loved her, she chose to let go of their romantic relationship. Her journey in Season 4 was about finding who she was independently from others in her life (most importantly her "papa" Dr. Brenner). El went through her own journey that REQUIRED separating from Mike.
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By the time they reunite, she has grown. Instead of Mike coming up with the plan (like so many times before), EL came up with the piggyback plan. While she was piggybacking, Mike said "I love you" -- but having her self-image rely on how Mike sees her was something she was moving away from.
She had felt like a monster. What liberated her from feeling that was NOT Mike and not an elusive "normal life" (with a relationship). She had to realize this on her own:
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There were clues in Mike's monologue for her to pick up on that he wasn't fully telling the truth, first and foremost him saying that he "knew, in that moment, that I loved you." (He couldn't have, when he was openly scheming in s1 to get her sent away, possibly to a mental hospital, loud enough for her to hear.)
But Mike DID mean it when he said "I love you." Mike saw someone who desperately needed him, someone whom MIKE was a hero to and not the other away around.
That person he was thinking of, of course, was WILL.
It wasn't like it was news to Mike that El needed his love: El confronted him earlier in the season for not saying he loved her. We all saw that El's heartbreak didn't convince Mike that he loved El.
Ironically, it was WILL'S heartbreak, HIS emotions, and HIS words that did. And Mike felt something real this time, because it came from WILL.
Will's statement in the van made Mike feel something romantic.
Will's words affected Mike deeply. Deep down, Mike wants to be someone's hero. He's the leader; he's "the heart." When dealing with a superhero like El, he can admire and love her, sure... but does it make MIKE feel loved for who HE is? Does a romantic relationship with El COMPLETE him? Mike doesn't want to be a discount Lois Lane. He wants be loved because who HE is makes him THEIR hero.
Mike has always been bullied, misunderstood, and angry. He rambled just before Will's speech about being "some random nerd" and feeling like he didn't deserve El. He felt inadequate, and this affected him ("leader Mike" recedes when he's in a relationship with El). Will's point "You make them feel better because they're different" doesn't just describe El + Will; this is what Mike is looking for, too.
Being "some random nerd" is part of why Will loves him so much. Will's painting was the perfect gift; Will knows and understands his best friend better than anyone. The D&D theme was a tribute to Mike the nerd -- with all his flaws -- who also is a hero and a leader. WILL's love makes Mike feel like he's better for who he is.
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(Here's an angelwithnightmares video that shows this about Mike exactly)
Mike's journey in s4 was him rediscovering that he is a hero. And this required separating from El and hearing this from Will. Will said that he's the leader of the group: "You keep the party together." And earlier in the season he reminded Mike "you guys saved me" (with a proud "I did, didn't I" reaction from Mike that was super cute lol).
Will's love gave Mike the strength to be a hero again. Mike pretty much used Will's words in his monologue to El. Two scenes at the end of Season 4 foreshadowed "leader Mike" coming back; his speech to El, and his "We will" shoulder grab with Will. Whatever issues there were in his monologue, this was undeniably THE callback to "leader Mike" of s1 and s2. He didn't help El beat Vecna, but he helped them survive. Mike spoke of his genuine platonic love for El, while thinking it was romantic love. But it was WILL's romantic love that helped him be this hero, and to say "I love you" to the person he thought made him feel that way, who as it actually turns out was WILL.
So we'll have a final season where there is this hugest of loose ends when it comes to Byler: Mike will somehow realize that Will in the van was describing himself and not El. Mike will realize that the first time he felt romantic love, was because of Will, and that Will more than anyone helps him be the hero he wants to be. (It's the perfect formula, writing-wise, to make a person confused about his romantic feelings!)
AND Mike will learn that Will sacrificed his own happiness for him and El. How does that NOT lead to Mike loving Will even more than he already does?
Finn Wolfhard himself said about the van scene:
How is he this clueless right now? What with the Will scene... I remember asking the Duffers, "Why would he not know all this?" And they were like, "Don't worry, kid, it'll pay off in the end."
I think it will.
P.S. Follow me and read my blog! I have so much to say!
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