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#add that meme with the guy
gulnii · 3 months
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i finally finished that book and got out of my reading slump!!!
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poscariastri · 7 months
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ive been making f1 drivers as tumblr posts and its highly entertaining to me
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daily-teki · 5 months
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Day 104: hello and welcome to my TED talk, bet you didn’t know that miku and gashu were related
(Please note that I haven’t included characters like Anzu and Kurumada seeing as their hair is canonically dyed and not their natural colour)
Also, by the time you read this it’ll be my 18th birthday!! Yippee!!
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starrysharks · 11 months
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color wheel with characters requested by twitter!!!
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Twst x yeah
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weepinghollow · 1 year
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asher:
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vincent:
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milo:
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gavin:
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david:
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guy:
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sam:
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hmmbo · 10 months
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Gently suggests: Ultrakill characters (or just V1 or whoever else you want) as low-poly fish? Or kitr versions of them?
i present: ULTRAKITR
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they cannot move very much on account of the small number of polygons
(individual images below the cut should anyone want to use them, i appreciate credit if you do <3)
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alish-artie · 6 months
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2 different moods
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Was it ever confirmed Lippmann was based on Walter Lippmann?
No.
But wait, there's enough evidence! (Ty anon im using this ask as an excuse to ramble and getting these off my chest)
As we all already know, most of the characters in BSD, especially ability users, are based on real life authors. Stormbringer explicitly stated that bsd!Lippmann was "an extremely powerful skill user" so he must be based on someone. And guess what? There happens to be a writer with the exact name as his.
Walter Lippmann was an American journalist, politician, and writer. He was deemed as "the most gifted and influential American political journalist of the twentieth century". His works mostly took the theme of public relations and stuff. Sounds familiar?
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I'd like to add this part from the etymology section of his(bsd) wiki btw, just in case you didn't know.
Does it end there? No, not quite.
Let's take a look at his most popular work; Public Opinion.
"...The pictures inside the heads of these human beings, the pictures of themselves, of others, of their needs, purposes, and relationship, are their public opinions. Those pictures which are acted upon by groups of people, or by individuals acting in the name of groups, are Public Opinion with capital letters."
"The pictures in our heads", page 29
People, generally, have some sort of "persona" of themselves that they would try to plant on other people's minds. Kinda like the Japanese "three faces" proverb, you may say. And how do they achieve it? By only presenting that persona; by masking; by acting.
"Royal personages are, of course, constructed personalities. Whether they themselves believe in their public character, or whether they merely permit the chamberlain to stage-manage it, there are at least two distinct selves, the public and regal self, the private and human."
"The pictures in our heads", page 7
Simply said, him being an actor might be a reference to (or a representation of) that human nature which P.O. talks of. An actor acts—they dive into the role of another character that's not them. (Which, when you think about it, is just what us humans do on a daily basis, except they do it professionally and for a living, which when you think about it again—)
Mr. Lippmann also published books titled "A Preface to Politics" and "A Preface to Morals" which is....interesting.
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Okay, "preface" and "face" technically are different. Though they still share somewhat a similar meaning.
But hear me out. Let's go back to the persona thing. Generally, what people would want to be perceived as is as the perfect, ideal versions of themselves. To make that happen, they would have to put on a good first impression. And what's usually the first thing that people notice about a person? Correct—their appearance; their face.
Lippmann(bsd) was multiple times described as "perfect" (like okay asagiri, he's pretty, we get it), especially regarding his looks (and capabilities). See what I'm saying?
Lippmann was the stage face, the public image of the Port Mafia. He was the preface to the Port Mafia. He created the pictures in people's head of the Port Mafia.
As a verb, however, "face" has another meaning:
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He negotiated with front companies, met and talked with political figures, and even dealt with the press if push came to shove.
I feel like this might be merely a coincidence or a pun, though. But the fact that his field of work in the Port Mafia was specifically negotiating with the "real world" is definitely not something Asagiri just pulled out of thin air—or so I believe to be the case, at least, having read this paragraph.
"This is the underlying reason for the existence of the press agent. The enormous discretion as to what facts and what impressions shall be reported is steadily convincing every organized group of people that whether it wishes to secure publicity or to avoid it, the exercise of discretion cannot be left to the reporter. It is safe to hire a press agent who stands between the group and the newspapers. Having hired him, the temptation to exploit his strategic position is very great."
"The nature of news", page 344
Oh, by the way, remember this scene?
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It's just a silly, filler interaction that seemed not to reference anything, but just you wait.
"Men cannot long act in a way that they know is a contradiction of the environment as they conceive it. If they are bent on acting in a certain way they have to reconceive the environment, they have to censor out, to rationalize. But if in their presence, there is an insistent fact which is so obstrusive that they cannot explain it away, one of three courses is open. They can perversely ignore it, though they would cripple themselves in the process, will overact their part and come to grief. They can take it into account but refuse to act. They pay in internal discomfort and frustration. Or, and I believe this is to be the most frequent case, they adjust their whole behavior to the large environment."
"Intelligence work", page 383
Then again, these are but my interpretations and/or speculations which I'd like you to take with a grain of salt, as I could very well still be wrong (because Asagiri loves to trick us, apparently).
I could go on and on and on and on and on but I'm afraid I'd just be blabbering nonsense at some point. Thank you for reading my (hopefully coherent) ramblings.
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sunflova · 11 months
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this took me two hours to make
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thequeenofsarcaasm · 4 months
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Chapter three of Love is in the hands
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Summary
After getting kicked out of his home for being queer, Suguru comes across his childhood sweetheart in a strange gay bar that is owned by his new “family”: a bunch of queer social rejects who were taken in by Yuki, an eccentric matriarch. He finds a new home (and his lost love) there.
Glimpse
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atwistinthetail · 10 months
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djsadbean · 10 months
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draw them emo PLZZZZZZ ‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️
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💀 OC in goth/emo/scene attire
silly notes under the cut
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julien solomita had some rat behavior merch a while ago and i didnt have enough money to grab a shirt so steven will be living my dream for me xD they are so CUTE augh.....
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Jack is afraid of horror movies, he HATES them. He perfers comedys and musicals.
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leavingautumn13 · 7 months
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y'all are lucky it's an emerald kick i'm on right now and not an oras one because i get weird and feral about how characters in oras are aware of the narrative they're in and react differently to it depending on which game you're playing
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