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#So it was fun to explore those differences
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This week’s writer spotlight feature is:  @wynnyfryd! Wynnyfryd has 34 fics in the Stranger Things fandom and all of them are in the Steddie tag!
i don’t know, you figure it out
Plot Holes
biting you biting you biting you- oh! kissing you!
Satanic Ritual: DO NOT WATCH!!
She's got some of the FUNNIEST writing in this fandom, and it's very snappy too like. She's an editing demon for sure, she can take a concept that I'd think would take paragraphs to explain and find the right words to make it hit just as hard with like, two sentences. I also really really love how descriptive her metaphors are, really visceral sometimes, and she's really good at writing realistic life events but still making them fun to read about even when it's about like, devastating shit. The sex she writes is also intense as hell! -- @griefabyss69
Below the cut, @wynnyfryd answered some questions about their writing process and some of their recommended work!
Why do you write Steddie?
I am but a humble bisexual — I see two beautiful brown-eyed men makin’ beautiful brown eyes at each other, I go a little insane for two years. It is what it is.
What’s your favorite trope to READ?
late-night moments of quiet hopeful hesitant intimacy over a shared joint or cigarette. Thin wisp of smoke between them, stars dancing in their eyes. Yeah. YEAHHHHHHH 
What’s your favorite trope to WRITE?
This isn’t really a trope so much as a dynamic, but I love a good dipshit 4 dingus dialogue-heavy scene. Don’t get me wrong, I think Eddie and Steve can both be very smart and knowledgeable in their areas of interest/expertise, but these are two young dudes with no access to the internet. I love letting them be confidently incorrect dumbasses. Just ‘yes and’-ing each other’s stupidity while an exasperated third character begs for mercy.
What’s your favorite Steddie fic?
Well, this question is impossible and furthermore rude. This question came into my home and didn’t take its muddy boots off. This question never mailed me a thank you letter for my lovely wedding gift. That blender was expensive; the absolute nerve. No but seriously, I think The Lathe by palmviolet is going to stay with me forever.
Is there a trope you’re excited to explore in a future work but haven’t yet?
I’m a big fan of doing canon divergence from different jumping off points — the beauty of having characters live in the same small town their whole lives is that you get so many great opportunities for these “what if our paths crossed sooner” moments.  I have some very loose notes for a S3 fic where Eddie is the movie theater employee who finds Steve and Robin in the bathroom after they escape the Russians, and I also have an old WIP set between S1 and S2 where lifeguard Steve rescues Eddie and then spends the summer teaching him how to swim. Would love to revisit those after I finish the trailer park AU (which I will be referring to as TPAU because my fingers are tired and because ‘toilet paper au’ makes me laugh.)
What is your writing process like?
Uhhhhh. 😂 I mean, for TPAU, basically just insert the scene from Dune 2 of Paul’s first sandworm ride: I’m shaking I’m sweating there is sand in my nostrils and I am surely about to die— oh wait, maybe I’ve actually got this? Am I actually doing it? Oh shit, look at me go!   For one-shots I like to use a more structured outline and bracket method. I start by dividing my doc into numbered scenes, with each scene getting a notes section and a prose section, like this:
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This format gives me a lot of freedom to switch up the order of scenes and to move between scenes so I avoid writer’s block. I can also jump ahead to scenes I really want to write without making a mess of my outline. Once I have something written in the prose section of each scene, I go back and work on replacing each bracket with prose until there are no brackets left. Lastly, I create a new blank doc and copy the prose over in order so I can read the full fic and work on edits from there.  
Do you have any writing quirks?
I have been known to abuse a semicolon. And an em dash. And a conjunction at the start of a sentence. Yes, I do have ADHD.   I’m also a lyricist, so I feel like my prose tends to stray into poetry territory pretty often.
Do you prefer posting when you’ve finished writing or on a schedule?
When I’m finished! Which is probably why I tend to stick to one-shots; I get impatient and want to post stuff the second it’s ready.
Which fic are you most proud of?
‘i don’t know, you figure it out’ for SURE. I’ve never written a fic this long or stuck to a writing project this consistently in my life. Like ever. The last time I even came close was my first NaNoWriMo when I was 16, which was, uh… years ago, plural, and I’ll leave it at that. 😂
How did you get the idea for i don’t know, you figure it out?
“There’s a dead rat on his doorstep.” That’s it. That first sentence/scene popped into my head while I was bored at work, and then I started thinking, “hey, you know what? I don’t know that anyone’s ever done a fic where Max and Steve trade places for S4; that might be fun.”  And then NaNoWriMo was coming up, so I thought it would be cool to try live posting a fully improvised fic every day for a month to see how many words I could write. And then this tragic wet cat version of Steve Harrington grabbed me by the throat and took over my whole life.
When writing Satanic Ritual: DO NOT WATCH!!, what was something you didn’t expect?
How SAPPY these two got!! My god, boys, I’m trying to write smut over here, stop having a beautiful existential crisis! (I blame Briston Maroney for that though lol, I think I listened to ‘Body’ like 1400 times that month.)
What inspired Satanic Ritual: DO NOT WATCH!!?
@inklessletter posted this totally gorgeous art of Steve and Eddie recording themselves kissing, and I promptly lost my mind.  
What was your favorite part to write from biting you biting you biting you- oh! kissing you!?
This exchange: Steve: “What? I’m just asking!” Robin: “You’re being embarrassing!” Steve: “No, you’re just embarrassed. There’s a difference.” Like it’s just so them lmao
How do/did you feel writing i don’t know, you figure it out?
You know when you set out on a long hike in the summer and three hours later your calves are screaming and you’re covered in sweat and your sunburn’s starting to itch and this one horse fly won’t fuck off and your cell phone doesn’t even get service out here so literally WHY DID YOU DO THIS TO YOURSELF, and then you climb that last hill and look out on the most beautiful landscape you’ve ever seen in your silly little life? Basically that.
What was the most difficult part of writing Plot Holes?
Ooh, that one was fun! The only real difficulty was trying to keep it to a microfic because the concept could definitely be fleshed out to a full story — @griefabyss69 and I were joking around about “what if someone did ‘plot hole’ for the @steddiemicrofic prompt fill?” and then that fic just fell out of my head in about 15 minutes. 
Do you have a favorite scene and/or line from any of your fics?
For sure! I’m currently super proud of the graveyard scene in the most recent update of TPAU — I don’t write true horror often, but I love horror so it was really fun to give it a try! Favorite line from any fic is probably this reference to ‘You’re Divine’ in my fic Monsoon Season because I love uncomfortably-aroused prude Eddie, and his internal monologue cracks me up every time I think about it: Freddie Monsoon’s debut novel is called The Fourth Chime, and it is, as far as Eddie can tell, the first installment in a series of unapologetically filthy fuck fests about a man whose lover gets flung into an alternate dimension during an apocalyptic event and miraculously returns as some sort of… sexy bat-boy with a fucking horse dong and a bite kink. Critics are calling it “the most romantic novel of the last decade.” It’s me; I’m Critics.
Do you have any upcoming projects or fics you’d like to share/promote?
My main project right now is finishing TPAU if it kills me, but beyond that, I have a few one-shots for @subeddieweek in the works, including a collab with @griefabyss69 that I’m so so SO excited to share. It’s hot, it’s funny, I can’t wait for y’all to read it. 
Outside of these questions, Is there anything YOU would like to add?
First of all, as @wormdebut would say: I think you’re pretty. Thank you so much for all your hard work! I love this blog, and I love answering questions <3 Secondly: - Preheat your oven to 400 degrees. - Toss cubed sweet potatoes and parsnips, sliced sweet onion, and fresh garlic in a mix of olive oil, salt, pepper, and rosemary, and then spread in a single layer on a foil-lined baking sheet.  - Bake for ~40-45 minutes. (Potatoes and parsnips should be soft without being mushy when you poke them with a fork.) - Prep your sauce: I made a dijon drizzle situation by mixing olive oil mayo, a dash of dijon mustard, lemon juice, salt, pepper, garlic powder, and a splash of water, but you could also add a little dab of hot sauce, bbq sauce, or different mustards. Basically just grab like four condiments out of your fridge and play around with the flavors you like until you make a mix that’s thin enough to pour. - Drizzle roasted veggies with sauce. - Enjoy a very tasty side dish (or do what I did and eat the whole sheet as a meal like some sort of parsnip goblin because you were too lazy to make the main dish after chopping all those veggies) okay thank you love you byeeeee
Thank you to our author, @wynnyfryd, and our nominator, @griefabyss69! See more of Wynnyfryd's works featured on our page throughout the day!
Writer’s Spotlight is every Wednesday! Want to nominate an author? You can nominate them here!
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skania · 1 day
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AquaKane & OnK 148
Ohhhhh boy. I thought we would have to wait until July to get back to Aqua and Akane, so this chapter blindsided me lol
I know that the most on-the-nose reading of this chapter is that Aka is preparing to pull the classic romcom trope where the love interest gives up on the MC only so the rest of the cast can reassure her that she is the one who makes the MC happy, etc. etc. Considering that this is happening two chapters after Aqua told Kana that he has fun with her, it's like Aka is leading us all to believe that's where it's going. It's all very tropey and in-your-face and perfectly on brand with the way Aka has always written that particular ship.
So instead of talking about the obvious, I'd like to indulge my hopes for good writing and discuss the possibility of Aka actually subverting those tropes by playing this straight, regardless of how likely or unlikely it may be. Because if he does, then all of the stuff I've always loved about Aqua and Akane may just end up meaning something.
This is the possibility I'm rooting for against all odds after all, so I figure that I may as well go down throwing my ship the hurrahs it deserves while I can still do so lol
So buckle up because this is going to be long!
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This chapter is a wild ride because it touches upon a lot of different things at once.
First, Aqua supposedly didn't want to be involved with Akane any longer in order to keep her safe.
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However, when Akane announced that she would stop his plans — in other words, that she would stay involved in his life — Aqua looked giddy.
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Look at him. When Aka allows him to actually emote and be an actual character, Aqua can be so funny!
True to form, in this chapter we see Akane come up to him and Aqua just... welcome her. In fact, he even asks her if she feels awkward around him. Instead of acting like they never dated (which is exactly what Akane has been doing, mind you), he himself brings their former relationship to the forefront.
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There's a pause splitting his question in two, meaning that this is something Aqua hesitates to ask. Almost like he is scared of the reply. Or like he may be feeling a little awkward himself.
Which is no surprise, because that is how Aka himself presents their current era. Akane isn't just Akane and she isn't just a friend; she is Aqua's ex girlfriend, a title that never fails to bring attention to the fact that they used to be romantically involved.
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From colleagues, to a fake couple, to partners, to a real couple and now they're in their Exes era. I've been waiting for Aka to explore all the tension and complexity that should bring, but he's been kind of busy off-paneling most things Aqua. Alas!
When I commented on Chapter 131, I mentioned that (to me) it feels like after Chapter 116, Akane found something to focus on. She isn't thinking about her relationship with Aqua, the only thing she has in mind is Aqua. Keeping him safe, helping him achieve happiness.
Even here during this chapter, she goes to him to ease his loneliness and remind him that he has people worth living for and that he deserves to be happy, but... nothing she says includes her. It's all about Aqua and the others, the others and Aqua.
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I don't think it's a coincidence that Akane walks away from him with her eyes closed. Her mind is consumed with thoughts about wanting Aqua to be happy, and so she doesn't even notice the way he turns to look at her retreating back.
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Until Kana shines her proverbial light on her, making Akane open her eyes.
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The way the chapter is structured, it's like Kana is there to give Akane the answer — the missing piece to solve the Aqua Happiness Conundrum™ that Akane is so focused on. It's easy to think that the answer is predictably Kana herself, but since I'm here for Aqua and Akane, I'd like to believe the answer can be just as Kana says.
After all, who is prominently featured in what Aqua considers to be his happy days?
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Kana's words are abrupt, yes, but the silver lining is that they reflect what Aqua himself has already told us.
Akane is front and center in what Aqua has come to know as happiness.
One may wonder: How TF does Kana know that though?? And it's a fair question that I'll talk about in a little bit, but maybe what matters most is that she knows it at all.
In a way, it feels almost like meta commentary. Like the story has finally reached the point where Aka can afford to go back to Aqua and Akane, and so he is getting ready to reap all the seeds he sowed during the previous arcs fingers crossed.
And this is the very first one of those seeds: Aqua was happy with Akane, but Akane never let herself think that she played an instrumental part in his happiness. She seems to think that it was just being freed from his revenge.
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I'd even argue this right here was the true reason of their downfall. It wasn't Aqua finding out about the loophole and Akane not coming clean, it was the reason why she didn't come clean.
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Aqua's happiness mattered so much to her that Akane failed to consider that risking her life for him was the last thing Aqua wanted.
So when I read the leaks and Kana's comment, my kneejerk reaction was to think Finally! because this could be setting in motion something I've been waiting for all along.
For Aqua and Akane to revisit their dynamic, their relationship, and come clean about what they mean to each other — wherever that may lead them.
Now, going back to Kana and that earlier question of how does she know? Perhaps she saw something we haven't been privy to (in classic Aka fashion). Or maybe it's as simple as Kana finally realizing that Aqua is deeply unwell, and knowing that the last time she saw him happy was back when he was dating Akane.
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Considering the information Kana has and — especially — all the information she lacks, it's not far-fetched for her to come to the conclusion that Aqua's state is partly to blame on his break-up with Akane.
Once again, it would be easy for Aka to say that Kana got it wrong because she doesn't know anything about Aqua's revenge. But wouldn't it be ironic if Kana's lack of insight into that particular side of Aqua is what allows her to see something so simple that the very parties involved are missing it?
Regardless of the road she took to get there, I'd like to think the manga has given us enough reasons to believe Kana is not quite wrong.
After all, Aqua didn't get his black stars when he found out that his father was alive. It wasn't finding out about his father's identity that did it, either.
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It was turning his back on Akane and on the naive thoughts of being happy in order to walk down the Revenge Road, on a chapter aptly titled "Going Astray", that gave Aqua his two black stars.
If that was the chapter where Aqua stepped away from the "correct path", so to speak, then it stands to reason to believe that Akane may be front and center in the path Aqua is meant to take.
Coincidentally, this was the last interaction Aqua and Akane were allowed to have before this chapter.
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Another thing I find very important in c148 is the way Kana words her realization. Kana isn't telling all of this to Akane as an observer. She's saying it as someone who likes Aqua romantically.
This is in contrast to Akane and Aqua, who are two hot messes when it comes to identifying the nature of their own feelings.
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Throughout the entire manga, we've never seen Akane put a label on the way she feels about Aqua. We've seen her realize why she feels the way she does, but we haven't seen her say what she feels, even though Aqua himself has questioned it.
Closest we got was this, and they broke up a chapter later.
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Aqua has unexpectedly been more open than Akane in that regard, but... once again, they broke up literally one chapter after Aqua was at his most candid.
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And considering everything that happened before and after that, I'm not sure if Akane actually got the message.
But before I get to that, there is an important difference in the way Akane was thinking of Aqua's happiness back then and the way she's thinking about it now.
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Chapter 97 was even titled Together. Akane wanted to make Aqua happy, yes, and she also wanted to be together with him always. Just like Aqua wanted them to, according to his own admission: "I don't want to let go of these days... when you're by my side."
But all of that is missing in this most recent chapter. She no longer includes herself as part of the equation at all.
It truly feels like Akane is back to completely underestimating how much she means to Aqua.
Back when Aqua told her this:
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Akane reacted like this:
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And what is her reaction to Kana's words this chapter?
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Every single time, Akane is taken aback by the thought of meaning more to Aqua than she thinks. Every. Single. Time.
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This is sad and a little frustrating, but it's far from surprising. After all, this is how Akane has always interpreted their relationship:
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As far as Akane is concerned, their relationship was a lie that was turning into truth little by little. She never dared to hope that he loved her back; hell, she even thought that he was attracted to Kana and wondered why he decided to date her instead.
To make matters worse, in Chapter 98, Aqua deliberately set the stage so that Akane's trust in him — the very basis of their relationship — would be broken.
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So while Akane realizes that Aqua doesn't want to use her, she may have explained that away as Aqua being his kind self rather than as Aqua harboring any kind of special feelings towards her.
Regardless of how she interpreted his actions though, it seems likely that Akane thinks that she failed him.
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She couldn't save him as his girlfriend and Aqua told her he would have nothing to do with her anymore, and so Akane is now trying to save him as something else entirely. Not even as a friend, because she hardly interacts with him at all.
She's trying to save him while staying away just like he wanted her to. While only stepping in when she deems it appropriate and/or necessary.
But is that really and truly what Aqua wants?
Most importantly, is that what Aqua needs?
This chapter suggests that may not be the case, and the rest of the manga agrees. Staying away is not how Akane saved Aqua little by little. This is how she did it:
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That's why the way Kana worded her realization is important. It isn't only that Kana — the very girl Akane thought Aqua was attracted to — is bringing romance to the forefront and thus setting the stage for the nature of Akane's (and Aqua's) feelings to be finally cleared up.
It's also that Kana is showing Akane that it's possible to own her feelings while being selfless about his happiness.
After all, the ball right now is in Akane's court. In the state he is now, Aqua would never ever allow himself to chase his own happiness. Even when he thought he was free to do so, he felt that Akane deserved better than to be held back by him.
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So all in all, it's like with this chapter alone Aka has laid the groundwork to address all the AquaKane elephants in the room. Just in time for the very season that will be showing AquaKane in all its glory to all the anime-only watchers, at that.
In each of the last arcs, Aqua has reconciled with someone important to him. Kana and Ruby are fully back in his life now, yet he isn't doing any better. Maybe it's finally Akane's turn to try again.
So yes, Kana's change of heart is so abrupt that it may be a red herring leading to a very predictable end.
But since I've made it this far, I may as well keep hoping for the opposite to be true: maybe, just maybe, Aka is planning to tie all of this together and lead it to a satisfying conclusion. I can only hope that is the case, because it's where I feel that the writing is at its best.
Besides, if "giving up on Aqua" and "turning his black star white" are so-called "winning flags", well... Akane did both of those first 😂
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arkhaline · 2 days
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My Complete Thoughts on RvB: Restoration
Major spoilers for the entire season below the cut!
I think the biggest sin of this season was not clarifying when it takes place, as it cheapened a lot of the twists by genuinely confusing me or contrasting information that we had already been given in S15-S18. Keep this in mind for the rest of the review.
Maybe the allusion to Caboose’s voice being “misremembered” was confirmation that it was in fact a simulation post-S13, but it still wasn’t super clear to me. Especially since Dylan was talking about the Reds and Blues (even though I know they met post-S10), which kinda made it feel like Restoration could be post-S18 (unless that was the point). There was just enough ambiguity that it really could have gone either way for most of the movie.
I feel like the humor was a bit off?? Maybe it was a generational gap since the show was going back to someone who hasn’t written for it in a while and is older than the current writers (case in point: he used tropes that Gen Z makes fun of a lot, e.g. he’s right behind me isn’t he). The Zoom call bit also went on WAY too long. The metacommentary about the changing attitudes toward RT also felt a bit tone deaf. In general, a lot of the trademark RvB banter just felt stale, it was the more general dialogue that was stronger (though Church telling Caboose to shut up when Simmons was talking did make me laugh).
Also, Grif was so angry all the time at the beginning?? Felt out of character and took me out of those early scenes. Maybe it was a setup for the whole discharge subplot but it just felt… off
The writing was just a bit clunky at the beginning, felt very direct and exposition-y, but that might be because they had so much to cover in so little time. It resolved itself later, anyway (except for the rapid fire ending, there was so much to unpack there).
Alright enough complaining about the general format, here are my more detailed thoughts.
Sheila!!! That is all.
I can excuse Caboose secretly speaking Spanish the whole time because there was a bit in S16 (maybe 17? can’t remember) where he understands something that Lopez said.
I initially completely missed the fact that the Meta’s color scheme was an allusion to Felix, that is so fucked up. Tucker dressed in the colors of the man he hates the most about to kill his closest friends? Jesus.
The Director being Epsilon’s therapist in the YouTube video made me laugh really hard.
Speaking of therapists, Wash was patient 619-B and I think that was the Counselor’s voice. Is the implication that he survived in this timeline?? Because he died before Epsilon fractured himself, so that much should at least be set in stone. Not really clear on that.
The “Great Destroyer” thing felt a bit retcon-y, but I can get behind it well enough.
I got so excited when 479er showed up, glad that we got confirmation that she made it out of Recovery okay. Wish we could’ve seen her and Wash (and Carolina) interact though.
I wish they had done Sarge’s death a bit differently. Kinda wish he hadn’t been all “that worked out well!” only to be stabbed, it felt very “he’s right behind me isn’t he” and made the fact that he was about to be stabbed obvious from a million miles away. There’s definitely something to be said about him sacrificing himself for a blue, and the deathbed interactions he had with the others were really good, but it kinda just felt like shock value?? Like there wasn’t enough build up to the payoff, it just kinda seemed like he decided to save Caboose last minute without any major character motivations or development behind the decision.
Which is another thing, it felt like it relied a LOT on Red vs. Blue dynamics in the beginning, and I was fucking flabbergasted when they actually left Caboose behind. The same people who broke time to save Wash would just leave Caboose to die like that? No way.
Meta!Tucker felt like it wasn’t explored enough, mostly just “no I won’t do your bidding” and “yes you will” back and forth with no real depth. However, credit where credit is due, I LOVED how this gave us a new perspective to Maine’s descent into madness. That ten-years-of-torture-in-a-few-seconds thing? So fucked up. Can you imagine being tortured by the remnants of your best friend, who have zero regard for your well-being? If they did all of that to Tucker in the short time they were together, just imagine what they did to Maine to get him to the point he was at at the end of S10/by Recollection.
Bonus points for the fact that the fragments tortured Tucker without a second thought when they themselves are a result of torture. They seemed to spare no empathy for Tucker despite having been through this themselves. Then again, I suppose they are they are copies of the original Leonard Church, who had no such qualms.
Didn’t realize that Meta!Tucker was voiced by Miles Luna (aka Felix’s voice actor) until the credits, that was an extra layer of fucked up and I loved it.
I really enjoyed Wash’s plot for the most part. I was definitely super intrigued the whole time since so much of his subplot didn’t add up from his perspective. I mean, I think he deserved something more for a send-off since most of his arc wasn’t really related to his character as a whole (besides the freelancer thing at the end). However, I still enjoyed it for what it was worth.
Additionally, if this is post-S13, I wish they’d clarified because I assumed that Wash was suffering from cerebral hypoxia and not some other injury. They kept alluding to something that happened on Chorus, but I wasn’t clear on the fact that it was a separate timeline of events. The Doc plot twist threw me off a lot more as a result.
I could tell he was gonna launch himself off the cliff and it still made me laugh hysterically.
I’m glad that the final battle was in Blood Gulch. It’s cliché, but it felt full-circle. Plus, it was the best resting place for Sarge in canon and a good set-up for a “why were we here” moment.
I knew Simmons was gonna have his arm broken but I still gasped anyway. And when the shotgun was cut in half??? Bro my jaw was on the floor, it was like when John Wick’s dog was killed (probably, I’ve never seen that movie). But the way Simmons cocked the shotgun with one hand was badass as hell, good for him.
I’m glad we got something resembling a Simmons character arc? I think it relied a lot on setup from previous seasons of him becoming a leader, with little to no actual development in S19 itself, but it still felt at least decently satisfying.
“Best throw ever. Of all time” made me laugh, I love a good callback. Actually, there were a lot of fun callbacks to jokes, like the irony bit. They were greatly appreciated.
Tucker getting launched by a warthog actually made me laugh really hard, I love the “shotgun as a code word” bit so much.
The Tex plot twist was SO GOOD, I totally didn’t see it coming. Much better direction to go anyway, since we already put Church to rest in S15. So glad that Caboose was able to get his moment in the spotlight and have the smartest plan of all of them. Unless it was Church’s plan, in which case I find it so sweet that he wanted to bring Tex back instead of himself (even if it did cheapen the S9 “let her go” thing a bit). I also really loved the callback where her armor turned black because of the teleporter, that was really good.
I got so excited when they started playing Round One I’ll be honest. Also, I Say Ooh?? Was not expecting that one.
In all honesty, I didn’t love the soundtrack (kinda felt stock music-y and cliché in a lot of parts, plus it didn’t have the musical style that we’ve come to expect from RvB). It was fine, but nothing to write home about. The campfire song was good too. I know about the whole thing where Trocadero wouldn’t join on unless everyone was brought back on, and now that we know that RT is shutting down, it’s possible that this was because multiple musical artists just weren’t in the budget. That said, it’s a shame that there weren’t more original songs.
I called that Carolina was gonna be Recovery (though now I think about it, why was she doing Recovery?? was it even Recovery since Charon had been shut down??? What happened to her after Chorus???? Also her talking about how her and Wash would do everything together from now on meanwhile she left him behind in some hospital?????). Anyway, the fight with her and Tex was SO fan service-y but I ate it up anyway, good for them.
Tex winning because she was a collection of the Reds and Blues’ memories and she always won against them was so, so good, something to be said about the positive nature of the memories of your friends (I mean just look at how happy they had been when recounting everything they’d been through!)
Also if just talking about someone was enough to create a functional AI, it kinda makes the whole “torturing Alpha to make more AI” thing totally pointless and retcons the entire show but. Whatever.
TEX DESERVED THIS ENDING!! I like the S9 ending in a lot of ways, it was poetic that she was finally allowed to rest after being dragged back so many times against her will, but I think it also felt incomplete because I don’t know if being put to rest was what Tex herself would actually want. There is a significant difference between not electing to bring her back again and choosing to take her out of the fight. Tex was never allowed to make her own decisions, not even in S9. This ending was entirely on her terms, which I think was fantastic.
I loved the rockslide, it reminded me a lot of the ice fight from S8 was just generally very fun.
It’s established that Tucker became the Meta because he had several AI when just two was enough to almost kill Carolina. If this isn’t the canon timeline, then why didn’t Tucker become the Meta in that one? For a reason besides “the writers didn’t think of it”.
I hope that Burnie came up with the idea for this season by reading Meta!Tucker fan fiction.
The Doc thing was so??? Why did they do a Sixth Sense. Like I think that twist would have worked a LOT better if they made it clearer when this took place (I kept flip flopping on whether this was an alternate timeline post-S13 or main timeline post-S18 up until this point, which made the whole Doc-died-on-Chorus thing feel like it came out of nowhere since, if it was post-S18, we knew that Doc survived Chorus. It also makes Epsilon’s sacrifice to get them all out of there feel a bit cheaper since they didn’t all get out of there, but maybe that suggests that S15-S18 are the main timeline).
How did Doc heal Wash’s leg?? Was it even broken in the first place??? Did they ever clarify that????
I GASPED when the Freelancers showed up. It was camp as hell and hard to take seriously but also I don’t even care. I’m glad he got some kind of goodbye, since he was always too late to do so as a Recovery agent.
Kinda funny that Wyoming wasn’t there but Florida was, and also South was there even though Wash murdered her in cold blood. Anyway.
When One showed up I felt every emotion I think
Bro where the hell was Donut? There was no good reason for him not to at least show up, maybe on the pelican with One or something. Especially since S16 and S17 were dedicated to an entire arc about how everyone should stop disrespecting Donut, like come on.
Edit: did a little research and it might be because there’s no pink armor in the game this season was filmed in? Which is so hard to believe, since Halo has so many references to RvB. I can’t believe they would just cut out the armor colors of one of the main characters and make it impossible for him to return in the way we know him, it’s messed up.
I know time was short, but I wish we had more time to explore Tucker’s feelings post-Meta. Especially since he killed Sarge, even though it definitely wasn’t his fault. There probably wasn’t enough time to get into all that, but still, he seemed remarkably fine after everything that had happened. I guess that kind of exploration is what AO3 is for lol.
I have mixed feelings about the end for Tex and Church. On one hand, Tex calling herself Allison Church was so sweet and I loved how caring she was, it reminded me of when she said goodbye to Alpha during the Freelancer saga. Also, the fact that there was finally a Church free of the memories of his predecessors felt very satisfying. However, I kind of wish that they could have just had their happily ever after and stayed in the memory unit. I understand the decision—destroying the remaining AI was really the best way to make sure Project Freelancer was put to rest forever—but I kinda feel like she and Church deserved better than simply being put down after everything they’d been through.
One final team kill for Caboose. Ow.
The animation was really, really good!! It looked much better than that plasticky look the trailer had. I didn’t love Epsilon’s animations (they felt a bit jerky and overacted), but otherwise I think they did a really great job. I especially loved how they animated the AI on Tucker’s visor, it looked cool as hell.
I think one of the things this season suffered from was the overall tonal shift in the writing. Burnie hadn’t written for, and Matt hadn’t solely directed, a season in a LONG time. We’ve come to expect more character-focused narratives that dive into the nuisances of the characters and their relationships, and we didn’t really get that here (unless you count Sarge’s deathbed confession to Grif that he was hard on him because he wanted him to be more, which still felt a bit shallow. Actually, there are lot of things which could be considered set-ups in retrospect, but their intended payoffs didn’t feel like payoffs). I think there was a consequential whiplash as compared to what we have come to expect from RvB, and while the writing style we got wasn’t inherently bad (again, I liked a lot of it), it was definitely different.
I really, really hated that Grif left at the end. That’s literally the antithesis of his S15 arc, which felt much more complete and true to the character than this one. It’s impossible not to compare these arcs because of how inherently similar they are, and because I believe the S15 arc is superior (Grif’s exhaustion was a more subtle and believable reaction than this Grif’s raw anger, and his realization of how much he relied on his team was much more powerful than this Grif just tapping out), it makes the S19 Grif arc feel poorly thought out.
Also, he wanted to be discharged, but I don’t think they worked for the UNSC or any other military organization after Chorus since they all retired, so was any of that really necessary? Maybe retirement is just a vessel, so to speak, to represent Grif leaving adventure behind him for good. Still, I liked the way S15 handled this arc a lot more.
Vale Deah. Ow.
NO GRIMMONS??? ARE YOU FUCKING KIDDING ME???
The most we got was Grif leaving and asking Simmons to come with him but like. “not scared to take risks my ass”, Burnie.
Honestly, I think this season was a victim of its format. Eighty minutes isn’t a lot of time to properly send off these characters, especially when RvB as a format is based on multi-season arcs. There just wasn’t enough time to build up tension or explore the dynamics of something as extreme as Meta!Tucker in a way that would feel satisfying. That said, I think Burnie did a pretty good job fitting as many things as he did into this format. A part of me is almost glad that Grimmons wasn’t made canon? I feel like it might’ve felt rushed to give it a satisfying arc in just 80 minutes in addition to all of the other shit going on, and I think after 21 years they deserved at least a satisfying resolution. However, they did NOT deserve an ending which implied that they would never see each other again, what the fuck.
TL;DR? 7.5/10. Far from perfect, and there were a lot of creative decisions made that I heavily disagree with. However, they did a lot right, too, and it still seems heartfelt in a way that helps me overlook some of its flaws. Overall, I enjoyed this season for what it was worth. There are some qualities of S17 that I think made for a better final goodbye to these characters, and some qualities of S19 that I think made for a better goodbye (in all honesty I never finished S18, but it wasn’t really a “goodbye” season anyway). Wrapping up a 21-year-old series is very difficult, and I have a lot of respect for Burnie and the others who worked on Restoration for what they put together. Truthfully, I’m gonna pick and choose which segments of S17 and S19 are canon in my heart (S17 is still the overall canon ending for me), but I’m happy with what we got in the end.
Anyways, I’m happy to chat more in the replies, let me know your thoughts!
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the-east-art · 3 days
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Easts Supernatural Rant
Just been thinking a lot about how bad Supernatural is lately because I've been going through the weeds reading old fics I've bookmarked and there's some good SPN ones. Background info: I watched SPN nonstop in middle school (roughly ten years ago) and if you go back in time you'll see that it was the fandom I was in way back when I first made my tumblr. I watched until about... season 10? When I realized it was never going to actually get good. So I was really obsessed with it for a good while but also it has been quite a while since I actually watched it.
rant under the cut o7
Okay so anyone who has watched Supernatural knows that it didn't start out actually so... bad. Supernatural starts out decent and builds up momentum fine in my memory clear through the final of season 5. I feel like among the fandom most people know that this should have been the ending of the series. For those reading who don't know, Swan Song ends with a really beautiful monologue about endings and in a tragedy with just enough of a glimmer of hope. Like it's a good ending. And then the series just kept going. do not get me wrong - there's a lot of fun episodes and concepts explored in the *checks notes* holy shit 10 FUTURE SEASONS, but it's also where a lot of the cracks really get bad.
However, in my opinion the biggest issue with Supernatural as the seasons progress is how whittled down the cast becomes. In the first few seasons there are a lot of supporting cast that you really get attached to - there's a bar for hunters, Bobby's place, a whole network of people connected to the principle cast.
While naturally the core of the series is Dean and Sam (and eventually Castiel) almost all of the supporting cast dies. And while I think the death is good in several ways, it really pushes the stakes of the series, especially in the earlier seasons where death truly was final and wasn't a joke. However you can only kill the supporting cast for so long until the show becomes... lonely. Messy. You start to not want to get attached to new characters because of how you know they'll probably die and then not get mentioned again. Many characters after their death just kind of... fade into the background never to be seen. While I don't believe that characters need to be mourned forever, you can't help but to feel that they are dropped for convenience of the show.
This has been on my mind because, as I've been poking around the annals of ao3 looking for diamonds in the rough, I've realized that really any fics that take place in any of the later seasons (let's say 8-15) to me might as well be a different show. It's a show heralded by characters I either don't know (Griffin Mcelroy meme of 'I don't know who Jack Kline is and at this point I'm too afraid to ask) or are character so completely reshaped by the narrative that I no longer recognize them (Castiel the character that just kind of does whatever will make the story interesting I'm looking at you).
What previously is a respectable narrative becomes blown out of proportion. I was reading a fic that dealt a lot with the themes of 'free will' and what that means and how do we try and exercise it, and I realize that I forgotten that, at one point, free will had been the theme of the series. The principle trio in the fandom is called Team Free Will because of that, but pretty much after season 5 all of that is thrown out the window. The first third of the series the boys are fighting against fate, and prophecy, and roles that they have been assigned to. But in the latter part of the series, as the narrative web spins further out of control, you lose that theming.
I mostly talk about this because I kind of find it interesting to look at. About what is engaging to me as a person, and what is a red flag. What I like in a story and what I don't. And I am chiefly reminded of moments where the series drops plot point, or muddies messaging (I have been reminded what The Voicemail is and how it is never addressed). And It's sad. Because I really REALLY loved the show once, and cared for the characters. And now I take refuge in fanfiction, because a lot of the aspects of the story and settings and characters hold SO MUCH potential, that is ruined in the source material.
Uhhhh yeah. Let me know what you think and let me know if have any questions about my opinions on stuff cuz I LOVE talking about art and narrative and stories. Or let me know if you want Fanfic recs because hell yeah I do.
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drones-of-innocence · 11 months
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With the Mario movie still on my brain and that reunion scene melting my heart that I now have fallen down the rabbit hole. Do you think you could you do some headcanons with Mario and Luigi with each? Their relationship is just so pure 😭😭
Sure!! I adored the bros' relationship in the movie, and I love writing about them too 🥺 Here are a few of my headcanons about them, some are well established in my writing and others I've never really mentioned. Some will be in my upcoming WIP 👀
I like to have Mario and Luigi lean into the Italian part of their Italian-American identity, so in my head they speak with more of an Italian accent than a Brooklyn accent like they do in the movie.
That being said, Mario speaks slower than Luigi and has a little more trouble with correct grammar in English, which he's a bit insecure about. Contractions in particular are hard. But in Italian, he's a much more rapid and animated speaker. Luigi is pretty clear in both languages and is very comfortable with both.
I adore Mario calling Luigi "Lu" in the film! His nickname for Luigi in my stories is "Coniglio," which means rabbit. Italians use "rabbit" the same way that English speakers use "chicken," so it's affectionately teasing Luigi for his skittish demeanor. It's a childhood nickname that just stuck.
In the same vein, Luigi's nickname for Mario is "Capo," which means boss. It reflects how Mario is the one "in charge" between them, but also it's sort of teasing because often when Mario makes decisions on their behalf, he almost always heavily considers and goes with Luigi's preference/advice, so it's like Luigi is making the decisions anyway.
They both have high anxiety, but for different reasons. Luigi is a people pleaser by nature and will do anything to mediate and keep the peace, even if it means sacrificing his agency or energy. Mario is a giver and provider by nature, and often frets about not doing enough, so he overworks himself in trying to protect/feed/care for others and doesn't really know how to stop and let himself be taken care of.
Coming to the Mushroom Kingdom had the effect of easing Luigi's anxiety; it's a less chaotic world and a (mostly) peaceful place to call home. There are rarely emotional conflicts that he feels responsible for regulating, and it's overall better for his health. His stress went down significantly despite the occasional heightened dangers. Coming to the MK unfortunately only escalates Mario's anxiety, though; now he is thrust into this protector role with an entire Kingdom relying on him for its security.
Luigi (being the more emotionally intelligent one between the two of them) clocked the exact moment that Mario fell in love with Princess Peach. He knew it before Mario did. And though he was hesitant to fully trust her at first (being that she's a gorgeous woman in a position of great power and he doesn't want his brother to get hurt), he eventually learns her nature is truly kind and gentle, which he comes to admire her dearly for. And he figures out that Peach reciprocates Mario's feelings pretty quickly, too. He leaves it unspoken, but he teases each of them with nudges and meaningful looks when the other isn't paying attention.
Mario had no idea that Luigi was in love with Princess Daisy for a while until Luigi started showing more obvious signs of a crush, but the thought occurred to him after meeting her for the first time that she would be a wonderful partner to his brother. He came to this epiphany when Daisy was able to beat him in a competition, and he was so amazed and impressed that his immediate thought was that a tough lady like her is exactly what Luigi needs. He considered her to be like a little sister even before it was ever a possibility that she might actually become his sister-in-law. It was a conversation with him that sparked Daisy's romantic affection for Luigi, listening to Mario speak so tenderly about him.
The brothers have a very playful relationship. There's banter, teasing, and sometimes even a little roughhousing. They have inside jokes within inside jokes that no one else could possibly understand. Even times when they were very deeply hurt in the past, the other brother finds a way to reframe it so they're both able to look back and laugh at the things that hurt them. It's easier now that they're in the MK; Mario was beginning to lose some of his spark in Brooklyn.
The movie never specifies that the brothers are twins I don't think, though that's usually a pretty common understanding. I personally HC them as two years apart just so I can bring out that older/younger sibling dynamic a little bit more.
They are inseparable 🥺 Both of them will do anything to make sure the other is content. But both of them also can never shake the feeling that they can't possibly give the other everything he wants and deserves. Nothing Luigi does will ever be good enough for Mario in his own view, and Mario can never do enough to assure Luigi's peace and security in his view. They might never admit it, but on some level they know and try to compensate anyway.
Their tempers are scary. Both of them are extraordinarily patient and understanding even to the most frustrating people and situations, but there are limits. Mario's end point is more easily reached. Where his anger is often fiery and passionate like in the heat of a fight, his unhindered rage is sharp and cold. He speaks quietly, never raising his voice except to be heard. It's scariest when he's moved beyond words into dead silence. It is Luigi's pure rage that is loud and aggressive, but it is much harder and rarer for him to reach his boiling point.
Firebrand and Thunderhand!! Their powers manifest in many ways that they've adapted to their practical lives. It wasn't easy learning how to control them, but once mastered, they almost couldn't imagine their lives without them. Mario's Firebrand makes him a very comforting presence (exuding warmth 😌) and able to traverse many different climates without problem due to his ability to control his body's preservation or release of heat. Luigi's Thunderhand regularly halves the time spent on his various engineering projects, as well as being potentially medically useful.
Luigi doesn't quite have Mario's strength or control, but he is much more meticulous and observant. He's more likely to come across the secret passages or hidden objects that can be helpful on the journey. Mario's more likely to fixate on the objective (e.g. Rescue the Princess! Save the world!) and do whatever it takes to accomplish it as efficiently as possible due to his imperative to serve, even if it sometimes means missing some details.
The movie characterizes Mario as a kind of misunderstood visionary, and he's a bit like that in my stories as well. He has some big ideas, but his motivations are purely based in the comfort and safety of others. He just wants to help people. Luigi is the one who can really assist and realize Mario's ideas, and he often has several projects going on because of how fast Mario can jump from plan to plan.
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ryssbelle · 23 days
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Drew a bunch of Marinettes in a bunch of different artists styles it was a lot of fun!!
Artists who's styles I mimicked: @buggachat @hamsternamedmarinette @ladybeug @sabertoothwalrus and @anna-scribbles all epic artists 🤟😎
#my art#marinette dupain cheng#miraculous ladybug#miraculous fanart#style mimic#sorry for the @s btw#yall should go follow those artists if you dont already also#this was sort of inspired by a post the three artists on the top row made#i think they all got together and drew with one another#which is really cool#but i was genuinely confused because i mimic styles a lot#and ive seen others do it too so i was just like#wow they really know each others styles really well#until i thought about it and read their posts some more#style mimicking is really freaking fun and i think its really good practice#and a good way to explore other ways of doing things#like you really have to learn new techniques and get out of your comfort zone#also anna scribbles i could not find a recent pic of marinette in her main outfit#so thats the only marinette i drew in different clothes cuz i couldnt find a more recent ref of you drawing it#anna scribble marinette has privileges thats the others dont#but ye#i also threw my own style in there as a frame of reference to what me draw like#ive drawn marinette before just not in a loooong while#sabertooth walrus was the hardest for me to mimic cuz they have a broad range in their style#so its like which sabertooth do i wanna be in this pic#Buggachat has such a distinct style thats very clean and consistent which is amazing so they were easy#being easy or hard arent bad things either it also has to do with like styles meeting up with one another#buggachats and mine arent too too different in some shapes and aspects#so yeah itd be easier plus they drew marinette like 3 sec ago so i have more recent of a ref#as opposed to sabertooth who i have a recent ref of ladybug but not marinette so we got two diff styles in one
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freakadr0id · 2 years
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This has been sitting in the back of my mind since I first watched Rise, but it seems that the show hints at an underlying sadness to Donnie's character that appears very subtly over the course of both seasons.
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(Long post after the cut)
I feel like Donnie longs for a normal, human life to some degree. It isn't a major part of his character but it's there. Maybe he doesn't exactly want to be human, but there are a few signs that Donnie wants, at the very least, a human experience.
We see a few nods to this throughout the show:
He has a knowledge and love of fashion and appearance, something he, as a mutant turtle, wouldn't need to know or care about. Sure, his brothers wear clothes several times in the show as well, but they don't seem to have as much of an interest or passion as Donnie.
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In 'The Purple Jacket' Donnie initially wanted to fit in with the Purple Dragons, a human group of teens at a human school (although it was mostly for the jacket).
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I mean, this is a boy who wants to actually go to school and even graduate college but we know that, realistically, he can't do either.
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Seriously, just look at how happy he is to be at April's school!
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Hell, he draws eyebrows on his mask for goodness sake. Yes, from a meta standpoint this is mostly for the sake of his character design since he would look really fucking stupid without them, but the key to any good character design is to have an in-universe reason for it as well. While some people headcanon that Donnie does this to better convey his emotions (which is totally valid and I kind of agree), I also think this could also be a way for him to seem just a bit more human.
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I'm not saying this is a defining element of Donnie's character - IT ISN'T. Our boy Donnie is confident in his intelligence, his skills as a scientist and an inventor, and who he is as a person overall - he doesn't want to change those things about himself. However, it is possible that maybe some small, quiet part of Donnie still longs for the things he could experience if he was a human, as opposed to a mutant turtle.
Hopefully, I'm not the only one who sees this because I think there are interesting things you could do with this part of his character - especially when you consider his closer friendship with April and the potential isolation he feels with his brothers.
I don't know, maybe this is just me overthinking things or looking for angst where there is none, however, this little thread of Donnie's character appeared often enough in the show to at least acknowledge it.
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littlebluejaydraws · 1 year
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Been obsessed with this concept since seeing [this text post] by @themanwhowouldbefruit I do think this is OOC for Jack in this scenario, but i really wanted to a) give Uriel a hug and b) show Jack as being happy to see him because Cas had spoken affectionately about him so bending things a little to show that haha
ID: Image comprised of 3 digital sketches on a plain background. The sketches are of Uriel from Supernatural dressed in a cowboy outfit. One is a full body drawing, one shows his head and shoulders from behind while he looks over his left shoulder, and on shows him waist up being hugged by jack. This last drawing includes a series of speech bubbles showing the following conversation- J: "Uncle Uriel!" U: "..?" J: "Dad told me so much about you!" U: "... Your father?" J: "Castiel! He says you're his funniest brother!". The colours are in shades of blue and gold, with only basic shading and highlights. End ID.
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julesdraws · 10 months
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she deserves the bubbliest and warmest and the most beautifully scented baths .. and some fancy ass marker set ..... and also sleep... so much sleep...
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lieutenantselnia · 11 days
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I wanted to make a list of all alternate universe ideas I have so far for Heinz and Selina (in no particular order):
Vampire AU
Pirate AU*
18th century upper class/aristocracy AU*
Wild West AU
Mayyybe a Star Wars AU? (there are so many possibilities in that alone but I think they'd look badass as a sith duo)
Possibly something within the PnF verse itself where Heinz returns more to his evil self and Selina becomes his assistance, basically an actual Villain AU?
*technically both of these would probably be set in the 18th century, but in entirely separate timelines with no connections whatsoever
Potentially more to be added as well, but I don't know if I'll ever come up with actual story concepts for all of these. Sometimes I just want to put them in either badass or fancy outfits to be honest😂
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namari-hime-moved · 9 months
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OH! MAD HATTER'S MAD HEART! THE TRANSACTIONS AS FAIR AS FAIR CAN BE!
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ghosttrolls · 3 months
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HI I Love your Posts about trollhunters and Danny Phantom.
they are things i gad trollhunters is different form Danny Phantom
Jim only date one girl and everyone agrees that she is the best Choice for him.
and the main creator isn't a Dick.
but my Question for is if Dash were to become Like Steve was Expose the Ghost world Just Like him how do you think would've involved and this Time his memory stays Like Jez did.
Hi, thank you! Before I say anything else I would like to clarify that while I spend a lot of time comparing themes between the two shows, I don't really feel like one could replace the other - they're both so unique in their execution! Honestly, all the characters in both shows have personalities that couldn't be copied over between the two without the status quo of each show drastically changing. I don't really think of Danny Phantom and Trollhunters in terms of "Danny and Jim are the same person," but more like "Danny and Jim experience things that are interesting parallels of each other and I like to explore those narrative parallels," which I can understand being a kind of complicated distinction.
There definitely is a thing with both of these shows where they pick sort of Traditional Character Roles to some extent, like The Bully, The Hero, The Best Friend, The Romantic Interest, etc. So thinking in terms like that, Dash and Steve do fill kind of similar roles in their shows. I am pretty sure that Dash knows ghosts exist by the end of the show, even if you're writing off Phantom Planet (the final episode that people like to ignore happened). There's an episode where all the adults in Amity Park are brainwashed to go on a "cruise" which ends up just being a way for some ghosts to use them as a power source - but because the adults are brainwashed, the kids are the ones that have to save them, and Danny uses his parents' ghost tech to work together with all the other kids to fight the ghosts. This includes Dash. They all fight ghosts on the deck of a pirate ship, and Dash and Danny stand back to back as Dash says, "When I wail on you tomorrow, I'll be wailing on a hero. But I will be wailing on you." At this point in the show, Dash and other people know about and are fans of Danny Phantom... I don't think his memory gets wiped of the incident, but Danny does get in trouble for using the tech without asking and that makes him "lame" again in the eyes of the other high schoolers. I think that's meant to be the show's explanation for why it doesn't get brought up again later.
I'd love to consider what would happen if Dash had actually been more active within the ghost fighting community - I'm pretty sure he's one of those people who thinks it's "weird," so he'd probably need some convincing. But it would be super interesting if he learned that Danny was Phantom and joined the team! I'm not the first person to say this, but still. It would be cool. I did really enjoy in Trollhunters when Steve and Eli had just formed Creepslayerz but they were trying to keep it on the down low, and acted comically to cover their tracks. I imagine Dash would have to do something similar to keep his jock friends in the dark about Danny's secret... In general, DP never really gave us that big of a look into what Dash's life is like outside of school, other than throwing a party when his parents aren't around. If he joined the team in some way we'd be able to see more of his backstory and he'd become a much more fleshed out character!
And I know you didn't ask for my opinion on this, but I do wish that Steve had more development after the end of Trollhunters and 3Below. Like, he stopped bullying Jim and Eli, he got a girlfriend - and now we learn he's really scared all the time! And they make him kind of like a knight in Wizards but he's still like, terrified of everything, and bad at very simple tasks to an almost annoying extent. It makes me wonder if the trio really explained very much to him, because we didn't see any explaining happen on screen... and then it felt like they were hinting that Steve would learn some cool stuff from Lancelot, but that never happened. And WHY didn't Aja WARN HIM that he could become pregnant like that! That was so out of the blue too. I really liked how they had Steve develop as a character over the course of Trollhunters, so when he kind of stopped changing for most of the other TOA content, I was a little sad.
I guess this is just an appreciation post for bully characters that decide to become nicer. They deserve more love, for sure.
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fleetways · 10 months
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just need to mention i spent like a solid few minutes talking with some friends about how u write shadow and his shadowisms so well (i want to punch him so bad hes so. bitch) and i was feeling it so deep in my soul with the latest chapter after he started getting uppity about how he doesnt want sonic to treat him like hes fragile like POINTING THATS THE CONCEPT I ENJOY!!!!!!!!!! also gay gay homosexual gay
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unironically me looking at this ask^
if it wasn’t already incredibly obvious shadow is my fave character to write for so this makes me so happy to see. also shadowisms is a great term for them because that’s really what they are!
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relicsongmel · 2 days
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Alright I figured since I ramble about them so much it's time I made a post talking all about my two darling girls!!! As some of you already know, these are my two (pseudo) self-insert characters; their primary canon is based around the events of Pokemon Black and White and their sequels.
images made using Picrew and Love Nikki (with the latter having the closest I could get to their canon outfits)
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Sylvia Goldwood
Gender: female (she/her)
Orientation: pan(demi)romantic demisexual
Birthday: March 10th
Height: 5'8
Hair color: light blonde
Eye color: aqua
Color scheme: light blues, whites, and silvers/grays with occasional darker blues, yellows, greens, and purples
Ethnicity: Unovan (Martha her mother is from Icirrus City, Roger her father is from Driftveil City)
Interests: music (singing, piano, flute, composition), theater, gardening/botany, baking, poetry, dancing, swimming, boating, foreign languages
Fashion is romantic and feminine with frequent floral elements
Born in Nuvema Town and lived her whole life there
Her father was a musician and aspiring composer who died a little over a year after she was born. Her mother is a florist
Inherited Roger's love of music despite never knowing him. Dedicates herself wholly to the musical arts and shows an exceptional level of skill for her age, but develops burnout as a result of her perfectionist nature and harsh self-criticism born from the pressure she felt to succeed. Leaves on a Pokemon journey for a change of pace and to search for the mythical Pokemon Meloetta in hopes of rekindling her inspiration.
Personality: ambiverted, imaginative, deceptively slow to trust, selfless to a fault
Notable Pokemon: Samurott, Cinccino, shiny Gardevoir
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Denise Hitoki
Gender: female (she/her)
Orientation: biromantic demisexual
Birthday: September 10th
Height: 5'4
Hair color: blonde
Eye color: dark gray
Color scheme: greens, browns, and other neutral tones with occasional blues and yellows
Ethnicity: half Unovan, half Johtonian (Jennifer her mother is from Icirrus City, Ryuji her father is from Goldenrod City)
Interests: reading, video games/anime, drawing, writing, playing guitar/songwriting, tree climbing, mythology, history
Fashion is minimalist and practical, avoiding unnecessary flourishes
Born in Ecruteak City and lived there with both parents; moved to Aspertia City with her mother at about 13 years old
Both parents are top-class Pokemon breeders who spent their teens and early twenties competing in competitions worldwide; after their marriage her mother starts a business selling various Pokemon care products. Her father assists her but tends to work from home so he can focus on taking care of Denise
Her parents' marriage grows unstable and her father abandons the family when Denise is 10. She and her mother have wildly different responses to this, which becomes a source of conflict as Dena becomes frustrated with her mother's state of denial and Jen is incredibly ill-equipped to deal with her daughter's grief on top of her own while now facing the challenges of being a single mother. Denise has a long depressive period before she leaves on a Pokemon journey to escape her home life and possibly find her father.
Personality: introverted, blunt, logical, fiercely loyal to her loved ones
Notable Pokemon: Ninetales, Glaceon, Zoroark
Other facts about the girls:
Martha and Jen are sisters, making Sylvia and Denise cousins. They are two years apart in age (with Sylvia as the older of the two) and each leaves on her respective journey at 18 years old.
Sylvia started as a Bleach OC and used to be named Lilybell, while Denise was created for an unfinished lineup of characters representing musical keys (she was D minor, hence her name). Both are drastically different characters now than how I envisioned them at the time of their conception.
Sylvia's tag [#little songbird] is a nickname Roger used for her when he was still alive.
Denise's tag [#forest for the tree] is in reference to her last name, which means "solitary tree." It symbolizes her tendency to isolate herself due to recurring abandonment issues as a result of her father's disappearance, even though trees usually thrive in community by nourishing each other through interconnected root systems. However, after letting go of her fears and allowing others into her life (finding her "forest" so to speak), she becomes a source of shelter, strength, and comfort for those around her.
Sylvia can be shortened to Syl and Denise to Dena (pronounced "DEE-nuh"); they have a few other nicknames but those are the most common ones.
The descriptions in this post pertain to the main timeline; that is, Sylvia and Denise's adventures across Unova and a few other regions they travel to with the background details exactly as described above. Several other AUs exist, most notably two PLA AUs (one for each of them), Denise's Paldea AU in which she and her mother move there instead of Unova, and a few different Sylvia AUs in which her confrontation with Team Plasma plays out slightly differently. In addition to these, I occasionally put my girls in the universes of other franchises (Bleach, Stardew Valley and Ace Attorney to name a few), but many details there are far less consistent considering the characters weren't created with those universes in mind. As such I generally don't like to discuss them as much, but they are very fun nonetheless and often help me recontextualize how I view their canon storyline.
And that's the overview! Thank you to anyone who's read this far—my lovely ladies mean the absolute world to me and I hope you found their backgrounds interesting <3
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merge-conflict · 9 months
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Actually re: the "V calling Goro by his given name", I did decide to keep that in the fic because I think she does everything else to be polite except his name, but by that time he's been out on the street for a few weeks and so on the list of things he has to contend with it barely rates a response. And by the time he thinks that he's going to correct her because she definitely knows she's being rude on purpose, he knows that she would demand to know why he's been calling her "V" all this time– because even in NC Arasaka employees address each other by last name to be polite (even if it is a far more lax policy.) He has a copy of her HR records, but has no idea how to pronounce Myśliewic (Vik via Misty gave him like three possible pronunciations based on how it may or may not be Americanized) and after all that he just decides to let it be. She introduces him to everyone else she knows as "Takemura".
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danny-chase · 2 years
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hello DC where’s my 9 year old Dick Grayson doing this with mid 20s disaster Bruce?
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Nightwing (1996) #25
[ID: Dick Grayson as Nightwing stands on a moving train as Tim as Robin climbs up onto the car. They’re both blindfolded, and the sky is dark. Tim: “Batman did this with you when you were Robin?” Dick: “Yeah. And I was a couple years younger than you.” Tim: “There’s a break.” End ID]
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