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flatterboy · 18 hours
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May I ask why you dislike Malleus so much?
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[My TWST character tier list is here.]
[For context on why I dislike Malleus: here and here!]
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Many of the reasons previously cited above are still applicable presently (though some points may be outdated since those posts were written before book 7). In this post, I will mostly be focusing on why my thoughts on Malleus have not changed despite the new added content of book 7.
I ramble on for a bit, so I put my thoughts below the cut! Ah—but before you read, please be aware that these are my opinions and not meant to be disparaging to any Malleus likers out there.
Me disliking him should not take away any of your joy!! Go out there and love him for me ^^
A lot of the things happening in book 7 were a long time coming, so really I felt as though Malleus finally “losing it” was affirming of all the red flags from before. Since day 1, his loneliness, aloofness, and awkwardness around his peers were key traits of his. What book 7 does is it magnifies the darkest aspects of his character.
We’ve seen several examples when Malleus has fits of rage and his power flares out of control or he at least threatens it. In Glorious Masquerade, he becomes enraged at the realization that the invitation he received was a false one. In A Firelit Sky, he insinuates that he would be upset if people questioned his presence for the trip. He crushes Lilia’s phone in his own Dorm Uniform vignettes, destroying a friend’s belonging because he was upset about not being invited to an occasion. In book 7, we see a flashback of Malleus freezing the whole castle as a child because his grandmother, overtaken by her duties, could no longer dine with him as promised. Malleus’s temper has been a persistent issue since childhood.
We’ve also seen him act callously toward his classmates and misuse magic to force his will upon them. Remember him stopping time during Endless Halloween Night? How he wanted some ghosts to enjoy themselves instead of missing out on being with everyone for the holiday? Now he’s stopping time in book 7 and keeping everyone in their happy dreams forever. Remember how (in his Dorm Uniform vignettes) Malleus thought it would be easier to make the other dorm leaders come to him instead of him coming to them for their meeting? So then he disregards their autonomy and casts magic that’s normally cast on objects on living beings (something which the other dorm leaders take offense to, as it is dehumanizing). He fails to consider their perspective when he returns to Diasomnia (he basically goes, “well, I wouldn’t have been mad if they cast that spell on me!”). Malleus learns nothing from the experience despite Lilia trying to tell him over and over to be more considerate of others and how different they are from him. Now we have Malleus relating his peers to a virtual pet that he never ever wants to leave him.
Malleus can be stubborn and arrogant. He has a very single-minded way of thinking and often does not consider others’ feelings before he makes the decision for them. Malleus can be insecure. He doesn’t even fully realize he is lonely until Yuu suggests it in book 7, but he’s capable of acting on his bouts of intense emotion. He has always had these flaws, and now they are being brought out in full; we’re being forced to confront OB Malleus and all the complicated, twisting feelings of abandonment that come with him.
Let’s make one thing very clear: I don’t take issue with the overblot boys in general; they are meant to be morally grey characters that act in dubious ways. It would be insincere for me to claim “I dislike Malleus because he did bad things!” News flash, many TWST characters have done bad things or at least questionable things that would give you pause. What separates Malleus from the others and makes him egregious enough to earn significant ire from me is the particular actions he takes (which triggers a personal disdain of mine).
Malleus consistently exerts a scary amount of control over others. This is not a new idea; Riddle and Vil are also notorious for being oppressive or controlling, and I’ll be the first to admit that. (You’ll note that those two are low on my tier list too.) The thing is, Riddle and Vil were very overt and open about their demands for obedience. Malleus can be too, but it’s so insidious how he acts within the dreams. He ignores people’s autonomy, gaslights others, and, again, acts like he knows what’s best for them 💀 Other characters have done these things too, but never to the same scale or by exerting this much power. Malleus then resorts to violence when his lies don’t work, even though he’s fully aware of the power disparity between him and his peers. It feels particularly scummy to me because of how Malleus frames his selfish actions and feelings (his wish for Lilia to not leave) as selfless (for the benefit of his peers) and something everyone else would want in order to justify it to himself 💦 I know he is in (or bordering on) overblot so he wasn’t thinking rationally at that point, plus the fact that many examples I listed come from events or vignettes which may not be canon to the main story timeline. Still, there is a concerning pattern of behavior with Malleus misusing his powers or not being considerate of others and failing to grow from those mistakes. You can only go “oopsie” so many times before you harm someone by accident. I expect people to learn their lesson by then and adopt some proper restraint. He keeps claiming his intentions are good as if that’s supposed to dismiss any harm that results from his actions??? No, his actions still harmed people and he has to deal with the consequences of them, not have them hand-waved away or excused. The behavior I’m witnessing is reminiscent of like… having a toxic friend that is constantly told “hey, what you’re doing/saying makes me feel uncomfortable; do you think you could dial it back?” and the friend tells you they’ll try but then never actually changes their behavior or defends their behavior with “I didn’t mean to, so therefore I did not actually harm anyone”.
You can give me a backstory, but a backstory only goes so far as explaining why he is the way he is; it does not excuse him at all. You can say “He’s a fairy! He’s sheltered!” until the cows come home, but when he relies on magic to quickly fix the problems he caused instead of stopping to genuinely reflect on why people are mad at him, it’s hard for me to sympathize. Because of his immense power and status, the only person that can reasonably hold Malleus accountable is himself, and he has not demonstrated to me that he can do that.
Book 7 is essentially the payoff for allllll the tropes and traits I never liked to begin with coming into fruition. That’s why Malleus has stayed where he is in my TWST character ranking. I did not expect the writing, no matter how good or tear-jerking, to change that. Until Malleus shows that he’s fully apologetic, recognizes the error of his ways, and consciously tries to connect with others and understand their perspectives, he’s staying squarely where he is.
Am I saying a character with flaws is a bad thing? No, absolutely not! Flaws are what make a character interesting, I’m not faulting Malleus or any other characters for having them. Am I saying that he is poorly written? No, I think Malleus is actually quite a complex character and he’s been really fascinating to follow. I love the emotional complexity of book 7–and it was so clever how the devs related his virtual pet to wishing for happily ever afters for people in his real life. This magnitude of danger is also just about what I expect of book 7 and the themes of togetherness that TWST was angling for from the start. But the fact remains unchanged that I perceive his attitude as irritating at best and reprehensible at worst.
My distaste for Malleus is based entirely on my own views and life experiences. The specific flaws Malleus has and how he acts because of them don’t sit well with me and the kinds of things I enjoy in fiction. It’s not anything deeper than that!
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pls reblog for larger sample size etc!! im very curious
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deadcrowcalling · 3 days
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distantsonata · 1 month
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the-wolf-and-moon · 1 month
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NGC 7822, Question Mark
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flatterboy · 11 hours
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Hi , miss Raven
Their is something has been on my mind for while ;
In rook suitor suit vignette he Compose a flattering poem about Crowley
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While Ace and Epel was talking about how rook would compliment anyone , rook insisted that he mean every word he say .
And there's this specific weird line
"if it weren't for your presence , I wouldn't be here"
Like what do you mean?????!!
Do you think this line is hinting at the fact that rook didn't join NRC via traditional way or he wasn't chosen by the dark mirror , since he is one of the light trio
Or To the fact that he transferred to another dorm smoothly without any problem?
For some reason I started suspecting rook recently 😭
The fact he was one of the reason vil overbloted by convincing him to watch neige performance and also he is the one who convinced vil to add Ace and deuce as part of VDC team while I thought lilia and cater was a better option
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I would like to hear your opinion about it 👀
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Ah, so if I'm understanding you correctly... You're theorizing that Rook might be an outside agent of some kind? One that Crowley intentionally brought into NRC to facilitate triggering overblots??
I’ll try to respond to one question at a time; hopefully this will make it easier to follow along! The post got quite long, so it's all below the cut~
Beginning with Rook’s poem, and, more specifically, “If it weren’t for your presence, I wouldn’t be here”. It’s funny that you mention this line, because when the vignette first came out (in JP; the terminology used is similar to “I would not exist/be here”), people interpreted it VERY literally. As in… “Rook is Crowley’s son because he literally could not be conceived without a father! They’re even both named after birds! They have to at least be blood related somehow!” Strange how in 2020, Crowley was suspected of being Rook’s father but now in 2024 Crowley’s being suspected of being Malleus’s father. The poor headmaster just can’t catch a break 😂
Personally, I don’t think that line is implying anything strange about Rook’s enrollment. As far as we know, he did not join NRC though any abnormal means, and nor did Silver. Of the “light trio” (a label that I must stress exists within the fandom but is not endorsed by TWST), only Kalim fits the bill. Kalim was originally homeschooled, but received an acceptance letter to NRC a month into the school year. Another month later, he transferred in. As far as we know, all students at NRC (save for Yuu and Grim) were chosen by the Mirror of Darkness, even the light trio. Again, I want to emphasize that TWST does not use “light trio” or a similar term to refer to or to characterize Kalim, Silverc and Rook. We’ve gotten no formal in-universe explanation as to why those three in particular have light cosmic magic instead of everyone else’s dark cosmic magic. (This is entirely separate from meta theories, which are out-of-universe explanations for why the “light trio” exists. The popular meta explanation is that it’s because Silver, Kalim, and Rook are not twisted from Disney villains but rather “good” characters like Aurora, the Sultan, and the Huntsman.)
On the subject of transferring dorms, the option is always on the table. We see mob students talk about transferring dorms as early as 1-14:
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In 6-67 (part 20 with the Pomefiore group), Vil describes the transfer process as being tedious and involving a lot of “complicated paperwork and ceremonies”. Crowley also says the process is “burdensome” in 1-20, but this phrasing is quite vague and could mean any number of things. (Burdensome to whom, the staff or the students? Why exactly is it burdensome?) Overall, it seems like transferring dorms would take a long time and require various formalities, but not necessarily be full of problems.
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As long as you’re dedicated and consistently complete what is asked of you to complete the process, transferring should be no issue. I don’t think it’s a given that you’d normally experience troubles in trying to transfer. It should be smooth by default (unless the student backs out, is uncooperative, and/or fails to complete the required steps). So following that logic, I don’t think the poem line is saying anything about Rook’s dorm transfer either.
While it’s true that Rook encourages Vil to watch Neige’s performance and advises that Vil pick Ace and Deuce for the VDC/SDC Tribe, I do not believe there was malicious intent behind these actions. It’s hinted throughout book 5 that Rook’s reasoning for doing these things was to help Vil recognize the value of his “beauty” is something he gains from himself, not from the approval of others.
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This is most likely Rook’s motivation for suggesting Vil observe the competition or to consider freshmen for the team. It’s exposing Vil to the contentedness that can come with imperfection or not being at the very top, something Vil fails to recognize in himself until the end of book 5. Being as perceptive as he is, Rook would have realized that outright telling Vil the moral of the week would not sway his strong-willed friend’s mind. Thus, Rook devised a more roundabout plan and involved Yuu (who, at this point, has a reputation for settling dorm-wide disputes) and co. (unpolished and clumsy underclassmen that Vil could shape as well as potentially also learn from in a reciprocal manner). Maybe Lilia and Cater would have been more technically skilled, being members of a club band and all, but they wouldn’t have provided the same opportunity for growth that Yuu and Adeuce did.
Rook is someone who has always been portrayed as a supporter of Vil’s, a good friend and a trusted confidant. He does have a nefarious side and is 100% capable of deception (like the time in Endless Halloween Night when he quickened his heartbeat to convince Sebek he was also scared and therefore was not a traitor). However, I don’t think Rook would want to betray his friends by actively harming them and putting their lives in danger (both during book 5’s overblot and immediately after in book 6’s rescue mission); he truly cares for them and wants to see them happy and healthy. (One could argue he should have voted for NRC instead of RSA to help Vil achieve his dream instead of betraying him, but that’s another discussion entirely.)
There’s no reason why Rook would go out of his way to do innocuous things like helping Epel with his UM or imparting wisdom to Deuce unless he actually cared and wanted to see them develop. Beyond the scope of book 5, why would Rook do even more innocuous things like trying to make Epel feel welcome and assisting him with learning table manners? Why wouldn’t he go out of his way to provoke Vil more often? Did Crowley hypothetically have even all of these little details down and instruct Rook to do (or not do) these things??? It sounds too far-fetched to attach a hidden motive behind everything Rook says or does. It could be as simple as “he wants to be there to support his friends”.
Before we wrap up, I’d like to quickly touch on the suggestion that Silver and Kalim too were catalysts for Malleus and Jamil’s OBs, respectively. It’s true that they were, but I doubt Silver or Kalim were aware and did so intentionally. Both seemed genuinely ignorant as to the true stress that Malleus and Jamil were under, and Silver + Kalim do not present as toxic people who would want to inflame their friends’ negativity. Of course, there’s always the possibility that Puppet Master Crowley (™) is orchestrating everything from the shadows (but I’m not going to get into the “time loop to gather all the necessary information and learn what the correct choices are” theory here www). I just don’t think Rook is Crowley’s accomplice in all of this if the time loop + intention overblots theories overlap.
This is one of those instances where I see Rook as being very honest with his intentions and because of his… generally strange character (?), his peers and players alike still suspect there is a deeper meaning to his words. I interpret his poem as nothing more than waxing poetic to expressing gratitude to the one man that makes it possible for him to be at NRC as a student: Crowley. Rook states that he wanted to give an exemplary poem using a subject that both Ace and Epel were already familiar with, so he went with the headmaster. Furthermore, we know that Rook is able to witness many wonderful and beautiful things at NRC, as well as make meaningful relationships with interesting people like Vil. He would not be able to do any of these things were he not extended an invitation to NRC—and it is for this reason that it would make sense for him to genuinely be appreciative of Crowley.
Those are all my thoughts on this matter all for now ^^ Hope it was an interesting read!
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writers-potion · 26 days
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Storyediting Questions to Ask
As You Read the First Draft:
Are there place that surprised you as you read your first draft? - Why do you suppose that is? - Is there material there you'd like to expand?
What are the character really doing in this story? - Might they have issues you haven't explored fully yet?
Look to the places that drag. - These might be scenes where you have avoided dealing with something deeper. - What are the characters really thinking in these places? - What are their passions, frustrations, and desires?
Imagine alternative plotlines. - How might your plot be different if ti headed off on another tangent from various points in the story? - You don't have to follow them, but they might suggest other streams that can flow into the main plot.
Think About Structure:
Does you story play out naturally in three acts?
Is there an immediate disturbance to the Lead's world?
Does the first doorway of no return occur before the one-fifth mark?
Are the stakes being raised sufficiently?
Does the second doorway of no return put the Lead on the path to the climax?
Does the rhythm of the sotyr match your intent? If this is an action novel, does the plot move relentlessly forward? If this is a character-driven novel, do the scenes delve deeply enough?
Are there strongly motivated characters?
Have coincidence been established?
Is something happeing immediately at the beginning? Did you establish a person in a setting with a problem, onfronted with change or threat?
Is the timeline logical?
Is the story too predictable in terms of sequence? Should it be rearranged?
About Your Lead Character:
Is the character memorable? Compelling? Enough to carry a reader all the way through the plot?
A lead character has to jump off the page. Does yours?
Does this character avoid cliches? Is he capable of surprising us?
What's unique about the character?
Is the character's objective strong enough?
How does the character grow over the course of the story?
How does the character demonstrate inner strength?
About Your Opposition:
Is your oppositing character interesting?
Is he fully realized, not just a cardboard cutout?
Is he justified (at least in his own mind) in his actions?
Is he believable?
Is he strong as or stronger than the Lead?
About Your Story's Adhesive Nature:
Is the conflcit between the Lead and opposition crucial for both?
Why can't they just walk away? What holds them together?
About Your Scene:
Are the big scenes big enough? Surprising enough? Can you make them more original, unanticipated, and draw them out for all they are worth?
Is there enough conflict in the scenes?
What is the least memorable scene? Cut it!
What else can be cut in order to move the story relentlessly forward?
Does the climactic scene come too fast (through a writer fatigue)? Can you make it more, write it for all it's worth?
Does we need a new minor subplot to build up a saggin midsection?
About Your Minor Characters:
What is their purpose in the plot?
Are they unique and colorful?
Polishing Questions:
Are you hooking the reader from the beginning?
Are suspenseful scenes drawn out for the ultimate tension?
Can any information be delayed? This creates tension in the reader, always a good thing.
Are there enough surprises?
Are character-reaction scenes deep and interesting?
Read chapter ending for read-on prompts
Are there places you can replace describing how a character feels with actions?
Do I use visual, sensory-laden words?
For a Dialogue Read-Through:
Dialogue is almost always strengthened by cutting words within the lines.
In dialogue, be fair to both sides. Don't give one character all the good lines.
Greate dialogue surprises the reader and creates tension. View it like a game, where the players are trying to outfox each other.
Can you get more conflict into dialogue, even emong allies?
If you like my blog, buy me a coffee☕ and find me on instagram! 📸
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Northern Lights by Sydney Laurence, 1921 / "Question...?" by Taylor Swift
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paper-mario-wiki · 11 days
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i have a thing where when i look at something bright the light bleeds off in different directions and makes whatever im looking at look like its glowing. like, u know when your eyes get wet and your vision gets shimmery? i have that permanently with things that are especially bright. what's that called?
(pic related, i took a picture of the moon last night while i was thinking about it)
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I saw a post from someone asking if they were terrible for refusing to house their trans friend when she was made homeless by her parents. All the post does is paint the trans person as a terrible, unsympathetic person without sharing her side of the story. It feels like this is done to make trans people look evil
Am I wrong to call this transphobic bait?
-
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flatterboy · 13 hours
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fablepaint · 3 months
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Can we expect more of Asa in the first season of our favorite boozecats? I just love that cheeky bastard way too much 😭
Well we tried to stop Jason Marnocha from giving us more, but he was already half-way into the booth and wouldn't let go of the microphone.
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paper-mario-wiki · 1 day
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im curious. this is a question to everyone who doesnt give a fuck about tf2 and dont know anything of it other than what ive posted:
what, if anything, have you learned about tf2 through my videos?
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WHAT
[Other May 2024 JP server news!]
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MY EXACT THOUGHTS 😭 After 4 long years… TWST has finally given us the elusive bare Rook arms and his Savanaclaw era design???????
Look at how well-defined his arms are, the Magical Archives was NOT lying about his secretly buff physique… The curly hair??? Freckles???? Ripped T-shirt sleeves???? Even the brows are noticeably different… THE GASP I GASPED WHEN I LAID EYES ON THIS DUDE OTL It’s suuuuch a drastic change???? Vil described Rook’s Savanaclaw days so… well. A little TOO well… (I laughed a little upon realizing Rook always wore some iteration of a hat; in this context, it feels more cowboy-ish.)
ALSO I THOUGHT BRO WAS CARESSING VIL’S DORM UNIFORM WHEN I FIRST SAW THIS CARD (then I looked closer and realized it seems to be Rook’s bed). The floor pattern does not look like Rook’s room though…? Did he just. Yoink some Pomefiore fabric and hide out in a rando’s room to admire it??? THAT’S AN EVEN SCARIER THOUGHT…
I feel like this is a fever dream that I can’t wake up from 🤡 This right here, officer… This is what my sleep paralysis demon looks like… He T-poses in the corner of my bedroom and watches me sleep while whispering “omelette du fromage” 💀
I didn’t think we’d be dream-hopping to every individual student’s dream to pull them out of it because that feels like such a time sink (and book 7 is already so long), but… why the sudden limited Rook banner drop to go with a book 7 update???? Are we actually going to be waking everyone up one by one…? Well then that also opens up the possibility of a book 8 since there’s no way TWST could cram all this dream hopping AND cleanly resolve all the other lingering questions (Grim’s origins, Ace’s UM, Crowley’s motives, why was Yuu brought to Twisted Wonderland, etc.)????
How fitting that it’s the enigmatic Rook Hunt to send us all spiraling and questioning everything JUST BY SHOWING UP IN NEW (old?) THREADS…
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