#I have a tangent to go on regarding them. i could talk about them forever. i love them together so much. | Explore Tumblr Posts and Blogs

kirschteinsj · 3 years

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Pinky Promises

Nanami x fem! reader

Warnings: nothing too much! maybe language but overall just a bunch of fluff and lovey dovey stuff

Word Count: 2.9k

Summary: Domestic Nanami and reader, just thinking about how much they love each other. sappy and cute stuff.

A/N: Hi! ^_^ Second time posting, I’ve had this one shot saved for a bit now! finally posting it lolz. I've noticed a lot of people have written domestic Nanami pics or drawn art, very glad society as a whole has this perception of him. it truly heals the soul I think. anyway, I hope u like this and sorry if there’s any grammar errors I wasnt able to catch U_U im thinking of doing a hc post next.... unsure hm, we’ll see ^_^!!

“I’m hooooome.” He says loudly as he steps through the apartment door, setting his briefcase down and taking off his beige coat. Putting down the grand kitchen knife she was using to chop up spinach, she rushed to the door with a smile and engulfed the tall blonde into a tight hug, saying hello. She took a deep breath, inhaling the soft scent of his cologne, the smell of something sour and musty soon taking over. Her face scrunched up and she let out a giggle.

“Oh god, Nanami, you stink, what did you go against today?”

“Nothing too bad. Just a grade 3,” He sighed “A smelly grade 3.” He sounded disappointed, probably because he knew he stunk too. Though the smell was horrendous, she still remained in his arms and he still held on just as tight.

“Are you tired? I was thinking of making dinner with you tonight but if you’re too tired I can-”

“No no. I’m fine. Just let me wash up and I’ll help out.”

“You sure?” She asked looking up towards him, questioning once more to reassure. He looked down and pressed a gentle kiss to the top of her head.

“I’m sure, dear.”

While he showers upstairs, she gets back to readying the ingredients so they could begin cooking their masterpiece as soon as possible. Tonight she had chosen chicken alfredo with a tossed salad; One could say it was her favourite, but saying that would imply that she would eat it when cooked and served by whomever. But to her, she would only eat it when it was him who had made it for her.

Y/n adored him. He adored her. To her, he was her light. She could simply not imagine life without him, not after he had come in and changed her in such a way. She never in a million years would have thought to be so in love with someone. To have known someone who cared enough to hear all about her day or listen to all her tangents, whether they made sense or not. Who listened to her talk forever about anything just so he could see the faint glow of passion in her eyes. Someone who remembered the small details in regards to the things she loved and the things she despised; Like how she hated the feeling of peanut butter on her fingers and how she absolutely admired the scent of fresh pages in a new book. Sometimes, she felt undeserving of him.

He admired her like no other. Never did he believe he’d be capable of opening up to anyone in such a way, at least not until she walked into his life. He could write a million lists, all full of everything he loved about her. The way she smiled cheekily at him after a witty remark, how she'd give every hug as if it was the last, the way she was oh so patient with him. It took him time to become vulnerable in the slightest, he just didn’t know how to do so without burdening her. She knew his job was hard, he’d told her. But rather than running away like he expected, she stayed with him right by his side. She refused to leave him over that. If anything, it made her want to stay more since she felt the need to be there for him. It felt like a punch to the gut but a good one. “So, is this love?” He had asked himself then. Nanami had someone who brought out the much more joyful side to him. At the end of the day, he knew he’d walk through the front door only to see her, arms wide open and with a big smile offering a cozy hug. She was his home. Sometimes, he felt undeserving of her.

Putting the final piece of broccoli into the container, she tidies any clutter and went back to their shared bedroom. Sinking into the bed and falling on it with a plush thump, she lets out a deep sigh mixed with some sort of a groan. She herself was exhausted from work too to say the least. She didn’t deal with curses or anything like that, but she did teach a class of 9 year olds which one could consider just as frustrating. Yawning, she checks her phone to read the time: 6:15 PM. Nanami hadn’t been in the shower for too long, a small nap wouldn’t hurt. Quickly, she settled for a little 30 minute nap. That way, she could get up soon enough to help him out in the kitchen and not abandon him to do everything on his own. She turns her phone off and slowly, her eyes shut.

…

Y/n slowly opens her eyes and notices a grey throw blanket placed on her, something that she doesn’t recall going to bed with earlier. “Must’ve been Nanami.” Grabbing her phone, she turns the screen on, wincing at the incredible blue light piercing into her skull. “Fuck.” she mumbles. Once her eyes adjust, she glances back at the screen for the time: 7:30.

“FUCK,” she says, voice croaking “I overslept.” With the speed of light, she leaves bed and runs down the hall to the bathroom to freshen up. She soon makes her way over to the kitchen silently, slightly ashamed and guilty. Y/n mumbles a whine with a frown, “He’s probably done making things now. I could have helped.”

The kitchen is filled with the delicate scents of sauces, cheese and herbs. She watches him from the door frame, admiring her boyfriend. He stood in front of the stove mixing at the sauce for the alfredo, which scent alone made her mouth water. Nanami seems to be in his own world, as he stands humming to himself softly, stirring the pot of sauce and adding in the broccoli and spinach, not seeming to notice y/n. With a final stir, he carefully sets the lid and turns to rinse his hands. Her gaze sits upon his figure, how his grey oversized shirt slightly clings to his shoulders and loosens as it goes down his body. Looking down, she noticed the bright red christmas pyjamas he had on, the ones with adorable little reindeers all over them. Grinning, she remembers how she had bought those for him. She purchased a matching set for the two of them and insisted on wearing them all day on Christmas last year. Nanami had responded to the idea with a stern “No” which left y/n in shambles. She didn’t expect him to agree, but hey, a girl can dream. However, on Christmas day, lo and behold, she had woken up to find Nanami sitting on the couch, watching the news with his reindeer PJs on. Immediately, she had attacked him with hugs and kisses and all Nanami did was sit there and accept them, secretly loving it the whole time.

A deep voice throws her out of her thoughts. “You know, it’s rude to stare, right?”

Y/n chuckles quietly and makes her way over, wrapping her arms around him from behind, snuggling into his back.

“I like to stare at you, you’re cute,” she breathes in his scent once again, “ah, you smell so much better now. Like the nami I know.”

“I am not cute. I am a grown man.”

“C’mon, you can’t possibly be saying that right now. Not while you’re wearing these pants.” She coos, gently patting his butt. He goes silent, refusing to rebuttal knowing that he’s lost. He leans against the counter, his front facing her. Though he didn’t say anything, y/n sees this as an open invite to his arms. The rope of his arms finds her waist this time, her arms in an embrace around his neck.

“Whatever, tell me, how was your day, hm?” He posed, changing the subject.

“Same old, yenno. The kids and I had a discussion today about drugs and safety. It was cute, hearing them rat out their neighbours for smoking cigs and talk about how yucky they thought alcohol is. It was… sweet. How was work for you, hon?”

“Shit.” He retorts, closing his eyes, “Work is shit.”

“Oh come ON, I’m sure it’s not always that bad, right? Say, how’s your friend doing, you know, the one who kinda looks like one of my makeup brushes! Isn’t he good company?”

“Yeah, if good company means having to deal with a nuisance to society on a daily basis then by all means, yes, Gojo is wonderful company.” He joked, loosening his grip on her and making his way over to the stove to check on his sauce. She follows, opening the first drawer and pulling out a silver spoon, “You’re so mean sometimes. I think he’s a great guy to be around! I met him once, such a flirt.”

He teases calmly, “If you love him so much, why don’t you get with him?”

Taking her spoon, she lowers it into the pot and brings it back up to her face, blowing on it carefully before she puts it to her lips to taste. “Hmm, I would. But I don’t think he’s as big as you. I’ll have to pass.” She smirked, putting the spoon into her mouth as he watched and sighed in disappointment.

He glares,“God, you’re something else.”

“I’m just kidding, babe.” Bringing her spoon down for another taste. He swats at her hand and she retreats it with a whine. “Don’t do that. You’ve tried it already, and will again when we get to eat.” He scolded tenderly, “Plus, you shouldn’t be given these privileges anyway. It’s not like you helped out or anything.” He smiled, teasing her.

“Nanamiiii, I’m sorry,” she whines, half laughing, “I promise, I was going to help! I just got a little bit sleepy and sort of lost track of time…” He turned over to her and lifted her face with a finger under her chin. Laughing, he delicately caresses her cheek, tapping it admirably with a curled finger. The blonde chuckles and looks her in the eyes, “I’m just joking with you, love. I know you’ve been tired lately, I can tell. Why haven’t you been resting?”

Her smile falls and she sighs. Y/n wrapped her arms around his waist and brought him into her, hiding her face into his chest. It was true, she was exhausted but she didn’t deem it to be anything so serious. Work was just heavy this past week from having to grade her students’ work in time for report cards. All she wanted was the best for her kids and was finding ways to get the kids out of their comfort zones enough to do well in class. That reminded her, Nanami also mentioned having a student of his own.

She takes her face out of his chest and glances upwards. “It’s just this week of work, I promise I’ll be back to normal soon. I’ve just been busy with lesson plans and activities, yenno. Anyway, speaking of students, how’s the one you’ve been assigned to?” She posed in a soft tone. Half smiling, he turned around to add the strained pasta to the sauce, scattering it into the pot.

“He’s special. Quite lively. And cheerful. He reminds me of you sometimes,” his voice strains as he stretches to grab the bowl of cooked chicken to finally add into the pot, finishing the meal, “He’s got potential.” Y/n beamed with happiness. Nanami really seemed to like this kid and if he thought you had potential, then it sure as hell meant you had it.

She lets out a squeal, “EEEEEEK!!! That sounds amazing! I’m so happy for you!” Nanami suppressed a laugh and rolled his eyes, “It’s not that-”

“This calls for a drink, don’t you think?” She babbled with excitement, “We should have some wine! Right?”

Grabbing her wrist as she skipped her way over to the bottle, he reminded her, “You have school tomorrow. You always end up having more than needed and struggle to wake up in the morning.” Y/n frowned at his words, to which he noticed and tried to fix, “Tomorrow’s Friday, you can drink plenty tomorrow, hm? I’ll drink with you.”

“Ugh, fine. You’re right. But you have to promise.”

“I promise you ca-”

“No! You have to pinky-promise.” She demanded, pouting as he stuck out her pinky finger.

His heart skips a beat. Was she always this cute? Her angelic eyes stare into his tired ones. Bottom lip poking out, awaiting Nanami’s pinky to interlock with her own. He knew she took pinky-promises very seriously despite her grown age. It was among one of the many petty details that he cherished. Something about this pinky-promise was enough for her to ensure trust onto someone, it made him laugh. Her naivety is what made her so kind hearted, what allowed her to see the best in people. He felt that this naivety is why they’re together to begin with. He didn’t ever think she’d give him a chance. He reminisced of their first few encounters. The way she did her hair back then, the way she dressed, her shy smile and how she’d look at the floor whenever she’d blush. Maybe it was her timid nature that made him fall head over heels for her. Or maybe it was her generosity. Perhaps her beauty. He was unable to simply confine the reasoning for his infatuation with just a few traits. She grew overtime, more comfortable and less shy, she was more confident around him but he knew he could still make her blush so badly that she’d have to hide her face from him. He enjoyed their banter, her company. He felt it was luck. Or maybe it was fate. Who knows. He didn’t want to think so much about it. He wanted to live in the moment, adore her in this present time. In that instance, he felt the strong urge to kiss her. And so he did.

The kiss was short and sweet, yet full of an unfathomable amount of love. It took her aback, she didn’t quite see it coming. She too stood in the present moment, then and there, cherishing the man she loved.

His lips leave hers and he extends the smallest finger on his hand, declaring, “I pinky-promise.” And a ginormous grin washes over her face. In a whisper, she squeals and scoops her arms around his torso, resting her head onto his chest. They stay like this for a while, not too long really, but to them it felt like an eternity being in each other’s affectionate embrace. He goes to speak and she feels the vibrating boom of his voice make his way up from his chest.

“I love you.”

She sighs, “I love you too.”

Turning her head, y/n smoothly gets on her tip toes and clasps her arms around his neck, giving it a tender kiss and attempting to make a trail leading up to his sharp jaw. Catching onto her tactics he laughs, putting his big hand against her face and pushing her back.

“Seriously?” He chuckles, “You couldn’t wait till after dinner? Come on, take out the plates.”

“Wait for what? I was just kissing you! You’re so dramatic, Nami.” She lies, playing innocent. She knew damn well what she was trying to do. She wasn’t going to admit to it though. Taking out the plates and utensils, she readied the table.

…

After dinner and meaningless conversation, the two lovers tidied and headed towards their room. “Do yo wana wah a mohee tomowwow nie?” Y/n proposed from the bathroom as she brushed her teeth. He perks his head up, confused, “Do I want to what?” She spat into the sink and rinsed her mouth, repeating her question.

“I said, do you wanna watch a movie tomorrow night? Like at home? There’s this documentary I saw on Netflix, it looks really good! It’s crime related.”

“That sounds fine with me. Though, that’s only possible if you don’t end up drinking too much. I always have to get you to sleep early when you drink.” He states nonchalantly, nose poked into a thick book. She rolls her eyes and smiles, “I promise I won’t drink all that much.” Shifting his book to the opposing hand, Nanami silently takes his pinky finger and holds it out to y/n. She snickers and reciprocates.

“You’ve now pinky-promised. Don’t break it, y/n.”

“I never do.”

The nightstand lamp illuminates the room with a soft yellow glow. Shadows of objects on the nightstand hang on the walls. Laying in bed on her phone, y/n turns over to Nanami, who was still reading his book. “Nami, come lay next to me, I wanna cuddle. Please?” Her voice faint. He looks down at her and puts his book away immediately. He could use a cuddle too. Bringing himself down, he lays on his back, y/n closing the gap between the two. Their legs intertwine, her arm and head resting on his chest while one of his hands rested on her bum, the other dotingly playing with her hair. Neither of them spoke a word for a while. Until y/n broke the silence.

“So, were there no other pairs of pants you had left to wear or-”

“Please, be quiet.”

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simtanico · 3 years

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Hi! I don't know if this is an annoying/difficult question, sorry if it is, but do you have any advice at all for modelling sims based off real people? Your sims are SO crazy good. When I try to make them they end up looking... eh... Vaguely like the person? But there's a huge gap between that and some kind of 'spark' some simmers seem to manage to capture.

Hello! Definitely not annoying. Difficult, as in how difficult it is to answer? Maybe. I'm gonna go off on a couple of tangents. But I'm gonna try my best to explain the process. Which isn't really much of one sorry.

There's a handful of tutorials and tips out there regarding reference photos and like... proportions and all that so I won't cover that.

I use that as a general guide of course, but mostly I just save some photos of the person at various angles and focus on one feature or two at a time. Literally going back and forth between reference photo and my game. I think if you try to get everything at the same time, it really makes it easy to get frustrated with whatever your sim looks like at the moment. Making sims in general is a combination of a LOT of things depending on your style.

I can point out ALL the flaws with my sims based on real people. In my experience, it’s about getting the defining features of a person close enough to the real thing so that it resembles them. I don't think you need a complete copy to get the point across, however i do think some people and features are harder to emulate than others. I've been working on some sims for YEARS, and they still don't work out lol

and take a look at this progression on my sim based on Z4ne H0ltz starting back in 2015!

that first screenshot:

Personally, I get a little lost if I work on a sim too much all at once. I find some time away makes me less tired and frustrated. Just pace yourself :)

Also if you need any help, shoot me a message here or on discord. I promise I don't judge or anything.. it's sims who cares lol

TO START...

I suggest starting with the head and its shape. Starting off with a game-generated sim, the first slider I get to is head width. It's usually too dang wide for my tastes. And then adjusting the general position of the the features. You can always change things later, so you don't have to know exactly what you're going to do, but as I've mentioned before, sculpting sims up in CAS is just practice with sliders! Also in the long run, you may want to use Pu+Chi House's Smooth Face Normals slider! I attempt to explain and show what it does here. I've uploaded the slider here: https://simfileshare.net/download/984204/

This is gonna be a doozy sorry in advance if the read more doesn't work

SLIDERS SLIDERS SLIDERS

Big sliders like Pu+Chi House’s face shape sliders dramatically change the face shape, and it could save you a lot of time! I highly suggest using these to get rid of the weird large jaw sims can get.

Play with different sliders and how they interact with one another! Example: jaw width and Cheek Fullness affect the same area. if you need a wide jaw and don’t want cheek distortion, you can use cheek fullness, lower the jaw width slider and then edit the cheekbones from there

Knowing what sliders move what and how it can work to your advantage is key! I cover this in my reply post about noses.

For visual reference:

I start out with my nose but I want the nostrils to sit further on the outside

so i go in and use the nose width slider and raise it to widen the lower nose:

Then lower the nostril scale slider

Comparison:

as you can see, i kind of achieved what I wanted, but also widened the nose tip too! Welp, that takes another slider I have, Tip Width. And I'll adjust that accordingly! It's really just a matter of what you're going for and what you're going to have to compensate for as a result!

That said, our community has made some awesome sliders that open up so many possibilities and even eliminate the need to do that multi-slider tango. I wouldn't even know where to begin (wish I wanted to make videos because I could talk for an hour about sliders)

For example @pitheinfinite made sliders that can make sims look better and more realistic, I'm jealous at what they've achieved!

They have their Inner Corner to Nose slider that moves an area of the sim's face hat make eyebags and the shadows and lines appear farther out from the inner eye. It saves you from having to use cheek sliders to mimic the effect and thus ruining the face shape you have going

It's truly an INDISPENSABLE slider. One of many!

Since I make sliders, I usually just make some to specifically fix whatever issue I'm having. Granted they're made with general function in mind, which makes my cheater-y way of making things happen more useful in the future. I have about 50 experimental unfinished sliders in my game and can tell you that all my current sims use them for some reason or other. So I'm not working with nothing, I guess?

EYE SPY 👁

The best way to really get nice accurate looking sims is the eyes.

Pay attention to the slant of the eye, the shape and position of the upper and lower eyelids. you can use the game’s Eyelid Height slider, and AWT’s Eyelid width and height sliders (and many more)

and especially where the iris (green) sits relative to the eyelid. getting that shape and eyeball positioned correctly really makes a HUGE difference

I do suggest Bloom’s Eye slider (left and right) that rotate the eyes left and right. That along with their Lazy eye sliders can give your sims a less symmetric face and position the eyes to be FAR more accurate and realistic than the default.

I also recommend their vertical sliders (Eye lift or drop) to help with eye positioning.

I can't stress the importance of the right contacts or eyes for your sims. Of course it all depends on how you make your sims's eyes and all that. Take the last sim i posted about. It took forever and a half to find the right contacts that didn't need severe or intense editing to capture the same vibe the person he's based on. The problem is pretty persistent for me, and I am just speaking for myself when I say this is necessary. Iris size, shading, recolorability, detail, catch lights, and pupil position are things to consider for your play style and preferences.

In addition to seeing what eyes will do the trick, I do edit the catch lights in the screenshots to give the eyes a different emotion or look. (I use defaults that get rid of the game-generated catch lights, and supernatural eye glow.) It's nice when that's all it is and I don't have to go in and photoshop things in and out to make them look human lmao

Perfect, schmerfect

And just know that as long as you have the same vibe or look going on it doesn't need to be perfect! Things will evolve over time, and you can change and perfect things as you go along, but close is better than trying to achieve an exact replica. We are working with the limitations of sliders and the optimized meshes they work on! So yeah there might be jagged bits or the profile might not exactly match and some things might not be accurate, but that's okay! Considering what sims look like at their default, you should be proud! I use the same mf eyebrows on all my sims basically and I tell myself they're just placeholders (yeah, right), but I manage to make them work with what I have!

Sliders, Makeup, and Skins, oh my!

a good base skin is critical, but not the end of the world if you pick the wrong one. They determine kind of definition and types of features highlighted on a sim 100000% and you might lose a feature you like or dislike when you change them! Feel free to switch up between skins you have to find the best fit.

Makeup can be a game-changer though!!! Any details you can add and help make your sim look the most like the person you're basing them off can go MILES.

In some cases, I've actually gotten really interesting results trying to get my sculpt as close as possible to real life references so the makeup makes a difference but don't define the features by themselves. Still, though, I utilize makeup up a LOT. [remember that if you use Nraas, you can layer makeup. Right-clicking makeup will also remove it if it's applied :)]

Here's the last sim i posted about when removing makeup:

no nosemasks really replicates the face-claim's nose (too shiny at the lower part) but it'll do 🤷‍♀️

Freckles, eyebags, highlighters, face shadows, pores, nosemasks, etc are all great!!

The way you move your sliders WILL effect how these look, so don't rely on makeup that adds super-specific detail or goes over an area you know is a jumbled mess because of sliders!

I do have a mess of recommendations and wcifs for skins and makeup. replies tag | wcif tag

[also I love compiling wcif cc lists for my sims it's great]

Finally, I appreciate your comment about my sims, mainly because I know they're not ever really exact copies or as close as I want to be to their real life counterparts, so thanks!! I've seen fellow simmers get really good results without messing as much as I do and I love when people can make really good maxis match likenesses because it's just so damn cool! It's truly a talent. I'm not one of those lucky few, but I like to try my way at it anyway. After what feels like some good progress I'll post a pic here. Even after doing this forever I don't feel like I'm an expert or can get good results in a shorter amount of time, but it's just fun to see the progression (or regression) of how my sims look.

#long post #replies #no tutorials just rambling and vibes~~~~

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maxwell-grant · 3 years

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Charlie Chan. Who is fascinating, because he was created explictly to be an anti-Yellow Peril character. Unlike most Chinese characters of the time, he's both intelligent, physically capable, and unambiguously heroic. In the novels, he's simultaneously proud of being Chinese AND proud of being an American citizen. He gives orders and instructions to white people, and the narrative treats this as perfectly normal and acceptable. There's a bit in the first book, when an attempt to trap the..(1/2)

(cont'd)There's a bit in the first book where an attempt to trap the protagonist fails, because a message supposedly from Charlie clearly isn't because Charlie's English isn't broken, it's like poetry. Etc. The movies made him more stereotypical, & played by white actors in yellowface, but still, he's a heroic Chinese man, who is as capable and patriotic as any white man. Nowadays, he's thought of as racist caricature. Which he is, but still, it makes one think.

I'm not nearly as acquainted with Charlie Chan as you are (and I definitely suspected he was less racist in the original books because that's nearly always the norm when it comes to pulp characters) but yeah, that "Which he is" is forever going to be the most unfortunate and saddest part of it all when it comes to Charlie Chan. For all the virtues that can be bestowed on Charlie Chan, for everything great that the character had going for him and inspired, the fact that the least offensive image of the character I could find to put here for illustration's sake is from the Hanna-Barbera cartoon kinda exemplifies the big elephant in the room when it comes to Charlie.

Charlie Chan is a great example of two things: One is the way progress is never a fixed quantity and often what was progressive and forward-thinking in it's time can become something outdated and backwards and downright offensive given enough time, and the 2nd is my constant stressing that this is all the more incentive to reclaim the pulps and either highlight or fix aspects of them, instead of dismissing every aspect of them based on the preconception that everything about it's history is unforgivably bigoted and must be handled with the nuance of a sledgehammer.

I stress time and time again the need to highlight and understand the prejudices that went into pulps, because either ignoring them or wielding them as a weapon to attack them does no favors to anyone. The pulps weren't exceptionally bigoted - look at literally any medium in it's time period and you'll find bigotry and prejudice and hatred - and they were exceptional in the number of POC heroes and heroines. Pulps were a medium of experimentation and cheap entertainment that gave way to much, much more varied kinds of protagonists than were permitted in films, serials, novels, comics and radio serials of the day. Imagine if no one was allowed to bring up and discuss superheroes without mentioning the Superman Slap-a-Jap posters or the Captain Marvel story so horrifingly racist it was recounted by an American ambassador after it deeply offended a friend's son and a major influence on the 1950s anti-comic trials. "Pulp fiction had deeply, unforgivingly racist depictions that deserve intense scrutiny and cannot be ignored" and "Pulp fiction was significantly ahead of every other medium at the time in regards to authors and editors striving to publish stories about heroic POCs, this cannot be dismissed and is something that needs to be perpetuated" are not exclusive facts. "A product of it's time" is not an excuse and never was, but it's a fact nevertheless.

Every time someone speaks favorably of Charlie Chan in any capacity, they have to start with a long preface of everything positive that the character had going for him. Yes, he's a deliberate subversion of the Yellow Peril, he's a heroic protagonist, he's plump and good-natured and humorous but far from a joke, he's friendly and pleasant and well-educated and wise, he's a good dad and family man and a terrifically sharp detective who's so good at his job he gets called to solve crimes all over the world, and none of these traits are apparent to people who have to google the character and repeteadly see a white man in awful make-up into every single image of the character, who watch the movies and cringe at the broken English. It's hardly relevant in the face of all the Asian-American critics who acknowledge the character's virtues but rightfully point out that this fortune-cookie spouting caricature, acting subservient to whites and whose virtues are based around his proximity to a white American ideal, doesn't represent them and they shouldn't pretend it does.

Which isn't to say that to like Charlie Chan is "wrong", a lot of East Asians love Charlie and the character's obviously got fans in Asian Americans. It's a complicated subject and I obviously cannot begin to vouch in a subject so heavily based around perceptions I cannot experience. And I deeply detest the idea of speaking for others on their particular experiences on this kind of matter, which is something Americans do a lot everytime they talk about representation in media.

So instead, I'm going to tackle this on a roundabout manner by going on an unrelated tangent to bring up an example of representation that isn't quite representative of what it's supposed to be, has a lot of issues that have been dissected by critics among the people it was supposed to represent, and none of that stopped the character from being popular and beloved and from being claimed anyway. And it's a Brazilian fighting game character, which means it's completely within my ballpark.

Yeah, obviously Blanka doesn't look like anyone who lives in Brazil (whatever resemblance he bears to redheaded jungle protectors of Brazilian folklore is purely accidental). Obviously neither Jimmy nor Blanka are Brazilian names or even exist in the Portuguese lexicon. Obviously there are issues in Street Fighter's approach to representation across the board, sure, and I'd actually say Laura is much worse than Blanka in that regard (again, my opinion, obviously not universal), but the fact remains that Blanka is and has always been pretty controversial. Obviously there's Brazilians who took offense to Blanka and they weren't wrong to do so, and I obviously do not speak for everyone here, that goes without saying.

Obviously the idea that Brazil's major representative in a global cast of characters, the first big name Brazilian character in videogames, is going to be a freakish jungle monster who roars and bites faces has problems, as is the fact that all the others get to be regular people representing fighting styles from their countries while Blanka doesn't. None of the Brazilian SF characters represent Capoeira, which is kinda shitty to be honest. And there's a whole stereotype of Brazil as a backwards land of beasts and savages that Blanka's creation played into. There's no shortage of ground to criticize Blanka's representation and Ono actually apologized in an interview once, but then he learned one teensy little thing:

Street Fighter is very popular on Brazil. Would you like to leave a message to the fans from there?

"Ono: Yes, I'm aware. At the time of Street Fighter II a lot of the arcade machines produced went there, so I knew we had lots of fans there. A message to Brazilians, well, I'd like to apologize. I know Blanka's a weird character and I don't want any Brazilian to feel uncomfortable with that.

When Blanka was conceived, we knew there were forests in Brazil, and so we thought he could look like that. I was actually kinda nervous knowing I'd meet Brazilian journalists. Still, this is the first Street Fighter in ten years, so we'd like all fans to play, including Brazilians, which are many.

Thanks. Well, but you should know that Brazilians love Blanka

"Ono: Ah, good! I was scared of getting beat up if I ever went to São Paulo! (laughs)"

(That's from a 2012 tv special called The Greatest Brazilian of All Time where over a million viewers voted to elect whoever they wanted, and Blanka was going to win. He was polling ahead of Aryton Senna and PELÉ, fucking Pelé, yes this happened. He wasn't even disqualified for being a cartoon character, it was an open poll, he was disqualified due to canon stating he had been born in Thailand, which I think may have been retconned since then. Again, A MILLION BRAZILLIANS voted for this contest, and Blanka was going to win.)

Blanka is great and sweet and lovable, he made the best out of the incredible shitty hands fate dealt him and became a cool and strong green man who shoots lightning and flies, a self-taught warrior who rides whales and planes to fighting tournaments, and he loves his mom and friends and kicks ass and after he's done he dances in joy and gives the kids of his village piggyback rides, and Brazil loves him. He doesn't represent any existing person or fighting style, he's rooted in a negative stereotype and incorrect assumptions, he's not even really Brazilian, and he's our boy and nobody can take him away from us.

No criticism of Blanka, no matter how in-depth or even right it is, is ever going to affect that, because regardless of what was wrong or misguided and offensive about him, we claimed him and loved him so throughly that Capcom kept playing up Brazilian representation in every subsequent game post Alpha, and because of Blanka's impact and reception in such a big game, Brazilian characters have become a staple of fighting games, and that's how we got much more diverse representatives in those games. Fighting games have more Brazilian representation than LITERALLY ANYTHING ELSE on media not produced here. It started as BAD representation, with way less thought put into it than Charlie Chan, and it still mattered to a lot of Brazilians who reclaimed it and made it better than it was ever intended to be, and as a response to it, it gradually became better.

Progress is not a fixed quantity, it's an uphill battle, and it's not unwinnable. Everything's gotta start somewhere.

The Good Asian is a ongoing comic that I think does the best job I've seen yet of handling an Asian American detective protagonist, which is not really a high bar in the first place, and more to the point, The Good Asian illustrates the 2nd part: the reclaiming. The Good Asian deals a lot with the realities that a 1930s Asian-American detective would run into, the strained circumstances and relationships between said character and the world around him, because it's born from an author who took a look at Charlie Chan and Mr Moto and the like and recognized the potential in those stories that could not be fulfilled in it's time period by the people writing said stories.

The Good Asian pays little reverence to Charlie Chan, but it acknowledges that it cannot exist without Charlie Chan, and it reclaims the Charlie Chan premise at the hands of someone more adequately equipped to tell a gripping story that goes places none of Charlie's contemporaries would ever go. Regardless of how good or bad of representation Charlie Chan was, Charlie Chan mattered and was beloved and inspired a better example for others to improve on or rebel against.

I desperately wish that I could google Charlie Chan without having to look at a guy in yellowface, and the ONLY way that's going to happen is if the character ever gets meaningfully brought back and reclaimed for good by people who can meaningfully tackle the character and present him as he should have always been presented.

And then, I imagine it would be a lot easier to show people on how swell Charlie really is. A true, positive role model and hero, who no longer has to look like a gross cartoon to be able to exist at all. Who can finally be what he was always meant to be, and always was deep down.

#replies tag #pulp heroes #pulp fiction #charlie chan #detective fiction #the good asian #street fighter #blanka

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itsclydebitches · 3 years

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RWBY Recaps: Volume 8 “Worthy”

Happy Saturday, everyone! I mean that seriously for once. Regardless of what I have to say about this episode — and as always, there's a lot — I want it on the record that "Worthy" was leagues ahead of... pretty much everything else we've gotten lately. For all of RWBY's continuing problems, there's a level of effort here that I really do appreciate. Especially for the penultimate episode.

Our title, "Worthy," immediately conjures thoughts of Watts' speech about Cinder needing to be "worthy" of the power she craves and, what do you know, our villains work hard to prove their worth this episode. Hallelujah! We start with the heroes though and do you recall how last week I said that our opening may as well be a summary of the whole series since Volume 6, what with the grimm conveniently avoiding the team's airship and them just looking vaguely sad that the people around them are perishing? Well, same here. Or rather, same problems, different flavor. Oscar opens with the question, "What do we do now?" and no sooner has he asked that then the magic portal appears to give him the answer. Useful!

More seriously though, I've been intensely side-eyeing the group's wish since last week. Not (just) because of the awful decision to turn Penny human, but simply because the story emphasized how "smart" the group was, heavily insisting that their portal plan is a masterpiece of well thought out strategy... and I really don't think it is. There was a lot of confusion last episode about how exactly the group was using the vault, with my own interpretation — that they were funneling everyone to Vacuo's vault — proven wrong today, but one of the problems brought up was how Ambrosius could possibly create portals across a kingdom precisely where the group needs them. Yang asks him,

"Can you make a bunch of doorways in Atlas that open at a single spot in Vacuo?"

To which, simply, Ambrosius says no. He'd need, among other things, "coordinates and specs for each door" and "an explanation for bending space and time."

This is why, prior to the very end of "Creation" where we saw portals appearing everywhere, I thought using both vaults was the solution. Ambrosius knows (or can easily receive) the coordinates for his own vault and the one in Vacuo. As weird, alternate dimensions, they're potentially capable of bending space and time as necessary. If you put the portal in Atlas' vault and open it up in Vacuo's vault, you're golden. The only challenge now is getting everyone in the kingdom to the Winter Maiden's vault.

But then... that didn't happen. Apparently the vault just becomes the in-between place for everyone to pass through and the portals appear all over the kingdom, even though the group didn't provide those "coordinates and specs." What they did was show Ambrosius a schematic of the cities. That's not the same thing as telling him precisely where each portal needs to appear — which is what he asked for. I bring this long-winded explanation up not merely to emphasize "RWBY's wish isn't as smart as the story wants you to believe it is" but because this wreaks havoc on who is getting a portal. How did the group tell Ambrosius precisely where to put a portal for Jaune's group? Why didn't they try to make one appear for Qrow and Robyn? Or Winter? Or Pietro and Maria? They had to have been somewhat specific in terms of saying where these portals appeared because if they just wished for everyone to get one, Jacques and Ironwood would have gotten one too. Basically, the portals do appear for characters whose “Worthy” plot now takes place in this in-between space and the portals do not appear for those whose plot is still taking place in Atlas. That's a mess. To say nothing of how it implies that our heroes just don't give a damn about all their other allies — including an uncle (Ruby, Yang) and a father (Penny) — and that, ultimately, Ambrosius did the very thing he initially said wouldn't work. He put a bunch of doors around Atlas that opened on a single point in Vacuo without making the group meet these requirements first. The rest is just a bunch of mumbo jumbo to distract the viewer from the fact that none of this actually makes sense.

But that's a tangent. To get back on track, Jaune's group decides to "spread the word on foot" since they can't contact anyone via their scrolls anymore. What this translates to is Jaune going to one spot and Nora doing the rest of the work because she can suddenly ride her hammer like a broomstick.

You know what? I'm fine with it. Have we ever seen Nora do this before? Not that I recall. Is it a cute image that feeds my witch-loving brain? Yeeeeeaah.

They're not sure if the portals are safe though and everyone turns to Jaune as the joke test subject. Except everyone else is right behind him when the go through? Even the jokes in this show aren't consistent.

What I do like though is that we get another interesting team split: Oscar, Emerald, and Ren heading to Vacuo while Jaune and Nora help with the evacuation — even though Nora and Jaune aren't actually doing anything together. Still, I can see that (for this volume at least) RT has taken the duo criticisms to heart. It would have been incredibly easy to attach Nora and Ren at the hip again, despite her desire for space, so I'm glad that they're still striving to mix things up a bit.

Nora says that Shade is "armed to the teeth with huntsmen and huntresses." It is? I mean sure, it has its school, but so did Vale. So did Atlas. In fact, we've spent the last two volumes emphasizing that Atlas is really the only armed kingdom remaining. Remember the plan for them to protect the world after knowledge of Salem's existence threw everything into disarray? Well, the people know about Salem now. And Salem herself is attacking. And they're about to slam an entire kingdom into another one. Don't get me wrong, I'm glad Nora ends her observations with the assertation that Vacuo will need as much help as they can get, but that worry feels far, far too late. Where were these concerns when Ruby made her announcement to the world in the first place? The fact that the group never went, "Hey, is it really worth telling people about Salem now when we can no longer provide the protection against the grimm that this announcement will necessitate? Yeah, we need backup, but can they even get here in time? I don't think so. Maybe we should hold off and try to find a way to solve this ourselves. Or, at the very least, just tell them Atlas is facing a massive grimm attack. That won't create quite the same panic as 'Magic immortal lady eager to kill you all' will."

Our heroes only acknowledge these problems when they're already neck deep in them. Forethought is not their strong suit.

For our obligatory humor, the people of Atlas are hiding behind the staircase after the evil portal appeared (weren't there, like, twenty of them in the last episode?) and a brave dude trying to toss a rock through accidentally hits Jaune. He — I kid you not — uses the Atlas huntsmen license gifted to him by Ironwood to gain authority over the group.

Talk about the story being tone deaf.

We segue to a shot of Penny who flies herself through the portal using the Maiden powers, precisely as she would have with her boots. Okay, I try not to pull many "I told you so"s because that's rude, petty, and all around just shit behavior... but boy is it tempting at times. Because RWBY's fandom is so staunchly against criticism that even the most polite pushbacks boil down to an equally rude "Just wait" mentality. Readers of these recaps know we were told to "just wait" for the group to talk to Ozpin. Or "just wait" for them to be punished for their crimes. "Just wait" for the complex forgiveness arc the group is sure to undergo with Emerald. "Just wait" is the go-to response when someone doesn't entirely disagree with our problems with the show, but still believes we're not giving RT enough credit. Most recently, I was told to "just wait" in regards to Penny. We don't actually know that her body is human. We don't actually know that her Maiden powers will still be the same. We don't actually know that this won't be the start of a long journey wherein she has to figure out how to use this new body, both on the battlefield and off. And the issue of RWBY failing to answer any of these questions isn’t valid criticism either because the only point being made here is that we’re not patient and supportive enough. Just wait. RT will prove you wrong.

Well... Penny's body still appears entirely human, her Maiden powers still work just fine, and now they've given her the ability to create all her old weapons out of aura, meaning she fights exactly the same as she did before.

The only thing making Penny human did was force her to fight barefoot. Oh, and erase her journey of accepting herself as an android.

Again, I don't want to be that asshole, especially when so many people want the show to be better — just like I do. By all means, hold out hope with me. But before slamming into someone's inbox to explain why they're being too negative because things are bound to be taken seriously down the road, keep in mind the staggering number of times we've decided to "just wait" and nothing ever came of it. Keep in mind that RWBY should be tackling these questions and expectations from the start. Now here we are, disappointed again. We're not pessimistic because we want to be, we're pessimistic because there's a clearly established pattern at play.

So Penny's change is, at this point, meaningless for her development and, at this point, we've lost the chance to introduce challenges later. If RT does, we're forever going to wonder why Penny didn't express any doubts upon waking up in a human body, or why she didn't face any problems while fighting another Maiden. Like Emerald getting the group to laugh and immediately being trusted with important duties, it's too late to suddenly backtrack and insist that there's still work to be done here. RT missed their chance.

That fight is a few minutes off though. For now, Oscar and the others arrive in Vacuo to discover that there's a sandstorm going on. Who could have ever expected that?

Seriously though, this is just one of the many reasons why our heroes come across as stupid. They deliberately chose to send everyone "outside the city limits of Vacuo," in a desert kingdom, after Ruby got the entire world panicked about Salem, and they somehow didn't think that a) weather might be a problem or b) grimm were going to show up? These characters have been though enough shit that they should be planning for the worst and hoping for the best, not planning for the best and assuming the worst just won't happen to them. Why wouldn't they have everyone appear inside the kingdom if they (against Ambrosius' rules) got to choose where everyone ended up? Why in the world would they rely on communications being up when CCT has been spotty since Volume 3 and Watts just took out Atlas’ entire system? Our characters don't think anything through — despite Ambrosius’ claims otherwise — and it makes for some pretty awful characterization. Because RWBY isn't trying to be a story about teenagers seriously messing up their attempts at heroics, it's trying to be a story about True Heroes... and we're just supposed to ignore the endless number of times the group doesn't think the most basic problems through. So now, Oscar and the other stand there doing nothing for the rest of the episode because a sandstorm in the desert threw a wrench in their plans.

The only reason I didn’t bring this up last week is because I had no idea they had chosen to dump everyone outside of the city. I thought they were going to the vault, or at the very least appearing inside the border. Why wouldn’t you send everyone to the city??

It’s so stupid, but then Cinder arrives and blows a whole bunch of people off the edge of the pathways. HELL YEAH.

I mean, obviously not hell yeah for the poor civilians who just took a tumble, but yay the villain causing some damage. It's small potatoes compared to what we were promised at the end of last volume — Salem decimating a whole kingdom in The Fall of Atlas — but at least it's more than we were getting last week.

So Cinder is having her evil fun when the entire group leaves Penny to go after her. Again, stupid. You're going to leave the girl who (at this point) may not have been in a position to fight with her new body and stands vulnerable with a Relic? Not a single member stays behind to guard her? It would have served Team RWBY right if Neo had shown up and just clocked Penny, taking a second Relic for herself.

Cinder taunts the group with information she shouldn't have: “Your little friend Oscar was right, but the easy part ends here" then mimics them with the question "How’d you know about that?” at their shocked looks. This starts a flashback where we return to Cinder, Neo, and Watts in the alleyway.

Again Cinder is given more development than a supposed hero like Emerald, apologizing to Neo for not upholding her end of their bargain. In fact, Cinder displays more growth here than our entire title characters combined, it's just that her growth turns her into a better villain. She apologizes to Neo, compliments Watts as a means of acknowledging the work he's accomplished — “You tore this kingdom apart with nothing but your intellect. How about we finish what you started?” — and tells the heroes that she did learn something from them: “Sometimes, if you want to win, you simply can’t do it alone.”

I quite like all of this. Again, not that Cinder should be our biggest threat with Salem on the scene, but if you remove that context this is a great moment for her. She's actually learned something, but instead of following in the rather abrupt and, in Hazel's case, nonsensical footsteps of her peers, what she's learned has made her more dangerous, not a sudden, convenient ally. Since Volume 7 RWBY has hammered home the idea that only friends can truly be a good team and now, well, Cinder is kind of making friends. She's apologizing to Neo. She seems glad that Watts is happy. RWBY took the concept of working together and applied it to our villains with devastating effect. Team RWBY has been skating by on the idea that power comes from friendship, so what happens if your enemies become weird friends too?

To be clear, this doesn't erase the staggering number of other problems with Cinder's character, or the villains as a unit, or the volume as a whole... but it is an interesting step in the right direction. Props for that.

Granted, outside of the fight itself, the villains don't really win because they're smart, the heroes are just — again — staggeringly stupid. Cinder promises to get Ruby for Neo if she can ask Jinn a question... which she does!

This moment could have been avoided if our heroes had just put the Lamp in the vault. Or not had Oscar carrying it around. Or used up the wish after they'd already summoned Jinn. Cinder's victory here rests entirely on her own enemies' ineptitude. At least she has the smarts to exploit it. She asks Jinn what the group's plan is and our three villains are shown the revelation outside after saving Penny and the discussions that took place in the dining room. They learn everything they need to inflict maximum chaos.

And it’s great.

Three other details of note:

Cinder spots Emerald with the heroes during Jinn's vision, but doesn't have much of a reaction beyond her expression tightening.

Jinn looks sad when she reveals the group's plan, reinforcing the idea that she's biased towards our heroes. I'd be more on board with that characterization if a) she weren't created by Light whose own Good Guy persona is dubious at best, and b) she wasn't so cruel towards Ozpin. Again, it's just this strange insistence that everyone adore Ruby Rose.

Neo reveals the Relic by pulling it out of Roman's hat. Uh... is that how hats work? They contain objects twice their height? While resting on someone's head? This wasn't one of Neo's illusions, she literally just pulled it out like a real world magician. That's weird. Showy, but weird.

Anyway, the flashback continues as the villains infiltration the Atlas military headquarters. I really enjoyed the music and cinematography here. It's a strangely uplifting tune — rather Cinderella-esque — which doesn't appear to work until you remember that these moments are through Cinder's perspective. Of course this is a Happy Ending for her — even if it's not for the audience. The quick cut between her summoning some fire and the whole room alight, bodies everywhere, was an excellent touch.

The happiness of this moment is then emphasized by Neo skipping as she beats people and Watts admitting that this is "everything I’ve ever wanted." I'm really digging the contrast between this scene's celebratory nature and the knowledge that the story is celebrating the wrong characters. It creates an enjoyably uncomfortable feeling for us and helps flesh out the villains more. From their perspective, life is good.

There's even a shot of that #1 Dad mug. Sometimes, RWBY gets it right.

Watts in particular is enjoying himself. He snags a discarded apple — no fairy tale symbolism there, I'm sure — and casually rubs the blood off it before taking a bite. This guy has style!

Watts watches Jaune try to send out his message to the kingdom and cuts communication at the worst possible moment. But then, we knew that already.

Elsewhere in the facility, Robyn and Qrow are trying to round up the Ace Ops. They all feel Atlas shake, realizing that the group has used the Relic, and Elm is appropriately horrified. "They'll destroy the kingdom!" Robyn says some self-righteous words about how a kingdom is made up of its people, not the land it exists on, which, while ignoring the importance of land to so many cultures, completely ignores that right now the majority of people are still on Atlas, or below it, including them. "They set the house alight!" someone cries. "Who cares about a stupid house," Robyn says, uncaring that the entire family still resides inside and she's starting to inhale smoke.

As Robyn tries to paint herself as a hero, Watts hacks one of the droids and sets it to self-destruct, telling it to run full-tilt at the group. Their weapons don't stop it and at the last second Marrow throws himself in front to take the blast, shattering his aura. Uh... after everything we've seen in this show, a single, small explosion wipes out his aura? I don't care about that so much here, but I absolutely care about it for an upcoming scene. Keep this in mind.

Also, I'm not going to get into the potential problems of trying to execute Marrow, beating up Marrow, and then blowing up Marrow. Others can tackle that leviathan of a subject.

At least he survived? But only RT knows if Robyn and Qrow bothered to put him on their ship.

Because as Atlas begins to fall Harriet, free of Marrow's semblance, races for an airship going off the edge of the open parking garage. Idk what else to call that space. I'm sure there's something appropriately military-esque, but we're going with parking garage for now lol. This is the one — one — moment where I felt like the Ace Ops were actually written like they weren't friends, what with Harriet's willingness to race off and leave them behind. Again though, it's too late and there are, frankly, other aspects to consider. Like the fact that Marrow just betrayed her. I don't think she's in the right mind for trusting the rest of her team, especially when there are only seconds to save herself.

Vine uses his stretchy arms to grab hold of her ship though and heaves himself on board.

Cutting to the jail, Ironwood wakes up and is greeted with a despondent Jacques. As Ironwood realizes that the group has the Staff, Jacques goes, "That's right, you lose! … we both lose." Before there can be any interesting discussion though, Ironwood's cell... goes out???

I suppose the explanation for this is things falling apart as Atlas descends, but man is that another moment of head-scratching convenience. What's even worse is that Winter apparently just left his weapons beside the cell. "Hey, what should we do with Ironwood's giant gun?" "Idk, leave it for him on the off chance us removing the city's power source wreaks havoc with the electrical bars?" I mean seriously. At least Qrow had to go find his weapon in a locker.

For a second Jacques is thrilled, sure that Ironwood will open his cell too... right?

He does open the cell, by blasting the whole thing to smithereens, Jacques included.

You all know I'm horribly disappointed with how they've written Ironwood, but I can't bring myself to dredge up any fury over this murder. It's Jacques. You know, the abuser and slave owner who has never shown a single shred of decency? Can't say I'm sorry to see him gone, especially since one of the Schnee girls were never going to kill him. The only other thing they could have done was have Jacques die an accidental death.

So villain!Ironwood can have another murder, as a treat.

Meme jokes aside, it's interesting that Ironwood's never-seen-before-last-episode gun produces a green blast and fire. It looks incredibly similar to what Penny created as an android and the fire around her Maiden eyes. Unlike Watts' apple though, I don't think this is a parallel RT intentionally included. Not unless we want to dig deep for more “Metal bodies = evil” symbolism, but there’s already plenty more persuasive examples of that.

Returning to Team RWBY, we finally come to the highlight of the episode: Yang falling off the edge.

Okay, I want to praise RWBY for having the guts to kill off a main character... but we all know they haven't killed off a named character. If next episode — or perhaps even next volume — it's revealed that Yang is really dead, I'll happily eat these words. For now though, this is not the consequence that RWBY critics have asked for. This is, in fact, quite a mess.

Let's count up all the ways this scene has failed spectacularly.

No one believes that Yang is actually dead. Not just because she's a title character, not just because Ambrosius never confirmed that the void was deadly or even dangerous — "Don't fall," however ominous, doesn't actually tell us what happens to someone who falls — but also because we have been here before. Three volumes ago. Remember how it looked like Weiss would die only for Jaune to unlock his semblance and save her? Yeah. The audience is both genre and RWBY savey. This cliffhanger feels cheap because absolutely no one is fooled.

Feel familiar?

Worse, Yang falls because of another round of stupidity. Nothing about this moment is convincing.

First, she notices Neo sneaking up on Ruby. What's her reaction? To flare her semblance, charge her in fury, and be horribly injured. Oh wow, where have we seen this before?

This is the exact same series of events from Volume 3. A loved one of Yang's is about to be harmed, she gets mad, charges without thinking, and takes the brunt of the attack herself, resulting in a far more serious injury than likely would have otherwise occurred. Emotionally understandable, but stupid. More importantly, it's the exact thing Tai tried to warn her about. The fandom praised Yang's arc because she got a moment of calm with Mercury, but since then we’ve ignored that development, reverting Yang to the same, impulsive fighter as before. Volume 6 showed us this problem in a non-combat setting and this moment solidifies it. Yang has learned absolutely nothing since Beacon. She's the same protective, reckless fighter she was back then, getting herself grievously injured because she can't think before she acts. What was the point of sending her on that journey if she was never going to improve?

Neo cuts through Yang's aura in a single hit. A single hit. These characters have long, drawn out fights filled with crazy attacks and you're telling me a single slice of Neo's weapon is enough to shatter Yang's aura? Really, aura has been an absurd plot device for a while, but this volume has been particularly bad. Ren's aura breaks so the group is spotted by Salem's grimm, but then is back just a few minutes later so he can see purple petals around Emerald. Jaune's aura is said to be running just as low, but then is totally fine to boost Penny for the next hour until she reaches the vault. Now, Yang has had just as much time to rest as they do, but she’s instantly taken out?

This is a problem not because the loss of aura itself sends her over, but because the hit was apparently so powerful Yang passes out. She's groggy at least, blearily looking at everyone as she falls, but not reacting to them and, importantly, not trying to save herself.

Yang could have reached for Blake's throw. She has a landing strategy. She could have blasted herself up, or towards any of the three paths she falls past. Instead she just... plummets. In a show where our characters are introduced through their ability to survive being launched off a cliff. Neo's attack needs to be miraculously incapacitating to justify — "justify" — Yang doing nothing to get out of this situation, in an episode where, minutes later, Ren's aura will also go out (again) but he's standing up and ready to fight a horde of grimm. But losing her aura through one hit somehow incapacities Yang?

Also, to ward off the expected claims: she didn't hit her head. Yang's back hit the path and her eyes were closed before she ever made contact. Neo's hit just... knocked her out.

That's absurd.

Worse than her not helping herself, no one else on her team helps either. Except Blake. Ruby, who this volume has learned that she is basically able to teleport and negate the mass of carrying someone else, doesn't fly towards her sister. Weiss, who can summon flying grimm and create platforms for someone to land on, just reaches out a hand. They all had time to do something, Blake's action is proof of that, but neither of them did. Why? Because the show wants this to be a bees moment. I say that not as someone who hates the ship, but as someone who loves it. Or at least, I've always loved its potential, but if you need to prove their devotion by erasing the devotion of others... that's incredibly bad writing. And that's what this is. The choice to have Blake the only one capable of acting sends the message that she loves Yang enough to overcome the shock of her falling. That love powers her to act. But Yang is Weiss’ teammates too! Yang is Ruby's sister.

You’re telling me neither of them had the drive to push past shock and save her?

I find it particularly insulting that Weiss comforts Blake rather than crumbling in grief herself. I find it doubly insulting that Blake cries and screams, but Ruby stoically continues her fight with Neo. In trying to show Blake's love for Yang — and hers in turn — the show has unintentionally pulled back on the love everyone else has, even between siblings. This is a far more harmful repetition of Yang's moment in the outpost: she cares more about the imagined disagreement with Blake than she does the actual fight she had with Ruby. Blake shows more emotion for Yang's assumed death than her sister has. You can't prove love by diminishing it elsewhere. The scene 100% needed all three girls doing everything in their power to save Yang, failing, and then continuing the fight while expressing the appropriate emotion for such a massive loss. Ruby can fly towards Yang and be pinned by Cinder. Weiss can start to summon and have an attack disrupts it. Ruby can scream and cry while she fights Neo. Again: that's her sister.

There's nothing about this scene that works for me and honestly? After Yang returns they better kiss. Or there better be an "I love you." Something canonical. There will never be a better, more obvious time for a confession than after Blake thinks she's lost Yang for good and if we don't get one... the ship has well and truly sunk. We're living in a post-Supernatural finale world. You can no longer take your one, implied to be queer main couple, toss one into this fantasy's version of super hell, give them a second chance together... and then leave things dangling. RWBY has to make them canon when Yang returns if they have any hope of maintaining a large portion of their queer fanbase.

As a final note on this scene, I don't like what it implies about both Blake and our lost civilians. Like Yang, (and like Penny last episode) this attack undermines the growth our characters have undergone. Yang learns not to attack out of emotion with her semblance... and then does just that. Penny learns that she's a person with an android body... and then gets a human body to make her perfect. Blake realizes that she isn't willing to kill people in this war anymore... and then goes after Neo with an intensity that implies she's ready to kill her. It's a detail that might have been meaningful if Blake's struggle had existed in more than a single line in a single scene. As it is, it just feels like they've forgotten — or are ignoring — another character beat they introduced.

As for our civilians, will the show bring them back too? Look, I'm pleased Cinder blew them off the edge. I'm glad there were finally consequences for the kingdom-wide attack, even if none of have to come about from our main antagonist. But that impact was erased the second they threw Yang off the edge too. If they bring only her back, Team RWBY look like assholes who only care about their friends, not all the people they were charged with protecting (a recurring theme in this series). If they do bring the civilians back, we've lost that consequence. RWBY never should have tossed a title character into that void especially when, as said, everyone watching knows it's not a real consequence of this fight.

This was a terribly crafted scene, imo. If the only purpose here is to push the bees to confess, we could have gotten that after the whale. Yang was captured by Salem. That's more than enough danger to justify coming clean about feelings and the volume could have easily been reworked to make Blake aware of that danger, forcing her to stew in it until Yang returned, unharmed.

Instead we get this.

Also, I don't even want to get into the implications of having Yang disappear in a cloud of glittering gold dust like Pyrrha did. That's a world building rabbit hole RWBY really doesn't need.

So Yang is gone but obviously not gone. Blake is the only one impacted by this enough to react emotionally. Penny hears her scream and comes running, showing the viewer that absolutely nothing had changed despite getting an entirely new body.

Cinder weirdly throws her voice — has she done that before? — to distract Penny and the fight continues, with Neo going after Ruby and Blake going after Neo. There's a moment where Blake realizes that Weiss is in trouble too, looking between her two teammates, unsure of who to help.

I'm calling it now: Blake will be the third semblance upgrade, splitting herself into multiple fighters capable of functioning independently, rather than just shadow clones to take hits.

It would make as much sense as anything else.

Cinder at least is fighting smart, attacking the civilians rather than Weiss directly, then blowing her glass up in Weiss' face. She then manages to catch herself in the air, but, you know, couldn't do the same for Yang.

At the very least don't have Weiss using these abilities seconds later, c'mon.

We thankfully leave this nonsense for, well... more nonsense. Vine and Harriet get into a fight about what Clover would have wanted, which means nothing to the viewer because we didn't know Clover long enough to develop that sense for ourselves. I'm sorry, but following an order to peacefully bring Qrow in for questioning is not proof that he would have seen things through in the sense of blowing up Mantle, yet that's what we're supposed to believe based on Harriet's assertions and Vine's take that "perhaps Clover was wrong." I really hate that RWBY has taken to bashing the guy before he had the chance to actually do anything. Everyone is criticizing Clover based on lies or assumptions about what he might have done if, you know, he hadn't been murdered. Qrow blames Clover for defending himself, not his own choice to team up with Tyrian. Robyn asserts that Qrow is a better huntsmen than Clover, even though the one scene they had together was Robyn deciding to attack Clover because she didn't like him doing his job. Now Vine is like, "Yeah, Clover might have tried to blow up a kingdom needlessly, but maybe he was wrong and a bad person, you know?" I don't even like Clover that much, but the story has really gone out of its way to criticize him when he's obviously not around to prove, disprove, or otherwise defend himself. That’s messed up.

The one good part about this scene is Harriet losing it, all her firm beliefs crumbling to reveal just an aching grief for losing Clover. Hark, is this humanity for the other Ace Ops I see? Some development and characterization? Vine reaching out sympathetically to comfort her because they've always been a team, no matter what Ruby might say about it?

Oh wait, no. They're interrupted by Robyn screaming as she slams her ship into theirs.

I think Robyn is, officially, my least favorite character in the series. Which isn't to say there aren't objectively worse characters than her — we saw one get blown up this episode — but no one has this particular combination of horrible acts, self-righteous attitude, and an absolute dearth of other positive qualities to distract from that. Robyn has brought nothing to the last two volumes except frustration and I can only hope she goes off to do her own thing when our finale is done.

Qrow goes feral, turning into a bird and changing at the last second to slam through Harriet's window. He taunts her about getting the fight she wanted and we see Watts hacking her ship while they're distracted.

Watts, I'm really loving the evil schemes, but don't you want to, uh... leave? Atlas is falling and you're one of maybe three people left on it. Best get a move on, chop, chop.

Those other two people are Winter and Ironwood, both of whom have come to the vault looking for Team RWBY. Ironwood lands a hit with his new gun, giving a short speech about how though he was always on the lookout for betrayal, he never expected it from her. He tells Winter to stand aside as his final order, to which she replies, “I’ve never wavered in fighting the enemies of this kingdom," preparing to fight.

I've explained the problems with Ironwood's downfall ad nauseam. I don't think that's needed again here. However, there are two final points I'd like to make.

Winter's characterization took a hit along with Ironwood's. Why didn't he think she'd ever betray him? Because they clearly cared for one another. The fact that Winter so quickly and easily gave up on Ironwood is a disservice to both of them. Even in the throes of being an emotionless killer, we still understand Ironwood's devastation at this betrayal: his shock when Winter attacked, his request that she step aside now, the single tear.

There's nothing like that on her end. No denial that the man she faithfully followed would do this. No insistence that the man who helped her escape her abusive upbringing be reasoned with. Nothing. Winter dismisses Ironwood with the same callousness the narrative has.

Which brings me to my second point: this isn't hopeful. I know the Emerald lovers don't want me making comparisons, but the story has already done that for us. You can't give us an all out villain — someone responsible for countless deaths across the series, attacks on kingdoms, lying to our heroes, willingly working for the enemy — and say that it's good to forgive her instantly, but it's not acceptable to even consider forgiving the man who has also killed, also threatened to attack a kingdom, was honest with our heroes, and always fought against the enemy. You can't give us an entire story about hope and forgiveness — Ruby reaching out to Raven, Weiss wanting to rescue Jacques, Oscar putting all his trust in Hazel — while saying that this character isn't worth compromising with. This character needs to be denounced to the whole world so there's no possibility of forgiveness. This character will commit horrific acts and his allies will immediately jump ship, but others? Their horrific acts are forgiven the moment you give them a way out. I'm supposed to believe that Yang, who knew Emerald only as the woman who attacked her school and has helped make their lives a living hell since then, will laugh with her within an hour, but Qrow, after years of being an ally and friend to Ironwood, is suddenly ready to murder him over an arrest he had no context for? That Ruby will try to make peace with every enemy she comes across, but not the guy who was the ally she betrayed? That Winter would extend more compassion to her abusive father than the man who helped her escape that? Ironwood's downfall isn't just horribly written, it messes with RWBY's core themes. Everyone deserves a second chance, is worth crying over, is worth reaching out to no matter how many horrible things they've done... except this guy here.

And when that guy is the PTSD riddled military vet who crumpled in large part because the heroes continually lied to, betrayed, and took extreme action rather than working to find a compromise... that's a really bad take. That shows a lot of bias on the part of RT. They're trying to write a story about the evils of the institution, but think they can reduce that to the evils of a single man driven to the brink. That doesn't send a teachable message to the audience and it certainly doesn't send a hopeful one. All it does is reiterate that if you rip away someone's support network when they're already falling they will, shockingly, fall harder.

Which brings us back to characters like Emerald. Because no, no one has to help Ironwood. When someone is hurting you and committing the crimes he has this volume, no one is required to extend a hand at their own, personal peril. But when the narrative is so heavily pushing forgiveness for other mass-murderers? When child torturers are extended a hand during the torture? That reframes everyone abandoning Ironwood into something unpalatable. Having Ironwood’s allies, friends, and really, family, so quickly toss him aside while other, equally bad people are welcomed in says that everyone struggling like him isn’t worth the effort. From a genre perspective, this isn’t a tragedy because the characters don’t care. No one is striving to bring Ironwood back from the brink. No one is crying over the man they lost. Hazel gets a moment of silence as Emerald kneels, stricken in the aftermath of his death, but one of the heroes since Volume 2 gets nothing but hateful looks from his second.

But we all knew we'd end up here. My current theory? The portal should still be open at the vault. Winter will fight Ironwood, escape through it, and it will close right before he escapes too. He'll fall with Atlas and everyone will act as if it's some beautiful, poetic justice for him to perish with the city.

Here’s hoping I’m very wrong!

Finishing with Oscar's group, Ren's aura breaks after trying to mask everyone coming through the portal. Oscar realizes that Penny should have come through by now and runs back to find her, only to discover that the portal is closed on this side. Why? Because Weiss wished for a "one way trip to Vacuo." Not only is this another example of our heroes being stupid — they come up with this complicated wish that doesn't actually makes sense, but don't bother to be careful with their words like Ruby was when helping Penny? — but it also just... doesn't add up? How does Oscar know what Weiss wished for? How does Ozpin? (His one line in the episode.) They recall this together, the flashback acting like a memory, but neither of them were there. Neither was Ren. Neither was Emerald. They haven't spoken to the Relic group since separating.

It looks like RT still needs to edit their scripts.

As Oscar realizes they're trapped, the emotions of the group summons a huge number of grimm to the area. At this point, my only thought was why none of them had used the time Ren was buying them to try and find Vacuo. I mean, they're not the only fighters with semblances here. They have the Happy Huntresses too and, I would think, the Atlas students (unless the army was abandoned like Pietro and Maria were. Where are Neon and Flynt?) There's no one in this huge crowed with an ability that might make scouting ahead a little safer? No one is even going to try and figure some plan out? Everyone on these teams is too passive. They encounter a problem — where's the city? — and instead of trying to solve it while they can, while they’re in a good position to, they wait around until the situation becomes unimaginably worse and they have to figure something out or risk dying. Now, the people are being carried off by grimm, they know something has gone wrong on the pathways, and Ren is about to enter another fight without his aura. Let's hope he doesn't take a hit like Yang.

Summary of "Worthy"? Excellent villains, terrible heroes. It's better than what we've gotten in a while, but choices like Yang's fall ensures it's still not good. Given the trajectory of the volume, it was inevitable that we would end up here: moments that look significant at first glance, but are (quite likely) no more than window dressing in the long run.

Finally, bingo is rather boring this week. Unsurprising, considering we're almost out of space. I'm keeping our "Army of grimm conveniently doesn't kill any civilians" square checked because the point there was for Salem to kill people, not for the group to lead the refuges into a grimm infested desert. We'll have to see how many people they lose though and whether Atlas "somehow survives." Here, like Robyn, I'm talking about the citizens, not the now clearly doomed hunk of land. At this point, Oscar doesn’t seem to at all care about his near death experience, but I'll hold off on that square until we're truly done, and there's still a near certain possibility that Ironwood will die, with a likely possibility that Qrow grabs a bottle when first given the chance. What RWBY has avoided though is a Jacques-Watts team up 2.0. Considering, you know, Jacques is dead.

Gold star for not doing the expected, iffy thing, RWBY.

That's the square I would have least minded seeing though 😬

Anyway, finale next Saturday, folks! What insanity will the end bring? Only time will tell. But I can't wait to see what state the fandom will be left in for hiatus!

Until then 💜

#rwby #rwby spoilers #rwby volume 8 #mymetas #rwby recaps #rwby worthy

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daydreamreality · 3 years

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Thinking about actor availability, and how that affects my perception of Jess and how strongly I feel about shipping Literati.

Really thought this would only be a few paragraphs going over the points where Jess could have disappeared never to be seen again, but it turned into a freaking essay so LONG POST warning if you decide to click ahead.

If the last we saw of Jess was hanging up the phone in the season 3 finale: "Well, it was fun ride while it lasted. That's about how I thought this would end." Still have a lot empathy for this kid and wish him well, but you screwed with Rory's heart like I knew would happen. Was that intentional? No. But he was so immature, out of control with his emotions, zero communication skills, not trusting in others...the list of reasons why he wasn't ready for a serious relationship, even if the feelings were serious, goes on. There was no way Rory wasn't going to end up as collateral damage in his personal breakdown that I could feel was going to happen. And this is the thought I had as a teenager with no dating experience watching this show for the first time. Did I want to date him? Hell no! I could see that trainwreck from a mile away. Rory was naïve to put her heart in his trust but that's part of her good qualities - she's sees the best in people and champions for them. I could go on a tangent about why exactly Jess was such an important character to me when I first watched the show (and probably why he stuck around unconsciously until I decided on a whim to rewatch GG in lockdown) but...I don't know, maybe some other time.

In the context of the entire show, I would look back at the relationship as my favorite one to watch of Rory's in the series (The build-up! The connection! Their deep belief in and respect for each other! The angst!) and Jess being a really fun character to root for (and yell at) but endgame? It was a short lived but important relationship. It’s fun to think about what ifs and how circumstances could have changed to make it work, but we can move on.

The ill-fated spin-off: I have no idea what this show would have been about except focusing on Jess and Jimmy and I’m not about to theorize. I still like Jess at this point so it would probably make me like him more since we’re getting a deeper dive into his character, but in regard to shipping him with Rory, this opinion would not change unless he all of sudden showed some great maturity. But I doubt this show would have even gotten a whole season so that probably wouldn’t happen. And then he’s living in California…this is too much, moving on.

If the last we see of Jess is in season 4: About the same feeling as above. Life, as expected, has not been treating Jess well. At all. His jadedness and hostility is at an all-time high when he shows up to get his car. Do I see the reasons informing his behavior and have empathy (once again, for a KID)? Yes, but he's also being a jerk. "The years don't seem to have hardened you." Well this year sure has!

I love the "I love you" scene but too little too late, buddy. That's probably why I love it, it's all a bit hopeless. Just keep shoveling the angst at me. I do like fics where this scene is reimagined with Rory running after him to give him a piece of her mind or Jess finding some other words to say (I really feel like he had more to say there but got overwhelmed), and coming to a tentative reconciliation: exchanging numbers, "don't fall off the face of the earth," but getting back together? No. You hurt her and you're feeling the consequences. Rory is not obligated or responsible to reciprocate those feelings, nor is she in a place to do that right now.

But season 4 does cement that Luke and Jess's relationship is one of my favorites in the entire show. There's probably a whole other post in me regarding that so I'll keep it brief. Because of his respect for Luke, Jess makes tentative steps towards maturing in interpersonal relationships. He shows some vulnerability and honesty with a veil of sarcasm and awkwardness because, well, it's JESS.

But then of course this all goes to hell when applied to Rory. Sometimes I like to think how this dorm scene would have gone down if Rory stepped back for a second and went, "Hold on. You're not making any sense, chill out," and they could have talked a bit and had a similar reconciliation like I said above because I really think that’s all he was going for - to talk to her, apologize, and make an attempt at reciprocation like he did with Luke. But getting back together here? Canonically, he hasn't made enough progress. He set aside his personal feelings to be in his mother's wedding and used the knowledge from the self-help book to apologize to Luke, but I don't think the book's message has sunk in all the way yet and he’s still got a massive chip on his shoulder preventing him from making a good life for himself. Getting rejected by Rory here is an important moment and I really like it. It's fun to think about the AU if Rory had said yes (hello road trip!), but it's very in-character for her to not be able to handle Jess's crisis and just shouting "NO, make it stop." This is one of my proudest of Rory moments: Protect your heart girl, he ain't ready. The seeds have been planted that Jess will continue to grow and I wish him well on his journey. Endgame material? Nah. Goodbye forever, take care my friend...

Even though this scene doesn't feel like closure at all, I really thought this was the end of Jess Mariano. So imagine my surprise when -

SEASON 6: HE'S BACK. Coming out of the shadows, [literally] it's Jess Marianoooo *air horns* *confetti* *jazz hands* *Jess rolls his eyes at the fanfare*

Alright, that's out of my system. But for real that's what my mind did at this point. For context, the way I watched this show for the first time was getting the DVDs from the library while a couple of seasons were still on the air; when a new season was available to borrow, I would rewatch all the seasons up to the current point so my memories and favorite parts of the show are seasons 1-4. Because I was not bingeing the show all the way through, seeing Jess here seemingly so different didn’t feel out of place. A shock, yes! A happy surprise. But nothing about him seemed OOC. A year had gone by, we’d seen some signs of maturity in him, and getting rejected by Rory was a big kick in the ass for him to start making bigger changes in his life. I really cannot emphasize how satisfying and sensical his positive character development felt to me.

The slight maturity we see in season 4 in its full potential. Jess is still Jess: guarded, self-deprecating, and a bit prickly but he shows a sense of calm and feeling more comfortable in his skin. This is really satisfying to see as someone who always "knew" there was a kind and capable heart underneath the exterior just like Rory did, and that tough guy, must protect myself at all costs posturing has melted away. But that side of him isn't gone, it's not like the writing did a complete 180 on his character. I love this. He's just...more at peace with himself but he's not a different person, and he's found something to direct his focus and intellect on. He's made his peace with Luke, and now he has something of worth to show Rory to try to mend that hurt as well.

Yes, it would have been nice to see how and why he decided to write a book and work in publishing but this course of events is not out of left field, nor is Jess enough of a main character at this point for scenes like this to be necessary to the show unless they were tied to Luke and showing another side of him. Jess has shown in the past that he has a good work ethic if he feels it is worth it. The problem wasn't him being lazy, just poor decision making and focusing on RIGHT NOW, "I need to get out of Stars Hollow and live my life," and not considering the consequences of his actions. Which as an immature kid whose life had told him he can only depend on himself...not out of the ordinary. The dude’s life passion is literature and has probably read every book he can get his hands on, it’s not crazy that he had his own story in him.

Here is where Literati becomes endgame material for me. Prior to the revival it was always my feeling that post-series they would reconnect while Rory was on the campaign or afterwards. It would be low drama (except for Lorelai criticism), slowly gaining trust in each other again, and eventually starting a committed relationship within a year or two of being friends with sexual tension (lol). They made their adolescent mistakes, hurt each other, but learned from it and started over on infinitely better footing.

The match just makes sense to me at this point for many reasons; I don't feel like I need to list them all out because you can go to any pro-Literati post and I'll probably agree with the majority of the points. The biggest issue they had was timing: “Right heart, wrong time.” I like especially how they even out each other's more extreme personality traits. For example, Rory learning from Jess to consider her own feelings instead of sacrificing herself for others, and Jess considering others before himself all the time. Or professionally, I can see Jess encouraging her to step away from her ultra-organized, “everything has to be just so” ways when it benefits her to seize an opportunity right now, don’t worry about the details, you got this. Maybe Jess has another book in him, but his self-deprecation and disorganization prevent him from getting it done but Rory helps him be more objective and focused. There’s this…synergistic energy I feel with the two of them: they’re great by themselves, but form something better together.

Judging from Rory's reactions towards him in this season, I don't think it's OOC for her to have romantic feelings for him again. She's extremely proud of his accomplishments and not unhappy to see him (not holding a grudge). They fall back into their comfortable dynamic even if it makes them both a bit nervous. Now some could argue that this means that Rory only wants to be friends with him but...when have Jess and Rory ever been just friends? If "Another Year in the Life" comes out (I've got serious doubts but would love to be proved wrong) and Rory rejects him or he's not even a part of it, fine! But I just don't see anything in canon that says explicitly she'll never feel romantic towards him again.

Now the kiss...there's a lot of ways to read that scene. Do I think Jess was in the right to assume "everything is fixed" as a go ahead? No. But that's part of why he is such an engaging character: he's impulsive and acts in accordance to his feelings, and yes, this gets himself and others in trouble.

Do I think Rory purposefully went to the open house to "use" Jess to get back at Logan? No. I think she genuinely wanted to support him, and Logan being out of town meant she wouldn't have to explain why it was important for her to go. I see the kiss paralleling the one in 2x22 but instead of Rory not being able to hold her feelings in any longer, Jess initiates. The way I see it is she was unaware she still had lingering feelings towards him (not out of nowhere, I mean their relationship has "unfinished business" written all over it) and that scared the crap out of her, just like at the end of season 2. So she runs away to the "safe space" that is being with Logan. Because she's in love with Logan, she has a sense of obligation towards him, and Rory has shown many times that she does not react well to change and highly emotional situations.

Is this scene a deal breaker for a future relationship between them? I don't think so. Jess says that he isn't sorry she came, which I take as "I'll never be sorry to see you no matter the context." Yes, this hurt him and made him pretty mad, but I don't think he's holding a grudge against her for this; even in the moment he's more concerned that someone cheated on her and her safety getting to her car. He sets a boundary that he doesn't deserve his feelings to be pushed around like this and Rory agrees. Not that I condone this sort of tit-for-tat hurting of each other (which I don't think Rory was going for in the first place) but it's almost like...that cycle is now broken. The whole scene is so open ended, it doesn't feel like a "good bye forever" to Jess.

"But Rory is so in love with Logan!" I don't know about you, but that "I'm in love with him despite all the bad he's done..." sounds so defeated and sad. It's almost like she's resigned herself to being in love with Logan. The first time I watched this, I thought this was foreshadowing that the relationship was on its last legs. To keep them together, Logan almost dies so Rory will bury her hurt out of guilt for holding a grudge against him. She is completely entitled to feeling hurt by Logan's actions, and I hate that she feels like she has to do this. But it happened, moving on.

"But Rory is a cheater!" When I think about Rory's characteristics, "cheater" doesn't make the list. She feels entitled to the men that she's loved and this isn’t super great behavior, but I don't view her as inherently unfaithful or okay with cheating. I give her leeway on the season 2 Jess kiss because she was a teenager with a lot of conflicting emotions and everything around her was pushing her to stay with Dean. The season 4 Dean debacle...she was still very young and naïve. I put most of the blame on Dean for manipulating her; I say most because if Rory really wanted to be with him, she should have been more sure of the status of his marriage, but I repeat: he manipulated her and she was very young and naïve. I dare to say she has been conditioned to view Dean as nothing but safe and trustworthy so why wouldn't she believe him... Season 4 was all about her being out of sorts when away from the Stars Hollow bubble and trying to reclaim some normalcy. Narratively, I see why this makes sense and I don't think the intention was to say “Rory is okay with cheating,” but to show very explicitly that Rory isn't perfect. This show goes to extremes, at this point I kind of just accept it and don't jump to "this person/character is terrible!" Certain characteristics and behaviors I have less patience for (mild) or will make me lose all respect for a character (extreme - honestly very few GG characters fall into this category for me); you may feel differently and that's fine. When other plot points in this series are much more bizarre and OOC, while this turn of events makes me uncomfortable and angry, at least it makes sense to me.

The 6x18 kiss I've already said that I don't think Rory had premeditated intent to cheat on Logan judging from the fact that Jess initiated it; yes, she went with it nor was it a complete surprise, I get this. The "I couldn't even cheat on him..." line I think is an outburst of guilt and regret, not her saying she had a plan in mind. Maybe I'm being too soft on her, I don't know...she did stay there late but maybe she just got lost in the book while waiting to say bye. We've seen her not know how to deal with conflicting emotions and change to her status quo, and attempt to distract herself when life isn't panning out the way she wants and not think about the consequences in the moment, so I don't find this scene OOC or intentionally cruel. The revival...I don’t think I can even go there right now because it would just be me screaming incoherently about how much I hate "full circle" and how bizarre the entire thing was. Maybe something of value would eventually come out with a lot of editing. XD

This isn’t to say I’m 100% on Rory’s side all the time. Pretty much every character in this show has at some point made me smile, made me laugh (generally with them, but some characters it’s more like at), made me want to give them a hug, made me roll my eyes, and made me want to throw something at them. That’s why I love it so much! Even if the drama is turned up to 1000, I still get the sense that these characters are human. My favs end up on my “will protect at all costs” and “shit” lists throughout the series, no one is immune. Except Lane. She really is the best person in this entire show. #JusticeForLaneKim

If ASP had written season 7: (Remember there being some sort of theme to this post? Only two episodes in s6, but Jess sure does make an impact.) I bet Jess would show up at some point. MV is loyal to the creators and not the show, if it was important for Jess to be there I’m sure his shooting schedule would have been accounted for. Storyline would have been similar to the revival because AYITL is ASPs season she didn’t get to do without considering how time passing affects the characters (I’M STILL SALTY) except Rory is at Yale and I think the book was a new idea. Shipping as endgame doesn’t change, and I bet there wouldn’t be a nice little Literati ending because we’ve got to end it the same way, right? I don't even need them to be together at the end because Rory has greater plans to focus on, but just a moment! One moment is all I asked for... I don’t know if this makes me mad because I felt like the narrative had been pushing us along this path for so long even if actual "endgame" was going to be offscreen or if I kind of like just having it in my imagination. Little bit of column A, little bit of column B. In any case, it could have been cool to see Jess present for the birth of his half-sister and giving Luke some support.

Like I said, I'm not touching AYITL right now. The whole starting point of this was, "huh, if MV never came back to the show, how would I feel about Jess and Literati?" And he was in it so it doesn't really fit into this even though we've gone on a meandering journey as pieces of discourse that have never sat right with me but didn't quite know how to express that disagreement until now popped in my mind. So there you go. If you’ve made it to end, claps to you, what a champ.

At the end of the day, Literati is the ship that makes me feel the most things, it's kind of just a gut thing. This really isn't any sort of argument just an outpouring of love for the show and these characters. I don't know how well that's communicated, but hey, I try. I’ve got a lot of nostalgia for the pairing and I always viewed Jess as being Rory’s, and only Rory’s, choice.

#Gilmore Girls #Literati #rory x jess #Jess Mariano #I've been writing and editing this for 2 weeks and just accidentally pressed post and uhhhh #I don’t think there's more you can do self #Just run with it

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neondrawsthethings · 3 years

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Uhm... Hey everyone lol. And welcome to my Danny Phantom & Flynn Fenton story.

I am alive, I’ve just been so busy with personal stuff and college. I mostly wanted to post this because I am an avid fan of Danny Phantom and I absolutely wanted to talk about the video Butch put out a few days ago with Danny having a “mysterious older brother.”

This has actually inspired me to write for the first time in a millennia and while I’m a bit late to the party and very nervous, I really wanted to make my own version of the story on top of expressing my opinions. So here we go!

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I don’t like Butch like most people in the Phandom but I just want to preface this by saying that I think that his idea for a mysterious older sibling for Danny isn't a bad one, but the execution of it was very poor. The issues I mostly have of it is that it messes up some consistencies with the show, it has plot holes and instead of making Jack and Maddie slightly incompetent with people's safety, it makes them out to be negligible criminals.

A Summary Of The Original Story:

The original story went that they had 3 kids, Flynn Fenton (who's age was not disclosed but he might have been about 10), Jazz Fenton who was 4 at the time and Danny who was 2. Jack and Maddie had created a uncompleted Ghost Portal that Flynn had turned on, wandered too close to when it somehow started working and was subsequently grabbed by a mysterious ghost from the other end. The portal suddenly stopped working afterwards. Jack and Maddie found out about this after reviewing security footage in the lab, which they coincidentally didn't have when Danny had turned into a ghost.

After the whole incident, they hid the fact that Jazz and Danny had an older brother for years and take their time getting the portal to work again so they could save their son. Years pass and Jazz suddenly has a dream about Flynn and eventually confronts their parents over what happened and they tell their kids everything.

As for Flynn, Butch goes off in a tangent about a ghost who was responsible for the uprising and rebellion against Pariah Dark. I forget her name, but it was edgy and she honestly looks like a cartoon concept design for Thor's sister in Ragnarok, but if she had a Spiderman appeal to her.

Anyway, once Pariah was sealed away in the Sarcophagus of Forever Sleep, she wanted to rule the ghost zone fairly and with justice. Or something. However chaos ensued now that the ghosts were free to do as they please without Pariah's wrath hanging over their heads. Over time, trying to keep balance in the Ghost Zone took a toll on “Thor’s sister” and she one day stumbled across and open portal and saw Flynn on the other side. She essentially kidnapped him and raised him to be her soldier for justice. Like the Winter Soldier.

The logic for this was that humans have ghost powers in the Ghost Zone. I mean, yeah they can fly and phase through things, but it was never actually mentioned whether or not humans had super strength in it. But go off Butch. Then he goes on to explain that in some reference to the Ant Man movie, over time Flynn just sort of gained powers as he became "one with the Ghost Zone" and became a powerful protector called "Exodus." Then Fartman went on to mention it was a reference for a machine in the Halloween episode.

So yeah, eventually Danny finds him and they've kind of got that dynamic of "I think you're the bad guy in this situation" when they aren't and duke it out until Danny eventually convinces this dude they're related. Oh yeah and Flynn had no memories of his human life.

Gonna be honest, I might have misremembered a few things but it’s honestly close enough.

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The issues I have with this concept are as follows:

⦁ Jack and Maddie have essentially been the direct cause for 3 people being harmed (and sorta killed) in some way by their Ghost Portal experiments. This doesn't even border on negligible at this point. It basically is, especially considering they should have learned not to let Danny near their experiments after losing their first son.

⦁ They come off as criminals considering they hid all traces and knowledge of Flynn from Danny, Jazz and most likely all family members and didn't even report his disappearance. They even had cameras in their lab and that honestly puts across the idea that they disabled them in case one of their other kids gets hurt.

⦁ There's already a ghost who considers himself to be the law of the Ghost Zone and it would appear that Butch forgot he created Walker for that exact purpose.

⦁ The female character who was responsible for putting away Pariah Dark honestly isn't well fleshed out. She can imprison the most powerful ghost in existence but is essentially useless at stopping lesser ghosts from causing chaos? Even if she did have help, how exactly was she capable of such a feat to begin with?

⦁ This messes with the cannon a bit considering there are some plot holes that can't really mix well with the established story.

I saw some of these concerns were also mentioned by the Phandom. Giving Butch the benefit of the doubt here, I don't hate the concept but I think it needs to be worked on more. I've read about what some people's opinions were and at least the ones that gave real critiques had some good ideas. Like maybe making the sibling either Jack's or Maddie's and it would have helped with their obsession of ghosts.

I have my own plot hole filled ideas with how this could maybe be told better. I'm not a storywriter and this might come off a little edgy, but man I love coming up with ideas. So here's mine:

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My Story:

After the incident with Vlad, Maddie and Jack decide that their ghost hunting days are over and resolve to live a normal family life. They have their first son Flynn, who had solidified their decision to quit ghost hunting and settle. After a few years, Jazz and Danny were eventually born and it seemed they had the perfect life.

One day while vacationing in a wooded area (location can change), Flynn had wandered not too far from the camp. Then a flash of light suddenly burst in front of him and he could see a whole other world. Jack and Maddie were alerted to the sound and ran towards where it came from. They gasped at what they saw and knew exactly what Flynn was staring into; a ghost portal.

Before they could yell for him to stay away, a hand suddenly reached out and pulled Flynn in, the portal immediately closing as soon as he entered. Maddie and Jack were devastated. No one believed them when they explained what happened to their son, and this incident became the catalyst for them to start their ghost hunting careers again.

They worked tirelessly for years to get the portal to work again. Jazz had eventually chalked up their obsession to being a coping mechanism because they couldn't handle the guilt of losing Flynn and were in denial that he was gone. Danny was more of a social outcast than ever because people assumed his parents had something to do with Flynn's disappearance.

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Now with regards to why Flynn was pulled into the Ghost Zone, I would actually like to think Clockwork played a hand in it. I watched the Blood of Zeus recently and I kind of wanted to play around with an idea that inspired this next part.

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Clockwork knows that Dark Dan was never going to stay imprisoned forever. The fact that he still exists, even outside of time, was an omen he needed to heed. So maybe he meddled with a few future possibilities. Maybe he tried to get Maddie and Jack to realise Ghost Hunting was something they shouldn't mess with after hurting Vlad, which led to their decision to settle for a family. Maybe... He wanted Flynn to exist for a purpose.

He was the one who pulled Flynn into the Ghost Zone. Clockwork told Flynn that he would be the key to saving the future from Dark Dan, but withheld information on who he really was until he was old enough. He taught him everything he needed to know on how to defeat Dark Dan and trained him over the years in combat.

Going off the idea that Danny is kind of really average in comparison to the rest of his family, Flynn is a technological prodigy. He created weapons that Vlad could only dream of creating and can utilise technology that puts Tucker to shame. Once he was old enough, Clockwork finally revealed who Dark Dan was and how he came to be.

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As for the fighting portion of everything, I'm honestly not too sure how I could go about writing it. Obviously they team up to destroy Dan for good and Flynn gets reunited with everyone. He might actually prefer to stay in the Ghost Zone and be Clockwork's assistant. Idk.

This is as far as I can go with regards to the story and it was super fun to write. Hope you guys enjoyed reading it too!

#danny phantom #flynn fenton #dp #flynn #I've never posted a real story online before #have mercy on me #lol #and I gotta say that the original story really felt attention grabby on Butch's part

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yangsrose · 3 years

Text

Cheater Route: No (ending two)

Word Count: 2k words

Warnings: none

Authors Notes: here it is!! after a long 3 1/2 months i had finally written the second no ending to cheater. i just wanted to say, thank you for reading this series. this has been so much fun to write, and i thoroughly enjoyed writing this whole series. okay! let’s get started!!

Find the rest of the “Cheater” series here

The next morning was rough. Seeing YangYang after all those years caused you to remember all the memories that you shared, and frankly, the past two years of erasing the memories of YangYang went down the drain as you saw his girlfriend - no scratch that - fiancee walk down the road with him, arms intertwined.

You sighed and got out of bed, making your way into the bathroom where you were met by your own reflection. You gasped a little, not being able to recognise the person that stared back at you. Saying that your reflection was a mess was an understatement. Your eyes were puffy and swollen, most likely from the excessive crying that happened. Your face looked gaunt and pale, as if someone had somehow sucked the life out of you. Stray tear marks were evident on your face and you slowly turned on the tap to wash off the remnants of last night’s smudged make up.

After washing your face, you walked into the kitchen to make yourself some breakfast. Your phone lay neglected on the ground after you ran into your apartment last night and threw your purse onto the couch, phone sliding out and making its way to the hard, cold surface. You picked it up from its place on the ground and plugged it in to charge, mentally scolding yourself for throwing it so carelessly onto the ground. While waiting for your phone to charge, you sat down at the table and held your bowl close to you, eating your breakfast. You heard a multitude of pinging noises being emitted from your phone, and you picked it up to check who was contacting you at this time. When you saw who however, you gasped and dropped your phone, a feeling of guilt over taking your body.

After running out mid dinner last night, you had completely forgotten about your date who was probably extremely confused as to why you ran out on him like that. You immediately called him, mentally praying that he would pick up the phone. After what seemed like forever, you heard a small “hello?” come from behind the speaker of your phone. You lunged forward and earnestly started spewing out apologies for leaving him behind. You explained to him how you saw someone that you really didn’t like and how seeing him after all these years caused you to panic and run out. He seemed to understand, sympathetically adding side comments in regards to your behaviour yesterday.

“Is it okay if we meet up later today for breakfast? I want to try and make up for leaving you in the restaurant.” you asked, nervously picking at your nails.

“I would like that.” You sighed in relief, hearing the smile at the end of his sentence.

You made your way to the small café, looking inside to see if you were late. You looked inside and saw your date sitting at one of the tables, scrolling through his phone. You rushed into the café and walked over to the table, sitting down at the empty table.

The man in front of you looked absolutely ethereal with his soft brown hair brushed to the side, parting a little in the middle to show his forehead. He muttered a small “hello” while giving you a shy smile.

“Hi Xiaojun,” you said, muttering your own hello to him. An awkward silence hung over the both of you as you tried to find a topic to converse with him about.

“I don’t want to intrude in your privacy but what happened last night?” Xiaojun asked, awkwardly coughing while doing so. You took a deep breath and explained to him how you ran into your ex boyfriend, but then you had to backtrack and explain how you broke up with YangYang. At the end of your story, you were breathless and near tears. Xiaojun sympathetically looked at you, understanding the feeling of seeing someone that you loved falling in love with someone else.

Even after a few hours of sitting with each other, you and Xiaojun never became bored with your conversation; instead you both went on many tangents as you found more topics to converse on. You began to notice the dwindling number of people in the café, leading you to make the conclusion that it was in fact time to go back home. You got up from your table and pushed your chair in, thanking Xiaojun for the brunch. Xiaojun smiled and thanked you for spending time with him, causing your heart to beat at an unreasonable pace. You mentally scolded yourself for catching feelings on just the second date with him, but a small piece of your heart forgave you.

As you drove home, your thoughts were filled with Xiaojun. You had been wary of going on a date with him since your friend had set you up, and frankly, you weren’t ready for your heart to be entrusted with someone else despite it being two years after your breakup with YangYang. You sighed and let the entire thing play out, not wanting to get too involved in the soon to become relationship.

Xiaojun however, understood exactly how you felt. Knowing that you had come out of a nasty relationship, he never pushed you to do anything that you didn’t feel comfortable doing, instead, he would make sure to take everything as slowly as he could, not wanting to rush you into doing something that you weren’t comfortable with. You admired that quality of his, never wanting to make you feel like you were the one at fault even though you blamed yourself for not being able to feel comfortable with doing everything that normal couples did. Xiaojun knew that you needed time to heal, and he was willing to give you that.

Throughout your relationship, you noticed how different Xiaojun and YangYang were. For one, dates with YangYang were very spontaneous and high energy, usually taking place in an arcade or game center. Dates with Xiaojun were very calm and put together, usually ending up with the both of you going to a café or walking in the park. YangYang and you were the meme couple that everyone aspired to be, whereas Xiaojun and you were the cute, candid couple that everyone wanted to be. After a few months of dating Xiaojun, you learned to stop comparing YangYang to Xiaojun, finally being at peace with the fact that he was finally out of your life.

Now, here you were three years later. You and Xiaojun had been dating for four years now, and over the previous year, Xiaojun had proposed to you. You remember the tears that wouldn’t stop flowing down your face as you accepted his proposal, finally feeling your heart be free at the fact that you found someone you could trust. You twisted the cold metal band on your finger, feeling the tears well up once again. You fanned your face, looking into the mirror as you inspected your outfit. Crisp white fabric framed your figure and trailed down, giving you an ethereal look. You looked in the mirror, feeling satisfied at your appearance. After you did a final check of your outfit, you smiled and walked out, ready to start your new life.

During the reception, you met all of Xiaojun’s family members that you hadn’t before, meeting a vast number of cousins and friends that you never knew existed. You were laughing as something one of Xiaojun’s cousins said until you felt a small tap on your shoulder. You turned around to see who had tapped you, but nothing would be able to prepare you for the shock that you would face.

Standing in front of you was YangYang in all his glory. He rubbed the back of his neck awkwardly, mumbling a “can we talk?” before looking up to make eye contact with you. You hasty excused yourself and followed YangYang, feeling your heart thump out of anticipation of what he was going to tell you. You two stopped in a secluded area near the food, not wanting anyone to potentially eavesdrop on your conversation.

“So you and Xiaojun huh” YangYang said, trailing off. You nodded your head and continued to study his features, noticing how they were much different in comparison to six years ago when you broke up with him. He looked more mature, and the sly, slightly mischievous features had almost completely worn off, erasing the spontaneous, fun loving boy that he was.

“I have a confession to make.” he said, breaking the awkward silence that surrounded you. You prompted him to go on, not knowing what would spew out of his mouth.

“When we broke up, I know that your friends set you up on blind dates to get you to forget about me. Even though it hurt me a lot, I still felt happy that you were happy, even if that meant that you were with someone else. So when I saw that you were still single, I sent one of your friend’s Xiaojun’s contact information and told them that he would be a good pick for you.” YangYang said, not looking up from the spot in the ground that he was intensely studying.

“So you’re trying to tell me all of this,” you waved, gesturing to the decorations, “is all because of you?” YangYang sheepishly nodded and fiddled with his fingers, not knowing if you were reacting out of anger or happiness. You felt your eyes tear up and YangYang finally looked up at you, not hearing any reaction come from you. Upon seeing the tears in your eyes, he immediately panicked, lunging for the napkins on the table. You accepted them and sobbed a choked “thank you” out, finding it unbelievable that YangYang had set you up with Xiaojun. YangYang gave you a bittersweet smile, feeling happy that you were happy even if you weren’t dating him. After all, that’s what love does to a person.

After you had calmed down a bit, you finally remembered the girl that YangYang was dating, and felt curious as to how his life was going.

“I broke up with her a long time ago.” he said, sighing softly.

“Turns out karma hit me and she ended up cheating on me.” you looked at YangYang with sympathy in your eyes, knowing exactly how he must have felt.

“It’s fine though. I never really loved her so I don’t know why I dated her” he said, shrugging lightly.

You smiled at the male in front of you, seeing how much he- and you- had grown not only physically, but also mentally in the time of not seeing him. Past you would have definitely grown feelings for YangYang talking with him like this, and would have caused you to take him back, leading you to probably never even meet Xiaojun. Now, you were stable in the way that you were interacting with YangYang, coming into terms that you had gotten over him.

“Thank you YangYang.” you said, looking up at him with the most sincerity in your eyes. He smiled, and you saw the familiar gummy smile that you came to love.

“Friends again?” he asked, stretching out his shaky hand. You took his hand and muttered your own “friends” before breaking out into a smile of your own. YangYang smiled and looked behind you, noticing how someone was coming up to the pair. YangYang smiled even wider and hurried over to Xiaojun, giving him a big hug as a greeting.

“I see you already met YangYang.” Xiaojun said, smiling at you. You nodded and told him that he was a friend from high school. Xiaojun currently didn’t know that YangYang was the person that cheated on you, but you figured that you would tell him later.

YangYang waved bye and told you both that he had to get going, noticing how late it had become. You and Xiaojun bid him goodbye and went back to your spots, socialising with everyone. You sighed, feeling content with the fact that everything seemed to work out for you. Even though you hit a few roadblocks during your relationships, you finally found the person that you truly belonged to. You looked over to Xiaojun and studied his side profile, smiling unconsciously as you did so.

You had finally found your home.

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scribble-scrabbles · 3 years

Text

{WP} Elements of a History Professor

Based on a reddit writing prompt. Part of a larger universe I am working on.

[WP] You are a powerful ancient wizard, masquerading as an unassuming, friendly and senile history teacher. But when a supervillain threatens your school, they learn to never underestimate senior citizens.

The wizened old woman had to sit in the front of the classroom nowadays, her bones were too sore to stand for the full day any longer. But she still loved teaching and would gladly do this for years to come, just to see the spark come into another student’s eye as they learned about Alexander the Great or Hannibal and his elephants. She patted her silver white hair, making sure every strand was secure in her bun, while her high school students strolled in, laughing and talking among themselves. They regarded her as a kind old eccentric, and often tried to get her onto tangents talking about the “forgotten stories” of history, that her students believed she concocted on the spot. She smiled to herself, thinking “If they only knew.”

The bell rang and the students continued to chat among themselves, as they often did in the period directly before lunch time. Ms. Green shifted herself, spine cracking dryly, to casually look out the window and into the beautiful spring day. She felt the light playing along her skin and smiled, and as she did the students began to quiet down. She took a deep breath, as though breathing in the warmth of the city below, and turned to smile at her class. They quieted to silence.

“Now, who can tell me where we were after last class?” she said, her old voice cracking with age and use.

One of her favorite students, a boy a bit too small for his age with shining blond hair raised his hand and was beginning to speak when there was a loud pop pop pop noise from outside, followed by a deafening roar. Ms. Green, or Theresa to her friends, snapped to attention, standing from her chair faster than any of her students would have considered possible, if they had been paying her any attention. The students closest to the windows were already exclaiming in fright and awe, as plumes of fire rose into the beautiful blue sky. Theresa hurried to the window, cursing the arthritis in her hips, and stared, dumbfounded, at the scene unfolding below.

This particular high school was situated just across the street from a bank, which now stood unrecognizable in a pillar of smoke and flames. Theresa’s eyes were drawn to a small figure robed in black, backing away from the building, a large backpack slung over one shoulder and flames shooting out of his hands, feeding the fire as he fled. She felt the power rolling off of him, and it felt wrong somehow. Not just angry but tinged around the edges with something that felt black and corrupted. She felt a shiver run up her spine as she explored that corruption and realized that it almost felt like something was helping him, or controlling him. This was no ordinary fire mage, and something was very, very wrong.

“Get away from the windows.” Ms. Green said, her voice firm. The class obeyed, but she stood her ground, watching the figure as two police cars already appeared on scene. He turned to the cars, bringing his hands together before throwing a large, molten ball of fire into the car closest to him. It exploded just as he was bringing his hands around to form another for the other car. You’re much too old for this, Theresa, let it be. Her fingers popped as she curled them into fists at her sides. Unless he threatens the students you can just let it be. She felt her power there, just on the edge of her senses, and willed it away. It had been centuries since she had touched it, just so she could feel herself grow old as the mortals did and experience history the way the mortals always would. All she had to do was ignore it and these centuries would not have been wasted. All the figure below had to do was turn and run the other way. But she knew, deep down in her ancient bones, that was not the way it would happen today. She was not meant to ignore her calling forever. And she could not let these students, her students, suffer the wrath of this wild little fire mage.

The fire mage turned and ran towards the school building as more police cars began pouring into the street. Theresa turned and ran to the door.

“Out! Down the back stairway. Run, and don’t stop. He may set this whole building ablaze.” She waited until her students were all safely out the door, and then she hurried to the front steps to meet this little vagabond who had disturbed her centuries of rest. She twisted and cracked her neck as she reached for the power she had kept locked away for far too long, feeling it rush into her veins and restoring her strength. The earth began to tremble beneath her, as she took the stairs two at a time, redirecting anyone as she went to the back stairs of the building and telling them to run. One student, a clever girl from her first period World History class, stopped to gape at her and she pushed her back towards the crowd, ushering her to go. She smiled, knowing that the tendrils of power she drew on were already reversing her wrinkles and returning color to her hair.

She saw him then, wearing a plain black cloak that anyone could get from a party store. Underneath he wore jeans and worn out sneakers, and she thought she spied a flame of red hair underneath the hood. Fire crackled between his hands as he sent small wisps of flame out to lick and scare the children closest to him. Rage boiled through Theresa and the ground rumbled.

“ENOUGH!” she bellowed, and thick green vines shot from the floor and grasped the villain’s hands, anchoring him to the spot. “You will leave this school and my students alone, child, or you will regret the day you were born.” Her voice growled and echoed around the hall, despite the noise and confusion of the running students. Everyone halted to look at her in bewilderment. The robed man laughed and shook the hood free from his tangled red hair, a sneer across his sharp, pointed face. “Cute trick, grandma.” He sneered, fire leaping from him to burn her vines to ash. “But I’m not going anywhere. And I don’t think an old lady like you can do much to stop me, despite your cute parlor tricks.” Flames encircled him, popping and cracking, as he drew a ball of fire into his hands and hurled it towards her face. A pillar of stone rose in front of her and the fireball struck, sizzling to nothing. “Oh, my dear.” She said, waving her hand and turning the pillar to dust that began to orbit around her slowly. The ground beneath them shifted and moved, pushing the students out of the line of fire and building a barrier between them and the coming fight. “You have no idea who you’ve crossed.”

“I think I can handle an old earth mage.”

She waved her hands and the earth moved beneath her, cracking the floor of the school into long shards that she brought up to orbit around her. Crystals coalesced out of the ground, and she took one into her hand, letting the others float beside her. He closed her eyes and breathed, loving the feel of power coursing through her and wondering how she had gone without it for so long. Her young opponent took that moment to strike, but her dust cloud merged into a shield, easily deflecting the flames that seemed to be growing deeper red. He snarled at her, stepping closer, and she shot a dart of flooring towards him, a warning shot more than an outright attack. He dodged and continued towards her, hands outstretched and she felt the heat trying to melt her shield of rock into lava.

“Clever.” she smiled, pulling the particles apart and dissipating the heat. He growled and pushed his flames forwards, surprising her. She formed a shield of crystal, but not before the flames licked at her skirts and burned her ankles. She cursed in surprise and rocked the ground beneath him, making him fall and causing all of the fire to die. Before he could rise, she formed a cage around him, bars of stone and bits of concrete, hewn in haste. He shot a bolt of darkening flame between the bars, and she dodged. She was beginning to get a better feel of his power now, but also the corruption, playing at the edges of his spells. Probing it gave her a sick feeling in her stomach.

He shot more fire towards her, a deep burgundy red and she began to turn the bars of his cage into walls. All she had to do was keep him contained long enough for the children to get to safety and the police to come into the building. She didn’t have to fight him. Fighting was not much in her nature, after all. Earth was an element of peace and healing, and she hated the idea of killing a child, especially one who may not be acting of just his own influence.

The cage exploded and the mage stood, bellowing, darkening fire licking every inch of his body. He snarled at her and threw flames towards her in a wild, barely controlled wave. She cursed again and threw a whirling gale of rock and debris towards him, striking him and hurling him to the ground. The corruption at the edges of his power had grown rapidly, turning his flames from orange to red to nearly black. Her mind whirled, thinking of what could possibly be exerting that much control in such a small span of time, and she didn't like her options.

She threw out a hand and raised an earth elemental, the size of a large human, and sent it lumbering towards him. Vines sprouted from the ground, entangling his feet and grasping for his arms as he raised his hand and black fire appeared at her feet. She growled and pushed the earth beneath her to hurl her away from the flames, turning her hands and willing poison into her vines. A paralytic and a mild sedative, she thought, nothing too potent now. He gasped and writhed, setting black flame to the vines and struggling free. The elemental pounded on his arms, destroying the fire and breaking his hands as he gave an agonized scream. Theresa felt the last of his fire magic give way to the corruption beneath. Darkness flowed from his fingers, thick and swirling, moving towards her like snakes. She sucked in a breath and shot herself into the sky on a pillar of rubble and vines. This was very, very bad.

The mage rose, dark flames pouring out of him, turning her elemental into molten sludge. He roared in rage, ignoring his broken fingers and sending flames and darkness hurtling towards her, his eyes as black as night. She dropped the pillar, cushioning her fall, then throwing her hands up to form a crystal shell around herself as the dark amalgam poured over her. She stared at the boy, knowing that whatever corruption he had played with had now consumed him entirely. He wasn't a mage anymore, but a monster, fire and dark, slithering tendrils pouring off of him like water and inundating her bubble of protection.

Her mind raced, thinking of various ways of disabling him without killing him, when she saw a tendril of darkness slip around the barrier and grap a student around the middle and lift her into the air. More tendrils shot towards the barriers, and Theresa stopped thinking.

In a rush of rage, she rose two enormous stone giants beside the mage and raised their fists to smash him. He dropped the students and redirected his attacks to the two elementals, darkness and flames swirling around them. She pushed the ground beneath him, launching him into the air, then drew it away suddenly, watching him plummet to the ground. Vines and thorns burst through the earth, ensnaring him and pushing poison into his veins. They pulled and tore at him, as the elementals raised their fists again and brought them down, hurling him to the ground. The vines held him fast as the fists came down again and again, dust billowing out around them. Theresa held up her hands and they stopped, as she slowly approached the writhing mass of vines, now coated with dark and spreading blood.

Sightless, black eyes stared up as she withdrew the vines and they slithered back into the earth. Theresa shuddered, kneeling beside the corpse and feeling for a pulse, then for breath. She surveyed his broken body and felt a wave of sorrow wash over her, pricking tears into her eyes.

A flash of movement caught her eye, and she watched with growing dread as the last few tendrils of darkness dripped from his broken fingers, scattering amongst the smoke and ashes. A black substance oozed like blood out of one ear, and was coagulating on the ground, stretching towards her where she knelt. She leapt up, face twisted in revulsion as it also began to smoke and dissipate.

With a final shudder, she turned and began walking towards the side entrance of the school. She wasn't sure what exactly she had witnessed, but she knew, beyond a shadow of a doubt, she must find her sisters. Without meeting anyone's eyes, she strode out into the chaos of the street and let herself disappear.

#reddit writing prompts #reddit #wizard #earth magic #earth mage #dark mage #fire mage #old becomes young #writing #creative writing #fiction #original fiction #original fantasy

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baconpal · 3 years

Text

talkin bout fuckig manga

hey it’s me, haven’t had internet for over a week and i’ve been sick and uni and blah blah blah time for a rant about manga

this time its about "Soredemo Machi wa Mawatteiru", tl;dr, good manga read it idk

lots of bullshit below the cut

Before anything I say gets too confusing or I go off on an insane tangent, just know my recommendation is that you read "Soredemo Machi wa Mawatteiru". It's not very easy to find online since it has an official English release (which my recommendation extends far enough to suggest I might pick up in the future, just to have it, but I am very stingy), but there's an alright torrent of all the volumes on your local anime torrenting website, and is at the very least worth the trouble of reading as such. There is also an anime that gets better as it goes, but the manga is my primary recommendation. Beyond this point I'm not gonna give much regard to what I write, so get ready for anything, read the manga and see if you agree with me, or don't and see if I care:

BOUT THE ANIME: The SoreMachi anime is one of those rare comedy anime you find where the animation and overall production is just really extra the entire time. Hopefully you know what I mean because I won't really be able to explain it any other way, it's simply one of those shows where the jokes are decent and it's a fun time for the most part. Unfortunately, the anime makes a couple of critical missteps that kept me from getting far into it when I first tried watching it about a year ago, and in retrospect seem even less reasonable.

Starting with the good, as an adaptation it does a good job with most chapters it covers, it properly sources where each chapter comes from incase you intend to read the manga and skip around to catch up, and the anime adapts some sections to have additional jokes that fit very naturally in to the story. It also covers up some of those problems only manga can have like having a concert segment without any actual music involved, until they invent mp3-paper it's just something we'll have to live with. Translation work was pretty good (I watched the [WhyNot] release for those who care), which is extra important for something as difficult to translate as jokes from another language. The set of episodes they chose to end on was very good, and was expanded to be a lot more impactful in the anime. If it wasn't for the last episode being as strong as it was I may have given up on finding the manga when I saw it wasn't super easy to read online.

As for what the anime fails in, some episodes feature some really blatant over-acting that doesn't really help make characters believable, and there's this obnoxious gag that continues the whole where through where most scenes have a few seconds long line from what is essentially a forced mascot character, which usually mean nothing and only serve to harm the pacing of many episodes (there isn't even any sort of equivalent bit in the manga so I really don't know why they did it, most of the anime original jokes are pretty good so I just really don't get it). The biggest issue the anime faces is that the source material is about 140 chapters, while the anime is only able to cover 24 chapters. This comes with a LOT of problems, the first being what I'd call the "required reading". SoreMachi is not a 1-note simple comedy where you can skip to any chapter and be completely okay; There are many small but meaningful subplots lying beneath, and characters have a fair bit of development throughout. What this means for the anime is that the first 3-4 episodes are just the first few chapters of the manga, which are a bit rough and not as good as the majority of the work, which is true of a lot of comics (god fuck I promise there will be more than a first chapter of my comic I promise it'll get better fuck). In terms of the anime by itself, I'd say episode 1 is decent, 2 is middling, and by 3/4 their still taking a while to introduce members of the cast, and I didn't immediately want to finish it. I put the show down for a long time until my internet started dying and I wanted to watch something fun. Slapping it back on at episode 5 I immediately had a great time and watched the rest of the show pretty soon after. While I understand the reasoning behind doing this, the anime does not pay off this structure, as beyond the first few episodes, the chapters start being presented out of release order and out of chronological order, kind of destroying any consistent throughline. This decision in and of itself isn't the worst, since the comic isn't always chronological, and the volume ordering is a bit different from the release ordering, but the inconsistency makes the first few episodes feel lessened without reason. The other large failure that comes with only animating about 1/7th of the entire work is that many themes and concepts that are core to the manga are not represented in the anime well at all. One of the biggest is the rare but unnerving supernatural chapters, of which only one is animated, and not a particularly good one. In order to talk about these themes I'll have to transition into talking about the manga itself, since they aren't part of the anime.

DA MANGA: So one last recommendation that you read the manga, the whole damn thing. Cus we're gettin into themes and character moments that take a long time to pay off, and obviously is all part of my interpretations, so if that stuff means anything to you don't let me ruin it for ya.

The title of the manga is, in essence, the entire manga's "punchline" in that every chapter could meaningfully end with simply the text "And yet the town still turns..." (My translation of the title, fuck "And yet, the town revolves" or "But the town moves"); by this I mean most chapters end in an anti-climax where a mystery is left unsolved, or a mystery is solved and undercut by the realization that life simply keeps on going without much change. This is used to essentially force your eyes open to all possibilities when reading, as the main character spends her time acting like a detective, and these mysteries end up as either misunderstandings, secrets, riddles, and sometimes something out of the ordinary happens that makes you unable to pin anything down firmly. Similarly, these endings aren't always read-and-forget scenarios. Several chapters come back in the form of a continued joke, a continued mystery, or contribute to some greater purpose later. Readers are properly rewarded for keeping everything they can in mind, while also tormenting such people with loose ends.

I enjoy Hotori as a protagonist due to her character being defined not in flaws and strengths, but in mindedness. Hotori seems like a simple "haha she's dumb" character to start, but consistently throughout she proves that her strengths are in memory, observation, and deduction, while lacking in some more common sense and abilities. Her brain works in strange ways that some people may or may not understand, such as her need to think through even the most trivial fictional scenarios, which I relate to deeply.

The art and paneling throughout are wonderful. Ishiguro Masakazu is one of those artists who draws very simple characters, but knows how to use details and depth to breath so much life into the artwork. He also clearly uses the occasional supernatural happenings as an excuse to draw what he loved, as all sorts of artistic depictions of the supernatural come out that simply look satisfying. These parts obviously meant a lot to him since he's been working on a primarily mystery-action manga that has a lot more of that stuff in it. (Also, as hindsight is 20/20, if you've read any of his new work you'll notice that the main character of it is eerily similar to a character who shows up very late in SoreMachi that the author obviously fell in love with, cus she just keeps coming back and even ends up with a really unsettling end to her character arc despite only being introduced as a component in a harmless mystery. Feel free to call me out for the same shit 30 years from now when I'll probably do the same shit)

I'd like to get into some of the major themes of this work, as a lot of them hit very close to my mind (which I guess is true of any theme you recognize for yourself, you wouldn't really "get it" if it didn't mean something to you...).

The simplest theme, again, comes from the title. The main character, Hotori, expresses a desire that the town she lives in continues going on, unchanged forever. This is obviously a fear of change, which ya know, same, but also an exploration of what it means to fear change. Hotori actively tries to keep businesses from closing down, keep friends from leaving, and keep relationships from changing, while simultaneously making all sorts of new relationships and solving mysteries. Hotori even comes to realize that simply learning the truth about something changes the world through your own perspective, and that such changes can't be undone. In spite of this, Hotori mostly gets her wish, any time she fears that a large change will impact the town, its resolved about the same as any other issue. Whether its a message that even time can't keep you from your loved ones and that change isn't worth fearing, or a concession that large changes to the setting would be a bad idea in terms of humor, I can't really decide. This theme reaches it's conclusion in what is one in a series of "ending" kinda chapters at the end of the series. Hotori is faced with a supernatural ethical situation, save her town from destruction at the cost of her existence, or live through the disaster, knowing her town and the people in it will forever be changed. While the actual result is that nobody disappears and nothing is lost, and the event may have simply been a strange dream, Hotori confidently decides that sparing the people in her town from a life altering event is worth giving up her memories with them. A kind of bold spit-in-the-face to the idea that change is okay, where we find that Hotori didn't fear change for herself, but rather for the people around her.

There's another major idea in this manga, which takes a very long time to pay off, and completes its arc at the very very very actual end of the series, the idea of "leading someone to be something". A character that rides that line between main and side character, Shizuka, is a writer of detective novels, who feels the best person to judge her works would be a version of herself without the bias of being the author. She tries to achieve this by leading Hotori to be interested in detective works (including her own) and generally be just like her, starting from a young age. The end result is a young girl dead set on being a detective herself (or at least another novelist), while Shizuka keeps her identity as an author secret. She then uses Hotori as a scapegoat for herself, attempting to see how she would solve various mysteries and use that as inspiration, and this is depicted as though Shizuka were some sort of villain, which she may feel like she is. The end result of it all, though, is that Hotori was likely already a detective-minded person, and that even if Shizuka pushed her down that path, it was Hotori's decision to continue down it, and the very end of the manga is a scene revealing that Hotori figured out Shizuka's secret at some point, and even still respected Shizuka and aspired to reach her, and the two accept each other for who they are. I enjoy this ending a lot, since as an artist I've worried that some of my love or aspirations for and from other artists came with an ulterior motive of wanting a better community for art to exist in, but people are people and will make their own decisions, and some day everyone may be able to become equals in a truly meaningful sense, where everyone is inspired by and guiding each other together.

So that probably didn't mean shit to nobody and I didn't even really talk about anything in the comic like most of the main characters or any of the shit goin on but ya know fuck you go read it, and thanks for reading this.

#long ass post #also gonna have finals on my birthday this week so awesome #im having a good time this year h-haha

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