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#I drew this like a year ago and forgot to post it
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They’re queer platonic in my eyes
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skymantle · 1 year
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ferns ^__^ forgot how much i loved her
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szkicel · 8 months
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Some drawing of Sayta from September 2021 when I first got my hands on Procreate.
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bmpmp3 · 1 year
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SOME ocs
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neriumdelusion · 1 year
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If I was Carlos I simply would have stayed
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hotdogmchiggin · 1 year
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Hey anyone wanna see some of my old splatoon miiverse art.
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Most of these were drawn for splatfests so they make more sense in that context lol. Like the venusaur was for the pokemon Red vs Blue splatfest.
#Homestly I forget that I drew a lot on miiverse and put probably too much time into my drawings#all of the pixel shading on these is hand drawn in case you dont know how miiverse drawing worked lol#it was fun and rewarding took literal hours so figured I’d post some of these here to see if people like and/or recognize them#also there was no zooming in at all so had to do everything in a tiny square on the wiiu gamepad. honestly a nightmare#i know someone somewhere on youtube did like a splatoon miiverse meme compilation and had a bunch of art with credit to the original artists#but then they put in the ‘IM STUCK BETWEEN FORMS’ comic as a JOKE at the END of the video and DIDNT CREDIT ME AT ALL#like you credited EVERYONE ELSE you seriously couldnt put my name on it :(#i forget the video and forgot to ask them to put credit but it haunts me to this day#also fun fact about the past vs future splatfest art. My internet cut out when i was trying to post it so I couldnt actually POST it#which is devastating on miiverse b/c you cant save drawings. its all one and done baby.#so i had spent like hours drawing this bitch and then i was stuck for a couple more hours freaking out and keeping my wiiu awake#while waiting for the internet to come back on. i was so upset lol.#in hindsight the coincidence of the technical difficulty was hilarious#i think out of all of these the venusaur took the longest? there was a looot of shading required to make the fade look right#uhh what do i tag this as#miiverse#myart#splatoon#damn just realized i probably drew these back in like 2015. wow#about like 8 years ago goddamn
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40kurage · 1 year
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a shimmering light that will guide you through the night
jinzo faiya
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michelada12 · 8 months
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Scary Stories to Tell in the Dark (2019)
(Based on the books series from Alvin Schwartz)
Movie where a bunch of friends get to enjoy some heartwarming stories and have fun adventures.
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fancyfade · 2 years
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Manual Wheelchair Tutorial by Fade31415
So... I technically drew this 3 years ago but forgot to post it. I think I was going to clean up the end and make a nice recap, but I ran out of steam and then just left it as a wip for years. I got reminded of it because I was talking to a friend about how to draw wheelchairs today.
This covers most of what I view as the most common errors when it comes to drawing characters who use manual wheelchairs. I hope it helps you a lot.
Image description is in alt text, but there is a back up image description under the cut in case that does not work for some reason
[image description: a 4 picture long wheelchair tutorial. the background is white and the text, when it appears, is black and in calibri. each step will be labeled with "Step #" and a description of the drawing next to it, and "text" and then the text that is written to explain it to follow.
Step one text: So, you want to draw a character who uses a manual wheelchair? Awesome! I can't approve more. Drawing characters who use wheelchairs is a bit different than drawing standing characters, because of obvious posing differences. But to start, you need to know what parts of a wheelchair you will draw. So, without further ado, here are 3 wheelchairs!
Step one image: a simplified drawing of a chubby woman sitting in a quickie GPV manual wheelchair and resting her hand on the handrim of one of the wheels. this is labeled "the artist"
step two: next there is a lineart drawing of three wheelchairs. one is a tilite TR series 3. this is an ultralight wheelchair with a bucket seat (the back is lower than the front), a big cushion and a short backrest that kind of contours to the back of the person who would sit in it. the caster wheels (front wheels) are very small and the footrest is just two little metal bars. next image is a quickie GPV. this is also an ultralight wheelchair with a low back, but its caster wheels are slightly larger, the back has regular upholstery (it does not look like it was made to conform to the back of the person who sits there) and the frame is boxier -- there is no bar underneath the seat where the wheels would attach, rather each wheel is attached to the side of the chair. the next wheelchair is an invacare tracer. it is how most people imagine wheelchairs when they hear 'wheelchair'. it has no cushion and it has a high backrest with handles. it has high armrests that would be comfortable to rest your elbows on if you were just sitting. the wheels are not bicycle wheels like the previous two but are rather plastic. it has big footrests and big caster wheels.
text: the wheelchairs on the left are the ultralight, sporty kind. I have one of them (the quickie). the one on the right is a more standard one you might find in hospitals or as the public wheelchair in grocery stores or the mall.
step three: first is text to accompany the tilite. "This wheelchair has a really thick cushion - it's pressure relieving, which you need if you use your chair ufll tiem and especially if you have a spinal cord injury. This wc has the smallest caster (front) wheels. They are hte most handy for turning in small circles." next there is text to accompany the quickie gpv: "This one has the one I use -- it isn't pressure relieving, but is still useful." next is text to accompany the invacare: "this wheelchair has no cushion - you do not want to sit on it for long. This one has the biggest caster wheels - they are useful for not 'tripping' when your front wheel gets caught on an obstacle.”
step four text: like with all complex drawings, you want to break it into simple shapes first. I normally have a box underneath the seat, a rectangle for the backrest, and a trapezoidal thing for hte area from the box to the footrest. these are the most important shapes, because your character will rest on them and they will move with your character.
step four image: the lineart of each wheelchair has been put on reduced opacity, so we can see the square representing the backrest of each seat (the square is the smallest for the tilite and biggest for the invacare), the box for each seat and area underneath it, and the trapezoid for the footrests. the next step labels the images of these simplified shapes as the lineart is removed. "Note the proportions of each set of shapes is not the same - just like how you wouldn't draw all your characters with the same proportions on their faces!"
step 5: we see the same shapes to form the wheelchair, but now with blue circles drawn where the back wheels would be.
text: next shape is the wheels - two circles
step six: next we see the wheels and shapes have been reduced in opacity and the basic structure of everything about each wheelchair: footrests, caster wheels, upholstery details, axles has been drawn on in orange.
text: the next stage is everything else that's structure - front wheels, handlebars, cushions, footrests.
Step seven: we see the lineart on top of the lowered opacity sketch.
text: you can then do detailing like axles, spokes, upholstery, etc and lines
step eight: next we see three drawings of different characters. there is patience, a skinny white woman sitting in a blue invacare wheelchair. kelley, a slightly chubby black woman wearing a stripey dress sitting in a red quickie gpv wheelchair and doing a wheelie while smiling. then luke, a white man with short blond hair wearing khaki pants. he is sitting in a tilite chair.
text: once you get your wheelchair basics, you need to find out which kind your character uses. here are three characters who each use one of the example WCs. patience uses the invacare. she needs one with a better cushion, but circumstance prevents it. Notice the chair is a bit wider than her hips - it's not custom fitted. Also notice she has to turn her elbows out awkwardly to move. the high armrests prevent a smooth push. her wheelchair has big caster wheels and far-back back wheels. it is made for stability and difficult to turn,but also difficult to knock over. Her chair indicates a lack of resources or temporary injury, and is primarily a transport chair
kelley uses a wheelchair like mine - it is fairly sporty, but has a box-y frame underneath. this makes it heaver than if it didn't.she has a mediocre cushion - it protects her, but only some. her back wheels are further underneath her body than Patience's, which makes it possible to do the wheelie (demonstrated here). her wheelchair is supposed to look line one you'd use full time, but it is a little old.
luke has a spinal cord injury. he has a very thick pressure relieving cushion for medical reasons. his chair is also ultralight, with no boxyness under the frame. his chair is the newest and lightest - it indicates his wealth/resources, but also that he needs to use on full time.
step nine: just a drawing of me sitting in my wheelchair holding my hands up to show fingerless wheelchair gloves. we're looking at me from above.
text: when you're choosing what wheelchair to give your character, think of both their disability and their resources and go from there. questions to ask yourself: is it made specifically for them or is it mass-produced or a hand-me-down (if it's custom, the seat will not be too wide or narrow in comparison to their body and their feet will rest on the footplate naturally). do they want more stability (further back back wheels, big caster wheels) or maneuverability (the inverse). do they need a pressure relieving cushion? how long are they using their wheelchair per day? how long have they needed a wheelchair? Do they have health insurance? do they have access to a lot of spending money? How much can they spend on their wheelchair? are they athletic etc etc
posing steps:
step one: a sketch of two people standing up. one just shows the outline of a person's body, with legs that are ind of triangle shaped, the other shows a sketched pelvis and rib cage to go along with the bones of the legs and arm. text: step one: Most people have this sketch anatomy they put before drawing their characters for real. I kind of scribble around like on the left, but some people use skeletons on the right.
step two: there are now too sketched pictures of people in wheelchairs. one shows lightly traced human form (arms articulated, curve for a stomach, legs that are kind of triangle shaped and pointing down) sitting in a wheelchair that is just the sketch of footrests and wheels. the other sketch shows the sketch of a body with a circle for hips and an oval for a rib cage and the person doing a wheelie (lifting the front end of the wheelchair off the ground and leaning back). their wheelchair is also sketched out and defined by a circle for their wheels and 2 lines, 1 of the seat and 1 for the backrest. text: you need one of those for your wheelchair character. important: they should have both the person's main anatomy features (Usually upper body and at least hips) and the wheelchair's. for me, these are the back wheels, footrest, and seat. why simplify to just those features? Take a look at this incredibly quickly drawn wheelchair.
step three: there is a lineart drawing of a manual wheelchair with slightly cambered (angled towards the seat) wheels, a backrest, and a footrest. the frame is light and there are no handlebars. there are labels pointing to different parts of the wheelchair: Backrest, handrims, wheel, axle, seat, footrest, and caster wheels (the ones in front). text: there are a lot of parts, and not all of them are essential to your pose. trying to draw the whole thing straight out of the gate will frustrate you.'
step four text: take a character in heavy armor: if you draw her pose without taking her armor into account, her armor will clip through her body. if you draw a wheelchair using character without keeping her wheelchair in mind from the beginning, the pose won't make sense.
step four image: next we see two lineart drawings of different characters. one is a bulky woman wearing plate armor. her hand is on her hip and she is trying to scratch her back with the other hand. there is the label "shoudlerpad clips through face" and "thumb clips through chestplate." the next drawing shows a woman in a wheelchair with one foot rested on her knee and her arms rested back, such that they would be rested on the back of a regular chair, but the back of her wheelchair is not wide enough for them to actually be resting on anything. the text here reads "elbows not resting on anything" and "foot not on footplate"
step five: there are two images, one is lineart on top of a 3d modelled apartment with sketchup, the other is a colored in version of that lineart with the background also colored in and no longer a 3d modelled screencap two characters, one old woman wearing a green jacket and one younger woman wearing a white shirt and blue undershirt, are sitting on a couch. the old woman is leaning forward and the young woman is resting her arm on the couch. behind the young woman is a bookshelf.
step five text: you may say you'll just draw the chair first and then the person, but while that works for regular furniture, it doesn't work as well for most manual wcs. take this comic panel with characters on a couch for example - I 3d modeled the room and then drew the characters on the furniture. it works because you don't move furniture in most poses - you rest on it. but your wheelchair needs to move with you, especially if it's an ultralight one.
step six image: there is a flat color drawing of barbara gordon in her wheelchair. she is wearing a black sportsbra and black shorts. in the first image we see she is doing tricks in her chair, zooming through the air (as if she has just launched herself off the ground in a skater park or somethign) while her left hand is resting on a structure and her right hand is heading towards the right handrim. the next image shows her right hand planted on the ground and her chair and body above her, such that she is briefly doing a one-handed handstand, but the motion line indicates that she is moving and this will not last. her left arm is near the handrim of her left wheel.
text: take exercise Oracle - she is doing tricks. Her WC is an extension of her body. That is crucial to getting natural looking manual wheelchair users after posing.
step seven: we see a lineart drawing of paula from young justice. she is sitting in a standard manual wheelchair with high armrests (goes up to the bottom of her ribs probably) and a high backrest (goes up to just below her shoulderblades). she is setting her hand on the armrest, leaning forward, and holding her other hand out.
text: of course, there are exceptions - if you have a clunky WC, it is harder to move with your body. Take Paula from young Justice - here, i drew her resting her hand on her armrest, because she has a clunker wheelchair. her pose is already mostly static - she's sitting down - and she poses around that.
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katimanki · 1 year
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Art of 2022!
I really didn't want to make this this year because I knew this would be so empty. But then I thought maybe this will help me have it all filled again next year :')
Art of 2020
Art of 2021
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I love him sm he is so murder coded
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cinnamoth-art · 9 months
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Realized I forgot to post this on here and I drew it like... a year ago lmao
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lovebugism · 1 year
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Hi I am begging on my knees for more of your steddie x reader it’s so good I’m crying
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BIZARRE LOVE TRIANGLE | baby fever
summary: steve's got a bad case of baby fever. it's not so bad until you start getting sick with it too. eddie has to come up with a solution before all of you fall ill.
pairing: steve harrington / f!reader / eddie munson
a/n: i just realized i haven't posted anything steddie related in almost three months. i am so sorry. this is a total travesty. please enjoy this 3k blurb and find it in your heart to forgive me <3
You squint at the grocery list scribbled on a bright blue sticky note. It’s a mish-mash of all your different handwritings. Some are certainly neater than others. “This just says crabs… I think...”
“It doesn’t say crabs, you loon,” Eddie laughs from where he mans the shopping cart beside you. He’s steering the thing about as well as his van. “It says cereals.”
“No, it says a bunch of gibberish that no one can read but you,” you retort with a giggle of your own as you follow him down the breakfast aisle. “And we just need one box of cereal, alright? Singular.”
He turns to you with a cartoonish pout on his lips. “But why?”
“Because you’re like a kid, Eds. You eat the entire thing in one sitting, and then you’re absolutely haywire for the rest of the day.”
And, just like a child, the boy stands in front of the vibrantly colored boxes of cereal with a wide grin on his face.
The local grocery store was smaller compared to the others in town, but they had every brand of the breakfast food known to man, stacked in neat rows from the floor to ceiling. 
Eddie’s got a twinkle in his eye as his gaze runs over them all. And even though you think it’s all boyish and hilarious, you let him have his fun. 
He grew up unable to enjoy all the goodness of overly sweet cereal because bills and food with actual sustenance were always more important. Now, he’s got a halfway stable job with Wayne at the car shop, and he’s living at his own place with his boyfriend and girlfriend, and he can buy whatever the hell kind of cereal he wants. 
So, as far as he’s concerned, everyone who said he’d never amount to much can suck it. 
And you know you’ll let him buy the whole damn grocery store out of their cereal if that’s what he wants. It’s the least you can do for the world’s best boyfriend — a title he begrudgingly shares with Steve The Hair Harrington.
You’d give him the world if you could, but for now you’ll have to settle for a couple of boxes of Lucky Charms.
“Okay, so the OJ’s we got last time tasted like absolute shit,” Eddie mutters, mostly to himself as he crouches to peer at the lower shelves. “I saw a commercial for Waffle-O’s this morning, and they looked pretty good. But I know you like Breakfast With Barbie and Steve ate a bowl of C3PO’s every day for, like, two weeks, so…”
You stand by the cart and laugh at his rambling. You turn to look behind you with a lighthearted joke sitting on the edge of your tongue. It dissipates when you realize Steve isn’t next to you. 
Instead, he’s still standing at the end of the aisle with his back to you and Eddie — like his feet forgot how to work when he caught sight of the family across the store. It’s a mother and a father, dressed in their mid-weekday finest, with a baby swaddled at their chest and a toddler bouncing in the seat of the shopping cart. 
And you know it’s got the boy totally lost in his own head. You know he's picturing you and him and Eddie as that happy family — the one fills every store you walk into with baby babbles and bubbly laughter. 
Steve told you his senior year of high school he wanted a baby, that he wanted six of them, and that he wanted them all with you. And you were just a stupid seventeen-year-old girl who would’ve done anything he asked you to, though you definitely drew the line at babies. 
But you’re older now, and far more settled than you had been all that time ago. Steve’s ready for a family, but you don’t think you’re anywhere close.
“How about we just compromise and get all three?” Eddie finally concludes with the boxes already in his arms. He dumps them into the cart and notices that your attention is elsewhere. He realizes then that Steve’s gone too because his attention is stuck on a nice family minding their own business. 
“Not again…” he murmurs to himself while you go rescue the boy.
“I’ve never seen someone so sick with baby fever in my life,” you laugh as you drag Steve back to the cart by his wrist.
“I can’t help it!” he defends weakly. “They were so cute! They were all matching and I couldn’t stop thinking about how I can’t wait to coordinate outfits with our baby. Doesn’t that sound like the cutest fucking thing ever?”
“It sounds very adorable, Stevie,” you nod understandingly and try to ignore the way your stomach twists at the thought of him and his baby girl wearing matching pastels every time they step out of the house. “And we can be just like them in five years—”
“Five years?” he gapes.
“Maybe even ten,” Eddie shrugs and nonchalantly tosses a box of Count Chocula into the cart.
“Ten years— You guys are insane if you think I’m waiting ten years to have a kid!” Steve protests with a pair of buff arms crossed boyishly over his chest. “I’m not getting any younger over here, you know that, right?”
“You’re twenty-five, Steve, stop being so dramatic. We’re just now trying to get settled. I’m still in school, you’re still working at Family Video, Eddie’s still… Eddie. Don’t you think we should have actual careers before we have a kid?”
Steve huffs and rolls his eyes, feigning annoyance even though he knows you’re right.
It’s not like he wants to keep working at the stupid store on Main Street. He keeps putting off the conversation with his dad about another job, because he puts off every conversation with his dad. He’s scared of what asking for a position at his firm will do to his pride.
“She’s right, and you know it, Steven,” Eddie tells him, then scoffs. “I mean, can you really imagine me with a baby strapped to my chest on tour?”
You and Steve both pause and tilt your heads to the side as you picture the sight, terribly in sync as always. You can imagine it, quite perfectly actually, tangible enough to touch.
“Well—”
“That’s the cutest thing I think I’ve ever heard,” Steve finishes your thought for you.
Eddie cowers at the sudden attention. “Okay, stop looking at me like I’m a piece of meat, alright? We are not having a kid right now. There’s no fucking way.”
Steve all but deflates at the rejection as Eddie pushes the cart down the aisle, desperate to escape the bubble of tension the conversation had created in the cereal section.
You smile sheepishly over at Steve and wrap your arms through the crook of his elbow, standing on the tips of your toes to press a kiss to his cheek. “He’s being grumpy about it, but he’s right… It’s just not a good idea right now— but it will be, okay? One day. Just not… to-day.”
The day, for you, comes exactly seven of them later. 
You accompany Steve on his morning run and his routine stop for coffee. You’re not quite sure how he’s still mobile because your muscles are screaming, even after the warm shower you took to soothe them.
You left him alone for all of half a second to use the bathroom while he ordered drinks for him and you, and something extra for Eddie for when the boy decides to roll out of bed.
When you return, you find him bouncing a baby on his hip — a young thing, maybe three if you had to guess, with two buns in her hair like bunny ears and a sparkly pink dress to match the bows she wears in them.
Steve smiles down at her, talking to her in a baby voice and saying something you can’t hear because you’re frozen in place. You resemble him at the grocery store a week ago, when he was thrown into a daydream so suddenly that his body all but shut down. 
You look at him now, tickling the baby’s sides just to hear her giggle, and you see him with your firstborn — sleep deprived, covered in spit-up, and still the most beautiful human you’d ever seen.
You have to shake your head to remove the thought before it ruins you entirely. 
Freshly jostled from your stupor, you walk over to him. “Steve… Please tell me you didn’t steal someone’s baby.”
He laughs. “What? No! She was just a little fussy, and I offered to take her while her mom looked for something,” the boy explains. You look just behind him to see the woman bent over at one of the smaller tables, sifting vigorously through a large baby bag.
“She doesn’t seem very fussy now,” you observe, eyes flitting between his and the child's and noticing they’ve both got matching grins.
“She doesn’t, does she?” he smiles, softly scratching at her sides again to make her laugh. And she does, most enthusiastically so, tilting her head back and letting the giggles spill from an open mouth.
He turns back to you, with wide eyes and raised brows and a bemused grin. “I like she likes me.”
“Of course, she does,” you scoff. “Babies always like you.”
The mom returns with a snack in hand and a relieved smile. Steve passes the baby back to her with little effort. She whines at the loss of him, though the brightly packaged treat is quick to quell her sorrow. 
“Thanks for taking her,” the mother's grateful smile falters with exhaustion. “If I don’t give her the same snack at exactly the same time every day, she tends to go a little nuts.” 
Steve tells her that it’s no problem, that he was a part-time babysitter at one point in his life, and that her kid was better than those little shits combined. He censors himself before the swear slips out, though.
You go your separate ways when the barista calls out your drink orders and walk hand in hand back to your place.
“Did you get their names?” you ask him before taking a sip of your latte.
“The mom’s name was Maeve and the kid’s name was Harper—”
“Holy shit,” you mutter.
Steve snaps his head over to you because he thinks you’ve burnt your mouth. Instead, he finds you with a distant smile on your face.
“Those are the cutest names I’ve ever heard. It sounds like something out of a fucking cartoon or something.”
“Yeah…” is all he can say because his mind is preoccupied with a million other thoughts. He doesn’t tell you them, obviously, but you know they’re there. The sly smile pulling at his lips makes it obvious.
“…Why are you looking at me like that.”
“Because I’m totally gonna wear you down,” he grins and brings his coffee to his mouth, sipping through his smirk.
You only scoff in response. “Never.”
It doesn’t take you very long to realize that Steve was right.
You spend the rest of the day thinking about it — about him with a baby and how perfect he'd be as a dad. The thoughts plague you far more than they usually do. They take up the entire frontal cortex of your brain and make it nearly impossible to think about anything else.
You’re self-aware enough to beat yourself up about it. 
You were just telling him that it wasn’t time yet, and you knew you were right. As far as you’re concerned, you still have another few good years before you’re ready to even start seriously considering it. 
But here you are, having to calm yourself down every time the thought of Steve Harrington with a baby, your baby, crosses your mind.
You wait until the boy heads to bed to talk to Eddie about it. You find him in the kitchen, eating handfuls of Breakfast with Barbie like a maniac. You’re too preoccupied to make a snarky comment about it.
“Steve wasn’t lying,” you warn him.
“..About what?” he wonders through the mouthful.
“About him not waiting ten years to have a baby! He wants one now!” you explain through a yell-whisper hybrid. “And he told me he was going to wear me down, and he was right.”
Eddie’s eyes go wide too, like he’s just learned you caught some sort of plague. You have. It’s called baby fever, and it’s only a matter of time before the entire house is afflicted. “Shit…”
“So you have to be the strong one, Eddie.”
“Oh, god,” he whines with pinched brows. “Why does it have to be me?”
“Because I saw him hold a baby today.”
“…And this is a bad thing?”
“Of course, it’s a bad thing! My hormones went crazy, okay? It’s like my brain stopped functioning, and I started thinking with my ovaries or something! All human instinct told me to lay down and procreate the second we got home!”
Eddie laughs to himself. “Are you sure it was human instinct, or was it just you on a normal Wednesday?”
“I’m being serious, Eddie,” you tell him, a sudden solemnity to your features. “You have to put your foot down whenever Steve talks about it because I will cave.”
“Alright, alright, have some Barbie cereal and settle down,” he tells you with a playful grin.
He offers you the box and you pout for a moment before sticking your hand into it and pulling out several red and purple butterfly pieces.
The boy wraps an arm around you with his free hand. He pulls you closer and noses at the crown of your head. You sigh as you relax into him. 
“I’ll take care of it, okay? I actually have the perfect idea.”
“I don’t like the sound of that,” you waver through a mouthful of cereal.
“Don’t worry about it,” he lilts with a grin, smacking a kiss to your forehead. “Let me take care of it.”
You and Steve are tangled in bedsheets, both slowly rousing but trying desperately to go back to sleep. 
You’re laying on your stomach, face smushed into the pillow you clutch to your head. Steve lays halfway on top of you — his legs knotted with yours, arm splayed over your back, and softly snoring in your ear. 
Both of you noticed the lack of Eddie’s presence, but chose not to linger on it too much, figuring he must’ve gone for a breakfast run. 
He returns hardly a moment after the thought of him crosses your mind. You hear the door open and shut again, then the shouts of your names entwined with a muffled barking.
You groan at the intrusion on your sleep.
Steve huffs and shifts against you, voice gruff with fatigue as he wonders: “Why do I hear a dog?”
The mixture of confusion and subtle knowing has you both shuffling out of the bedroom and trudging into the living room.
You round the corner and find Eddie standing by the door with a rowdy goldendoodle bouncing at his feet. He’s trying hopelessly to undo its leash when the thing starts to squirm at the sight of you and Steve.
Eddie’s eyes flit to the both of you when he notices you standing across the room. A smile bursts like early morning sunshine on his face. “Surprise!” he beams.
The metal of the leash clicks when he finally gets it unbuckled. The dog dashes your way, all but jumping into Steve and then spinning in circles with excitement as it tries to figure out who to accept attention from. 
“You got us a dog?” the boy wonders, head cocked back to dodge the thing as it licks at his chin.
“You said you wanted a baby,” Eddie shrugs. “So, I got you a baby.”
“This is so not what a meant,” the boy grouses in response, though he’s got his arms wrapped around the dog like he’s hugging it. “I mean, it’s not even a baby— it’s huge.”
“The woman at the shelter said he was eight months old. And he is a he, so stop calling him it.”
You crouch beside Steve, scratching the dog behind his ear. He pants with his tongue sticking out, almost looking like he’s smiling. It makes you smile too. 
“We don’t even have dog food. Or toys. Or a bed,” you stress. “What are we even gonna name it?”
“Well, I took care of exactly one of those things,” Eddie lilts with a grin. “They only had that gross artificial shit at the grocery store, but they did have some badass collars and an engraving machine, so…”
You and Steve peek through the dog’s golden curls and find a black band with silver spikes dotted around the neck. “Super metal, huh?” you hear himEdiejoke as you reach for the dangled heart pendant handing around the collar.
“…Ozzy?” you recite.
“See what I mean?” he beams. “Metal.”
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smilebug · 6 months
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here i drew these like a million years ago and forgot to post them until now
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lstesh · 3 months
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Can't believe that I forgot to post those....
Stickers with subway husbands that I drew for our local Pokemon BW Zine year and a half ago.
✨If you like my work, please, make a reblog or follow me here or on Twitter - it really helps me! ✨
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poppadom0912 · 1 year
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Would it be possible to please request a Halstead!Sibling piece where the reader is the sibling, and during the late hours of the night, they get a really heavy nosebleed, so they come out of their bedroom to Jay and Will in the living room watching some TV with a few beers, and all hell breaks loose when they see reader is covered in blood and can't get the nosebleed to stop? Thank you!
A/N: I feel like I haven't written in years so I apologise in advance if this is rubbish. I also apologise for not writing this earlier, this was requested quite a while ago.
I am also aware I have posted in nearly three months but life is very stressful. I promise I'll try posting more once all my exams are over which is technically mid June. I'll try to get out all my finished drafts so you guys aren't starving.
Warnings: Blood, fainting/nausea, mentions of hospitals.
*****
For once in a long time, things were good.
Jay was mentally handling things and was starting a relationship with his detective partner whose name you kept forgetting but you remembered how pretty she was. Will wasn't making Ms Goodwin's life miserable and he was accepting that he was moving on from Natalie. And with you, school was better than ever with your grades and no longer letting anxiety stop your life.
Overall, things were the best they've been since your dad died and you couldn't be happier.
Neither of your brothers were at work and upon your incessant pleas, the three of you found yourself settling on the same sofa watching a movie.
At some point, you had to excuse yourself when your best friend messaged you in a rush about homework that you completely forgot existed.
Ignoring the darkness of the night and the comfy pajamas you wore, you completed the homework to the best of your abilities and shared it with her when she expressed her struggle.
Eventually, you lost track of time and found yourself tucked under your duvet reading the intense story on your kindle; homework safely in a folder in your bag for the next day.
Totally immersed in the heating up plot, you were oblivious to the very clear signs that you would usually catch onto had you been much more alert.
You only ever realised what was happening when several single droplets of blood plopped onto kindle screen, obscuring you from reading any further.
Confused, you let go of the kindle, letting it sit on your covered lap, your hands went up to your face, trying to find the source of blood but deep down you kinda already knew.
Removing your fingers from your nose, you glanced down and sighed in defeat, shoulders slumping at the sight of blood coating your fingers.
Rolling your eyes in annoyance, you kicked off your sheets and scanned your bedside table for the tissue box you always kept because of you hayfever and nosebleeds like this. But, it wasn't there and that threw you off because it was literally there the other day.
Huffing, your mind drew a blank at what to do as blood continued to fall steadily but it seemed that as the seconds ticked away, the stream only increased in speed.
In hopes of not ruining the rug under your feet, you held up your shirt to your nose, using it just like how you would tissue in this case.
Then, all of a sudden, your nose felt ticklish and the urge to sneeze became all too strong that you couldn't even say pineapple to prevent yourself from sneezing.
With no control, your grip on your shirt fell and you sneezed thrice. The pain in your nose throbbing and stinging, your eyes pricking with tears from the onslaught of everything happening all of once.
You were far too gone now. Dragging your eyes to your alarm clock, it took you more than a few seconds to read the time and work out whether or not Jay let yet but then you remembered Jay wouldn't have left without bidding you goodbye.
Well, even if he had gone which he should've seeing as it was nearly 1am, Will would've been the most useful in this situation.
Opening your door with your elbow so you wouldn't get blood on the handle, you walked towards the living room even if you were in a daze. You knew the layout of the apartment by the back of your hand.
Your feet pattered against the wooden flooring, alerting the other two inhabitants of the apartment that you were entering. Taking into account the late time, Will turned around ready to question why you were up at such a time on a school night when he froze upon laying eyes on you.
"Y/N? What happened?" Will asked straight away, getting onto his feet and coming up to you, lifting your chin in his hand so he could get a good look at your face.
Jay turned around to see why Will was asking you such a question when his eyes widened in alarm at your figure, pajamas practically drenched in blood and blood smearing your nose and upper lip.
"What the hell!" Jay shot up. "Why are you covered in blood?!"
"I'm having a nosebleed." You said plainly, boredly gesturing to your very bloody nose that Will was inspecting. "Duh."
"Jay, can you go grab my bag?" Will asked the middle Halstead sibling, not once taking his eyes off you.
Without any rebuttal, Jay did as the doctor said but not without mumbling under his breath about how using manners would get people so far in life.
"I have no idea. One second I'm reading and the next I'm bleeding everywhere." You shrugged, answering Will's question. "And then I sneezed three times."
Will hummed, your chin grasped lightly in one hand while the other was held out to Jay. Will asked Jay for certain things which he was given without a second thought.
"You most likely burst a vessel when you sneezed which made it much worse." Will said so nonchalantly, not at all bothered by the blood that was staining the gloves he put on with way too much ease.
"Alright, just hold that there for a few minutes." Your oldest brother told you, letting you take over from where he was holding the gauze. "Let's sit you down but don't get blood anywhere, I cleaned yesterday."
You looked at him dumbfounded but followed him to sit down anyways, Jay scoffing in disbelief at his words.
"Wow, you love me so much." You said sarcastically, a tight lipped smile on your chapping lips as you went back and forth with snarky remarks.
"This is a lot of blood though Y/N." Will addressed seriously, looking at just how much blood was covering your pajamas. "How long have you been bleeding for?"
"Like literally two or three minutes." You gave a very rough estimation, grimacing as you actually looked at the damage on your clothes, groaning in disbelief. "Ugh, these are my favourite pjs."
"Don't worry about that." Jay said, watching you closely from behind Will's shoulder so he wasn't in the way. "You dirtied your sheets or anything?"
You hummed in thought, squinting as you tried to remember. "I got blood on my kindle but I don't know about my bed."
"I'll go check." Jay allocated himself the job, finding himself useless as Will wasn't going to remove himself from your side.
"Okay, let me take a look." Will said under his breath as he carefully took the bloodied gauze away from you so he could replace it with a new one.
It was only a few seconds period of having nothing for the blood but it seemed that it wasn't dripping as it was. Alas, the uncomfortable urge to sneeze overcame you and you found yourself overwhelmed with the need to sneeze.
Without even registering what was happening, you sneezed twice, covering your mouth with your inner elbow instinctively.
You groaned, dragging it out at the sight of blood on the sleeve of your cotton shirt. Yep, there was definitely no chance of salvaging it now.
"Ooo, okay." Will winced, being as gentle but using as much force necessary when pinching your nose. "Either you're getting the flu or your hay fevers suddenly acting up in the winter."
Your shoulders slumped against the back of the chair, tired with your bleeding nose that wouldn't stop. At this rate, you'd be up all night because of your stupid nose.
"Woah!" Jay exclaimed, freezing in his steps as he entered the kitchen, eyeing the new mess that he luckily missed out on seeing. "What'd I miss?"
"I'm going to die."
"She's not going to die."
"Jay, Will's lying." You whined like a baby, dropping your head in exaggeration. "I'm going to bleed out and not live to see either of you get married. What a miserable life."
Both your brothers rolled their eyes at your dramatic self. Sharing a knowing look, having a silent conversation with just their eyes you groaned again.
"I want black flowers at my wedding and I want Trudy to do my eulogy because at least she'll miss me." You said, starting your funeral arrangements very seriously despite what your brothers were thinking.
"Perfect, I'll go on holiday then."
"You're not going to die Y/N."
You sighed dramatically, your voice was nasally, as if you had a severe blocked nose when in reality, it was just a really bad nose bleed that you were trying to stop. "This sucks."
"Yes it does but as long as you don't sneeze or blow your nose, you'll be fine." Will said, tossing the bloodied gauze and replacing it with another, letting go when you held it on your own.
"This is going to be a long night."
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