Hottie

toot toot!

I hope u guys don't mind me posting these au doodles while I work on things ahaha

I also gave JD slightly longer hair in these doodles as a funny haha but I don't think it's funny anymore he looks genuinely good with his hair like that ahahaha I hope you're not mad at me for changing his au design a bit

choose your protag..... YOU COULD WRITE A SUPER LONG META ESSAY COMPARING/CONTRASTING THESE 2 BUT I WANTED TO MAKE A SHITPOST FORGIVE ME🤧✌️

the song of humanity will continue to be sung

I WANT TO FLY INTO YOUR HEART!

They never dated, but they're exes

Can we agree that the "Thats two things" line from Mike was autistic as shit

brain filled with jegulus uni au where james walks into the wrong lecture, all tired and sleep deprived, with baby harry on his chest. cue regulus falling in love with the hot dilf that doesn't belong in his post modernism class and who he knows for a fact is sirius' best friend

first chapter is officially out :) 

this game- you cant just put my type in front of me and then take him away!!!!!!

heres to hoping that his corpse is not found and the game is like "haha hes actually not dead!! he was just severely wounded and was kidnapped by the sus group that mc encountered beforehand! and now that group is holding him against his will and you have to save him!!!"

no for real i hope that happens because my god. that childhood friends trope is really hitting now. (i know we have zayne but caleb??? the banter??? the potential for a love triangle?? HELLO???) it would make sense right? no way the game is just gonna spring a death this early on us for no reason right??? plus hes in deepsace aviation, a top secret supee dangerous organization, it would make sense for that sus group, whatever their intentions are, to kidnap a member of that group to extract info and make him work for them...

also!!! maybe i am hallucinating and reading too much but did anyone else think that caleb has somewhat of a crush on mc because that line... "you wouldnt understand even if i told you" and his sadness when mc wont trust him and wont let him protect her... gdi game.

yes i am coping hard. please game dont do this....

I will never be over Leo’s 4D chess play in “Many Unhappy Returns”. Like, just in general it is a spectacle to see this character who we’ve seen goofing around time and time again, who’s only sometimes decided to take things seriously, only to show him making a maneuver like that.

And here’s what gets me the most about his plan against Big Mama: he comes up with it on the spot. The second he sees that Big Mama has the solution they need, he’s already in game mode.

It is so satisfying watching the episode back when you realize his plan, because he literally sets the stage entirely for a decisive victory. He sees that the champion is a kraken, and comes up with both the solution to defeating it and a reasonable excuse to get that solution into the battle with them on the fly:

“Like your champ aaand those six guys. In fact, we don’t want this over too quickly. You should armor up those rookies. The whole shebang. Especially with these pointy helmets.”

And this is why giving him teleportation powers is perfect, too. He analyzes the battlefield and makes use of all the assets, moving pieces around to guarantee a win. It is honestly so impressive to witness and one of my favorite parts of his character.

"so, being like a year or so out from the record 'so much for stardust' and looking back at it, the idea that this record was somehow a lot about the idea...how like one day you're not gonna exist and that can just be this big existential dread that kinda follows you around and it can feel paralyzing. but i think instead of just feeling paralyzed, it was important to make this record, and it's a weird record, and i say that because whatever you make — it's bracelets or tiktoks or videos or music — i don't know, you know, memes, whatever it is. make stuff. make stuff 'cause you have to make stuff, make stuff so you feel like you're alive. make stuff, and make the world a little more fucking weird." -pete wentz before heaven, iowa; sacramento, ca 3/3/24

i feel like the reason aang isn’t as adored and beloved as he should be is because he’s the protagonist but he’s also not an archetypal western classical hero. i don’t agree with the entirety of that “avatar aang: feminist icon” essay because i think the role of patriarchy and gender in atla is more complex than what that essay posits, but he definitely complicates the masculine ideal of heroism and generally does not conform to patriarchal notions of masculinity. which is very deliberate, especially as contrasted with sokka and zuko’s explicit struggles with the imperialist/colonial standards of an aggressive, militaristic, and chauvinistic masculinity. aang is subversive because he represents an absence of war in a world ravaged by it. through his link to a (somewhat more) peaceful and harmonious past, he represents a better possible future. as katara would say, he brings people hope.

but people don’t like that he’s not visibly edgy or tormented like zuko is (even though he’s a far more tragic character than zuko is, just fyi), that he isn’t “cool” (even though he’s literally the coolest kid ever, just fyi), that he “gets the girl” (even though if anything, she gets him) despite being twelve and bald and nice (the horror!). katara is the more classical hero of the narrative, as its narrator and its catalyst, the adventurous revolutionary who gradually learns to control and use her powers and eventually becoming a force to be reckoned with. zuko is the classical anti-hero of the narrative, his “redemption arc” constantly hailed as one of the greatest character arcs in television. so people expect katara and zuko, as very obvious narrative foils who parallel each other every step of the way, to be the obvious couple, because based on every romance narrative we’ve been inundated with throughout our lives, within our patriarchal society, they “just make sense together.”

but as much as katara is a protagonist in her own right, aang is the show. the title quite literally represents the central thematic tension of the entire narrative, the colon illustrating the implicit divide between his duties to this brave new world in desperate need of justice and balance, or his duties to his extirpated culture as the last true voice among them. aang is the central figure because this tension represents the crucial ideological battle happening across the entire show. aang is the avatar because he is the only person in the entire world whose values have not been shaped by war.

people constantly laud zuko, in particular, for being the most interesting, complex character in avatar. but i personally don’t even think that’s true. which isn’t to say that zuko isn’t fascinating in his own right, of course, but rather that he’s certainly not the only complex character this show has to offer. he just happens to monologue about his anguish constantly. but aang wasn’t raised as an imperial prince, and so he approaches the world, and his own pain, in a very different manner. the reason he immediately goes to ride giant koi on kyoshi island, mailchutes in omashu, and otherwise goofs around after learning of the shocking ramifications of his people’s genocide is because that’s how he copes with his pain. unlike zuko, who never stops talking about his aches and yearnings, aang represses his trauma and hides his tears behind a mask of upbeat cheerful goofy twelve year old antics.

until he can’t anymore. until he snaps. both katara and zuko wear their hearts on their sleeves, and that includes their rage. but aang’s rage is dangerous specifically because it represents that he has been pushed past his limits, that the conditions of this world in which he is a perpetual stranger, temporally displaced and dispossessed, are intolerable. that peaceful reconciliation is impossible. and the fact that he persists beyond that breaking point, over and over again, to firmly and resoundingly establish his ideals even as they conflict with everything he has learned about this world, a world that is not his own even as he can never return to the world he once knew, is what makes him so unique, so powerful, so beautiful.

i know that aang isn’t the typical hero, neither narratively nor aesthetically, but really, that’s the entire point. the world, our world, needs something other than what we have now. we need someone who will not succumb to the ideals of domination and victory through violence to assert themselves. we need someone who stands firm in refusing to kill the firelord, even as everyone he knows tells him otherwise. we need someone who knows that darkness cannot be vanquished through more darkness, but can only truly yield to purifying light.

and sure, aang is a child, and often acts childishly. sure, he’s not conventionally handsome and alluring. but one thing i will never understand is how that somehow negates his appeal to the masses. because even if you don’t appreciate how crucial he is to the themes of this narrative you all seem to love so much, how can you not love his adorable little face? his precious little laugh, his zest for life, the infinite well of love and kindness he holds in his heart? people who hate aang are crazy to me. because you are, quite literally, hating the world’s most precious baby boy.

Sun

Seb is really president of the Max domination fan club

Happy new years… let’s stay hydrated together ✨