I knew people who hated Nesta with every bone in their body were odd but I never realized the cognitive dissonance until now???

and i don't mean people who just don't care for her, I mean people who genuinely hate her and love rhysand and feyre and the entire ic??? idk what it is specifically about her that makes y'all lose your senses.

One thing I see a lot is "you've clearly never met someone like Nesta" which ig makes sense but did you really know like Nesta because I highly doubt anyone who did and knew them that in depth views her with such disgrace ? If you did and still view her as satan then you clearly have not matured past a high school mentality, because people are not cartoons. They can't decide if she's a high school bully or the devil incarnate.

They speak like they have ten college degrees and are a forefront in clinical psychology? Adding condescending one to batshit insane takes is not helping your cases 😭

Typically their biggest fault is false equivalence and then proceed to not apply the empathy and reason they give other characters to her or anyone who opposes their favs

(There's a similar vein of anti-tamlins and anti-elains but i don't interact with them as much so idk)

she says he won't let her get a dog, which is fine, because they're in an apartment, and that's the kind of thing people say about their partners. he won't let me get a dog. and you're at a dinner party and you tilt your head a little to the side just like that dog he won't let her get, because is this the thing that's going to upset you? you don't know every corner of their relationship, she could be joking, they could have had so many healthy conversations about the dog, right, and maybe she's not letting herself get the dog because of money and time and whatever. but, like, she did say let

and she wants to move away from his hometown and he wants to stay and then he tells you with a wink and a conspiratorial stage whisper don't worry i'll convince her and she laughs about it - so clearly this is something they laugh about. but you do just stand there and stare at him like what the fuck, man. you can't say what you want to say which is why do you get the final say on everything because they're both obviously aware of the other person's stance on this and have obviously had private conversations about it and what are you going to do about it except make a scene and then he'll be mad at you and call you one of those bitches behind your back and she'll cut you off, which is a loss that doesn't feel worth it just because he makes you a little skeeved out every 3rd comment

and they both agree he just isn't the type to get flowers which is fine because everyone shows love differently, and are you really gonna judge someone based on their sense of individual relationship responsibility? maybe he's constantly cleaning her car and writing her poems and making her furniture or something. maybe she doesn't even like flowers and this is perfect, actually. and no you couldn't date him, obviously, ew; but like, she tells you she's happy. you almost send her a tiktok that says don't be 25 and the cool girl that doesn't need anything, you'll hate not getting flowers at 30, but that's like, starting drama & you shouldn't start drama needlessly.

and you're a little older than her but not so much older you can pull the whole trust me on this one babe thing and besides that wouldn't have worked anyway (when does it ever) and besides you have trauma so you and your therapist both agree that you're always looking for a problem even when there isn't one. and you tell yourself that just because you see them for 15 minutes every month does not mean you can identify every single red flag based on a single shitty half-joking(?) comment

and besides, what are you going to do? she says i actually wanted another stand mixer but thankfully he stops me when i'm about to spend too much money and you're standing there like are you okay? is this normal? is this just something people say? and again - what are you going to do?

to your therapist you try to language it - it's not, like, any of my business. but sometimes, doesn't it feel like - you should do something. there's got to be something, right? you've tried dropping little hints but they sail right through and you've tried having a single serious conversation and she got upset because why does it matter to you, yes it's different but we're happy, it doesn't need to make sense to you and you're like. really unwilling to push a boundary about it anymore; because the truth is that you know logically it shouldn't matter to you, as long as both parties are happy.

and besides, you've been wrong before. it's just... like, every time you see them both, something else happens, some kind of shiver down your spine like do you even hear each other when you talk. it's their strange, bickering orbit. just the way he's on his phone through dinner or watching sports instead of helping in the kitchen or, fuck, another one of these little throwaway comments he makes about we'll see about that, babe. she laughs when he calls her passions stupid shit and meanwhile she gets him tickets to see the knicks and he tells you well at least she's smart about something and still! it's none of your business.

you say get the dog anyway and she laughs. like, this is is you being funny. and not you saying - no really. get the dog. get the dog and get out of here. pack up and start running.

House M.D. but it's when Wilson says House's name

hey americans, please fucking vote this year! thanks!

signed,

the rest of the world

tommy is not merely a catalyst for buck's bi awakening – he is a love interest. this is first and foremost A LOVE STORY, not so much a queer story (although, yes, it certainly is an element of it). if you treat bucktommy as just a stepping stone to buddie and invalidate buck's feelings for tommy by saying he is simply confused, i'd argue you have never really cared about bi representation. you just wanted to see YOUR ship sail. sure, you have every right not to like the pairing but being bitchy about it and creating theories that completely trash buck as a character is just not it. do better.

oh nO i just got hit by the new layout

ITS SO UGLY?? IT LOOKS LIKE TWITTER BUT WORSE?? BRING BACK MY OLD DASHBOARD PLEASE?? WHAT IS THIS??? This actively makes me want to avoid going on to tumblr y i k e s

@staff where can i leave feedback to get this changed back ASAP?

Edit: LEAVE FEEDBACK. please check reblogs for information on how to send feedback to tumblr. Be respectful when you send it or your feedback may be ignored, but let them know you don't like it by officially sending them feedback. If they get enough people telling them we don't like this new update, we might be able to get them to roll it right back where it came from.

i'm literally insane about the last agni kai and the lightning scene(s). i swear i've rewatched it 10+ times since my last rewatch of the show (which was my first watch in years) and like. azula sees katara come into view from behind. zuko doesn't. he follows azula's gaze and sees katara and is immediately horrified. he doesn't even think or hesitate because he doesn't have time and for once he doesn't have to look back at azula to figure out what she's doing because he knows what she's doing and he won't let it happen. time dwindling into slow motion as a haunting score plays? and zuko literally yelling out "no!" because that lightning absolutely cannot hit katara. as soon as he sees it there's no chance of that ever happening. and then katara watching in horror as the lightning flashes against features in what is probably one of the most hauntingly beautiful animated moments of the show? zuko hitting the ground still convulsing with lightning and katara crying out "zuko!" and immediately trying to run to him before azula attacks again? and the next scene we cut back to with them, zuko is groaning weakly and trying to lift himself up, and we see katara literally gasp in surprise as she realizes he's still alive (i'm sobbing because i do quite literally think she thought he was dead) and immediately tries to run to him again, nevermind that she knows azula is still there, and the hand katara uses for healing is already doused in water as she reaches for him. but then azula starts attacking again. and zuko, despite literally being in so much pain that he can't stand and can barely even move at all without whimpering, still tries to reach for the spot where he can see azula attacking katara. katara is forced to hide from azula's attacks. and as azula is mocking "zuzu, you don't look so good" down to zuko, the perspective shot is such that you can SEE that katara is also looking at where he lies prone in the distance, surrounded by flame (probably wondering how much time they have before it really is too late) before looking back up at azula and realizing she needs to defeat her as quickly and handily as possible so katara can get to zuko. obviously katara would have done this anyway (the whole reason they were THERE was to halt the continued cycle of the imperialist regime of the fire nation), but the scene is specifically framed as katara trying to figure out how to stop azula so the obstacle to her getting to zuko is no longer in the way. katara's defeat of azula was epic and deserves its own post. but then after making sure azula is securely chained, she runs to zuko, looks at him with such immense sadness and horror and fear as she hears him in so much pain, tenderly turns him over so she can get a good look at the wound. and she cups his head? briefly but so gently? so that he won't hit it as she turns him over? and when she tries to heal him you can tell she is so genuinely unsure if it will even work, and so relieved that she starts crying tears of joy when she sees it has (at least enough to keep him alive and somewhat lessen his pain.) they thank each other (and you can tell it's still really hard for zuko to talk and his eyes are barely open but he thanks her anyways i'm.) and she thanks him back and!!! when he starts to try to sit up she makes a little surprised face and then immediately helps him to do so (and puts a tender hand to his chest while she does!!!) and obviously that last shot of them standing together is also one of emotional support, but katara's hand on his back is also partly because i still think (and certainly katara still thinks) trying to walk/stand on his own would be a bad idea, so it's definitely not happening.

Happy bday to Elden Ring!!!

My headcanon for Goldmask and Corhyn! My thoughts in the tags for those who don't want spoilers. :3) Process video on TikTok.

reading the fae au has my daddy issues REELING-

i dunno do i want to be held and comforted by one of them or fucked dumb😭🙏

could you maybe do some like paternal/father figurey stuff with any fae boy you want… cant prove the stereotype daddy issues right guys please im more than wanting old me to make me worse…

As previously stated I asked my friend for help writing the original fae!Price post. Gave me the main pointers on how it all worked.

Do you want more actual dad stuff with Ghost and baby? Or is this just wanting older men to be nice to you?

I'm just gonna have Price run some aftercare on his Witch.

You're still a little floaty, still fuzzy at the edges from having your own magic turned against you. You hear Price opening a window to let the smoke out, and you feel sort of cold without him holding onto you. Your whole body aches like you just finished working an overly complicated spell. You turn your head to rub your cheek against the couch, the worn fabric just rough enough against your skin to start to ground you back in your body.

You've done this enough times. Grounding. You stretch your fingers out and- oh, hm. Your hands are still tied behind your back. That explains the ache in your shoulders. Right. Right, you remember. You were bad at following orders, so Price had to- Why does that thought make your heart hurt a little. A small noise escapes you, somewhere between upset and need.

Price is by you in an instant, crouching to be sure he can look in your eyes as he slips his hand under your cheek to hold your face. "You're alright sweetheart," He tells you softly, "we're done, you did good."

You roll your shoulders wordlessly, your throat hurts, he nods and pushes up to reach over you and untie your wrists. You sag with a sigh feeling the pressure around your wrists disappear. Price reappears, looking over your face, checking for signs of distress. The gentle touches are so far flung from the bruising grip he'd had on you not long ago.

"You ok to sit up?" He asks, and you nod, "Good girl, up we go." Price helps you ease into sitting, his hand pressing between your shoulders to take some of the weight from the movement. Your head spins a little, and you make another upset noise at the pain of it. "I know, sugar, I know." His arm slides under your knees, the other wrapping around your shoulders.

You haven't been lifted in years, but your brain is a little sluggish in processing the soft grunt from Price before you're no longer on the couch. You rest your head against his shoulder, ground yourself a little in his scent. Or you try to, but the lingering tobacco and morning glory give you another shot of the brain fuzzies.

You drift for a while, settled at some point on the edge of your tub. The rush of water and smell of sachet herbs doing little to pull you back to earth until you are actually submerged. Magic sloughs off of you as you sink under the warm water. You hold your breath and stare up at Price through the refraction.

When you pull yourself back up to oxygen you feel like you're in your body again. At least magically. Price's hands catch your shoulders before you can tip forward back into the water. "Easy sweetheart," He tells you, his hands are rough and calloused, another feeling to ground with. You take a deep breath, trying to pull yourself from the non-magical portion of this. The soft dreamy space you'd settled in, the need to please him with little care to your own needs. "Not in a rush," Price presses your shoulders back against the end of the tub, "Just breathe, I'm not going anywhere," You close your eyes, rest your cotton stuffed head against the edge of the tub, "You did so good, I'm so proud of you."

You don't really know why he's telling you that, but it helps. Makes your ribs unwind a little. He pulls one of your hands from the water and digs his fingers into your palm, dragging and rubbing the ache from your hand before moving up to your wrist. Price pulls the pain out of your limbs as easily as he pulled the thoughts from your head, whispering soft sweet things to you until you're starting to doze.

"All mine," He murmurs, pressing his lips against the pulse in your wrist. You hum assent. All his.

Hate those "reblog to prove ur not a terrible person, if you don't then you support these terrible things!!!" it always goes to my head and messes with me man

Any other LGBTQ+ Headcannons that are canon is the comic??;)

*patiently awaits Cupioromantic Donnie*

hmm... had to think about this for a while and talk about it with co-author, but here's what we got. we mostly base this stuff on how plausible it is in show/if there's evidence for it. with a dash of personal experience. This only applies to residuum, btw. I have different personal headcanons for these characters outside the comic.

april: lesbian. this is mostly based off of the fact that most aprils get with their caseys & the comment she said to dale. which could be taken as disinterest in dale specifically, but she seemed more concerned with impressing that popular girl earlier and that reads as more... saphic, i suppose. or at the very least homoromantic.

raph: raph is just raph. we look at him and basically just *tv static*. go crazy. all we got is jokes or stuff that has too little evidence to support. so, yeah, he's whatever you want him to be i guess?

leo: trans. already said my reason in the other post. also, gay. if gay were a power source he could power the entirety of the united states for five months straight without a single power outage. failing power grid notwithstanding (< thats the actual word. its supposed to be mushed together like that. wack.).

donnie: as much as i'd like him to be ace/aro spectrum rep, he just doesn't have the evidence in show for us to apply it to him in this comic. it's funny, for being hc as ace so often he sure is the most outwardly romantic/sexual turtle in the show lmao. one! cherry: "you're so cute, but you're so mean! why do i always go for your type?" two! astrogirl?? (whatever her name is) he is very very romantic with her. he has a type y'all. also just look at those two, he's a leg man lmao (bootyyshaker9000 anyone? ha!) anyway. and with the bromance/instant chemistry he had with that one guy in the purple dragons... Pan. or possibly Omni as he does seem to favor... cute brutal femme... Yeah. Omnisexual.

(you have no idea how fucking bad i want this boy to be ace spectrum. hes got the colors y'all!! The Colors!!!!! but alas... i am bound by my canon plausibility creed for this comic)

mikey: ace. possibly ace/aro. he shows interest in literally no-one. we're aware that the common hc is pan but... we know a pan 13 year old, and let me tell you ahahahaha, kids going through puberty are very uncomfortable to be around sometimes, especially around their partners. or crushes. and mikey... well, that boy is ace behavior personified lmao. aces in the back you get what we mean right?? right??? anyway commiting to aroace

Moon 16

Pt 2

Anakin & Letting Go

I always found it to be a little skeptical that Anakin could become a force ghost after it took Yoda, Qui Gon, and Obi-Wan learning and training how to do it, and I always thought “really? Anakin? Finding that level of peace and letting go?” But after this episode, seeing the care and lesson that he imparts upon Ahsoka that he learned so painfully, I understand it from him so much better. Vader was so stuck in his complete self-hatred that he allowed nobody who had known him before as Anakin to reach him (most notably Obi-Wan and Ahsoka) because of the overwhelming extent of his shame. It took his son, who had never known him and yet who still stood before him and believed in him, loved him, sacrificed himself for him, to call Anakin back from the depths of Vader. And this Anakin, let everything go to save his son and to allow his son to save him.

And it felt so impactful to get to see this mature post-Vader Anakin reaching out to Ahsoka to teach her this very hard-earned lesson that he took the very hard road to get. Because she has Vader in her. She is everything Anakin taught her, and we saw the behaviors that led Anakin to becoming Vader—the fear of losing his most cherished relationships—reaching out of Anakin very early in the clone wars (and before) and the two of them are both very aware that he imparted those lessons on her. And then we've seen across this season—and overtly in her clone wars flashbacks—that she believes she is inextricable from these traits.

I’ve always loved Anakin as a fictional character, getting to see his earnestness, his flawedness, and his intensity (to borrow Huyang’s very accurate adjective), but this episode brought a level of humanity to him that has moved me so deeply. Life is HARD, loss gets forced on all of us no matter what, and the lessons that we learn through mistakes that we made can be extremely painful because acknowledging and taking responsibility for hurting people is actually really painful for humans (not owning up to our actions is the emotionally easier choice and George Lucas has stated time and again that the Dark Side is about taking the short-term easier choices). But it ultimately means that learning from your mistakes is an actual choice you have to MAKE. And this is the core of Anakin’s lesson. He is teaching Ahsoka that she has to choose which lessons he has taught her that she will live by, but more than that, that she is empowered to be able to choose. Yes, she has everything that he taught her—the good and the bad—but she is not condemned to live out all of the lessons. 

And the beauty of it isn't just the lesson, but that Anakin gets to be the one to teach it to her. The betrayal that she experienced in discovering his fall, the taintedness that she has been portraying that she feels about herself, gets specifically addressed because if he figured it out, then she definitely can too. If he is more than just Vader, then she is too. And THAT is what the "Is that what this is about?" line is actually about. It's so so important that we get to see pre-Vader, Vader, and post-Vader across her vision because the point is that yes, Vader is a part of him, and that brilliant shot of the two of them glaring Sith eyes across the blade at each other did it's job in conveying that Ahsoka is capable of that darkness too, but you are not only the darkness. You get to choose. ("You're more than [death and destruction] because I'm more than that"). And more to the point, you have to choose. Because if you don't specifically choose to fight the dark, then you're ultimately choosing to fall into it. "Fight or die."

So for Anakin to be able to reach out to her one more time, to be able to love her the way he, as Vader, had refused to the last time when they met on Malachor, and to open with “you’re never too old to learn”, because god if he didn’t learn that the hard way too. And to be able to pass on to Ahsoka how to actually let go because he himself had only just finally been able to learn it as well, feels so powerful and poignant.

And that look of pride and wistful sadness that he gives her at the end? That both she and Luke were able to learn so quickly what took him so long? And that maybe, he may have helped save her from the worst traits that he imbued upon her? That’s him having let go of his own shame. He feels grief, he feels guilt—we can see it on his face—but what has happened has happened and he has accepted that, and finally learned that letting go doesn't mean it didn't happen, it means it doesn't have to define your actions going forward.

And finally, it’s also him letting go of ahsoka. By teaching her that she will choose her destiny, he has to accept that he cannot control it either. And he has. “There’s hope for you yet.” 

So yeah, Anakin learned to let go, and getting to see him here, in this headspace of acceptance and peace, practicing and understanding what it means to be a Jedi, was so unexpectedly cathartic and revelatory for me as viewer. 

Oh my god I woke up this morning and my Stardew Valley meta post had almost 150 notes????? Hello?????????? Anyways I started writing this last night because @moon-is-pretty-tonight left nice tags on the original so thank you so much!!

We know from the starting scenes of the game that the farmer's grandfather loved Stardew Valley. So why did he leave? Pelican Town is a good place to grow old; George and Evelyn are just fine. It's a fine place to raise a kid, but maybe he just wanted to raise his child closer to real schools and other children.

Or maybe, just maybe, he understood.

Was there a day when he was in his thirties where he looked at his friends and realized they weren't like him? That he could run faster than them, work longer, explore deeper into the hidden places of the valley?

Was there a day when he went to the wizard to ask him for help, for knowledge if nothing else? Did he learn then that his family was different? Special? Chosen? And how did he react? He couldn't possibly raise a child in the valley if they would be as strange and fey as him. He had to leave. There was no other way.

But years later, on his deathbed, did he regret that choice?

Is that why he gave the farmer the letter?

Is that why they went back home?

When the farmer steps off the bus that first day, the valley is still on the cusp of winter, just barely tipping over into spring. The flowers are starting to bloom, but a chill still hangs in the air. As soon as the farmer's boots touch the soil there's a change. The air gets warmer. The trees get greener. Not by too much, not all at once, but it changes.

The junimos watch the farmer as they do their work. They're new to farming, but take to it with frightening speed; their first batch of crops is perfect. None of the townsfolk tell them that parsnips don't normally grow in less than a week, that cauliflowers don't grow to be ten feet tall, that fairies don't visit when the sun goes down and grow potatoes and beans and tulips overnight. The junimos talk amongst themselves in their strange, wild language, and agree: this is the one. They're back. The valley recognizes its own, even when they've left for a generation. The farmers have come home.

Things change fast in the valley. The community center, empty and decrepit for so many years, is rejuvenated. (Lewis says it was abandoned only a few weeks after the farmer's grandfather left. Strange coincidence, he says, that it both came and went with the farmer's family.) The mines and the quarry, similarly abandoned, are explored for the first time in ages. The town becomes cleaner, brighter, more vibrant, happier.

And it is happier. Not just the environment, but the people. It's the talk of the town for weeks when Haley does her first closet purge. Leah's art show in the town square is a huge success. Shane's smiling for the first time since he moved to the valley. All of them, when asked, say it's all thanks to the farmer.

People love to ask why Lewis didn't fix the community center on his own. Why Willy never repaired the boat to ginger island. Why Abigail or Marlon never went down to fix the elevator in the mines, or why Clint didn't fix the minecarts.

But isn't it so much more interesting to ask how those things were there in the first place? How they got so broken down? If the stories the townspeople tell are true, the valley was once a beautiful place, flourishing and full of life; why did that change? When did it change?

Was it when the farmer's grandfather, the locus of the valley, its chosen representative, left town?

And if so, what happens when the farmer comes back?

I'm sorry, but this is THE most vanilla fandom ever. Oh my goddddd. The entire lot of us freaking out over *checks notes* Colin watching porn. like i have legit seen takes of people being like 'Penelope should know his kinks before he CORRUPTS her' and 'won't anyone think of Penelope's perspective in this!!!' and 'she needs to know and agree to his fetishes'

like I'm SO sorry peeps are pearl clutching over Colin being a kinky little freak (allegedly) but like the man BEEN had a thing for watching and a filthy mouth, sorry not sorry, but I'm kind of loving the idea that he's joining the battle against kink and debauchery on the side of kink and debauchery and frankly I think Penelope would, too

Some of you will see a character that is actively repulsed by romance/sex and heavily non-partner coded (sometimes they even actively just say that they do not want a relationship!) and y'all will still respond with "But aros/aces can still date and have sex!!" like okay bud it'd be so much easier for you to say you don't respect repulsed and non-partnering aros and aces. stop beating around the bush trying to pretend to be oh so supportive when you obviously feel uncomfortable about our existence even in fiction.