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#weapons analysis
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GUYS CAN WE **PLEASE** TALK ABOUT THIS
DO YOU GUYS KNOW WHAT DAMIAN GAVE TO EACH OF HIS FELLOW BAT SIBLINGS??? Because these are all real established items in DC canon!!
I’m going to work my way back from Dick, because, OMG. 
Damian gave Dick the Sword of Sin. If that sounded vaguely familiar to you, you might be an Azrael fan because that is his preferred blade to use. What is so special about this sword??? It’s ability:  The Sword of Sin can be ignited with the mind of the wielder, if the person is powerful enough. The sword has the ability to conjure in the mind of its victims all of the sins for which they are guilty or have not atoned for.       Golly gee, I wonder who this might be super effective against. You know. Giant bat guy with a guilt complex bigger than Texas. You can bet your butt Dick is going to send Bruce through a series of ‘Nam war flashbacks before this series is over. I can absolutely see why Damian would give Dick this weapon here, as he’s known Bruce the longest. I can easily see what part in this story Dick is going to be playing as he clearly has the most directly effective weapon against Batman. Damian’s favoritism here is both sweet and a little cruel if you think about the context much. 
Now let’s talk about Stephanie’s weapon, and yes she very much is Damian’s older sibling even if she isn’t a Wayne. Damian gave her the Coup-Stick of Black Bison (A DC Super Villain.) What can this staff do???   The mystical power of the coup-stick can animate material objects and in so doing, command these objects to do its bidding. This power cannot affect living biological material, but can affect non-living organic tissue. Black Bison once used the coup-stick to re-animate the stuffed remains of a white stallion (as well as other animals). Black Bison has also used the coup-stick to control the weather, such as summoning a strong wind to deflect attackers.      Guys Damian gave Stephanie a weapon that will allow her to call on back-up, and COMMAND her own creations, a weapon that allows her to be a leader!! Something she has wanted for a long time??? Also, it sounds like it has the power to control the weather??? Damian really said #girlboss and how much he loves her without actually saying it. I cannot stress enough how well DC could do her justice in this series if they at least tried.
Now, wow. Damian really straight up gave Jason’s dramatic ass the actual Trident of Poseidon, which is an unbreakable weapon that that serves as an extension of the wielder’s own power. Damian really gave Jason not only a King’s weapon, but a godly weapon. What other powers it has might not be relevant to whatever power it might awaken with Jason as its wielder.       Damian really cut out the middle man and just said, “Look, you are stupidly strong. I’m going to give you a stupidly strong weapon. Have at ye!” And you know Jason is going to wield that thing like he’s Poseidon, rightful ruler of the sea. I literally cannot wait to see Jason just absolutely power-housing his way through whatever gets in his way.  
Lastly, but not least in the slightest, Damian gave Tim the Cloak of Cagliostro! Which I want to acknowledge right off the bat, 🎶one of these things is not like the others~🎶 And thank Rao for that, because:  The Cloak of Cagliostro is a magical item which allows the wearer to teleport, and to become intangible, and invisible.      That is the *cutest* Easter Egg ever! Gotham Knights acknowledgement of Tim’s teleporting anyone????? Tim was the only one Damian gave a defensive weapon, and not an offensive weapon to. And that makes sense, because Tim is a defensive fighter! Tim never has to be the strongest person in the room. He just needs to be clever enough to use what he knows to win. Instead of giving him a weapon to swing around, Damian gave him something that Tim could use to protect himself, and actively use to make ALL of his skillsets stronger, not just his fighting power!!! This! Is! NOT! Damian looking down on Tim or considering him weaker. He’s playing to Tim’s strengths! He literally gave his big brother a cloak that straight up is like a cheat-code of meta-powers that would suit Tim SO WELL, because he knows Tim will be able to use those abilities to bullshit levels of effectiveness!! 
It genuinely looks like thought went into what weapons each of the Robins were given. I know fanon likes to bash on Damian or bash on his relationship to his siblings, or vice-versa, but in canon it has been clear for some time now that Damian considers all former and current Robins his family. (Including Tim. He refers to Tim as Timothy nowadays, and calls him his brother, that’s not fanon) No matter if Damian is not himself right now, he’s genuinely looking out for all of their best interests, and is ensuring that each one of them is as well-equipped as possible. 
Regardless, genuinely curious to see how each of these weapons will be used by their respective Robins, and how this will all end up. Hopefully, it ends with a giant group hug that will break the internet. (Also, ngl, I hope if Tim gets a new superhero identity soon his new suit will play off of Gotham Knight’s Tim’s abilities or be based off this cloak. Just think that would be neat ✨)
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sugarcarnation · 20 days
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love love love how similar these two panels are. makes me insane
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venturezzz · 2 months
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Alright we gonna do a bit of a outfit/gear analysis.
Did anyone notice that there's a peice missing from ventures coat?? If their coat was whole there would be 3 portions for the skirt of the coat/jacket, left, right and back portion. But ventures coat is missing the right peice.
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Why?? To make room for ventures weapon! Their handheld drill, it's such a cool detail that blizzard added on and has alot of logic behind it! If venture's coat had the right peice it would get caught in their weapon. For extra comfort venture has a guard/pad strapped to their thigh.
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Also their weapon has to be one of the coolest in the game hands down. It's so simple yet so complex. In concept it's just a 2 handed mining drill. But it's way more complex then that, the drill bit is made up of 6 interlocking peices that are connected to the main weapon magnetically, that can open up to reveal it's cannon function. Because the drill bit operates separately from the handheld portion it prevents the weapon from spinning(like if you were to drill something and it gets snagged and the drill it's self starts to spin instead of the bit.) The magnetized drill bit probably operates in a similar way to how a bullet train does, instead it's localized. When interlocked the drill bit spins around the main cannon, making it able to accelerate to high speeds, giving venture the ability to both burrow and drill dash.
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It's nice to see actual effort being put into characters, voice lines, character design, backstory, hiring voice actors that sound great and make perfect sense for a character.
Can't wait to see their final backstory!
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magicaldragons · 4 months
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deva: a weapon.
the movie does everything to show us that deva holds no agency over himself or his actions and that he has no ambition whatsoever.
his main trait is loyalty, and this is emphasized again and again.
• he is enraged at the mistreatment of aadhya, but where an actual 'hero' would save her, disregarding any rules or conditions – he remains bound by his mother's words.
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• he is a weapon in the hands of anybody he gives his loyalty to, and throughout the movie, all of his actions aren't really credited to him, but to the person he commits these acts for/with permission of:
1. in the first scene, we see both deva and varadha, without hesitation, understand that deva has to complete the task for varadha's honor
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2. it's evident, when bilal tells aadhya, that the only person who can keep her safe is 'amma' (because it is true, only deva's mother can allow deva to help)
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3. when we are first introduced to deva, it is through his mother describing him as a "blood-shedding weapon"
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4. when varadha comes to ask deva to accompany him, the narration doesn't feel accurate. varadha has barely voiced his request for deva to go with him – it is actually deva who wants to protect him after seeing his condition, but the narration is: "on one hand varadha had decided to take deva, no matter what, and on the other hand, his mother would not allow him to go" further emphasizing that deva is comparable to an object between the only two people who 'own' him
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5. in the first action sequence, after his mother releases him from the promise he made to her, we have this shot:
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framing deva's mother as if it is her who is responsible for that first blow
6. even after she has given him agency over himself, he still follows his mother's orders, not bothering to put any energy into what he thinks is the correct thing to do
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7. we also see this when radha rama blames varadha for vishnu's death and has to be reminded that – no. it was the new guy who dealt the blow.
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8. and again, when naarang heads in varadha's direction, completely disregarding deva and all of deva's attempts to provoke him, even though deva is the one who killed vishnu
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it's an interesting way of depicting his personality – the movie equates him to a weapon at every turn, either metaphorically or though dialogue
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which also makes it extremely significant, that the ONLY TIME deva has ever acted on his own (according to what we know) is when he: 1. went against his mother: to make a promise to varadha instead 2. did not follow varadha's explicit instructions: and pleaded with naarang to leave varadha alone
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deva only breaks free from the narrative for varadha – which really speaks about varadha's importance and the power that varadha holds over deva.
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anistarrae · 4 months
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shadow bandee design i made awhile ago :D (jan 17th, 24)
i feel like mirror bandee would be very skilled without putting the effort in, getting where they are by power, instead of earning it through putting the work in. this would lead to them becoming over-confident and become the cause their biggest weakness. a friend pointed out this would mirror dedede in the beginning of the series too!
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cranberrykissel · 4 months
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of Flanagan's chronical chronology mess-ups and all age inconsistencies it involves, I find Crowley and Halt's first meeting story the most hilarious
Crowley describing Halt as a intimidating dark man? Who's probably at least few years younger than Crowley.
And in this exact scene-
Halt: I hit your men with an arrow 😉😜 Morgarath: ... where Halt: at the inn 😁 Morgarath: I asked about the body part
And at the time he chooses to call himself Halt Halt deliberately, as a joke.
He's eighteen (18), guys.
They are all talking to a runaway emo-aligned teenage short king prince and go "oh he's SO intimidating" while he drinks his coffee black and sweetened.
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bowtiepastabitch · 8 months
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Let's talk costuming: Avaunt!
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So I think we can all agree that Aziraphale looks his most traditionally angelic in the Job minisode, no? In fact, all of the angels' costuming increases in drama for this particular episode. This is, obviously, a very deliberate choice on the part of wardrobe, so let's discuss.
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On a technical level, the biggest thing that stands out to me about this fabulous robe is the draping. Oh, the draping. It feels like a classic angel 'fit because on a very fundamental level, it is. A lot of what we think of as angelic draws on Renaissance artists' depictions, with flowing robes, fluffy wings, and glimmering halos. In art from this era, there is a strong attention to detail on the natural flow of fabrics that makes Renaissance sculpture so breathtaking, such as here: (The Ecstasy of St. Teresa, Bernini, 17th century CE)
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It's this ability to make solid marble look like fine silk rippling with movement that leaves such a strong impression in my mind when I look at these kinds of works.
In painting, too, there is a similar effect. Something about the material culture of the Renaissance really lent itself to this style, perhaps fueled by the rise in new textile luxuries that occurred in vaguely the same period. This is seen especially strongly for angels, such as in the sculpture above, and in this painting: (The Annunciation to the Virgin, Botticelli, 15th century CE)
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There's a stark contrast between the dress of the two figures. The virgin Mary is no less ornamentally or expensively dressed, but her style is rather minimalistic next to the angel's voluminous robing. It paints a very clear impression of angelic dress, and the designers for Good Omens would have been aware, in at least a small way, of the art history precedence for such a thing.
The poof of the sleeves, the tucks down the front, the little belt with the train tucked in, the gathers, the weight of the fabric, everything about this robe is constructed to carefully recreate the rather fantastical imagery of renaissance art. It's not necessarily an easy texture to nail down, given that the artists themselves had no concerns of gravity, comfort, or the way it would look in actual 3d motion, while our brave costumers were dealing with all three as well as a budget, time constraints, and the constant consideration that white fabric just gets dirty so easy.
Here's some of the other angels as well, so you can see how theirs reflect those same dramatic themes.
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And then, of course, when costuming a show you have a second question: What does this mean for our character? Or rather, we know how, but WHY did they make him look so traditionally angelic?
Well, thematically, the Job minisode centers around Aziraphale's struggle with being a good angel and Crowley's struggle with being a good demon. Aziraphale is learning how to be an angel that follows along with heaven as far as we can, and he's so terribly torn up about it. He spends a lot of his time fretting about doing what's expected demanded of him, even if perhaps he doesn't believe it to be the right choice. Natural, then, that he should look the part of the perfect angel whilst sorting out these ethereal woes.
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Crowley even draws attention to it himself, giggling a bit at the suggestion that Aziraphale, with his fluffy hair and flowing angelic garb, could possibly become a demon. And it is a rather silly mental image; the garment itself would be comically silly in really ANY other context at all. In the same manner, his performance of angelic archetype borders on excessive:
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He's trying so desperately hard here to be the angel he wants to and is supposed to be. He's dressed the part, he's using his big scary angel voice, but deep down he's clinging to an identity that doesn't quite fit.
(You'll notice in this shot the distinct difference between his and Crowley's dress on the level of silhouette as well as color. We see this a lot from the two of them, but with the points I made above it felt worth pointing out in this particular scene)
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Here at the end, as he's coming to terms with the cracks in his heaven-given identity, his robe is largely in shadow, blurring out its startling whiteness. We do not see him dressed this way again. (He continues to wear white, obviously, but from here on out his style of dress mimics the human trends of the time rather than that classical angelic imagery)
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collieii · 1 year
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one line in trimax that's always stuck with me is from chapter 65, right after wolfwood's death. when vash is sticking the punisher by his grave and he says "it was part of his life". that phrasing is so interesting to me. the neutrality of it is one thing that gets me, i think. it was part of his life. for better or worse, whatever it was, the punisher was wolfwood's.
It's pretty easy to think that the punisher might represent violence, the eye of michael, the role of assassin that was forced onto wolfwood, the loss of childhood. but it's not really presented that way, not overtly anyways. we never see wolfwood shun the punisher, he's not conflicted by his use of it. he never considers abandoning it for some other weapon. it's his weapon. he doesn't discard it when he eventually decides to take a more vash-like approach and actually let people live. he pretty easily accepts it as his own, a tool he can use. (to be fair, at least part of that is probably because the punisher is a very good gun.)
the punisher can still represent the harsher aspects of wolfwood's character, the violence he's committed, that he's capable of. that's an important part of his life! and the idea of it as representative of his violent adolescence, childhood that was stripped away, goes along with this - it's literally a cross to bear. but besides showing his past as a burden, i think of the punisher as being a cross of responsibility. when you have a gun you have power, agency - you have a responsibility to make a choice. that's what wolfwood tells vash in chapter 4.
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the ability to take a life, the burden of it, is literally his cross to bear. that ability - and that responsibility - was given to him by the eom, literally in terms of the gun, and in terms of his skills. but the eye doesn't think twice about killing people. for them it's not really a choice, a responsibility, it's just a given. but wolfwood can't accept that. he's constantly considering the choices he makes.
so the punisher isn't only a symbol of the eye of michael, of the path that he was forced onto. it's also a way of expressing autonomy. the eye gave wolfwood the gun, but he decides how to use it and what it means. for much of the story wolfwood struggles to decide what to do, he's a very conflicted character. but eventually he resolves to use it against chapel, against knives, to help vash, and protect the orphanage. the gun gives him agency.
so the punisher was part of his life. it was the tool that he used to commit acts of violence, acts that he was forced into, but also the tool he used to break free.
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it's heavy for vash, too. he's not exempt from that idea, the idea of responsibility. as wolfwood said much earlier in the story, vash has always been able to sidestep the question of "what do i choose?", because he's only ever given himself one option - everybody lives. and he's always succeeded. but as wolfwood says, "the day will come when you'll have to choose". one day, it's not going to work.
and of course the story progresses, the stakes ramp up, and vash learns more, goes through more, and is pushed to his limits. i think by this point, by wolfwood's death, and maybe because of it, vash has realized that he might have to make that difficult choice in the near future. that's one reason why he wants to "do him proud". he has a lot of reasons to say this of course - to not let wolfwood's sacrifice go to waste, for example. but if we're thinking of the cross as responsibility, then vash is saying he doesn't want to forget the lessons he learned because of wolfwood. wolfwood has always grappled with responsibility, with what the right thing to do is. and the right thing is often not easy. vash hopes that when the times comes for him to make a choice, he'll make a good one, one that does right by wolfwood's memory.
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grumpysunfish · 2 months
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Hm. There's this strange idea that reputation does not matter and anybody who cares about it are losers bowing down to the ruling class (and well, that is a part of it) instead of the very real thing that has dire consequences (see: wei wuxian and jin guangyao)
"What will happen to Yunmeng Jiang had they stood with Wei Wuxian and the Wens" is not an open and shut case and maybe all they were going to lose is opportunities for advancements (which by the way is a very serious deal for a war torn region and a sect struggling to find their foothold) but also, it is a very real possibility that they fall with Wei Wuxian.
And hm, there is selfishness in wanting to protect your own over everybody else which jiang cheng is very much guilty of. (Although i'd argue that there is lot of nuance here) But he is also somebody who's motivations are rarely about himself, would put his people above his wants and needs and well being, and would rather eat his own foot than ask anybody to put up/stay with him. Including Wei Wuxian, the guy who supposedly he feels he is owed by. And you know, there's selflessness in that
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double--blind · 7 months
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(SPOILERS) Andrew, Ashley, and their weapons of choice
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If I REALLY wanna blue curtain (the curtains are blue bECAUSE THE AUTHOR—) this game, I'd probably say something along the lines of how Ashley's signature weapon being a gun and Andrew's signature weapon being a cleaver are reminiscent of their respective personalities in the sense that Ashley's aggression hits hard and fast, piercing deep like a bullet. The long-distance nature of this attack falls in line with her tendency to easily extricate herself from the harm she's doing while ensuring that it still gets done. She's shoot fast, ask questions later (or, perhaps, never at all), and rather loud and jarring about it. A single pull of the trigger and she's done, the only blood on her hands purely metaphorical.
(The one time she uses a knife, she even uses it like this. A quick stab into each of her parents' hearts. A swift, deadly puncture that bears far-reaching consequences that do not befit the ease of her actions.)
Meanwhile, Andrew's cleaver means he has to get his hands dirty. He's up close and personal w/his attacks—every slash is a decisive action that requires throwing all of himself into the fight—both in line with his need for control, and his tragic inability to relieve himself of the burden of being up front and center to his and Ashley's atrocities. Unlike a gun, it's not one-and-done. It's much quieter, stealthier, but you gotta get real vicious with it—more violent and messy than Ashley can ever get with her gun—something that's so at odds with his reticent, cautious nature that it just throws the silently simmering darkness within him into even starker relief.
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gophergal · 2 months
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jumping on the trend. I have never felt so mainstream in my picks
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sugar-grigri · 8 months
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What if Quanxi became Denji's mentor?
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A little thought I'd like to share with you.
I've mentioned it before, but Quanxi and Denji are weapons with a lot in common. So far, Quanxi is the only weapon who has also seen her entourage (her girlfriends) killed before her eyes. I think that even after the brainwashing she received from Makima, she remembers because she wears a lace band around her neck.
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Once again, Quanxi marks her points of vulnerability in this way: her activation point is hidden by her eye patch, and the band not only expresses the fact that she's been decapitated, but also symbolizes the grief she feels at having seen her girlfriends after being executed.
The public hunters seem to want to annihilate Denji's identity as a weapon, and he is no longer allowed to claim his demonic identity, to claim to be a hybrid being, and is forced to act as a human.
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Quanxi fights most of the time only as a "human", she doesn't have the reflex to immediately activate her activation point to transform.
Maybe you can see where I'm going with this, but just as Kishibe was Denji's mentor (temporarily and in his own way), is there any world in which Quanxi wouldn't become Denji's?
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Yes, she has no interest in boys, but Denji has the same reflections and reflexes as she does? To give an extremely privileged status to women? Whether it's their loneliness, the dismantling of their loved ones, or their "values", Quanxi and Denji have a lot in common?
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In an arc where Fujimoto has merely repeated Denji's question marks, he has created a complex context that prevents his protagonist from acting: could fighting as a human be his way out?
Because Denji wants us to start seeing "Denji" as well as "Chainsaw Man". Who didn't say that the human in this hybrid being couldn't be appreciated as a hero?
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The fact that Quanxi marks her vulnerabilities is not meaningless; it's inevitable proof that, as a weapon, she embraces her human condition to a greater extent than the others, who insist on feeling like supermen.
And again, it's more complicated... because for the moment, each weapon has its own response... or rather, a type of response to the identity crisis that can result from not belonging to either camp.
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The whip demon considers herself a superman, while the spear devil has no answer.
Reze, the bomb devil, was the one who most embraced her weapon identity, being a veritable offensive object of Russian propaganda, but that didn't stop the girl from being disturbed by her dual identity, expressed by her desire to go to school but also by the fact that she also saw herself as Denji.
Barem for his part, has yet another answer of his own, as he completely avoids the identity crisis caused by the fact that he belongs to neither humans nor demons. For him, spreading death is a common denominator, blurring the boundaries between species.
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Then there are the weapons who added a "-Man" as a suffix
Sugo Miri had mentioned it as a joke, but in reality "-Man" is a different kind of response.
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Miri locks himself into denial, convinced that his new instrumentalization by the church is by choice, as if this would transform his situation into one governed solely by free will.
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In the same way, Katana Man, when confronting Denji, expresses his remorse at killing even one zombie, that he has retained his "human heart", which is also in itself a form of denial, since all weapons have a demon heart, so he doesn't fully embrace his nature.
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Denji is another type of response, even though he has the suffix "-Man", which doesn't express denial but rather gives importance to human condition, whether through freedom as a human characteristic with Miri, pseudo-morality with Katana Man or the need for integration with Denji.
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Quanxi is yet another type of response: she has learned to identify herself in a way other than through the prism of the human/demon dichotomy that creates an identity crisis in weapons, she has circumvented the problem by proving her worth other than by nature and her natural gifts by being an outstanding fighter without transformation.
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But she's attached herself to beings without barriers, to the point of having romantic and sexual relationships (from a sentimental and organic/bodily point of view) with demons, her girlfriends
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Denji is imprisoned by the public hunter's dilemma: either Chainsaw Man or Denji.
Quanxi is also in a vulnerable situation, and I think that even though she still has some memories, the institutions have taken advantage of her state of weakness and confusion following Makima's brainwashing. Makima had turned weapons into weapons for the Japanese government, and although the government has lost control of some weapons, it still retains the use of others. Whether it's Katana Man, who no longer works for the Yakuza, or Quanxi, who works for China, the weapons have all changed owners.
Quanxi is just as trapped in a system that doesn't make her happy and that I think she hates as Denji.
Quanxi, as a fellow weapon in the same situation, is the one who hold the answer.
While the other weapons boasted of their immortality, Quanxi provided the answer in the chapter 143 : her lace neckband symbolizes a single idea, death affects everyone, even immortal beings.
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tallsc · 1 year
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AvA Blue Character Analysis
Starting this analysis, I thought I would have trouble coming up with something important to talk about with Blue. Their character's been pretty stated, right? They're a pacifist potion-creator who likes eating weird stuff and is good with a bow. They're pretty acrobatic, they're a decent builder but not the best, they don't like being in leadership roles. That's their character, right?
No, it isn't.
The first statement in that list is wrong. Or, at least, is missing many key details that explains a lot more about what Blue is actually like.
Blue has been commonly described as a pacifist, and I can understand why. Before looking into this topic, that's how I thought of them too. They've never been one to start a fight with their friends (unlike most every other member of the Color Gang) and in Piglin War, they wouldn't hurt the piglins, only the zombies.
But that doesn't make them a pacifist. It highlights another aspect of their character that I will discuss later in this analysis, but it doesn't make them a pacifist.
Blue has been shown, time and time again, to kill. They killed the ghast with Green in season 1, along with Yellow's ghast friend in one of the shorts. They have fought pillagers with lethal force, and taught villagers to do the same. They even killed piglin brutes along with the rest of the Color Gang in the Ultimate Weapon. They never hesitated to do that, despite going out of their way (and almost dying) to avoid hurting any of the piglins in Piglin War.
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Additionally, they seem to enjoy the act of fighting. They happily join sparring matches with the rest of the color gang, and will even initiate them as long as they know it is all in good fun. So they do sometimes enjoy battle, and show no hesitance to kill when the situation requires it.
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This doesn't make Blue any worse than the rest of the characters, since they have all fought mobs and killed before and they all like fighting, but it certainly doesn't make them entirely peaceful. So why do they have a reputation as a pacifist? Why do they seem so reluctant to start serious fights, and why were they so careful around the piglins in Piglin War?
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Well, the answer to that seems to be that Blue forms a very close protective bond with those they care about, and they form those bonds very quickly. Everyone in the Color Gang cares about each other, of course, but Blue tends to express their bonds in a different way, and forms said attachments so quickly, that their actions tend to resemble pacifism.
Blue has consistently been quietly protective of their friends in a way that none of the others seem to express. They avoid fights - with their friends. They try to stop conflicts - between their friends. They go out of their way to make sure their friends don't get hurt. They risked their life multiple times to save their piglin friends, both in Piglin War and in The King. Their main focus is often to support their friends and, most importantly, keep them safe.
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In fact, while they've never backed down from a possibly-dangerous adventure, they also have never (purposefully) started one. The only time they did start anything of the sort, they went out of their way to not bring any of the others. New adventures can be dangerous after all, and the last thing they want is for their close friends to get hurt.
This apparent desire for peace that has led to Blue's reputation as a pacifist is really more a focus on keeping their friends safe by avoiding infighting, rather than them disliking battle in general. But this still seems like a good thing, on a surface level, since being the protective mediator should help to keep those friends they value so deeply safe.
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But there is a problem with Blue's thought process. Because their friends have gotten hurt before. And, worse, people who Blue had started to view as a close friend have hurt them. And they haven't taken either scenario well.
Blue often appears to be the one who's hit the hardest whenever it appears their friends have been hurt or killed. Everyone cares, everyone's upset, but Blue always appears the most distraught. They're so afraid to lose their friends that they will regularly risk their own life or even harm their friends on accident - most notably in the Ghast friend short - in an attempt to protect them. Blue isn't instinctual like Orange, but their actions can still be misguided when they don't have time to think everything through.
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But there's more than one way to lose a friend. Purple's betrayal seems to have affected them deeply, such that - significantly after the betrayal, even after it appeared Purple was their ally again - Blue was very reluctant to trust anyone who reminded them of Purple. Far before Mango revealed their plan, Blue still did not trust them, solely because Mango reminded them of Purple. Blue puts in so much energy and trust into their friends that losing one through betrayal hits them incredibly hard.
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Blue is a lot of things. Like all the Color Gang, Blue makes friends easily. They always do their best to keep their friends safe, both from outside threats and from each other. They're crushed at the idea of their friends dying, and will risk their life to stop that from happening. They're afraid of betrayal.
But one thing that Blue is definitely not, is a pacifist.
Thank you for reading! I hope you enjoyed, you thought of this topic in a new light, or at least found it interesting! I'll be honest, I really did think of Blue as the pacifist one up until now, but from what I can tell now that's based in something entirely different.
Thanks to rigatoniiiiiiii for the suggestion to do something for Blue! And sorry for like directly contradicting the one thing you said about them but this was the topic I came up with- 'XD I was considering doing something on their relation with Green here too but this is a long enough analysis already so I'll do that some other time.
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the-writing-warg · 1 year
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Something I've noticed that I haven't seen others talk about very much is this
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The armour elrond wears in the hobbit is the base for the armour he wears in the war of the last alliance.
And it's not cause its his only suit of armour because in the first hobbit film we see him wearing this suit
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He really went and pulled out the fancy armour to go rescue gandalf.
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sweetsoona · 26 days
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Noa's arc is interesting for various reasons, and one of them is that it parallels Koba's.
Before everything goes down, Noa is a loyal and dutiful member of Eagle Clan. He follows the laws to a tee and never strays, and he holds immense respect for the clan Elders. Koba was similar at the start of Dawn. Immense respect for Caesar, never straying and originally only wanting to protect their colony.
Afterwards, their world view drastically changes with the intrusion of another group. Because of this new group, they must venture away from home, and on their respective journeys they learn new pieces of information that changes their outlook on the people they once idolized.
Noa never knew the true history of the world, of humans, or even of apes. He's not sure if their Elders simply didn't know, or if they intentionally did not look into it. His faith in Eagle Clan's leadership is shaken. He begins the film explaining how they must follow the law at all times, and ends the film firmly assured the law is wrong.
After finding out there are still humans, Koba is hit with overwhelming fear and dread. He hates humans because of their history. He is all too aware of it. At first he solidly trusts in Caesar's leadership. But once he learns the humans have guns and tanks and a stockpile of advanced weaponry, and he tells Caesar who (from his POV) does nothing? His faith in Caesar's leadership is shaken. He begins the film proudly holding out his hand in subservience, and ends it in a coup, assured that Caesar's ideals are wrong.
Both characters obtain knowledge that convinces them the leaders they trusted above all else are actually wrong. And once they come to this conclusion, their worlds are changed forever. Noa directly disobeyed their Elders by rebelling against Proximus. Koba directly disobeyed Caesar by antagonizing the humans. Outside of the physical aftermath, MENTALLY there is no coming back from that. Koba stopped trusting Caesar. Noa stopped obeying their Elders. It is impossible to fully restore that level of trust once it has been broken.
They are both vastly different apes from who they once were, and there is no going back. For better or worse.
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Just making a list of things, intentionally or otherwise, which might have/did mess with Philza's emotional state in the lead up to him doing a silly and following the book (which promised his kids back and implied his wings too) (from memory I don't have the stream open and it was loooong):
It being Tallulah's birthday
Forever, a close friend, is in a coma after having been drugged, and Philza probably having a pretty traumatic time just 2 days prior trying to help. And now all he can do is bang a pan and talk and pray.
Eggs missing
Philza missed his eggs being hurt and in pain and scared because he was away, and the signs are still there to prove it
Him and Fit discussing the eggs, and if Philza would still love them even if they were AIs/robots/lab experiments/etc
Event his kids would have really enjoyed, but they aren't there to do so. No Chayanne doing the cooking, no Tallulah playing her flute...
Taking Tallulah's place at the event by playing the music (a thing Philza doesn't do, despite being in an extremely musical family)
Capybaras helping him fly to take photos (see: the damaged wings and the promise of flight)
Alcohol from the celebration, even if he only drank a little bit.
Having to explain everything to Missa, his government assigned husband, and admit he wasn't there when the eggs needed them - neither of their parents were there, just the babysitters. Couldn't even get a phonecall with their dads when the kids were hurt and in pain. Having to tell his partner their children are lost, maybe dead, maybe gone, nobody knows. Obviously Missa needed to know and Philza would explain it! And telling Missa the best option! But... It wouldn't have helped Philza's mental state.
The eggs in the maze and only two survive story (messed with everyone tbf)
Only (a copy of) Chayanne's item being in the maze. Also it being blocked from him by the barrier blocks. It only being Chayanne's is even worse to his mental state than it being everyone's there
Believing himself too stupid to save his children, expressing this directly by apologising to the Chayanne floaty for that, and bringing it to mind, probably not helped by being in a crew of a lot of the 'clever' players (we all know from those tumblr posts insulting yourself enough over time affects behaviour, and given his mentions about not doing lore because not clever enough earlier even if that was ooc this is probably a longer term concern for him C as well. Pretty sure he's called himself stupid while rping with the eggs before)
The maze ending with no answers, only more pain and fear. Once again left with glimmers but in practice nothing
His extremely secure home being compromised
Using Tallulah's colours and flowers on the box. Also correctly getting the one of his kid who would leave him angsty metaphor and a story with the instructions, even if it felt a bit off (its her birthday, its her birthday, he was desperate)
The joke about a wise old crow whilst he was feeling very stupid, but knows his kids think of him as clever.
Also the crow thing. I know there's a lot of jokes about Philza and bird brain which go around from time to time, the perching, the wandering off to examine shiny things while people are talking, etc. If we take this as read... Well. Phrasing the instructions as about a bird really would force that side of him.
Using the nest as the closest waypoint. His nest, not his house, his concrete nest in the sky where he felt most like the bird he partially is.
It happening so late. Philza doesn't often continue to midnight, let alone gone 2am. To me this implies his character isn't usually up and big active that long (I like to think when offline the characters are a combo of sleeping and just chilling). So IC he's probably exhausted. Which. Does not for "rational" thinking make. You probably wouldn't have got him not leaving at least a copy of the book in the chest earlier in the day.
TBH, all that accounted for, I'm surprised he kept weapons and shield and glider and food on him with the note. It was needed, but I'm more surprised he managed to reign himself to bring some things with him not just throw everything on the floor and go.
It was a /long/ stream and even the fun cute bits fed into a loop of stressing him out and breaking down. Crack, crack, crack, crack, and after enough time it /will/ get through.
And tbf, it probably took all of that to do so.
(and I hope the other characters when he one way or another gets out of this understand. everyone's under a lot of stress, but that stream in Philza stream was just breaking him again and again and again)
Also another aside which breaks the vibes of this post but eh - people keep saying his survivalist tendancies should have kicked in, but I think they actually played against him here?
Philza is used to taking on very shit situations with a lot less than he was carrying. That sword and shield? More powerful than anything in hardcore. And sure now he's set up he has so much food and resources in hardcore world, but when he starts? He starts somewhere impossibly dangerous with literally nothing, and does fine, which is a whole lot less than he took with him.
Plus... He's used to being alone. Completely stressed out, manipulated, and fucked with brain probably didn't even consider a note. Why? Because he's not used to anyone being there. Why leave a note before going to do something dangerous you're underequipped for if there's nobody there to read it? It's only him in most of his worlds. Nobody would notice him gone because there's nobody there to notice.
(Sure his husband his back and his friends are here and the island is full of people who love and trust and care about him, but at the end of the day, when he's stressed and its late and the Feds have systematically and likely purposefully broken him down, and his friends have accidentally helped with that... He's from a solo hardcore world, where he starts with nothing and nobody is there to help him. It's not he doesn't trust them. It's that he doesn't even realise in the height of his emotions that there's anyone else there.)
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