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#it just makes me laugh a little
bowtiepastabitch · 7 months
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Let's talk costuming: Avaunt!
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So I think we can all agree that Aziraphale looks his most traditionally angelic in the Job minisode, no? In fact, all of the angels' costuming increases in drama for this particular episode. This is, obviously, a very deliberate choice on the part of wardrobe, so let's discuss.
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On a technical level, the biggest thing that stands out to me about this fabulous robe is the draping. Oh, the draping. It feels like a classic angel 'fit because on a very fundamental level, it is. A lot of what we think of as angelic draws on Renaissance artists' depictions, with flowing robes, fluffy wings, and glimmering halos. In art from this era, there is a strong attention to detail on the natural flow of fabrics that makes Renaissance sculpture so breathtaking, such as here: (The Ecstasy of St. Teresa, Bernini, 17th century CE)
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It's this ability to make solid marble look like fine silk rippling with movement that leaves such a strong impression in my mind when I look at these kinds of works.
In painting, too, there is a similar effect. Something about the material culture of the Renaissance really lent itself to this style, perhaps fueled by the rise in new textile luxuries that occurred in vaguely the same period. This is seen especially strongly for angels, such as in the sculpture above, and in this painting: (The Annunciation to the Virgin, Botticelli, 15th century CE)
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There's a stark contrast between the dress of the two figures. The virgin Mary is no less ornamentally or expensively dressed, but her style is rather minimalistic next to the angel's voluminous robing. It paints a very clear impression of angelic dress, and the designers for Good Omens would have been aware, in at least a small way, of the art history precedence for such a thing.
The poof of the sleeves, the tucks down the front, the little belt with the train tucked in, the gathers, the weight of the fabric, everything about this robe is constructed to carefully recreate the rather fantastical imagery of renaissance art. It's not necessarily an easy texture to nail down, given that the artists themselves had no concerns of gravity, comfort, or the way it would look in actual 3d motion, while our brave costumers were dealing with all three as well as a budget, time constraints, and the constant consideration that white fabric just gets dirty so easy.
Here's some of the other angels as well, so you can see how theirs reflect those same dramatic themes.
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And then, of course, when costuming a show you have a second question: What does this mean for our character? Or rather, we know how, but WHY did they make him look so traditionally angelic?
Well, thematically, the Job minisode centers around Aziraphale's struggle with being a good angel and Crowley's struggle with being a good demon. Aziraphale is learning how to be an angel that follows along with heaven as far as we can, and he's so terribly torn up about it. He spends a lot of his time fretting about doing what's expected demanded of him, even if perhaps he doesn't believe it to be the right choice. Natural, then, that he should look the part of the perfect angel whilst sorting out these ethereal woes.
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Crowley even draws attention to it himself, giggling a bit at the suggestion that Aziraphale, with his fluffy hair and flowing angelic garb, could possibly become a demon. And it is a rather silly mental image; the garment itself would be comically silly in really ANY other context at all. In the same manner, his performance of angelic archetype borders on excessive:
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He's trying so desperately hard here to be the angel he wants to and is supposed to be. He's dressed the part, he's using his big scary angel voice, but deep down he's clinging to an identity that doesn't quite fit.
(You'll notice in this shot the distinct difference between his and Crowley's dress on the level of silhouette as well as color. We see this a lot from the two of them, but with the points I made above it felt worth pointing out in this particular scene)
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Here at the end, as he's coming to terms with the cracks in his heaven-given identity, his robe is largely in shadow, blurring out its startling whiteness. We do not see him dressed this way again. (He continues to wear white, obviously, but from here on out his style of dress mimics the human trends of the time rather than that classical angelic imagery)
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heartshapedgoggles · 1 year
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On a scale of "Arson" to "Set Me Free Pt.2", how do you think the members feel about leaving BTS?
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keydekyie · 6 months
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Go you funky little SecUnit! Go!
(One of my favorite scenes from the newest Murderbot novel: System Collapse)
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meteortrails · 16 days
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it’s literally endlessly fucking funny to me how certifiably insane post timeskip sabo is about his brothers. he remembered who luffy and ace were and they immediately rocketed to #1 on his priority list with absolutely no contest. he devotes himself to being an older brother with the same fanatical obsession that he’s been using to lead revolutions and luffy is so used to ‘older brother’ meaning ‘guy who has attached a significant portion of his self worth and meaning in life to you’ that it fully doesn’t even register as weird to him. he manages to secretly make luffy a vivre card and luffy acts this is reasonable rational behavior!!! just normal older brother shit for them to be fully neck deep in your business without ever mentioning it!!!! cannot believe they ever managed to make us think sabo was the normal rational one. what the fuck lmao
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arcteris · 1 year
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a glimpse into wol's soul
bonus: the view across from them
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heartorbit · 6 months
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a mob of emus for an artstyle game on twt! ^_^
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kaitobromota · 3 months
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[Blows the dust off this blog] Long time no see...
Back in the Danganronpa pits... have some silly doodles for an...AU? or like, slight canon divergence/missing scene? I got to chapter 5 in my THH replay and was thinking about the part where these four are alone in the gym dismantling Monokuma all night.
I know realistically it's supposed to be because they were paranoid and extra careful about taking it slow so nothing went wrong... but like... their alibi is from 10pm to 7am? In my heart of hearts it actually took the whole night because they kept getting distracted and chit-chatting and got into a bunch of shenanigans once the actual dismantling part was done. Like Byakuya says they went to the bathroom in pairs?? Not to mention you'd totally expect him to make a comment about how insufferable it was being stuck together for like nine hours. And Hina says they played rock paper scissors to decide who brought back breakfast???
You can't tell me they didn't bond at least a little bit. A friend pointed out it'd have the vibes of a 4am discord call and that's exactly it. Emotional confessions about personal fears and insecurities to dumb physiological debates that become inside jokes forever. Etc.
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Killua and the Power of Wishes
Okay going to try and make this coherent because the amount of wish association all through Killua's character development makes me want to chew plaster.
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As a fair warning, this analysis ended up being long as hell, and I didn't even include everything I could've said. This is also just one lens to analyze Killua's story arc with, and I feel there are other valid interpretations of some of these moments. This is just one of mine, so keep that in mind please.
One last warning that this analysis does discuss emotional manipulation and abuse, as is par for Killua's background.
Let's set the stage with one important piece of info: Killua's birthday.
Killua's birthday is July 7th, the same day as Tanabata. Tanabata is a folklore-rich festival where according to legend, the two lovers, weaver Orihime and cowherd Hikoboshi, represented by the two stars, Vega and Altair, are allowed to reunite once a year after separation. A popular custom of Tanabata is to make wishes by writing them down on tanzaku, then hang it on a bamboo tree so that the wish might one day come true.
Tanabata is also known as the Star Festival. Please keep this in mind, because I'm going to come back to it.
To finish setting up the lens for this analysis, I'm going to need to dig into the game-changer scene for Killua's early characterization - his confrontation with Illumi at the end of the Hunter Exam, and specifically, the exact nature of Illumi's manipulation of him.
I say "game-changer" because it really is - up until this point, it's kind of fair to not fully know what to think about Killua. Certainly, he seems excited to hang out with Gon (he approached him first, after all) and he's friendly enough, but he's also arrogant and claims to be motivated mainly by boredom. For all intents and purposes, Killua seems set up to be Gon's dangerous yet charismatic rival... but then this scene happens and it completely turns it all on its head.
Because Killua may have mentioned his family was controlling before, but he seriously downplayed the severity of it - likely because he has no point of reference for how awful his situation actually is other than it makes him feel bad and trapped. Illumi's appearance immediately shifts our understanding of Killua from runaway murder kid with annoying murder family to straight-up victim of emotional abuse, and dissolves his cockiness instantly to terror.
What does all this have to do with wishes? Glad you asked. Let's look at some of Illumi's dialogue.
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[ID: A screenshot from HxH episode 20 of the 2011 anime. Killua looks up, sweating and conflicted, as Illumi tells him "You don't want anything or wish for anything." End ID.]
This is the crux of Illumi's (and the family's) control. Killua's desires do not align with the family trade. They must be excised from him.
When Killua insists that he does have something that he really wants, Illumi says "Tell me what it is you want", in a mockery of a certain other sibling who would have helped fulfill this wish - Illumi asks only so he can completely dismantle it. And Killua isn't even really surprised at Illumi's words, just heartbroken. You can tell this isn't the first time this sort of thing has happened.
Killua states his wish quite fervently; he really means it. But his words are not rebellious, nor cathartic. Instead, he answers Illumi quietly, as if fearful or ashamed, almost reminiscent of a sinner's confession.
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[ID: Two screenshots from HxH episode 20 of the 2011 anime. In the first Killua looks down with a troubled expression, saying "I want to become friends with Gon...". In the second, his face is hidden as he stands with hands clenched at his sides with a spotlight on him. He says "I'm sick of killing people..." End ID.]
It's such an innocent, simple want.
And Illumi proceeds to make him feel like even something so simple is harmful and selfish of him... not to the family, but to Gon.
In a matter of a few minutes, Illumi breaks down Killua's wish by:
Acknowledging this desire, but twisting it into something that will inevitably fade over time, thereby causing Killua to doubt his own conviction and feelings -> "Gon is a novelty, a radiant presence who has piqued your curiosity. No more than that."
Acknowledging that Gon is someone important to Killua, and undermining this by telling him that by his very nature, he will eventually bring harm to Gon, which makes him feel as though Killua cannot trust himself to be a good friend -> "If you try to be friends with him, you will one day want to kill him... because you are, by nature, a murderer." (As a... delightful... bonus, this is also apparently how Silva and Illumi justify their treatment of Killua to him - "This is the essence of your existence and we taught you accordingly." Like they adapted to Killua's nature, instead of them molding Killua into who they wanted him to be.)
Delivering an ultimatum - to fight Illumi and win, or else Gon will die - that Killua is doomed to fail due to his upbringing and the needle in his head. Since Killua doesn't know about the needle, he assumes this is his own personal failure, something Illumi feeds into -> "You're just not qualified to make friends."
And it's the last point that breaks him. The first two shoot down Killua's present wish, but the last proceeds to shatter any hope he might've had of wishing for anything similar in the future - he has told him that his desires are weak, temporary, inherently dangerous to those around him, and worst of all, aren't enough on their own for him to deserve friendship and love from others. And the clincher: Killua feels like all of this is his own fault, that there is something inherently dangerous and wrong with him!
So, it doesn't even matter to Killua anymore if he fails the Hunter Exam. To him, he just failed the only test that mattered.
10/10 manipulation, Illumi. Fuck you, seriously.
Killua's character arc is mainly his quest and struggle to refute Illumi's arguments and to shake off the manipulation and the ways in which his family have molded and controlled him. And by far, the most difficult part of his conditioning to shake off is this idea that he is undeserving of anything more than what he is already given.
It's almost like the family has drilled it into him that wishes are dangerous. How interesting.
Thankfully, however, there are two parties to Killua's wish here - Gon, too, is a part of it, and it is not simply his reciprocated desire to be Killua's friend that saves him, but also his recognition of Killua's situation for what it is (notably, when no one else correctly identified the true issue).
"You know it wasn't his choice. You manipulated him, kidnapping his spirit!"
The ensuing Zoldyck family arc emphasizes that Gon is 100% correct: the main hold Killua's family has on him isn't physical - it's all emotional.
Killua breaks one of his shackles when Milluki threatens to have his new friends killed, but he only breaks the rest when Zeno tells him he's free to go. So, if Killua could break loose at any point, was this still a rescue like Gon said?
Well, yes - just because he absolutely could've broken out physically at any time, that does not mean he could just leave. That's the nature of situations such as this - it's not as simple as "just leaving". Support is necessary, as is actually having something tangible outside the situation to go to - otherwise there is little point to leaving at all. Gon (and Kurapika and Leorio) showing up to free Killua showed him that his wish was reciprocated and allowed him to break one cuff - this is the start of his journey, but he still has a long ways to go. Notably, he again hesitates and closes off when Silva asks what he wants.
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[ID: Three panels from HxH chapter 42. In the first, Silva asks Killua "...would you like to see [Gon]?" Killua's expression is complicated in the next panel - he's closed off and uncertain. Silva continues "Be honest, Kil... what do you want?" End ID.]
Killua will backtalk and casually break his shackles and death glare his family... but he's too fearful to voice his wants aloud.
And once again, asked by his father what he wants, he is subtly set up to fail. His wish is granted, but made conditional - "Do not betray your friends", something Killua is regrettably set up to do by virtue of the needle in his head that he, again, doesn't know about. Silva fully expects him to fail and come back home, disillusioned, believing it's his own fault due to his "nature", and trusting in Silva still as a "reasonable" figure in his life.
This condition placed on his friendship is what drives much of Killua's fear and insecurity with regards to Gon for much of the series - the idea that Killua has to earn his right to friendship, and that if he doesn't, he will lose it, one way or another.
It really makes me wish that Killua had actually gotten to hear Gon's views on friendship from the beginning of the Zoldyck Family arc, because it entirely refutes this entire philosophy. He even outright refuses to go through the Testing Gates at first, purely because he thinks the sentiment of needing to prove yourself just to be friends is completely outrageous - he only relents because there is no other way.
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[ID: Two screenshots from episodes 21 and 22 of the 2011 HxH anime adaptation. Gon looks up at Illumi and firmly states "[Killua] doesn't need to earn the right to be my friend!" In the second, Gon's face is seen in profile and close up as he asks "Why would you test your friends?" End ID.]
I doubt it would've truly prevented Killua's insecurity from manifesting even if he had heard this, to be honest - his issues with usefulness are very deep-rooted in his upbringing - but still, it would've been nice for him to hear, I think.
However, that's not to say that this exact sentiment doesn't come through in their interactions.
Gon, as Killua's friend, cares about what Killua actually wants and wants to make sure Killua knows that - and that's part of what makes the Whale Island conversation between them really important.
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[ID: Two images, both of the same scene from HxH chapter 64, and episode 37 of the 2011 anime. In the manga panel, Gon has turned his head to look at Killua directly, who looks shocked and taken aback, to say "I like hanging out with you." In the anime screenshot, Gon has turned his whole body to face Killua, and says "I think it's fun to be with you." End ID.]
I see a lot of people chalk this up to just Gon being Gon, but it reads to me as much more deliberate than even his usual honesty. He's turned so he's looking directly at Killua, which is a sure way to make his words come across clearly. The lead up to this is Killua, again, not knowing or being able to vocalize what he wants. He doesn't have a goal to work towards like Gon, he only knows what he doesn't want - he's a mix of envious and admiring towards Gon, who knows what he wants and simply goes for it.
But this conversation makes it clear that they have a shared wish - they both want to be friends, and they'd both like to stay together. It's not about earning, to Gon, it's only about if they both want the same thing - mutual, not conditional. There's a nice almost call-and-response type dialogue here, where Gon asserts that he likes spending time with Killua (very directly lol), then shares that Killua is the first friend his age he's had. This prompts Killua to say that Gon is his first friend ever, and that he does have fun with him. And just like that, Gon replies "Then let's stay together!" and pointedly includes Killua's desire to find a goal in their, now shared, upcoming journey.
Overhead, a shooting star appears in the sky. A mutual wish is granted.
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[ID: A panel from HxH chapter 64. The night sky is full of stars. In the centre is a shooting star. End ID.]
Hm. Stars. Remember how I told you to keep that in mind, all the way back at the beginning? Their association with Tanabata, making a wish on a shooting star, etc. etc.?
Well, buckle up because this star is going to make you experience so much sadness now.
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[ID: Panels from HxH chapter 286. The first is a conversation between Killua and Meleoron where Killua asserts he intends to "go down in flames with [Gon]". When Meleoron looks concerned, Killua brushes off the declaration as a joke. In the second image, Killua is turned away, his outline pale, as Meleoron thinks "Why... did you looks so sad... back there?" The last image is a cloudy night sky filled with stars. At the centre of the panel is a shooting star. End ID.]
Yeah, it makes its reappearance directly after Killua has "jokingly" resolved to die with Gon if it comes down to it, after "since it means nothing to you".
I am assured, in Japanese, the word choice here is 心中 (shinjuu), the word for double suicide, where the intent is to die at the same time in the same manner in order to be reunited in the afterlife. The implication here is that Killua, having increasingly grown insecure in his place by Gon's side but unable to voice this, knowing that Gon is hurtling down the path of no return, thinks back to their conversation under the stars where they both mutually wished to stay together and, because he believes that it is no longer possible for him to help Gon, has resolved to stay by his side in death, and after it.
...holy shit, kid.
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[ID: Two screenshots from the 4th ending of the 2011 anime. In the first, Gon and Killua stand back to back as meteors fall around them. In the second, they stand facing away from the audience towards a body of water under a night sky filled with stars - Gon throws a stone, which flashes in the air like a shooting star. End ID.]
And of course, here's the shooting star again in the 2011 anime's Nagareboshi Kirari ending, as well as it being the subject of the song itself and rather explicitly referencing that wish to go on a journey together, to stay together, because... Madhouse hates us. I guess. :'(
What started off as a simple wish for a friend deepened into a wish to always stay by Gon's side. This is largely good at first! Killua is able to explore and experience genuine friendship, to get a taste for freedom, and use the power of his fervent wish to protect his dear friend in order to rid himself of Illumi's needle. However, the more Killua wants, the more he traps these wishes in monologues within his own head and does not voice them aloud. Part of it is that he already feels he's been given much more than he deserves - seeing himself as a creature of darkness and Gon as light - but a greater part of the issue here is not that Killua is afraid to wish for things, but that he is afraid wishing without "compensation" will inevitably lead to horrible repercussions - namely, losing who he loves.
In order to feel worthy of staying with Gon, of earning his friendship, Killua works hard to help Gon achieve his goals, taking on the role of wish grantor, growing to do practically anything needed to support him for seemingly nothing in return - but that's not 100% true. Killua wants at least some appreciation, whether he admits it or not - it's a security thing, and it also clearly makes him happy, even if he's not great at accepting it. He insists in Chimera Ant arc that friends don't need to thank friends, but this declaration always read as very sudden to me or like a rationalization, and it's relevant to remember that this is at the peak of Gon isolating himself and self-destructing before his eyes, and Killua's own insecurity regarding his importance to him.
Killua might not mind doing things without thanks, but that doesn't mean he doesn't like to hear that Gon appreciates him. He clearly does appreciate verbal confirmation of their bond! We know this.
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[ID: Two screenshots from the 2011 anime. The first is from episode 61. Killua smiles down at the ground with his hands in his pockets, the colours having gone soft and bright. The second is from episode 70 during the dodgeball match. Gon smiles determinedly in the foreground as Killua looks shocked next to him. End ID.]
Keeping all this in mind, Killua's story, or at least this part of it, couldn't have concluded in a better way than his rescue of Alluka, the wish grantor.
Now, I could probably write an entire other analysis on Alluka and Nanika alone, but for the sake of not making this any longer than I already have, I'm going to go through only a few points. Alluka is incomprehensible to her family because they make no attempt to understand her, with the exception of Killua. The only thing they do seem to understand, when explained to them, is the demands made after Nanika grants a wish - this, of course, fits neatly into their own predetermined views on "earning" and "punishment". However, beyond this, they make no attempt to understand her, and since her power is deemed dangerous and uncontrollable, she is locked away.
They are worried, first and foremost, that Alluka will bring harm to the family, and there's two ways in which this could be true:
As a function of failing to fulfill her requests, of course
Because she, just by existing, threatens the family's status quo
I stated at the beginning that Killua's desires do not align with those of the family business, and he's always apparently been more open to understanding others - he asks Alluka and Nanika questions to understand them, and treats them with respect, while his family are more so focused on subjugating anything that might be a threat. This is what Illumi tried to drill into Killua after all; never fight a superior opponent - everything is about assessments of relative strength, which leaves no room for open-mindedness or getting to know people.
Faced with a daughter who is clearly incomprehensibly powerful, and a son, the would-be inheritor of the family trade, who is showing a disturbing amount of willingness to befriend instead of retreat from her, the family made the decision to excise Alluka not just from where she could "harm" the family power-wise, but also likely to secure their control over Killua, who they then set about practically programming to not have any more wishes for himself, or at least to not be able to vocalize them without fear of loss or retribution.
The family's nickname for Killua is "Kil" or "Killu", which is deeply fascinating to me as a reader - nicknames are expressions of endearment, typically, and I actually don't doubt that here. Killua's family does love him, but their love comes with conditions. He must be molded into the perfect son, and every part of him that doesn't fit must be excised.
So: Killua's memories of Alluka are suppressed with the needle, and she is further cut from his life by dropping the "a" from his name (the Zoldyck children are named like a game of shiratori - Illumi -> Milluki -> Killua -> Alluka -> Kalluto). The nickname is also like a command or order "to kill", which is of course what they want him to do.
Saving Gon through saving Alluka and Nanika forces Killua to have to face down the last and hardest of Illumi's manipulations to shake, and that's the notion that a wish, that kindness and friendship and love, cannot be unconditional without severe repercussions - where the people he cares about get hurt because of him, something he cannot envision being forgiven for.
It's a little sad to me that after spending most of the series struggling against his family's teachings that they didn't lead to Killua betraying Gon at all, as he'd feared... but to him betraying Nanika, by sending her away.
Here is this little girl with a bloodstained past, incredibly powerful and dangerous and capable of amazing feats, treated as some evil thing by those who fear her. But she is kind at heart. Her true strength lies in healing, not killing. And she only takes commands from Killua.
Illumi thinks this is because Killua is the only one with control over her. Killua believes this is because she wants praise. They're both partially correct, but this is not the full reason Nanika does what Killua asks of her.
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[ID: Two screenshots from episode 146 of the 2011 anime. In the first, Nanika smiles and says "I love Killua." In the second, Killua looks at her, stricken. End ID.]
Nanika loves him. Everyone has been trying to figure out all these complicated rules and conditions on her wish granting and why Killua is the one exception, but the answer is exceedingly simple. She loves him, and wants to do nice things for him so he can have his wishes granted. It's the only way she knows to get the love that she wants in turn.
Just like her brother, Nanika makes herself useful to earn love and appreciation from someone who accepted her when no one else did.
Even though he knows Nanika just wants to help, he still sees her presence as a danger to the person he sees as pure and innocent who must be protected. He sends her away because her "nature" is to be a threat to Alluka's safety, even if she doesn't intend to be. Killua's fear of Illumi and repercussions causes him to make a horrible mistake.
And Alluka tears into him for it.
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[ID: A set of panels from HxH chapter 336. A furious Alluka glares and asks Killua if he made Nanika cry. When Killua stutters, she demands he apologize to her. End ID.]
You tell him, girl.
Oh hey, this looks a little familiar, huh?
"Apologize to Killua!" says Gon to Illumi after Illumi sends Killua away.
Nanika should not be the one punished for the actions of those trying to control her. She certainly shouldn't be forced to leave those she loves, or have to earn love from them.
And neither should Killua.
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[ID: Three panels from HxH chapter 336. Alluka yells, tears in her eyes, "If you're going to protect me... you have to protect Nanika too!!" Killua looks shocked, then his eyes widen. End ID.]
It's interesting to me that this is the line that snaps Killua out of his fear enough for him to properly speak with Nanika and apologize. One party cannot receive all the protection, nor can the other only give and give limitlessly.
Killua makes it clear to Nanika when speaking with her that he will protect her, and that she doesn't need to earn affection from people by granting their wishes. He promises they will both be there for each other - Killua will praise her whenever she wants, and not just when she does something for him, but he also doesn't refuse Nanika's desire to grant his wishes. It's mutual, not conditional.
And on the heels of this "betrayal", Killua asks for what he never thought he could receive - forgiveness. And even though Nanika is clearly still very upset...
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[ID: Two screenshots from episode 146. In the first, Nanika and Killua face each other, both of them teary. Nanika says "Kay." In the second, he has pulled her into a hug. Nanika is teary, her fingers gripping Killua's back tightly. End ID.]
...she doesn't even have to think about it.
I do think Killua still has a ways to go, but he is in a position right now to learn from his relationship with his sisters about balance - that love is not just selfless devotion, but also allowing those who love you to help you and make you happy too. I think that's what unconditional love is, in a way - supporting and working together with the people you love to make each other's wishes come true.
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crocchompers · 1 month
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A little finished drawing for @dumblittlejay's new Toyland AU!
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royaltea000 · 1 month
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the bride and the ugly ass groom
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royalarchivist · 5 months
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Fit: Just keep me updated, you know, you– you've got my number, you've got my DMs, you know, they're always open Pac.
Pac: Yeah! Oh, sure sure sure sure sure. I'm gonna hit– how do you guys say? I'm gonna hit you.
Fit: [Laughs] Yes. That's right.
Pac: I'm gonna hit you up.
Fit: That sounds great. Well, Ramon, are you about ready to go, my boy? Alright, make sure to say goodbye to Richarlyson and Pac. [Notices Richarlyson placed a sign] Oh, what is it?
Pac: Bye, Ramon! Thank you for joining us on the hide and seek.
Richarlyson: WHAATTT? 0_0 and my dad still says he is single that is just losing opportunitie dad
Fit: [Laughs] Oh, Richarlyson, you're funny, you're a funny kid.
Pac: [Laughs] Wait, Richarlyson, you're going to make me shy!
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uisgeart · 4 months
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Wangji My Brother | Part 1/?
Uploading these as I make them, I’ll create a master post once it’s complete!
-> Part 2
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chiyobaasama · 5 months
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yamato is about to be DITCHED i fear
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zishuge · 23 days
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The Spirealm 致命游戏 (2024) | Ep. 12
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10,000 Leagues Under Fontaine
Synopsis: The life of a guard of the Fortress of Meropide is mostly dull and structured, until a chance encounter with an otherworldly beast gives you a reason to smile again.
Foul Legacy x Reader Pronouns: Gender Neutral (no pronouns mentioned) Genre: Angst Warnings: Mentions of drowning, acid, burning, very slight mentions of blood
~ * ~ The Fortress of Meropide is always cold. Cold, but never quiet; the underwater complex is unmistakably alive despite being made of metal sheets and grates, the sound of machinery weaving with the chatter of both inmates and guards, sharing their days and gossiping here and there as good citizens of Fontaine always do- rumors spread fast in the Fortress, and there’s not a moment that isn’t exciting or entertaining in some way. Or so you like to imagine. Being one of the top guards of Meropide has its benefits- getting to choose your days off, occasional trips to the surface, even the Duke’s personal trust in your abilities. But with trust comes difficult, often tedious tasks, ones that Administrator Wriothesley only assigns to the most capable workers, and so you find yourself patrolling the space between the main prison and the ocean gates. The room is an odd mixture of metal and screws and a gradual incline towards the sea floor, a shallow puddle transitioning into a passage filled with water that someone could swim in. You keep wondering when Wriothesley will properly fix the gate at the end, and he simply responds that he’ll get around to it at some point. For now, keep watch- it’s almost a straight shot to the ocean, and we wouldn’t want inmates attempting to escape, now would we? And you just nodded, expression steady as stone and twice as unmoving; no prisoners would sneak in on your watch.
Not that they often do. Life at the Fortress is a new start for many and even a step up in comfort for most. Besides, the passage is much too long for anyone without a Vision to swim through without the danger of drowning- you’ve had to haul a few corpses out in the past, and that was enough to dissuade most of the other prisoners, it seems. Good for security, but boring for you, as there’s little else to do but watch water drip from the ceiling and skirt around the jagged bits and edges of metal left on the walls and floor. Occasionally a gardemek going through its initial testing will join you, and you’ll idly teach it to play rock paper scissors- so far, you’ve kept up a 50% win rate against the robotic soldiers- but nothing more. At least it smells of rain here instead of smoke and fire. You’re alone on the day that the noises begin, sitting on a crate and mistaking them for distant ocean waves and the clanging of hammers against metal. They’re simple at first- vague splashes and a faint scratching sound- but as you listen they morph into something else, like echoing cries, or perhaps a song through the sea. Something beautiful, for once, one corner of your mouth twitching up ever so slightly- what few friends you have call this expression your “almost-smile”, and know it’s as pleased as you’ll get. Something close.
Your almost-smile vanishes as your ears pick up the distinct sound of something swimming through water, the water that flows through this small passage, scrambling to your feet and snatching your weapon from its spot on the floor as whatever-it-is turns the corner, the water’s surface rippling. You really should’ve taken up on His Grace’s offer to get you a rifle. You’re expecting the aquatic thing to burst forth from the sea, attacking you first and asking questions once you’re dead, but instead you’re greeted with the sight of two crimson horns poking out into the air, the water stilling if not for slight movements. Slowly, steadily, your gaze follows the horns down as a head rises out of the water, a single crystalline eye blinking curiously and settling on your form. There’s a moment of silence, and then the creature chirps. You can only freeze in place, brows furrowed in deep confusion as the beast- Archons, it’s big- hauls itself onto shore, tilting its head this way and that as it cautiously approaches. The hand holding your weapon tightens, your heartbeat almost painful, and the monster’s eye widens as it pauses, glancing nervously from you to your weapon and back again.
With slow, deliberate movements, you watch as the beast lowers its head to your height, letting out a soft trill. It almost sounds apologetic, hunching its shoulders inward shamefully, and something in your heart, the one you molded and fixed into being cold and quiet, cracks. You lower your weapon, eyes narrowed, and you swear you hear the creature purr. Legacy is its name, his name- Foul Legacy, a monster from beneath your world. But he’s a monster only in appearance, you’ve learned, navigating the ocean with boundless curiosity and a demeanor sweeter than any Fontainian dessert or cake that you’ve ever eaten. Tell me everything, he begs, scratching his claws through the dirt in a language you only vaguely remember from an old book. Tell me anything and everything- about this world, about here, about there, about you. He likes you, you’re kind and caring and gentle, so unlike the countless stars he’s seen before. You try to protest. You’re not caring, or gentle, or kind- you’re a guard of Fontaine’s prison, someone who was stabbed through your spine and constructed walls around your fragile heart, watching the Fortress to make sure that no one could ever be hurt like that again. You’re not soft or loving, you’re not. But Foul Legacy merely chitters, fluttering those sparkling wings that you swore used to be fins and staring at you so sincerely that you’d think he adored you.
And he does adore you, loves you, even. Ah, if only he spoke your language, the language of mortals that his tongue can’t seem to wrap around, if only he could say three simple words and hug you close, showering you in affection. But he can’t touch you. The last time he tried you had clamped your teeth down on your tongue, a drop of blood falling from your mouth as your skin burned like acid, a sickly heat creeping up before you had jolted away, gasping for air. Legacy whined in concern, trying to nudge your seemingly-unblemished hand, but you’d simply shaken your head and stepped away, slightly feverish. Every person in Fontaine is born with sin. No matter how the Nation of Justice holds trial after trial, this sin cannot be absolved. He didn’t touch you after that, merely curling his body carefully around yours during your visits, hanging on to your every rambling word and always parting with the same question- Tomorrow? Yes. You’d return tomorrow, despite your chilly expression and flat words and tone. You always return tomorrow.
The Fortress has been buzzing with energy- not that it isn’t always- but the arrival of a certain golden Traveler has kept everyone on their toes, the dread and anticipation of something happening seeping into your bones, because it’s always something whenever that Traveler and their tiny, floating companion are around. You almost prefer your monotonous routine from before, but a small smile blooms slowly on your face when you watch Foul Legacy happily splash around in the water, shaking his head and cooing as the droplets rain down around him. He chirps at you curiously, your quiet, fond expression reflected back in his sapphire eye, and you just let out a small laugh and wave your hand as he stares at this new facet of you in awe. With a soft plink, a bead of water falls and lands on your cheek, a hiss of annoyance escaping you as you quickly swipe it away, settling between your nail and finger. It burns, and your throat closes up in horror. Not a minute later, Wriothesley’s voice rings out through the building. “All residents, evacuate immediately.” There’s a crackling pop and a split second of silence, before the alarm blares and your ears ring with pain. Until one day, the water levels in Fontaine will rise, and the sinful people will slowly be drowned.
Your hands slam against the barred door, tearing desperately at the metal that mercilessly rips into your fingers and closes off the room you always guard so carefully from the rest of the Fortress- they forgot you. They forgot you. They forgot you and left you here to drown and rot, and your eyes burn with repressed tears, fear enveloping your senses like a sticky, jagged web. No no no- you swore you’d never be this afraid again, that you’d never surrender so easily again, that you’d never cry ever ever again. A soft, concerned whimper snaps your head around, Foul Legacy standing behind you. His wings droop at your damp eyes, claws twitching and curling from the urge to hold and hug and comfort you as is right and proper, banish the panic away because it scares him to see you, normally so composed and quiet, this terrified; instead he shakes his head and trills, hastily beckoning for you to follow him, boots splashing in the water stretching into a long passage. Out. It leads out. It leads out to the sea and the surface, where you can breathe and cry and admire the sun, and your feet move forward before you can even think. You want to live- yes, finally you want to live. You want to live and be able to smile and laugh again, keeping the warmth that this strange, otherworldly monster brought to your life and never let go.
With a deep breath, you plunge into the water, kicking your feet and pushing yourself in the general direction of the path. Foul Legacy guides you with his chirps, now turned to eerie, song-like notes under the waves. His tail and fins- weren’t those just wings?- propel him faster than you could ever dream, yet still he slows his pace and stays behind with you, and your heart feels like it's joining in on his melody. The water swirls around you like oil, lungs burning as a few stray bubbles trickle out of your mouth and you taste salt on your lips. What little you can see in your murky vision flickers black, and Legacy lets out a sudden, terrified shriek. In the end, the people will all be dissolved into the waters, and only the Hydro Archon will remain, weeping on her throne.
It’s just salt in your mouth now, the taste coating your tongue in a horridly thick layer. Your fingers twitch as they burn, pushing through the water with arms heavy as lead. Foul Legacy whimpers and sobs in despair, grasping his claws around your wrist to try to pull you out, get you to the surface away from this sickened water only for the ocean itself to sink its teeth in and hold fast. What’re you trying to do, again? You’re having trouble remembering where you are, what you are, who you are, scrubbing your eyes again and again and swallowing gulps of salty seawater. This is where you’re supposed to be. This feels safe, comforting- you’re going home after all this time, see, somewhere less confining and fleeting. Finally, you’ll be where you belong, free from the bindings that hold all of Fontaine in their grasp. There’s a vague sense that someone has wrapped their arms around you, faint, anguished wails echoing through the depths, and when you finally open your eyes again you see stars dancing across ripples and tides. You return to the Primordial Sea, and Foul Legacy’s talons close on only foam and bubbles. Only then will the sins of the people of Fontaine be washed away.
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saltpepperbeard · 1 year
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waiting for the day where ed and stede get to be as giggly as taika and rhys in the lie detector video
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