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physalian · 4 months

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Humanizing Your Characters (And Why You Should)

To humanize a character is not to contort an irredeemable villain into the warped funhouse mirror reflection of a hero in the last 30 seconds to gain “narrative subversion” points. To humanize is not to give said villain a tragic backstory that validates every bad choice they make in attempt to provide nuance where it does not deserve to be.

To humanize a character, villain or otherwise, is to make them flawed. Scuff them up, give them narrative birthmarks and scars and imperfections. Whether it’s your hero, their love interest, the comic relief, the mentor, the villain, the rival, these little narrative details serve to make all your literary babies better.

Why should you humanize your characters?

To do this means to write in details beyond those that service the plot, or the themes, or the motifs, morals, foreshadowing, or story. These might be (and usually are) entirely unimportant in the grand scheme of things. So, if I wrote lengthy diatribes on pacing and why every detail must matter, and character descriptions and thematic importance, why am I now suggesting go free-for-all on the fluff?

Just like real people have quirks and tics and beliefs and pet peeves that serve our no greater purpose, so should fictional people. Your average reader doesn’t have the foggiest idea what literary devices are beyond metaphor, simile foreshadowing, and anecdote, but they can tell when the author is using motif and theme and all the syntactical marvels because it reads that much richer, even if they can’t pinpoint why.

And, for shipping fodder, these tiny little details are what help your audience fall in love with the character. It doesn’t even have to be in a book – Taylor Swift (whether you like her or not) never fills her music with sexual innuendo or going clubbing. She tells stories filled with human details like dancing in the refrigerator light. People can simultaneously relate to these very specific and vivid experiences, and say “not that exactly, but man this reminds me of…” and that’s (part of) the reason her music is so popular.

What kinds of narratives need these details?

All of them. Visual media, audio, written, stage play. Now, to what degree and excess you apply these details depends on your tone, intended audience, and writing style. If your style of writing is introspection heavy, noir character drama, you might go pretty heavy on the character design.

But even if you’re writing a kids book with a scant few paragraphs of setting descriptors and internal narration, or you’re drawing a comic book – if you have characters you want people to care about, do this.

Animators, particularly, are very adept at humanizing non-human characters, because, unlike live acting, every single stroke of the pen is there with intent. They use their own reflections for facial references, record their own movements to draw a dance, and insert little bits of themselves into signature character poses so you know that *that* animator did this one.

How to humanize your characters.

I’m going to break this down into a couple sections: Costume/wardrobe, personality, beliefs/behavior/superstitions, haptics/proxemics/kinesics, and voice. They will all overlap and the sheer variety and possibilities are way too broad for me to capture every facet.

Costumes and Wardrobe

In the film Fellowship of the Ring, there’s a blink-and-you’ll-miss-it moment where, after Boromir is slain by the Uruk-Hai, Aragorn takes Boromir’s Gondorian vambraces to wear in his honor, and in honor of their shared country. He wears them the rest of the trilogy. The editing pays no extra attention to them beyond a split second of Aragorn tightening the straps, it never lingers on them, never reminds you that they’re there, but they kept it in nonetheless. His actor also included a hunting bow that didn't exist in the book because he's a roamer, a ranger, and needs to be able to feed himself, along with a couple other survival tools.

Aragorn wears plenty of other symbolic bits of costume – the light of the Evenstar we see constantly from Arwen, the Lothlorien green cloaks shared by the entire Fellowship, his re-forged sword and eventual full Gondorian regalia, but all those are Epic Movie Moments that serve a thematic purpose.

Taking the vambraces is just a small, otherwise insignificant character moment, a choice made for no other reason than that’s what this character would do. That’s what makes him human, not an archetype.

When you’re writing these details and can’t rely on sneaking them into films, you have to work a little harder to remind your audience that they exist, but not too often. A detail shifts from “human” to “plot point” when it starts to serve a purpose to the themes and story.

Inconsequentiality might be how a character ties, or doesn’t tie their shoelaces, because they just can’t be bothered so they remain permanent knots and tripping hazards. It might be a throw-away line about how they refuse to wear shorts and strictly stick to long pants because they don’t like showing off their legs. It might be perpetually greasy hair from constantly running their fingers through it with stress, or self-soothing. A necklace they fidget with, or a ring, a belt they never bother to replace even though they should, a pair of lucky socks.

Resist the urge to make it more meaningful than “this is just how they are”. If I’m using the untied shoelaces example – in Spiderverse, this became a part of the story’s themes, motifs, and foreshadowing, and doesn’t count. Which isn’t bad! It’s just not what I’m talking about.

Personality

In How to Train Your Dragon, Toothless does not speak. All his personality comes from how he moves, the noises he makes, and the expressions on his face. There’s moments, like in the finale, when his prosthetic has burned off and Hiccup tells him to hold on for a little bit longer, and you can clearly see on his face that he’s deeply uncertain about his ability to do so. It’s almost off the screen, another blink-and-you’ll-miss-it moment. Or the beat of hesitation before he lets Hiccup touch him in the Forbidden Friendship scene. Or the irritated noise he makes when he’s impatiently waiting for Hiccup to stop chatting with his dad because they have a giant dragon to murder. Or when he slaps Hiccup with his ear fin for flying them into a rock spire.

None of those details *needed* to exist to endear you to his character or to serve the scenes they’re in. The scenes would carry on just fine without them. He’s a fictional dragon, yes, but these details make him real.

Other personality tics you could include might be a character who gets frustrated with tedious things very quickly and starts making little inteligible curses under their breath. Or how they giggle when they’re excited and start bouncing on their toes. Maybe they have a tic where they snap their fingers when they’re concentrating, trying to will an idea into existence. Or they stick their tongue out while they work and get embarrassed when another character calls them on it. They roll around in their sleep, steal blankets, drool, leave dishes in the sink or are neurotic with how things must be organized. They have one CD in their car, and actually use that CD player instead of the phone jack or Bluetooth. They sing in the shower, while they cook, or while they do homework, no matter how grating their voice.

They like the smell of new shoes or Sharpies. They hate the texture of suede or velvet or sticky residues. They never pick their socks up. They hate the overhead light in their room and use 50 lamps instead. They hate turning into oncoming traffic or don’t trust their backup camera. They collect Funko Pops and insist there’s always room for more.

And about a million others.

Beliefs, Behaviors, and Superstitions

*If you happen to be writing a story where superstitions have merit, maybe skip this one.* Usually, inevitably, these evolve into character centerpieces and I can’t actually think of one off the top of my head that doesn’t become this beyond the ones we all know. A few comedic examples do come to mind:

The Magic Conch in “Club Spongebob” and the sea-bear-proof dirt circle in “The Camping Episode”

Dean Winchester’s fear and panic-driven actions in “Yellow Fever” and “Sam, Interrupted”

The references to the trolls that steal left-foot socks in How to Train Your Dragon

I’m not a fan of wasting time writing a religious character doing their religious thing when Plot Is Happening, but smaller things are what I’m talking about. Like them wearing a cross/rosary and touching it when they’re nervous. Having a specific off-beat prayer, saying, or expression because they don’t believe in cursing.

The classic ones like black cats, ladders, broken mirrors, salt, sidewalk cracks can all be funny. Athletes have plenty, too, and some of them, particularly in baseball culture, are a bit ridiculous. Not washing socks or uniforms, having a team idol they donate Double Bubble to and also rub their toes. A specific workout routine, diet, team morale dance.

Other things, too. A character who’s afraid to go back downstairs once the lights are off, or fear the basement or the backyard shed. Or they’re really put-off by this old family photo for no reason other than how glassy their eyes look and it’s creepy. They like crystals, dreamcatchers, star signs, tarot, or they absolutely do not under any circumstances.

They believe in all the tried and true ways of predicting the weather like a grizzled old sailor. They believe in ghosts, vampires, werewolves, witches, skinwalkers, doppelgangers, fairies. They talk to the cat statue in their kitchen and named it Fudge Pop. They whisper to the spirit that possessed the fridge so it stops making all that racket, and half the time, it works every time. They wear yellow for good luck or carry a rabbit’s foot. They’re not religious at all but still throw prayers out to whoever’s listening because, you know, just in case. They sit by their window sill and talk to the moon and the stars and pretend like they’re in a music video when they’re driving through the city in the rain.

Haptics, Proxemics, and Kinesics

These are, for all you non-communication and psych majors out there, touch and physical contact, how they move, and how they move around other people.

Behold, your shipping fodder.

Two shining examples of proxemics in action are the famous “close talker” episode of Seinfeld (of which every communication major has been subjected to) and Castiel’s not understanding of personal space (and human chronemic habits) in Supernatural.

These are how a character walks, if they’re flat-footed, clumsy, or tip-toers. If they make a racket or constantly spook the other characters. If they fidget or can’t sit still in a seat for five seconds, if they like to sit backwards or upside down. How they touch themselves, if they do a lot of self-soothing maneuvers (hugging themselves, rubbing their arms, touching their face, drawing their knees up, holding their neck, etc) or if they don’t do any self-soothing at all.

This is how they shake hands, if they dance while they cook or work. It’s how much space they let themselves take up, if they man-spread or keep their limbs in closer. How close they stand to others or how far. If they let themselves be touched at all, or if they always have their skin covered. If they always have their back to a wall, or are always making sure they know where the nearest exit is. If they make grand gestures when they talk and give directions. If they flinch from pats on the back or raised hands. If they lean away from loud voices or project their own. If they use their height to their advantage when arguing, puff their chest, square their shoulders, put their hands on their hips, or point fingers in accusation.

If they touch other characters as they pass by. If they’re huggers or victims of falling asleep on or near their comrades. If they must sleep facing the door, or with something solid behind them. If they can sleep in the middle of a party wholly uncaring. If they sleepwalk, sleeptalk, migrate across the bed to cuddle whoever’s nearest with no idea they’re doing it.

If they like to be held or like to hold others. If they hate being picked up and slung around or are touch-starved for it. If they like their space and stick to it or are more than happy to share.

Do they walk with grace, head held high and back straight? Or are they hunched over, head hung, watching their feet? Are they meanderers or speed-walkers? Do they cross their arms in front or lace their hands behind them? Do they bow to authority or meet that gaze head on?

I have heard that Prince Zuko, in Last Airbender, is usually drawn sleeping with his bad ear down when he doesn’t feel safe, like on his warship or anywhere in the Fire Nation, or on the road. He’s drawn on his other side once he joins the Gaang. In Dead Man’s Chest, just before Davy Jones drives the Flying Dutchman under the waves, two tentacles curl up and around the brim of his hat to keep it from blowing off in the water.

When they fight, do they attack first, or defend first? Do they touch other characters’ hair? Share makeup, share clothes? Touch their faces with boops or bonks or nuzzles and eskimo kisses? Do they crack their knuckles and necks and knees?

Do they stare in baffled curiosity at all the other characters wholly comfortable in each other's spaces because they can’t, won’t, or don’t see the point in all this nonsense? Do they say they’re happy on the outside, but are betrayed by their body language?

Voice

Whether or not to write an accent is entirely up to you. Books like Their Eyes Were Watching God writes dialogue in a vernacular specific to its characters. Westerners and southerners tend to be written with the southern drawl or dialect, ripe with stereotypical contractions. Be advised, however, that in attempt to write an accent to give your character depth, you could be instead turning off your audience who doesn’t have energy to decipher what they’re saying, or you went and wrote a racist stereotype.

Voice isn’t just accent and dialect, nor is it how it sounds, which falls more solidly under useful character descriptions. Voice for the sake of humanizing your characters concerns how they talk, how they convey their thoughts, and how they become distinct from other characters in dialogue and narration.

If you’re writing a narrative that hops heads and don’t want to include a big banner to indicate who’s talking at any given time, this is where voice matters. It is, I think, the least appreciated of all the possible traits to pay attention to.

First person narrators have the most flexibility here because the audience is zero degrees removed from their first-hand experiences. Their personality comes through sharply in how they describe things and what they pay attention to.

But it’s also in what similes and metaphors they use. I read a book that had an average (allegedly straight) male narrator going off and describing colors with types of flowers, some I had to look up because I just don’t know those off the top of my head. My immediate thought was either this character is a poorly written gay, or he’s a florist. Neither (allegedly), the writer was just being too specific.

Do they have crutch words they use? like, um, actually, so…, uh

Or repeat exclamations specific to them? yikes, yowzers, jeepers, jinkies, zoinks, balls, beans, d’oh!

Or idioms they’re fond of? Like a bat out of hell. Snowball’s chance.

Do they stutter when they’re nervous? Do they lose their train of thought and bounce around, losing other characters in the process? Do they have a non-Christian god they pray to and say something other than “thank God”? Are they from another country, culture, time period, realm, or planet with their own gods, beliefs, and idioms?

When they describe settings, how flowery is the language? Would this grizzled war hero use flowery language? How would he or she describe the color pink, versus a PTA mom? Do they use only a generic “blue, green, red” or do they really pay attention with “aquamarine, teal, emerald, viridian, vermillion, rose, ruby”?

How do this character’s hobbies affect how well they can describe dance moves, painting styles, car models, music genres?

This mostly matters when you’re head-hopping and the voice of the narrator serves to be more distinct, otherwise, what’s the point of head-hopping? Just use third-person omniscient.

If you really want to go wild, give a specific narrator unique syntax. Maybe one character is the ghost of Oscar Wild with never-ending run-on sentences. Just be sure to not go too overboard and compromise the integrity of your story.

In the book A Lesson Before Dying, a somewhat illiterate, underprivileged and undereducated minor has been given a mentor, a teacher, before they face the death penalty. At the end of the book, you read all of the letters they wrote to their teacher. There’s misspellings everywhere, almost no punctuation, and long, rambling sentences.

It’s heartbreaking. The subject matter is heavy and horrible, yes, but it’s the choice to write with such poor English that has a much bigger impact than perfect MLA format.

How to implement these details

Most of these, in the written medium, need only show up once or twice before your audience notices and wonders why they’re there. Most fall squarely under character design, which falls under exposition, and should follow all the exposition guidelines.

These details exist to be random and fluffy, but they can’t exist randomly within the narrative. If you want to have your character be superstitious, pick a relevant time to include that superstition.

Others, like ongoing speech habits or movements, still don’t overuse, especially if they’re unique. A character might like to sit backwards in a chair, but if you mention that they’re doing it every single time they sit down, your audience will wonder what’s so important and if the character is unwell.

And, of course, you can let these traits become thematically important, like a superstition being central to their personality or backstory or motivation. These all serve the same purpose of making your character feel like a real person instead of just a “character”.

Just think about tossing in a few random details every now and then and see what happens. One tiny sentence can take a background character and make them candidates for the eventual fandom’s fan favorite. Details like these turn your work from “This a story, and these are the characters who tell it” into “these are my characters, and this is their story.”

#writing advice #character design #writing tips #writing resources #exposition #writing tools #writing a book

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starry-bi-sky · 4 months

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Ugh im writing this on mobile but i’ve been thinking about it nonstop for an hour and I’m just- mmmmm thinking about Clone Danny and his wardrobe choice as Phantom. Cuz like, he doesn’t have any powers, right? He has no built-in secret identity and suit that he can change into in a flash of blinding circular light. If a ghost shows up he’s just got what he’s got on, and whatever he has in his bag.

And I’m just. I have a lot of thoughts about him and his canon self, thoughts that i dont think i can all fit on my phone and im. Thinking about the dichotomy between him and his canon counterpart. From an in-universe perspective, the halfa Danny Phantom looks remarkably human-like. Especially compared to the ghosts he fights, all of whom are unnatural colors, shapes, and sizes. From flaming hair to glowing eyes and pointed claws, there’s nothing about them that doesn’t scream “ghost!” “Inhuman!” “Unnatural!”

And then you look at Danny Phantom, the ghost boy fighting them. And he just… looks like a glowing human boy. The only unnatural thing about him is his white hair and green eyes - and green eyes is a natural human color. Maybe not the shade it’s in, but it occurs in human genetics. He’s about as close to human as he can get.

Think about that from an in-universe perspective, and then think about it with the idea that ghosts take pride in their ‘ghostly’ look. They pride themselves on looking scary; unnatural; inhuman. It’s a showcase of being unique, of their own individuality, of their interests and wants. Looking ‘scary’ is part of ghost culture, and if not scary, then unique and ‘inhuman’. They don’t want to fit in, they want to stand out.

And you look at Danny Phantom, as his canon self without any of the fanon customizations, and he’s none of that. He’s about as human-looking as a ghost can get. He’s got human-like skin, hell he’s even tanner than he is as a human! His hair is normal, his eyes are green but normal, his hands? Soft and round, not a claw in sight, and his teeth are blunt and ears are round.

His suit is all black, it doesn’t even tell you anything about him other than he probably died in a lab accident, and he looks like he’s straight out of a b-rate comic book. There’s no story to tell about him, he’s a book with the pages all blacked out in ink.

His name, if you take it as him only calling himself “Phantom” isn’t even all that unique. It’s a generic ghost term that you can find by googling ‘ghost’ and looking at its synonyms.

And then look at his behavior: yeah he fights ghosts, and fighting is all about ghost behavior. Its one of their social activities- but its clear from Phantom that he’s not being social. He’s being aggressive, he’s doing it for the sake of the living (which while fair, doesn’t make him look good in the context of everything else). Then he comes into the ghost zone, he doesn’t do much to integrate himself into the culture, and yeah he makes allies but it still doesn’t feel enough. He’s not participating in anything, he’s alienating himself.

All in all, Phantom looks like a ghost trying to pretend he’s human, that he’s still alive. And for a ghost culture that prides itself on not being alive? It’s insulting.

And then let’s circle back around to that human thing, but from a different angle. Probably one that’s more mindset than outside looking in. But Danny’s alienated by the rest of the town for ages despite helping them. And while him looking human likely has to do with his own mindset of viewing himself as “living, but with ghost powers” and thus reflects back as a ghost, it also makes it look like he’s trying to fit in with the humans.

“I am not a ghost” he says, with his human skin and blunt teeth. “I am human like you, see? See? I look like you.”

He’s making himself look approachable, friendly. ‘You can trust me, I’m not a ghost. I’m not like them. I’m not scary. I look just like you. I’m different.’ He looks about as harmless as a human child could be. He’s trying to be relatable. And in turn he’s giving his fellow ghosts a cold shoulder - i’m not like you, i’m better. I’m different. I’m not ghost. I may be dead, but I’m no ghost.

Danny is trying to tie his ghost self in with the living as much as possible - he wants them to think he’s almost human. The same way he wants to think that himself. He’s distancing himself from his ghost half and the ghostly qualities the others have. Whether intentional or not, he’s doing it.

He shows his face and goes ‘see? See? I’m just like you.’

And then lets look at clone Danny, mister not-a-halfa. Who doesn’t have his canon offensive capabilities, who only has his ghost sense and the ability to hit ghosts without gear, his scary eyes and pointed ears, and the ability to see weaker ghosts not visible to the mortal eye.

He has no ghost form, no powers. And yet the first time he goes out as Phantom, he wears a mask that looks like a skull. Instead of distancing himself from ghosts, he’s distancing himself from humans. And at first it stems from the need to be unrecognizable, the last thing he wants is for his parents to find out that he’s ghost hunting. To do that, he needs to hide his face. That’s the first step.

The next step is to act in such a way that people couldn’t possibly tie him back to Danny Fenton. He’s not distancing himself from ghosts, he’s distancing himself from humans. To do that, he acts inhuman. He wears his mask and wears baggy, shapeless clothes - his hoodie and his pants - and he learns how to act unsettling. His eyes glow green, unnatural and shining through his sunken-in, skull-like mask. But it’s not enough on its own. He must do more.

He wants to be the thing someone sees at night and turns the other way. See me and run, he says, crouched on all fours and crawling across a beam like a monster you see in a movie. Twisting his body in unnatural, fluid ways, like he’s not quite sure how having only four limbs work.

Run. He says, dead green eyes glowing through his mask, piercing through black night from the rooftop. I am wild thing. Come no closer, look no closer. I am not like you. I am not your friend. I bite. Run.

You cannot see my face. This is my face, I am not alive. I am not like you. I am an animal about to pounce.

He doesn’t want people to think he’s human, he doesn’t want them to think he’s anywhere close to it. Anything to prevent his parents from figuring out its him.

And the thing is, he doesn’t have to. He doesn’t have to appear ghost-like or inhuman to keep his identity safe, wearing a mask and wearing unidentifiable clothes is enough. But he’s choosing to act ghost-like; unsettling; scary.

And in doing so, he unintentionally participates in ghost culture. And while his clothes are not anything unique, or outstanding, his mask is. His clothes don’t tell anything about him, but that’s okay.

Imagine meeting this boy from a ghost perspective. This annoying, fleshy human boy who jumps into fights to stop you and catch you. You’ve heard stories of human ghost hunters, you know there are hunters on the other side. You have heard the horror stories, you have seen the scars.

And then this boy catches you. This human, fleshy boy who yells quips at you, who puns and insults you, who wears an unsettling mask and acts ghosty. He catches you, and you think you will be the next one on the chopping board.

And then you end up in the ghost zone, untouched. Unharmed. And you tell someone about it. You were caught and released by a human child who feels touched by death. And then you hear that the ones who’d been caught were freed by a fleshy human boy who was touched by death, and a boy who they call “Phantom”.

And, isn’t that the name of the child you fought?

And he talks to you, but then he’s in the daytime. There are living around. He doesn’t speak to them - he ignores them outright. He keeps his distance, he stays away. If he talks, it’s with his hands. They will not hear his voice.

I may be alive but I am no human.

And its just — ????? So good to think about. I’ll reblog later with more thoughts when I have my laptop, but god i just needed to get that out there.

#dpxdc #dp x dc #dp x dc crossover #dpxdc crossover #dpdc #clone^2 #danny fenton is not the ghost king #danny fenton is a clone #like i wasnt thinking much about it when i made danny have no powers. like that was purely just for fun #and for a fun little parallel between him and bruce. and i thought the mask was cool #and now here we are doing a- what?? somewhat analysis of his outfit as phantom?#and his choice to appear as unhuman as possible?? as ghostly as possible???#its just so good. i love creepy phantom. he’s the thing you see crouched in the corner of the room #from the corner of your eye. you see him. and you jump but hes not there when you look #he’s the creature you see lurking in the alleyway. crouched like an animal about to jump.#‘come no closer. look no closer. i am not like you. i may be alive but i am no human’#i have teeth. and i will wrap them sround your throat and *pull*

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witchygirlgray333 · 9 months

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Some journal prompts I like (writing and creative) :

I’m going to do a separate list for some chronic illness journal ideas bc I’ve found it’s so helpful!

Write out the lyrics to your favourite song and/or do a drawing / painting / collage of your interpretation of the song

Books you want to read

Films you want to watch

Diary entry about your day

Bujo style - plan out your week or month

Pressed flowers

Scripting (manifestation)

Vision board (manifestation)

Notes on a topic you’re learning about (for example I like to watch lots of nature or history documentaries and sometimes I make notes on them in my journal or if it’s witchy stuff I write it in my grimoire)

Letter to past you / future you / someone in your life (remember they don’t have to read it, this has helped me so much in certain situations so I can get out whatever I want to say without upsetting people) / someone you love who has passed on / the god or deity you worship if you worship one / to your future children / future partner

Wishlist

Ideas for things (like stories you want to write, photo shoots, fashion, films, art etc)

Poetry (either that you’ve written or that someone else has written that you like)

Get to know me page so if you want to look back on your journal in the future you can see what you were like then

Films you’ve watched / books you’ve read / favourite songs from the past month

Positive affirmations

Shadow work

Sticker / photo dump

Recipes

Go sit in nature and draw or write about what you see or feel when you’re there

Draw out your alter ego

Stick in scraps from throughout your day (such as receipts, labels from things, stickers, pictures etc)

Book reviews

To do lists

Design your dream room

Your childhood (draw or write about childhood memories, hobbies, things you used to collect, stick in childhood photos, the toys you used to play with etc)

Travel bucket list

Life bucket list

Family tree

Write a list of things that make you happy

Stream of consciousness

Write about your dreams and what you think they might mean

Brain dump (I sometimes do this before I go to sleep if somethings going on)

Doodle page

Stick in notes your loved ones have written to you

List of favourite quotes

Self care ideas

List of songs / playlist

Goals in life / 5 year plan

Plan a day out or a holiday

Plan content you want to make for social media

Tattoos you want to get

Things that make you happy

Outfit ideas

Hobbies you currently have

Hobbies you want to try

List of things you collect

Yoga / exercise routine

Seasonal bucket lists

Things you want to learn or research

Mood tracker

Stick in any colouring pages you’ve done

Daily skincare routine

List of Studio Ghibli films and tick off the ones you’ve watched

List of your favourite things

List of things to do when you’re bored

If you normally write about your day, draw pictures of all the things you did instead of writing (a bit like in a comic book)

Advice people have given you that has been really helpful

Ideal morning / night routine

Notes from therapy / hospital appointments

Page of all your cinema tickets

List of people that inspire you

Angel numbers

Crystals and their meanings

Your favourite artists

Worry tree

Favourite memories

Write your dream wardrobe

Reasons to stay alive

Stick in photos and write a bit about them

Names you like

Favourite words

Write about an event (a description of what happened, how it left you feeling, who was there and what they said and did, what you wish had happened instead, the reasons why you find it hard to let go, steps you could take to start to move on)

Notes on a language you’re learning

Collage about a film you’ve recently watched

Glow up check list

Write about a tarot reading you did

What does heaven and hell mean to you

Flip through a magazine and do a collage of pictures from it

#journalling #journal #book of shadows #creativity #alt #art #art journal #bookofshadowsprompts #journal prompts #writing #doodles #journal ideas

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mysticrealities · 6 months

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𝐒𝐜𝐫𝐢𝐩𝐭𝐞𝐝 𝐭𝐡𝐢𝐧𝐠𝐬 𝐈'𝐦 𝐞𝐱𝐜𝐢𝐭𝐞𝐝 𝐟𝐨𝐫 𝐢𝐧 𝐦𝐲 𝐖𝐑

➼ A bookcase that has every book and comic from my tbr on it

➼ A giant library room, that is full of books that don’t exist in this reality, but are on topics/concepts I’d like

➼ A movie room with a version of Netflix that has every movie and tv show ever created on it

➼ An app called Crown that can create a movie/show with just a prompt. It also has all my fame DR movies on it

➼ A cork board with a sticky note for every idea that I've wanted to include in a script but forgot before I could write it down

➼ A vr headset that allows me to see any memory or future scenario from any DR, and I can experience it from a 1st or 3rd person perspective

➼ Another vr headset that allows me to design my DR houses (basically sims in vr). Because pictures are good but I’m picky and I wanna put specific things in specific spots

➼ Janet (for those who haven't watched The Good Place, she's basically personified Siri and can magic any object into existence)

➼ Ps5 and Switch, both with all games downloaded

➼ A wardrobe that I just have to think of an item of clothing/outfit that I want and when I open the doors it will be there

➼ A mini fridge that works exactly like the wardrobe, just by thinking of a specific dish it will appear inside

➼ Spotify downloaded on my laptop, and I can use it to listen to songs from my fame DR. I can also listen to any musician sing any song.

➼ Any superpowers I want (because hey why not)

➼ A portal that can take me to any DR

➼ Bee:

She’s really the best addition if you ask me

#shiftblr #desired reality #reality shifting #shifting community #scripting #shifting #shifting realities

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jupiter-letters · 3 months

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Dating Clark Kent would include:

Fem!Reader or GN!Reader TW: None

A/N: Felt like writing for clark lately, I'm down horrifically for this man. This can be for any incarnation of Superman but I based it off the comics and my adventures with superman

It all started with a random encounter at the library while he was researching an old historical site in Metropolis(aka busy work for the new guy). He saw you with a couple of books in your hand, eyes browsing the shelves.

He worked up the nerve to start a conversation with you and actually managed to get your number. He left the library with butterflies in his stomach and an angry call from Perry asking his whereabouts.

A good starter date for him was obviously coffee. He spends hours deciding where to meet up with you, trying to find reasonably priced coffee with a good atmosphere. He tries to come up with a bunch of different outfit combinations, making the attempt to look nice but not too dressed up. This proved difficult since his wardrobe is 90% dress shirts and slacks, he’s still gotta look casual. Clark is such an overthinker, he just wants things to go well ; v;

Of course the date goes well cause he’s so perfectly himself and he charms you so naturally. He’s surprised when you ask to see him again, the whole time he was sweating bullets praying you didn’t notice. After that the second, third, and fourth date all are perfect. Well not perfect but the time spent together makes up for the hiccups.

Now let’s get into the nitty-gritty: early days of dating Clark still tries to be perfect, he hasn’t become totally comfortable with you, yet ;) I think for him he wants to wow his partner in the early stages, he feels like trying to get a city slicker like you he has to bring his A-game.

When he sees you he tries to bring you little trinkets and flowers, he likes to spoil you every now and again.

Touching! He likes to be touching you when you’re near, a hand on your waist, brushing his pinky against your hand, pressing his knee next to yours when you’re sitting together. His love language is acts of service, words of affirmation and physical touch. He loves doing things for the people close to him. This includes: Taking out your trash, watering your plants, making your bed, putting a pot of coffee on in the morning, and fixing any holes in your clothes.

Now when you're really in it with him he tells you about the Superman stuff, he feels like he can trust you but there’s still the risk of you knowing that’ll get you hurt. He doesn’t underestimate your autonomy but there are very powerful forces out there that want him gone, and you are very precious to him.

Once you can convince him that you are willing to accept the risks and tell him how much you care about him, the last of the walls come down. You’re stuck with him forever now and he wouldn’t have it any other way.

When it’s a quiet summer afternoon he’ll take you flying just before sunset, he’ll go right above the clouds so you can see what he gets to see. However if you’re afraid of heights he won’t force you lol. He’ll make sure you’re properly dressed when he takes you to visit the fortress of solitude(He tries is the key phrase). You always underestimate how cold it’ll be and he has to go all the way back to metropolis to get your favorite jacket while you sit by a heater.

Looking after him when he gets kryptonite poisoning from fighting bitch ass Lex Luthor, seeing him sweat for the first time with dark circles under his eyes. It’s more painful than what he’s feeling at that moment, and he still tries to tell you it’s not that bad. Once he’s feeling better he has to talk you down from murdering Luthor.

“Honey don’t-” “Nuh-uh call Bruce, I want a bazooka.” “You don’t need a bazooka sweetheart, I'm fine.” “No way I’m coming for his bald ass.” “Baby I’m fine, please calm down.”

Of course you’re not serious but you still want to protect him. Nobody messes with Clark and gets away with it. You and his friends will see to that, yes sir!

Thanks for reading! Lemme know what you think. Please like or reblog if you like my stuff.

#clark kent x reader #kal el #superman x reader #maws x reader #dcau x reader #dc x reader #reader insert #~⋆｡°tales from the dreaming #my adventures with superman x reader

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daliyla · 1 year

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Polaroid

"What is that?" Regulus asked.

"A muggle thing" James answered "it's a polaroid. We can take pictures with it"

"Pictures?"

"Yeah. Small paintings"

"I know what pictures are, but muggles know how to do that?"

"Apparently. Their photos don't move, but they're cute. I like them. It takes the moment, and nothing else"

"Mh" Regulus smiled and kissed him "and what moment would you like to take?"

James kissed him again, a hand on his hip, the other one holding the camera.

That was their first photo, and James keeps it in his diary. It's a beautiful photo- a bit unfocused, but their smiles and the dimples on Regulus' cheek are clear.

Their second photo was taken a bit after the first one. James has it in his wallet. It's just Regulus, actually, holding a cat they found in the garden- he looks so soft, simply cuddling the cat, who seems to enjoy it.

Their third photo was taken on a cloudy saturday during Christmas holidays- it was about to rain, so they remained in James' room. It's him and Reg, under a blanket, holding two cups of hot chocolate; Regulus' face is hidden in the crook of James' neck and James is hugging him. James has that photo in one of his favourite books- a book Regulus gifted him, about a girl who loves other girls and can't seem to find her happy ending.

Their forth, fifth and sixth photos are all in James' drawer. The forth was taken on a sunny spring day and it's Regulus' hands holding a flower with such carefulness James melts everytime he looks at it.

The fifth was taken in may, a night they decided to go outside, cast a fire and eat marshmallows the way James saw muggles do in a movie, and it's them kissing in front of the fire.

The sixth was taken during summer and it's Regulus flying on his broom, laughing. Oh, looking at him James can almost hear his laugh, joyful and innocent.

The seventh, eighth and ninth photos- Regulus has them, cause he complained that he had no photos at all.

The seventh is only James- Reg took it- wearing a strange yellow hat he found in a muggle shop. Reg says he finds James' stunned face comical. He also says he finds it fitting, seeing that he always calls James mon soleil.

The eighth is them hugging: Reg took it during a storm- James is afraid of them, so he used that escuse to hug his boyfriend and hide in his chest- and looking at it you can see Regulus' chin, his arms, his red jumper- that he had actually stolen from James- and then James' face, looking a bit scared but mostly satisfied from being in his lover's arms.

The ninth one was taken in a september day and it's just their hands holding, really, but it's so intimate, somehow, and personal- Reg's silver rings, James' string bracelets and a small, golden ring on each pinkie.

They both hid their photos well, so James is admittedly a bit surprised when he comes back in his dorm after Quidditch practise- and some hidden kisses behind the stands- and he finds his best friend on his bed, looking angry, with one of their photos in his hand.

Oh. Right. That photo.

Of all the pictures Sirius could have found- because there are way more photos than just nine, those nine were just the beginning- that's the worst. It's the tenth they took, on their first anniversary.

It's a dark photo, so it's hard to understand what it is- but once you have it, you can't mistake it. It's Regulus, on James' bed, arms open and thighs spread, wearing only his underwear, so... Yeah. It's exactly as it seems. He's saying something- a pout on his lips and his cheeks flushed- and James can perfectly remember what he said and the tone he used. He dreams it sometimes.

"Jamie" Regulus said, childish "take away that damned thing and fucking kiss me"

It's one of James' favourite photos, but that's not exactly the thing you would like your boyfriend's brother to see.

"Could you please explain to me why I found a picture of my baby brother during a... intimate moment in your wardrobe?"

Yeah, so- James is in trouble.

#marauders #regulus black #james potter #jegulus #sirius black #starchaser #sunseeker

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marvels-meme · 2 months

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Canon worldbuilding lore on the MCU Kree to help you with your fanfic

They rule over multiple planets. Hala is the capital.

Hala's star is called Pama

In the comics there are around five known planets in Hala's system - it's unclear if Hala is 4th or 5th planet because it's been confused with another planet, Turunal.

Hala is located in the Larger Magellanic Cloud

Hala had oceans and forests (rip to those tho lol)

Leader of the Empire is called the "Supremor"

The Supreme Intelligence was basically god

The collective is one idea of the afterlife — if your brain is worthy it joins the Supreme Intelligences database when you die.

The spiritual afterlife is called the Etherplex or something idk

Their technology is somewhat water based (need more info on this)

Architecture is heavy on metal and stone and is very geometric. Buildings are detailed but there generally isn't too much furniture.

Cyan and purplish lights for a big chunk of Hala, golden lights for the Supreme Intelligence.

No hanging paintings... If you want art you have to hire someone to paint your wall lol

Starforce generally have one room apartments, I couldn't see a kitchen in them.

Stuff like wardrobes, book shelves, cupboards and drawers are more likely to be inserted into the wall to save space.

Like Carol literally lived in a single room with a bed, nightstand and a hexagonal cup. The ideal female living space.

They have hexagonal cups (I just thought that was cute)

The military is a big deal! Other respectable careers involve teaching, medicine, typically intelligent jobs that give something to society.

Kids are trained from a young age in the military. They're called "recruits". There's a deleted scene of Yon-Rogg teaching some.

The military hierarchy is likely Supremor > Accuser > Starforce > Kree Army > Non Kree Army > War slaves.

The Accusers aren't just extra bad military. They uphold the law, make arrests, hold trials, decide punishments, etc. I'd imagine that this is typically done for more important criminals or prisoners of war. That's why Dar-Benn holds an Accuser hammer as Supremor — she's upholding the law.

Kree Law is vaguely structured around the Tablets of Koth — they aren't definitive but they are the main basis.

Questioning your leaders is technically illegal

The worst crime of all is being "un-Kree".

Kree supremacy is big. In the comics it's illegal for Kree to have children with other species. They will tolerate other races if they’re feeling nice about it, but ultimately the Kree come first. This is important in the context of Carol's relationship with Yon-Rogg.

There's racism of blue Kree > non blue Kree in the comics but it doesn't appear to be present in the MCU. Keep it in mind though.

The Kree originally evolved to have blue skin because of low oxygen levels on Hala. Non blue kree came later as a result of mixing with other species. Since making babies with another species has been illegality for probably millenia, non blue Kree are now just another skin tone of the species.

Sexism isn't a thing. Yon-Rogg isn't sexist to Carol he's being racist too her lol

There are groups of noble families with some quite strict rules about battle. If a noble is cornered in battle with no way out they have to drink the special suicide juice or else they are shamed.

The suicide juice is called Odium, which means hate in Latin. If you sip it you go crazy with rage, get super strength and start trying to fight everything until it makes your heart explode

In the comics the Kree have double that of human organs — ie two hearts, four lungs. Brain is probably an exception. They have stronger bones and heavier muscle mass.

Kree blood has healing properties strong enough to bring a species with simple DNA (like humans) back from the dead but it's super duper painful and like 7/8 of the people that have received it have been given some kind of amnesia afterwards

Carol was one of those humans lol rip queen

Apparently the amnesia thing isn't even hard to do? In Agents of Shield a Kree had a tiny little hammer and he'd slap people with it and they'd loose their memories (I doubt that Carol was slapped with a tiny hammer but you never know this might help you)

Propaganda art - there are some gorgeous statues and murals in the Captain Marvel concept art.

Fashion is generally dark. Black, grey and brown for most people. It's not too complicated. White appears to be for underclothes/sleeping wear.

Well it's not too complicated unless you are the Supremor. Remember, Dar-Benn is succeeding the position from their idea of god. She's dressed to the tens and stands out the most from literally everyone. Her stuff is more detailed and metallic and she's wearing a lot more jewellery.

Also notice how Dar-Benn changes outfits literally every ten minutes. I need Marvel to stop killing all the cunty villains because I deserved to study her entire wardrobe thank you very much

A few Kree women (including Carol) have the style of one side being braided and the other let down.

The Kree are encouraged to experiment with as many genders as possible

So technically Carol Danvers lesbian sex canon

Some people grow babies in big tanks. Why? To make them strong or something idk. Carol's comic half sister was born in a big tank bc they wanted her to be strong asf to serve as an Accuser

Swear words — I only know da'st. No idea what it means

They don't have a word for candy </3

Normal space currency is called credits. Kree currency is called kreedits. If that's not the funniest fucking thing ever I don't know what is.

Kree names are "your name-family name". Eg Yon-Roggs given name is Yon, but his surname is Rogg. His daughters name is Una-Rogg.

You generally don't separate the name. Yon-Roggs name isn't Yon, it's Yon-Rogg. Obviously there's exceptions, but that's the general naming rule. It wouldn't be outright wrong to call him Yon, it would just be uncommon and slightly weird.

The Kree have beef with every species ever. They had multiple wars with the Asgardians and the Xandarians.

I've probably missed something lol

Anyways: Arab.org daily click to help Palestine 🍉

#marvels-meme #not a meme #marvel #mcu #the marvels #marvel cinematic universe #captain marvel #carol danvers #worldbuilding #actually canon!#captain marvel (2019)#the marvels (2019)#kree marvel #mcu kree #dar-benn #yon-rogg #its 1 am yay...

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xanthippe74 · 4 months

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Masterlist of my “12 Days of Fandom” recs, inspired by this post. As always, please check the tags and author's notes before reading. Enjoy!

🔸 Terminal Lucidity by @romaine2424 (Drarry, HD Career Fair, rated G, 3K) This bittersweet fic has Harry putting his abilities as Master of Death to good use by comforting those close to death themselves. We see him at work here, adeptly easing the way for someone dear to him with compassion and care. I found this story incredibly moving and a beautiful portrait of family ties in the face of an impending loss. Featuring older, established Drarry and the Black-Malfoy family.

🔹 Our Objective Remains Unchanged by @citrusses (Drarry, rated E, 46K) Gorgeously and vividly written, this university rowing AU drew me in right from the get-go, despite the fact that Muggle AUs are not my typical cuppa. The enemies-to-lovers tension is perfectly paced as Harry and Draco fight for the same spot on the Oxford team. Citrusses did a fantastic job translating their backgrounds and personalities (as well as those of other familiar characters from the books) into this world. Class divisions and the pressure of a highly-public sporting event stand in very effectively for Harry’s canon experiences. All in all, the story has the poignancy and drama of a lush coming of age film, and I can’t recommend it highly enough!

🔸 The Pile by @b-vul (Drarry, not rated, about 1.5K) This hilarious ficlet was born out of littlewinnow’s tumblr post about Veela!Harry performing an intricate mating dance to impress Draco. Delightfully, it’s from Harry’s POV as he blindly “trusts his instincts” to guide him into increasingly bizarre actions. And the evolution of Draco’s reaction is pure comedy gold. I’ve come back to reread this one a couple of times, and it never fails to have me in stitches. (The tumblr thread also contains adorable art by regretfulcorrine!)

🔹 Shine on, You Crazy Diamond by @lagerloutfic (Drarry, HD Mpreg Fest, rated E, 42K) This is one of those fics that you can’t stop reading once you start (something I confirmed this morning when I went to skim through it for this rec and wound up spending a few happy hours devouring the entire thing again). It’s laugh-out-loud funny and deliciously smutty, with a full cast of delightful side characters and just the right amount of feelings. The story begins with the discovery of Draco’s surprise pregnancy, then switches to a long flashback of Harry’s gay awakening and his fast sexual/slow emotional burn relationship with Draco. The entire fic has a joyful feel—banter-filled pub nights, chaotic family dinners, audacious curse breaking—culminating in the baby’s arrival, which left me in happy tears and wishing for another 40K of this fabulous story. Featuring confident Harry, supportive friends & family, hot Charlie, and some shamelessly kinky Unspeakables.

🔸 Silhouettes by @sweet-s0rr0w (Draco/Ron/Harry, Dronarry Fest, rated E, 16K) Draco/Ron/Harry is not a ship I’d ventured into before I read this fic, but I’m so glad I did! Sweet’s writing always hits the right spot in my brain, and her alternating POVs and spot-on characterizations of all three boys are delightful. I especially loved Ron’s sexy self-assurance here. The unique magical theory around sentient houses is fascinating and ultimately poignant, once Draco gets to the root cause of the Burrow’s behavior. Sweet-sorrow surely lived up to her username with this one, weaving grief with humor and a heartwarming resolution.

🔹 Harry Potter Gets a Job (A 106-Page Comic) by dustmouth (Drarry, HD Career Fair, rated M) Dustmouth’s comics never miss, I swear! In this one, we find Harry overcoming his distrust of Draco with the help of the Weasleys, especially Ron (who is definitely up to something himself). All of my favorite Dustmouth elements are here: the expressive characters, Draco’s wild wardrobe choices, and punchy dialogue galore. Also featuring drunken shenanigans at the Burrow, adorable Teddy, and some first-class Slytherin-ing by Draco to win his man (and find Harry that job). What a treat!

🔸 the earth from a distance by spqr (Drarry, rated E, 15K) A whirlwind time-travel fic with breezy humor, bedsharing, and spqr’s unmatched smut with feelings… What more could you ask for in a fic? Oh, yeah: fantastic worldbuilding for Hogwarts in 1599, brilliantly clever Draco, and a dash of enemies to lovers. I can never get enough of this author!

🔹 A Year In The Life by @ladderofyears (Drarry, HD Career Fair, rated M, 19K) I swear, the author conjured a little bit of magic to write this story. It’s told entirely with 50-word microfics, one journal entry for each day of 2006 (an impressive feat, by itself!), and yet it reads just as smoothly as any traditional fic. Draco’s voice is perfect here, full of wit and subtle emotion, as his and Harry’s developing romance takes a sharp turn with an unexpected pregnancy. Draco’s anticipation, worry, and joy are mixed with deftly-chosen details of his daily life, all captured with Emma’s trademark tenderness and warmth. This fic is a perfect comfort read for family feels and gentle romance.

🔸 try to fix you by @maesterchill (Harry/Ron/Hermione, HP Snooze Fest, rated M, 2K) A beautifully and tenderly written hurt/comfort fic set in the aftermath of the Battle of Hogwarts. Ron is the glue that holds the trio together here, caring for Harry and Hermione with gentle devotion. There’s no dialogue needed to tell this story, just Ron’s perceptive POV that captures the grief and love that compel him. I have a soft spot for this triad forming immediately after the war, as a way of holding onto each other and holding themselves together. Maester’s fic makes their transition from friends to lovers feel like the first step towards healing.

🔹 The Scent of Soft Rains by @dodgerkedavra (Drarry, HD Career Fair, rated E, 20K) When Harry is left housebound and isolated by a traumatic injury, magical prosthetist Draco gets called into help. But Harry’s struggles go far beyond the physical ones. This recovery fic combines magical and non-magical therapeutic treatments in a way I can’t remember reading before. The hurt/comfort is just as it should be—both heart-wrenching and soothing—but there are enough surprising revelations to keep the story from feeling predictable. Draco is wonderfully unflinching and patient, and the ending left me crying happy tears. With lovely, restrained prose and vivid magical imagery, this one’s an absolute stunner.

🔸 Connecting Lines, Connecting Crimes by @sleepstxtic (Drarry, H/D Career Fair, rated M, 15K) With its intriguing careers, fascinating magical theory, and well-researched worldbuilding, this story captured my attention immediately, and the mystery at the heart of it kept me engrossed. This was one of the more thought-provoking fics I’ve had the pleasure of reading, exploring the intersection of magic, the environment, and colonialism. Harry’s first-person POV is lovely, and it feels like we’re learning to love India and the people he meets along with him. The getting-back-together romance is gentle but satisfying, propelled by pent-up yearning that’s palpable. There’s so much to enjoy here, all in only 15K words!

🔹 Waking Up Slow by @sweet-s0rr0w and @ihopeyoubothstaysafefromharm (Drarry, H/D Wireless Fest, rated E, 22K) The first word that comes to mind while reading this fic is charming. First there’s the novel setting: a Christmas shop in the tourist destination of Cheddar Gorge, in the middle of a July heatwave. Next, there’s the shop itself, so imaginatively described and full to the brim with clever Muggle and magical details. Then there are the delightful OCs, Draco’s seemingly unhinged enthusiasm for all things Christmas (including ridiculous jumpers), and Harry’s complete disregard for professional behavior. But underneath the playful banter and humor, there’s also a layer of poignancy to tug at the heartstrings, especially when we find out the backstories behind Harry’s and Draco’s unlikely careers. And to top it all off, like the glowing star on the tree, are Joy’s exuberant, colorful illustrations. This is a Christmas-y fic I’d reread any time of the year.

Thanks to all these brilliant creators for sharing their work with us!

Happy New Year!

#12 days of fandom #2023 favorites #drarry #dronarry #harry/ron/hermione #fic recs

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evilkaeya · 2 years

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Nancy finds the scoops ahoy uniform in Robin’s wardrobe and decides to try it out. Needless to say Robin almost loses her mind when she wakes in her room and finds Nancy sprawled on the bed wearing it, reading her comic book.

#robin: you- you're- that's- I-#nancy: words buckley #robin: I'm so gay rn #ronance #robin buckley #nancy wheeler

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sadiegirl2021 · 2 months

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Silly little one shot for @gwynrielweeksofficial - Day 2: Compatible (loose interpretation)

Soul Meets Body on Ao3

“I don’t care how good-looking he is, Nesta! I’m not letting you set me up on a blind date.”

“Gwyn! Please!! This guy is your soulmate. He loves all the same books as you, he goes to the gym, he’s got a coffee addiction! You’re basically the girl version of him.”

“So! Blind dates are weird. You know how shy I can get…”

“He’s shy too!”

“Oh, wonderful! Really selling it. So we’ll just sit there, and not talk at all during dinner?”

“Talk about books!”

“Bye, Nesta!”

“Wait–”

Gwyn hung up the phone. She was sick of this. Why couldn’t her friends just accept that she didn’t want a boyfriend right now? College was crazy enough without adding love or sex on top. She needed to stay focused and certainly had no room to entertain Nesta’s blind date idea.

“So stupid,” she mumbled to herself, reaching for a bag of apples at the supermarket.

“What did you call me?”

Gwyn looked up and felt her jaw comically fall to the floor as she gazed at the most beautiful man she’d ever seen. Raven-black hair, golden eyes, and tall… so freaking tall!

“Oh… no… I wasn’t–”

He smiled, and her heart skipped a beat. “Relax, I’m just messing with you.”

Gwyn didn’t dare speak again, for fear it would be an incoherent jumble of words. This was what she was talking about with Nesta. Whenever she started talking to a cute guy, she froze like this! Her mind raced with funny and interesting things to say, but her mouth decided to keep shut. She just smiled at him.

“.... those are good apples,” he said, shifting a little awkwardly. Gwyn would have expected someone of his stature to radiate confidence.

“Yeah… they’re my favourite.” Gods, so smart, Gwyn!

“Me too… I like oranges as well.”

“Same.”

Was this possibly the worst conversation she’d ever had?

He cleared his throat, clearly uncomfortable. “Do you come here often?”

Oh my god. Was he… flirting with her?

Gwyn let out a little chuckle, “Oh yeah, the supermarket is where it’s at. Haven’t you heard?” Better!

He laughed, and damn if it wasn’t giving her crazy butterflies.

“I’m Azriel,” he said smoothly, seeming to relax more in her presence.

“Gwyn,” she replied with a slight flush on her cheeks.

“Gwyn,” he whispered like an answer to a question. “I don’t normally do this… I mean I never do this… but do you want to grab dinner tonight?”

“Like a date?”

“Yeah… I mean, cool if not… I just–”

“Yes! I’d love to.”

He seemed to sigh in relief, “That’s great! Amazing… can I grab your number, and I’ll text you the details?”

She nodded, “Of course!” Oh my god, how did she pull this off? He was the hottest guy she’d ever met, and he just asked her out!

They gleefully exchanged numbers, exchanged a few more awkward observations of the fruit around them, and went their separate ways.

Gwyn practically floated home, dying to rummage through her wardrobe for the perfect outfit. Nesta was going to kill her… but blind dates were stupid! At least she knew she was attracted to Azriel.

______________________

Gwyn had opted for a short, sapphire-blue, body-con dress with silver strappy heels and no jacket. It was the height of summer… plus she looked way too hot to cover up.

“I can’t believe you’re going out with some rando over the guy I picked for you!” Nesta huffed from the couch.

Gwyn finished putting on her cherry-red lipstick and rolled her eyes at Nesta’s statement.

“Cassian is going to be pissed. You’re turning down his best friend for some stranger.”

“You know, I haven’t even met Cassian yet! So why would I want to date his best friend? Are you even dating Cassian?”

“Don’t judge our… situation! It’s complicated.”

“Because you’re in love with him?”

“He wishes!” Nesta laughed with an air of ‘yes, I love him so much it’s killing me, but I don’t know how to handle emotions.”

*Buzz Buzz*

“That’s him! Can you please get it? I need to grab my bag.”

It was Nesta’s turn to roll her eyes as she threw off her snuggly blanket and made her way to the door. As she opened it, she quipped, “You better not be some serial killer–Oh my god, Azriel!?”

“Nesta… hey! Do–Do you live here?”

She nodded in confirmation. “You’re Gwyn’s date for tonight?”

“Yeah, we met at the supermarket earlier. Hey, Cassian was in a foul mood today. What happened with you two last night?”

Nesta scowled at the mere mention of his name, and Azriel flinched, not expecting an answer.

“Hey, Azriel,” Gwyn chirped as she left her bedroom.

Azriel’s hand flew to his chest, as if someone had shot him with a cupid's arrow. “Wow! Gwyn… you look–”

Gwyn couldn’t even let him finish; she hated compliments, “So do you! Shall we go?” she asked, moving to the door. Nesta had the strangest look on her face, and a sly grin that was a little frightening. Gwyn gave her a ‘what the fuck’ look in exchange.

Azriel seemed to notice their interactions. “I’ll give you a minute.” He backed away into the hall to wait for her.

“What?” Gwyn exclaimed.

“That’s the guy!!”

“What guy?”

“The blind date guy… Cassian’s friend!”

“Are you serious?”

Nesta nodded with a huge grin.

Gwyn could only laugh. “Well… I still think blind dates are stupid!”

Nesta smirked, “So destiny intervened! Have a great night with your soulmate!”

“Shut up!”

Gwyn caught up with Azriel. He looked so sleek in his pressed black trousers and crisp white shirt, with a couple of buttons open to show a thick silver chain. If this was indeed her soulmate, she had some serious praying to the gods to do in thanks.

#gwynriel #pro gwynriel #gwynrielweeks2024 #gwynriel weeks 2024 #one shot #awkward flirting #soulmates

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lou-struck · 7 months

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Haunted or Creepy?

Reo Mikage x reader

Flufftober Day 5: Little Doll

~ After wandering into an antique shop, Your boyfriend notices a strange doll has caught your attention. .

All of the well-kept trees in the plaza are adorned with the most breathtaking collage of leaves. They rustle slightly in the wind, still too stubborn to fall. It’s beautiful, but you know that Reo Mikage has them all beat.

Your soccer star boyfriend has elected to forgo his training clothes in favor of something a bit more his style for your date today. You are sure that his plain yet perfectly fitted sweater costs more than your entire wardrobe, but judging by the way he hurries over to you with the two full cups of hot apple cider in his hands, he doesn’t care in the slightest about getting dirty.

Especially if it’s for you.

“Here, for your hands.” He smiles, holding out one of the cups for you to take. Wisps of his rich purple hair fall delicately onto his face, somehow making him look even more handsome.

“Thank you,” you say gratefully, taking the paper cup. Its spiced warmth helps you realize just how chilly your fingers have gotten in this wind.

“Is it just me, or has it gotten a lot colder since we started walking out here?” He asks, looking up at the deceptively sunny sky. As if hearing his words, Mother Nature sends a bone-chilling gust of wind your way. The cold air penetrates through your light sweater and sends teeth-chattering shivers down your spine.

You tense up and place the paper cup up to your cheek in an attempt to warm yourself up. “D-definitely n-not j-just y-you.”

His eyes widen in concern as he pulls you closer to him. “Let’s head inside one of the shops where it’s warm. I’ll call my driver to come pick us up.”

“You’ll call your driver?” you giggle, leaning into his warmth, “You really are a pretty rich boy.”

“Oh, I’m sorry.” he coos, placing his chin on top of your head. Would you rather walk?”

“Nope,” you say quickly, not wanting to be out here freezing your ass off. “D-drivings good.”

An amused chuckle slips past his lips as his hand slides securely on your lower back, guiding you towards a weathered wooden door. “This place looks open; let’s check it out.”

You nod and glance down at the simply drawn chalkboard sign that rests on the pavement. “It looks like an antique shop.”

“Interesting,” he hums, reaching towards the faded brass knobs. “I don’t think I have ever been in one of these.”

You snort and shake your head in amusement. Of course, he had never been in an antique store before. You have only met his parents a few times, but they don’t seem to be the type of people who are interested in buying someone’s old wedding china or vintage bedroom furniture.

“Well then, I’m glad that I get to be here for your first time.” you wink, bumping into his cashmere-coated chest.

“I feel so supported,” he laughs, playing along with your antics. His arm stretches over your head to hold the door open for you.

The shop is dimly lit by rustic floor lamps. The light reflecting off of the blown glass shades creating patterns on the thickly carpeted flooring. Gone is the harsh chill of the wind as it is replaced by the heavy scent of dust. It surrounds you, and you can’t help but feel in your gut that something is off about this place.

“Woah, look at these lunch boxes,” Reo says, looking over at a glass display case filled with printed metal lunch boxes with various cartoon and comic book characters posing on the front. He puts his hands up on the glass and peers in closer to get a better view. “I saw one like this at a charity auction a few years back, and they made a killing. I wonder if these are the same kind?”

“That’s so cool.” you grin, trying to focus on just how adorably excited your boyfriend is and not on the strange feeling of dread that has clung to you ever since you have walked into the store.

“I wonder what other cool stuff they have in here?” he grins, taking your hand and pulling you deeper into the shop.

“I wonder,” you hum, playing with the tassels on a beaded lampshade as you are guided deeper into the store. You pass the checkout counter and a rather distracted employee who is tapping furiously on their iPad. The unmistakable sounds of Candy Crush playing through the muffled speakers.

Turning the corner, you notice a tall glass display case sitting on a polished wood dresser. Your stomach seems to be tying itself in knots as you continue to take step after apprehensive step. If Reo feels the same way, he does not show it.

Have you ever looked at something and said, ‘Yeah, that is totally haunted?”

The porcelain-faced doll in the display case just screams it. It’s deep dark eyes glimmer with sinister intent and makes your skin crawl. You want to leave, you want to be as far away from this toy as possible, screw it if it’s cold outside you don’t want to be here another minute. But you feel that if you take your eyes off this thing even for a second, it’s gonna get you.

“Woah, cool doll.” Reo says innocently, tossing an arm over your shoulder. “You’ve been looking at it for a while; let me get it for you.”

“No!” you say much louder than you initially meant to. Your eyes grow wider and wider in fear as you imagine what it would be like to take that creepy thing home, hiding it away in some far-off closet or crawlspace only for it to find you in your room when you least expect it.

Reo looks concerned at your outburst and takes a step back, raising his hands up in the air innocently. “Woah, I guess not.” he chuckles.

“Do you not see how creepy that thing is?” you huff pointing at the case. “There is no way it’s getting anywhere near my place or yours.”

“What?” he asks, his lips twitching as he tries and fails to keep from laughing. “It’s a bit creepy, but it’s got some charm to it.”

“Charming? That doll is one hundred percent cursed, or possessed, or whatever.” you say seriously. Making the mistake of taking your attention off the doll to watch the wonderful way Reo’s amethyst-colored eyes twinkle as he laughs.

“Oh come on, it’s not that…” he turns to look at the doll, and all the color drains from his face. “It just moved.”

“Stop messing with me.”

“It. Just. Moved.” he repeats again with a deadly serious tone.

You look back at the case and want to hurl. Just seconds ago, the doll was staring blankly ahead, but now her head has twisted to the side, exposing her copper-colored ringlets and staring right at you. Those dark eyes boring into your soul. “It moved.”

“We gotta go now,” he says worriedly, taking your hand and pulling you away from the item. His strong legs lead you out of the store and down the walkway for your lives.

“W-wait.” you pant, lungs burning as you dig your heels in. As a professional athlete, his stamina is much better than yours, so he probably could’ve dashed the two of you all the way home.

“Yeah, that thing was definitely haunted.”

#blue lock #reo mikage x reader #bllk #x reader #bllk x reader #mikage reo x reader #reo drabble #blue lock x reader #reo mikage #reo x reader #flufftober 2023

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atla-genderbender · 2 months

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ATLA Gender Bender: "Princess Zuka"

Zuko -> Zuka

Alternatively, it is possible that female Zuko would still be called "Zuko". The ending -ko is feminine in Japanese. But within Fire Nation royalty, there exist masculine and feminine counterparts to names: Iroh/Ilah, Azulon/Azula. The ending -a is also used for Zuko's mother's name, "Ursa". This suggests that the feminine equivalent of "Zuko" would be "Zuka".

Like her male counterpart, the banished princess would have the most extensive wardrobe. I tried to draw several, but not all of these outfits.

If Zuko had been born a girl, a large theme of her story would be the traumatic loss and restoration of her femininity. I don't think that she would be a tomboy, but would be just as driven as her male counterpart to regain her honor.

I've been picturing Cricket Leigh as the voice of "Princess Zuka". Specifically, her voice as "angry Mai" in the Beach episode.

OUTFIT DESCRIPTIONS:

1: Young Zuka, from "Zuka Alone" flashback

She is supposed to resemble a young Ursa. Rather than being dressed like Azula, her clothes are inspired by ruqun.

2: Zuka at age 13, prior to being burned

Her ponytail is supposed to show off her long, beautiful hair, which is cut off during her banishment.

3: Zuka at age 13, after being burned

"Zuka" is shown with a fully shaved head, to illustrate an alternative scenario where Ozai does not challenge her to an Agni Kai, but immediately deems her actions treasonous and orders her to shave her head. In this alternative scenario, her refusal to cut her topknot is what prompts Ozai to scar her face and banish her anyways. This is supposed to be more in line with the treatment of "dishonorable" women in real life, as there are many world cultures throughout history who punish women by shaving their heads.

Still, I am not sure whether it was appropriate to include this in her wardrobe lineup. The Fire Nation is higher in the gender equality index than the cultures it is based on, as a consequence of firebending being an "equalizer" between the sexes. It is therefore plausible that "Zuka" would have still been challenged to an Agni Kai by Ozai, and that things would have occurred in the same fashion to her male counterpart. In this scenario, she would not have cut off her topknot. I picture her wearing the same hairstyle as regular, male Zuko, where she shaves the sides of her head to symbolize her shame.

4: Book 1 Zuka

Unlike her male counterpart, I think "Zuka" would grow out her hair. Zuko's shaved ponytail is based on a real hairstyle worn by Thai boys. But in-universe, Zuko appears to have fashioned himself after the hairstyle worn by Sun Warriors. A few other men in the Fire Nation also wear this hairstyle, but women are not seen wearing this. If "Zuka" had this hairstyle, I think it would come off as rebellious, instead of loyal to the Fire Nation. It makes more for "Zuka" to fashion herself after female Sun Warriors, who wear their hair in ponytails without shaving the rest of their heads. Her asymmetrical bangs are meant to contrast with Azula's perfectly symmetrical bangs. Underneath her armor, I picture her being very athletic, with lean, defined muscles.

5: Book 1 Zuka, as the "Blue Spirit"

The comics explain the origin of Zuko's Blue Spirit mask, which is based on "The Dark Water Spirit", a male character from the play "Love Amongst the Dragons". While "Princess Zuka" could don the mask of the "Dragon Empress", I think it fits her better to wear the mask of the "Dark Water Spirit" instead. This is because Zuko and Azula would reenact the play as children, with Zuko playing the Dark Water Spirit and Azula playing the Dragon Emperor. If the Azula was a boy and Zuko was a girl, I think "Azulon" would still play the role of the Dragon Emperor, while "Zuka" would still play the role of the Dark Water Spirit. This would foreshadow their eventual rivalry and Agni Kai, and I don't like the implications that come with "Zuka" playing the Dragon Empress. For these reasons, I chose to have "Zuka" don the mask of the "Dark Water Spirit" instead of the "Dragon Empress". This also does a better job of symbolizing the "Blue Spirit"'s role as enemy of the Fire Nation.

Additionally, I think it makes sense for "Zuka" to disguise herself as a male while donning the Blue Spirit mask. Failure to do so would make her disguise a lot less effective, due to the male dominated nature of the Fire Nation army. It would make her and Admiral Zhao both look smarter, as Zhao would still figure out that she is the Blue Spirit. Due to her physical build, she would not be able to pass for a fully grown adult man, but could pass for an adolescent boy. The cross-dressing element of her disguise could also connect the Blue Spirit to her "animus", symbolizing her complicated relationship with her femininity.

6: Book 1 Zuka, after assassination attempt

She would be shown without any color on her lips, due to her beat up state.

7: Book 2 Zuka, after cutting topknot

8: Book 2 Zuka, messy hair

This hairstyle would only be seen briefly during her sick episode

9: Book 2 Zuka, post haircut

After her bout of sickness, "Aunt Ilah" buys "Princess Zuka" new clothes and gets her a hair cut.

10: Book 3 Zuka, emo hair

11: Book 3 Zuka, formal dress

12: Book 3 Zuka, after joining the "good guys"

13: Fire Lord Zuka, coronation outfit

Her hairstyle is inspired by the Kdrama "Queen Seondeok" (2009).

14: Fire Lord Zuka, comics outfit (formal)

Her costume combines elements of Queen Seondeok, Queen Panhtwar, and Empress Wu Zetian.

15: Fire Lord Zuka, comics outfit (casual)

In these drawings, "Zuka" is shown having one of two lip colors: red and pink. The red shade is supposed to be the same color as Azula's lips, while the pink shade is supposed to be the same color as Izumi's lips.

The reason I did this was originally based on a mistake. I thought that Ursa had a lighter shade on her lips than Azula, and was trying to make "Zuka" look like a younger Ursa. However, this was a mistake. Ursa and Azula actually have the same lip color. Ursa's lips only look lighter because of the lighting in the "Zuko Alone" flashbacks.

I decided to keep this decision to have "Zuka" switch between Azula's lip color and a lighter shade of pink. This is supposed to make "Zuka" look a bit like Izumi, Zuko's daughter. It is also supposed to indicate when "Zuka" is wearing makeup and when she is not. I think her lip color should change upon becoming a fugitive, as she wouldn't wear makeup while living in poverty.

Like what I’m doing? Consider leaving me a donation via Ko-Fi.

#zuko #prince zuko #avatar the last airbender #atla genderbender #rule 63 #genderbend #genderswap #gender bender #my art #atla #my headcanons

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archietransdrews · 1 year

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literally talking to the walls of my room like. riverdale's internal logic relies on the explanatory power of one's origins to an absurd degree, framing the actions of the protagonists as prescribed by their generational predecessors to such an extreme that the town's founding years not only provide meaning, context, and motive to current events as is typical in an archetypal place-based narrative but futhermore exert a horrifying control over the characters, compelling them to repeat or rebel against the actions of long-dead townspeople to whom they are only distantly related. these scenes from the past, when included in the show, are filmed using the same actors as the present-day scenes, producing the past as not only reminiscent of but in some aspects identical to the present. blood and bloodlines are used by various characters as explanatory schemas for the behavior of different characters throughout; riverdale is a place overdetermined by its own origins to the point that our protagonists spend years trying and usually failing to escape the combined generational curses of an entire town whose entire history consists in the repetition of its own genesis ad nauseum. does this seeming over-reliance on origins exaggerate the process to the point of effective parody, or does it merely & more straight-forwardly reinforce the [genetic] origin as privileged locus of [fictional] meaning?

a potentially conflictual reading of riverdale's historical "origins" is that they are invented or produced through the act of jughead's narration of riverdale as text; this reading posits that there is no "before" the pilot of riverdale, save what jughead invents to give additional meaning to the events which make up his plots. riverdale is his puppet show; everything in the text has been filtered through his point of view, which is to say that everything acquires the exact same level of (un)reality, whether it's a comic book character come to life or the sins of one's ancestors. in this framing, the true origin, and the key to whatever meaning might be made of this text, is the moment jughead's narration begins in the pilot with "our story is about a town.." in foregrounding jughead's ongoing acts of authorship and creation which function to continually produce the narrative & all it contains, riverdale destabilizes epigenetic origin as a locus of meaning by framing it as in some way artificial, invented, unreal; however, it does this by substituting another, no less authoritative, specifically authorial origin in its place.

and there is still a THIRD possible genealogy through which we can read riverdale as understanding itself, namely the genealogy of the cinematic canon. we well know that riverdale is constantly referring back to earlier moments in the history of film, from 70s noirs to 80s coming of age movies to 90s thrillers to etc. etc., not so much situating itself within this history as aiming to encompass all of the various stages of the medium's development. this argument could be broadened to include the histories of other prominent cultural forms, namely the novel and the comic strip; the meaning in riverdale might be said to be primarily derived from comic conventions, the principles of character creation and economy of image that have governed strips for decades and which now cause riverdale characters to wear outfits that have no in-world meaning except to refer back to their original iconic wardrobes, e.g. archie and jughead's S and R t-shirts.

which of these frames has the most explanatory power? which best helps us to understand or analyze why events in riverdale play out the way they do? i think in most cases one needs some combination of the three to be able to even begin getting at what's going on, which suggests that at least part of riverdale's project is the destabilization of the genealogical narrative via the introduction of several distinct, at times competing, narrative origins. riverdale is a story whose meaning is located simultaneously in the past, the act of narration, and the development of cinema and comics as mediums. while this structure does not necessarily step outside of the dominant symbolic framework that looks to origins in order to generate the meaning of a text, it is in typical riverdale fashion that the show wants to do everything at once, meaning in this case that rather than privileging one frame through which we are meant to make sense of the show's content, we are given to several possible readings which are all compelling in their own ways & when taken together succeed in troubling the final authority of any one interpretation.

#took a break from the liveblog this week to watch some other programs but she is still HEAVILY. on my mind #the jughead paradox is going to blow this whole thing wide open btw #syllabus

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