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#two of them are rich!!
rossivette · 11 months
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Can I request an Adrigaminette ice cream date? 💚🧡❤
I have NOT forgotten about you!🩷
I had a huuuge art slump and decided to practice my style before uploading anything else. I'm so sorry it took this long but I hope you like it!!
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bi-booklover · 2 years
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repeat after me.
QUEER CHARACTERS ARE NOT PLOT DEVICES FOR STRAIGHT CHARACTERS.
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cuddlytogas · 2 months
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So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.
See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.
But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...
What is the difference between this and this?
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Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?
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Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.
But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.
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And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.
But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.
See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!
As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.
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And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:
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So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?
Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.
In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.
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In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.
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This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).
Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.
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More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.
This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.
A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.
But also. At least it fucking says something with its leather.
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Let's goooo!
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inkedberries · 6 months
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don't look at me i dont know what happened
this is DEFINITELY inspired from that one world's finest issue with clark posing as bruce's bodyguard so they can catch some kidnappers or whatever dfkgjlsd
these set of scans in particular
ref pic for brucie's pose in the first image
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nearlycassidy · 1 year
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there’s no escaping the wammy boys, light-o!
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carouselunique · 17 days
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They had a bit of a chance encounter on a day where Blueblood was dealing with something that was very difficult and was so caught up in his emotions he didn’t even care that he was in the garden getting grass stans on his coat and Ditzy, with her natural impulse to cheer ponies up, didn’t even notice or care that she was flying into the palace gardens when she saw someone sat in the rain.
At first he was definitely going to call the castle guards to come apprehend this strange filly with the odd eyes who was intruding when this was the last moment he’d want to entertain any desperate debutantes, however she surprised him by not fawning or anything, not even caring about his status, just putting one of her fluffy wings up and asking if he needed somepony to lend an ear.
“Don’t let my eyes fool you, my ears work just fine!”
She was incredibly disarming and while he didn’t reveal everything about why he was upset, he found himself talking about his feelings to her. And she made such cheerful remarks, and was very comforting. In the end, he felt better and she came to check on him the next day, even sharing a blueberry muffin with him. He remarked that he’d never seen her around before, and that he wouldn’t mind terribly seeing her more often.
The rest, as they say, is history.
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sinusoidaldisfunction · 2 months
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Blister. Twisted Sister.
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jasontoddsgaythoughts · 10 months
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If DC wants to keep pushing out different types of Gotham War comics for every year, they may as well make a Gotham Batman Ships war next year. They get to make light fun of their fans. Batman is spread all over somewhat romantically like hummus. They get to bring in different heroes and Gotham villains to fight reluctantly (they don’t want the Batman they just want the honor). The batkids get to sit cute on the sidelines and laugh at their dad’s misery. It’s fun
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pharawee · 9 months
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bryverros · 1 month
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i think they bonded over their hate for doing chores
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lurkingshan · 8 months
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A lot of analysis of Ray and Sand moments leaves out the huge, foundational, overarching point that informs their story: Ray is rich and powerful, and Sand is poor and powerless. I’ve been noticing this for weeks and I find it so bizarre. And it’s not like the show has been subtle about it—Ray literally calls Sand a whore and treats him like an object that is his to pick up and put down as he pleases.
Why do people ignore it? Is it because the power dynamics of it all makes folks feel icky? Because it makes it hard to keep seeing their interactions as romantic? Because fam, that is exactly the point.
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feluka · 4 months
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dan and phil raising over 80K for PCRF in ONE STREAM? kings i'm so sorry if i ever dismissed you...
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lastoneout · 1 year
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this is my entire stance on the "american food is bad" discourse summed up
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vyeoh · 4 months
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I'm rewatching all the Marvel Defenders shows on Netflix and as much as I mock the MCU now, I need non-Marvel fans to understand that I was and still am a fan of "Daredevil fighting the gentrifying assshole who bought out the police force because ACAB both as a lawyer and vigilante of the community" and "Jessica Jones fighting the man who mind controlled her into doing unspeakable things and forming a community of fellow survivors and allies while dealing with PTSD in a range of both healthy and unhealthy ways" Marvel. God I love these idiots they carried so hard
#vio.txt#mcu#marvel#jessica jones#daredevil#also the two of them induced so much bi panic in me. also gender envy. jessica jones is one of the few women i get gender envy fron#the iron fist and luke cage shows were...more mid but still leagues above current marvel shows#like. yes be anti-mcu but these were masterpieces#and yes this is why i was so pissed about them putting daredevil in she hulk and trying to make him iron man 2.0#like! yes hes suave and charming but thats bc its his lawyer job!! he works in a law firm he and his friends started to serve his community#he is NOT 'i am rich and better than u' charming. he is 'i learned how to talk fancy for my degree and i have empathy' charming#and not bringing the other guys over either???? bruhhh#marvel really cancelled the best things they did on the screen#matt murdock my original red and black round glasses wearing sadboy what did they do to you#also!! can i mention that these shows had such better representation than nowadays marvel#murdock's actor doing extensive research on blind motility for the role#jessica and trish's friendship and how trish immediately believes jess about kilgrave#the whole!!! unique community feel of harlem and in luke's bar#hogarth whos both jessica's employer and foggy's boss in later seasons being a lesbian and having Real Marriage Issues#and also being a conplex and kinda shitty person#iron fist was....eh but that's why it was the worst one lmao#OH YEAH HOW COULD I FORGET MY GIRL KAREN#karen page getting a whole storyline in s1 about her dealing w ptsd and then getting fleshed out backstory and her own adventures#like ok it was kinda weird in daredevil that she dated like every guy bc she was the female lead 💀#but even then foggy and matt and her figuring their shit out like adults. like they shot their shots and it didnt pan out. still besties th#disney would never allow such good writing in current times#but a boy can wish
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irradiatedsnakes · 1 year
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yknow who im surprised i dont see more content of? sakurai and koyama. those guys are like, undeniably gay married i think. like not even in a shipping way just in a 'this is my reading of the text' way
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