you can't tell me he wasn't hoping Kiryu would ask him to come with him/tell him he changed his mind about leaving, look at his fucking face when he turns around ugh

Nothing in the world belongs to me But my love, mine, all mine

can we pleasee please please stop fucking fearmongering and blaming trans men for the predstrogen situation. please god. posts about "trans men teaming up with terfs to get trans women banned!" with zero sources all over my dash. blaming "transandrophobia truthers" for all the transmisogyny. have you all lost your fucking minds?? what the fuck happened to t4t??? what the fuck happened to trans solidarity??? why is "transfem separatism" even a subject worth entertaining????

anyone who says other trans people are the enemy is a fucking fed. jesus christ

best friendisms

bonus <3

By @cvnfvse

ST*RKERS DNI

people bitching and moaning about fob "turning mainstream" as if that was never the entire point of fall out boy. that's In the goddamn dna of the band, it's baked into the ethos of why the band started in the first damn place. to be accessible to kids and especially to girls, who were often ridiculed and shunted out of the hardcore community. to be a gateway to bands that aren't as mainstream. to comment on the society they live in, as they live in it. people act like fall out boy "turning mainstream" was some kind of "betrayal" when from the start they were seizing on the trends of the time, putting their unique, unhinged fall out boy spin on them, and shooting them back out as a funhouse mirror. take this to your grave capitalized on the pop-punk zeitgeist that was big in the late 90s and early aughts and put their own spin on it: enmeshed catchy choruses with high-dexterity lyrical & linguistic skewerwork. infinity on high was basically a massive critique of the scene they were in - this ain't a scene it's a goddamn arm's race is a fucking thesis statement on what it is to be catapulted into fame in an industry that wants nothing more than a thousand cookie-cutter copycat acts of a successful formula, and fall out boy WAS the formula everyone desperately wanted to emulate. american beauty / american psycho blended sampling and modern hip-hop stylings with polished pop-rock and pointed those songs back at the snapshot of the 2010s we all lived in: commenting on racial injustice and the freeze-frame nature of relevancy. but even then they weren't doing it quite right - because fall out boy never does things quite right, they're never quite conventional, whether it's wentz's darkly confessional lyrics double-bagged in metaphor or stump's distinctive clear tenor or trohman's inescapable rock 'n roll edge or hurley's thunderous hardcore-punk-rock soul.

this band has always been too clever for its own critics, is the thing. but then, they always knew that. they knew they had a thriving fanbase of largely female fans so they were going to be mocked and belittled and ridiculed. they weren't quite right. they weren't quite so easy to market. pete wentz had to have all his hard edges filed off and cut down to size, skin lightened, literally whitewashed ("i feel like a photo that's been overexposed") to hell and back, even as he was marketed as the pretty boy of the band. and the other three members never even bothered with the spotlight: the soft-spoken vegan straightedge anarchist drummer and the wry, wisecracking, whip-clever guitarist who was more concerned with being the connective tissue than anything and the reticent vocalist who sang the words and wrote an awful lot of music but wasn't really the guy fronting the band. wentz's charisma carried the band, because the rest of them were really just some guys and never aspired to be anything else.

fall out boy is too pop. fall out boy is too mainstream. fall out boy isn't the real poster child of the emo movement. other bands are better. even within fall out boy's own narrative, they are repeatedly ignored, sidelined, and belittled, as though they weren't one of the only acts from the big 00s emo-pop movement to successfully not just survive the transition from the aughts to the '10s, and then later from the '10s to the '20s, but to thrive in it without banking on nostalgia. this band was supposed to be a flash in the pan. they weren't supposed to last and they weren't supposed to get big. they started off in joe's parents' attic because joe and pete were sick of how exclusionary and homophobic the hardcore scene was.

i think it's high time that people acknowledge how fall out boy has repeatedly succeeded where most of their other peers failed. cunning, clever, capable, and hyper-aware of the space they occupy in the culture surrounding them. that they are just as powerful, important, and artistic as any of the other bands in the scene that others might deify at their expense. that they deserve a hell of a lot more respect than they get from critics or hardcore punks who think they sold out. i hope one day they get that recognition. because they've earned it, time and time again, and the more i see people pushing back against that, the more certain i become of its inevitability.

Sometimes I think about how Merlin took place over 10 years—a whole decade—and the thought of the show spanning that long feels entirely too long and like an infinite amount of time and that it can’t actually have been ten years

And then I think about how Merlin is 16-18 in the first season. And I just—

That means, at the oldest, Merlin was only 28. He wasn’t even 30

And then I just start losing my mind for a whole different reason

thinking bout hal and jake and how their interactions went in homestuck again. god, imagine having a best friend (who you also have a wild crush on) that youve known for years, talked to him about everything, from dumb shit to the deepest desires and insecurities youve ever had. then you decide to create an ai out of your own brain and suddenly its you whose got the short end of the stick and youre stuck, without a body, in a pair of glasses. and youd think, this fucking sucks, but at least i have my friends, right? but your friends dont think about you as "you" anymore. now you're just a program, ai created by the real deal to talk to them when he doesnt have time to do it.

and your best friend? he cant fucking stand you. he sees you only as an obstacle in his way to talk to the real you, but youre YOU too, right? all the parts are the same, the memories are the same, your feelings are the same, but youre not REAL YOU anymore. now youre just an annoyance they have to get through if they want to talk to the guy you were before and you still are.

god. id go fucking apeshit too.

A couple more horses that I drew! They're Horses.

Less detailed than Moxxi horse, they don't even get their own unique colored rectangles.

pawns for their better tomorrow

"I won't mess with you anymore Izuku"

Boy how about you tell him that to his face

Like preferably in a whole talk about your relationship, where izuku can also tell you what the apology meant to him

Can you two please talk, is what I am saying

Please have a heart to hear convo is all I am asking

fuck the nhl and this bullshit prohibiting pride tape. seriously. fuck provorov too. fuck every fucking homophobe. "players are allowed to show their support off the ice". go fuck yourself. i hope players say fuck this shit and use pride tape anyways. i'd like to see the nhl infringing on their freedom and telling them they can't. put. fucking. tape. on. their. fucking. stick.

like how fucking stupid does that sound?

you aren't allowed to use tape.

No cause Iceman Kazansky does run his fingers through little Bradley’s hair for hours to help him fall asleep after he had nightmares, and he does sing beautiful boy under his breath and reflects on the fact that he is a father to a child that has no legal connection to him and could easily disappear from his life without giving him the chance to do anything about it, and he does think about the amount of joy that Mav brought into his life, and he does look down at his sleeping son and decides that he would do anything for him, and he does do all of this again when Bradley comes back, when he stays at their place after The Mission and wakes up with horrible nightmares like he did when he was a little kid, he does it all over again and he wouldn’t have it any other way

SO. TO KICK OFF THE WEEK OF SPECULATION BEFORE THE UPDATE DROPS.

last night i had a bit of a Revelation. literally. i borderline woke up in a cold sweat with this realization. the way i lunged for my laptop to scream at friends... ough. lets get into it

so. i do believe I've made a couple of theory posts about Barnaby not being quite as receptive to his and Wally's "forced" best friendship as Wally - since the show wrote them to be friends instead of it happening naturally. i thought it might be a point of tension for Barn. i thought a lot.

YES SO I'M TOSSING (almost) ALL OF THAT OUT THE WINDOW!

the bios state Barnaby as Wally's best friend multiple times over. it had to be regularly reinforced. their colors were chosen to mark them as friends.

but Barnaby - presumably - can't see the bios, he wouldn't know the scripts. the friendship would be natural from his perspective. how would he know otherwise? even if the relationship started out synthetic, i don't doubt that it became genuine. in the context of their world and perceptions, realistically speaking Barnaby probably wouldn't sense anything wrong.

the reminders to be best friends weren't for Barnaby.

they were for Wally.

i'm starting to suspect that Wally is Barnaby's best friend, but Barnaby isn't Wally's. i think that Wally's "best friend" is Home - or at least Wally has a closer connection to them / Home is more important to Wally than anyone else is.

i remember reading this livestream trivia (from theneighborhoodwatch's doc, if you haven't their resources yet what are you even doing?):

and i assumed it was for Barnaby's side of the relationship. but it's not, is it? it's Wally's? and it makes too much fucking Sense! it fits! i can see it perfectly! i can feel things slotting together in my mind due to this shift in perspective, and i'm scared

Barnaby probably thinks the relationship is natural, just like how he thinks he's a real person in a real world. Wally probably knows that the relationship is a role, just like how he knows he's a puppet in a false reality.

that leaves me wondering how much of it is genuine on Wally's side. i don't doubt that they really are friends, but how deep does that connection go? in the interview, Wally sounded excited/proud about having a best friend, but how much came from a place of feeling, and how much came from a place of Fulfilling The Role? how much of it is performative? how much of it is a mask?

i've been seeing everything differently. Barnaby poses for Wally the most because he has good balance and is good at staying still, not because of favoritism or because he's Wally's best friend. in the 14 (15 including the hidden halloween) audios, Barnaby consistently seeks out Wally and checks in on him. Wally seems more casual about their relationship than Barnaby is.

i'm worried that Wally values Home & You/Us over Barnaby. that Barnaby is second or third place in Wally's heart. that Wally means more to Barnaby than he means to Wally. after all, only one of them needed their relationship to be reinforced on a seemingly regular basis.

i'm confident that Wally cares about / loves Barnaby, but the question is how much? to what extent?