if eyes are windows, then see my soul
if we're all stardust, the sky's our home
if you're all i'll ever have, then i have enough
the universe is yours, it's ours
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listen there really was just something about how in the book, snow’s 3-page descent from hesitant lover boy to deluded psychopath happens entirely in his mind. lucy gray gives him no indication whatsoever that she suspects him, that she’s going to leave or betray him. he’s just sitting quietly in the cabin waiting for her to return when that seed of calculated suspicion, which he has needed to survive the capitol, takes a hold of him and chokes the life out of any goodness left inside him. it really drives home your terror as a reader that “oh my god did he kill her? did she escape? what happened to her? why would he even think that?” in a way that when the movie had to adjust for visualization it lost some of that holy shit this guy has lost it emphasis.
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satoru physically withers and crumbles every time you return his belongings. he doesn’t know how to tell you that he can only accidentally on purpose leave his glasses on your nightstand, or his jacket on your couch, or his shirt in your laundry so many times before he loses his mind. every time you don’t take he bait, he folds into himself and wonders why you don’t love him anymore and it costs him $22.50 to hear ieiri tell him to suck it up and use his words because he literally has to buy her company (and drinks).
but when you do take the bait, when you do wear his things, satoru thinks it’s all worth it. he can’t explain why it does what it does to him. it’s a sinister kind of possession he wants to have over you, knowing you’re your own person, free to do as you please, but also knowing you’re caged in him. it’s a lovesick kind of gooeyness that melts his heart seeing you fumble with the sleeves of a sweater that’s too long for you. it’s the vision of you seeing you drowning in him—in his clothes, in his things, in him, in him, in him. he’s selfish, he wants to consume you in as many ways as possible, wants you to drown in him, would die happily knowing you were one tenth as enraptured by him as he is with you. he doesn’t know how or why or when you gained so much power over him, but he doesn’t care, he doesn’t want you to ever stop, so if he has to keep pretending to leave his clothes and bags and glasses around then so be it.
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No spoilers but I never thought anything could top the animation, color palettes, and the overall visuals of Into the Spiderverse but Across the Spiderverse absolutely did without a doubt in my mind. Just gorgeous animation and compositions all around and I can’t wait until it comes on dvd so I can pause and admire every single frame. Everyone who worked on character designs, backgrounds and lighting etc should be so so proud of the work they’ve done.
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i'm taking maya fey away from people who say she hates the kurain channeling tradition and would want to "break free" from it
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I haven’t watched Dungeon Meshi, but I always enjoy the dashboard osmosis experience and have a peculiar visual memory. Here is what I believe Dungeon Meshi to be mostly about. No complicating experiences with the text, or indeed character references, fed into this extremely clear vision, which I believe I torrented directly from the astral plane at the same time as the creator was logged on
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Hey there! I've said something before but now I want to say that your art is great and that you are responsible for getting me into Sherlock & co. But I have a burning question regarding your thoughts on Guy Richtie's Sherlock. Do you like it?
I actually do like it!!!
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Given how much heavy makeup (and general extravagance) is an important part of Theciya's character I just can't help but think of the ~consequences~ in this scene xD
So, here they are!
And a little totally self-indulgent bonus just because I can ^^"
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