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#this isn't real dialogue and yet
trek-tracks · 2 months
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sometimes, taking something out of context just feels right
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writeouswriter · 1 year
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Girl, help, the book authors are trying too hard to be "hip" with the fleeting "teen lingo" and trends again, immediately dating their works before they're even released
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braisedhoney · 1 year
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listen, there's some correlation between liking gaster undertale/deltarune and the narrator from the stanley parable; thus i have placed the two vaguely omnipresent maybe eldritch beings in a small box to study and draw. they were omniscient and all powerful once but also they can be erased with minimal pen pressure. in this essay i will
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brian colson is a halloween friend; so just a normal friend with a little twist: when one performance of the phantom where he gets to go on as the phantom is over he ceases to exist
#goosebumps the musical#like it's also gonna be weird for zeke and brooke b/c like your new trifecta member basically died lmao#like yeah he died For Real back in the day but his being a ghost was totally normal. then he's like Okay I'm Gone plus you're startled like#you do run smack into the real ghost after all. that would be surprising on its own. and it's your normal friend. and he's out byeeee#it also surely will get its own post but shoutout to the Amazing dialogue from ms walker on the phantom unmasked track#switching from theatre enthusiasm for ''wow the middle school actors did Great (via half just genuine responses)'' to like#a lively yet matter of fact ''No i Haven't'' regarding knowing where tf zeke is (also an alarming element lol having zero info abt that)#right into the teacherly exasperation ''about rewriting the script. on opening night!!!''#which also implies Further nights likely lol. so at least in addition to [finding out your ghost role isn't actually a ghost] [finding out#your horror role has to do romance] [you do One prank for real but then you're getting repeatedly pranked too And blamed for it]#[you get framed which Would be alarming on its own even like what the hell lmao] [it's all good until here's brian w/the steel chair]#like let him actually be able to do the part even lmao. after all that.#that ms. walker exasperation but it's fine really is the energy i imagine for [tina is more amicable towards this duo who continues showing#up for theatrical productions too given that they were in the guys & dolls ensemble & if that becomes anything of a trifecta you're gonna#have like all their individual And group and potential Every Duo chaos lmao]#like sure maybe there's any degree of balance & reining each other in as well lmfao but still quite a handful#like they could both all be driving ms. walker up the wall And be reliable as theatrical contributors#i'd say yknow fine to leave unsupervised even but the trapdoor incidents lol....they'd probably be more careful abt that in particular#who knows if the Experiences here would make one very Generally more cautious or not#they don't exactly realize emile didn't plan on killing them at all; ghosts are real; but it was a normal friend w/a little twist#tina could bring some more backstage safety minding & she would Have to behave a bit abt role jealousy / not being outright mean lol#that is; to in turn be consistently friendlier w/brooke and zeke out here lol. angry not our buddy...#but it's easy enough for someone w/that dynamic who'll come through in the end and is funny / elevated to Become Friend or simply more of 1
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burntoutdaydreamer · 7 months
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Things That May Be Causing Your Writer's Block- and How to Beat Them
I don't like the term 'Writer's Block' - not because it isn't real, but because the term is so vague that it's useless. Hundreds of issues all get lumped together under this one umbrella, making writer's block seem like this all-powerful boogeyman that's impossible to beat. Worse yet, it leaves people giving and receiving advice that is completely ineffective because people often don't realize they're talking about entirely different issues.
In my experience, the key to beating writer's block is figuring out what the block even is, so I put together a list of Actual Reasons why you may be struggling to write:
(note that any case of writer's block is usually a mix of two or more)
Perfectionism (most common)
What it looks like:
You write one sentence and spend the next hour googling "synonyms for ___"
Write. Erase. Write. Rewrite. Erase.
Should I even start writing this scene when I haven't figured out this one specific detail yet?
I hate everything I write
Cringing while writing
My first draft must be perfect, or else I'm a terrible writer
Things that can help:
Give yourself permission to suck
Keep in mind that nothing you write is going to be perfect, especially your first draft
Think of writing your first/early drafts not as writing, but sketching out a loose foundation to build upon later
People write multiple drafts for a reason: write now, edit later
Stop googling synonyms and save that for editing
Write with a pen to reduce temptation to erase
Embrace leaving blank spaces in your writing when you can't think of the right word, name, or detail
It's okay if your writing sucks. We all suck at some point. Embrace the growth mindset, and focus on getting words on a page
Lack of inspiration (easiest to fix)
What it looks like:
Head empty, no ideas
What do I even write about???
I don't have a plot, I just have an image
Want to write but no story to write
Things that can help:
Google writing prompts
If writing prompts aren't your thing, instead try thinking about what kind of tropes/genres/story elements you would like to try out
Instead of thinking about the story you would like to write, think about the story you would like to read, and write that
It's okay if you don't have a fully fleshed out story idea. Even if it's just an image or a line of dialogue, it's okay to write that. A story may or may not come out of it, but at least you got the creative juices flowing
Stop writing. Step away from your desk and let yourself naturally get inspired. Go for a walk, read a book, travel, play video games, research history, etc. Don't force ideas, but do open up your mind to them
If you're like me, world-building may come more naturally than plotting. Design the world first and let the story come later
Boredom/Understimulation (lost the flow)
What it looks like:
I know I should be writing but uugggghhhh I just can'tttttt
Writing words feels like pulling teeth
I started writing, but then I got bored/distracted
I enjoy the idea of writing, but the actual process makes me want to throw my laptop out the window
Things that can help:
Introduce stimulation: snacks, beverages, gum, music such as lo-fi, blankets, decorate your writing space, get a clickity-clackity keyboard, etc.
Add variety: write in a new location, try a new idea/different story for a day or so, switch up how you write (pen and paper vs. computer) or try voice recording or speech-to-text
Gamify writing: create an arbitrary challenge, such as trying to see how many words you can write in a set time and try to beat your high score
Find a writing buddy or join a writer's group
Give yourself a reward for every writing milestone, even if it's just writing a paragraph
Ask yourself whether this project you're working on is something you really want to be doing, and be honest with your answer
Intimidation/Procrastination (often related to perfectionism, but not always)
What it looks like:
I was feeling really motivated to write, but then I opened my laptop
I don't even know where to start
I love writing, but I can never seem to get started
I'll write tomorrow. I mean next week. Next month? Next month, I swear (doesn't write next month)
Can't find the time or energy
Unreasonable expectations (I should be able to write 10,000 words a day, right????)
Feeling discouraged and wondering why I'm even trying
Things that can help:
Follow the 2 min rule (or the 1 paragraph rule, which works better for me): whenever you sit down to write, tell yourself that you are only going to write for 2 minutes. If you feel like continuing once the 2 mins are up, go for it! Otherwise, stop. Force yourself to start but DO NOT force yourself to continue unless you feel like it. The more often you do this, the easier it will be to get started
Make getting started as easy as possible (i.e. minimize barriers: if getting up to get a notebook is stopping you from getting started, then write in the notes app of your phone)
Commit to a routine that will work for you. Baby steps are important here. Go with something that feels reasonable: every day, every other day, once a week, twice a week, and use cues to help you remember to start. If you chose a set time to write, just make sure that it's a time that feels natural to you- i.e. don't force yourself to writing at 9am every morning if you're not a morning person
Find a friend or a writing buddy you can trust and talk it out or share a piece of work you're proud of. Sometimes we just get a bit bogged down by criticism- either internal or external- and need a few words of encouragement
The Problem's Not You, It's Your Story (or Outline (or Process))
What it looks like:
I have no problems writing other scenes, it's just this scene
I started writing, but now I have no idea where I'm going
I don't think I'm doing this right
What's an outline?
Drowning in documents
This. Doesn't. Make. Sense. How do I get from this plot point to this one?!?!?! (this ColeyDoesThings quote lives in my head rent free cause BOY have I been there)
Things That Can Help:
Go back to the drawing board. Really try to get at the root of why a scene or story isn't working
A part of growing as a writer is learning when to kill your darlings. Sometimes you're trying to force an idea or scene that just doesn't work and you need to let it go
If you don't have an outline, write one
If you have an outline and it isn't working, rewrite it, or look up different ways to structure it
You may be trying to write as a pantser when you're really a plotter or vice versa. Experiment with different writing processes and see what feels most natural
Study story structures, starting with the three act structure. Even if you don't use them, you should know them
Check out Ellen Brock on YouTube. She's a professional novel editor who has a lot of advice on writing strategies for different types of writers
Also check out Savage Books on YouTube (another professional story editor) for advice on story structure and dialogue. Seriously, I cannot recommend this guy enough
Executive Dysfunction, Usually From ADHD/Autism
What it looks like:
Everything in boredom/understimulation
Everything in intimidation/procrastination
You have been diagnosed with and/or have symptoms of ADHD/Autism
Things that can help:
If you haven't already, seek a diagnosis or professional treatment
Hire an ADHD coach or other specialist that can help you work with your brain (I use Shimmer; feel free to DM me for a referral)
Seek out neurodiverse communities for advice and support
Try body doubling! There's lot's of free online body doubling websites out there for you to try. If social anxiety is a barrier, start out with writing streams such as katecavanaughwrites on Twitch
Be aware of any sensory barriers that may be getting in the way of you writing (such as an uncomfortable desk chair, harsh lighting, bad sounds)
And Lastly, Burnout, Depression, or Other Mental Illness
What it looks like:
You have symptoms of burnout or depression
Struggling with all things, not just writing
It's more than a lack of inspiration- the spark is just dead
Things that can help:
Forget writing for now. Focus on healing first.
Seek professional help
If you feel like it, use writing as a way to explore your feelings. It can take the form of journaling, poetry, an abstract reflection of your thoughts, narrative essays, or exploring what you're feeling through your fictional characters. The last two helped me rediscover my love of writing after I thought years of depression had killed it for good. Just don't force yourself to do so, and stop if it takes you to a darker place instead of feeling cathartic
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lady-valtieri · 9 months
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I really wanna do a character analysis about Astarion regarding something I've noticed, and that's the fact that (I believe) his approval is related to the fact that he's only familiar with cruelty.
From what I've noticed, he doesn't *really* object to a good character. He'll whine about the extra effort, but you can get his approval almost maxed without playing an evil Tav (I've done so). And I've noticed that he's neutral to a lot of the "I'll see what I can do" dialogue options. He only really opposes things when you make promises, and I think that's significant.
I think he doesn't like promising to help people not because he's selfish, but because what if you can't? What if you're just giving them false hope?
I've also wondered if he approves of the crueler, more deceptive options not because he's a evil man, but because it's familiar. It's safe. He knows the world is cruel. Cruelty is predicable. Kindness isn't.
I haven't gotten to the hug scene yet but I think the reaction we saw in the trailer confirms things, that Astarion is really thrown off by Tav being genuine and that he's not opposed to kindness or softness - he just isn't used to it. When was the last time someone wasn't trying to manipulate or control him? When was the last time that he wasn't trying to manipulate and control someone else?
I think his romance is very interesting because he's so flirty and cocky and confident at the start but that's because it's purely physical and seduction and sex are what he is good at. If you sleep with him before the tiefling party, and then at the party tell him that it should stay a one-time-thing, he's really quite heartbroken. He plays it off, of course, but there is hurt there, real hurt.
Idk, it's just cool to see a character who isn't reduced to being evil for the sake of it - it's more of a trauma response and a self-destructive attitude because destruction is familiar and Astarion is terrified of the unknown.
Just some thoughts.
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plasticferal · 5 months
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can u plsss write a Matt smut where the reader is like obsessed with his teeth and then she kind of jokes ab licking his teeth but shes not actually joking and then u know the rest
take it or leave it | matt sturniolo.
authors note: this was so fun to write. here’s some kind of soft, lust filled bff!matt turned lovers.
warnings: fem reader, not obscene or 18+ but read at your own discretion. a lot of dialogue, light biting, mark leaving, explicit language.
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you just can't stop staring at your best friend. all he's doing is chewing on a paper straw, swirling it around his soft drink. his eyes are glued to his screen, scrolling through his phone, both of his elbows planted on the dining table.
"i can feel you staring," matt talks with the straw still in his mouth, flashing his perfect teeth with a conceited smirk. you scoff, digging your fork back into the dessert that sits in front of you, to avoid the interrogation you feel coming your way.
"i didn't say stop," you feel his eyes burn holes into you, tone earnest and deep, just waiting for you to glance up at him again.
"wasn't even staring," you speak through a muffled mouthful of cake, not caring if he sees the food in your mouth. he's the closest person in your life, he's probably seen worse.
"real sexy, kid" he teases, staring at your mouth and chuckling as you cover it to swallow your food, flipping him off from across the table.
"no for real, what were you looking at? like be specific," he asks, placing his phone screen down on the table, shuffling in his chair and adjusting his posture. you raise an eyebrow at him, wondering what the hell he's on about.
"i can't just admire my best friend?" you sarcastically smile and bat your eyelashes at him, resting your chin into the palm of your hands.
"specifics, go." matt isn't having it, and you drop the act fast.
you ponder on your answer for a moment, or at least pretend to. you know exactly what you want to say but you don't need him getting a big head. well, bigger. he's a walking, talking, humble brag. especially around you.
"ah, okaaaay," you pout your lips with contemplation.
"your eyes i guess. they're pretty. you know that, though" you shrug, prodding at your dessert again, not having any intention on finishing it at this point. matt has you cornered with his new train of thought.
"boring, next." he deadpans, throwing his head back with an eye roll before looking at you again. he folds his arms over his chest, leaning back leisurely.
"fine. ah, your teeth. i'm like obsessed with them. is that a better answer?" you quip, grabbing your plate and pushing away from the table to make your way to the sink.
you hear matt behind you let out an audible "huh?" and can picture the confusion on his face. you don't know what it is about his teeth, or his smile in general. you just get stunned at how perfect they are, the way they just suit his face so much.
they just look like they could form the perfect bite in your skin. he's always chewing a new flavoured gum, flashing them subtly past his perfectly pink lips, and his breath always smells nice. it's weirdly inviting. all thoughts you absolutely shouldn't be having about matthew.
"hang on, rewind. my teeth?" there's an amused underlining to his response, and you just wish you could take back what you said, joke or not.
you rinse the plate off and immediately ignore him, drying your hands with paper towel before bee-lining for the bin in the small dark corner of the room.
"you got your answer, matthew. get over it," you exhale, tossing it into the black rubbish bag.
"no no, i'm not done with you yet," you hear his chair make a disturbing scratchy squeak against the vinyl floors with how fast he pushes his chair back, following where your body is moving.
you walk around the dining table in the opposite direction of him, but he changes directions to match yours. you collapse onto the couch, sitting cross legged and he falls into the spot right next to you, despite having the entire couch. your shoulders are touching and his knee his touching yours.
"you were staring at my teeth and now i need to know why," matt requests, leaning one elbow up on the back of the couch, facing you completely.
"i can't answer tha-"
"y/n" he cuts you off seriously.
"i don't know, okay? drop it, matthew." you push back with frustration, not understanding why he can't. it's either he's pushing your buttons on purpose or he can sense the subject easily taking a turn in a different direction.
"i'm not trying to piss you off. i just wanted know. sorry" his voice softens, and he shifts so he's facing the t.v.
you almost feel bad snapping at him, considering you instigated his reaction in the first place by not justifying it straight away.
you bite your nails, trying to avoid talking. it's so hard with matt. he just always brings it out of you. looking at him while he watches the screen ahead of you just makes you yearn to hear his voice again. he's so quiet for the most part that when you get him out of his shell you don't ever want him to stop.
"i've always liked your teeth. i don't know what it is. i wish i could explain it but i can't," you speak shyly, a very rare feeling around him.
you have literally shared every waking thought with this man. it just feels so different when it involves him personally. on a physical descriptive level. matt leans his head back on the massive couch cushion, giving you a lazy half grin, looking up at you through hooded eyes.
"do you just like staring at them or do you wanna like, touch them?" he flashes his teeth like a vampire, and you push his face away with a laugh, knowing he's teasing with good intention. he chuckles, pushing your own hand back into your body.
"you're never gonna let me live this down, are you?"
"not until i can wrap my head around it, no" he folds his arms over his chest, tucking his hands into his armpits and they disappear under his oversized hoodie, snickering at his own defence.
he looks you in the eyes, the same fiery stare he gives you when he's about to say something out of pocket, you can read him like a book.
"you wanna touch 'em?"
"matt," you scold, knowing whatever he has planned is just to keep this joke lingering. or what you think is a joke to him.
"i'm serious, let's see if we can get to the bottom of this little fetish of yours" he's so pleased with his words, grinning like an idiot as he nestles his face closer to yours.
"i'd get more pleasure out of it with my tongue," you chortle, then pause suddenly, not believing what you just said out loud.
you force your face to plaster a look on it that says 'i'm joking' but there's no part of what you just said that matt is taking comically.
"go on." matt replies.
"what's gotten into you, tonight?" you have a half simper half befuddled look as you lean back to make sure you're seeing him right.
making sure you're speaking to matt, not someone posing as him with how bold and absurd he's been acting for the past few minutes. he's always being flirtatious, in a bantering and unalloyed manner. this felt different, he's being a lot more direct. a lot less blithe.
"i am literally giving you one chance to do this and then i'm never bringing it up again. take it or leave it, y/n"
"open your mouth, then.” you say in a ‘i bet you won’t’ tone, not believing he actually will. you’re taken aback when he tilts his head up lightly, an innocent look on his face when he parts his mouth, creating a perfect oval.
“you’re seriously okay with this?” you ask, beginning to lean forward, tempting and just waiting for the moment he pulls away, or snaps his mouth closed. he nods, mouth still open.
you know him well enough by now to understand that when matt says he’ll never mention it again, he means it. he’s petty like that.
“fuck it, m’god” you mumble, cupping the side of his jaw, fingertips resting under his ear and being tickled by his hair, pulling him to you.
your breaths intertwine as you hover over his mouth, your lips don’t touch when you poke your tongue out and let it slide behind his top teeth and trail across the sharp edge, slowly, left to right. when you pull away, you observe him.
matt closes his mouth, sucking his teeth and plastering a thoughtful look on his face. you wait for his response.
“well?” you can only wait for so long before you’re trying to entice him to say something, anything.
he adjusts himself on the lounge, full body facing you at this point, if he was pushed up any closer he’d be on top of you.
“just like, out of curiosity. can you do it again?” he asks bashfully. he did say take it or leave it. so you take it, while he’s dangling it in front of you.
this time, you curve your hand gently around the back of his neck to guide his face. tilting your head slightly before pulling him in. you lick the back of the teeth again, even slower than the first time. you can feel matt holding his breath, and the taste of the root beer he just had still lingering.
matt takes a deep breath when you part from him again, flaring his nostrils slightly and sucking on the inside of his cheek. he looks confused, in a content way. but confused nonetheless.
you stare at him, memorising this look on his face. without breaking his stare with you, matt reaches for a pillow and throws it over his lower body, holding it in place. before he has a chance to set it onto his lap, you glance down to see the bulge forming under his black shorts.
“did you like my tongue in your mouth, matthew?” your words are jovial, but he turns away from you after you question him, looking quite literally anywhere else.
“no-i,i mean. fuck, i don't know. no." he rambles, response being faster than his brain can even register, not pulling out the best choice of words from his vocabulary.
“no? is that why you let me do it twice?” you tease, turning the table on him.
"you're right," he pauses.
"maybe we should make it three. for good luck." he looks back at you with a red hue on his cheeks, simpering smile pulling at the corner of his mouth as he hugs the pillow on his lap.
"only if you ask nicely," you squint your eyes, and he rolls his.
"i'm not beggin' for it. no way." he shakes his head, boston accent coming through a lot thicker when he's defensive. it happens a lot, and that's how you know you have him cornered.
"your call, matty. take it or leave it." the front you're putting on for him is a fraud, having a gut feeling that it's the only cue he needs to surrender. he's silent for a solid minute.
"fuck, jesus, okay." he finishes, grabbing your face this time. he caresses your jaw, and his touch is so firm and so warm.
the pillow between your bodies is like a barrier, but he pushes up against it hard to bring you as close to his face as you can. you brace yourself for him to open his mouth again, but instead, your lips collide.
your eyes close instinctively and his soft, wet lips move with yours, taking your bottom lip between the kiss, and letting his tongue slide in and dance across your own. slowly he pulls away, fluttering inches over your mouth instead of distancing himself.
"i don't know, i don't know why i just-" matt is still touching your face through his panic-stricken words.
you don't even counter his sentence before grabbing the collar of his hoodie and pulling him back to your mouth. you shove the pillow off the lounge in-between your bodies with your knee while shifting your body weight onto his lap, an easy transition considering how close you've been the whole time.
matt grabs your waist immediately, securing you on top of him and deepening the kiss. you feel your throat shake with his small, desirous moan into your mouth. you sink all of your body weight onto him and can feel his dick underneath you growing harder, heat radiating from between his legs.
the kiss becomes heavier, more desperate and messy, missing each others mouths and clashing your teeth, taking breaths for a split second before attacking each other's lips again. your nails dig into his shoulders and matt's hands lower, stationing on your upper thigh.
you're in such a state of disbelief but ignore every doubt or worry you're forcing yourself to have. you've mentally convinced yourself this is a dream. you're not actually grinding into your bestfriend's groin, making out with him and having his thumbs get closer and closer to your heat, feeling wet already at the friction.
matt kisses the corner of your mouth, your cheek bone, the tip of your nose, then your jaw. he trails the kisses on your jaw lower and lower, grazing his teeth along your delicate skin until he reaches he crease of your neck just under your ear, and you lean into him as much as you possibly can.
"you like my teeth so much, wait until you see what they can do to your neck," he forces deeply against your skin, biting at your earlobe.
"god, matt," you exhale.
you feel a sharp, stinging suck to your neck, making you gasp. he pulls your skin into his mouth, tongue rubbing the area that he's suffocating in his bite. he pulls away, making a sharp sound when he lets go. he repeats the same thing just underneath his first bite, and your body is twisting and distorting in his arms. you tug at his hair with a warning.
"you’re gonna have to explain those marks." you tremble, yet not stopping him. he taunts a stifled laugh.
"don't care," he starts, pulling your shirt off your shoulder and sucking another deep purple mark on your collar bone.
"i'll spell my name out on your skin if i have to." it’s like he’s a trance, trailing his middle finger along the bites he just left before looking up at you with a dazed smile.
his chest is rising and falling prominently, both of you catching your breath after the intense session. matt gently presses his lips to yours again, and you lean your forehead against his. he grips at the bottom hem of your shirt, toying with the fabric.
"if i knew my teeth would get you on top of me, i would have let you lick em' sooner," he has a crooked, dopey grin on his face. you blush, flustered at his words.
"is this is insane? you don't think you're gonna regret it?" you're cautious with your words, voice gentle, head still leaning against his and your fingers playing with the hair creeping on the nape of his neck.
"i could never regret you." he shakes his head softly, making you smile and peck another gentle kiss on his lips. you know he means his words, and they make you want to melt into a puddle.
"smile for me quickly," you banter, holding onto his shoulders but pulling back to look at his face properly.
he covers his face with his big hands and you let out a hearty laugh, attempting to pry them off and begging him to stop hiding.
"matt! you'll let me shove my tongue down your throat but can't smile for me?" your stomach hurts with the laughter caused by the sheer fight he's putting up covering his face.
when you finally get him to drop his hands he has the biggest, cheesiest grin on his face. smiling ear to ear, and eyes closed shut, putting on a show for you. he drops his face quickly once you've had your time to look, and has those signature tired and heavy eyes make an appearance once again.
you lean in, slowly, so slow. your face is drawing him in like a magnet, him following your moves to meet in the middle. he flashes his teeth once again, and you run the tip of your tongue across his bottom lip, feeling his teeth too, budging his mouth open.
"now you're just taking advantage of it," his raspy voice speaks, pulling you back to his mouth by your neck and leading with his tongue, letting it slide in and moaning into your parted lips. they finally sink into each others after teasing each other, seeing who falls into the kiss first.
your tongues fight for dominance and matt grabs the back of your neck hard, forcing you to stay where you are. you're tilting left and he's tilting right as you focus on breathing through your nose to stay attached to each other as long as you can.
you can literally feel matt take his time to explore your mouth, circling every inch he possibly can. he takes your bottom lip between his teeth and bites hard, making you gasp before pulling back and letting go, both of your mouths wet and glistening with each others saliva.
matt wipes your mouth with his thumb, applying enough pressure but still being gentle. he's staring at your skin before his eyes fixate on those marks he left earlier.
"oh fuck, they're pretty bad" he giggles, and you roll off his lap with a groan, slapping your hand over your neck as if to hide them from him. your legs drape over his thighs and you can feel him looking at you.
you hide from him by sinking into the lounge for no good reason other than you think somehow it'll make the marks disappear, or manifest that it does.
"i didn't even bring makeup to cover it," you fake cry, seeing how bad it could make him feel, but he doesn't budge. matt slaps your thigh as if to say 'i'm not buying it' then rubs your legs soothingly.
"you're not covering them up. i won't let you leave the house if you do, no other option." matt is demanding but lighthearted in his words.
"oh no, i can't leave, what a shame," you dramatically flail your hand to your temple like an old school movie scene, and matt pokes your rib to get you to snap out of it.
"if you ever want to see my teeth again i'd watch the dramatics, honey" and those words coming from him alone make you cut the act, flushing red and sitting up properly.
you don't know how he's managed to whip you into line, usually being the other way around, but you're not risking it.
you've somehow taken more than you could ever ask for from him, and you're still anxious that you've bitten off more than you can chew. no pun intended.
regardless, you're in ignorant bliss. you'll take everything you can get from matt, and more, if he's willing to give it to you. which at this point, you're sure he is.
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ROTTEN: Behind The Foodfight
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Holy chips! It's an exciting time to be a Foodfight! fan, because ROTTEN: Behind The Foodfight is finally out! This really is THE definitive documentary on the insanity behind the movie, and it finally answers the question of just what was going on behind the scenes during production. Since I helped out with research (and I even get a short line of dialogue at 45:19) I've already seen everything that was shown off, but had to keep quiet until all the interviews were conducted and the documentary was finished. But now it's out and everything has been made public, the cat's out of the bag (the Fat Cat Burglar?) and I can talk about all the production material that's been shared.
Before I get into any of that though, I'd highly recommend you watch the documentary for yourself. It's insanely well researched and put together, and having worked together with Ziggy Cashmere (the documentary's creator) I know how hard he dedicated himself towards making this all possible. If it weren't for him, the most interesting Foodfight! discovery would've been finding the novelization, and we would have never gotten any real insight into how this movie came to be. It's also a documentary that really speaks for itself- I don't want to say too much about what it reveals since it's all expressed far better through its narrative and the interviews with people who actually worked on the project. My favorite is the interview with texture artist Mona Weiss- she tells such horrifying stories about how she was treated by Larry and other crewmembers, yet does it all with a sense of humor that makes it clear she's enjoying getting to talk about her crazy experiences. It's clear Foodfight! was an unmitigated disaster from start to finish, and there's nobody to blame for that but Larry Kasanoff himself. The movie was rotten from the top down and despite the countless talented animators and artists working on it, nothing could fix the fact that it was fundamentally mismanaged in the worst way possible. I think the quote from producer George Johnsen summarizes it best: "Foodfight! was a good idea that unfortunately lost its way during production. The technology, the art, and the direction were not in sync. Many very talented people gave their all to make the picture, but more understanding of process from the top was needed for it to succeed."
But if you saw the documentary, you already know all that, right? So instead, let's talk about the behind-the-scenes material that's finally been shared! You can find everything I'll talking about HERE on archive.org-
It's worth following the link and checking it out for yourself- there's so much it'd impossible to discuss everything. Artwork, storyboards, bloopers, models, a nude render of Lady X, an interview with Larry Kasanoff, the list goes on and it's still being updated! Despite the documentary already being out, people who worked on the movie are continuing to share new material! It's pretty incredible- for the past year I've ran this blog all I've really had to discuss are two tie-in books, and now there's so much Foodfight! material I can't even keep up with it.
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I mean LOOK at all this, isn't it fantastic? The character art by Jim George showing off just how much better these designs originally were, the countless environments showing off just how stunning Marketropolis could've looked as well as the strength of the core idea "what if a supermarket came to life at night", and insanely detailed storyboards for a 7-minute pitch reel that was used to sell the movie to investors. Normally, I'd be ALL OVER this because it's all just incredible, but there's something far, FAR more fascinating than any of it.
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There are even multiple drafts of the script (one from 2005 and one from 2007 respectively) and normally I'd be insanely fascinated by those too, making extremely detailed posts explaining the differences between the drafts and how they compare to the novelization, but there's something else that was found that blows ALL of this out of the water and is easily one of the most monumental lost media discoveries of ALL TIME.
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That's right, a rough cut of the ENTIRE movie from 2005 has been found, containing nearly ALL the completed animation from earlier on in production. I mean, that's mindblowing right? We first got sent this around a month ago, a little while before the documentary came out, and I literally stopped everything I was doing at work to just sit and watch this. This is the closest we're ever going to get to the "original" version of Foodfight! after all- only 7 minutes of footage was ever actually made before they switched to mocap, made solely for the aforementioned pitch reel, and this workprint contains practically all of it! On top of that there are some great storyboards in here, as well as some truly hilarious ones cobbled together from 3D renders, and the plot is far better than what we ended up with, a lot of the more inappropriate jokes being absent. This rough cut is actually pretty similar to the novelization in that regard, and it also contains scenes that we'd previously only read about in there.
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For example, in the novelization there's a snowmobile chase through the mountains, with Brand X soldiers on snowmobiles and a heavy avalanche close behind. This scene was completely left out of the movie itself, but in this workprint it's here! ALL the previously novelization-exclusive scenes are included, and this rough cut is seemingly based on an even earlier draft of the script than that- here Brand X are still defeated by a flood, whereas by the time of the novelization it'd been changed to a lightning storm. There are SO many exciting differences in this workprint, the snippets of original animation we get to see are SO good, and it's SO much better than the movie itself that I think it by far deserves the crown as the DEFINITIVE version of Foodfight! There's so much in it I want to discuss, that there's no way I can fit it all into this one post...so stay tuned, because in the next few days I'll be doing a FULL analysis of the 2005 workprint, pointing out all the extra brand mascots not in the finished film, and generally just gushing about how amazing it is.
I mean, this is it. Just take it all in for a second- the original footage was considered lost media for over a decade, and now it's practically been found in its entirety, embedded in an early cut of the whole movie...isn't that just phenomenal? All the mysteries have been unraveled, all the questions have been answered, and now we can relax, take a deep breath, and watch Foodfight!...the REAL Foodfight! Make sure to enjoy it, and join me next time for my analysis!
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mcflymemes · 7 months
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"OOPS... I HAVE A CRUSH ON YOU" PROMPTS *  assorted dialogue, adjust as necessary
maybe i've developed feelings.
did you just expect me to keep my distance?
i'm afraid you'll break my heart.
i've had feelings for you all this time.
consider it a crush. just a crush.
i've been meaning to tell you the truth about my feelings.
i can't really help how i feel, now can i?
have you noticed the way i stare at you?
i can't keep lying to myself about my feelings.
it's all right if you don't feel the same.
it's difficult to be around you and not feel this way.
you make it easy to catch feelings.
you showed me kindness when no one else would.
how long have you felt this way about me?
i'm not very good at concealing a crush.
would you consider it a crush, or would you consider it... more?
i knew you had feelings for me.
why did you lie about how you felt?
you make me dizzy just by looking at me.
i can't keep myself together when you're near me.
i didn't think you'd ever feel the same way about me.
it's only a crush. it's harmless. it'll go away.
we're not supposed to feel this way.
from the moment we met, i knew.
you're rather cute, you know.
i can't exactly control my heart!
this isn't some thing i can just turn on and off at whim!
these are feelings! real feelings!
do you feel the same or not?
do i even have a chance with you?
could you ever see me as more than a friend?
do you feel anything when you look at me?
i've had a crush on you ever since i can remember.
i'm not blushing!
that was really sweet of you.
no wonder everyone gets so flustered around you.
i don't blame them for staring. i mean, look at you!
you're a very beautiful person.
anyone would be lucky to have you in their life.
was that kiss too much?
maybe i never should have told you how i feel.
forget i said anything to you at all.
you're not like the others. you're special.
you just made my heart skip a beat.
am i blushing?
you have a tendency to make things more difficult... yet more fun.
i'm at quite a loss for words.
you really don't know your effect on people, do you?
i think of you very fondly.
if it were possible, yes. i'd be with you.
if only we could make this work between us.
i'm afraid to feel more than just an innocent crush.
who told you i had a crush?
you're still trying to make me blush.
i'm really infatuated with you.
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ghost-proofbaby · 4 days
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too sweet (astarion ancunin x reader)
"you know, you're bright as the morning, as soft as the rain. pretty as a vine, as sweet as a grape. [...] you're too sweet for me."
summary: astarion realizes you're too sweet for him, and he probably shouldn't let this go further than necessary. but, oh, he's going to. isn't he? (based on this anon and the song 'too sweet' by hozier <3)
pairing: astarion ancunin x gn!reader
warnings: spoilers for games regarding camp dialogue with astarion, discussion of astarion's past trauma, talks of self-loathing/disgust with sex, vague mentions & allusions to sex having been had, manipulation at it's finest! minors dni.
wc: 2k+
a/n: i just wanted to get inside this man's mind when he drops that fucking line the second time he tries to sleep with us/tav. why does his face fall like that? why?
divider by @firefly-graphics <3
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As Astarion observes the rise and fall of your chest in the soft morning light, he can only think one thing: shit. He fucked up. 
And he had spent most of the early hours trying to retrace his steps, trying to decipher exactly where his monumental mistake had begun, but it seemed useless. 
It could have been somewhere between the first and third bottle of wine shared with you last night during festivities, where he’d sweet-talked you to the high Hells until you’d agreed to return to his bedroll in the dead of night. Where he’d made the joke that wasn’t all that funny – the joke that he loved you. Three pretty words tried out on his tongue, and they hadn’t been nearly as light-hearted as he’d wanted them to be. More of an experiment, a quick sip to see if he liked the taste. And he had fucked up, because he did like the taste. He liked the sweetness that stuck to every corner of his mouth as he delivered the sugar-coated lie to you, his entire face falling as a new weight appeared in his chest. 
But perhaps it had been the first night he tasted you – well, your blood, that is. The night he’d awoken from a nightmare of Cazador and in his vulnerability, had chosen you as his victim of yet another experiment. A test to see if he was truly free. One drop of a thinking creature’s blood, that was all he needed. But you’d given more than he’d bargained for, and your cloy ichor had coated his taste buds so addictively, and he had just known that night was only the beginning. It was the first time, but certainly not the last. 
He thinks he could drink in whatever you offered him, and only that, for the rest of his days while still finding some sickly, twisted version of reprieve regardless. Not a drop more than he needed, always vying for more. 
He’d be okay with that type of hunger, that type of yearning, and that might have been his first real mistake. 
Or maybe, just possibly, it had been that very first meeting. Maybe he had doomed himself from the moment he’d pressed a blade to your neck, when he had dragged you to the ground with him and felt all that warmth, all that fear, radiating off of you. So frightful, and you still had offered your help to him when it was all said and done. Perhaps that was when he had well and truly screwed himself over. One simple introduction, void of his usual wine and flowers, and he’d locked himself in for pure trouble. 
Not even the fun kind, at that. What a shame. 
At the end of the day, or rather the beginning of the day as it is now, it doesn’t matter where his threads had started to unravel. All that matters is that they were – every carefully thought out line of his plans had all frayed, all detangled from the bigger picture, all because of you. 
Heart of gold, blood of honey. You were far too sweet for him, and he knew it. 
“Having fun, are you?” 
“I am, it’s hard not to with you.”
You’d taken each of his tactics in stride, hadn’t you? Whereas his face had nearly crumbled beneath the weight of that beautiful lie, insides twisting uncomfortable as the humor had slipped through his fingers, your eyes had only glittered as you bit back a smirk. To so lightly tease him, to banter right back with him, instead of see the truth behind it all. He didn’t know if you were simply that naive or if you were another kindred soul – Perhaps you were finding just as much safety, just as much sanctuary, in whatever dance he’d dragged you into. An entanglement of lies, a blithe facade, a daring smile that whispers come now, play with me. 
And play with him, you had. 
You’d played with him, you’d drank with him, and you’d now slept with him. Twice. 
“You’re up early,” your voice murmurs, silken tone cutting through all his racing thoughts. 
He hadn’t even noticed you had stirred, rousing yourself out from underneath his stolen blankets to peer at him curiously as he perched on the edge of the bedroll. As far from you, and as far from your sweetness, as possible. 
“Oh, you know what they say, my dear,” he chirps, rolling his shoulders as the act wraps him back up. The charismatic charmer. The illusive rogue, trained impeccably to coax you in and secure his safety, “No rest for the wicked.” 
He’d awoken before you last time, too. Had watched the sun rise and enjoyed the warmth of it plastering across his skin long before you’d ever woken up. He half-hopes you’ll be less talkative this time; he half-hopes you’ll try to rope him into whatever discussion you can, if only for a few extra seconds of your attention. 
You were too sweet. Too sugary on his tongue, too soothing in his chest. He shouldn’t entertain you – he shouldn’t let this go further than necessary. 
You hum thoughtfully, the blanket slipping and exposing more of your chest. With the light flickering in from his tent’s entrance, he can easily spot those two scarring dots along your jugular where his fangs fit perfectly, “I don’t know if I’d describe you as wicked, lover.” 
“No?” Roped into discussion, it is. “How would you describe me then?” 
He’s not comfortable in this lighting. He feels feverish beneath your steady stare, the way your eyes take their time as you look over every inch of him. The languid observation has him convinced you’re seeing right through him – your glance can pierce right through all his armor and expose every flaw. You see him for the monster he is, you see him for the bitter soul he’s become, you see him as the unworthy spawn he believes himself to be. 
He almost swears that you even see right through his nice, simple plan at hand, not so easily fooled as he had believed you to be. 
“Charming, certainly,” you suddenly sigh, sitting up and keeping your body mostly covered still with that knitted blanket. He’d only snagged it because the shade of the wool nearly matched your eyes – not that he was paying attention to your eyes, of course, “But then again, you’d have to be to have bedded me twice now, wouldn’t you?” 
“We can always make it thrice,” he banters back, ignoring the bile that builds at the insinuation. But if that’s what it takes – laying on his back over and over again – to guarantee your protection, he’ll do it. He’d do it a thousand times over to keep himself as far away from Cazador’s chokehold as possible, “Does that entice you, love?”
When he turns his body fully, beginning a carefully and calculated crawl up the bed roll, ready to slot his body back between your thighs and encourage you to have his way with him, you stop him. The heel of your foot delicately presses against his chest, your head tilted curiously before you shake it. 
“Who’s the eager pup now, Astarion?” 
He likes the way his name drips off your tongue. Almost as if he might be made of the same sugar and spice as you, the same pure honey flowing through your veins also inhabiting his. You say it like a song, articulate it like the sweetest fruit. 
He shouldn’t like it. It shouldn’t be able to overpower his lingering disgust with himself so easily. 
“It’s hard not to be eager when it comes to you,” he says the line with good practice, beckoning a purr to his tone that had always won over the victims he’d entrap in dark taverns back in the city, “I said the Gods had made you just to ruin me, and I meant it.”
He’d meant it more than he’d realized. It wasn’t just your body that had been sculpted to draw him in – it was everything. Your entire aura, your entire glacé demeanor. All that innocence and all that geniality enticed him more than he could ever admit. You were certainly going to ruin him, so wholly and so entirely. You’d already started to, really. 
You don’t respond at first, and he swears he has you. You’re locked in on his distraction, caught up in his web, just as he needs you to be. One lithe hand lifts to your ankle, cool fingers wrapping around your warm skin as he begins to lower his lips, ready to pepper kisses up your leg. Prepared to offer you his mouth, his body, in return for the one thing he needs. Self-loathing be damned. 
Old habits die hard, right along with pride, and he’s not quite ready to bury either at your grave yet. 
But just as he presses the first chaste kiss to your skin, nearly taken back by how your sweetness still breaks through the salty surface, you’re pulling the limb away from him. Your knee draws back and a disarming smile has risen on your cheeks, eyes glittering at him just as they had the night before. 
“I suppose I’ll have to come find you when everyone is asleep, then.” 
“I’ll be waiting.” 
What exactly had he been waiting for? You, of course. But had he been waiting for you to find him solely for what had transpired? To explore your portfolios of talents once more, as he had put it? Or had it been for something more… precarious? 
Was he nothing more than a prey, waiting for you to be his demise? 
Had he actually been waiting for this? 
The challenging look in your eyes as they reflected back stars, the warmth of your skin so close to him he nearly melts into you. The upturn of the corners of your mouth, outlining the way you certainly know something that he doesn’t. A look you wear well, a look that shakes his foundations and rattles his bones. 
“As tempting as you are, I’ll have to decline. Duty calls, as they say.” 
Can you see right through him? 
He should be more deflated when you start going through the motions; he should be pouting or overthinking it all as he watches you gather your clothes once more, covering up the few bite marks of his that litter your skin. Every moment you prepare to leave his tent should be one spent overthinking where he’d gone wrong – why didn’t you want him? Was his plan even going to work? 
Were you truly too sweet for him? Would he have been better off trying to romance the likes of Gale for the safety just shy of his grasp now?
He doesn’t, though. For once, his mind is quiet as he watches you patter about. The bile retreats, the disgust fades. For the first time in a very long time, Astarion is leaving this interaction not feeling used. 
Maybe it’s in the way you cheekily snatch one of his shirts as you both pretend he doesn’t notice it, or maybe it’s in the gentle caress of your fingers through his hair as you pass him to pick back up your discarded weapon. Maybe it’s in every shy glance you offer him, or maybe it’s in your ever present grin. 
Watching you leave should worry him, but it only feels like a breath of fresh air. A wind that comes sweeping in with the promise of next time just as you pull back the flap to his tent. 
And he hadn’t realized he’d been waiting patiently for you to turn back to him until you do just this, offering him one final glance that sets him aflame, “Oh, and before I forget – you can feed on me tonight, if you need to.” 
Heart of gold, blood of honey. He couldn’t say no even if he wanted to.
“Then I’ll see your delicious self tonight,” he takes a pause, one big and unnecessary breath filling his chest alongside that warmth you bring to him. The fearless leader, the kindest soul. His most apt nickname for you yet falls off his lips in a content sigh, “My sweet.”
He shouldn’t entertain you – he shouldn’t let this go further than necessary. 
But he’s going to. Gods, he is going to. 
After all, the sweetest fruits always fall from the most forbidden branches, do they not?
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mistywaves98 · 25 days
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Nerd Scara <3 stealinh our panties to pleasure himself
Nerd scara finding out were a virgin?!! He would go absolutely Feral, and I know he’s already on his knees sloppily eating us out <3
Or maybe he’s rutting himself into our bed sheets as he sucks on our chest <3 he can’t help himself you feel so warm and good
He's going feral if he finds out he's your first 😶
✧・゚:* ->Loser Nerd! Scaramouche x Fem! Reader
✧・゚:* ->¡Warnings!: NSFW, Cunnilingus, Sub! Reader, Shy! Reader, Fingering, Overstimulation, Only one line of Dialogue!
After all those nights of jerking off with the lacy undies he stole borrowed from you and imagining what your pretty little pussy must look like beneath them, he never thought that he'd get to see or even taste the real thing.
But here you were, sitting on the couch of your dorm, legs spread to reveal your bare folds to his perverted gaze as you shyly cover your face to hide your embarrassment. He's like a kid receiving candy as his fingers hesitantly rub along your slit, the feeling of your arousal coating his hand and your soft moans making his dick harden beneath the fabric of his pants.
Once Scaramouche gets over his initial shock and accepts the fact that he's really the first person to ever touch you so intimately, he completely lets himself go. He presses his face into your pussy, his tongue messily lathering up your juices as his nose nudges your clit. His hands curl around your plush thighs, nails leaving marks on your soft skin from how hard he's gripping them as he holds them over his shoulders. The way your thighs suffocate the sides of his head is heavenly and he groans as your delicate fingers weave their way into his hair, tugging him as close as he could physically be.
Scaramouche feels like he could cum just from tasting you on his tongue, shameless moans vibrating against your sensitive folds. The wet muscle makes an absolute mess between your legs as saliva coats your outer lips. Your head is thrown back in pleasure when he shoves two fingers up your cunt, pulling back a bit to admire the way your tight walls suck them in. You're squeezing his fingers so hard, Scaramouche can only imagine how it would feel if he replaced them with his stiff cock.
He moves to work on your neglected bud, warm mouth enveloping the swollen bundle of nerves and sucking feverishly. Your face is flushed and sweaty, chest heaving as whines for more fall from parted lips. Your body spasms and shudders in his firm grasp as he makes you cum on his tongue, again and again. Moans for more eventually morph into cries asking him to stop, that it's too much. But he's too pussy drunk by now to listen.
His spit mixed with your cum covers the lower half of his face and Scaramouche is sure that he's probably climaxed at least once in his pants from eating you out non stop for the past hour or two. The glasses that now sit crooked on his face are also dirtied, making it difficult to see but he doesn't need to see when he can just taste you.
After what feels like forever, he finally removes his head from between your legs. Strings of saliva connect his lips to your cunt. He looks like a mess, hair disheveled with cum covered glasses and face but he isn't done yet. Tears of overstimulation that have now dried up stain your puffy cheeks as he pushes you onto the couch, getting on top. You can feel his clothed erection against your abused pussy, making you writhe as he holds you down to prevent you from escaping.
He grabs your wrists and holds them above your head, leaning in to whisper in a raspy tone,"You taste so fucking good... I can't get enough. I want to see you cum because of me, because of my mouth, my fingers..and my cock..."
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thankskenpenders · 8 months
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Amy's fortune cards
The Sonic fandom has long been the kind of fandom that takes minor details very seriously, for better or worse. On the one hand, this means fans will really dig for the diamonds in the rough, latching onto fun character interactions, animations, bits of background worldbuilding, and more in pieces of Sonic media that many would write off as "the bad ones." But it also feels like every week another needlessly hostile debate over Sonic minutia erupts on Twitter, whether it's over individual lines of dialogue, fanart that makes Tails' shoes blue, or the ideal length and volume for Sonic's quills.
So it was probably inevitable that a fandom-wide debate would erupt upon seeing Amy's new gameplay style in the DLC for Sonic Frontiers, which takes the once-obscure fact that she enjoys reading tarot and shines a spotlight on it like never before.
I mean:
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The thing is, while I basically always try to tune out Sonic fandom bickering... for once, I kind of sympathize with the detractors? Don't get me wrong, I like Amy's tarot stuff, and people on all sides of the discussion are being overly nasty about their opinions, as usual. (Sonic Twitter remains my personal hell.) But when I set aside the hyperbole and zoom out, I do think I understand why some fans are put off by the sudden shift in focus for the character, even if I think it's cool.
It's complicated. Let me attempt to present the cases for and against Amy's fortune cards
For years, I was always one of those fans who thought it could be fun if they played with Amy's tarot reading, or even leaned into some kind of magic with her. Part of that is my own biases showing, but there's just something that makes sense there, especially when you look at Sonic, Tails, and Amy as a trio. (I would argue that's the real "Team Sonic" these days, especially in the comics where Knuckles is more likely to be stuck on Angel Island or otherwise doing his own thing.)
You could argue that Tails is all about logic, relying on science and technology and deductive reasoning to solve problems. But Amy is all about emotion. She wears her heart on her sleeve, is extremely empathetic, and is very prone to magical thinking - both figuratively and sometimes literally. Her origin story has always been that her tarot cards told her it was her destiny to meet Sonic on Little Planet. She's claimed to be able to "sense" peoples' presences - particularly Sonic's. She's the type to believe that The Power of Love is a literal magical force. So, on some level, it makes sense to mirror Tails's science by having Sonic's other best friend believe in magic. And then Sonic is somewhere in the middle, primarily following his own gut instincts but taking advice from both of them as needed. This isn't totally accurate to how their dynamics actually function in canon stories, but I think it's a mode that could work for them.
Going off of that, it's fun to lean all the way into Amy being a magical girl, or even a witch, using her fortune telling as a foundation. Take, for example, this version of Amy from Diana Skelly's old Sonic cast redesigns from before she freelanced for Archie and IDW. This is one of MANY such redesigns for Amy.
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Fast forward to the 2020s, and Amy's tarot cards are, in fact, finally getting brought up again in canon. Which is fun! I like seeing that. I like all of the individual stories involving Amy's fortune cards. This is a fun character trait for Amy, a fun nod to old lore, AND a fun storytelling device, all in one. It's really cool that the Sonic universe has its own thematically appropriate arcana, and that the cards are getting made as physical merch. And sure enough, the official card backs and borders were designed by none other than Diana Skelly, in yet another cool example of an ascendant fan leaving their mark on the series.
BUT... when you step back and look at the big picture, I get why some fans find this shift in focus jarring. At the moment, it's starting to feel like every new story about Amy involves her fortune cards to some degree.
The most recent mainline comic arc to feature Amy as the lead character, 2021's Trial by Fire arc, prominently features a sequence where she reads fortunes while camping with the girls. The Origins version of Sonic CD now bookends the game with scenes of Amy and her tarot cards. Sonic randomly mentioned it in a scene in Frontiers. And now, just this week, we got the (very cute, gorgeously illustrated) Amy's 30th Anniversary comic with a story revolving around Amy's tarot cards, followed the very next day by the Frontiers DLC in which she gets a brand new tarot-based moveset. Even her base melee attack now has her throwing tarot cards instead of swinging her hammer. Again, I like all of these individual things, but after years of it almost never coming up at all, it's VERY noticeable that Amy's tarot cards are suddenly everywhere.
To be fair, I'm looking at this from the perspective of a superfan who's actively following ALL Sonic media. Casual fans - especially kids - aren't necessarily going to be reading the comics every month, buying the thousandth rerelease of the Genesis games, or playing the ultra-hard new alternate ending DLC for a game that came out last year. Each of these stories is going to be someone's introduction to the idea that Amy can read tarot, and that's probably part of the idea behind this unified push.
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But to play devil's advocate, for my fellow superfans, I understand why it feels like a very minor footnote of Amy's character is suddenly becoming the entire focus of her personality. While Amy has always been said to enjoy fortune telling, that wasn't really a character trait in and of itself, but rather an example of her being a typical girl who hopes she'll be able to find true love one day. It's less that Amy can literally predict the future and more like her using a cootie catcher or going "he loves me, he loves me not" while picking the petals off of a flower. So I get not vibing with this stuff, or feeling like it's being pushed very hard out of nowhere.
What I don't agree with are comparisons like "it's like if they made Knuckles' moveset revolve around him liking grapes." Like, I get it. Ian Flynn loves shoehorning in his little winking references for us nerds, and mentions of Amy's tarot cards were previously on the same level as other random bullet points from old Japanese manuals. But a multifaceted hobby like fortune telling that opens up so many narrative and aesthetic possibilities is obviously very different from having a favorite food. It's ALWAYS been a part of her story, not just a random fact, and there's no reason why the fortune telling can't be elevated to something more.
And, hell, even if it wasn't an established character trait, there's nothing inherently wrong with injecting new ideas into a character. One of the best Amy stories in recent years, the Free Comic Book Day special "Amy's New Hobby" written by Gale Galligan, came up with the idea that Amy's secretly been drawing little comics about her and her friends. Is this based on Lore? No. But it's cute, and helps tell the story of a younger Amy who's still coming out of her shell as both a hero and a friend.
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Certain fans are also looking at Amy's Frontiers moveset and using it as evidence that once again the Vile American Contributors like Ian are CORRUPTING Sonic Team's perfect vision of Sonic with their misinterpretations. And like. Come on. Ian does not control the gameplay. He's a freelance writer. The tarot stuff is clearly something that Sonic Team likes if they made it the basis of Amy's new moveset - and, you know, if they keep approving comics and animations about Amy's fortune telling. None of this gets made without their blessing, and lord knows how much they can micromanage shit and shoot down ideas over the most minor of details.
Like, yeah, Amy's fortune telling was probably conceived less as a sign that she Knows Magic and more as a pretty mundane hobby for a lovesick young Japanese girl to have. But you're gonna sit there and tell me that using Amy's tarot cards for more than that could only be the result of a cultural misunderstanding? That nobody in Japan uses tarot card theming and aesthetics (or the general idea of magical cards) for the cool factor? Stardust Crusaders? Persona? The Astrologian class in FFXIV? Cardcaptor Sakura?? Hello??? Do you think Capcom put Gambit in Marvel vs. Capcom ironically because they thought using magic to throw cards at people was stupid? There's tons of precedent for this! It's nothing like Knuckles throwing grapes at people, be for real.
Giving Amy a very magical girl-esque moveset also just makes a lot of sense. For decades her hammer attacks have literally made sparkly heart shapes appear around her. Leaning into both that and her tarot cards in her new moveset makes a lot of sense to me.
But, admittedly... I do think it's very odd that her hammer is treated as a secondary element here, rather than having her primarily use her hammer and adding the cards for extra flair. If hitting the attack button made her swing her hammer instead of throwing cards, I'm not sure we'd even be having this discussion right now.
But the tarot-cycle and Amy riding her hammer like a witch's broom are fucking SICK and I will not concede on this point
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The thing is, this whole fortune card discourse is but a small piece of a bigger problem. Amy's been a character who needed some work for ages, but there's basically nothing you can do with her without pissing SOMEONE off.
Years of stories where Amy's crush was her primary motivator and Sonic went "Ew, cooties!" have lead many casual fans to believe that being Sonic's obsessive fangirl is Amy's entire personality. At best people might call her Sonic's Minnie Mouse. This isn't just a matter of Amy having haters within the fandom - venture outside of that bubble and you'll realize that this is how MOST video game playing people seem to see her to this day. I don't feel like this is a fair assessment of the character, but this idea didn't come from nowhere. No matter how much good deeply entrenched Sonic fans may see in their old dynamic where Amy perpetually chases Sonic, this is a very real problem that Sonic Team has to contend with for their leading girl. Of course all those games where the way-past-cool protagonist thought Amy was annoyingly clingy and tried to get away from her made people think less of her.
If new stories were to go back to emphasizing Amy's crush on Sonic a little more, they'd probably be taken as confirmation that Amy's just the girl with a crush on Sonic and that this is her entire personality. Conversely, when the crush is played down, you piss off the hardcore SonAmy fans who don't seem to understand that they're Charlie Brown and Sega is Lucy holding the football. You can't win.
And so here we are. In the absence of what was once her defining trait, now reduced to an occasional blush or wink in Sonic's direction, new stories are trying to mine Amy's past for additional material to work with. Having been a thing fans wanted to see for years, right now we're getting a lot of tarot, but we're also getting reminders of her compassionate nature and her desire to go out of her way to help the little guy. This is an ongoing process. I continue to hope that her bubbly, exuberant demeanor can shine more in future stories. Now, I also hope that the tarot stuff gets balanced out a little better with other traits of hers. But I don't want it to go away. I think it's fun.
This course correcting is far from exclusive to Amy. Knuckles is getting stories that remind us that he's a competent fighter, an experienced treasure hunter, and even a self-taught archaeologist after years of him being perceived as either the dumb one or just the guy who stands in front of the Master Emerald all day. And Tails has been getting some stories reminding folks that he's a capable hero in his own right and not just Sonic's timid kid sidekick.
But no supporting character will ever compete with the sheer number of new ideas Sega has tried with Sonic himself. Like Amy, his Frontiers moveset has also given him half a dozen new superpowers that he never had before, from the Cyloop to air-slicing projectile attacks to his own take on Shadow Clone Jutsu and beyond. He's also been a hoverboarder, a swordsman, a time traveler, an Olympic athlete, a racecar driver, cursed with a Flame of Judgment, imbued with alien power, a fucking Werehog with stretchy powers, and on and on and on.
If Sonic can do all that, Amy can try out using a tarot-cycle.
Anyway TL;DR the REAL problem with Amy's current characterization... is where the FUCK is Amy's bestie, Honey the Cat???????
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autistichalsin · 4 months
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NO BUT LISTEN TO ME!!!
HALSIN'S FUCKING EPILOGUE KILLS ME! BECAUSE! Not only do you see how much he is healing, but you also see how much healing he still has left to do!!!
Take this line if the player joins him at the commune:
"Tell me... are you happy with the path we tread together? I took you from a life of high adventure, to one that can be described as anything but. I thought perhaps that seeing everyone once again, and hearing of all that they have been doing... it might awaken some regret, about the life we lead. You could have done anything, gone with anyone... yet you chose me."
That one statement conveys so much. So much doubt and insecurity. He still doesn't view himself as particularly worth settling down for; and in fact, secretly worries the player is (or will soon discover themselves to be) miserable at it. He has a remarkably modest nature, yes, but this is a step beyond. Even with the player's love and kindness, he is in a similar state to that first romance scene, where he thought one little mistake (wildshaping on accident) would make the player leave him forever. Here, too, he's terrified the player will discover the "truth", that they never actually wanted him, and might even leave him. :(
After the player reassures him:
"Forgive me. This past while has been so idyllic that I almost fear something must go wrong. A fear I shall overcome, trust me. We are amongst friends, in celebration."
"I almost fear something must go wrong."
People with PTSD experience this one a lot. Why are things going so well? What's about to go wrong? He acknowledges he will heal in time, but he still isn't there yet.
"I am glad to hear it. Forgive an old fool in need of a little reassurance. I am still expecting to stir from the dream."
Same as the above. He's waiting to find that none of it is real, that he's still trapped at the Grove in utter isolated misery.
Other dialogues, when meeting up with either a romanced player who didn't go with him, or with a friend player:
"Perhaps that is so for you, but for me? It may be that a peaceful life after so many years of tumult has made me sentimental."
Acknowledging the years of tumult, and the effect they had on him, while also noting the good changes the last six peaceful months have brought him.
"You are right, of course. I am accustomed to dwelling on the past, even when it brought me nothing but unhappiness. You changed that, and gave me the most precious of memories."
This one is one of the most profound of all, especially because Halsin, so many times, tells the player not to regret things, to focus on making a future together, etc. But when it comes to his own traumatic memories, he is still unable to stop dwelling on some of them- "even when it (brings him) nothing but unhappiness."
He's done so much healing in his six months at the commune; you can already tell what a new, happier person he is. He even brings up that his restless, roaming nature has settled now that he has a place he belongs. But you can also see where the traumas have left deeper scars on him that will take much, much longer to heal.
(... And this is why I will NEVER choose any dialogue option for the romanced epilogue EXCEPT FOR "I chose you for a reason, and have never looked back." This man deserves to hear it at least a dozen times a day for the rest of his life. :( )
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weirdthinkingdragon · 3 months
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SAGAU Team
Thinking about my team with the SAGAU. Where they're self aware they're in a game as a team, but also when you're out of the game it plays as normal. Like time freezes so none of them have to worry of disarray happening while they're working with you. That was their first clue something was different. The team consists of:
Diluc
Neuvillette
Kazuha
Zhongli
in that order. Again, they know they're in a game. Of course they had some major issues and hard time to figure out and process the fact, but they managed.
Now going to Zhongli/Neuvillette. In Neuvillette's voice lines, he was talking about how he'd one day judge the archons.
Neuvillette had such an epiphany because an Archon is with him, yet how can he bring himself to fully do so when there's something in this... Zhongli as he apparently likes to call himself that you see.
He will only begrudgingly admit Zhongli's shield is good for going with his full attack and not getting interrupted in the game. But in reality in their world, it would be absolutely unnecessary for him.
Yet with your favorability, He can't bring himself to strike down Zhongli in their real world while you're gone.
Zhongli knows and is grateful to have you have his back even if you don't know it. However, he was outed by his old names to Diluc and Kazuha.
Diluc has already had to and is still dealing with Venti so it didn't rattle him very much. Sure, it was a bit of a surprise, but now looking at the statues he grew surprised many others didn't realize it already. If Archons could change their appearance, Diluc mentioned to Zhongli he should have changed a bit more to hide it better.
Kazuha was rather surprised, but he'd rather be around Zhongli than the Shogun. One day he mentioned what happened in the past with her and safe to say it's a good thing she's not on the team.
Of course, the traveler is also with them, but luckily doesn't have to do much to keep the peace between all of them.
Side note: Diluc much more than once has told Paimon to shut up
Meanwhile there's you who always apologizes and is genuinely sorry when you slip up and end up accidentally killing one of your team members. They can hear your genuine apologies.
You even always bring them to a safe area like by an ocean or anywhere that isn't the desert every time you log off. You have no idea how much they appreciate that.
They can't give new dialogue options to show you they're there, but they truly are trying to find a way to get you into their world. They're tired of just having to listen to you from the laptop. But with the time they're with you, they've got plenty of time to figure it out. They may find a way to keep you more to just them... You're showing them all these gorgeous views and you've said you've wanted to see them. They may not have much time on their hands, but they'll find a way to be able to for you when you get there.
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nhaneh · 1 month
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thinking about that moment late Shadowbringers where Y'shtola expresses that she kind of wishes she too had been granted the gift of the Echo, that she might be able to peer into the WoL's heart, and juxtaposing it with this other moment before one of the dungeons that she's looking forward to being able to drop the air of absolute self-control that she's presented to the Night's Blessed and really cut loose and unleash her powers for a change, and it's like... both of these are more or less incidental dialogue, stray almost throwaway lines, and yet...
For as much as she found a place amongst the Night's Blessed, and for how content and comfortable she was with them, she still never really let them see who she is under the surface. She never felt so comfortable as to drop her tightly controlled presentation, to let the mask drop and show her heart in full. For as much as she identifies with, and misses them, she still never let them truly know her - not the way that Y'mhitra, or the real Master Matoya, or even the WoL does.
It makes me wonder if part of what she's wishing she had isn't necessarily so much the Echo itself as it is the ability to share her heart openly, to be able to just drop all the carefully constructed walls for a spell and bare her innermost thoughts and feelings without fear of being dismissed or judged for it.
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txttletale · 6 months
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is your issue with hades' story more about the resolution than the premise? i get the frustration that hades (character) isn't sufficiently redeemed by the narrative, but as far as devising a narrative conceit that aligns with the roguelike genre, "unkillable god repeatedly tries to escape the underworld to see his mom, and then has to continuing escaping since he can't remain on the surface" doesn't seem particularly objectionable as a genre justification. that said, agree that the character writing is a bit eh - seems like in their attempt to make each run have unique (yet inconsequential) interactions and dialogues, they had to generate tons of watered down lines
yeah i fully agree that the premise is perfect. but they fail to commit to it -- imo they either needed to have a real end to the game (zagreus leaves, the game is over, he's free) or acknowledge that zagreus never being able to escape is fucking bleak and horrifying. the fact that zagreus never escapes and never can (and in fact gets recuperated into the system designed to stop anyone else from escaping) and the game treats this as being ultimately a happy ending that he's fine with is imo jarringly, story-breakingly dissonant.
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