ougghhh everyone’s talking so fondly about lionpaw and his new friendships made by the ripwater event but all i can think about is his mention of ashfur’s comment. and how lion probably thinks it’s just a little joke but ash might actually mean it :(
There's this little pearl of a theme hidden in the Ripwater Episode, if you look carefully; abuse acts on people in insidious but subtle ways.
It's Mistystar who's defensive of asking for help or admitting a problem, thinking of what she did to Leopardstar and also repeating cultural sentiment that once victimized her herself.
It's Squirrelflight shouting at her daughter for acting like she used to, because she's spent some years being yelled at in a similar way
It's Hollypaw who isn't allowed to enjoy her achievement of saving Otterpaw's life or lean into how much she has in common with Lakepaw, because she's ashamed of how she did something "wrong" by snooping
And lastly, it's Lionpaw, who's starting to believe the vicious comments that Ashfur says about him. I referenced Willowpelt partially for the sweet little irony of him teaching her recipe to her unknown grandson, Ripplepaw, but ALSO because Ashfur is starting to isolate him.
Willowpelt is the Head of Hunting, currently, a position that Lionblaze is going to succeed her in. I don't think Ashfur is playing 4D chess quite yet, but there's a couple of little motivations knocking around in Ashfur's heart for why he's nasty whenever Lionpaw interacts with her;
Ashfur hates Willowpelt, because of the events from Ferncloud's Parting. He isn't aggressive to her directly, but he does spread rumors and slander whenever possible, happy to remind others of her exile.
Lionpaw getting close to Willowpelt will annoy him. Ashfur both hates and resents his apprentice, but also feels POSSESSIVE of him. He feels like Willowpelt will "steal" what's his.
A simple but hard truth; Ashfur wants Lionpaw to hurt. Maybe Ashfur sees it in his head like "telling the hard truth" or "toughening his apprentice up," but when he makes those malicious little comments, makes him recoil with hurt, it feels righteous.
Maybe in the next draft, it should actually be Ashfur, not Blackclaw, who comes to growl at Lionpaw for bonding with Lakepaw over the spears. Maybe have Willowpelt come in to show them how to properly use one and that's actually what set Ash off. Like he just used xenophobia because it was convenient in that moment.
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@the-ghost-trader - ooooh, i love this! it has the potential to be so incredibly sad, too, like poor Damian just trying to carve out something normal for himself only for it blow up in his face
BUT, shockingly, i'm not about the angst today! not yet anyway 😇
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“So, how was your day?”
Despite his answering groan, Damian likes this. This. This whole… thing he has with Danielle. With Ellie.
And, yeah, he’s not exactly told any of the others yet, but can you blame him? For wanting to keep something, anything, to himself. Wanting to keep this small little slice of goodness he’s managed to carve out, untouched and unmarred by his family, by their other lives, by the rogues, the vigilantes, the assassins, everyone.
“That bad, huh?”
Being with Ellie is freeing. That’s the best way to describe it.
She knows. Damian surprised even himself when he told her—not about the others, mind, but he supposes it’s not hard to put two and two together and Dani has always been smarter than most—but it’s the best decision he’s ever made, and no matter what the niggling little voice in the back of his head says (the one that sounds suspiciously like Father), he can’t bring himself to regret it.
He won’t. Because having Ellie know gives him freedom.
She’s a safe place, a hand to hold, a warm, welcoming presence when things inevitably turn ugly. It’s the freedom to just be normal when everything else in his life spirals into stranger and more stressful missions.
“Richard is being insufferable again. I do not understand his incessant need to know everything about my life.”
“Oh? What’s he done now?”
“I was subjected to an hour long interrogation about my love life, like it’s any of his business. It’s infuriating!”
“Ugh, tell me about it. I get the same thing from Jazz, constantly. It can be suffocating.” Ellie says as she curls herself tighter into his side. “But it’s just how they show they care.”
“Yes, well, sometimes I wish he wouldn’t—”
“Hey!” Ellie pushes herself up to glare at him, punctuating her shout with a soft whack to his arm for good measure. “What have I said about using that word?”
“Yes, yes,” he placates with a roll of his eyes, “‘Be careful what you wish for.’ I apologise, it won't happen again.”
“Damn straight it won't.”
She maintains eye contact with him for a second longer before tucking herself back into his side, squirming around with a long, contented hum that Damian can feel rumble through him. He smiles and doesn’t complain even when he has to shift to give her more room after a particularly strong elbow jabs him in the ribs. It means leaving the warm patch on the couch, but he’s rewarded with another long, happy moan as she settles and Damian can’t bring himself to mind.
Ellie constantly makes noises. Little mews and hums and laughs and songs known only to her. It reminds him of a cat, sometimes. He likes it. It calms him down; it means she’s happy, so he's happy.
They settle back into the cushions and Damian lets the subject drop, not wanting to spoil the moment. Outside, the wind changes direction and from where he’s laying he can watch as the snow starts to come down thick and heavy. Hopefully it’ll mean a quiet night's patrol.
“Is that why you haven’t introduced me yet?”
“What?” He can't help it, he stiffens at the thought of losing his secret, of the scrutiny he'll be inviting if he lets anyone know.
“Are you worried I’ll embarrass you?”
Damian’s eyes snap down quick to reassure her, only to see her light, teasing grin. He lets out a breath of relief. It figures she wouldn't worry about that.
“Of course not, don’t be absurd. You could never embarrass me.”
“I don’t know,” she muses, her voice taking on a dangerous lilt, “that sounds like a challenge.”
“Believe me, having been subjected to Father’s Brucie persona at every gala I’ve been to, it would take a lot to embarrass me.”
“Alright, bet. I’ll get you, just you wait.”
“You’ve already got me.”
She flicks him on the nose. “You’re such a sap.”
He hums his agreement, enjoying the tinkling sound of her laughter. And then, before he can think otherwise, he asks, “Is that why you haven’t introduced me?”
“That’s different,” she scowls. “You know how hard it is to get there, there’s no signal, and Danny only gets a break like—oh, Ancients!”
Damian gets another elbow to the ribs as she bolts upright, a manic grin on her face that has him laughing.
“What is it?”
“It’s the holidays! It’s nearly Truce Day! You know I said I had a family thing around Christmas?”
“Yes?”
“Well, do you want to come to it? I can introduce you then! I mean, it’s going to be a bit formal and you’ll have to meet everyone, not just family. There’s going to be some banquets, you’ll have to sit through some long speeches and you have to be on your best behaviour at all times, okay? Absolutely no fighting, it’s called Truce Day for a reason!”
“What?”
“Yeah, it’ll be perfect! I think Jazz is going in a couple days earlier to help with the preparations, so I’ll get her to let Danny know—and fair warning, he will try to give you the shovel talk, but this is great! It’s Truce Day, so he can’t actually do anything about it!”
“I’m sorry, but you're going to have to explain a bit.”
“Yeah, I know, it’s a bit much—but that’s family, right? Danny can get pretty protective over me, which is why going on Truce Day is the best time to do it! He can’t even command the Fright Knight to stab you! It’s genius!”
“Ellie, what?”
“Like, yeah, sure, he’s the king, but even he has to obey the rules of Truce Day—and then once you’ve spent all day with him, he’ll see that you’re a fantastic, wonderful, kind, brilliant, smart, strong, capable person and he’ll get over himself and everything will be good!"
Damian collapses down onto the couch, the wind knocked out of him. This is… He had not expected anything like this at all. For all that Ellie talked about her family, she had never mentioned this.
“Did you… did you say your brother is a king?”
“Yeah! High King Phantom, have I…” The manic grin slips off her face as she turns round and notices Damian. “Have I not mentioned that before?”
“No. No, you have not.”
“Ah. Sorry. Probably should clarify that I’m also a princess.”
“Right. Yes, that follows.”
“And I’m not really his sister, I’m his clone.”
“What?”
Damian blinks and tries to say more, but he has no idea what he’s meant to do with… any of this information.
Normal. He thought she was meant to be his normal. Nothing could have prepared him for this.
Not that it changed anything, of course, of that he was certain. It’s just… a lot to take in. Overwhelming. But it's okay! He takes a deep breath, and another, and a sense of calm washes over him. Ellie makes one of her little hums as she cocks her head to the side to consider him and he can't help but relax at the normalcy of the sound. It'll be okay, he's dealt with stranger and he can deal with this.
“I’ve, uh… I’ve told you that we’re half ghosts, though, right?”
“What?”
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[1]
Chapitre 210 - The Words One Would Like To Know
FLASHBACK TO PIFFLE ARE YOU KIDDING ME
PERFECT 10/10
GIVE ME EVERYTHING I COULD EVER WANT AT THE SADDEST POSSIBLE MOMENT
SYAORAN CONTINUE TO REMINISCE THROUGH HIS HAPPY MEMORIES THROUGH THE VARIOUS ARCS IN TSUBASA
AND HERE WE HAVE HIM BONDING WITH FAI AS THEY SERVE LUNCH
Specifically when they first meet Tomoyo
And SPECIFICALLY AFTER THAT ONE CONVERSATION FAI MENTIONED JUST A FEW CHAPTERS AGO, WHERE FAI HAD A GENTLE TALK WITH HIM ABOUT NOT BLAMING YOURSELF FOR EVERYTHING AND JUST DOING WHAT YOU CAN
HOW I NEVER THOUGHT ABOUT THE FACT THAT THIS WOULD BE THEIR LAST BIG 1on1 BONDING MOMENT BEFORE SYAORAN’S SOUL WARRANTY RAN OUT
AND FROM THE WAY THINGS ARE GOING THEIR LAST BIG BONDING MOMENT EVER
AHHHHHH I am compacting myself into a cereal box of emotion
OK OK OK LIKE LAST TIME Syaoran’s outfit matches the same colours in the same locations as Fai, and both have matching expressions as they look toward centrepage
Oh the splash text! What’s it say.
The bitterness, the pain,
That person changed it all,
Into kindness
YUP SENDING MYSELF IN A CEREAL BOX TO MOON
THE THINGS SYAORAN SAW AS POSITIVE TRAITS IN HIS DADS
THE WAY HE LOOKED UP TO THEM AND LEARNED HOW TO BE LIKE THEM
How Kurogane’s reliance on strength and Fai’s outward positivity were a type of trauma response, a flaw they had to grow around and overcome, BUT THEY WEREN’T NEGATIVE TRAITS TO SYAORAN. HE LIKED THEM AS PEOPLE THE WHOLE TIME.
AND THEY JUST WATCHED HIM GET STABBED.
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VERY RAMBLY BUT I think rose and martha are like the inverse of one another in terms of narrative, in that they both meet a doctor who is deeply deeply hurt, but the doctor interacts with them about it so differently, because of where they're at with that hurt, and the doctor is like "hey, I'm suave and vulnerable beneath the surface, which is quite attractive, want to travel in space and time in my whimsical timeship?" and they both go "oh heck yes!" and then it's like splintered glass from that point on, like martha lives in a funhouse mirror of rose's story -- up until she makes it her own of course and she does call the doctor out on it relatively early on, although rose continues to have that haunting effect
so rose has this bubble created around her that is perfect and unchangeable almost, in which nothing bad can ever happen (except for all the times it does but huuush, we'll be together forever forrealsies don't look at that big ol hurricane hurtling our way), which then inevitably bursts, but is always there-as-memory, because rose becomes something of an impossible ideal to some extent
and martha isn't protected at all, and has all the badness spilling out on her because the doctor is unable to contain any of it (and maybe is relieved to finally give up on being strong), and subsequently all of the promise of wonder has an air of sourness to it, and the doctor will always feel incredibly guilty about how it all ended
but crucially there's a lot they have in common, that is quite different to, say, donna (who is woven in in her own, interesting, way) -- they both become attracted to this powerful, interesting, and suuuper traumatised being, they're both taken along on a journey of promised wonders, they're both incredibly reliable to the point that the narrative is retroactively fitted around how much the doctor's belief-systems revolve around belief in their companions, with many others from the past given their dues (starting with sarah-jane), and they both do see wonders beyond their comprehension (and so does donna, but again, there's something a bit different there to poke at in another post...),
except where for rose this wonder helps her break out of the path that was set down for her and become who she always had the potential to be in a way that is mostly framed as a positive (although with some -- I think -- under-analysed caveats...) and she will be forever thankful for the doctor arriving in her life, martha's is more like an awe that the universe is so hostile and so lonely and so heartbreaking, and so she needs to become more resilient and more ready to make choices that are terrible (from travelling the broken world for a year to the osterhagen key....), and so there's another story about someone who becomes strong and tough (just like rose) but it's because the doctor wasn't really able to be there for her, and while I don't think the show (from memory) ever has her totally regretting the doctor dropping into her life, there for sure is some solemnity to how her story ends, a bit of a dampener in comparison (even tbh in comparison to donna, who yeah, gets her memory taken, but is suggested -- now confirmed perhaps? -- to get more of her life in order/feel more self-confident, also partially because of that subliminal influence of her time with the doctor)
and this isn't to say that it's all-bad for martha! her working for UNIT and Torchwood has a lot of very interesting facets to it, and she is fulfilling her potential to be this impressive, capable person, but the ways all of this was built up to is so heartrending
rose coming in and "saving" the doctor, except it was a bit of a lie, because the second she wasn't there they crashed even harder than before, and martha coming in with the idea that she could save the doctor and walking away when realising what it was doing to her life, and both rose and martha irrevocably changed to the point that the person pre-doctor is barely recognisable in them anymore, both take on the doctor's self-sacrificial traits...
and also the idea that rose gets the fantasy, but it's the fantasy a-bit-to-the-left (funhouse again) because there's always something a bit disconcerting about the lengths the doctor goes to to maintain the bubble, to the point of offering up the alternate-him/tentoo so that she can still have it, even though the actual physical doctor that shared it with her isn't actually there! and martha gets the glimpse of the fantasy, and then has to come to terms with the fact that she's not the person it's "for" and reassess her relationship to the idea of a fantasy in the first place (it helps that martha is an incredibly practical, pragmatic person, but it's still so... ouch)
I don't think it was intentional, but this also fascinating from the perspective of rose as a white woman and martha as a black woman -- who is the fantasy for, to the extent that strange and universe-breaking events go into maintaining it, and who has to be practical and pragmatic and self-reliant?
and also, it's got more tragedy in both cases -- rose as a spectre/haunter of the narrative is always a little bit intangible when she's looked back on (even though in the story she's in she's incredibly real and well-rounded, every time I go back to s1 I am struck by how grounded she is in reality), and I think that's something interesting in terms of her mother's warning in s2, how if she travels with the doctor "forever" she'll become something else, something not her
and martha's mother warns her as well, although she's not completely sure of what, and in contrast to rose this warning comes into very painful fruition, harming her entire family (except, maybe her brother? I wonder if there's anything written about that), but where rose is so omnipresent, martha tries several times to take herself out
(also something about both of their mothers being their anchor-points)
there's something there that's at the centre of both rose's and martha's arcs:
is the change they're going through because of the doctor... good? good for them? good for their families? good as in they're becoming better people than before? good for the world they inhabit? is it good for the person they used to be? did they become better than that person? can they ever truly deal with or even begin to comprehend how these events made them who they are? can they even connect who they are now to who they were then? was this good?
they both become these larger-than-life people, somewhat without noticing on both parts (but the narrative does notice), one of them a ghost, and the other a soldier -- one of them an increasingly intangible, ever-present idea, and the other someone who has to fight every step of the way
it's just a bunch of things I've had going through my head that I can't quite formulate in coherent essay-like sentences, but for sure it's there
opposite sides of the coin, rose tyler and martha jones
I do wish they'd had space in the story for them to talk
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