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#the way the first few episodes came on so strong was actually kind of genius
weeb-polls-with-pip · 4 months
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Autistic Anime Boys Prelims - Propaganda Division - Group 4
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Propaganda:
Natsuki -
"He has a flat affect, especially towards the start of the series, and a strong special interest in fishing. He does not get along with Haru and Yuki at first because he doesn't think they are taking fishing seriously, but after seeing Yuki's drive to improve and growing appreciation for his interest, he warms up to them and develops, what seems to be, the first close friendships he 's had. As the boys learn to fish, he is the source of most of the very specific fishing knowledge in the series, and after the show is finished we see that he has moved overseas to continue pursuing his special interest."
Luca -
*okay I screwed up, this submission didn't have propaganda. It WAS marked 'yes' for propaganda use though, which is where the confusion came from. At this point I'm too tired to move the bracket around though, so Luca's just gonna stay here.
Adrian -
"Not a full time boy (but a boy nonetheless, bigender icon fr) but working autism overtime."
Rui -
"aside from being an adorable piano genius with the voice of an angel? he grew up sheltered and doesn't have a lot of physical stamina but he does his best to become an idol (rescuing his own black kitten along the way) and is officially considered the most cat-like in his unit. he will eat your pudding. also he grows up! he used to be like fifteen and now he's 26?!"
Hikaru -
"He's shown to have difficulty emoting since childhood. In a particular episode, a mother comes to him to alter her child's brain and remove the parts of him that make him difficult to handle. It is heavily implied that the things she wants removed is autism and Hikaru is more upset about this than most other things in the series but seems to understand that acceptance for people like him and the kid is few and far between. He also says things that could be considered rude when it comes to situations where people ask him to alter who they are as people, such as when a friend asks him to change her sexuality so that she's straight and doesn't have to suffer heartbreak anymore."
Rei -
"AUTISTIC ICON!!!!! just like. look at him. look at that one face he makes all the time. it's hard for me to name specific examples other than the obvious fixation on shoji and like general lack of social skills because i haven't gone through the whole thing in so long but there's soooo much there. i might be talking out of my ass but it's also like? such a sensorily focused story (both the anime and manga). he could even be considered a sports anime boy if you just believed ❤️ or something ‼️"
Vayne -
"Relies on his pet cat for social cues, because the cat is better at them. The saddest, most gentle boy to ever wield a cat-sword-gauntlet. Absolutely listens to all of his friends' infodumps with infinite love and interest. Completely oblivious to how everyone in his workshop adores him by the end of the game."
Ganta -
"he has insomnia (frequently comorbid with autism). once he gains an interest in astrophotography it becomes a special interest very quickly. he's sweet and kind but also gets annoyed easily and he rides a bike and works at an arcade and wants to be a nurse and he loves his girlfriend isaki so so much"
Aoi -
"He has a very devoted special interest in the idol Takada-chan, which he frequently imagines in fights and other situations… the moment someone (Itadori) expresses equal interest in something he is passionate about, he immediately declares them besties and brothers and creates a whole elaborate shared history for them that doesn’t actually exist. He’s not really interested in connecting with people who don’t share his interests. He’s seen as somewhat strange and eccentric. Though in the present he is respected because of his strength as a sorcerer, as a child he was very isolated."
Ray -
"Due to his extremely strong memory, Ray is forced to grow up faster than his best friends and gives himself up as a lost cause in hopes of saving them. He is very sharp and smart but has massive blind spots when it comes to trusting and considering others."
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joblessquinoa · 2 years
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We laugh about the cringe and insanity of scoy, but it's really part of the larger message of acceptance. These characters are embarrassing, they're insecure, they're different, and most importantly, they're accepted and loved.
And there's something beautiful about the way this show is loud and unashamed of this by adamantly refusing to conform or make itself palatable.
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shihalyfie · 3 years
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Regarding Konaka’s influence on Tamers (or how much he actually didn’t have)
(Rest assured that if you’ve had a conversation with me recently about this issue, I’m not vaguing you; this conversation has come up a lot in the last few weeks, especially in my private chats, so this is just me deciding that I should write something about this for once since it’s been weighing on my head lately.)
I think, right now, with what happened regarding the DigiFes debacle, a lot of people are having complicated feelings about how to feel about Tamers, and this is completely understandable. I think there are also some things that may be inevitably unavoidable, such as starting to second-guess certain nuances in the series and what they might lead to. All of that is perfectly reasonable, and in the end, it’s going to be up to everyone to decide how they feel.
In light of this, a lot of people have been bringing up the fact that, while Konaka was the head writer, he was by no means the only person working on it. This is very much true, but I’d like to add something else to the equation: this is an issue that goes much deeper than the usual claiming death of the author for the sake of sanity. The full picture is that Konaka has always had much less influence on the series than the fanbase tends to attribute to him. Official statements have been very clear as to not attribute the entire series to him, and, among all the other controversial statements he’s made, Konaka himself has at least been very active about crediting the other staff members as far as their influence on the series! The idea that he was the only person who ever did anything substantial for Tamers is something I’ve been warning against since long before any of this happened (if you want proof, I have a post from April with this sentiment in it), and right now we just happen to be seeing what’s basically the worst possible outcome of the fanbase constantly worshipping him like the only real creative heart behind the series to borderline cult-like levels...when that’s never been true, and has resulted in unfairly taking credit away from people who deserved it.
I’ll go into detail below, and I hope this can help people understand the situation better and sort out how they feel about it.
Note that I make references to his infamous blog in this post, which I’m deliberately refraining from directly linking for obvious reasons, but all of the information is still there, so it should be verifiable if you decide to look for it yourself.
Personally, I’ve always found it really bizarre how there’s been this obsession with portraying Konaka as some kind of auteur whom the entirety of Tamers depended on. I’m not saying this out of spite towards him, because, again, even he himself was very insistent on disclaiming credit for things he wasn’t actually responsible for (he was quite humble in this respect, actually). Not to mention that I think it’s a mistake in general to constantly pin a single person in a multi-person production as the sole heart behind it, and the Digimon fanbase has historically had this strange double standard behind it when it comes to uplifting him as the only heart behind Tamers when nobody says that about any of the head writers for...anything else. (How many times has Nishizono’s name ever popped up when talking about Adventure? People are usually more obsessed with talking about Kakudou or Seki.) Konaka’s work is certainly distinctive, but Tamers had a lot more going on besides just that.
In fact, based on his own statements on the matter and all of the other official information we’ve gotten about Tamers production, while you can’t really quantify such things, it’s generally been estimated that Konaka was responsible for something like only a fourth of the series. Which is an incredibly low amount compared to what the fanbase would have told you before all of this happened, because of this fixation that he must be the genius mastermind behind the whole series. Not only that, this “brilliant auteur” image of him was so inflated that people were attributing way more of 02 to him than he deserved; 02 episode 13 was the only thing he contributed to the series and he was specifically brought on as a “guest writer”, and the overall plot of the episode was determined by the rest of the production staff and not him -- but ask the fanbase and they’ll tell you stories about how he invented some grand planned arc for 02 that got cancelled, or even that Tamers exists because of a “writer revolt” from him and other writers not being allowed to do what they wanted. (You know, as much as I understand 02′s a controversial series, it would be really nice if people didn’t make up completely baseless stories like this just to scapegoat it...)
I honestly cannot emphasize enough how much of the problem we’re in right now has been horribly enabled by the weird pedestal the fanbase has been putting him on. This is to the point where there’s even been a double standard where some of the more unpopular/criticized elements of Tamers must not have been the fault of a brilliant writer like him, and in fact was forced on him by the executives (this excuse had always been brought up anytime someone doesn’t like something about Tamers, just to make sure the image of him as a perfect writer was maintained). Turns out, as per his own admission on the infamous blog, while he wasn’t the one who initially had the idea of putting Ryou in, the part that rubbed the fanbase the wrong way -- that he came in as an accomplished senior who was better than everyone and played up by everyone in the cast -- was unabashedly his idea (he apparently was enamored with the idea of having someone like Tuttle from the movie Brazil). Again, this is a weird scenario where even Konaka himself has been more humble about this issue than the fanbase’s perception of him; he fully admitted whenever he had trouble writing certain parts. For instance, he doesn’t actually like writing about alternate worlds, felt they were out of his comfort zone, and only wrote in the Digital World because the franchise needs one; he’d stated that if he’d had his way, the Digital World arc wouldn’t have come in as early as it did, which might be a pretty shocking statement for a Digimon fan to hear.
If you want even more specifics, here are some extremely major parts of the series that Konaka was not actually the one behind:
The character backgrounds. Konaka stated on his blog that he wasn’t interested in going too much into character backstories because he felt it was too plot-limiting to say that a character is the way they are thanks to something in their past or background (basically, he cares more about plot than character for the most part), and that he’s also not into worldbuilding. Certain things like Ruki going to a girls’ school were supplied by Seki, who infamously loves worldbuilding, family backgrounds, and character settings.
Certain nuances of Ruki’s character, especially the part where she’s pigeonholed into uncomfortable places due to being a girl, were informed by Yoshimura Genki, writer from Adventure and one of the head writers of 02 (who eventually would go on to create an entire career out of feminist cinema).
According to the posts on his blog, Impmon’s character arc didn’t have much input from Konaka himself and was largely written in by Maekawa Atsushi (also a writer from Adventure and one of the head writers of 02).
The whole concept of Yamaki being redeemable in the first place was something Konaka didn’t originally plan for; he’d initially intended to make him a straightforward antagonist, but, of all things, his Christmas song, combined with the input of the other writers (especially Maekawa) humanizing him, led to the development where Yamaki eventually changed sides and became sympathetic. (This makes Konaka’s recent stunt revolving around Yamaki a bit painfully ironic.)
The director, Kaizawa Yukio, was deliberately picked because he didn’t have experience on the prior series, for the sake of changing things up, and he spent Tamers as a period of studying what Digimon should be like. Based on what he’s hinted, it seems Konaka's writing style and choices were able to have as much influence as they did because Kaizawa approved of them -- that is to say, Konaka’s detailed imagery and descriptions were extensive enough that Kaizawa could go “sure, let’s go with that.” But in the end, nothing Konaka did would have gone through unless Kaizawa and Seki (among many others) didn’t also approve of it or provide input. Moreover, Kakudou Hiroyuki (director of Adventure and 02) has also been stated many times to have been a valuable consultant on invoking Digimon so that the new staff could understand what to aim for and how to get the right feel (and also assisted with providing stuff for the mythos, such as the Devas). Nevertheless, Kaizawa also seems to have had his own strong opinions and input on the story; he especially seems to get passionate when it comes to the topic of making the story something the kids watching it could relate to and imagine. (He would eventually go on to direct Frontier and Hunters, along with several episodes of the Adventure: reboot.)
So in other words, looking at this, a lot of these things that people emotionally connected to and loved about Tamers are things that literally were not his personal creation, and were largely contributed by the other writers! Of course, Konaka’s “creator thumbprint” is very obvious -- he was the head writer, after all -- and all of this had to go through his own vetting to make sure he personally liked it as well -- but nevertheless, you can see that this very much was a collaborative effort from head to toe, with him being very open about this fact himself. Insisting on making sure that this fact is well-known isn’t just a coping mechanism to try and remove his presence in the series, but rather a desire to get people to seriously stop giving him credit that really should be going to others (especially since, again, even he himself was very diligent about assigning that credit).
In the end, I’ll leave you with another thing to keep in mind: Konaka doesn��t get paid anymore for Tamers work (unless they make something new like the DigiFes thing), so continuing to buy Tamers merch and supporting the series through fanart and such will probably end up going more towards the Digimon IP as a whole. Basically, if we’re just talking about Tamers specifically, what degree this is going to matter is only really relevant to the content in the original series, which is now twenty years old and remains unchanged. By Konaka’s own admission, he wasn’t into all of these conspiracy theories until 2010 at the earliest, so while it’s understandable to be a bit wary about the themes in Tamers having traces of the base sentiment, the original series itself does not seem to be an outlet for alt-right propaganda, and it’s probably forcing it a bit much to read into it that way. Konaka’s also repeatedly insisted that all of his attempts at a Tamers sequel have been rejected and that he’s been doing increasingly strange swerves to get around members of the original cast not entirely being available, and the Japanese audience has turned out to not be very fond of the contents of the 2018 drama CD and the stage reading for reasons entirely separate from the politics, so it’s also unlikely we’ll be getting a Tamers sequel from him or something in the near future.
So -- at least for the time being -- what’s done with him is done, and the remaining question is how all of us feel about Tamers. I think everyone will have differing feelings on it, and that’s perfectly understandable. Personally, given everything I just said above, I’m going to continue treating it as a series very important to me, and one that many people (including, as it seems, a very different Konaka from twenty years ago) worked on with a lot of effort and love, although you may see me getting a bit more willing to be critical about the series and its themes thanks to my concerns about some of the sentiments in it and what they imply. I also completely understand that there are probably people whose associations are going to be much more hurt and who will have a much harder time seeing the series the same way ever again, and I think that’s reasonable as well. But at the very least, going forward, I hope all of us can understand the depth of this situation, give credit where it’s due, and not force credit where it’s not due.
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Opposites Attract (Paul Lahote x Reader) Chapter 3
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Warnings: Swearing
Word Count” 2.1k
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-Your POV-
They were running at a speed that seemed impossible, their size alone, impossible. The shear beauty of the animal, breath taking. This wasn’t the first time you’d dreamt of giant wolves. They visited your dreams frequently, leaving you with all sorts of un answered questions, leaving you the next day, searching “What does seeing giant wolves in your dreams mean?” Yup, you were that kinda girl. You thought there was an answer for everything, and there probably was, but you weren’t going to find the answer on google search. 
You don’t know how long you’d been in the car for. All you knew was you were in pain, then it seemed to ease and a sense of comfort washed over you. Your head felt as if it were floating, snuggled into something warm and soft. A pillow perhaps? You didn’t open your eyes to check, the pain in your abdomen and now across your whole body blinding, you’d woken a few times with a jolt, and then you passed out again. 
The next time you woke up you weren’t moving at all, which you were grateful for, the pain mixed with the motion of a moving vehicle didn’t do anything for your stomach, travel sickness was the bane of your life. Instead you found yourself in a room, the blinds drawn closed, the door shut, your body, in different clothes. A mens t-shirt? When did you get changed? Where were you? You looked around in a daze, sitting up slightly from the comfort of the pale yellow duvet set. Wooden log walls, photo frames scattered on every surface, subtle lighting and a wall lined with books, the smell of home cooking wafting through from the kitchen. You were in Emily and Sam’s guest room, how did you know this? Well for one all of the frames had pictures of the happy couple in, two, you’d stayed over once before, back when you’d been caught in a freak storm with Leah while on the beach. You vaguely remembered the place. You didn’t come over often, what with Leah and Sams history, that and as much as you liked Paul, sometimes you’d be nervous to bump into him. Paul! Speaking of Paul, you groaned and flopped back into the fluffy bed sheets. Paul was at the hotel when the pain started… where was he now? Did he drive with you back home? 
You were about to get up when Leah came bounding through the door. “Oh good I thought I could hear you awake in here.” She grinned at you. “You look like you’re feeling much better!” You pat the space beside you and Leah climbed in snuggling up to your side. 
“So, on a scale of one to ten how bad was it.” The big ‘It’ being how bad was the show in front of your long term crush. Leah shrugged as she looked at you. 
“Nothing was baddd… everyone was just worried about you, you seemed to be in some serious pain, hence why we thought it best to cut the trip short, it’s probably better that were home, it was early hours when we got here so Sam said we could just crash at his.” You raised your eye at you best friend. She was being awfully calm about the whole situation. She said Sams name in a sentence and didn’t get herself worked up. You looked down at yourself. 
“And the clothes? Or lack there of….” That’s when Leah grinned. You didn’t like the way she was looking at you. You inhaled the scent that was on the shirt. Sandel wood and aftershave, a hint of sea salt probably from the misty air outside. 
“That’s Pauls t-shirt Y/N” Your eyes went wide and you knew you were blushing.. did that mean he had undressed you. Leah noticed the panic in your eyes.
“Before you get worked up he just leant the t-shirt knowing you’d be uncomfortable in your dress, I changed you.” You audibly gave a sigh of relief, not knowing how you’d react if the guy you’d been in love with since second grade had finally seen you in your underwear. “He stayed in here with you last night you know, to make sure you were okay. He wouldn’t leave.” Leah was now proper up on one arm looking at you. You didn’t know what to make of it. You didn’t think Paul had even known you existed… You were taken from your train of thought when something started dinging. The mobile on the bedside table started beeping as texts came through one by one. Oh god, you hoped Leah hadn’t told your parents about your episode at the hotel, the last thing you needed was for them to worry. However, you realised when you picked it up, it wasn’t your phone. 
The screensaver was a picture of the guys from the res, all goofing around, it looked like it had actually been taken in Emilys kitchen. It had to be one of the guys. You realised it was Paul’s after remembering what Leah had said about him staying for some of the night. He must have forgotten it when he left. You didn’t mean to see the message but it automatically came up on screen when you tilted the Iphone in your hand.
“Such a shame we had to cancel our date last night handsome, still on for tonight?” There were a bunch of emojis next to the text, the purple devil, aubergine, water droplets. You didn’t have to be a genius to figure out whoever this girl was motives were. At first you were embarrassed, to the point where your mouth was kinda slack and Leah was asking you what was wrong. Then you were pissed. 
“He’s such a dick, honestly. I don’t know why this makes him a dick, i’m just so mad. I know I’m not the prettiest, or the funniest, or most talented or anything but jesus christ I wish he would just notice me for once instead of these girls who will put out at the drop of a freakin hat!” Leah had taken the phone from you to see what you were talking about. She groaned and then noticed your whole body was shaking, in a flash she was at the door calling for Sam and the others. All you could see was red. Your vision totally blank, the covers under your hands balled up in your fists tight, your body shaking, heating up. Somewhere in the background you could hear someone shouting at you to calm down, but this time you couldn’t. You heard the sound of ripping and then all of a sudden the world around you changed. For one, everything in the room seemed to get smaller, or maybe you got bigger? You were still angry and started lashing out, only to be tackled by something from the side, leading you to smash through the wall of the wooden house. You still didn’t understand what was happening, until you heard them in your head. 
“Y/N CALM DOWN! We know this is scary but you need to calm down.” It was Sams voice. In your head. Or maybe, the voice was coming from the 8ft black wolf hovering over you. You didn’t scream, you didn’t even seem scared, and it’s because you realised, you were a wolf too. 
-Paul’s POV-
Y/N was safe, sleeping soundly in the room next door, or so Paul thought. It wasn’t until he heard the shouting that he knew something was wrong. Leah called for help and before he knew what had happened there was a bang and Sam was tackling a wolf on the ground outside the house. 
A white wolf. Small, slim, bright, with a single grey patch of fur around an eye. Paul shifted instantly, realising the unknown wolf in front of him was in fact his imprint. He let out a low growl to Sam, even though he was the Alpha, Paul didn’t like the fact he’d just tackled his girl. He looked her over, his tongue lolling out the side of his mouth almost comically, all the while Y/N stood staring and the grey wolf now in front of her, he could hear through the bond that she’d just imprinted, feel it too. Now she knew. 
-Your POV-
“Hold the fuck up.” You couldn’t believe what you were hearing. Part of you couldn’t tell if you were in a dream or had just gone plain crazy. The other part of you knew that everything was real but you just couldn’t process the information quick enough. “So you’re telling me, that our ancestors were these shapeshifters and the gene was passed down to us to allow us to shift into giant wolves and hunt down vampires. You know, Vampires, ‘I want to suck you blood’, creepy pale strong immortal beings with no soul? And werewolves, I mean, Shifters..” It was insane. 
“Anddd to top it off, the man i’ve had a crush on since 2nd grade is my imprint, the person I’m supposed to be with for the rest of my life?” You glared at Paul who had the audacity to wink in your direction. Looking around you noticed the other faces, all amused at your outburst. Okay, so this wasn’t a joke, it was some sick reality you were now a part of. You hadn’t looked in Leah’s direction yet, pissed that your best friend had kept such a massive secret from you. Obviously you knew it wasn’t her fault, she wasn’t aloud to tell you the tribes secret, they didn’t know that you would be another female shifter, apparently your kind were rare. It still stung a little. 
“What really sucks thought Y/N, is that you’re gonna have to cut you beautiful hair short, our human hair mimics the length of our wolf hair, hence why each of us one by one cut it all off.” Quil sat back and shrugged and Paul growled lowly, not lowly enough for heightened hearing. 
“Why now. Why. I-I have school and I have things I want to do with my life.. I can’t be a shifter..” Reality had started to sink in and you found it difficult to breath. It felt like everyone in the room was staring at you and it didn’t help that you could also hear what everyone was basically saying. Your chair was pushed back with a screech, falling over and hitting the wooden floor. 
“I-I need to get out of here, I need a minute..” You were out the door in a flash, Leah and the boys running after you. Somewhere in the distance you could make out Sam telling Paul to calm down and then heard what sounded like wolves shifting but you’d already made it to the tree line, being able to run faster than you’d imagined still in your human form. 
The air was colder the higher up you got. You didn’t know how long you’d been running for but it had been a couple of hours before you finally stopped. In the middle of nowhere, high up in the mountains you let out a scream, one that sent flocks of birds fleeing from trees, the notes of your anguish scattering in the breeze. Everything would be changing now, life as you once knew it was gone. Part of yourself would never be yours again, having to follow a pack system. Another part of you was giddy at the thought that the man you’d been in love with your whole life turned out to be the one destined for you all along, it only took shifting into a wolf for you both to realise just how compatible you were.
You’d been alone with your thoughts long enough when you heard a twig snap in the distance. The hairs on your arms stood up and your heart started beating rapidly, turning, you calmed when you noticed a familiar figure walk out into the open. 
“Paul.” You could feel the bond running through your veins, seeing him helped you breath better and the physical need and urge to be in his arms was too strong. Like he sensed it too, he was over to you in a flash, taking you in his arms, your body pressed against his, his nose buried in your hair breathing in your scent, like he was saving it to memory. 
“Y/N, it’s all going to be okay, I promise, nothing bad will ever happen to you while i’m around, I know it seems scary now, but it won’t be like this forever. You’re already so strong, and I’m lucky that fate paired me with you.”
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Yoooo. I hope you liked this chapter, I’ve had some writers block recently, just trying to keep going. I’m still not sure what direction I’m taking this fic, I do know however that this is set at the beginning of eclipse! So watch out for some vampire action!
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isaacthedruid · 3 years
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Please allow me to tell you about one of my favourite cartoons through this informal essay I did for school a couple of months back. 
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Gravity Falls and How it Did The Unimaginable
**SPOILERS... KINDA**
The 2010s saw the creation of some of the most iconic animated tv shows ever made, the likes of Adventure Time (2010), Steven Universe (2013), Over the Garden Wall (2014) and The Legend of Korra (2012). To explain why this era’s shows are so admirable is honestly rather difficult. Yet, there are many factors that can be taken into consideration when looking for an answer.
The past decade was very successful in perfecting their craft and utilizing the animated format to their favour, creating some of the wackiest and fascinating cartoons ever made. With the advancements made in both 2D and 3D animation for film, this bled into the world of TV as well.
To mention that 2010s cartoons have stunning visuals would be an understatement. Everything about the animation was beautiful; the strong colour palettes, the clean and imaginative character designs, the colourful and immersive backgrounds and especially the mesmerizing worlds that can be found within episodes that are half an hour.
This era’s cartoons also led to a massive shift in storytelling, writing longer-running stories that spread out across seasons while also swapping out episodic adventures for serialization. This heavily aided in the popularization of these shows, due to the rise of internet fandoms and dropping the taboo that cartoons were only for kids. Many shows acknowledged their older viewers by leaving clues and even puzzles to be solved by the theorists who have a large appearance on social media platforms like Reddit, Twitter and Tumblr. As the shows progressed, their fandoms created many theories for what they believed might happen within their favourite series. The top three shows from this era all utilized these changes, being at the forefront of the shift and helping guide the creative vision of 2010s cartoons.
Often regarded as many people’s favourite cartoon, Gravity Falls presented one of the best mysteries of the decade with two seasons and only 40 episodes. Inspired by Twin Peaks and The X-Files, it’s considered as the kids’ version of these two iconic shows as this cartoon acts as many people’s first introduction to horror through bright colours and fun characters.
This series follows the adventures of Dipper and Mabel Pines, twins, who are sent to spend their summer with their great-uncle or Grunkle Stan in Gravity Falls, Oregon. This town is full of oddities like supernatural creatures, insane and eccentric inhabitants, and many puzzles. The Pines twins must adjust to the weirdness while uncovering the mysteries and protecting their new town.
While living in Gravity Falls, the twins are forced to work in the Mystery Shack, a tourist trap created by their Grunkle Stan that overcharges unlucky tourists, teaching about fake monsters despite there being real creatures all over town. On his first day in Oregon, Dipper accidentally came across a mysterious journal written by an unknown author that explains all the oddities to be found in this strange town. This book acts like an encyclopedic of the Weird for Dipper, an inquisitive 12-year-old kid who seeks answers.
Dipper is an extremely intelligent kid, his brain being far more developed than his body. He’s rather awkward and self-conscious as he often stumbles over his words or gets embarrassed trying to talk to girls. Despite this, the boy is an adventurer at heart who just wants to grow up and skip his upcoming teenage years.
While Mabel is quite the opposite in many ways, she is loud and has an in-your-face personality. Mabel is bouncy and fun, she is so excited to start high school. She is easily excitable and for the larger part of the series, she is in her boy-crazy phase. Mabel is a girly-girl as she likes all things; glitter, unicorns, rainbows, partying and crafting. Yet, she doesn’t often compare well with many of the other girls in town, they see her as weird and “too much”.
(In all fairness through, it is not too kind to either of the characters as their personalities are more complex than just awkward nerd and artsy girl-girly.)
Dipper and Mabel’s personalities are very different but somehow, they—along with their Gravity Falls family—manage to solve mysteries and save the town, multiple times.
Gravity Falls is an honestly genius series that completely changed the way cartoons were made. Originally when writing a series, you’d create a base of your story; characters, the universe and a basic plot. Yet, when creator, Alex Hirsch (who was in his early/mid-20)s and his small team first began constructing their show, they planned out everything they could possibly think of for the first season. Additionally, outlining some answers for their biggest mysteries that would be answered at the end of the series.
Despite being rated TV-Y7, this series really pushed the boundaries of kids’ television. From the teeth being ripped out of a deer’s mouth by a demon, rearranging the functions of every hole on a man’s face to an aggressive pop-rock sock puppet show that ended in a dramatic slow-motion scene of the puppets burning. Gravity Falls wasn’t afraid to get a little weird or creepy. Or create some genuine nightmare fuel. 
From the beginning, Gravity Falls had built a mystery into its series, hiding secrets and clues all throughout the show. Most notably were the backwards-recorded message and cryptograms, using roughly nine different kinds, even creating two of their own.
The inclusion of cyphers and mysteries for fans to solve is possibly the reason why this series was so successful. As one of the first shows to do something like this, Gravity Falls used social media and internet fandoms to its advantage.
As mentioned earlier, cartoon fans have quite a presence on social media platforms like Twitter and Tumblr. They create theories and share fun ideas about their favourite shows. Viewers of Adventure Time, Gravity Falls and Steven Universe were all included in their share of theory fun.
Sometimes, fan theories end up being correct but when you’re Gravity Falls creator, Alex Hirsch, you don’t just watch from the sidelines as your viewers figure out the biggest mystery of your show. No, you create a hoax to get your viewers off your trail and that is what he did. Around 2013, only halfway through the first season of the show, viewers had started to follow the clues, theorizing who was the author is Dipper’s mysterious journal.
Unfortunately for the Gravity Falls production crew, the viewers were right— for the sake of readers who have never seen the show, I will not mention who the author was as it would be the biggest spoiler.
In 2013, a supposed leaked image of a tv showing a younger version of the show’s crazy old man character, Old Man McGucket, writing in the infamous journal was uploaded anonymously (by Alex Hirsch) to 4Chan.
Despite the image only being on up for a few hours, it spread like wildfire. Much to the team’s success, theorists stopped searching for the answer to “who is the author” and just accepted the image of McGucket as the truth.
To further push the fake-out, three words were posted to Alex’s Twitter, “fuming right now.”
The tweet was deleted a few minutes later and fans genuinely believed that someone from the Gravity Falls team had leaked the most important part of the story.
While doing research, I came across a Reddit post from April 10th, 2013, the day after ‘leak,’ Alex’s tweet was uploaded. In this post, user, TheoDW uploaded an image of Alex’s tweet with the caption, “It seems that Hirsch got mad at last night’s leak. He already deleted this tweet.”
Seeing the reactions of these Redditors in 2013 is kind of weird and crazy to look at. “He has every right to be upset. Someone internally released a plot revealing screen shot of series breaking spoiler information,” a deleted Reddit account commented.
“This is Alex Hirsch’s biggest success by far, he spent a huge amount of time carefully planning out the series, and then in a moment someone releases a major spoiler. It would make anyone upset,” the user, Time_Loop commented.
“Seriously, this is a nightmare for a storyteller, and shows a breach of trust. I feel so bad for him–honestly, I hope whoever did the leak gets caught and appropriate action is taken. You don’t f–k with someone’s story like this. It’s unprofessional.” the user, lonelybeloved angrily commented.
In 2014, this ‘leak’ was finally disproven when viewers were given an episode on McGucket’s backstory and an amazing tweet from Alex Hirsch. 
Alex had post an image of himself playfully pointing at a monitor with the supposed leaked picture with the caption, “1) Make hoax  2) Upload to 4Chan  3) Post angry tweet about "leak" 4) Delete tweet 5) Let internet do rest”
It is so interesting to look at these comments know that all of this was orchestrated by Alex.
I wish I had been old enough at the time to follow theories and fandom stuff like I do now with current cartoons but really looking at this from an outside perspective, this was insane!
The real author wasn’t revealed until 2015 and when viewers first got the answer to this biggest show on their screens, they must have freaked out!
Following the finale in 2016, a single frame of a stone version of Bill Cipher, the show’s villain, flashed in after the credits had finished.
Alex Hirsch and his team actually created a real-life statue of their villain for their viewers to find and on July 20th, 2016, the Cipher Hunt began.
By following clues, the Hunters found themselves all over the world; Russia, Japan and then travelling throughout the United States for the final 12 clues. When the hunt took them to Los Angeles, actor, Jason Ritter (voice of Dipper Pines, also a massive fan of the series) and Alex Hirsch’s twin sister, Ariel Hirsch (the inspiration for Mabel) joined in the fun helping the search.
Finally, the hunt ended on August 2nd when someone tweeted out an image of the found statue in Oregon, the same state in which the fictional town of Gravity Falls exists. The Cipher Hunt had ended but finding the statue wasn’t Alex’s goal for the scavenger hunt, it was about the journey and bringing together the viewers, more than having them actually find the statue.
Creating its own hoax, an international scavenger hunt and quite a bit of nightmare fuel, Gravity Falls was a show truly unlike any other.
The 2010s saw some of the strongest cartoons ever made, Adventure Time, Gravity Falls and Steven Universe acting as the leaders for multiple different changes in the medium; storytelling, worldbuilding, interaction with viewers, utilizing social media, representation and further pushing music into the cartoon world. From what was created this past decade and what has already been released in 2020, I’m so excited to see what comes next.
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I have another one of these which is on Steven Universe’s representation and music if you would like to see that too!! 
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lucky-katebishop · 3 years
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8 Underrated Comedy Mysteries
So weird comedy tv shows are kind of my niche, and I realized I’ve seen a few comedy shows that revolve around mysteries and an intriguing plot line, so I wanted to make a list to share them in case you haven’t heard of them! Not all of them are mysteries, like Miracle Workers, but it does have a plot that puts you on edge and every episode does end with a cliffhanger, so I’m adding it!
1. Santa Clarita Diet
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I’ve already talked about this show on one of my previous posts, but that’s because I love this show so much and is actually the one that inspired this post! Santa Clarita Diet is about a woman, Sheila, who mysteriously becomes undead, and her family who try to talk her out of her impulsivity to kill anyone she sees and get away with it. Her husband Joel tries to figure out how she became undead, how to stop it, while also trying to keep Shiela’s murders under wrap so they won’t be caught. The characters are adorable, the women are badasses and the men have the most respect for women, and the comedy is top notch. Every time I watch it, it blows my mind that all three seasons take place over the course of like two or four weeks because that’s how much shit they have to get through just to survive. It’s a tad gory, especially with the first episode (there’s a huge vomit scene but that’s easily skippable) but if you don’t mind blood and guts, this shouldn’t be an issue! It was cancelled with three seasons but I still say it’s well worth the watch!
2. People of Earth
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People of Earth is about aliens! It centers around journalist Ozzie who is investigating reports of alien abductions and meets a support group of alien abductees all the while actual aliens are looking at them from above. This was also cancelled but it’s a great mystery show which always ends on a cliffhanger. What makes it even more intriguing for me is that the aliens are able to go undercover as human beings so they can make sure that their identities aren’t being figured out, so it’s a great comedic fish out of water sort of thing. You’ll fall in love with the rag-tag team of alien abductors and abductees as you unravel whether or not the people of earth find out about what’s been going on. The comedy is witty and smart and you’ll quickly find that you won’t be able to stop laughing and watching. 
3. Search Party
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This show is a fantastic millennial play on Nancy Drew (kind of like if it were mixed with Girls) where the main character, Dory, finds out that an old friend of hers disappeared and she becomes obsessed with it, trying to string along clues in order to find her along with the help of her self-obsessed friends. It’s so much more than I expected it to be, and I promise you, don’t give up on this show. The first episode is a bit rough but once you get going, you’ll become even as obsessed as Dory to solve the mystery of Chantal’s disappearance. I didn’t end up watching the other seasons, as I found season one to be so good that I was afraid of ruining the show for me (I kind of saw it as a perfect limited series and I was too scared that would be ruined) but from what I read, it’s still going strong with four seasons!
4. Barry
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Okay, so this one isn’t that underrated, I’m sure you’ve heard of it, but it’s still nonetheless a very good show and I had to add it. It’s about character Barry who is a hitman who, while on his way to finish off an assignment, finds himself in the middle of an acting class and falls in love with it. He finds that giving up his old habits isn’t as easy as he expected them to, and he finds the balance between living a normal civilian life and carrying out the duties of his mercenary job a difficult thing to do, especially considering Sallie, an incredible actress in his class that he finds himself falling for. It’s hilarious, it’s depressing, it’s magnificent, it’s everything you didn’t expect but love and I really recommend this show to everyone (especially those who also had that weird Bill Hader phase after IT: Chapter Two came out). The reason I’m putting it in this category is because there is a mystery every season of whether or not his acting friends are going to find out about his secret life, and it’s very interesting and it always has me on the edge of my seat. 
5. Dirk Gently’s Holistic Detective Agency
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What more could you want besides Elijah Wood, corgis, cute British detectives, badass female characters, and a really cool murder investigation? Oh, and a punk band! It’s been a few years since I watched it, so my memory is a little hazy on the plot, but what I can remember it’s about Todd (played by Elijah Wood) who becomes the main person of interest for a murder which he didn’t commit. Todd meets Dirk Gently, a man who claims that everything is holistic (meaning that everything everywhere is fundamentally connected in ways that is up to the universe), who begs him to join his detective agency to figure out the murder, which strings them along a very weird and very connected case. It has two seasons but was sadly cancelled, but the two seasons are extraordinary and hilarious. 
6. Trial and Error
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Trial and Error is about new defense lawyer, Josh, going to goofy and backwards town South Peck to defend Larry Henderson who is being accused of killing his wife. It’s a hilarious take on murder mysteries, and each episode brings with a new piece of evidence. It has a wonderful father/son bonding relationship between Josh and Larry, and a colorful cast of misfits and oddballs who are all trying (in the words of the show) to get Larry off. I couldn’t praise this show more because of the goofiness and satirical nature of the jokes, all the while being incredibly heartfelt. It has two seasons, with season two revolving around the defense for self titled “Lady Killer” Kristin Chenoweth’s Lavinia Peck. 
7. Miracle Workers
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What more could you want besides Elijah Wood, corgi- oh wait, sorry, this is Daniel Radcliff, my bad. An anthology series, the first season deals with angels Craig and Eliza who try to convince Steven Buscemi’s God not to obliterate the earth with the help of his right hand man Sanjay Prince by answering a miracle: getting awkward dorks Sam and Laura together. They only have two weeks to answer this prayer, which is a lot harder to solve when everything is going against them, including extremely shy Sam and Laura. It’s hilarious, it’s witty, it has Daniel Radcliff, I mean this is an extremely amazing show! Season two has nothing to do with a mystery, and revolves around the same cast as different characters in the dark ages, but I still highly recommend that one as well because it’s just as funny. 
8. Russian Doll
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Thursday. What a concept! (Yes, that’s what that gif is from and in context it’s highly hilarious) This show is about Nadia, a woman who keeps her feelings to herself and her opinions out in the open, on her 36th birthday, who finds herself reliving the same day over and over again. She tries to solve the mystery and how to get out of that ridiculous time loop when she meets Alvin, a man who is also in the same time loop. It’s a story about love, friendship and loss, and I cry like a baby every single time I watch it. It has some of the most incredible writing and the pacing is excellent. It’s four hours of pure genius but it does also deal with trauma and depression so please check out the warnings. It came out in 2019 and I’ve watched six times, that’s how much I love this show! 
That’s the end of my list, I hope you agree with the shows on here and give me some recommendations if I missed some of your favorite mystery comedies. :)
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gwendolyn02 · 4 years
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For Him - Spencer Reid x Reader
Summary:  Reader would do anything for Spencer to be happy even if she doesn’t think her feelings are reciprocated, and when Maeve’s life is on the line she proves that. Plus reader and Spencer are able to talk effortlessly and have a deep connection not Maeve and Spencer. Also kind of inspired/based on Yellow by Coldplay
Word Count: 1985
Content Warning: Blood, guns you know normal criminal mind things :/
A/N: This is my very first fanfic I have ever written. I don’t really know what i should put as warnings and such so I’m winging it along with all of this. Also I don’t know what to classify this but I’d guess angst with a happy ending. Like I said this is my first fanfic so bear with me. I also did not proof read this because I was so excited to post it so it might have spelling or grammatical errors.
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Spencer and you have been the best of friends since a month after you joined the team, and you’ve had feelings for him just as long, little did you know the feelings were mutual. The whole team could see the longing looks when the other wasn’t looking, they even have a bet of when you guys would get together. You were always there for each other comforting and consoling the other when a case hit a little too close to home for either of you. You’d distract yourselves if you didn’t want to talk about why a case had upset you; You’d read to each other, watch Doctor Who, play chess, or even go on walks late at night to look at the stars.
When Emily “died” Spencer would come to your apartment crying his eyes out and you stayed strong for him as he has had so many people leave him, he needed comforting more than you, and that made your heart ache even more. You decided to take him to your couch, lay his head on your lap, and run your hands through his hair. It would calm him so much that he’d fall asleep. He looks so peaceful well he slept with his head on your legs you couldn’t help yourself to lean down and kiss him on his forehead and whisper, “Do you know, you know I love you so.”
It’s been a while since then, Emily is alive and in London, and everyone has gone back to normal, well everyone except for everyone’s favorite genius. He was happier than normal, but also more secretive. The team thought that you guys must have finally started dating until one day you came in to work looking a little down, and your longing looks towards Spencer also had pain in your eyes. That was the day after you found out about her. You were having one of your normal hang outs with Spence when you noticed he was spacing out a lot and he had this look in his eyes, a look you knew well. It was the same look you’d get when you thought about him. You didn’t like it, you almost denied it but you had to ask him if your suspicions were right.
“Who is she?” you blurted out. He jumped your sudden outburst blush started to creep up his neck.
“Who is who?” he asked hesitantly.
“Spencer I’m not stupid. You've been extra happy and more secretive lately, and you were just spacing out with a smile on your face. You never space out when we’re watching Doctor Who. So, there is only one reason, you’re seeing someone. What’s her name?” you ask hoping he’ll deny it meaning it’s not too serious or that you were somehow wrong.
He’s hesitant but he says, “Maeve, her name is Maeve.” Your heart drops at this, and you tell him your happy for him. You were happy it was getting late so it wasn’t suspicious when you said you were heading home after that episode. As soon as you closed your apartment door behind you, you leaned against sliding down to a sitting position finally letting your tears fall.
When he walked in late the day after that wearing your favorite outfit of his you realized you couldn't go through with your original plan of slowly distancing yourself from him even if you wanted to, because his happiness was more important to you than your shattered heart. So, you continued to be his best friend even if it ripped out your heart every day and you now had to listen to him gush over her.
It was all good until one day at work he told everyone about her and how he was sure she was missing and how because of that he couldn’t focus on anything for more than four seconds making him the dumbest person in the room and needing the team and your help. You have never seen him like that, it hurt you in more way than one, he loves her, it's clear in his voice cracks along with how much pain he is in, and at that moment you promised yourself you’ll do anything to bring her back to him alive.
*Time Skip to outside Diane’s loft*
Diane knew your feeling for him, and that you’re his best friend, how she found out your unsure, but she did, and she wanted you both there. If you had to guess it was to raise the stakes for Spencer.
“Take your guns and vests off.”
You and Spencer followed her orders.
“Now just you two come in.”
You guys got to the top of the stairs and she opens the door with gun in hand, “Put the blindfold on him and lead him to the chair,” Diane says to you. You do so very carefully as she has her gun pushed into your back as she follows you.
Spencer asks if he can take the blindfold off and gets told no. He and Maeve swap hellos as Diane is putting her hand down Spencer’s shirt and complimenting in his brain and looks until he mentions her thesis, as you watch a little confused on what you're supposed to be doing so you start to mouth to Maeve that everything will be okay.
Spencer is trying to trick her into thinking her thesis is valuable enough to keep her save and out of jail, as you are trying to run through all possible outcomes of this situation in your head. He is trying to convince her he loves her not Maeve, and to let Maeve live with her irrelevancy. She makes sure to make Spencer say he doesn’t love you too, which confuses you, he doesn’t love me anyways you think, but he hesitates for a quick second and you and Maeve catch it but somehow Diane doesn’t. She then kisses Spencer and when he doesn’t reciprocate, she knows he’s lying. He grabs her gun and it fires into the air and then Spencer’s arm, it happened so fast you weren’t able to help him in fact you were knocked onto the ground. The rest of the team was in the room now as you hear Spencer repeatedly saying to stay back. Your standing back up when Spencer is telling her, “There is still a way out of this. Diane, I offered you a deal and you can still take it. M-”
“Me for her,” you interrupt him.  
“Why should I do that?” she asked.
“Because he hesitated in saying he didn’t love me, if you kill her you wouldn’t kill who he truly loves. You’d still have the real competition for him left,” you lie for the second half of this, but you aren’t looking at Spencer whose eyes got even wider in fear as what you were saying was actually true, and Diane sees that and aims her gun towards you. As she does that the team all have their guns pointed at her head. You hear two guns go off and Spencer screaming “WAIT!” you and Diane are on the ground now. Your stomach was gushing out blood. Diane his down a few feet away from you a bullet hole right between her eyes. Spencer rushes over to you and applies pressure to your wound as he tells the others they need medics, now, your vision as blurring and everything you hear is incoherent. Then everything goes black.
You hear movement around you and even though your eyes are closed you can see how bright the lights are in the room you’re in. You open your drowsy eyes to see Spencer pacing the room, he seems to be a mixture of worried, nervous, and stressed. It also looks like he’d been pulling at his hair some too.
“Hey Spence,” you croaked out. He immediately turns to you and lets out a sigh of relieve.
“Y/N, you’re awake, thank goodness. How are you feeling?” he asked.
“Like I’ve just been shot, but other than that perfectly fine,” you chuckle. He doesn’t laugh back, instead he gives you a very stern look.
“Why’d you do it Y/N, why’d did you trade yourself for her?” he questions. You look up at him and think what the hell, might as well tell him the truth.
“Do you know Spence I’d do anything for you, I’d even bleed myself dry,” you tell him in all honesty. He looks at you completely flabbergasted. Then he flushes pink and looks extremely nervous.
“There’s uh... something I need to tell you,” he mumbles and you look at him intently, telling him to continue with your eyes, “I’ve got to tell you this now, I can’t hold it in any longer, especially after almost losing you, you know, you coded on the operating table twice? I almost lost you, twice. So, you need to know Y/N I'm in love with you and I have been for four years six months ten days eight hours twenty-three minutes,” he glances down to his watch really quick, “and fifteen seconds, and I broke up with Maeve, she knew when I hesitating in saying I don’t love you that I really did, and sure I loved her but nowhere close to how much I love you, I only started dating her because I knew there is no way you’d return my feelings, but that was unfair to her,”  he exhales loudly as he rambled forgetting to breathe in between sentences. You look at him in awe, mouth gaped open, and when you realize he staring at you waiting for you to say something.
“I love you too Spence, I have for a long time now, but I thought a genius like you would want another genius, not me,” you say blushing. He moves closer to you leaning towards to you and you lean towards him and gently brush you lips against his. He takes in that you want to kiss him too and smashes his lips into yours for a passionate kiss. You were so caught up in the kiss that you didn’t hear the doors to your hospital room open as the team walks in, you only realize when you hear Derek wolf whistle and Penelope squeal.
“My man,” Derek says slapping Spencer on his shoulder.
“Congrats,” Rossi and Hotch tell you guys, Hotch even wearing one of his rare smiles on his face.
Alex just smiles. While JJ pulls Spence into a hug before carefully doing the same to you. Penelope is so excited she hyperventilating a little bit in the corner with Derek now trying to calm her down, he looks over his shoulder at you two and say, “We’ll give you lovebirds some privacy” leading Penelope out as the others follow. You and Spencer just look at each other and smile contently.  
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Bonus Scene
As the team are outside of your room with a finally calm Penny G, JJ calls Emily and puts her on speaker, while the other each hand Rossi a twenty.
“Hey Em guess what just happened?” JJ says, and Emily doesn’t know so she replies with a what with a chuckle as she could hear the smile in JJ’s voice so she knows it's not a serious call. “Y/N and Spe-”
“You owe me twenty bucks,” Rossi cuts in.  
“Are you for real?” Emily asks knowing exactly what he was talking about, the bet the made when you first joined the team that they updated every so often and started going by months instead of days or weeks since you guys took so long. They had updated it right before Emily left and when Alex came, she decided to join it too. Rossi had this month.
“Yup,” JJ confirms, “we walked in on them kissing.”
“Well it took them long enough,” Emily says, and everyone laughs in agreement. Even though you were shot it ended up being a happy day.
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chicksung · 4 years
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stray kids reaction to their (idol) s/o being made fun of by fans? if that's not against your guidelines of course!!
Stray Kids reaction to their idol s/o being made fun of by fans
A/N: Hi beauty! Of course not! This is my first time doing a reaction so please bare with me here! Thank you for the request @dreamsaboutnct
Warning/s: cyber bullying, crying, disappointed chan
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Bang Chan: When he came home to find your shaking form in waves of tears, he knew something was up. He knew that you were in preparation for a comeback and he thought maybe it was the stress of it, but when you broke down futher in his arms and said that it was the fans that had you in this state, he was speechless.
To say he was disappointed was an understatement. He was baffled when he saw the tweets and comments regarding your appearance, your talent and abilities and even your relationship with Chan.
He decided to host another episode of Chan’s Room that night. As he greeted the fans, he watched the comments carefully, seeing if there was anything negative said about you.
“Now, I actually wanted to talk to you guys. I love being with Y/N. I truly do. But there are some things that need to be addressed. For as long as Y/N and I are together, I expect you guys to respect her and treat her like you would treat me. It breaks my heart to see how many negative comments my s/o has been getting and I am giving you one warning and one warning only. It has got to stop.”
He had never been so strict when talking to stays but he needed to knock some sense into this ridiculousness, but it seemed to work.
The next morning, #RespectYN was trending #1 on twitter and the negativity was outweighed by the positive. Chan smiled as you read out all the cute things fans had written.
“And if anything like this happens again, let me know. I’ll fix it.”
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Lee Minho: He hates seeing you cry. In fact, he hated seeing you anything but happy. You couldn’t explain yourself through the tears so instead you showed him your twitter feed, when he read it, he was frozen. How could his own fans do this to you. Not his stay. Everyone seemed to be supportive of your relationship. This was until he saw one tweet and he felt his blood boil.
“I’m not a stay but I am a (y/n’s fandom name) and honestly? Y/N doesn’t deserve Lee Know”
“Come with me.” Minho whispered, grasping your hand tightly and leading you elsewhere.
Sometimes, you really loved being in the same company as Minho. He told his manager and your manager about the whole situation and they said they would bring it up with the CEO.
Not a week later, Twitter once again say something that they knew was somewhat bad.
‘안녕하세요, JYP입니다.’
The article explained that if any further malicious comments were made about either idols, there would be serious consequences in place for the perpetrators found guilty.
Minho took out on a date that day, to clear out all the negative thoughts and feelings in your mind and heart with all the love he could possibly give to you. He really loves you.
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Seo Changbin: Changbin immediately pulled you into his arms when he saw the tears on your cheeks. He didn’t need to know if it was dance practice, a conflict between you and your members, or even if it was that time of the month again. All he knew was that you were upset and he needed to fix it. He pet your hair and let you cry out your feelings until your loud sobs slowly turned into soft sniffles.
“What’s wrong, love? What’s got my baby all upset?” He asked you, pulling you away from his chest and wiping your tears away with his thumb.
“It’s the fans. They’ve been telling me that I don’t deserve you and it’s getting to a point that I’m too scared to post on Twitter and Instagram or turn on vlive. I’m so scared, Binnie.”
Changbin needed to find a way to fix this. And what better way than to write a song. He knew it would take a while and he told you to just try and hang in there.
A few weeks later, he dropped his song on SKZ-Player and the response to it was overwhelmingly good. He decided to turn on vlive and he saw a comment asking what the song is about.
“The song is from the perspective of a fan. They really love this idol to the point where they think they will eventually get married to him. However, it shows the developed hatred towards the idol’s partner when the idol announces that he’s dating. I actually wrote this song to express what could possibly be going through a lot of your heads in regards to myself and my own s/o. They haven’t been taking your...’criticism’ too well.”
When he turned of vlive, within minutes, translation of what he had said had spread like wildfire throughout different social media but people seemed to get the message.
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Hwang Hyunjin: Hyunjin felt his heart break a little as he heard you blame the fans for your fragile state of mind. He almost didn’t believe what he was hearing.
“Come on babe. Let’s go and get some ice cream and come back to this with a clearer mind.” He whispered before a small peck on your cheek was delivered and he took your hand and headed out the door.
A few days went by and the messages were just getting worse. Hyunjin couldn’t ignore anymore and your state was deteriorating to the point where Hyunjin banned you of your phone and laptop. “If you keep reading them, it’s just going to put you in a worse state than you already are.” He argued.
JYP and your company both released statements concerning the mental health of both idols and if such behaviour was kept up, they would turn off the comments all together. That seemed to get the fans to see just how much their comments were hurting you and your mental state.
Hyunjin smiled when he saw the comments turning from negative to positive almost overnight.
“See? All it takes is a little shove in the right direction for people to realise what they’re doing is wrong.” He said as he cuddled you into his side.
“Ice cream to celebrate?” You asked with pleading eyes.
“Ice cream to celebrate.” He sighed.
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Han Jisung: Jisung listened to you talk out your problems. He judged watched you carefully as you vented about the heated argument two of your members had engaged in and now left tension between the two, but since the announcement that you and Jisung were dating, some of the fans were not being so...kind towards you. Your normally weekly vlives slowly became fewer and farther apart as you were too scared to see the comments.
When your eyes got watery, Jisung momentarily forgot everything else in existence. He forgot about the new album Stray Kids were working on, he forgot about his ramen that he was cooking. All his mind was filled of was ways he could make you feel better.
“Wait wait. Stay here.” He said, gesturing for you to stay put before sprinting out of the room. A few moments later, he returned with a blanket and the teddy bear he was planning to give you on your birthday but decided that you needed it now more than ever.
All wrapped up in a blanket and a tub of Ben and Jerry’s ice cream in your hand plus hugs from Jisung, your tears were long dried and gone.
“I’ll speak with my managers tomorrow, but right now, let’s just cuddle for now.”
“I love you.” You mumbled, your voice still a little crackly
Jisung chuckled.
“And I love you just as much...if not more.”
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Lee Felix: Felix was always good at reading people’s emotions. He was able to tell when people were angry or sad or just genuinely happy. However, it didn’t take a genius to see that you weren’t doing so crash hot.
“Sweetheart?” He called out as he patted the outline of your figure under your blanket cocoon. All he got was a sniffle in return. He sighed and collected you up in the blanket and scooping you up like a baby.
“Why are you crying, love?” He whispered into your hair as he pressed light kisses to your cheeks and forehead. You just broke down further, the only words he was able to pick up were ‘comeback’, ‘fans’ and ‘hate’.
Felix had a burning dislike for the four letter h word and didn’t really like using it unless he had really strong opinions on it.
“What about the fans, sweetheart?” He reworded his question and that just seemed to make you more upset.
“They’ve been calling me fat, ugly, useless, untalented, and even worse, that I don’t deserve to be with someone as talented and amazing as you.” You cried out, tears falling so often that your chest was constricting.
“Baby, baby, shhh. It’s okay. I’ll deal with this later. But right now, let’s focus on you.” He pressed his lips gently against yours and hugged you tightly. A small smile tugged at Felix’s lips. “Do you wanna bake some cookies with me?”
You’ve never said yes so fast in your life.
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Kim Seungmin: Your usually bubbly aura and personality was nowhere to be seen or felt when Seungmin dropped by your group’s dorm on a surprise visit (and partially to congratulate all of you in your first music show win)
When he saw your slumped over figure and your phone in your hand, his first thought was maybe you were tired, but when he looked closer at you and saw the tears, he walked straight over to you and picked your phone out of your hand like a grape.
“Hey! Minnie! Give it back!” You demanded, trying so hard to wipe away your tears. Seungmin ignored your pleas and started to look at what seemed to be the reason for silent crying.
“If Y/N really thinks she can sing, she’s got another thing coming”
“If I got hit by a truck, I’d look like Y/N”
“Can’t believe some bitch named Y/N got to Seungmo before I did”
Seungmin felt his blood boil, reporting each of the tweet for hate speech and turned back to you.
“How long has this been happening?” Seungmin asked, his eyes softening as he gazed over to you, sitting next to you and grabbing your hands.
You sniffed and couldn’t even look him in his pretty eyes.
“A while now...” Your voice trailed off as a new wave of tears cleansed your eyes.
“Why didn’t you tell me?” He asked, petting your hair and tilting your chin up to lock eyes.
“I didn’t wanna worry you.” You sobbed out. Seungmin wrapped his arms around your body and pulled you into his chest letting you cry it out.
“What worries me more is that you didn’t tell me and you didn’t tell the company either.” He whispered, pressing a kiss to the top of your head.
“How about I take you out to that barbecue place you really like? I’ll pay for it.” He offered, tracing patterns in your hands. You smiled and looked up him.
“That would be nice.”
“Go get your coat, sweetheart.”
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Yang Jeongin: You were Jeongin’s first serious relationship. He was shy around you even after being together for almost a year. He finally built up the courage and told the whole world that he, I.N of Stray Kids, was dating you, the member of the hottest debut girl group.
That shit spread like wildfire. Even though the majority of your fandoms supported your relationship, more recently some fans, who seemed to be notably younger, had been sending hate, not towards Jeongin but towards you for ‘taking away their oppa away’ from them.
It was a stupid thing to get upset over but as the days went on it, it just got worse and it was starting to chip away at your emotional state.
That’s how Jeongin came to find you, curled up and alone in the middle of one of the practice rooms.
“Y/N! Oh my god, are you okay?” He bombarded you with questions and checking you over for any injuries.
“I’m fine, Innie. It’s just...” You didn’t finish your sentence and just sighed.
“Just what? Please tell me. I wanna help.” He said with his round doe eyes.
“I’m guessing you haven’t been keeping up on Twitter.” You let out a half hearted laugh, trying to put on a brave face as you wipe your nose on your sleeve.
“Is this about...” He finally got the hint when he saw your phone thrown across the room with a new crack in the screen.
“The amount of horrible words that they’ve thrown at me is starting to eat away at me. I hate it, Jeongin. I hate it!” You yelled out the last part before wailing into your hands.
Jeongin wrapped you up in his arms and rocked you back and forth. His hands rubbed soothing circles on your back and started humming in your ears. Soon, your sobs were reduced to just small sniffles and he pulled your face of the crook of his neck. His eyes held an idea.
“Follow me. I know what will cheer you up.” He said, pulling the both of you up onto your feet as he guided you through the JYP building.
He lead you up a small staircase on the top floor and swung the door open. He had taken you to the rooftop. The soft noise of traffic below paired with the bright twinkling of the stars made the scene feel like it was something out of a movie. It brought an unfamiliar sense of serenity wash over you and for the first time in about a week, you smiled.
Jeongin laid down on the floor, his head resting on his arms and gazing up at the sky. His gaze cut to you and he patted the empty spot next to him, inviting you to join him.
You watched the stars shine vibrantly above you and you sighed with content.
“Y/N. Don’t you ever forget how much I love you. No matter how bad the comments get, that won’t change how I feel about you. I’m doing a vlive tomorrow night so I’ll address it then.” He told you as you rested your head on his chest.
“Thank you, Jeongin. What would I do without you?”
“I’m not quite sure.”
“Nor am I.”
I hope this was good. I know some were longer than others but I got more inspired the more I wrote it :))
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fandom-necromancer · 3 years
Text
Coffee, crushes and complications 
This was prompted by a lovely anon! I hope you like it, I sure did!
Fandom: Detroit become human | Ship: pre-Reed900 [Prequel]   [Part2]   [Part3]   [Part4]
 ‘Reed? In my office!‘ Gavin couldn’t think of what he had done wrong, but considering how many times he had heard this sentence before, the anxiety settled in immediately. Still, he stood up, downed the last sip of coffee and walked over to his boss’ office. ‘Yes? What’s wrong?’, he asked, sitting down in the chair in front of the table. ‘What’s wrong?’  The man in front of him laughed heartily and Gavin nervously laughed, too. God, had he phcked up that badly with his last job? ‘Reed, nothing’s wrong, quite the opposite! How you handled this rich asshole was… I would say impressive, but that doesn’t do the thing justice. God, how they could ever throw you out of the police force, I can’t understand. You didn’t let him off the hook until he answered your questions and gave him nothing to work with! That is investigative journalism at it’s finest and damnit, Reed, no one else deserves it more!’ ‘What?’, Gavin asked relieved, but also proud. ‘A raise! I would promote you, but I need you where you are now. I hope you understand that?’ ‘Hey, sure. Wouldn’t want to be anywhere else than in the field.’ ‘Alright. Then I’ll just sign the papers and send them to you. Really, Reed, you out-did yourself with this one!’
-
When Gavin came home that day, the first thing he did was jump and cheer in triumph, then pick up his unsuspecting cat and hurl her around. ‘Oh, Bready, today is the day!’ He kissed her on her shoulder, before she finally decided she had enough with an angry growl. Immediately Gavin let her fall to the ground and hurried to the kitchen, grabbing the phone along the way. The number he searched for was only two clicks away and he let it ring while pouring out some kibble for Bready and heating up yesterday’s leftovers. ‘Hey, Eli!’, he excitedly called into the phone. ‘How are you? You won’t believe what happened today!’ He let his brother guess a few times until the microwave pinged and he let himself and his food fall on the couch. ‘Urgh, Eli you are boring and have too much creativity at your hands. No, I got a raise! Honestly, getting fired might have been the best thing to ever happen to me. I get raises for being a nosy asshole! My new boss phcking loves me and my colleagues actually seem to like me. Oh, I’m happier than I’ve been in a long time. We need to celebrate that! When are you free?’
He took a breath and began eating while listening to his brother complain about new work politics. Gavin actually felt with him for once. His view on androids had changed quite a bit. He got to know quite a few androids during his work and the day one of his colleagues had come in in tears saying they would have to resign because of some anti-android assholes, Gavin had changed. It had only been a few months since he started his new life, but for the first time he felt like he had his life under control. And like he enjoyed it. Being fired from the only job he thought to be ever good in had been hard. But after being stuck in that low for weeks he had realised that if he wanted to be happy, he had to work for it. And he did. And it had become better. Seeking professional help, reconciling with his brother and finally finding a new job he actually liked had been the end of a long journey that was far from over. But he was happy. And he was confident it would go up only from now on.
Their conversation dropped into casual talk, a few jokes and teasing. It was already late when Gavin decided to end it for today. He was tired and he wanted to at least watch another episode of this new show he enjoyed so much. ‘Okay, so when do you actually have time? Tomorrow? Nah, can’t do, I’m meeting Tina at this new coffee shop. Maybe on the weekend? Yes? Oh, that would be awesome. Okay, bye! Love you too!’
He smiled as he wanted to stand up to bring the phone back, but Bready had already made herself at home in his lap, so he just laid it to the side and switched on the TV.
-
‘Hey Tina!’, Gavin greeted the woman already standing in line. She turned around and her face lit up. Shortly after, Gavin was encased in strong arms and had to chuckle. ‘Hey, hey, let me down, alright?’ ‘God, I haven’t seen you in ages!’ ‘You saw me last month’, Gavin reminded her. ‘I see you dipshit every week on TV! That’s not the same. I miss you.’ ‘Wait you watch it?’ ‘Of course I watch it!’, Tina said and punched his shoulder. ‘What do you think of me? Also, it’s funny seeing you be a dick to people that obviously hide one or two bodies under a rug somewhere.’ Gavin shrugged. ‘Well, whatever floats your boat.’ ‘It’s good to see you like it’, Tina then said seriously. ‘I worried about you after you left.’ ‘I know’, Gavin groaned. ‘But I’m fine, okay? Really, I feel better than ever. Now shut your mouth for a while, I have to think what I want to order for a moment…’
They got their coffee and tea as well as two slices of cake soon enough and sat down in a corner of the room. ‘So, how’s work on your end?’, Gavin asked. ‘Hmm, nothing interesting at the moment. We had a suspected serial killer last week, but it turned out the cases weren’t connected after all and thankfully nothing more than the two murders happened before we got them. Otherwise… Nah, nothing interesting you want to talk about.’ So only stuff regarding the new guy. Gavin had said upfront he didn’t want to know anything about the person that had replaced him. It wouldn’t be any use after all. Tina thankfully respected his decision.
‘I did get to know someone’, she then smirked as silence threatened to stretch. ‘A beautiful, funny android lady. She also likes cats!’ ‘Oh that’s cool, tell me more!’, Gavin demanded and smiled, listening to Tina ramble on, cake and tea completely forgotten. Gavin had been determined to listen intently to her, but his attention was drawn from her as someone entered the coffee shop. Someone very familiar. ‘You got to be kidding me’, he hissed, and Tina caught on to him, turning around. There at the counter stood Hank and Connor, looking at the board. Wait. Was that another Connor? ‘Hey, T, who’s the other Connor?’, he whispered. ‘Can’t tell you without breaking a promise’, she admitted, ducking her head. ‘No phcking way a damn Connor replaced me!’
Maybe he had been louder than expected, maybe Connor just had picked up his name, but the RK800 turned around to him, eyes going wide and tapping Hank on the shoulder pointing over. Hank looked in his direction and apparently wanted to bolt immediately, but the friendly barista behind the counter had already placed their drinks on it. In that moment, the other Connor following them had spotted him too. The next thing he did was march over with large steps.
‘Oh hell no, I’m not doing this! I-‘ ‘Hello. My name is Richard. I’m sorry to have replaced you.’ ‘Oh, get phcked!’ Gavin was not having it. He had wanted to drink his coffee and talk to his best friend. He had no interest in talking to this machine. ‘I have waited very long for this moment, my colleagues having tried their best to make this meeting impossible. So, no, I won’t “get phcked”. Not before I you didn’t accept my apology.’ ‘Yeah, whatever. It’s fine. I was an asshole. Deserved getting fired. Now shoo!’ ‘I still don’t deserve getting a job when a human needs them to survive. It wasn’t fair. I heard you… did not fare well after being fired.’ Gavin took a deep breath, before standing up, the sound of the chair scratching on the ground like a precursor of a fight. ‘Listen here, Richard’, he said, pointing his finger at his chest. ‘My personal history doesn’t concern you in the slightest, okay? It’s true, I wasn’t stable in my old job. I was easily angered, I overworked myself on a regular basis without even realising it in the end. I had no friends. I am depressed. My life was one giant, gaping shithole. When I was fired it was for a good reason, but it send me spiralling even deeper down. But you know what? One day I hit rock bottom and knew it couldn’t get any worse than this, might as well try to make it better. And I worked hard for it. I worked my ass off trying to rebuild bridges I’ve burned and seek help. Get over my own walls and live. Be happy. Find a job. And you know what, you goddamn tin-can? I did it. I am a different man and I am happy. So don’t-‘ He took another breath to steady himself. ‘Don’t you dare giving me pity. I am no sorry broken soul you can comfort so you feel better! So you have completed your good deed a day! I am fine. I am better than fine. So thanks, but no thanks. Don’t need it. Phck off.’
That actually worked. The android blinked at him, obviously processing, before apologising and heading over to where Connor and Hank had sat down. Gavin got back on his seat, too and took a large gulp of his coffee. As he sat the mug down, he stared into a grinning face. ‘What?’ ‘So aggressive’, Tina laughed. ‘Dude, the guy just wanted to be nice.’ ‘Oh, did he?’, Gavin grumbled and tried to get an inconspicuous look at the android. Of course, he had chosen the same moment Richard had looked over at him, so he quickly turned back around. ‘Yes’, Tina chuckled. ‘You don’t know how annoying he can be. Replacing you being unfair is the one topic he can’t shut up about.’ ‘Perfect’, Gavin sighed, but couldn’t keep his thoughts in check. Had this android really tried to advocate for someone he didn’t even know? ‘Yeah, always said how after going through your open cases and notes, he couldn’t believe someone fired you. He thinks you are some kind of genius I think.’ ‘Oh, wow, an android has a work-crush on me’, Gavin over-exaggerated and rolled his eyes. ‘Hey, you wouldn’t be that far from the truth there’, Tina shrugged. ‘”Gavin Reed would not have” is like every second sentence of his. It’s cute actually. And ever since you put him in his place just now, he is staring at you, that fancy mood-light turning yellow.’ ‘It’s what-‘ Gavin turned around, cursing when he stared in his eyes again: ‘Shit! What’s his problem? Anyways, you wanted to tell me more about Steph. Please. I beg you. Ramble about your soon to be girlfriend, I want to think about anything but this android.’
-
Richard on the other hand knew exactly what his problem was. He had exactly 335 software instabilities and errors to keep track of while he couldn’t keep his eyes off this human. He had known the man to be remarkable. But after that reaction? Oh, he definitely had to get to know him better. So, long after the human had left the shop and even after he had driven home, Richard was still planning how to see the man again. Maybe Tina had been right. Maybe he truly had a crush.
[>next part]
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tuiyla · 4 years
Text
So I finally watched The Owl House
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I wish I’d do this with every show I watch but it seems like only a lucky few get the She-Ra style rant of love treatment. Well, I finally watched The Owl House after my dash having been flooded for the past couple of weeks and I have some thoughts. Slight spoilers below.
First off, I love the whole vibe. I had a faint idea that this show would be about magic but I didn’t know much before watching - except for one thing, we’ll get back to that. The way it builds its world and deals with magic, though, is so refreshing. And I just have to mention here that I laughed out loud at all the Harry Potter jabs, they were hilarious. I expect we’ll learn much more about magic and its users as the show goes on but as far as the first season goes the introduction was really solid. It strikes the right balance between leaving things to the imagination but being more than “wave wand and magic happens”. It’s colourful, it’s creative, and I even like the ovens and school tracks, despite knowing that the story is about not conforming to those. It makes the Boiling Isles unique and make me want to learn more about the world even beyond the characters and the main plot.
TOH also presents a world that’s much more macabre than I was expecting from the Disney Channel, not that that’s a bad thing. I found myself thinking of Adventure Time at certain points and pondering, at scary moments, how kids would react. I think kids love this, though, and besides, nothing can be more scarring than Courage the Cowardly Dog was. It’s not that terrifying, of course, just daring enough to stand out. Overall the show has what I would classify as more of a Cartoon Network vibe than a Disney Channel one, but I admittedly haven’t really been following many Disney shows. In any case, I dig it. I dig the weird creatures and the beautiful backgrounds and I appreciate how alive the Boiling Isles feel. It doesn’t take long for TOH to immerse you in its world so I’m for one am hooked.
I make a big deal of loving the world itself because rarely does it happen that world-building stands out to me so soon in a series. I do love carefully constructed fantasy worlds but for the most part I’m more interested in the characters themselves. Here, I’d say it’s close to being a 50-50, which is something that even Avatar can’t say with its elemental masterclass in world-building (which is mostly because the character depth there is unrivaled but still). So yeah, kudos to The Owl House for achieving this. From Luz’s glyph magic to the covens and the titans, I’m excited to explore this world more.
Now, the characters. The real meat of any story. Starting with Luz, I have seen some criticism that she’s a generic hero so far, the “I’m a weirdo”, heart of gold, upbeat variety. I don’t think this makes her bland, though I do admit that being told over and over again that she’s weird makes me less engaged, even she’s also shown to be weird. I like the message of her arc and that the chosen one trope was deconstructed almost right away. I like that she’s relentlessly enthusiastic and kind to people and I like that she doesn’t have to get more bitter in order to get development. Instead, she learns from her mistakes but keeps being herself and brings her unique spirit to the Boiling Isles. We need protagonists like Luz, not just because she’s latina and bisexual but because her learning process doesn’t involve cynicism. Sure, there is a lot she needs to learn but her heart is presented as an asset and a sort of source of magic. I’m excited to see where her story goes, for sure.
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I’m gonna write briefly about the other characters before I get to my favourite one. Eda is super cool and I quickly got over the fact that she’s not Beatrice Horseman, lol. She embodies such a youthful energy but the show also allows her to be a middle-aged woman comfortable in her own body - well, owl curse notwithstanding. Also, her relationship with Lilith is one of my favourite parts of the whole show. Eda subverts so many of the mentor’s traditional tropes and I’m here for it. I kinda thought she was the villain based on her design and when I didn’t know anything about the show but hey, happy she’s not.
I don’t think I’d even seen a picture of King before starting to watch the series and at first I thought I’d get tired of him real quick. He’s the type of character who can get really annoying instead of endearing really fast if he’s not given any depth or charm, both by way of writing and voice acting. Luckily, I ended up liking King and his antics. His design is indeed adorable and Alex Hirsch is a genius. The only time I felt like he went too far was, perhaps surprisingly, in the book writing episode, “Sense and Insensitivity”, but even there going too far was the point. So yeah, King’s also great, there’s much potential in his backstory and general character.
Alright so really quickly, other characters: Willow and Gus are generic best friend characters and though they already have other things going on, I expect more development as the series progresses. I like that Willow is actually super powerful, just not in the way people expected her to and Gus is clearly also talented despite being younger. I’d be happy to see more of the other kids, get more familiar with Hexside. Edric and Emira are fun characters but they were really shitty in their first episode so I was kind of surprised they weren’t more of a nuisance to Amity later on. I’m all for supportive siblings so I wouldn’t mind a good relationship between the three but I feel like it’s more complicated than that with the Blights.
Finally, I also have to mention that Hooty is... well, quite something, isn’t he. Much like with King, I thought he’d be much more annoying but somehow the show is self-aware enough that it makes Hooty tolerable. I’m almost always torn between feeling sorry for him and being thoroughly weirded out, and I think that’s the intention? It’s fitting that he’s the titular character as he embodies the tone of The Owl House well in my eyes. He’s there for the comedy but there’s just enough there to hint at something more. Very bizarre, strong CN vibes, here for it.
Now that I’ve written a paragraph more about Hooty than I expected to, let’s talk about Amity. Listen, no other character stood a chance to be my favourite as soon as I learned Mae Whitman voiced Amity. That woman gave me Katara so now I have a quasi Pavlovian response to her voice. I’d also say that I knew more about Amity going into the show than I did about any other aspect of TOH. I heard somewhere that she started out as an antagonist, I knew her parents were abusive, and the reason the show blew up on my dash and my general online bubble is the Grom episode. Lucikly I only saw stills of Lumity beneath the crescent moon but the pure Sapphic energy of that was enough to gay migrate me to this show. I’d like to note it here though that The Owl House is a good show in and of itself, the queer rep is just a nice extra. I’m gonna spend the next couple hundred words going on about Amity and her crush on Luz but I don’t value only that. The Gay Migration is great and rep is great but I’m also grateful to have a solid show behind it. That being said.
I’m a total dyke for Amity Blight. I was very biased before even being introduced to her character but I genuinely find her to be fascinating and she has great potential. She’s developing quite quickly, like much of The Owl House, but an arc not being stretched out for several seasons before getting a rushed conclusion is refreshing. The progress hits all the beats and the only note I have is that I want more. She starts out as a generic bully but the opportunity to be more is there from the beginning. We find out early on that she used to be friends with Willow, we see that she works hard and values honest work. When she becomes Luz’s rival, it doesn’t last long before Amity shows that she’s open to new perspectives. That’s not to defend or even justify her earlier and nastier moments, Amity was rude to both Luz and Willow. But through all that, she becomes a complex character who does bad things but isn’t a bad person and grows when she gets the space to. I think that’s neat.
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Luz’s decision to befriend her might be cartoon logic but as someone who subscribes to the “kill them with kindness” ideology, I can totally relate. Amity’s softer side doesn’t take long to show and “Lost in Language” is such a great episode to show how complex people can be. Again, I was already biased when it came to Amity but she’s consistently shown to be capable of self-reflection and growth when others give her the chance. I think her past and potential future friendship with Willow is a great way to explore many different topics and I’m trusting the show to do it justice. I also can’t wait to meet the rest of the Blights, if only to get me some angst and further develop Amity. I half expected Grom to take the form of her parents. Too dark for Disney? Well, we don’t know Amity’s dynamic with her parents, exactly, but there’s so much subtext and potential. I love what we’ve already seen from her but I’d also say that she has one of the greatest potentials in the show.
Another way in which this potential manifests is Lumity, of course. Again, they’re developing quite quickly but that doesn’t mean it’s rushed. I’d love to explore Amity’s crush more and what Luz means to her. The Grom episode surpassed all expectations, still and gifs don’t do the stunning dance sequence justice. The animation is so smooth, the colours are amazing, the music is on point and the Sapphic vibes complete the picture. Poetic cinema, truly. Molly Ostertag and Noelle Stevenson are really out there giving wlw animation fans everything we ever wanted, huh. It also warms my heart that the crush is made very clear, not just by Luz’s name being on the note but by the delightful gay disaster that is Amity in “Wing It Like Witches”. I never thought I’d ever see such a relatable useless lesbian in animation so kudos to Dana Terrace and the whole crew. Wow, how far we’ve come.
So yeah, Amity is a funky little lesbian and I’m a 100% here for her gay disaster moments, but I also love where Lumity is going thematically. They’re great as foils and I’m hoping that they won’t get together at the very end. Look, I love me some Bubbline, Korrasami and Catradora, but it’s time a wlw relationship had the chance to exist onscreen and not only in the last episode. The Owl House has a great chance to do that. I know the creators don’t want romance to be the main focus and I respect that, I think the world they created deserves to showcased and explored to its full potential. Lumity could be a great subplot though, as representation on the one hand and as a thematically interesting dynamic on the other. Plus, Luz and Amity are just cute and sometimes, it’s as simple as that. Oh, and also the whole Little Miss Perfect thing? One of the best fandom discoveries I’ve made in a long while. Not only is the song truly perfect for Amity, I love that Joriah Kwamé went on to write Ordinary as well. This right here is why fandom is beautiful.
I think that’s about it for season 1 initial thoughts. The moral can be a bit on the nose at times, especially in the early episodes but the show is ultimately for kids and I appreciate its message. Interesting world and magic system, good characters, great potential for later seasons, just a well put together show that I’m really glad I started watching. I’m kind of sorry I didn’t keep up with season 1 as it was coming out but I would not have been able to wait between episodes. The pacing is good overall, deffo moves fast but I wouldn’t call it rushed, and the “filler” episodes still add something to the story. I’m not sure if I would still feel like the show moves at a fast pace if I hadn’t binged it but in any case it isn’t rushed, the necessary beats are all there and have time to sit. I’m going to watch as it comes out from now on so hopefully season 2 will arrive early next year.
Oh, and: I’m very new to the fandom, barely just found out about Little Miss Perfect, so any and all tidbits, fun facts, and fic recommendations are welcome. Also if you just want to chat my inbox is always open!
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animatedminds · 4 years
Text
Let’s Get Dangerous Review!
It’s dangerous. In a good way. <cue dramatic music> Okay, obviously there’s more thoughts than just that. I’ve been waiting for it for weeks, and it arrived just as awesome as I hoped. For the first time, let’s give my full movie style review to the double length Ducktales special: “Let’s Get Dangerous.”
The spoilers are open and widely discussed, so maybe don’t look past the following image if you haven’t seen the episode yet.
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To note, I’m not entirely convinced that this was actually meant to be a pilot. It definitely does introduce a new status quo for the Darkwing trio of characters (minus Honker for now, here’s hoping they haven’t forgotten him), but it’s also a very remote story that still tries to take place within the context of Ducktales’ universe, so it really depends on what they choose to do.
But let’s just get down to it.
First off, as I mentioned in my earlier post… Taurus Bulba. He was maybe the biggest and most eye-catching aspect of the first part of the episode, as one of the few elements we hadn’t already seen yet, and his reputation as a really, really bad guy has quite preceded him. As I may have gushed somewhat about, he’s one of the best parts of the special.
James Monroe Inglehart, for those living away from the Disney scene for a decade, is an actor and voice actor most famous for being the original Genie on Broadway’s Aladdin. A grand, bombastic presence, he generally plays characters who - much like the genie himself - a big, jolly, kind but maybe a little mischievous souls that take the attention of a room and brighten up the characters’ day - like Lance, in Tangled the Series. The most interesting thing about Bulba is that Inglehart brings that exact same energy to the role, and so Bulba keep that jollity and lofty personality in a package that becomes increasingly less nice as the story goes on. As someone who keenly remembers Taurus Bulba as cruel monster willing to hurt kids and capable of crushing Darkwing like nobody’s business, the contrast was immediately fun to watch - and I kept waiting for the other shoe to drop.
In this story, Bulba is recast from a crime lord intending to use a super weapon go on an endless plundering spree to a FOWL scientist with a respectable reputation who intends to use a super weapon to take over the world, and the transition goes off fairly well. The end result is a pretty standard mix of superhero fight and Bond plot, as Bulba ends up holed up in his lab with his squadron of elite supervillain minions - all plundered a particular fictional universe - with the heroes having to break in / escape from his captivity and stop him before he destroys everything. It’s very Silver Age, with Bulba in the role of maniacal villain, and he’s contrasted very well with Bradford - who is as always an antagonist who prides himself on pragmatism. This contrast leads to some great moments: Bradford’s increasing frustration with the cavalier attitude of both the heroes and the villains gives him the best stint of characterization he’s had since the beginning of the season - he basically spends the whole episode arguing with everyone about how badly thought out their actions are, while also badly hiding his own secrets.
The Fearsome Five (of which Quackerjack is voices by his original actor) are great to see, though used minimally. If you’re expecting to see classic show dynamics between the villains and Darkwing, that’s not really what they’re used for. Mostly, they’re minions with personality, and they’re more there to establish both to the audience and to Drake the character himself that he is ready to take on really big threats even with his lack of superpowers.
But enough about the villains, on to the heroes!
A couple episodes ago, with the Halloween episode, I criticized that story for not balancing its A and B plot all that well. This episode does not have that problem. The story is actually maybe about three fifths Darkwing’s story, and the rest of it is Scrooge and the nephews as they figure out what Bulba is up to independently of Darkwing and try to stop him themselves. It’s somewhat similar to Timephoon, where they’re there constantly and are doing their own bid to solve the story but the focus isn’t primarily on them. Instead, we have some of the best “HDL actually matter to the story” bits of the show, where they escape Bulba’s prison on their own and lead Bradford out, all the while slowly figuring out that something is shady about the guy. Meanwhile, Scrooge gets stuck in the original Ducktales universe’s most memed scene, which was a fun gag (but not the best gag - that would be the one and only Bonkers D. Bobcat as the Harvey Bullock-style cop in the Darkwing show).
Which I suppose can lead to a digression about the mad science bit here. The alternate universes here are… interesting. I always pay special attention to how things like time travel or other dimensions or alternate universes work in a series, and this one reminds me the most - I think - of DC’s Dark Multiverse: a collection of universes that are both explicitly fictional but made real because people created them. Ultimately, it’s less as if the OG Darkwing universe exists independently of the Ducktales universe and more that the in-universe Darkwing show as a world based off of it that the characters can reach into. I wish the episode had delved into that more, and now you’ve got people trying to use it to look for more establishment of OG Darkwing elements (though I was fine with it being separate, perceiving anything else as rather needlessly inexplicable), but ultimately that is not specifically what the episode is about, and is kept rather separate.
So what is the episode about? Like you didn’t already know…
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As always, Gosalyn Waddlemeyer is a little girl whose grandfather was done away with by Taurus Bulba, and who falls into Darkwing’s lap over the course of his adventure with him. Here, her grandfather is (possibly) still alive, just lost in the ether a la Gravity Falls’ Grunkle Ford. And like the mighty glazed McGuffin, Darkwing’s goal in the episode is less strictly defeating Bulba as it is helping her get her grandfather and her home back. Gosalyn here is self-sufficient and action oriented (it may be my inner Brooklyn 99 fan talking, but I loved Stephanie Beatriz as her, and kind of wish she had gotten a wider range of lines), taking on her own crusade against Bulba until she realizes she can go to Darkwing for help, and is constantly trying to pull him into the fight - even while he is reluctant, and no matter what the danger - so that they can win and she can get justice. But in the end, she has to accept that they might not be able to.
As a longtime Batman fan, I immediately recognized a plethora of Robin references with Gosalyn. She’s a kid who’s family was taken from her by a villain, given a surrogate home by the hero - like Dick Grayson. She’s a street tough who originally met the hero committing a crime, and who is both skeptical of his heroism and heavily critical of his flaws - like Jason Todd. And she’s a young genius with a lot of scientific knowledge, tech skills and common sense - just like Tim Drake. There’s even elements of Carrie Kelley or Terry McGinnis there, in her determined if not gung-ho approach to heroism despite her circumstances and the hermit-like behavior of the hero.
And in the end, this is a fairly apt comparison, because Gosalyn essentially ends the story more as a Robin figure than previously, now as Darkwing’s more of a ward and official sidekick alongside Launchpad. The story does not, to note, involve her being adopted by Drake or becoming Gosalyn Mallard. Indeed, they don’t really end up having that sort of relationship. They’re distant and don’t really know how to relate to one another, and not about to broach the subject of family except in distant terms. There’s ultimately far less emphasis than before on Gosalyn and Drake being similar and hitting it off on a personal level, or even really Drake keying into Gosalyn’s potential and spirit as a person vs an element in his adventure. Throughout the story he regards her as a victim to be saved, then ultimately as an ally with potential to be respected, and in the end he gives her an offer to take up the mantle along side him while they search for her family… which ultimately creates something very different.
For people expecting something a little more akin to the implications the show made with Gyro and BOYD, Gosalyn here. The implication that they could be a family is brought up by Launchpad, but neither Drake nor Gosalyn are really there at the end of the story - I want to say they’re not there yet, but the way the story goes gives off the impression that the dynamic duo dichotomy is the relationship for the two the writing is most comfortable giving them.
Again, I’m a longtime Batman fan, so I understand and appreciate the nod. It gives them a really cool status quo that’s distinct from what came before it. Still, the strong father/daughter relationship between the two was very much the heart and soul of the original show, an endearing quality that created the character traits we love about both characters, and ultimately one of the primary characteristics that set the Darkwing family apart even from most comic book superhero stars - so even if they made something great out of it, it’s a shame to see Ducktales ultimately keep that relationship at arms’ length.
But that’s less a criticism and more just something I wish they had chosen to do differently - and it makes sense for the 2017 team’s take on Darkwing, which has always been more focused on “irrepressible hero who doesn’t give up” - a pluckie rookie growing into his competence - than “former fool whose great potential is unleashed through the people around him.” The latter is there, sometimes, but it’s not prominent. Original Darkwing was a man made better by his daughter, while the modern Darkwing doesn’t quite need that to find the hero within.
The only (and I mean only) criticism I have is the way the characters kind of jump around in how they respond to things. Drake wanting more crime, and then freaking out when super crime shows up and it’s way more than he thought he can handle is fine, and is one of the better character bits in the special. It being unclear whether Drake is against fighting supervillains because he thinks they’re too powerful vs because he doesn’t want to risk Gosalyn’s safety is another thing, though - it seems the show intended to imply the latter but forgot to include the line somewhere, so it’s not inferred until later and Drake suddenly benching Gos towards the end lacks set-up.
For her part, Gosalyn is suddenly and quickly afraid to fight for a brief moment so Launchpad can inspire her to face impossible odds, even though it was hardly the first time she had done so in the special. The ending I think wanted the characters to be somewhere that the rest of the special hadn’t gotten them to yet. But it’s all good - it ends well, so all’s well. Best gag of the episode, btw? Fenton, who is awful at keeping his secret identity secret, has hooked up Darkwing with his own hi-tech hero lair. Darkwing, despite supposedly being a detective (or at least an actor playing a detective), ends up as one of the two or three people remaining on Earth who hasn’t figured out that Fenton is Gizmoduck. Darkwing considers himself good friends with Fenton, despite hating Gizmoduck. It’s actually very funny.
It’s as of now unclear what is coming up for Darkwing. We know the St. Canard characters are going to factor in more as the FOWL plot progresses, and this episode kicks that plot into high gear - the characters now know about FOWL and their intentions, and are preparing themselves for a far more dangerous fight than usual. In short, with the midseason comes the renewed focus on the primary plot of the season, as per the usual. Like I said before, while I’m not as on board as most with the idea that this was a pilot, St. Canard was definitely established here - with series regular Zan Owlson as it’s new mayor, and a general aesthetic and set of protagonists. It wouldn’t be remiss for a future episode this season to take place there (though we know Negaduck isn’t happening this season).
The new few episodes, however, are focused more on the quest for Finch’s treasures and FOWL, so that’s going to have to wait for a while. We’ve been promised, as I recall, an episode that brings all the kids together (unless that’s part of the finale), which is nice - I may have mentioned before that the best episodes of the series have been the ones that put the kids (who are the characters with the most focus throughout its run) together and let all their personalities run through an adventure together - and with the cast growing somewhat constantly, it’s nice to know that no one is being forgotten.
Either way, I give the episode a great deal of recommendation - I only had a couple things that bothered me, and a few wishes for different choices, and ultimately I’m planning on watching it a ton of times just like I did the first Darkwing episode. From a classic Darkwing fan, and in the words of Bat-Mite, it’s a different intepretation to be sure, but not at all one without merit.
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So thanks to Frank Angones, Matt Youngberg and the Ducktales crew! I hope my virtual thumbs up reaches them somehow, but either way, it was a good day to be dangerous.
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essaysbyciara · 4 years
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Old Habits Die Hard | Part Seven: Backseat
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SYNOPSIS | PART ONE: DAYS BEFORE | PART TWO: JUST BE GOOD TO ME | PART THREE: RECOGNIZE THE BUTTERFLIES | PART FOUR: DOWN THE STAIRS AND TO YOUR LEFT| PART FIVE: JUST KNOW | PART SIX: JUST & RIGHTEOUS
Warnings: Language, mentions of sexual situations
Peace, loves! We’re back. Thank you to all who hit me up about this story. My laptop died back in July so I’ve been trying to write on a tablet which…yeah. A struggle is a nice way to put it lol😔. Go ahead and catch the vibes and thank you for the reads, likes, comments and follows. Y'all are the realest. 
“I thought you didn’t smoke”
“I don’t. Doesn’t mean I haven’t…”
You take a strong pull of Dave’s blunt in conjunction with heavy breathing caused by his right hand causing a madness in the between. The cracked window of your car brings enough of a cool down so that the both of you won’t pass out from the nighttime haze and the heat travelling from your bodies. Finally, after two weeks, Dave understands your love language; he can’t keep his hands off of you even as you try to take a break from him. He lifts up your left leg with ease, draping your thickness over his right toned, tatted up thigh. The madness is now turning into magic.
“Dave…let me ch-chill. Shit.” He immediately relents, pinching your quivering thigh with that same right hand while grabbing his dutch away from you.. As you sit in puddles of sweat and Dave’s ruins, you stare at the stars above you. It’s the clearest night you’ve seen since you arrived in the city. It just so happens to be your last.
Dave catches your gaze at the night sky through the skylight above you. “You good, shorty?”
“Yeah, I just…” a slight chuckle escapes your lips. “…I can’t believe I’m smoking blunts and fucking in a backseat like high school.”
Dave feels the ping of your words. It’s the first time in the two weeks of your summertime escapade that he’s reminded of how different you two are.
He felt the slight of your words. You and his relationship always reminded Dave that he had some growing up to do. Because of his lack of a place – and the privacy that comes along with it – you two got it in whenever and wherever you could; after his brother went to work in the AM hours, when Aunt Jerri left the house for bingo, in the backseat of your car. Your surroundings would never get in the way of what you two were there for.
Just like Dave wouldn’t let anything stop him from getting at you the day you met. It was an unseasonably cool day for a block party. He and his boys were on the stoop, shooting the shit as always, when Dave saw you walk outside of Aunt’s Jerri’s house carrying trays of food. He knew all the girls from the neighborhood but he never laid eyes on you before. Your cut off shorts toed the line between modest and disrespectful. A white crop top tee and Air Max 90s sandwiched your goodness in the booty shorts you bought with the intention of showing off.
You turned around to see this caramel-covered king, 6’5, tatted from root to tip, body sweating through a white tank top inquiring if you needed any help. You froze like the bucket of ice Aunt Jerri laid down in front of you. He caught you by surprise. You didn’t remember boys from this part of town looking this damn fine. Dave was beyond that. The man you were supposed to be in the Bahamas with didn’t look like him either. Suddenly you were happy he bailed on you.
“Oh. My bad. I didn’t see you there…” You acknowledged Dave’s reach around you to grab a bottle of water from the same ice bucket that mimicked your gaze.
“Yeah, you bad…” Your right eyebrow never arched so high. It wasn’t the only body part that moved. You didn’t know how to respond to Dave’s street-laced flirtation, only to let your tongue peek out the side of your mouth, leaving Dave no choice but to stare at your lips. Dave’s stare and loitering in your presence caught the attention of your Uncle Trace. As Trace schemed Dave down to the basement to grab more lawn chairs, Aunt Jerri gleefully tapped you on the shoulder to remind you that what happens in Philly, stays in Philly. Trace told Dave to not let anything happen.
But as you kept talking, Dave slowly fell into your grooves. Dave didn’t know that you fit in so well because of your summers visiting Aunt Jerri, Uncle Terrence and the rest of the characters that made up your Dad’s side of the family. You acclimated to the energy. Half of your DNA was Reed Street, North Philly; the same as Dave. You two fit especially well in the spare rooms, backseats and basement meetups to you hid from Trace and the rest of the world that thought you had no business together.
But after this last backseat episode, you would be going back to the place that made you so different; to your senior grant writing job, your townhouse and your Roth IRA. Dave was just months into an overnight warehouse job that paid just enough to give him some change to save money to move out of the spare bedroom of Pardi’s already packed rowhouse. He was a work in progress while some would look at Dave as a sign of regression.
But for you, in that moment, nothing – and no one – would or could be better than Dave.
Until he disappeared and you met Yahya.
Right now, you hate Yahya’s guts. It’s been weeks since he told you that he’s taking on Dave’s case on a pro bono basis as a favor to Aunt Jerri. Still seething as you tried on wedding dresses, you kept your cool just enough to keep peace between your mother and her arch nemesis. This time you sided with your mother.
Yahya caught the rest of your static. He caught the silent treatment all weekend, the AM news radio station being the only background noise as you and him drove Aunt Jerri to Union Station. Once her and her hot pink suitcase rolled out of view, you went at Yahya’s neck. You never called Yahya so many words for “inconsiderate”, your Masters in Communication coming in way too clutch. But Yahya passed the bar, so his combative energy matched your loquaciousness. Onlookers got a good look at you two spar as he weaved through Beltway traffic.
To say that you were mad that Yahya took a case this close to the wedding would be a lie. You knew him to have a kind and caring heart, a heart that wouldn’t let injustice slip by. If this was anyone else’s plight, you’d be all for Yahya’s gracious spirit. But it was Dave. Dave who ignored you not once but twice. Dave who, in the very backseat of the car you’re yelling at Yahya in, told you to give him a few weeks and he’d be down to see you. The same Dave who defied all of the rules – and Uncle Trace’s threats– to get at you. Only to leave you. Dave needed to reap that.
But the Dave you knew – despite what others thought – wouldn’t hurt anyone. He was just a hair over eighteen when he caught the gun charge that sent him to prison. A gun he carried because he witnessed his brother die in front of him. He kept it on the straight ever since. Dave was saving up money for his own place, you understood the grind. He was a stone-cold sweetheart covered in a North Philly veneer. He didn’t sow a seed worth anything for this to happen.
Despite the battle on the Capitol Beltway, Yahya and you came home to convene the most obnoxious session of make up sex known to man. Damn the celibacy. Y’all needed to be on good terms and he needed to get Dave out of jail.
“How it’s going, love?” Your dining room is becoming Yahya’s makeshift work office. You couldn’t help to sneak down at night to read some of what Yahya’s been putting together for the case. Seeing Dave’s name all over his papers remind you of how many times Dave’s name escaped from your lips.
“Man, it’s good. We got enough for this bail hearing. I think we can secure a bail low enough that his family and the local justice coalition can afford.”
“Good. Let’s get him home…”
Yahya smiles at your enthusiasm toward Dave’s case. Despite the ninth-circle-of-Hell type of sex you two had in the aftermath of that fight, Yahya knew you steamed from him taking a case just mere months before the wedding. Yet your insistence to know details – like spotting you reading his notes – remind him of why he wants to marry you in the first place. “What date is the hearing?”
“The sixth of next month. You should come up with me. Watch me in action…”
“I can’t. I can’t be in that courtroom. I’d make you nervous.” And make yourself nervous to see Dave.
“You make me nervous regardless, Y/N. But I was thinking you’d want to see your friend get out of jail…”
Your breath stops dead in its tracks.
“My friend? Dave isn’t my friend.”
“That’s not what Jerri told me…”
Although you support Yahya, you still kept you and Dave’s past relationship a secret. Knowing Aunt Jerri, keeping secrets ain’t in her resume. You grip the kitchen counter to brace yourself for Yahya’s inquisition. He passed the bar on his first try; you got some work to do.
“Yeah, about that, I … didn’t think it was relevant.”
“Of course some puppy love shit ain’t relevant. It’s cute, actually.”
Nothing about what Yahya is saying to you makes sense like it does to him. As Aunt Jerri told Yahya about Dave’s case, she slipped in a farce that you and Dave “dated” when you both were kids, Dave buying you water ices and shrimp egg rolls from the “chinese store” whenever you asked. You two allegedly fell out once puberty hit the both of you like a ton of bricks.
So when Yahya peeped Dave staring at you from across the living room of Aunt Jerri’s house, he knew that as the look of a man who now knew he let something good get away. He knew Dave ventured down to the basement not to grab a bottle for Trace but to rspit game at you. Yahya knew you would turn him down, having seen it before. When Dave grabbed your hand , Yahya wasn’t jealous nor hurt: you were set to be his wife. He won. The baddest girl in the world belonged to him.
You start breathing again as Yahya explains Aunt Jerri’s novella of you and Dave’s teenage love affair. In her own twisted, demented yet genius way, Aunt Jerri covered for you. She knew that if she gave Yahya the honest details, he would – as a man –hesitate to help Dave. Apparently you both thought Yahya wasn’t mature enough to handle the truth.
Aunt Jerri’s lie is broken up by the high pitch screeching of your cell phone. You run to answer.
“You have a collect call from PICC. Do you accept the charges? …”
How many times can you stop breathing in one night?
“Hello?”
“Hey, yo… it’s Dave. I hope ain’t hitting you up at a bad time. Ms. Jerri gave me your number…”
“Oh, no … it-it’s cool. I, uh… how are you holding up?”
Dave couldn’t believe that you asked your fiance to help him get out of jail. At least, that’s the narrative that Aunt Jerri sold Dave on as she and Dave’s mother sat in front of him during their biweekly visits. Dave’s face, once pretty-boy and perfect, carried more wear. His jaw slipped when he talked, causing him a pain sometimes much worse than what happened that night in the store.
“This bail hearing is in two weeks.”
“Yeah, Yahya just tol-” You didn’t want to keep bringing up Yahya’s name. Though that man is Dave’s savior, he’s still the one that’s in the way of a final go around with Dave. “…the 6th, yeah.”
“I want you there.”
“You do?” Your aversion toward sitting in the courtroom subsides as Dave’s voice – sexy as ever, even through a prison phone – calls for you to be there for him.
“Yeah. If I get out, I got a chance. Especially with your dude as my lawyer. Thank you for that, for real. That’s why I’m calling, to be real. And I want you to be one of the first people I see when I get out..”
You wonder what story Aunt Jerri told Dave but you can’t take any more of her creativity. “So you comin’…?”
“…you have less than fifteen seconds left on this call…”
“I’ll…”
“…this call has ended. Goodbye…”
“…be there, Dave.”
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shihalyfie · 3 years
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The Kaiser wasn’t very good at being a villain (and that’s the point, actually)
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Ken’s journey of redemption is generally well-documented overall, and it was explicit enough in the series that there’s only so much you really need to explain it, but due to the blurred boundary of what was supernatural influence from the Dark Seed and what was Ken’s own emotional problems wreaking havoc, it’s somewhat more difficult to bridge that gap between the Kaiser and Ken, and how they can be the same person.
The easiest way to understand it comes from both directions. One is that Ken, even in his normal element, is much more assertive than he’s often given credit for -- it’s just that the Kaiser is a (fragile) manifestation of that very carefully cultivated to channel that in all of the wrong directions. The other has to do with the fact that the Kaiser is actually really terrible at being a villain, and the persona itself is very fragile and difficult for him to maintain.
Rewatching the first half of 02 shows multiple indications that, for all he seemed to be the stereotype “evil genius”, Ken was forcing himself into the mold. He was never cut out for it from day one. Even from the beginning, Ken’s actual nature as a lonely and inherently kind eleven-year-old child was tearing apart at the Kaiser persona, and the fateful episode 21 was not so much a single turning point for him as much as it was the last straw in a series of things tumbling down for him.
Before we continue: While all of the meta on this blog is only possible thanks to support and input from a handful of friends (whose names will not be disclosed on account of privacy requests), this one in particular arose from a long and extensive discussion with said friends that I am extremely grateful for. As always, I hope I was able to convey your points well.
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Well, firstly, it’s important to understand that, much like nearly any other character in this series, Ken’s surface demeanor is a bit deceptive. The Crest of Kindness has the original Japanese name of yasashisa (優しさ), which has a secondary meaning of “gentleness” (lost in translation, but still apparent with the bubble metaphor in 02 episode 23). That also ties into the secondary meaning of “kind” -- it’s not just about being naturally “soft”, but actively choosing to be gentle with others even when you’re theoretically capable of not doing so. (For those of you who have seen Appmon, the entire point of that series was about what it means to consciously and deliberately choose to be kind, and, in fact, quite a few parallels could be made between Ken and Haru...)
The contrast between Daisuke and Ken goes far beyond just the surface. Daisuke’s surface demeanor is abrasive, but he’s not actually very good at being assertive until push comes to shove, and he otherwise tends to bend easily to others or get overwhelmed; in contrast, Ken has a more polite demeanor and for the most part seems non-confrontational, but has much stronger control of his emotions and is more easily able to be assertive than Daisuke is. (Of course, both of them share the common point of being like-minded when it’s something that really matters, but Ken is much better at imposing his will and getting what he wants done before Daisuke ever gets to that point, which is what fuels the whole punchline of Daisuke and Ken’s Shopping Carol.)
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So, the point is: Daisuke is kind out of instinct and just “naturally” being so, but Ken is kind because he consciously believes in treating others well and not causing conflict, and not causing pain to others.
That’s not to say that Ken’s behavior is out of suppression or anything! It’s not a case like Takeru, who’s trying to push complicated emotions down while pretending they’re not boiling under the surface, nor is he like Hikari, who’s compulsively pressing her emotions down out of a desire not to burden others. Rather, even as early as 02 episode 26, he’s very straightforward about what his issue is and what he thinks about it. Ken’s “shyness” during the latter half of 02 is largely due to shame and hesitation from not knowing the other 02 kids well, but as the series goes on and as we go into post-02 material, he indicates that he’s perfectly wiling to be vocal about what he thinks without necessarily fighting any compulsion to suppress it. For someone who claims he doesn’t know much about his own heart, he arguably seems to have the best grip on understanding himself compared to a lot of this cast!
So in essence, the main take-home here is that Ken is theoretically capable of being strong-willed and assertive, and is very good at choosing when he wants to be assertive and when he wants to hold back. And he likes seeing people get along, and he wants everyone to be happy, and he doesn’t like seeing people be hurt or hurting others, and under normal circumstances, Ken has very good control of his emotions for the most part and quite a lot of self-awareness. That’s why Ken is the one to get the unique designation of this Crest; everyone in this cast can be said to be generous and supportive of others in some form, but there’s a difference between being a “natural” doormat who defers to others by default (Daisuke being a very good indicator of how this kind of mentality has a flip side of lack of self-esteem and high insecurity, and Tamers’s Takato being a good indication of how “being deferential” doesn’t necessarily preclude you from having tendencies towards selfishness or cowardice), versus choosing to be kind by understanding everything and still being gentle out of a belief that it’s the right thing to do (again: see Shinkai Haru). And it’s why Wormmon says in the 02 episode 23 flashback that Ken’s kindness can be used against him; being “kind” in this way requires a lot of mental fortitude, strength, and guts, all of which are things that could easily be very bad things when applied in the wrong direction.
This means that all the Dark Seed really needed to do in order to turn him into the Kaiser...was make him lose grip on that self-control.
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Actually, Ken says it himself in less-than-subtle words in Spring 2003:
…It was revenge. But who was this revenge against? Did I want to triumph over the ones who made fun of me? The ones who looked down on me and used me? But… In the end, it was revenge against myself. I couldn’t do anything but deny the kind of human being that I was.
So in other words, the Kaiser persona was, effectively, a self-loathing eleven-year-old boy throwing a massive tantrum. A lot of the Kaiser’s actions in the first half of 02 are honestly rather petty -- he’s basically upset at the kids spoiling his holiday in 02 episode 6, he attempts torturing Daisuke out of a petty grudge over a soccer sliding tackle in 02 episode 8, and everything to do with expanding his territory and eventually (hopefully?) becoming ruler of the Digital World is frankly very sloppy. For all he’s said to be a genius, his genius only seems to extend to book smarts, and his “tactical planning abilities” never really expand beyond that of a soccer field sort of affair; his way of locking down control on other things is basically just “brainwash it harder” or “whip it harder” and applying harder brute force instead of doing something in the long-term like, say, trying to rule with charisma and recruiting allies.
(Again, bringing Appmon back into this, seeing Cloud in action will give you a much better example of a charismatic human villain who’s actually competent at his job. Or, heck, you can even look back at Savers’s Kurata, who at least was savvy enough to pull strings with people in powerful positions. Or even the Kaiser’s predecessor Saiba Neo from V-Tamer, who may have been openly sadistic but still had the sense to align himself with background power. Really, compared to all of these folks, the Kaiser is downright pathetic.)
Remembering that Ken fell into the Kaiser persona partially as a desperate attempt to become a “perfect person” like Osamu, Ken “imitated” Osamu’s cruelty to him because he felt that was how he could improve himself to become a “strong” person better than him. But the irony here is that Osamu’s “cruelty” was something that he himself never liked, and mainly came from lashing out at Ken due to feeling like he had a lack of control over his own life. So Osamu was never happy in that position, and Ken, who is indirectly pointed out via the bubble metaphor to be even more fundamentally inclined towards gentleness, is probably even more miserable.
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Because everything Ken does as the Kaiser is “unfocused lashing out at everyone”, the Kaiser has less control over his emotions than Ken normally would. Takeru manages to emotionally pin him to a corner by confronting him with enough assertion in 02 episode 19 (this is before he punches him), and correctly points out that the Kaiser isn’t capable of winning with words (i.e. ideologically) and resorts to violence as the first thing he can think of. You’d think that if the Kaiser were actually someone with the self-confidence to consider the other Chosen Children beneath him, he wouldn’t even bother giving them the time of day, but Takeru just happening to be a little assertive is enough to make him lose his composure and start falling apart, and a lot of his shaken “insects!” yelling comes from him seeming pretty desperate to cling onto that rather than being all that confident about his natural superiority over anyone. 02 episode 20 establishes that he’s getting himself in over his head by tampering with the powers of darkness he can’t control, and while, on a plot level, it means that he’s misjudged his own capabilities, on a metaphorical level, it corresponds to the fact that even Ken himself is incapable of getting himself out of the emotional abyss he’s in.
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And on the flip side, one of the biggest “tells” that Ken is still miserable during all of this is 02 episode 9, where he’s seen ruminating on the “glory” he’s getting in the real world despite having just decided to leave it all behind. The episode prior, after all, had been called “The Digimon Kaiser’s Loneliness”. The media is using him like some kind of “hot topic”, his parents’ affection (in his mind) is shallow and based only on his achievements, and he has no friends (how much of a role Akiyama Ryou played in his childhood is unclear, but either way, he’s no longer around now). With no emotional support coming from any direction in the real world, he’s resorting to at least trying to have some “fun” in what he perceives to be a “game”, and yet he’s still not having fun at all.
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If you look carefully at a lot of the Kaiser’s actions during the first half of the series, one thing you’ll notice is that there are multiple indications that he’s not quite up to par to being as sadistic as you’d think he’d be. Recalling that we learn in 02 episodes 20-21 that the Kaiser is under the impression that the Digital World is like a game that he can “reset” and the Digimon in it not real living beings, it has interesting implications of the fact that he’s actually very hesitant to physically harm other human beings -- he certainly likes emotionally toying with them, but even when he’s trying to take petty revenge on Daisuke in 02 episode 8, he goes out of his way to set up a trap with Bakemon to torture him rather than, well, actually using the kids as hostages. That’s a hell of a lot of work to do, but he instead uses this extremely roundabout way to get them out of the picture in a somewhat less harmful way, risking having them escape (which is exactly what happens).
And in 02 episode 19, when Takeru confronts him and he ends up whipping him, you can hear a slight “...gh?” in the Japanese audio for a split second right after that, meaning that the Kaiser is, for some reason, having a hard time dealing with the fact that he just hit Takeru, and he does a very poor job defending himself against Takeru punching him out despite ostensibly being trained in judo. (Seriously, if you watch the animation of the scene, he’s just lying there while Takeru repeatedly punches the hell out of him, because he’s so out of it.) Regarding the Digimon, he’s convinced himself that they’re not living beings, but regarding the human Chosen Children, who undeniably are, no matter how much he might look down on them, he has a suspiciously hard time harming them as much as he could...
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On top of that, one interesting question that might come up to one rewatching the first half of 02 is the strange “contradiction” of why the Kaiser ostensibly seems to hate Wormmon so much, calling him an unworthy idea of a partner in 02 episodes 10 and 19, and yet does remarkably little to get Wormmon away from him or off his case (he hates Wormmon calling him “Ken-chan”, yet doesn’t really try very hard to stop him). He could have easily locked Wormmon away in a cage or something if he really wanted to -- actually, there’s the question, why doesn’t he slap an Evil Ring on him? Because in the end, Wormmon is the only emotional support he’s really getting, and so it’s likely he unconsciously doesn’t want to lose that. Recalling that Digimon are fundamentally linked to the inner self, the Kaiser rejecting Wormmon for being “weak” is analogous to Ken rejecting his own self for being “weak” and “not perfect” -- which means that the fact he still keeps Wormmon around is analogous to the fact that Ken hasn’t really been able to bring himself to completely let his fundamental nature go. And, hence, it’s why he gets so initially incensed at Wormmon’s “betrayal” at 02 episode 10 (and yet still keeps him around despite that), and is ultimately emotionally destroyed by his death in 02 episode 21.
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Although, actually, if you look carefully at 02 episode 21, it’s not quite Wormmon’s death that necessarily does it -- the turning point where he sheds the Kaiser persona is right before that (and in case you have any doubts, the animation puts highlights in his eyes for the first time in the series right at that point). Wormmon’s death is the first major consequence of his actions that he has to deal with, but what actually brought Ken back to his senses was his own realization that Digimon are living beings, that his actions have had permanent effects this whole time, and that he can’t take back anything he’d done.
Remember that 02 is a series that is largely about moving on and accepting that you can’t change the past, and that you have to move forward regardless of that. Ken’s fall into sadism was only possible by driving him into extremely deep-seated denial -- he was already starting to face the potential reality of Digimon being real, existing beings in the real world an episode prior. He says, outright, in 02 episode 21, that part of the reason he came to the Digital World to do all of this was escapism -- and, presumably, under the idea that any mistake he made could be rolled back and redone, unlike Osamu’s death. But the Digital World is not a place you can reset like a game, Ken will have to live with the consequences of his actions again, and moreover, every single one of the actions he’d been convincing himself were relatively meaningless had caused severe and permanent harm, and the entire thing overwhelms him.
It’s also important to point out that this was probably where the Dark Seed had to work a lot of magic to get Ken to embrace this kind of denial so easily -- after all, it’s established in the final quarter of the series that it does have a tangible impact on personality and puts a damper on one’s ability to feel empathy. In the flashback in 02 episode 23, regardless of whether Ken considered the Digital World to be a “game” or “able to be reversed” or not, he clearly still didn’t care and treated those around him with proper kindness (even if he did consider it to be all of that, it probably wouldn’t have been entirely unlike how a lot of us have a hard time picking rude choices in video games). It’s a very complicated chain reaction of events that allowed this to be even possible, and it was so against his fundamental nature that once the denial broke and Ken reached his limit, he wasn’t able to do it anymore. The Chosen Children’s main role in 02 episode 21 was really just cleaning up the massive mess he’d made in the form of Chimeramon, but as far as the whole thing about the Kaiser’s persona completely falling apart and Ken being forced to confront his own self goes, that was pretty much all Ken and Wormmon, in a series of dominoes that had already been collapsing for episodes on end.
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The following episodes have Ken treat the 02 team with a certain amount of detachment, and this is often construed by a handful of people as being reflective of Ken being standoffish of some sort. The fact that Daisuke and Ken are often promoted in franchise materials as “rivals” mainly due to them being in the “protagonist and right-hand-man” position such characters are in might tempt you to think that way, but they are most definitely not!! (Considering that even saying that Taichi and Yamato fit that mold is a bit questionable, and neither Ruki nor Jian quite fulfill the expectations of the role in regards to the genre-subverting Tamers, Frontier, which is explicitly said to be deliberately written to be conventional, is probably the first proper execution of this trope in the form of Takuya and Kouji.) Ken’s detachment from the group at this time in the series is something he actually gives the reason for quite directly: he believes it’s his fault and doesn’t want to burden them with what he considers to be his job, and in the end Daisuke ultimately breaks through to him and they become completely normal friends who get along. “Rival” what?
Ken is, at worst, distant during this point of the series, but he’s actually very straightforward about what he wants and intends to do; it’s just that he’s being a bit blunt about it because he’s still drowning in his shame and not sure how to approach them. (Also, consider the fact he was rather lacking in friends or a support group before all of this; he doesn’t have a lot of experience in socializing, either.) So he keeps everyone at arm’s length, and the reason he comes off as so standoffish is because he’s so assertive! He directly and bluntly makes some very strong remarks about how he believes everyone else shouldn’t be getting involved! Again, when left to his own devices and not being manipulated into by a supernatural evil seed into multiple levels of denial, Ken is very in control of what he wants and thinks, and is even very open about speaking his mind.
That’s even when they’re not good decisions, mind you. Ken starts off the climax of 02 episode 26 being very firm about wanting to suicidally throw himself into the reactor in order to stop it, and 02 episode 30 has him consider himself a burden to the team after the fallout with Iori and try to stay out of it despite them very badly needing his presence, which Daisuke (of all people!) rightfully calls him out for being childish about. But he also listens to reason very quickly and acknowledges the others’ point very easily, with Daisuke reminding him in 02 episode 26 that his suicidal recklessness is actually pretty self-centered and short-sighted of him, since it’ll prevent him from doing anything else to take responsibility for his actions going forward, and Miyako, uh, slapping him in 02 episode 30. (But he comes quietly right away as if acknowledging his own idiocy, and never holds it against her thereafter.)
Nevertheless, the point is: you can see that this kind of assertiveness is the same kind of assertiveness he had as the Kaiser, just channeled in a different direction and for a different purpose. But as the Kaiser, he was angrily lashing out at anything and everything and stepping on anything he could just so he could have a show of power; once he comes back to his senses, he reserves that force for it being something he consciously believes is the right thing to do (regardless of whether it’s actually the right thing to do or not).
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Because of the fact Ken spends a lot of the last quarter of 02 suffering and parsing a lot of trauma, a lot of people have tended to pin him as constantly sad and being a soft crybaby, but that couldn’t be further from the truth! Despite all the emotional pain he goes through, Ken has a hell of a ton of strength through all of this -- he even flings a well-aimed quip at Oikawa in 02 episode 44 despite being in a completely helpless situation, and in 02 episode 45 he himself is the one who volunteers to open the gate to the Dark Ocean, despite knowing exactly what it entails. That takes a lot of guts, and all things considered, his recovery from being the Kaiser spans only four months and is altogether incredibly fast given what he went through -- it did not take long for him to regain his bearings and get himself back on track. Again, it’s the same kind of “assertiveness” and capacity for action that fuels what the Kaiser did, just better controlled and in a direction Ken knows he actually wants.
This is also why I tend to object to insinuations that Ken would be overly touchy about or traumatized by the mere discussion of him being the Kaiser in the aftermath of 02, because the series itself, multiple times, portrayed him as being very able to talk about his experiences bluntly and honestly, at worst maybe considering it a bit of an awkward topic. He has no problems admitting that it was a thing that happened, especially if it involves discussing it as part of taking responsibility or preventing further damage -- it’s just that he of course doesn’t enjoy it either, and is equally as open about the shame he feels as a result. All of the times Ken loses his composure in the latter half of 02 involve either physical pain being inflicted on him, or a lot more actively vicious invocation of his memories and insecurities, and even then he gets himself back on his feet with a rather prompt amount of speed. Poorly timed of a statement as it may have been, Miyako is not incorrect when she says in 02 episode 31 that he has a certain amount of natural resilience that he carried from being the Kaiser.
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All the way back in 02 episode 9, shortly after it was revealed to the group that Ken was the Kaiser, Iori, Hikari, and Takeru all label Ken as someone who doesn’t look like someone who could do something so horrible, and Hikari even says that his smile looks “gentle” (note that this is yasashisou, a word derived from the same root word used for his Crest). So in other words, even all three of them were able to catch on to his actual nature betraying himself even during that awful period of time. It’s still poking through, all things considered.
But we as the audience know he’s putting on that face for the camera, and his eyes are still as dead-eyed as they are for the first half of the series, and when Miyako accidentally makes him laugh during the Christmas party in 02 episode 38, it’s very much framed as probably the first time Ken has been this genuinely happy in a long while. He was never able to be this happy even when “satisfying” himself by stepping on others as the Kaiser.
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And that’s why it’s so extremely unlikely that Ken will ever be able to lapse back into the Kaiser persona after the events of 02, even with the Dark Seed technically still inside his neck. He wasn’t enjoying it anyway; the Kaiser persona wasn’t a habit that he fell into out of emotional suppression or even catharsis, but rather him forcing himself into a role he was never comfortable in to begin with. He was never truly satisfied with anything he was getting out of it, and moreover, it took the combination of supernatural influence and a hell of a lot of denial to allow it to get that far in the first place, because of how far against his fundamental nature that was.  (Again, for those of you who have seen Appmon: think about what it would take to get Haru to embrace sadism.) Even Osamu wasn’t enjoying being cold; being kind and living your life with positivity is a lot more fulfilling and fun, anyway.
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In 02 episode 48, Ken describes the influence of the Seed as “horrible” in retrospect; even if it didn’t involve physical pain and exhaustion the way it did for the Dark Seed children, the entire experience sucked even back then. And while Ken theorizes about the Dark Seed’s influence being countered by the power of love earlier in the episode, when you look at the whole of 02, it’s not just his family’s love -- Ken now has the emotional support of his family, and Wormmon, and his newfound friends, and that’s giving him all of the fulfillment he wanted that putting on a front of sadism wasn’t giving him, and he doesn’t really need anything else anymore.
02 itself is very much about the fact that it’s not a bad thing to rely on the support of others to be happy; the Ken and Kaiser are undoubtedly the same person, but the latter’s existence requires a very specific lineup of events and factors to happen, and one of the massive parts behind that was a severe lack of emotional support or anyone who properly understood him. And by the end of the series, Ken has more than enough strength of heart to accept everything that’s happened and move on, and to stop reaching out to denial and clinging onto the past, and he has emotional support and understanding from a whole new group of friends that thoroughly understand everything he did and went through, and wholeheartedly accept and love him anyway.
He is never going to have a gaping hole in his life like that again.
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Not that anyone asked (but seriously I’d LOVE for someone to talk to me about PokeSpe (just no spoilers past vol 13)) but since I made an offhand remark about my Top 5 favorite characters, it occurred to me that I actually DO have approximately 5 top favorite characters, and I’m procrastinating on work, so I’m gonna ramble
**just in case, note that a lot of this will revolve around my childhood experience with gender in a “I’m AFAB (and present-day me still identifies as a cis girl) but I don’t fit in with what media is telling me girls are like” way, a brief childhood feeling of homophobia, and probably general TMI about my opinions and emotions throughout my life, haha
1. Yellow
Okay, so, I was a little kid when Pokemon Adventures started coming out in English, back when manga was released as single-issue monthly comic books instead of complete volumes.  So I was rereading the same chapters over and over while anxiously awaiting the rest of the story (and wound up missing a bunch of issues anyway)
I enjoyed the RGB arc, I thought it was fun, but I didn’t LOVE the series until Yellow showed up.  At that age my ideal crush was “a cute boy my age who would be nice to me” and Yellow was presented to the reader as a cute boy my age who was sweet and kind and gentle, but also good in a fight, as all shounen protags must be.  Extra bonus points because they had just a few physically weak Pokémon and tried to fight battles in a way that minimized damage to their own and the opponent’s Pokémon, which meant they fought in a particularly smart and clever way.  And I was considered “smart” for being good at school, so being a SMART cute “boy” my age who would be nice to me, Yellow was PERFECT.  I mean, I loved the arc in general because of the clever battles, and the mystery of what had happened to Red, why these people were after Pikachu, why Yellow was so secretive about themself and their mission, etc was really engaging.  But also I adored Yellow as a character and partly in a “I wonder if ‘he’ would like me??” kind of way X’D  So to my tiny child self who didn’t even know it was possible to like-like someone of the same gender (because I hadn’t read Cardcaptor Sakura yet XD ), the reveal that Yellow was a “girl” was devastating—I had to cross out floating hearts on at least one drawing of us holding hands (scandalous!) and, while kind of stunned and shaken for a while, decided that what I’d felt all along was a deep, intense desire to be friends X’D (which probably wasn’t too far from the truth since I was pre-puberty and later turned out to be asexual)
(Also note that I never got the RGB issue that had the chapter where Red helps a little ‘girl’ capture a Rattata—later proven to be Yellow’s backstory—so the gender reveal really came out of nowhere for me.)
But anyways, I still love Yellow as a character for all the above reasons, without the crush aspects because I’m way older than them now.
Also when I reread the series ten years ago, I finally realized “wait, aside from surprising the reader, there’s no real plot reason for Yellow to pretend to be a ‘boy’ except that Green told ‘her’ to—so why did ‘she’ do it?”...and because at that time I didn’t even know that nonbinary genders existed, I decided it was cus they had low self-esteem and pretending to be a different person gave them courage (the same reading I had for Mulan at the time).  These days I’m more inclined to “yeah, I think Yellow’s nonbinary,” but that other interpretation was deeply relatable to me and only made me love Yellow even more.
2. Bill
Bill’s definitely a character I’ve grown to love more as an adult, since I’ve gone from seeing myself as “a protagonist doing cool things” to “a side character just living their life who hopefully gets to do something once in a while.”  But as a kid and now, I like him mostly for the slapstick and goofy expressions and the (early chapters Viz translations) outrageous accent  X’D  My brain desperately craves endorphins and the best way to get em is through a good laugh.
But also, I liked that he was introduced as a goofy character-of-the-week who got into ridiculous trouble and had to be rescued, but then kept being brought back, was slowly built up to be the “smart sidekick who explains things,” and eventually got to the point where he was participating in big battles (the Yellow finale on Cerise Island).  I rambled about this in the tags of another post, but I liked that he was a character who was “weak” without being “useless.”  As a kid who was good at school, I was obsessed with being good at things and had developed a black-and-white view of the world where either you were “strong/smart” or “weak/stupid” to the point that failing or just being not-so-good at anything was devastating (it still kind of is), because that meant I was actually “weak/stupid” when I was supposed to be “strong/smart.”  So it was kind of awesome that this guy who kept getting into trouble and having to be rescued—and didn’t even want to BE part of the final battle—managed to hold his own and get through it and help out instead of being a burden that dragged everyone down.  Seriously, he used a MAGIKARP effectively—the Pokémon everyone makes fun of for being “useless” and he used its one attack to save his life!
(Bonus points for all this happening in contrast to my devastating childhood experience of stanning The One Girl Character in every popular shounen series, waiting desperately for her to get to do something in battle, and then her one spotlight episode revolved around her struggling because she was so weak...not only was that actually happening to a boy for once, it was actually happening in a more satisfying/empowering way :’D )
3. Gold
I have extremely specific tastes when it comes to “the dumb shounen/action movie protag,” because as a kid I hated it when the main character was “dumb” because I was “smart” (re: good at school) and people who were “dumb” shouldn’t deserve to be the main character and have all the cool powers and save the world and stuff.  As an adult, I hate it when male characters are dumb and/or jerks but it’s treated as fine or even sexy(??) and the other characters fawn over them, and I generally still kind of hate it when characters who are dumb and/or jerks get the big important role when there’s a female character RIGHT THERE who’s more competent (and OF COURSE she has to wind up falling in love with him)
But anyway, I have extremely specific tastes, and Gold is it  X’D  He’s the perfect combination of “unshakably confident in his own stupid/egotistic views” and “treated as annoying and/or comic relief by the rest of the cast” with a bonus dash of actually being really clever in battle (so my inner child goes “Ah yes, technically, he is ’smart,’ and therefore...worthwhile“)  Making me laugh while also impressing me is like the key to my heart.
4. Crystal
I’m too lazy to look it up, but when Viz was publishing Pokemon Adventures as monthly comics, they must have switched to publishing it as trade paperbacks only and/or had a huge gap between the end of Yellow and the start of GSC, because for YEARS I’d thought Yellow was the end of the series and was shocked the first time I saw later volumes.  (My dad was buying us the monthly issues at the local comic store, and either they wouldn’t have ordered the trade paperbacks or he wouldn’t have thought to check those shelves.)
Anyway, that’s a long lead-in to the statement of “Crystal would automatically be my #1 or #2 if I’d read her arc as a kid.”  She’s a girl, she wears pants, she’s EXTREMELY smart (genius-level “book-smarts” about every Pokémon’s behaviors and weaknesses PLUS being clever in a battle), was tough as nails (she KICKED her Pokéballs!!), had no interest in romance or her appearance, AND had a short arc about losing her confidence and training herself back up to full power.  I would have KILLED for a character like that when I was a little girl being told that “girls don’t like action shows like Dragon Ball Z” (but I was a girl and I did???) and that girls were supposed to be pretty and obsessed with fashion and dating, and that girls were never the main character of action series, just side characters who either did nothing or got one chance to do something and were pathetically weak (see above, and/or Sakura’s fight against Ino (Naruto), those couple filler eps where Téa/Anzu played Duel Monsters (Yu-Gi-Oh), Videl getting pummeled by Spopovich (DBZ), etc).
So anyway, she’s awesome, she’s exactly the type of character I would’ve loved as a kid.  The only reason she’s behind Gold here is because at my age, “makes me laugh” > “the kind of main character I used to wish I could be”
5. Green (the girl trainer...I’m just too loyal to the Viz version to call her “Blue”...)
I’m trying not to rehash the same “I’m a girl but none of the girls in my shows/comics are like me!” childhood woes over and over, haha, but as much as I always enjoyed Green for being extremely clever and outsmarting the boys and being funny when she did so, she always lost points with me for being “pretty” and flirting to get her way, because that put her in the box of “girls are supposed to be pretty and desired by boys and obsessed with their appearance and romance” that was so foreign and disheartening to me as a kid.
But her staredown with Ho-oh at the end of the GSC arc TOTALLY got me.  As a sad adult with anxiety, watching characters who are absolutely terrified overcome their fear, watching characters who are completely beaten down struggle back to their feet and keep fighting, is like my ultimate power fantasy.  That sequence genuinely had me in tears.
Also her bond with Silver is super precious, especially since that’s like the first time in the series we’ve seen her be genuinely emotional and vulnerable with someone instead of teasing or manipulating them.
Honorable mention: Sapphire
I haven’t gotten up to R/S in my reread yet, and I only read that arc once over like a weekend ten years ago, but I’m pretty sure she’s gonna be a Top Fave cus again there’s that “I'm not like other girls!” childhood feel  (last time I’m saying it, I promise)
It’s a story arc where one protag wants to fight the gyms and the other protag wants to win the beauty contests, but the one who wants to fight the gyms is the girl!!  And she’s the typical “dumb but extremely good at fighting” shounen protag but she’s the girl!!  She’s feral and illiterate and a total tomboy and wins all her fights and she’s a GIRL!!!!
--
Anyway, those are my kids and my dude and my probably way-too-personal reasons why.  If you wanna reblog, reply, or send an ask about your own faves...please
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rosethornewrites · 4 years
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Fic: Catch a Falling Star
Relationship: Adrien Agreste | Chat Noir & Marinette Dupain-Cheng | Ladybug
Characters: Adrien Agreste | Chat Noir, Marinette Dupain-Cheng | Ladybug
Tags: Mentioned Alya Césaire and Nino Lahiffe, Mentioned Lila Rossi, Crushes, loss of friendship, Balcony Trope, Angst and Hurt/Comfort, ml salt, Mentioned Juleka Couffaine, Naive Adrien Agreste, Lila Rossi salt, Crying, Revelations, Marinette Dupain-Cheng Needs a Hug, Hugs
Summary: Adrien has been worried about Marinette, as she slowly walls herself off at school. He decides to pay her a visit as Chat to find out what's wrong, and learns more than he's bargained for. Set the night before the events of the s3 episode Ladybug. Spoilers for that and Kwamibuster.
Notes: This was my first Miraculous Ladybug fic, written back in October. Might be a bit derivative but I couldn’t get it out of my head. The song “Catch a Falling Star” was stuck in my head while writing and had an impact on the fic. I don't normally write in third person present tense, but I kept lapsing into it and gave up.
AO3 link
Part of the Catch a Falling Star series
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Chat is always a bit torn on how he feels on nights he patrols alone. On the one hand, he is bereft of Ladybug. On the other, it gives him time to visit a certain bakers’ daughter for talking and treats—which he desperately needs given he is burning off far more calories than he is taking in; model diets are awful. He likes their discussions, how open she is with him as Chat rather than Adrien.
Tonight, though, he’s a little worried, which is another reason he's stopping by. Adrien has noticed Marinette isn’t her bubbly self lately. She seems to go through the day almost slouched, too subdued. The warmth she usually shares with the world is just… gone. It had slowly leeched away.
She’s curled on a lawn chaise, wrapped in a blanket with her head against her knees when he lands. And when she looks up at the sound, he realizes she’s crying. Not just a little, either, her face red, eyes puffy, their light dull.
“Princess...?”
Chat is too shocked to move. He’s never seen her like this, or anywhere close to this. She has always been so strong, someone who carries everyone around her when they need a hand. He hadn’t thought she could break like this.
Marinette wipes at her eyes with a sleeve and attempts a smile that’s barely a shade of her usual brightness. Even that fades too quickly.
“I’m s-sorry, Chat… I…” She’s silent for a moment, her lower lip quivering. “I’m not g-good company tonight.”
The despair in her voice unfreezes him, and he quickly settles beside her.
“What’s wrong, Princess?” He settles an arm around her, pulling her close.
She lets out a hiccuping sob, hiding her face against her knees again. “I c-can’t do it anymore. I can’t k-keep being strong.”
Chat rubs her back in slow circles, hoping to soothe her. “What happened?”
Marinette shakes her head. “I d-don’t want to b-bother you with stupid collège drama, kitty.”
Collège drama, meaning something at school. What has Adrien missed? He tries to think of how he might get her to share, then remembers her genius as the adorable Mouse Miraculous holder.
“It’s hurting Multimouse. Superhero business.”
She peers up at him, not looking too impressed. “Former. Remember? I messed that up, too.”
“But you were amazing, and you deserve better than what’s making you cry.” Chat’s brain takes a moment to catch up with her sentence. “What do you mean, ‘too’? Don’t people call you their everyday Ladybug?”
“Not anymore.” It’s barely a whisper. “I’m jealous, petty, and a bully.”
Chat cups her cheek gently, careful with his claws, tilting her face until she’s looking at him. “You? Never.”
She avoids his gaze.
“Princess, if I hadn’t seen you as Multimouse, I’d be convinced you were my Lady!”
Marinette actually huffs at that. “Not likely. I’m just boring old Marinette.”
“You are anything but boring.”
She just shrugs, despondent. It’s as though all the fight has gone out of her. She’s gone from Marinette to a marionette, and he has to find out why.
“Who made you feel this way?” Chat wants to yeet whoever it was into the next decade.
A ghost of determination crosses her face, and she leans away. “It’s not important, kitty. It’s not like it’s an Akuma.”
Chat leans with her. “But you could be Akumatized. And honestly, Princess, that’s terrifying. I think you could beat Ladybug and me--you’re creative and smart enough to. And I don’t want to fight you.”
“I’ve fought them off,” she murmurs.
His jaw drops. “You’ve… They’ve come for you?”
Aside from himself, Marinette is the only one in their class who hadn’t been Akumatized. He expected her to laugh at the idea, but… he’s absolutely serious about the idea being terrifying.
She pulls her limbs around her tighter, making herself smaller. “A few times.”
Few meant more than once, more than twice. He draws in a sharp breath, horrified. “Princess…”
“They go away if you remember you’re not helpless.” She looks up at him suddenly, her eyes wide. “Ladybug told me.”
“I don’t want them coming for you at all,” Chat tells her firmly.
Marinette looks away again. “I’m sorry. I’m not as good as you think I am, Chat.”
He pulls her closer as she starts crying again. “You are, but you’re also human. M’Lady is also human, and I’m sure she’s had the same thing.”
Chat immediately hopes she won’t ask if he’s faced it, but what she does say is worse.
“It’s… getting harder to remember I’m not alone. That there are options. I d-don’t know if I can keep—” She breaks off with a sob. “It’s t-too much.”
It might not be the best move, pulling her in his lap and letting her sob against his chest. It might be inappropriate. But if he was as upset as her, he would want the contact, so he risks it, murmuring soft nonsense to her until her sobs turn to soft tears again. It reminds him of holding Ladybug, the few times she’s ever been upset, and he doesn’t want to think about that—he so wished Marinette was her.
“Tell me?” he asks softly. “Letting it out to a friendly ear can help sometimes.”
Chat can feel in her body language when she relents, and he waits for her to gather her thoughts.
“I’m really not a good person,” she starts, and he has to stop himself from interrupting. “A while back, a new girl came to school, and was getting really friendly with someone… someone I liked. I followed them, because I really was jealous.”
Marinette is too kind to give him Lila’s name, but of course he knows it anyway. She sniffles, leaning her head against Chat’s chest, and he winds up learning how his father’s book disappeared—Lila had stolen it and thrown it in the trash—and Marinette had fished it out and even taken the blame when returning it to his father. She had even seen Ladybug confront the liar.
He hadn’t known she had done that for him, or that she had seen Ladybug yell at Lila for lying. Chat rubs her shoulder. “Why didn’t you tell him the truth?”
Marinette snorts. “That convoluted mess? He probably wouldn’t’ve believed me, and then A— that boy would be stuck at home instead of in school. He’s stuck like that enough already.” She shakes her head. “I just wanted him to be happy.”
He learns she knows about Lila’s Volpina Akumazation—and that she heard it happened again on Heroes Day. And her relief at the girl’s disappearance, even if it meant occasionally she Skyped and lied about where she was.
When Marinette falls silent, Chat pulls away slightly. “Princess?”
She curls in on herself again. “When she came back, she pretended to have disabilities. So Nino—another friend—gave her his seat at the front. But then he took my seat, and so everyone changed seats. But I guess no one wanted to sit next to me, no one cared where I’d want to sit. I wound up in the back. Away from my friends. Like I wasn’t important.”
Her voice is steadily getting softer, and Chat’s glad for his enhanced hearing. She tells him of the class turning on her when she asked why she was in the back, like she doubted Lila’s disability, her best friend accusing her of jealousy over a boy. He had the uncomfortable feeling it was over him—his civilian self, at least—regardless of what she had said at the wax museum.
Adrien doesn’t know what to do with that information. He adores Marinette; if not for Ladybug, he knows he would return her crush.
And then she tells him about being threatened in the bathroom. Chat stiffens—she didn’t tell him that before. He recalls his words to her at school, and knows now how wrong they were.
“That’s when I saw the Akuma, and I fought it off, and she became Chameleon.”
She falls silent again, and Chat feels he needs to say something. “So this is that Lila Rossi girl who keeps getting Akumatized.”
Marinette nods. “I don’t know why the Akuma would go after her—she wasn’t upset. She had me where she wanted me. But A— that boy I liked… he said I shouldn’t say anything about her lies anymore. That I should just let her lies reveal her eventually. Otherwise she might get Akumatized.”
“But what about you?” slips from his mouth before he can stop himself. He feels like a heel for giving her that advice without knowing the whole story.
Her lips twist in the sort of bitter smile that he’s used to seeing on Chloé. Not on her. It’s wrong on her.
“That’s what I wondered. I stopped saying anything, though. Because I’m an idiot and I liked him and I thought he had my back. But I wasn’t going to pretend to be friends with her or to believe her. I wind up lying enough—I’m not going to be an accessory to her lies.”
Chat blinks. Is that what he’s been doing? Being Lila’s accessory. “Are you angry with him?”
Marinette seems startled by the question and frowns. He can tell she’s weighing how she feels, considering carefully before she answers.
“I want to be,” she whispers. “It’d be easy. But he’s… naïve about how to deal with bullies. They don’t go away if you ignore them. They just get worse. But how would he know? He’s been homeschooled most his life and his only friend was Chloé Bourgeois, and she’s Queen Bully. And it took me years to stand up to her, so he… I guess he’s kind of the doormat I used to be.”
She falls silent again, and Chat waits for her to continue, considering her words as he does. She’s not wrong—he doesn’t know how to stand up to bullies. He’s only just learned to stand up to Chloé. A little, anyway. The “doormat” comment hurts, though, more than he expected.
“I can tell Lila makes him uncomfortable, touching and hanging on him like she does. Like he’s a possession. His smile is fake when that happens, but he doesn’t stop her.”
“He’s a boy, though. Aren’t guys supposed to like girls touching them?” Chat asks.
Marinette frowns up at him. “Kitty, it’s sexual harassment, any gender. Unwanted touching is actually sexual assault, too, even if it’s a girl doing it to a boy.”
She’s worried about him, he realizes. More than that, he’s never thought he has other options beyond grin and bear it with Lila and other girls. He’s never been told that’s not normal or acceptable behavior. He really is naïve.
Chat is also well aware that he pulled Marinette in his lap without asking. He shifts away from her a bit. “Is this okay, Princess? I didn’t ask, and—”
“Oh, kitty!” Marinette flushes and interrupts him. “You— I mean, you’re not— This isn’t—” She takes a deep breath. “You’re trying to comfort me, as a friend. Not trying to possess me. It’s not… not, um, sexual.”
Chat can feel his face heating, and knows he’s blushing himself.
“There’s a difference. I don’t think he knows that he can say no. He’s so sheltered, Chat. And I can barely talk to him so it’s not like I can help.” She sighs. “And Lila would make it a big thing if I did and I’d look like the bad guy again. I can’t help him when I can’t even help myself.”
Chat winces. He’s been completely unaware of her isolation, and he has no excuse for that. “Does he know that’s happening?”
Marinette shrugs. “I thought he had my back, that all that mattered was that we knew. But Lila started telling lies about me, making me look petty and heartless and cruel, and he hasn’t said anything. My best friend thinks I’m unreasonable and mean because I don’t want to be around Lila. I barely see my friends outside of school anymore.”
Chat is unprepared when her tears start again.
“So I guess she followed through on her threat. Maybe they weren’t really friends in the first place. Maybe they were just using me. Or they only want me when they need me. And only if I’m doing what they want. Only when I’m positive.”
He hugs her close, not sure what to say. He can’t understand why the class would treat her like this; Marinette has bent over backwards for them, always working to help. All Lila’s done is give them pretty stories.
“I wonder if he was ever a friend, or if he was just being polite.”
Chat goes still, horrified that he’s given her that impression as Adrien. But he’s never realized how much self-doubt she has; she hides it from everyone, and no wonder given what’s been happening. And he hasn’t stood up for her. He’s failed her.
“Maybe he thinks I’m annoying and mean and p-petty, too.” A sob breaks through, but she forces herself to keep going. “Maybe I never really saw him at all, just thought his smiles at me were real because I was infatuated with him. M-maybe he thinks I deserve this. Maybe I do.”
“You don’t deserve any of it.” Chat can’t stop the growl in his voice, and he takes a few breaths to calm himself. He’s made her feel this way, and he hates that. “Princess, you deserve so much better.”
She hugs him tightly, sobbing, and he holds her, resolving to change. To work to protect her. To be the friend she deserves but apparently doesn’t have. He let everyone abandon his everyday Ladybug, and now she’s full of self-doubt, a fallen star, because Adrien is inept.
Chat runs his clawed fingers through her hair, something he himself loves, something that comforts him, gently pulling loose the bands that keep it in pigtails, brushing through it. It takes a while, but she slowly calms. The way she’s relaxed against him, she’s close to sleep, but there’s more he wants to ask.
“Have you told your parents all this, Princess?” He’s limited in power, but he imagines her mom on the warpath could get things done.
Marinette shakes her head. “If things get worse, I might ask about… changing schools. Starting fresh.”
The idea chills him—school without Marinette, the very first friend he’d made on his own. He’d already felt the loss with her pulling away and into herself, staying distant and losing her shine. It’s what led to him coming here as Chat.
“You shouldn’t have to do that, Princess.” He realizes his hands have stopped, and he moves them closer to her scalp, brushing the skin.
“I know. But… it’s an option. Something that means I’m not helpless.” Her voice is a sleepy murmur. “Helps me against Akuma, maybe.”
He doesn’t like it, not at all, but it’s better than her being helpless to Hawkmoth. He never imagined she would be at risk of being Akumatized, but maybe he’d placed her on the same pedestal as he had Ladybug.
“What if you talked to that boy you like? Maybe he can help.”
She shakes her head, sinking more deeply against him. It occurs to him that their position together is almost… intimate. But he’s her friend, comforting her. Nothing more.
“I can’t… If he doesn’t believe me, I don’t think I could handle it.”
He wishes he could reassure her, but it runs the risk of revealing his identity. “I could talk to him? Make him see sense? Help him see you?”
“Kitty, don’t worry about it. It’s not worth it.” She sighs again as his hand grazes her ear and moves to the nape of her neck. “I don’t think I feel that way about him anymore. I wasn’t really healthy about it, anyway. I obsessed, I guess. I needed to stop. Maybe this was a wake up call. I’ve had a lot of time to think these past few weeks.”
She’s given up, he realizes. On him—or his civilian self, anyway. He doesn’t expect the tightness in his chest, the sense of loss that creeps through his body like the remnants of waves on a beach. Chat knows he should feel guilty that he’s cheated on his feelings for Ladybug, but he doesn’t. Rather, he’s amazed at the revelation that it’s possible to love more than one person like that at once.
Marinette is nearly asleep in his arms, and though he wants to keep holding her, she’s moved on. It isn’t fair to her for him to cling now just because he’s had a revelation.
“Let’s get you to bed, Princess. Wouldn’t want you to catch cold.”
He picks her up like the princess he sees her as, smiling as she loops her arms around his neck. He’s careful descending into her room, but once he’s fully in, he can’t move.
The pictures that once covered her walls are gone. All the ones of their friends, all the ones of him. The only two remaining are one picture of him in the pigeon hat, and another of him and Juleka modeling her designs. Replacing the rest are sketches of future designs. There’s nothing of Alya or Nino anymore.
“Kitty?”
“Just noticed you redecorated.”
He walks the few feet to her platform bed, gently easing her into it and pulling her sheets and blankets over her.
She manages a sleepy smile. “Treats on the desk under me. Take them.”
“I will.”
“Chat… Thank you. Talking did help.”
He reaches forward, burying his fingers in her hair again. She looks so different with it down.
“I’m glad,” he says finally. “Sweet dreams, Princess.”
He takes the plate of treats up with him, shutting the trapdoor behind him. Even after the treats are eaten, he finds himself still on her roof, engrossed in his thoughts. Only the distant chime of church bells indicating the late hour rouses him from his reverie, the tolls chasing him home.
Plagg is unusually quiet when he detransforms, letting him think uninterrupted.
He’ll change his behavior, starting tomorrow. Adrien will become the ally and friend she deserves. Not because it might rekindle anything—he doesn’t deserve it—but because he should have been one the whole time.
He doesn’t know it’s too late, that Lila’s plans will culminate in the morning with Marinette’s expulsion. That all he’ll be able to do is damage control after letting the liar’s claws dig into the school unchallenged for so long.
All he can do is try to help Marinette shine again, and never let her fade away.
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princepondincherry · 4 years
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The Tragedy of “The Wrong Jedi”
The first time I watched the Jedi Temple bombing arc in Star Wars: The Clone Wars, I was kind of uncomfortable with how it played out. I felt like it misrepresented how the Jedi Council would have handled the situation, that Anakin was going too far and uncomfortably close to the Dark Side, and that Ventress was handled strangely. But after reading a whole bunch of posts by tumblr user gffa and others about how the Jedi didn’t handle it too terribly, I’ve had to rethink my view. Thinking about it more, it’s definitely even more tragic than I realized.
I’ve got a lot to say (seriously, a massive wall of text) and, even though this is a really old show, I might as well put spoilers under the cut.
Okay, first of all: Ahsoka might not have been found innocent if she stayed in jail, but I bet she would. Barriss knocked out the guards and left Ahsoka a keycard to break out of her jail cell. As soon as she used it to break out, Ahsoka fell into the trap. If she’d just sat in the cell, eventually order would have been restored in the prison, and there would have been some sort of evidence that someone else was trying to frame her. Unless Barriss managed to spin it so it looked like Ahsoka broke out, killed some clones, and then returned to her jail cell? Seems unlikely. The genius of the trap was that breaking her out was exactly the sort of rule-breaking she’d expect Anakin to do, so I can’t blame her for falling for it.
Actually, taking a step back, the frame-job only worked because Ahsoka was an impulsive Padawan. I tried imagining how other Jedi would have reacted, and a few of them would have ended up much better. Anakin probably would have been screwed too, but a lot of more-experienced Jedi would have just begun meditating calmly in the cell and been able to follow the promptings of the Force to end up with a better outcome. In particular, Obi-Wan probably would have laughed about the key card and managed to talk his way to some sort of advantage with the clones who came to investigate. (And, of course, someone like Yoda might have just sensed Barriss like Tarkin said Ahsoka should have been able to.) None of this is Ahsoka’s fault, of course--she’s a great Jedi; she’s just in training still, and not the calmest.
Moving on, the Jedi Council expelling Ahsoka *really* bothered me, and I don’t think that’s an uncommon opinion. Other people (gffa, again) have talked at length about how they were under great pressure from the Senate, and so it wasn’t entirely their fault, but I still thought it was a terrible, if understandable, decision. They brought that the Senate was concerned they wouldn’t be impartial, but I thought, “Let the Senate be concerned. The Council *know* they’re impartial, so if Padawan Tano is guilty, they’ll find her guilty and punish her. Which, of course, is what the Senate wants. And if she’s innocent, they should support her no matter the political consequences.” But then I realized that the evidence against her was so strong at that point that the Council was probably assuming any trial would find her guilty, and the only real point of contention would be the punishment. The Jedi would probably decide on a punishment that wasn’t strong enough for the Senate’s liking. So instead, they decided that expelling her from the order *was* their punishment. It’s my opinion that this was either discussed in offscreen Council deliberations or just understood by the Councilmembers, who’ve worked together for a long time. The episode probably just didn’t make this explicitly clear because we’re intended to emotionally be on Ahsoka’s side, feeling betrayed like her, and only figure out the larger implications later with more thought and analysis. If this is true, it totally worked on me. You could definitely make a good argument that they still should have made a stand, but with public opinion and the opinion of the Senate turning against them, they had to pick and choose their battles.
                                                     THE TRIAL
The real thing that convinced me to write this post was the emotions and framing of the end of the trial, when Anakin brings Barriss forth and gets her to confess. The whole trial makes masterful use of oppositions. First, Tarkin and Padme are prosecutor and defender. They literally enter from opposite sides. Symbolically, since we know these characters, this is Grand Moff Tarkin supporting his vision of punitive control (he calls for the death penalty!) versus Senator Padme Amidala, supporting the rights and freedoms of an innocent. The symbolism and conservation of characters is nice enough that I can overlook how stupid it is that an Admiral and a Senator are the ones arguing this case or that the Chancellor of the Republic is also overseeing a trial. (Also, a Jedi accused of sedition is a BIG DEAL.)
Palpatine, of course, gives a grand speech about how Separatists have fooled the Republic before, laying on the irony as thick as he can as he accuses Ahsoka of being part of a plot to tear the Jedi Order apart. There’s an interesting interaction when Anakin breaks his stride right before he declares Ahsoka guilty, and I imagine he was torn between annoyance and his desire to have Anakin like him. And then when Barriss starts her big speech about how the Jedi have lost their way, he must be thrilled that these sentiments are getting such traction among the populace that even a Jedi espouses them and gets such a public stage to proclaim them.
Because--and this is the important part--Barriss is WRONG. - “The Jedi are the ones responsible for this war.” -- INCORRECT - “We have so lost our way that we have become villains in this conflict.”--INCORRECT. One thing that bothered me is that so much of the anti-Jedi argument is that they’re killers, but we almost always see them fighting droids. This is the most bloodless war ever, even assuming there’s a ton of offscreen collateral damage. ONSCREEN we see the Jedi avoiding collateral damage as much as possible. - “We are the ones that should be put on trial; all of us.”--No, literally just Barriss should be put on trial, for her senseless crimes. - “My attack on the Temple was an attack on what the Jedi have become--an army fighting for the dark side.”-- Incorrect on two counts. Others have explained how the Jedi are CLEARLY the good guys in this show, and more than that, her attack on the Temple was pointless murder that failed to even make a clear statement. She killed Jedi, non-Jedi workers, and clones, so I guess she was just symbolically opposing the war effort, but considering she had to explain herself before anyone guessed her motives, I don’t think she did a very good job.
Once you accept that Barriss is wrong, this becomes extremely tragic. - Anakin’s clearly struggled with the dark side over this whole arc, but he hasn’t Fallen. He’s still firmly a Jedi, firmly rooted in the Light. He lets Ventress go when he realizes she’s not responsible (which may have been a bad decision ethically, but it was probably better than just killing her), tries talking calmly to Barriss first, and sees justice done. He works within the system by making sure Ahsoka is arrested. - The music is just SO GOOD. When I was believing Barriss, the dark, dramatic music just made me more uncomfortable (”ahh, the bad guy is right?!”), but now it’s just sad. - This trial has been taking place in a Senate courtroom with the Imperial logo prominently displayed on the wall, Tarkin prosecuting, and the future Emperor presiding. But when justice is truly served, it’s by Anakin Skywalker, a Jedi Knight opposing Palpatine, and four Jedi Guardians escorting a prisoner. And...look, in terms of iconography, those guys are awesome enough to challenge all the Imperial paraphernalia, with their masks, armor, and special yellow lightsabers. Seriously, I’m surprised over the strength of the feelings I’m having about the clash of icons here. The failing Republic/future Empire is about to perpetrate a great injustice, but in march the traditional guards of an ancient peacekeeping order in full dramatic procession to bring true justice.
Barriss and everyone else taken in by anti-Jedi propaganda fail to realize that the Jedi aren’t the cause of the problem--they’re just a bandage struggling to help people like Padme hold a failing Republic together as crime syndicates, the Sith, and more base forms of evil such as corruption tear it apart.
I’ve written waaaay too much already, so I won’t talk about it too much, but Ahsoka’s arc in season 7 supports my thoughts. Basically, that arc starts with her realizing how the common people often have at least semi-legitimate reasons to dislike the Jedi, and it ends with her realizing that she’s been acting like a Jedi the whole time (and the one hostile Martinez sister realizing that since Ahsoka’s basically a Jedi, she’s been judging the Jedi too harshly).
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