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alwaysahiccupandastrid · 2 months

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I know I’ve spoken about my issues with ‘Peter Pan and Wendy’ (2023) before, both in my initial thoughts post about the film after it released and a couple of smaller comments since, but I’ve realised something this past week after rewatching the original Disney cartoon and the 2003 non-Disney live-action while sick, and I feel I need to talk about it.

It’s about Wendy Moira Angela Darling.

While I stand by that Ever Anderson was one of the highlights of the film and that she did a great job as Wendy, the Wendy in the film is not really the Wendy seen in Barrie’s book, nor the one in the play and other films adaptations. It’s a very different character in a lot of ways, and while it’s normal for characters to differ from adaption to adaptation - especially over the course of 70+ years - I feel like the Wendy seen in the 2023 is more like Jane, Wendy’s daughter, from Disney’s Return to Neverland sequel in 2002.

Let me preface by saying that I actually love Jane in the sequel as a character - I see a lot of myself in her, and while the sequel in itself is not really my favourite, I do have some nostalgia for it because I grew up with it and it’s a cute little story. I like that Jane is actually different from Wendy in a lot of ways; she’s a lot more headstrong and more of a tomboy, and while she’s also a storyteller at times like her mother (mostly to her brother Danny), she is a lot more practical I think and seems to be opposite to Wendy in that she’s trying to grow up too fast. Wendy believes in Peter Pan and doesn’t want to grow up, meanwhile Jane believes Peter Pan to be silly childish nonsense, that she has to grow up quickly and be more adult due to the war/her father being away - Wendy says to her, “you think you’re very grown up - but you have a great deal to learn”.

Obviously the 2023 Wendy doesn’t want to grow up, that’s still the same, but in terms of personality, temperament and the way she treats her brothers after the broken mirror incident (blaming John for it), she reminds me more of Jane than Wendy. Like Jane, she also doesn’t seem to have a good time going to Neverland (at least not at first?) and she seems to take on a lot more action than Wendy did in the animated film.

Of course, it’s not the first time that we’ve seen Wendy wielding a sword and fighting pirates - the 2003 Wendy was shown to play with wooden swords and use real ones, even remarking, “who are you to call me ‘girlie’?!”. I’m not saying that Wendy can’t be a sword wielding girl and fight because she can, it’s one of the additions I love the most about the 2003 film.

The problem with the 2023 version of Wendy is not her being a main character (she has always been a main character), nor her sword fighting and being generally bad-ass - it’s the erasure of the other qualities that make her Wendy Darling.

One of Wendy’s primary character traits is her mothering nature - she is very motherly to her brothers, and when she hears that the Lost Boys don’t have a mother, she’s aghast and agrees to be their mother. The whole “Peter is father, Wendy is mother” idea is clearly a reference to how kids in the playground will play games like “mummies and daddies” - kids imitating what they see around them. It’s all a big pretend game in Neverland for fun. It’s also undeniable that Wendy pretending to be the Lost Boys’ mother is clearly reflective of her own mother, who she adores and is portrayed as the loveliest lady ever, and how she’s imitating Mrs Darling in a lot of ways during this “game” - singing to them, telling them stories, medicine etc.

Some would argue that Wendy is “forced” into being the “mother” and that while all the boys are off having fun, she’s left playing house, which I understand. But what a lot of modern audiences and filmmakers don’t understand these days is that motherhood is NOT an anti-feminist idea - there seems to be this view that portraying a girl wanting to be a mother or expressing the wish to be married/have children is some old-fashioned misogynistic notion, which is absolutely bizarre to me.

As a feminist myself, I believe that there is no clear cut definition of “womanhood” or what it means to be a strong woman with autonomy. Some women want to have careers and not have children, and that’s fine; some women want to have children, that’s fine; some women want both, and that’s fine. What matters is that it’s the woman who is deciding what she wants.

For me, Wendy has always been this remarkable and extraordinary character to look up to because she chooses to grow up - and for her, that means having her own children to tell her stories to. That’s what she wanted, that’s why she went back to England, and that’s part of her character arc, realising that by growing up she has things to look forward to.

For some reason, when 2023!Wendy thinks “happy thoughts” to make herself fly when being walked off the plank, her vision for the future that she looks forward to involves piloting automobiles that haven’t even been invented yet and then dying alone? Which… I mean, if that’s how someone wants to live then fair enough but that’s not Wendy. That’s not the Wendy Darling I grew up loving.

A lot of my issues with the 2023 version of Wendy do in fact link with other issues of the film in general: the Lost Boys including girls, for example. Like I get wanting to be inclusive, and I 100% wanted to be a Lost Girl growing up, but the Lost Boys are boys for a reason (“girls are much too clever to fall out of their prams”), and when Wendy arrives it’s a huge deal because they’ve never actually lived with girls before, and the only concept of girls they have is their memories of “mother”, which is why Wendy becomes their mother figure - because they literally don’t have any other female figures in their lives to compare her to other than the tiny scraps they remember of their mothers.

There’s also the issue of the thing prompting Wendy not wanting to grow up being changed; in the original, it’s because it’s her last night in the nursery and moving from the nursery - aka the room she has spent her entire life thus far in - to her own room is a HUGE transitional worry that a lot of kids probably go through (usually it’s in the form of moving from toddler beds to big kid beds but still). In the 2023 version, she’s being sent off to boarding school for some reason which doesn’t really make sense to me because the Darling parents a) are so poor they have to have a dog as a nursemaid and b) love their children so much that they would never do that to them. I’m not saying that being shipped off to boarding school ISN’T a worry for a young girl or a huge deal, but it isn’t one that I think necessarily fits with the story.

There’s the fact that Wendy is no longer the storyteller; in most versions, the reason Peter visits the nursery is because he likes her stories. Instead, the reason he comes to the nursery is not because he likes her stories but because he used to live in the house? And instead of bringing her to Neverland to tell stories, he comes to take Wendy away as he apparently heard her saying she didn’t want to grow up? It just doesn’t sit right with me, but maybe that’s just my opinion.

Also, for some reason, Wendy and Peter don’t actually seem to like each other at all in the 2023 version - I’m not saying there should have been romantic hints or whatever, but even just in a friendship way they really don’t seem to care in any way about each other. They just seemed rather indifferent towards each other, and it’s kind of jarring to see.

In some ways, I feel like 2023 Wendy was made a little too bad ass and on the nose super feminist: “this magic belongs to no boy!”, slapping Peter across the face (which was just…??? Why?!?!), constantly criticising Peter/Neverland, having WAY more action and heroic moments than Peter Pan himself… maybe in a different story it could have worked but for this one, it came across forced at times, like they were intentionally trying to show “look! Look how badass she is! She can fight off grown men all by herself! She doesn’t need a boy to help her! She can do everything by herself!”

This is why I feel like the 2003 version of Wendy is the best one (so far): while they modernised her slightly by making her sword fight and express an ambition to write novels about her adventures, she was still a storyteller and motherly figure to the Lost Boys/her brothers. For me as a child, seeing Wendy be the storyteller and her journey of acceptance about having the grow up was really important to me because I could completely relate to it.

Of course, I recognize I’m very biased because this is the one I grew up with (along with the animated Wendy of course) so I’d be interested to hear other people’s thoughts!

#peter pan #peter pan and wendy #wendy darling #neverland #jm barrie #j.m. barrie #disney #peter pan 2003 #peter pan 2023

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buckets-and-trees · 1 year

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Out of These Waters

Fandom: MCU Characters/Pairings: Mer!Bucky x Princess!Reader Word Count: 7.6k

Summary: Fathoms below the surface, the tales of merfolk aren't mere tales, but a reality - a society sworn to secrecy, protecting themselves from the dangers of humans. But one of them with a yearning for what's out there keeps being drawn further and further into the places he should not go. A gender-bent adaptation of The Little Mermaid to be told in two parts.

Content/Concept Warnings: liberties taken with Hans Christian Andersen and Disney source materials, pining, magic

Additional Notes: Written for the @buckybarnesevents Connect4 Alternate June-iverse to fulfill my C3 "Gender Bend" square, looping in a number of dialogue prompts for Navy and Roo's May Challenge over at @the-slumberparty (designated in bold), my second square of @buckybarnesbingo B2 "Hidden," and MERMAY (shush, I know it's coming in at the absolute last seconds before the whistle blows). Thank you @navybrat817 and @rookthorne for letting me shout at you and go on at length riddling out this plot! A/N 2: This is part one of what needed to be split into two halves of a thorough adaptation/retelling. I had NO INTENTION of doing anything mermay. But a few weeks ago mermay art started surfacing on my dash... and I was enamored. And then some of Mindy Lee's art was shared in this post, and I thought... but what if Bucky were a merman with ridiculously long, dark, flowy hair like that... And then there was this merBucky art by @haflacky, and @navybrat817 sent me this one, and, and, and... and I realized the square I had been most perplexed about how I would find something to inspire a muse for could work if I made Bucky the protagonist of The Little Mermaid. So if you've noticed that I leaned heavy into the reblogging of mermay art, NOW YOU KNOW WHY.

“Why are you looking at me like that?”

Steve shook his head. “I can’t keep saying the same thing again and again, Buck.”

“Then don’t.”

“You know you’re supposed to guard from below, not above. The whole point of our guarding is to maintain secrecy, ensure humans never get too close.”

“Is it not better to know exactly what’s going on than to wait and react?”

Steve’s tail lashed quickly forward and back again, a further show of the frustration already written on his face. “But we both know that’s not why you sit at the surface.”

“There’s a wide balcony built into the side of the cliff the castle rests upon that’s only just above where high tide hits with a stairway that leads straight into the waters,” the words rushed quickly out of Bucky’s mouth. “It’s old. Why would they have direct access into the sea at the royal palace if not to interact with us?”

“How do you – no, I don’t want to know how you know that.” Steve planted his hands on his hips, just above where his dark blue scales spread down below his abdomen. “If I don’t know, I don’t have to lie for you. Your shoulders are darker than they should be, and your face is too sun-kissed.”

With that, he turned and began to swim away. Bucky looked at the tiny octopus resting on his left shoulder, tentacles wrapped around his bicep and stretching over his chest and back. He stroked the top of one of the tentacles and the beast slipped one of its arms underneath its body and slid out the three small trinkets Bucky had hidden there. “If humans are so bad, why do they make and collect such interesting trinkets?”

Instead of following straight after Steve, Bucky headed further west instead of south to the kingdom, and it wasn’t long before he reached a cave near the reef on the edge of the kingdom he’d discovered long ago during his patrols of the outer regions. It was in an undisturbed area on the outskirts of the underwater kingdom of Asgard, a place of complete solitude for Bucky. He shared the existence of this place with no one, using it as an escape, then a retreat, and now a regular spot to not only be away from duty and his ties to others, but also a place to keep his growing collection of human artifacts.

A cautious visit to the surface to observe humans as a point of reference was part of ritual tradition for all Asgardian merfolk as they reached the age of adulthood. Many used it for what it was – the point of reference for the life they were not a part of, knowledge of the dangers of the surface world, and were happy to have it over and done with.

Not Bucky.

He wasn’t the only one who the visit struck a chord with. Many of the merfolk found a call to join the royal guard after their visits – some out of fear to keep the sea safe, some out of a reverent respect for what lay beyond the safe border of the underwater. Others were struck by their habits – so similar to the merfolk, and yet different – and became collectors of the oddities that sometimes found their way into the sea either by shipwreck or simply being tossed overboard.

Bucky had yearned for his visit to the surface for years before it was his time, spurred on by a fascination that had sprouted from hearing about humans and the surface from his father who had served in the royal guard for many years before Bucky was old enough to join. His visit split the curiosity from a small crack to a chasm of questions and desires. He wanted to know so much more about the people he saw, how they lived, and yearned to even experience it himself.

Joining the guard and taking regular rotations of duty for protection monitoring allowed him the opportunity to breach the surface and observe as long as he was careful, and he was. As Steve had rightly surmised, today had been another of those days. He kept to every other part of the code and did not speak or interact with the humans on any level, the directive put into place by Bor Burison early in his reign, maintained throughout the entirety of Odin’s reign, and continued by his son Thor, their current king.

But it wasn’t the only reason he had joined the royal guard. Bucky was an explorer by nature, so he also took satisfaction in the standard undersea outskirt patrols, mapping and surveying different parts of the kingdom, and – most importantly – felt a deep sense of duty to the kingdom and serving the king, whom he felt a great amount of loyalty and friendship toward after growing up on the same training grounds together and fighting alongside on a few occasions.

So Bucky’s cave was more than just a place to keep the trinkets and artifacts he found during his excursions, it was a place where he could be himself, think, rest, or just be without any distraction. The alcoves held his treasures, which included some maps of his own creation on the sheaves of seaweed, and some things made for him or given to him by his younger sisters.

This place was some three or four leagues from the coast, and Bucky often saw the shadows of boats sailing above it. It was growing dark, so tonight he wouldn’t lay and look up at the passing shades. It was only his intention to stow away his new findings – a silver ring with jade stones and another instrument, either a tool or an ornament, with a thin silver shaft a little longer than the palm of his hand holding a row of teeth with more jade embedded into the smooth back of the shaft. As he studied it, running his fingers over the smooth back and the bumps of the dull teeth, wondering what purpose it could serve or if it was purely decorative, it began to collect hues of muted but colorful light. He smiled and looked up through the hole of the roof of his cave.

“The booming fire lights,” he murmured to his shoulder octopus, placing the object on a shelf, and shooting quickly up and out of his cave for the surface. Within just a few moments he was near the surface, and so he slowed abruptly, knowing it was always safest to emerge slowly into the air rather than burst forth from below, even if he did benefit from the darkness of the night sky. With the booming fire lights flying above, Bucky knew there was an even smaller chance for any humans to notice him, but his adherence over the years to very basic strategies made his venturing beyond the established boundaries sustainable.

The wind danced across his face as he emerged from the water, cool and swift, but not unpleasant. Wind was such an anomaly to him, he wouldn’t have thought it unpleasant anyway. He watched the colorful lights dancing against the intensely dark sky, seemingly darker than others he’d seen before, but his attention was drawn by something else as well. Not far off from where he was treading at the surface a large sailing ship was gliding along with loads of music and laughter spilling over the sides. Ships in this area making their way to and from the docks of the surface kingdom were frequent, but not usually at the leisurely pace and with such clearly joyful revelry. His heart swelled just a little, and he couldn’t deny the pull toward the celebration. He slunk back down just below the surface, low enough he knew the rapid movements of his tailfins wouldn’t emerge or even disturb the water and swam toward the vessel.

Bucky had seen the ship on approach earlier during his surface patrol. It’s one that usually sat in the harbor, had been gone for a few weeks, and only returning now.

A few moments after he resurfaced, just at the base where the ship met the water, the booming fire lights in the sky ceased, and a shortly thereafter the music died down. The ship was not far off from land, so Bucky assumed the crew had stopped to celebrate with the fire lights and was now starting to make final preparations to conclude their voyage, but his curiosity was not disappointed in venturing closer. Two humans were at the side of the boat conversing directly above him, one leaning a little over the railing, looking out over the waters, and their voices rang out clearly for his ears.

“The people will be proud,” a male voice said.

“I hope so,” your voice drifted down to him.

“They will,” your companion insisted. “Your first royal tour, and you were able to make tremendous diplomatic overtures in many of the kingdoms we visited. In particular, the resurgence of a more active alliance with Wakanda and opening a trade route with them – we hoped for the former, but no one expected the latter. Wakanda hasn’t traded with other countries for generations!”

“With Shuri as the new queen, she was ready to make new inroads, I just happened to be the first delegation they received.”

“I’m sure that was by design.”

“Do you think they’re using us?”

“No, your majesty, as I told you before we set out, I think they were receptive to our diplomatic overtures because as a new queen, she saw you on equal footing as a princess who will soon inherit this kingdom.”

You didn’t respond immediately, and Bucky heard you heave a heavy sigh before speaking again. “Less than a year.”

“You will be ready. You are ready. Shuri initiated the trade negotiations only after she had judged your character, your intelligence, and your tenacity – characteristics noticed by her brother T’Challa, as well.”

“Are you my Prime Minister or my match maker?” you chided.

Your companion laughed, and replied, “As your Prime Minister I do know that the people would certainly rejoice at the prospect of a royal wedding, but I don’t think there will need to be any interference on my part, Princess.”

“The people would certainly rejoice?”

“They would, and of course a happy people makes doing my job easier, but I would also rejoice. I would not have you face the prospect of the crown alone, your highness.”

“I don’t need a husband to rule.”

“No, I know that – only a moment ago I just affirmed how strong your diplomatic skills are. I only say that because I believe you deserve to have a partner to share it with – the weight of the burdens as well as joy in the successes. I’ve always been grateful for my companion in those ways, and your kingdom has benefited from their wisdom as well, for they set me straight when I need to see something differently and everyone else will tell me what I want to hear and not what I need to hear.”

You didn’t respond immediately. Bucky imagined you may have been sharing a look of some sort with your Prime Minister. “T’Challa was someone who gained my respect very quickly and,” you hesitated for a moment, “he was also perhaps someone I began to grow fond of.”

Something burned in the back of Bucky’s throat. He didn’t like hearing you speak of this Wakandan prince. He didn’t like it because your voice was not that of a stranger to him. He had heard you – only a few times but heard you all the same – when he had ventured near the palace on the cliffside, discovering that sunken balcony with steps right into the sea, and other places along that part of the shore. He assumed you were part of the royal household, but this was the first conversation he’d heard indicating you were the crown princess and due to take the throne. He wanted to know more about everything on land, but he was particularly intrigued by what he was learning about you.

“I left with many indications that the Wakandans were interested in reciprocating a royal diplomatic visit presently, and that although Queen Shuri would be unable to leave in the near future, this was a priority moving forward to put stock in the alliance, and there is no one the Queen trusts more than her brother for matters of importance.”

“How conveniently fortuitous for your romantic hopes,” you responded, bracketing it with a soft, warm laugh.

The wind suddenly picked up, there was a deep rumble in the air, and then the sky began to release water down on them. A storm. Bucky had encountered a storm at the surface before, but never with such a heavy pelting of water. The folk on the boat began shouting, and he could hear a bit of their hustling about above the sounds of the storm, but only just. His ears began to buzz, and there was a sharp metallic taste hitting his tongue. Bucky put his hand on the side of the ship to steady himself, starting to feel a little dizzy. The next second there was a blinding light that engulfed everything, with a sharp crack, and an even larger almost deafening crash at the end of it, and then a roaring sound unlike anything Bucky had ever heard before, followed by screaming and shouts from the ship’s crew. Bucky’s heart beat erratically for a few moments, and though the brilliant white light had disappeared, there was now a red and orange glow radiating from the front of the ship.

The splintering of wood, more shouts, and then a boom as the mast of the ship tumbled over, and then fell over the side, and into the water, Bucky just swimming out of the way in time. The whipping of the wind increased even more, bringing big waves that began to beat against the side of the ship, causing it to rock and creak.

Bucky retreated below the surface, and looked up seeing other things beginning to fall into the water, boxes, row boats, a body swathed with swirling skirts. Bucky’s body was full of adrenaline already from that wicked flash of destructive light, body feeling out of sorts, but he was horrifically transfixed on that body, waiting for the limbs to react, to move, but they didn’t.

Someone from the ship’s crew would see, they would leap in after to retrieve the displaced human.

Any second.

But what continued to appear at the surface, after another flash of light, were more object, planks of wood, and the body remained motionless, continuing to sink.

He couldn’t leave the human helpless.

Surging upwards, Bucky snaked his arm around the torso of the human, tucking it against his side, and then rushed to the surface. He looked around, scoping out the situation, but found nothing but more chaos. The human crew on the deck of the ship were distracted entirely in what was happening immediately around them, no one seeming to look over the side at all in search of a missing body because now the small boats were being cast into the water and all the crew were calling out, “Abandon ship!”

Bucly looked down at the head that had lolled back to rest on his shoulder and his heart stuttered because though it was dark and stormy and he’d never been anywhere near this close, he was certain it was you, the crown princess in his arms. Bucky groaned in distress. He was already in a compromising position, he couldn’t leave you here with little assurance that you would be rescued – certainly not without him helping you in your unconscious state – and each passing second mounted his concern over if you were even still alive. He brought a trembling hand to the side of your neck to see if he could feel a heartbeat. Do humans have heartbeats? he wondered, but assumed they must since merfolk like himself did, and humans and merfolk seemed to share near identical bodies from the waist up. Detecting a heartbeat seemed futile at this moment, tossing about in the sea, with his own hand unsteady.

Without another thought, he tightened his hold beneath your arms, swirled to face land, and franticly beat his fins to take you away from the wreckage, realizing there was nothing left to do but swim you to the shore himself.

Bucky knew the shore too well for a merman, far better than he knew ever to admit to anyone in Asgard, but his extensive familiarity meant in this instant he had no question of where he needed to go, and time was precious. Grateful for the hightide of nighttime, Bucky had to make very little effort to get the two of you up onto the balcony that lay at the bottom of the cliffs just below the palace – the very one he had spoken to Steve about only an hour before. Bucky gently shifted you onto your back on the smooth granite, cradling your head in one of his large hands. His other hand furiously brushed his long hair out of his face, then came up to your neck, seeking signs of your heartbeat again. It was faint, but he could feel it consistently pulsing under his fingertips.

Tension he didn’t realize he’d been carrying released in his chest.

You were still alive.

He’d felt dizzy with that streak of violent light, so perhaps you had been affected as well and may have also hit something in the water when you fell off the ship. He brushed his thumb softly over your cheek. “Come on, Princess, you need to wake up.”

Still unresponsive, he rubbed your cheek a little more firmly, then moved his hand down to squeeze your shoulder. He continued murmuring softly, trying to coax you back to consciousness. After a few more minutes, he finally felt you beginning to come around, noting the moment when instead of your head lying dormant in his hand, your muscles started to move and adjust. “That’s it, Princess,” he cooed.

You groaned and pressed your cheek into Bucky’s palm. His heart ached and raced, realizing the reality of his situation.

He hesitated for a split second, loathe to leave you, but he carefully eased your head onto the ground, removed his hands from you, and slipped away and back into the sea before you could see him.

As he swam as fast as he could, his heartbeat roaring in his ears, and he did not stop until he was home, only slowing to a speed that would not draw attention when he neared the outskirts of the underwater kingdom, knowing he could never even hint at his involvement in saving the life of a human. His mind raced with the enormity of what he’d done, and the only reason he slept at all that night was due to the exhaustion from maintaining such a high-speed swim over the long distance to return home.

His body was refreshed in the morning, but his mind was not. Bucky knew he had a day ahead of him filled with his duties as a royal guard, but every fiber of his being yearned to rise to the surface and seek you out – only to ensure you were safely recovering from the shipwreck ordeal.

“You’re not tricking anyone always taking the assignments to investigate new shipwrecks, patrol the outskirts, and monitor security near the surface,” Sam said as they left the command post for the guard in the golden palace of Asgard after the morning briefing and assignments.

Bucky shot him a sidelong glance. “What did Steve say to you.”

“Steve didn’t say anything to me,” Sam chuckled. “I know you, and this is becoming more frequent.”

“If someone has to take care of these responsibilities anyway, why not me?” Bucky tried to keep his tone casual, adding a shrug.

Sam didn’t respond. Bucky looked over at him.

Sam put up his hands nonchalantly. “If you say so.”

Bucky stopped and turned to face him. “Say what you feel so compelled to say.”

“I don’t think Thor will be as angry as Odin would have been about your human obsession, but he won’t be happy about it. The laws are there for a reason. You know that.”

Bucky shook his head in irritation. “I’m not in any danger.”

“I’m not scolding you, Buck, but Odin would have had your fins nailed to the floor.”

The little octopus on Bucky’s shoulder squirmed. Bucky stroked it soothingly. “Thor’s not Odin, but no one is going to tell Thor anything because there’s nothing to tell.”

“Just be careful.”

“You also volunteered to mapping part of the uncharted reef with me today,” Bucky reminded him.

“Someone’s gotta make sure you don’t get lost or lose track of time,” he said with a grin.

Bucky laughed. “Come on then, morning light is best for scoping out the reef.”

The day was spent adding to the empty edges of the map of the reef. Thor had commissioned further exploration and completion of the maps of their land and the surrounding seas, placing great importance on better knowing the kingdom and her neighbors. Scratching the new lines and shadings into the sheaves of seaweed brought its own sense of satisfaction, and it did fill his mind for the day and distract him for the most part. He returned to Asgard with Sam at the end of the day, no detours. He ate with other members of the guard before returning home. He slept, but then he woke before dawn, leaving in the darkness, and began swimming to the shore. Would you be at the seaside balcony at the crack of dawn? He didn’t expect so, but he would scope it out all the same, and he was sure if he did not see you he could safely sneak to the port docks and hear news of you – now that he knew you were the crown princess, any word regarding the return of a royal after a shipwreck and her wellbeing would be the gossip of the morning.

Merfolk and humans were no different in that way, Bucky thought with a smirk.

The sun was only just sending its rays over the edge of the horizon when he reached the shore. You were not at the seaside balcony of the palace, and he only lingered for a few minutes, eyes fixed on the spot where he’d held your face in his hands.

Two mornings after the shipwreck, the docks at the port were still busier than Bucky normally saw them. He had to stay further below and only came up to the surface twice, but that was all he needed to hear that the people’s princess was recovering without anything more than a nasty bump to the head and exhaustion.

He swam past and surfaced near the balcony again before heading back for another day of Asgardian life and duties. You weren’t there, of course.

But that night, you were.

He watched you watch the stars until you retired for the night.

Three mornings later Bucky was off for the day, so he ventured back to the shoreline mid-morning, hoping he would catch you at some point during the day. He had encountered you there a few times after all.

And you did not disappoint.

You sat on the top step that led from the balcony down into the water, pulled up your skirts, and began loosening the laces of your shoes. Soon you had them off along with whatever fabric was covering your feet beneath the shoes – he wondered what those were called. They looked delicate. Then you scooted down to sit a few steps lower, letting your feet dangle in the sea. Bucky dipped far below the surface and swam closer to the wall of the cliff. When he came up again, he slipped up onto an outcropping of rocks out of your view, leaning his bare back against the cliff face. He was only meters away from where you were still sitting. He could hear you idly raising and lowering your feet out of the waters as it was a very calm day for the tide.

After a long while, he heard you sigh. “Everyone thinks I’m crazy, but I know I didn’t make it up. You aren’t a miracle or a myth, you’re proof the merfolk aren’t extinct and that they’re not dangerous.”

Bucky’s heart leapt into his throat. He thought he’d been silent or quiet enough with the other sounds of the sea.

“You’re out there somewhere. I’ll find you.”

He did not move until he heard you leave, then he slipped into the deep blue, a rushing in his ears, heart pounding, resolved to keep his distance.

Only that resolve didn’t last long. He was drawn to you as much as he was to everything above water, and within a week he was back, but he came at the end of the day. You weren’t there, but he hoisted himself back up on the same outcropping of rock at the base of the cliff near but still out of view of the steps. The view of the sunset was stunning, steeped with deep reds and oranges, and sitting there taking in the sight you might have been able to see was enough.

And better.

This was safe.

Then he heard the faint sound of voices far off, steadily growing, then footsteps descending on the stairs. Two sets of footsteps, and then finally he could make out the voices, recognizing both – yours and that of your Prime Minister.

“Everything is ready to receive the royal envoy. Prince T’Challa sent this letter ahead for you.”

“Oh.”

Bucky registered a hint of something in your voice even in just that simple sound alone that pricked at him.

“Oh,” your tone was even warmer.

“A good letter?”

“That is not really your business, Prime Minister,” you laughed, and he chuckled.

“A royal alliance in absolutely my business,” he said, though the Prime Minister’s tone was clearly in jest, ultimately content in deferring to your rank and privacy.

“I will say it is certainly a letter anyone could be fond of,” you offered in a gentle voice.

That consumed Bucky immediately. He didn’t want this prince to lay claim to your heart and draw this kind of affection from you. He wanted that chance. His tail twitched with his impatience, splashing up some water. Bucky instantly stilled, pressing back against the cliff face.

But neither of you seemed not to notice.

The conversation turned to more business about the visit, and Bucky continued to listen, wanting to hear your voice, but none of the words registered in his head.

After a while, Bucky realized the voices had stopped, but he had no idea when that had happened. The sun had disappeared completely, the celestial bodies of the night sky had come out and were shining brightly against the darkness. The position of the moon indicated it must be near midnight. Bucky groaned, his shoulders and back a little stiff after sitting so long in one attitude against the rocks. You must have gone away and to sleep ages ago, and he ought to follow suit. He pushed up and off the perch, making a small dive into the sea to return home.

What he did not know was that you had stayed long after dismissing the Prime Minister, watching the sky until the very last rays of the sunset, but as you were about to retire had heard the twitching of fins against the water close at hand and out of curiosity climbed down the steps to the water’s edge to investigate. You had seen only the end of a set of large, shimmering black and gold fins and the lower part of a black-scaled tail. Your breath had stopped, and you’d had to stifle your sound of shock. You hadn’t dared to get to the bottom of the steps and look around the edge, certain that if it was one of the merfolk you’d heard the myths of your whole life that they would retreat immediately if they knew you’d seen them, but you had moved as far to the other end of the balcony as you could to see more of that glorious tail – but still not revealing much more to your view – and waited.

And all your patience had been rewarded when you saw the arms, head, shoulders, and torso of a man dive into the water, magnificent black and gold tail with intricate and powerful fins following him in all his glory.

Now you knew they still existed.

No, Bucky knew none of that.

Bucky’s mind is singularly fixed on all the things he can’t have – things he’s wondered about since hearing about the human surface world as a merchild, things he saw during his observatory rite of passage visit when he turned sixteen, things he’s seen over the years since then through his own exploration above and below the surface, and the everything just out of his reach now with you. He goes first to his grotto, and here the number of things he’s collected from the human world far surpass the number of things he knows about you, but he can’t deny the draw he feels. His chest aches, and yet he’s forbidden from doing anything – if there even were anything he could do.

Being among the relics of the human world only serves to agitate him more, and so he leaves and makes his way to his home cavern in the city of Asgard. Sleep is impossible. He swims short, agitated lengths back and forth within his humble dwelling.

He has a few relics here, too, but these are things passed down from his parents, including his grandfather’s combat spear. The royal armory holds weapons and all manner of protective outfitting for his majesty’s armies, but long past are the days when the kingdom issued gear to every soldier and officer. Many under the early days of Odin’s reign were issued personal pieces as a standard, but that ebbed away as the need and dangers faded or were conquered. The height of need had been in the early days of Bor Burison’s reign – Bor who had enacted the stringent regulations against fraternizing with the humans or spending any significant amount of time at the surface.

Bucky had naturally collected many pieces of the history of their people in relation to the humans, but he had never visited the royal archives. He’d always made at least a modicum of effort to keep his interest in everything looking exactly like that – an interest and not an obsession – and a visit to the archives to read and study the records of their interactions with the humans would not be seen as an idle interest.

Now he didn’t care. He needed to know everything; perception be damned.

He swam off some of his anxious energy making laps around the borders of the city surrounding the palace until dawn when the elders would open the archives. It was a collection that spanned art, statues, treasures, and artifacts, in addition to the records of the merfolk of Asgard. Some of their history had been created in murals along the walls of this hall, but there were also panes of etched glass and titanium for important long-term records, as well as various scrolls and sheaves of tough seaweed for maps and other documents. One of the elders pointed him to the area most applicable to their past dealings with the humans, and he started from the most recent records and started to make his way back through Asgard’s history. Bucky collection of events even more complex than he’d known began to coalesce as he combed through the accounts of things that played out over a few years, ending in a bloody battle between Buri – Thor’s great-grandfather – and the human king and his navy with many lives lost on both sides, including Buri, leading to Bor’s untimely ascension to the crown at an age earlier than anyone expected, and Bor instituting all the laws, principles, and practices to eliminate any contact with the surface world, deeming too much had been lost and that humans had become too dangerous to continue any dealings whatsoever if they wanted to keep the people of Asgard safe.

But Buri’s had inherited peaceful ties – positive ties even – with the folk on land, ties that had been forged by his father and grandfather before him. To say this was intriguing to Bucky would be an understatement. These ties were entwined with the selkies of Jotunheim.

Odin had beat back the selkies from their waters.

All except one.

Bucky knew of a selkie still in existence.

Exiled, but Bucky was fairly sure he knew where he could find the long-forgotten adopted brother of Thor, rumored now to be the warlock of the seven seas.

Bucky was questing for information, for answers, but tales of the things the former prince who had embraced his magic had done since leaving the gleaming halls of Asgard were whispered, and Bucky began to wonder if perhaps he could get more than he set out for by paying him a visit.

He need not have worried about finding him. As one of the pre-eminent cartographers on the royal guard, Bucky knew where to begin his search, but once he got to that point on the fringes, there seemed to be a myriad of elements to point him straight to Loki’s dark cavern.

There must have been enchantments to alert the sea warlock of his approach because Loki was waiting for him at the entrance to his lair. Bucky took in the sight of him as he drew near. Odin had invoked powers to conceal Loki’s true nature as a selkie and disguised him as a merman when he brought the infant into the royal family, and though Loki’s rebellion came during the early years of Bucky’s service in the king’s guard, Bucky had never seen him in his true form.

He was not that different from what Bucky had known him as before. The marked difference was that instead of scales and fins, his lower half was covered in the pelt of a seal, still beautiful and shiny in its own way, but with flippers instead of fins, and it was a skin that he could shed – for legs above ground. That and his flesh skin seemed sallow, but his eyes were still sharp.

“James, after all this time, and now you come to visit me,” he crooned. “You must be truly desperate to come to me for help.”

Bucky furrowed his brow, not anticipating this direct nature, and he was wary of what it meant.

In Bucky’s half-second of hesitation to answer, Loki’s face took on a dark grin and he continued his overture. “For that’s why you are here, is it not? No social calls on your part since I left the palace – not that we were particularly close. I didn’t expect overtures of our continued acquaintance since leaving Asgard, but seeing you swim into my waters at any point was certainly not something I ever predicted would happen.”

Bucky hovered near, but not within reach of the warlock. “It’s true I come to you with particular needs, but I harbor no bad blood for the past.”

Loki nodded, then turned and swam inside, calling, “Come in,” over his shoulder.

Bucky followed.

The circumstances surrounding the final confrontation that took place between Thor, Odin, and Loki during the latter’s rebellion were not public knowledge, and though Odin died that same day, Loki’s departure from the kingdom was a self-exile, and Thor and the then Queen Frigga maintained that Odin did not die at Loki’s hand and forbade anyone pursue the fallen prince. Thor had assumed the throne, Loki had wandered in mystery, as yet not returning to his once-home, and had settled now in this place.

They swam through a tunnel toward a faint glow ahead. Something continually reached out, whisping across Bucky’s skin as they passed, and he was unsure if it was plant or creature, but he had the distinct impression these were sentient and intentional touches. Bucky was forced to endure at the pace at which Loki progressed ahead of him.

They emerged into a massive cavern aglow with filtered light streaming in through gaps in the ceiling and glowing plants that cropped up in patches along the walls. One of the cavern’s faces was riddled with nooks and alcoves that were packed with bottles, pots, artifacts, tools, supplies – it was all an eerie collection Bucky imagined had been clearly amassed with meticulous obsession, knowing the habits of being a collector himself. Each spot his eyes darted to held both familiar and unfamiliar items.

Loki stopped, floating near the middle of the lair, and Bucky followed suit. The selkie swirled languidly around to look at him, and though his posture appeared relaxed, Bucky could see the true scrutiny in his eyes.

He kept the silence, eagerly sowing the anticipation, before he spoke again. “Know that I entertain you only for the sake of my own curiosity.”

Ah, he understood, at least I know the approach. He opened his mouth, ready to unfold his explanation, but Loki abruptly raised his hand, and Bucky thought it was only to stop him, but then something entwined both of his arms out of nowhere, gripping him and drawing him nearly chest to chest with the warlock.

“No, no. this will be more satisfying for me than your words,” Loki said, then put his nimble fingers to Bucky’s temples, and closed his eyes.

Bucky winced as almost immediately he wasn’t in physical pain, but he swore he could practically feel Loki sifting through his head, extracting what he wanted from the memories that flashed rapidly across his mind – Steve, maps, the records, conversations with his father, pieces of his artefact collection, his trips to the surface, the shipwreck, and you. So many thoughts of you. Bucky tried not to move, not wanting to show any weakness.

“Mmm, I see,” he said, finally releasing him both from his own touch and from the grip of the enchanted seaweed.

Bucky was only too glad that Loki retreated. It was only a meter, but any inch of distance was relished after feeling so exposed. There was no taking back the flashes, but at least most of the concentration had been on the human things, a few moments of you, but not every memory he had of you.

He let the quiet permeate the space between them again. Then he turned around, a smile on his face, and it was nothing but unsettling, too relaxed for Bucky’s liking.

He knew he was being toyed with, but he had to play whatever game Loki was setting up.

Finally, he spoke again. “Clearly the way to get what you want is to become a human yourself.”

“And you can do that?”

“I fortunately knew a little magic, and my talent and knowledge have only grown in my exile, so I could, but what in the vast ocean is in this for me?”

“The challenge,” Bucky responded, employing a slight incline of his chin – a tactic he had used with others to inspire or sway them over the years.

“Oh, but I want more than that, and so do you, you want this with everything in your soul.”

Bucky could feel how much Loki was enjoying this. Loki literally had the power, but that put him in a position that Bucky still knew he could use in this game.

“Here’s my offer: you’ll get your legs, you’ll be able to breathe on land – so not under the sea – and by the time the sun sets on the third day, if you haven’t procured true love’s kiss –“

“True love’s kiss?” Bucky interjected.

“But, of course! That’s what you want anyway, is it not?”

The smirk on his face riled Bucky even more, but he was determined to appear as unaffected as he could, even though he knew they both knew Bucky was keyed up to great heights.

“Yes, you are intrigued by the life on land, but you’re here because you want the heart of that princess.” Loki pauses and tilts his head, demanding the admission.

Bucky nodded.

That kindled a spark of something more in Loki’s eye.

“You said I have until sunset on the third day. What happens if I don’t succeed by then?”

Loki shrugged. “You turn back into a merman and you serve me for thirteen years.”

Bucky blinked before responding. He thought he would say for life, but only thirteen years?

Loki chuckled. “I know exactly what you’re thinking, but I may not want you longer than that. Now, if you succeed, you remain a human and live a human life up there with your beloved princess for the rest of your days,” he concludes, almost bored by the end.

“No interference from you in the future?”

Loki waved his hand as he replies, “No interference from me. But,” and his tone switched, fully engaged again, “we haven’t discussed the matter of payment.”

“You can have any of my gold or treasures.”

“I have enough of my own. I want something more unique. I’m not asking for much, just a token really, a trifle.

He paused.

“What I want from you is your voice.”

“My voice?” Bucky’s mind worked quickly, trying to work out what he was missing if he agred to give up his voice. Aside from the logistical inconvenience and disadvantage it would present on his part, he can’t imagine what Loki would gain by having it – it seemed to be an eccentric choice.

“Your voice.”

Why ask for that? Bucky’s eyes narrowed a fraction. Clearly it was something to further taunt Bucky and entertain Loki.

Then Loki unexpectedly seemed to soften, relaxing his posture. “I understand perhaps more than you anticipated. I empathize with your unrest, the way you yearn to know a part of you that’s been denied.”

They didn’t have the same circumstances, but Bucky sees where they could draw parallels with each other.

“What you’re asking would enormously alter your destiny. Your voice is almost nothing if what you truly want is to become human and live out your days with that princess your soul longs for.”

Those words were spoken without flair. Bucky only needed to agree to get what he wanted – he couldn’t have crafted a better scenario considering what any of the alternatives could have been. It was a bizarre barter – his voice for a chance at life out of these waters – but it did seem to fit the weight of what he was being offered.

“Now, do you agree to the terms?”

“I agree.”

Loki’s wide smile reappeared, and he turned away to fetch and summon different items from his wall of endless supplies, and soon there was a round glass jar between them, just larger than the size of a head with a small spout meant for pouring things in and out. Vials, jars, and some loose elements hovered near Loki’s shoulders, and he waved his hand twice in a circular motion beneath the glass jar. The water there continued to stir, and Bucky could feel the warmth it generated. Loki began to add ingredients into the spout, and they swirled in the orb. Loki murmured a few short incantations, and there were cracks and rumblings from the concoction.

“Put your palms against the glass and hum until you can’t hum anymore,” Loki instructed.

It was yet another peculiarity, but Bucky didn’t question. He placed both hands as indicated and started to hum. He could feel the heat immediately, and as he continued to hum, he could sense the exchange as his voice was drawn continuously from the depths of his chest and magic slithered through his veins. Once he felt it seep into every inch of him, the energy surged suddenly. His throat seized, there was a searing pain through his lower half, and he wanted to withdraw his hands to clutch at his neck, to kick away, but whatever magic was brewing prevented him from pulling back at all. His chest tightened painfully. There was a flash of light that rivaled the violent flash in the sky that struck the ship the night of the shipwreck, the searing pain burst in his tail, and then all at once he was released.

The discombobulation was overwhelming. His powerful tail and fins were gone, and he realized how unsuited for this setting he was, the new limbs altogether inadequate, and his lungs were desperate for air. He kicked and surged upward, but he’d even lost the slight webbing between his fingers that had helped him glide more quickly through the water.

Loki’s laughter followed him as he made his escape from the depths of the sea.

The octopus companion that had peculiarly clung to his shoulder on one chance expedition and rarely let go unfurled itself and diligently aided Bucky in swimming to reach the surface where he burst into the air, gulping in lungful’s of air. It was crisp and immediately quenched all of the dread and desperation that had filled his being.

Then the next breaths soothed and then invigorated him. He laughed with relief.

Only there was no sound.

For he had no voice.

to be continued...

A/N 3: SHUT UP, YOU GET A THIRD AND FINAL NOTE FROM ME TO YOU! This - clearly - is part one of two. I dove DEEP into this (shush, puns) and to tell the story I know I will feel satisfied with in the end, I got to this point and joked that maybe I should just stop here - who needs to resolve any plots, he got his legs, right? - but then the joke became the option I genuinely liked because I was getting overwhelmed by how this story had grown. And so, dear readers, keep a weather eye on the horizon for merBucky to reappear with the tide.

#Bucky Barnes #bucky barnes fanfiction #merbucky #bucky barnes x reader #mermay #bucky barnes x female reader #navy and roo's sleepover #buckybarnesbingo2023 #bbb2023 #connect4au #female reader #bucky barnes x you #bucky barnes x yn #bucky barnes x y/n #mer!bucky #bucky barnes fanfic #bucky x reader

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tossawary · 3 months

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Live action svsss? Lmao

Oh, that is genuinely funny to me as an idea. Full-on blue-screened me for a second.

See, I'm not AGAINST the concept of live-action feature film adaptations or live-action television adaptations of other forms of media, especially not books. I personally adore the translation work and studying the translation work involved when transforming a story from one medium to another. Basically as soon as we had film, people started filming plays and adapting novels! There have been many, many TERRIBLE screen adaptations of other media, but there have also been many wonderful screen adaptations, which have sometimes been closely faithful and sometimes only used the original story as an inspirational springboard. (I personally see both Ghibli's "Howl's Moving Castle" and DreamWorks' "How to Train Your Dragon" as more of examples of the latter.)

MXTX's works have gotten live-action adaptations before. "The Untamed" is generally held to be a pretty good and relatively faithful adaptation of MDZS. And TGCF is also getting a live-action drama under the name "Eternal Faith". If it was announced that SVSSS was getting a similar drama, I would be a little baffled but fine with it, and also genuinely interested to see how they intended on expanding SVSSS into 50 episodes or something (definitely possible), and also how they intended to cover certain parts of the story without making it explicitly gay. I wouldn't even care if it was bad; I still have the original books to enjoy. Show me your live-action drama Moshang. I'm ready for some awful wigs.

(The main nightmare scenario is getting a bad or good but unfaithful adaptation that you hate but gets super popular, overrunning your book fandom with alternate characterization and pairings and worldbuilding that you can't stand. I'm sure there are book MDZS fans who absolutely loathe "The Untamed".)

The main issue with a USAmerican studio making a "Naruto" movie in my eyes (I don't even care about "Naruto" that much, I never finished it) is that 1) Hollywood is always extremely weird about anime and also Japan in general, so there's a high chance that the people at the top try to make story-breaking changes, and also try to cast white people. They do not have a good record. If this was a Japanese studio making this film, I would not blink at it. 2) "Naruto" is a very long story that doesn't lend itself easily to a stand-alone film. Either they only tackle a fraction of the story or squish way too much together. And either way, on the off-chance that the film is successful, we will be cursed to have sequels until they become unprofitable. I personally liked the live-action "One Piece" show fine, but it was a 7-hour show, not a 2-3-hour film.

I'm not even against the concept of modern remakes, personally, or even completely against the concept of live-action versions of animated films. I would give the Disney remakes something of a pass if they did interesting new stuff that took advantage of their medium or actually indicated they cared about creative quality, instead of rehashing the cartoons almost exactly but worse. The saddest part about things like "The Lion King" (2019) is that even if you kept the story exactly the same, beat for beat, shot for shot, it could have potentially been a vibrant celebration of the advancements in realistic VFX and the skill of the animators and artists involved (and there are some INCREDIBLY talented people being unfairly crunched and underpaid in these industries), but they instead chose to make everything about it visually as dull as dishwater. And I personally expect that the "How to Train Your Dragon" remake, instead of incorporating anything new or interesting, or really showing off some spectacular, well-crafted visuals, will be the same.

Anyway, this ask gave me the idea of a USAmerican studio making a live-action SVSSS film, which is what blue-screened my brain. I cannot fathom how any USAmerican studio would agree to that (it's foreign, it's gay, it's historical fantasy, it's fucking weird, it's everything that scares boring execs who crave maximum profits) and I'm sure they would fuck it up magnificently, such that I almost kind of want them to do it.

#foreverliminal #ask tossawary #long post #tossawary svsss #tossawary naruto #tossawary httyd #tossawary fandom #tossawary watching

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liljakonvalj · 11 months

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I watched the Great Mouse Detective tonight and as someone who loves this movie, here's some of my thoughts:

First of all and this cannot be overstated: Best. Sherlock. Holmes. Adaptation.

I was today years old when i discovered that Olivia and her dad are Scottish (which explains her father talking about catching a train at the end of the movie)

(I grew up with the swedish vhs and watched it in english for the first time today. in swedish none of the character's have any particular dialect )

The aesthetic of Victorian human London but with mice having a miniature society mirroring it?? Love that!!

Despite Basil being the titular character and being the main character in so far that he's the one going on a personal journey and change through the movie- Dawson is the POV character for most of the movie which I find interesting

The transitions when Basil tells them about Ratigan and then showing the audience what he's up to and then back to Basil's apartment are stellar

All the songs are sung in universe - I think this is the only disney movie to do this??

And two of them sung by the villain?! Outstanding move

(It should be mentioned that the remaining song was sung by sexy, stripper mice in a bar)

The heroes drink alcohol, get drugged, enjoy a strip tease and accidentaly causes a bar fight all in the same scene

Yes, the toy store was both entrancing and scary to me as a child. The first doll they see when they enter? That doll whose face smashes and nearly kills Basil and Watson? The toys from which Fidget steals the mechanics? All super terrifying

Ratigan is the only character to have a human-like five-fingered hand, all the others have standard animated four-fingered hands

Ratigan mention a that he thought basil would be 15 minutes quicker to find his lair - which he uses to taunt his enemy but it also means he cannot be there to observe his machine killing his captives. That gives them the opportunity to escape unseen. If Basil and Dawson hadn't been late they probably wouldn't have survived, just saying

The clock tower sequence!! I actually clapped when it started

The cogwheels were computer animated while the mice were drawn by hand - which makes for a really dynamic moving camera

(The man who talked about this in the extras were so enthusiastic about this. Love that for him)

Speaking of moving camera - I greatly enjoyed the camera movement when Rattigan jumped over the citizens to reach the balcony with Olivia and the bat after his plan had been foiled at Buckingham palace. It was really fluent and full of angles

Back to the clocktower: when Ratigan snaps and you can see the angry pen strokes?? They simply don't make movies like this anymore

That was of course very scary too as a child

The final battle outside on the clock hands? Give this movie all awards !!

When Basil comes cycling on that little propeller thing? Link in Tears of the kingdom wishes he could do that

In the extras someone mentioned that they'd made extensive backstories of all the characters: why Rattigan became evil, how it was for Basil to grow up so smart etc. And i desperately want to read that

I know no one cares about the swedish voice actors but I found the different performances of both Basil and Rattigan interesting. I know Vincent Price is much beloved as Ratigan (justly so) but idk if it is nostalgia speaking but I think swedish Ratigan really held up. There were actually some lines that I knew by heart in swedish where the delivery was preferable to the English one for me. After looking it up i saw that the swedish VA is an opera singer (base) which really isn't a surprise given his performance. Basil's voices were really similar normally (so similar I didn't hear the change when I switched between languages - which i did one time to freshen up the swedish voices) but the VA in swedish goes up in falsetto quite often which gives a quite manic impression. Swedish!Basil's sanity is hung by a thread in his restless pursuit of his arch nemesis - which makes his devastation when Ratigan bests him more believable imo. English!Basil is much more a proper, brittish gentleman throughout. All performances were great, I just found the differences interesting.

I have some Core visuals from this movie living rent free in my mind since childhood which are: when Basil compares the two bullets, the closeups as Fidget jumps out at the audience, when Dawson pulls out the glass door with his finger, Ratigan squishing Olivia's doll, Basils machine when analyzing the paper, when Toby makes a stair out of his ear, that flag/balloon/matchbox contraption they used to chase Ratigan at the end, the end fight on the clock arms.

Did i miss your favourite part of the movie? Any core memories from this movie for you?

#great mouse detective #i understand all who ship basil and dawson #basil mouse #doctor watson #Ratigan #blomsterspråk #disney #the great mouse detective #tgmd

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meltthefrozenheart · 7 months

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FROZEN 3 and FROZEN 4 are both in development, and I can't wait!

The news sounded odd to me initially, I didn't expect anything like this from Disney Animation, but it became immediatly appealing the moment I realized the GREAT potential a double feature could have for the franchise, most importantly when Bob Iger specified “Jenn Lee, who created Frozen, the original Frozen, and Frozen 2 is hard at work with her team at Disney Animation on not one but actually two stories.”, which would mean:

More time to enstablish new elements, new characters, time to explore new lore and new places without the risk to rush everything;

A bigger story that can help flesh out our protagonists in their new roles, their new wants and changes they might face, considering how the F2 ending brought many new possibilities;

A narrative context where the new crysis (whatever it might be) could be explored even better, also allowing to maintain things in a complex prespective just as the Frozen movies like to do, where the matter of "good and evil" not at the center, and things are first of all deeply personal for the characters

It seems to me that Jennifer Lee always wanted to delve deeper into things, this is why the Broadway Musical was a perfect opportunity for her and the Lopez to expand the characters and flesh out things in the story, also adding new elements that would've been useful for F2.

And when they worked on Frozen 2, they built it as the "second part" of the story, reconnecting almost all the aspects of the sequel to the 1st movie, and the story was clearly meant to be BIGGER and longer compared to what we ended up having because of numerous issues and rewrites. J. Lee and C. Buck didn't want to introduce something that would feel just as "a new adventure", and more about the actual characters evolving, see what they left unresolved, breaking the "Happy ending" scenario of F1, which also led them to NOT give the new human characters (Mattias and the Northuldra) the same relevance given to Spirits of Nature, in order to remain focused on Elsa, Anna and the rest of the gang.

Now, Lee will most likely not direct or write these two new movies, but she is still directly involved, because it's both part of her job as CCO of Walt Disney Animation Studio and because Frozen is her (and Chris Buck) baby. It will be curious to discover with what idea Marc Smith came out with, but the fact he worked on the 1st Frozen as a storyboard artist and the became Director of Story for Frozen 2 says a lot about him and why Lee trusts him so much, and I'm sure they will follow the approach used with the 2nd movie and carry it on with 3 and 4. Numerous sagas used the two-parter approach, like the books adaptations of Harry Potter, Twilight and Hunger Games series, or more "original cases" like Pirates of the Carribeans or what we are getting now with the animated Spiderverse movies (Across and Beyond). But I think the best similarity (and probably what led to this ambitious choice) is with Avengers Infinity War/Endgame, where the BIG FINALE gets developed in two movies.

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galaxygolfergirl · 8 months

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Some of my favorite Helsa fan arts I’ve done throughout the years (dates are in the alt text).

I’ve been thinking about this ship recently, especially its place in the fandom, and I have some thoughts (read below)

Ever since I was roped into this franchise 10 years ago, I think I’ve almost always drawn Hans with a beard. Primarily, it was because I felt that if he ever did show up again in Frozen media, he would be more weathered and unpretentious about his appearance since dropping his facade in the first film. Also because I just thought he would look better with more facial hair (it’s a me thing).

As for Elsa, I’ve never been consistent in drawing her, as it was hard for me to read her animated model, what with her huge eyes and baby nose, as normal, so that’s evolved over the years to a happy medium where it still reads as Elsa, but also reads as human with normal face proportions.

As to why I’ve shipped helsa all these years? Hans and Elsa are two sides of the same coin to me, the main difference being that one of them succumbed to their worst intentions and desires, while the other freed themselves and learned to embrace love and peace in their life. Both were isolated during their childhoods, resulting in years of loneliness, misery, and bitterness; both try to appear poised and reserved, hiding their inner self-loathing; both are intelligent and cunning, both have a definite aggressive streak, and both have interesting chemistry in their very few scenes together. Hans seems to be the only one on equal footing with Elsa who can get through to her throughout the film, mainly for his own ambition, of course, but it intrigued me to see even all these years later how compelling their interactions are.

Why would he sympathetically plead, “don’t be the monster they fear you are,” and stop her from killing those two guards? If he was planning on killing her, why would he go to her and ask if she could stop the winter? Why does he look shocked, almost sad when she tells him that she can’t, like he’s regretting having to kill her? It’s moments like these that paint these characters with more nuance than meets the eye.

I’ve always thought after the first movie, there was definitely potential for a more nuanced and interesting story if Hans were to return. Not simply for revenge, but rather an “enemy of my enemy is my friend” situation, where Frohana would have to work with Hans somehow to fend off an invading force or adversary, like the Southern Isles, to stick it to his family. He and Elsa would be adversarial, for sure, but through forced cooperation, they could open up and become more vulnerable with one another. The amount of angst and turmoil over their feelings for one another would be doubly engrossing. The drama would be incredible.

Now listen: I don’t really expect any of that to happen. I got off the Helsa or die party bus years ago and I’m just mainly enjoying it as it’s own non-canon concept. Believe me, I would love it if it did happen, god willing and the creek don’t rise. But really, when you get down to it, these are movies marketed at little girls, and I don’t think it would really go that far. It’s not easy to come back from holding a sword over a girl’s head, as quoted by Santino Fontana himself.

I grew up with this fandom, I started all the way back in middle school 10 years ago, and this has been a definite learning experience for me in separating the extrapolated world of fan-fiction and the reality of a pg animated musical. I’ve grown up and my expectations are different, and now I understand that canon doesn’t mean shit. I beg, do not take any of this seriously. Just because it has the Disney trademark slapped on it does not mean it’s the end all be all of a story. Stories are fluid things that adapt and evolve in each of the hands they pass through. No one interpretation of a story or a character or a relationship has to be “the right one,” and not every character has to sit on a black and white scale of moral dichotomy, there are always shades of gray.

I’m not saying all of this to be deep about a ship between a Disney princess and a Disney villain that I got into when I was 13, believe I know it’s not that deep. I’m saying this because I’ve lived through fandom and set myself up with false expectations, only to be disappointed. Hell, I took a break from helsa for a solid 3 years because of how burnt out I was. It’s far too easy to dissociate from the text and treat fanon as canon; you’re just setting yourself up to be disappointed. Just let it be its own thing! Like I said, canon does not mean shit! Don’t take things so seriously! Feel free to tell your own stories!

Anyways, I still love this ship, or at least the version I came up with in my head, because I am a storyteller, and I saw potential in these two that could be realized through other means. It doesn’t matter to me if it’s canon or not. Just enjoy it as it is.

#helsa #disney #artists on tumblr #important #illustration #fan art #hans x elsa #queen elsa #prince hans #frozen #frozen 2 #frozen 3 #fandom #disney frozen

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ck2k18 · 2 years

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I feel like not enough people understand equity versus equality when it comes to representation (or anything else, honestly, but im sticking to representation for now).

I'm gonna use the new little mermaid movie as my primary example here because it seems like that's what people have been up in arms over these days. One of the arguments I'm seeing is, "If you made Tiana or Moana white, you guys would be mad." You mean Tiana, whose background is rooted in being a Black woman in 1920s Louisiana? You mean Moana, whose entire story is based on her being Polynesian? You're comparing them being made white to a character whose only story-specific trait is that she has a fishtail being Black? Really?

But aside from that, this argument also comes up with different fanart interpretations. I see it on platforms like TikTok, mainly when a Black creator shares their fanart where they made certain white characters Black or mixed. The comments are filled with more of the same. "But if it was the other way around, there would be a problem."

People don't understand that for many, many years, white people were the default in shows, books, and other media. The other day, I was talking to a friend about how the media I consumed as a child made me assume that everyone I met online was white until proven otherwise. People of color have needed to create their own representation through fan content because where else would we get it? Being the "default," white people have an advantage. There are seven white Disney princesses (depending on who you ask). There is one Black Disney princess in the form of Tiana. If you make Ariel Black, NOTHING changes; there are still seven white Disney princesses because the original Ariel the Mermaid is still there. She does not go away. But if you make the live adaptation character Black, it adds to Black representation.

At the end of the day, if you say that it isn't actually equality because Black can't be made white but white characters can be made Black, you'd be correct. It's not equality; it's equity. There has to be equity because giving everyone the same treatment when one group has a higher advantage isn't equality anyway.

#THIS APPLIES TO ANNABETH CHASE AS WELL #cause ppl were mad when they made her Black #anyway this is just me venting cause im sick of seeing ignorant ppl #ariel the little mermaid #disney movies #princess ariel #the little mermaid 2023 #live action #equality #equity #walt disney #disney #representation #black representation #the little mermaid

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aragarna · 4 months

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Zorro Vive

And vive bien!

So, I've finished Season 1 of the new Zorro show (available through Amazon in the US and most Spanish and Portuguese-speaking countries), and I really enjoyed it!

Without spoilers, I'd say that its main qualities are that it's fun and earnest and more cosmopolite in its retailing of the old story. It doesn't take itself too seriously, there's plenty of little homages to previous adaptations. There's many interesting and well-developed characters - of all genders and ethnicities.

It's (literally) colorful, with a comic/pulp feel that suits it well. There's been a true care brought to the action scenes, and OMG the night scenes are damn well lit. It's rare enough nowadays so points for that. Generally, the show is quite beautiful.

More spoilery thoughts under the cut.

I honestly wasn't sure what to expect from a new show. It's always hard to bring new canon to something so established and so iconic. And even though the Disney show is *not* the original canon, for a lot of people, it is.

But as a principle, same as for book adaptations or remakes, I'm not opposed to variations or changes. As long as they're good changes.

And I have to say, the vast majority of the changes in the new Zorro show, to me, were actually good changes, or necessary improvements for today's audience.

The most obvious is giving back a real voice to the Natives and not sugarcoating the colonization aspect. There's tension there. Natives are angry. But as years passed, people born there consider themselves "true Californians". Natives aren't just background characters or peons anymore. They're a driving plot force. They're shown in their own environment, with their own rites (I don't know enough about Natives of this area to know how accurate it is, but it felt a lot more authentic and respectful to me than other versions).

I do like the idea that the Zorro character comes from the Native culture, and that it's been passed on from one person to the next. Though it also brings my one big issue with the show: Diego becoming Zorro reads a lot like "a white dude steals a Native heritage." And yes, it's symbolic, and yes the fox spirit chose him, Diego didn't pick him, but still. Given that the audience is meant to support Diego (who really is a sweet guy!), that the narrative keeps showing us that Nah-Lin is wrong and should accept it, given the colonization context of that story, it's sitting a bit wrong with me.

This aside, I do like the exploration of revenge vs. justice, violence vs. a more measured response, in the face of adversity. When a few months back, the tagline "revenge is personal, justice is for all" appeared on the first poster, I wasn't sure what to think. I don't like revenge-driven characters. It's cliché and wrong. But the fact that the show precisely explored that, both with Diego and Nah-Lin, was actually quite interesting.

Diego, as I said, is a decent guy. A sweet boy really, vaguely immature originally but having to mature really fast, as the death of his father, the business of the rancho, the Zorro thing and Lolita's wedding are all dropping on him at once. Miguel Bernardeau is a clear departure from most of the previous Zorros, who were played by older actors, giving a more "adult" vibe to the character, but given he's supposed to be fresh out of college and out of his element, Bernardeau's more juvenile features fit the character well.

Nah-Lin is a lot angrier, and while in the context of the story, she's shown to be going at it the wrong way, all that anger *is* justified, and not something that can just be brushed off. Peace can't come easy when you anger people that way.

And you know who else I really liked? That damn Capitan Monasterio! Who would have thought LOL No, but seriously. Not sure why they named him that way. He was actually more of a Sergeant Garcia (or Mendoza from the 1990 show) than a Monastario. Obviously without the comic relief and cutely incompetent side of the character, but as the character who is a decent guy stuck between a rock and a hard place, serving a tyrannic boss and chasing a heroic outlaw that he may not hate that much.

I also really liked what they did with Lolita. An opinionated young lady that throws away all the corseting conventions of her time is always very relatable to me. Also, I just love her fashion sense. I wasn't sure what they were going to do with that impossible love triangle (I thought for a long time the wedding wouldn't actually happen). I wouldn't have thought they'd have Lolita figure it out, but I'm glad she did.

I'm glad they kept Bernardo, the mute confident. And I love Mei, too. The dynamic between the three of them (with Diego) is great!

Also, it's great to finally have a Spanish-speaking production, and have the characters speaking in Spanish, instead of having American actors put on fake accents.

I may have a couple of minor complains: namely that I didn't care about Samael nor Alejandro's first love. Not sure planting so early something that they're keeping for S2 is a right move. Feels like a waste of screentime. Also, I'm not particularly found of secret societies trying to rule the world, but it seems to be mandatory to any Zorro story... And the finale episode didn't actually wrap up that many plotlines - every major villain escaped! So that kinda made it look like Zorro didn't accomplish much, apart from breaking Lolita's heart, and his. But none of this prevented me from having a good time watching the show. I just really hope there'll be a S2 cause it'd be a shame to leave things there!

How about you guys? What did you think of it?

#zorro #zorro 2024 #amazon zorro #secuoya zorro #review #meta #rambles #zorro vive #my gifs #i've tried to keep it at a reasonable number #and not to ramble too much #but i'd love to chat more about the show!#okay #throwing this into the ocean before i start overthinking it

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lazymonth · 1 month

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( I have an idea and need to note this concept / AU and for some reason OTHER PEOPLE need to know it with me! )↷

✰ King candy / Turbo if he got adapt into the popular Disney Villains media ✰🍭🏎️

In this case I have two ideas and probably the only two popular Disney Villains media I know. Twisted wonderland, Descendants <-

( Also sorry for my English.. and some swear words )

☆.。.:*・°☆.。.:*・°☆.。.:*・°☆.。.:*・°☆

;; I have completely retired from this fandom since 2022 and promise myself I'll never go back to it. It's all because I lost my game account in my present phone and all my progress in the game ( more than 5 SSR cards specially Idia dorm uniform and I already in Chapter 6 ) even though I still have the game and the same account in my old phone but I'm too afraid to open it.... Well, it has been a year now since I lost it and my feelings for this game are better now. But I still retired from this fandom

Ok, back to the concept. Twisted Wonderland mostly focuses on classic types of Villains but I wanna know what it would be like if one day Disney feels a little bit funny and put the modern villains in and adapt his story into this game

Just like in WIR He starts at being Turbo does something very bad and gets kicked out but comes back as King candy. So here's the idea

☆ The character lore ;

Terlos " Kingan " Candás ( Definitely quick makeup name ) or Terlos Candás was a student of Night Raven College and belonged in the Ignihyde dorm. He's a low percent of Ignihyde students who are kinda active people but Terlos not much of a good guy doing to his power-hungry personality.

Just like most Ignihyde dorm students. He has intelligence on Technology specific hacking and gaming but the thing that makes him different from other is he's a Magical Shift player too that's literally only him and his Twins friends who's playing it in this dorm

But during one of the Magical Shift Tournaments something happens. Night Raven Battle with another school and Terlos being the spotlight. Sadly the longer the game goes player from another school start to make a score more than Night Raven and steal Terlos's thunder

He's so jealous, jealous enough to attack that player with fury. The damage is more than enough to make the Tournaments stop immediately. That poor player gets sent to the hospital, sadly the damage from the magic put him in coma

from what happened Terlos got banned for playing Magical Shift forever but not only that Terlos got fired from Night Raven...

.... but he's not giving up yet. A year later Terlos disguised himself making a new identity name Kingan Candás or KC for short and this time he's getting into another school instead of Night Raven he goes to Royal Sword Academy being the fake royal among them. KC knows that RSA is a competitor with NRC so it's a chance for him to get revenge on his old school

☆ In game story ;

The storyline runs pretty similar to Chapter 5 about NRC vs RSA kinda thing but this time the difference is it's Magical Shift Tournaments between these two schools and the one who cheats and Overblot.. is Kingan himself

While the tournaments are running Yuu and other characters found some suspicions on KC during the event. And at the end they found out about his true identity of him being a wolf in sheep's clothing. After that KC snapped so hard he got Overblot and it's Yuu and other characters to deal with it before the tournaments start

.... After that the headmage of both schools know they think about how to deal with KC this time. Luckily he doesn't get fired from Royal Sword but gets banned from playing Magical Shift ( again ) Being kept a special eye on by all teachers and staff in RSA to make sure he won't do anything wrong again

☆ Unique magic concept ;

" Cheat code! " This Unique magic has the ability to make Terlos see through every movement of what's going on like reading his own hands. Know what other people are going to do next, know their weakness or see them even if they're hiding behind stuff. It's like using a cheat code in video games to win

;; After listening to What's my name, Rotten to the core and It's goin' down so many times I start to have an idea. I know it sounds so crazy and literally almost impossible for King candy / Turbo because he's a game characters. But hey, if we high enough anything can be possible

Similar to Twisted Wonderland that focuses on classic types of Villains but Descendants Mosley focuses on their children instead. At this point I’ll throw a lot of " logic " things out of the window and trying my best to use my imagination to make things make sense as possible

☆ How KC got to Isle of the Lost ;

Just like other villains that they get brought back to life to be imprisoned in the Isle of the Lost. In this case is quite special than the other

After King candy-bug survive from the beacon he’s hiding for a while in Sugar Rush until he change the hiding spot to other arcade. Somehow can avoid Surge Protector and other game characters by going in time that Litwak's Arcade still open and no characters out of their game

KCB has hiding in another game for a while but that game get unplugging because of the unpopular. He thought he’s died already until… his eyes open again and found out the arcade gets transported into new places. It’s not normal an Arcade Central but it’s some places that’s dark but full of colorful lights. Dr. Facilier’s Voodoo Arcade

The arcade plug straight to the wall, limited him from leaving the game but in the same time KCB doesn’t hiding himself anymore that makes the characters in the game scared and hiding from him instead because there’s no one who can help them now. Well, that’s mean he’s kinda succeed on take over the game this time

Even the game probably doesn't work like what Dr. Facilier think but this little weird thing makes him interested and designed to still keep the arcade like this

☆ Royal child...? ;

Descendants of course focus on the villain's child so like.. what if KC has a kid? It might sound crazy and impossible but hear me out. Your question might be " who's the mom " but what if.. KCB doesn't need her?

" They don't know they're in a game. All they know is eat, kill, multiply "

This dialog from the movie gave me an idea about " multiply ". KCB of course still has a cybug code and I'm pretty sure the cybug doesn't give a F about gender so... Yah, you know what I mean gonna skip that egg laying part

Maybe there's a lucky one that hatches and being a Cybug Hybrid with flexible code makes them can transform between humans and The hybrid

Oh boi, it's getting more unreal and fictional every minute

☆ Get out of the Arcade ;

Now here's the " it's magic britch. I ain't gonna explain shit " parth

KC's child ( that I don't think about the name or gender yet ) because they also have a cybug code making them grow up fast and becoming a teenager in just a few weeks. So many days pass one of Dr. Facilier's daughter Celia finally found out about the truth why their arcade game acts weirdly. It's because the characters have their own subconscious and awareness

She tells her dad about this and bolt of them gets really excited about this information. Dr. Facilier and Celia designed to communicate with KC and his child tell them that they know about the character's awareness and don't need to hide anymore with promise they won't unplugged the game

After that both sides of them have become a friend specialty Celia and KC's child. One day Ceila designed to bring her digital friend to the real world. There's nothing magic can't do so she's looking for the magic that might take her friend out of the game

And guess what? She found the spell that can take something unreal to exist ( it's hard to explain and I have no idea what I am talking about ). As soon she cast the spell to KC's child the magic pulls their body out of the arcade. The effects of the magic giving KC's child and new body to fit in the real world while they still can transform to hybrid-cybug form ( similar to Mal turn into dragon and Uma turn into octopus mermaid )

☆ Auradon Prep ;

Celia recommended KC's child to come to Auradon Prep with her so they could study together in the same school. KC's child who already wants to go explore the outside world answering it and moving to Auradon Prep

Even that KC's child hiding their identity of the original being video games character and telling other people that they're just another person from Isle of the Lost

But sometimes they go back to the isle to meet their dad and update about the outside world

•─────────•♛•─────────•

♛ Bonus part ! ;;

In this part I'll explain about some of the references I put in and something that you guys might have a question with ;

【 Twisted Wonderland section 】↷

> Why did I put Turbo in Ignihyde?

: Turbo or King candy might sound more fit in other dorms like Heartslabyul doing to the red color ( and the fact KC have a reference design from Mad Hatter ) or even Pomefiore doing the purple color and royalty feeling. But the reason why I'm putting him in this dorm instead is because of his skill that is related to technology like video games and hacking and both of these seem like a skill that is especially on Ignihyde dorm. ( Also it's my favorite dorm too )

> The Turbo twins in this concept

: Turbo twins have a similar role like Jade and Floyd in the main game. They're both sticking around T. being a good partner but deep down they both kinda dislike T. a bit just like other people. And of course they're also in Ignihyde. This time it's kinda fit because the dorm main color is blue

> Unique magic reference

: " Cheat code! " It's a reference to konami code King candy used to entering The code space

【 Descendants section 】↷

> Why I don’t bring King candy to the real world too?

: Simple. It’s feel curse and I feel like it’s more good for KC if he still stays inside game ( Live action KCB it’s feel.. wrong to thinking )

> The timeline

: Timeline of this concept it’s between Descendants 3 to Descendants: The Rise of Red for making it kinda present as possible

¸ .　　★　° :.　 . • ° 　 .　 *　:.　☆

For who to reading it to this part I want to thank you for watching me writing about all this Concept, What if, AU kinda thing sm. It’s taking me a few days it finished it and don’t think it’ll be this long, LOL

Anyway I might drawing about both of this concept in future… If I won’t forget it first

#disney #wreck it ralph #twisted wonderland #disney descendants #descendants #king candy #turbo wreck it ralph #turbo tastic #concept #concept idea #au #?#long writing

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alwaysahiccupandastrid · 1 year

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Peter Pan & Wendy (2023) - Thoughts

A little bit of brief background here; I’m a huge Peter Pan fan. I grew up loving the Disney animated film but the 2003 live action has always been the superior Peter Pan adaptation to me; Peter Pan holds a special place in my heart as my late nan who I was close with used to take me to the panto every Christmas, and my favourite ones were always Peter Pan.

So without further ado: I watched the new Disney’s Peter Pan & Wendy that came out on Disney+ this weekend!

First, some live watching thoughts:

This movie is literally carried by Ever Anderson as Wendy, like no disrespect to the other cast but she literally carried this film in my opinion

By the way, anyone complaining about it being Wendy’s story is an idiot because the story has ALWAYS been Wendy’s story, ever since Barrie wrote the play and novels. Regardless of which version you watch, it always starts with her lamenting about not wanting to grow up and ends with her acceptance of the fact she must grow up - it’s HER journey, her development.

I have no idea why Disney/Lowery chose to cast two separate actors as Mr Darling and Captain Hook but I’m NOT a fan of that choice. Even in the animated film, they’re voiced by the same actor - it’s a part of Peter Pan tradition to have the actor play both roles, so it’s baffling that it’s not the case here.

I really wish this film had spent a little bit more time BEFORE Peter arrived to show us more of each of the children and also the relationship between the children and their parents. The film opens with a nice little scene of John and Michael sword-fighting whilst Wendy prepares to head off to boarding school, and then she joins them and their father scolds her for “this is how you choose to spend your last night in the nursery” and “you’re too old for this sort of fun”, which definitely works… but it’s very quick paced and it rushed by so quickly, like the film kind of just spends only a few minutes establishing “Wendy is being sent to boarding school the next morning; she doesn’t want to grow up; her parents want her to be a better role model to her brothers” and that’s it.

Also interesting to note that Wendy is not in a nightgown in this version but some kind of pyjama-ish undergarment outfit, plus a dressing gown

Wendy aggressively reading a book in her bed… same though

Nana appears but only in brief moments 😭 WE DESERVED MORE NANA! In this version she’s kind of more just a pet - they never mention that she’s the Darling family’s nursemaid and looks after the children, and there’s a brief flash where (I think) you see a young Wendy cuddling her as a puppy… like??? She’s not just a dog, she is not just a pet, she is the finest nursemaid on four paws because the Darlings can’t afford to hire one.

“I want things to stay the way they are.” “Perhaps I don’t want to grow up.” — same, Wendy, same

“Just imagine all of the things you would miss out on if you didn’t see where it took you… and all the things the world would miss if you weren’t there to do them.”

Mrs Darling’s lullaby was lovely by the way

Yara Shahidi as Tinkerbell is BEAUTIFUL. I love her facial expressions, and even though there’s less attitude and she’s not jealous in this version, I still love her

I know that the film was supposed to film in 2020 but Covid shut things down so they didn’t film until a whole year later, and obviously children grow very quickly… but Peter’s voice is so deep in this version, you can tell Alexander Molony hit puberty during lockdown. I feel bad for criticizing a kid about it because it’s not his fault, but it can’t be denied that he’s older than Peter is supposed to be. Ever Anderson was also 13-14 when filming actually happened, and while it’s slightly less glaringly obvious with her, she’s definitely a tiny bit older than most versions of Wendy. I think it’s more obvious with Alexander though because of the deep voice.

This version makes it seem like Mrs Darling is the storyteller and Wendy isn’t, which kind of bugs me to be honest but oh well

Let’s be honest, no adaptation will ever top the “Flying” scene from the 2003 version - that was a whole masterpiece in itself. This version does do a nice enough job though, all things considered, even if the CGI doesn’t always look quite right

I don’t want to slam how Neverland looks because I’m aware it was filmed in Newfoundland in Canada, which I don’t doubt is a beautiful place - what I will say is that I don’t know if there was some kind of ultra real gritty filter added on it if it’s something else, but to me it just wasn’t colourful enough. Neverland is supposed to be magical and vibrant and like a dream, not 100% rigidly realistic. They could have made Skull Rock shaped at least somewhat like a skull for God’s sake, just as an example

“Smee, make a note my cabin needs a new door.” “Yes… might I say, captain, that’ll be your third door this month-“ “and it won’t be the last.” — okay, I had a little giggle here, I won’t lie

Jude Law’s version of Hook has heterochromia which is definitely interesting - I wonder why it was included though, like what purpose does it serve the story

Wendy meeting the Lost Boys changed from Tink telling the boys to shoot her out of the sky and them nearly murdering her, to her washing up alone and running into them and Tiger Lily, which is definitely a choice

AHHHHH TIGER LILY SPEAKING CREE, SHE IS ALSO LITERALLY A PRINCESS IN EVERY SINGLE WAY LIKE HOW SHE SPEAKS AND CARRIES HERSELF

I am genuinely still on the fence about the Lost Boys including girls but at the end of the day… whatever. It’s not that big a deal in the grand scheme of things. I still find the “but you’re not all boys” “SO?!?” exchange cringey though, not gonna lie

Wendy’s response to the above being “well I guess it doesn’t really matter”, so true

I think it’s a good thing that the Lost Boys include non white and disabled kids (Slightly has Down syndrome) but also I really hope those kids stay off social media for a while because the absolute nastiness being flung around about them (especially Slightly) is disgusting

The Lost Boys being like “she’s too old” “she’s too grown up” 💀 that and Mrs Darling’s “darling, you barely fit in your bed” comment feel oddly meta and about the actors growing while filming was delayed

Wendy Moira Angela Darling realising her brothers have been captured by pirates: “…oh dear” 💀 the timing of it was perfect though lmao

Tell me that Smee did not just use the phrase “compatriots of you-know-who” in front of a man who played Dumbledore 💀

John: We don’t care about your rules, we came with Peter Pan! // the entire pirate crew eavesdropping outside: *groaning/gasping*

PIRATE SEA SHANTIES FTW

Peter Pan really disappears from this movie at about 20 minutes in (after appearing for the first time only 10 minutes beforehand) and doesn’t reappear until a whole 15 minutes later?!?

“I’ve found you guilty of being a child - and we can’t have children in Neverland” — IS HE FUCKING SERIOUS RIGHT NOW?!?!? (Hook was in fact deadly serious)

NOT TEDDY LOSING AN ARM 😭

Who the hell did Peter think he was tricking with that absolutely terrible disguise, it looks like stuck a mop on his chin for god’s sake?!?

Wendy being shocked that Peter is showing off as if that isn’t his whole personality summed up 😶

“Oh brother, Hook’s singing again” - I CACKLED IM SORRY

“Proud and insolent youth, have at me!” — I GASPED I TELL YOU, GASPED

PETER AND HOOK’S SHADOWS HAVING THEIR OWN SWORD FIGHT OH MY GOOOOODDDDDD

“Oh, Wendy… you’re still alive!” ASDFGHJKL

OH HOOK PLAYED DIRTY AND HE SAID HE LEARNED HIS BAD FORM FROM PETER DIXNDMALZPZOZL WHAT IS GOING ON

“For to die would be an awfully big adventure” - THAT’S THE MONEY LINE RIGHT THERE

“SHE’S A WENDY!!!”, and all that ran through my mind was the Barbie meme:

Wendy finishing Hook’s sentences and cutting him off each time ASDFGHJKL we love a know it all

AHHHH ITS TICK TOCK THE CROC, I was so scared they’d forget about the crocodile so I’m happy he’s here

THE SEQUENCE WITH THE MUSIC AS HOOK IS RUNNING AWAY FROM THE CROC ASDFGHJKL COMEDY GOLD

WENDY FUCKING SLAPPED PETER ACROSS THE FACE AND IT DID A MOVIE MAKER CIRCLE FADE OUT ARE YOU SERIOUS RIGHT NOW WTAF-

“It was an adventure, wasn’t that what you wanted?” “Yes but I didn’t think it meant being shot out of the sky by pirates” — yeah, that’s a valid point I guess

Poor Tinkerbell just twinkling and getting absolutely ignored :/

“You have a magical fairy that makes you fly! And a gaggle of children that do your bidding with a princess that cleans up your messes while you’re off gallivanting with pirates” — OOF, also Tinkerbell and Tiger Lily both smiling and nodding their agreement of Wendy’s words asdfghkl love to see girls supporting girls

Wendy throughout this whole movie is pretty much just the “I came out to have a good time and I’m honestly feeling so attacked right now” meme

You’re telling me the Lost Boys hideout is no longer hidden in a tree but a GIANT tower?!? Not exactly hidden now, is it?!?

Wendy and Tiger Lily together having one of the best scenes in this movie, you love to see it ❤️

So what I’m getting from this adaptation is that instead of the Lost Boys actually getting “lost” and not claimed, Peter waits for them to say “I don’t want to grow up” then whooshes in and brings them to Neverland…

Okay so Wendy is still kind of seen as the storyteller in this version…? The kids ask her for stories so…?

“Wendy can be our mother” “goodness no! I don’t even know if I want to be a mother!” — I have thoughts about this??? On the one hand, I’m a book purist and for me I’m like “she does agree to be their mother tho??? That’s why she was brought to Neverland???” (And also she canonically has a daughter called Jane) but on the other I’m like “fair enough” because a) she’s a child and b) you can’t force people to have children if they don’t want them. Idk

Im 90% sure Wendy’s hair changed from a side parting to a middle parting at some point but I don’t know where or when it happened

Wendy singing a lullaby, which is actually a nice callback to her singing “Your Mother and Mine” in the animated film

You’re telling me Hook and the pirates have never found their huge ass tower hideout and that Wendy’s gentle singing was loud enough to reach the pirates and alert them of their location?!?

JAMES?!? As in Hook?!?

“It’s a kiss - I made it for you” — ITS AN ACORN NECKLACE IM-

Peter and Hook used to be best friends?!? Hook was the first lost boy in this version?!? Lowery doing his own canon at this point, oh my god

This film really missed a trick, like it could have really heavily leaned into the dark side of Peter Pan with the whole “you must never leave” stuff he says 👀

This film really wanted to be the 2003 version so bad, like the moment where Peter walks away after their conversation about Neverland not being what she expected and Wendy calls “Peter!”… it wanted to be the Fairy Dance scene WAY too bad

Imagine walking down their stairs into a room, turning around and seeing your brothers/the whole gang of lost boys tied up and gagged 😳

Hook saying Wendy’s full name and later dragging his hook over the door was creepy ngl

HE JUST SLASHED PETER ACROSS THE CHEST

“Captain Hook… I don’t think I like this adventure” *falls down 20 feet* — EXCUSE ME???

You’re telling me Peter survived a) a slash to the chest and b) a 20 foot drop?!? I mean I know he’s magical and all but…?!?

Eyyy Tiger Lily to the rescue, the women truly run this film

“Then listen… *hums awkwardly*” - I genuinely can’t tell if this film is supposed to be this weirdly hilarious or not

Mr Smee was the one who found Hook and rescued him, I’m-

“This is what growing up looks like.” “No. This is what it looks like when you grow up wrong.” - OOF

HOOK SNAPPING WHEN SMEE CALLED HIM JAMES 😭

“Execute every last one of them” sounds so much worse than “become a pirate or walk the plank” like sir all they did was be kids who haven’t managed to hit puberty yet and you’ve got them all screaming like they’re about to be mass murdered (which they are) 💀

Wendy offering herself instead, “they’re only children, let them live!” - ma’am you are also a child?!?

“Let them live, they’ll be good pirates - especially those two” (meaning John and Michael)… I love Wendy stepping up and looking out for her brothers, especially given at the beginning of the film she full on blamed them for the whole mirror situation

Peter being super injured and unable to fly so Tiger Lily has to help him 🥹

Why does this pirate shanty as Wendy walks the plank actually slap hard though?!?

Tinkerbell lifting her little prison up and smashing Smee on the head so she can help Wendy, we love to see it

The fact that Wendy thinks happy thoughts stepping off the plank and it’s not just her childhood memories anymore (like in the flying to Neverland scene)??? She imagines growing up and the things she could do if allowing herself to grow up?!? 😭

The utter silence after she steps off the plank followed by Hook being like “… hang on, there was no splash?!?”

Tinkerbell damn near used every single bit of fairy dust in existence just to lift up the ship and play what is essentially a huge joke on the pirates is such legend behaviour lmao

“You have the boy’s magic.” “No, this magic belongs to no boy!” — HELL YEAH WENDY YOU ARE ALWAYS THE MAIN CHARACTER

I’ll be honest, for a film where Peter is billed first he has done VERY little besides a small duel, get stabbed and nearly die twice

The depressed pirate who goes “well wake me up before one of them kills the other… again” is such a mood lmfao same

It’s interesting that it’s Wendy with the flight skills as she fights and Peter without the flying I guess??

Wendy and Tiger Lily are literally saving every single other character’s asses at this point, like they’re the only reason anything has happened in this film

Rotating the entire ship was not something I thought I’d ever see and yet here we are

Peter falling off the upside down ship and Wendy catching him?!? And the fairy dust rubbing off onto him??? (Literally what even has Peter done in this film I feel bad for saying it but…)

I kind of like the idea that Peter and Hook intentionally don’t kill each other because both of them live for their battles and it’s almost like a game, a cycle, that Neverland lives off of? Idk if that makes sense lol

“Oh captain… Grow up.” - I CHOKED SHE GAGGED HIM

Peter grabbing Hook by the hook so he won’t fall and saying “I’ve got you James, just think happy thoughts”…???

“Peter… I haven’t got any…” AND THEN HE FALLS, DETATCHED FROM HIS HOOK?!? I KNEW HE DIDNT ASDFGHJKL BUT LIKE THIS?!?

I’ve literally only just realised that the Teddy has a fork as a prosthetic arm 💀

“It’s time to get these lost boys home” - what she REALLY means is “let’s take them back to my place and I’ll tell my parents I’ve adopted ten children on their behalf” 💀😂 that part always makes me laugh in any adaptation/version of the story, I won’t lie

So basically no time has passed in the real world while they’ve been in Neverland? No Mr and Mrs Darling keeping the window open for when their children return???

“Boy… why are you crying?” - IM SHAKING, CRYING, SCREAMING, THROWING UP I HAVE CHILLS

You’re telling me Peter lived in the exact same house as Wendy as her brothers???? That’s why he kept returning to that house, not because Wendy believed strongly in him or he liked her stories but because it was his old home?? 😶

“I’m just a story, told to any child who’ll listen” - oof true. Kids today don’t really know Peter Pan anymore, which is super sad - they know Tink but they’re not as familiar with Peter Pan these days

“You know, Peter… after all this… I think that to grow up… why, it might just be the biggest adventure of all. Just think of all of the things that could be right around the corner that you’re missing out on. Think of what the world is missing out on with you not being there to do them.” 👏👏👏

THE SHIP LITERALLY RIPPED THE CHIMNEY OFF GOOD LUCK PAYING FOR THAT GEORGE

Wendy crying as she says goodbye to Tink 😭 “and please don’t forget about me”

WENDY BEING ABLE TO HEAR TINKERBELL SPEAK ASDFGHJKL BEAUTIFUL… “thank you for hearing me” - I DONT CARE, THATS SO POETIC???

Wendy carving her name under Peter’s so now it says “Peter Pan + Wendy” 😭

Hook is still alive?!? I don’t know why I’m so shocked at this point lol

The way Hook and Pan smiled at each other when Peter returned, oh boy here we go again

The end credit animations are so pretty omg

So, overall… it’s not the worst Disney remake. It’s truly not that bad, at least not enough to warrant racist morons bombing it with one star reviews. It’s definitely not a patch on the 2003 version, at least not in my opinion - that one will always reign superior, at least to me.

Some things:

I definitely feel like this film was carried by Ever Anderson as Wendy, she literally did the most and seemed the most well suited for her part overall

Jude Law was actually better than I thought he would be as Hook, Jason Isaacs is still my favourite but Jude is alright

I think Alexander Molony had the right spirit, I just think that he wasn’t given all that much to do and also it was very noticeable that he was on the cusp of adulthood already. Had the film been filmed when intended and not delayed, I think his performance would have come across better

The other kids and the pirates were super fun too, but not really given a lot to do either, which is sad. Would have loved to see more of Jim Gaffigan as Smee though

Yara Shahidi as Tinkerbell and Alyssa Wapanatahk as Tiger Lily were also amazing and big standouts, shoutout to them both!

Mentioned this above but will mention it again: I don’t understand what the point of casting a separate actor to play Mr Darling was. Yes, as I mentioned, there’s the dual casting thing - but also Mr Darling was in this film so little that there was zero sense in hiring a whole other actor to do the part??? He’s literally got a total of like one and a half minutes screentime?!?

Putting the crocodile in just the one single time was a fucking crime, I tell you! Why was he only in one single scene?!? 🐊

The CGI wasn’t the worst I’ve seen but it definitely could have been a bit better

Here’s the thing: the original animation was 1h21 and this one is 1h46… and yet this one felt way more rushed for some reason? It’s like the film hits the basic plots, like ticking them off, but doesn’t actually embellish or explore them properly. It’s just so rushed and the film suffers for it

I truly think this film would have benefited from letting us get to know the Darling children even better at the beginning before Peter arrived, because the most developed of the three is Wendy and all we know about her is she’s going to boarding school and her parents want her to be a better role model/set a better example for her brothers. All we know about John and Michael is that they’re Wendy’s brothers and they like to play fight - they don’t really feel like proper characters, they’re literally just there

I’m still waiting for a Peter Pan adaptation to just bite the bullet and give us that flash forward of Peter visiting an older Wendy, meeting Jane and taking Jane to Neverland - the 2003 version did film it but it’s deleted and the special effects aren’t done on it (you can watch it online but still)

I want to know where in Barrie’s text it says Wendy wanted to become an airplane pilot or that she actually fulfilled that ambition… ?!?!

The soundtrack was good - not the masterpiece that James Newton Howard’s is but still pretty good

Overall, I’d give it a 6/10 maybe. It wasn’t the worst Pan movie or adaptation out there but it’s not the best either, at least in my opinion. It IS one of the better Disney remakes though, and if it had been a bit longer and had a better budget then I’d say it should have had a theatrical release because the cinematography is STUNNING. It’s just that it very much feels like they rushed the story and had a smaller budget than hoped for.

#peter pan #peter pan and wendy #disney #peter pan remake #wendy darling #captain hook #james hook #alexander molony #ever anderson #jude law

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