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sxrrandomfanfics · 2 years

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Genesis Album: A Trick of the Tail & Corresponding Psychonauts Characters

I am going back to my musical love and singing again now that my headphones are fixed. So I was listening to "A Trick of the Tail" and putting characters from my current Hyperfixation onto them

Dance on a Volcano - Lili Zanotto Now, Dance on a Volcano is the first song on the album and I'm not just choosing this song because of "volcano" in the name. This 15/8 time song is about trying to persue a single goal and leaving others behind with your own talents. I feel that it feels like Lili's rejection of Psychonauts as dangers of the profession aren't quite on her mind but she leaves other peers behind and seems to not have a true link. A great match to her as the song demands "you better start doing it right!"

Entangled - Caligosto Loboto Entangled using dreamlike imagery and a floaty, dissociating, swaying melody to the slow tempo is a great match to how Loboto is acting, not entirely there, especially in Rhombus of Ruin. Plus, Entangled itself is a song about a person who is getting ready for a surgery. Using those two ideas and reflecting on Loboto's past makes this match very well. And then imagining that the different verses are where we see Loboto's family to his actions against the campers, and against Truman and Raz in Rhombus makes the song work very well with his story. Plus the line: "With your consent I can experiment further still" being repeated in the chorus is chillingly attached to him.

Squonk - Morceau Oleander A story about a creature who is so sad that it can't stop crying, yet doesn't want others to see it cry... coupled with the idea that there's a secondary story of a son trying to make his father proud by catching the beast... I'd say this has Oleander's story written all over it. With Oleander trying his best to make his family proud (getting into the military) after everything that he'd been through with a trauma. The line "all the king's horses and all the king's men could never put a smile on that face" is supposed to reflect the beast that the son wants to capture, but simultaneously, I see it fitting Morry, especially after PN1's storyline of him being the villain.

Mad Man Moon - Helmut Fullbear A kind of reflection of "Dance on a Volcano"'s energy, Mad Man Moon is a slow reflective song about leaving home that swells into a high energy while the narrator sings about what he misses and how those who have something want the opposite while he is trapped somewhere he can no longer escape unlike the home. It really gives me the vibes of Psi-King's Sensorium with the reflection always kind of being there but also the high energy and colors swelling up into a crescendo and climax before reeling back into the slower beginning. Couple that with the idea of how Mad Man Moon contrasts those living in deserts wanting rainstorms while those who live in rain want the sun. Just the sensory overwhelming me and being far from home reminds me of Helmut.

Robbery, Assault and Battery - The Noodler Do we know anything about this character? No, but he's a villain named multiple times and is featured in the TPT comics, apparently. And because of that, with how Robbery, Assault and Battery is a celebration of a villainous act, I think this is the character that fits it best, taking joy in the actions.

Ripples - Ford Cruller This song is a reflection of lost time, using the idea of a woman reflecting back in the water and it just fits so well. Truly the lyrics about losing time fits well with the lyrics: "Sail away, away/Ripples never come back/Gone to the other side/Sail away, away." It's so fixated on the moment in time of just realizing how much time you've lost feels like how Ford must have been for so long.

A Trick of the Tail - Razputin Aquato Not only is it the song the album is named after this song, but the first part really fits Raz. However... not the rest of the song. I always imagine that this is more of how the Aquato family believed that this would happen if Raz ran and found out the psychics were as bad as they thought. A more reflection of a character through another character's perception. It fits the least but still...

Los Endos - Lucrecia Mux Los Endos is a medley of... Dance on a Volcano and Squonk, with the ending parts having the whispered lyrics of - "There's an angel standing in the sun./ There's an angel standing in the sun, Free to get back home." Which I suppose fit Lucrecia Mux (pre-transformation and post with the two songs attached without Entangled between them).

#a trick of the tail #genesis band #song/character analysis #psychonauts

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aurae-rori · 1 month

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DR RATIO ANALYSIS

SPOILERS FOR 2.1 CONTENT!

Now, you might be saying - "Aurae, Oh No! and Are You Satisfied? are much too basic songs to analyze Dr. Ratio to! Just because he's a scholar doesn't mean that he has academic trauma!" WRONG! Before we start, I have been researching psychology for approximately six years and I plan to go into it professionally. HOWEVER, that said, I am NOT a professional (YET. One day I will be. Yay for Aurae!) so understand that everything I come to conclusions about has been analyzed with some personal judgement, personal interpretations, and this is just what I have concluded with the info that I have deconstructed from his brain. If you disagree, that's fine!

I will be pulling from my own experiences with being a "golden" and "gifted" child, as well as the experiences I've had speaking to other people who were those. I will also be pulling from my experiences of researching and seeing how people with superiority complexes work, as well as diving into how those work (from what I've seen, as well as how they conceal a lack of self-esteem).

OKAY, NOW THAT THAT LONG AHH DISCLAIMER IS OVER, ALLOW ME TO WORK MY PSYCH ENJOYER MAGIC! Let's deconstruct Dr. Ratio like a lego toy.

Let's start off with how Dr. Ratio presents himself. When you first meet him, he seems like a haughty, arrogant asshole. He likes to PRESENT himself as a stoic, superior scholar who is purely in it to win it, and I got total "*stares down at your tiny body and laughs at how you lack knowledge*" vibes at the very start, due to how he goes around calling people idiots all the time. However, he DOES lose the idgaf war, and we can very quickly see that he does care for other people, even if in his own, strange way. Dr Ratio presentation: An asshole. The reality?

His entire character is based around the idea of helping the masses. He wishes to spread knowledge through the cosmos and give people who didn't have access to it, access. He's a harsh teacher, and calling people 'idiots' is NOT the way to motivate them, but he's doing his best™.

Actually, no, I'm going to go full psych into this. Okay, so here starts the Dr. Ratio and my FATHER COMPARISONS. My father is a professor and he is often called a harsh grader by his students. However, I've spoken to him multiple times because I was curious - why is he so harsh and diligent with his grading system? The answer is - he wants them to actually learn. When he's grading, he gives them harsh marks because he wants them to know exactly where they messed up, and he's always willing to stay after hours to help students understand where they can't. My father also is an enjoyer of knowledge, and for as long as I've remembered, he has prioritized teaching me how to think critically. He wants me to be able to think for myself - and I think that's what Dr. Ratio wants, too. He wants for his students to be able to fully comprehend and absorb the information that he teaches, and although his methods are harsh, he genuinely wants to help. My father's like this too - he hates students that waste his time or aren't here because their hearts are in it. Dr. Ratio hates people who aren't taking their education seriously because knowledge is important. Knowledge is a tool, and to disregard it completely is lowkey kind of insulting - especially when there are people who weren't privileged enough to actually get it, so this isn't something that you should take for granted. Dr. Ratio despises people who take knowledge for granted.

Also, I disagree with the claims that say that Dr. Ratio hates the genius society. He shows open respect for them in his voice lines. Just check them if you need proof. Also, I'll delve into the idea of Aeons and recognition later.

Now that we’ve established that Dr. Ratio kins my dad, let’s let's tackle the 'stoic' allegations. He is LOSING the idgaf war. Like, really badly. He has a temper of a thousand suns and snaps at people frequently, despite his 'impassive' face, his tone holds a LOT of emotion. He seems to feel very deeply and has a shit ton of empathy for others - why else would he be dedicating his entire career to helping others? Of course, he doesn't express this in 'typical' ways of being openly kind - but it doesn't mean that he doesn't care for other people. In fact, he seems to be pretty good at putting himself in the shoes of others and understanding them - expressed in the 2.1 quest where he tells Aventurine to tell him if he can't hold on any longer. Also, he loses the IDGAF war because he is actively trying to help people who want to learn and trying to spread logic and knowledge across the cosmos to those who didn't have it before. Would a man who didn't GAF do that? No!

Now that we've covered his view on knowledge and the way that he presents himself, let's turn to the way that he SEES himself. Now, this is where we get into the nitty gritty of gifted child trauma & academic trauma as well as crippling expectations. It's literally explicitly said in his character stories that he sees himself as mediocre, and it's canon that he doesn't have a good view of himself. His self-esteem is down in the fucking trenches along with my sanity as I write this analysis. The reality is - being called a genius your whole life doesn't really make you feel better about yourself. I'd know. I was. In fact, it makes you feel fucking worse when you can't live up to an expectation. We all fail in life. It's part of being human. But when you're held to such high standards - idolized for your knowledge and the way that you're 'gifted' - the crash comes really fucking hard. Failure is inevitable, and when people who are held on that pedestal experience it, they take it really bad.

The reality is that nobody - not even geniuses - are perfect, but you grow up believing that you are. Then, when you fail for the first time, it all comes tumbling down. The first time I came home with a bad grade was one of the most humiliating moments of my life. I hadn't studied because I was arrogant and I thought that I was smart enough to pass without putting any extra effort into it - because I was a 'gifted' child, right? I should've been able to do it without studying like the other kids. And that's the thing with gifted children – you grow reliant on that title. You cling onto it for dear life for motivation, as well as self-perception. Little by little, the person you are falls apart as you slave away to the perception other people have of you. I think basically every gifted child that I've ever spoken to is a victim of this – and of course, you can heal from this mindset - but it's a hard one to shake.

Ratio's way of presenting himself as being a 'genius' and 'arrogant' also seems to contradict the way that he calls himself 'mundane' at the same time. However, these are two mindsets that can coexist. One part of you believes that you are a genius and that you are perfect, while the other part is crumbling and calling yourself good-for-nothing every time you make a mistake. It's a tiring cycle to live in. This usually leads to people shutting themselves out and closing themselves off after living like that, pushing back your own feelings in favour of being the perfect child. However, we don't know the exact details of Dr. Ratio's childhood, but we can infer that he was held to a pedestal, and this is a very harmful mindset for a child to have.

His superiority complex comes both from how other people view him, but it's a way to cope with his crippling lack of self-esteem. I'm sorry my guy. Also helping others probably helps him feel like he's worth something and makes him feel better because he bases his entire worth off of what he can do and how he can help others. However, this is just my personal interpretation backed by what I have already deconstructed.

In general, this is an easy way to crush self-esteem. You spend your whole life working to meet the image of what other people think you are. In fact, another reason why Dr. Ratio might be so harsh is because that’s the kind of attitude he holds towards himself when conducting research – he’s as hard on himself as he is to others. You end up hating the idea of failure, instead of seeing it as it should be - a way to improve and grow. Actually, I think this could be a reason that he went out of his way to break that illusion of 'worshipping geniuses' in the Space Station. Maybe some sort of childhood connection? Personal connection? In his endeavour to spread more knowledge and make people think for themselves and not blindly follow geniuses, to wake them up and let them think for themselves - maybe, somewhere, in there, he's helping that little child that was almost dehumanized for his intelligence. TLDR: Conflicting mindsets due to trauma, brain vs heart almost - his knowledge that he is a genius vs the crippling lack of his self worth.

Now that we've established Dr. Ratio's self worth, let's take a look at the impact Aeons had on him. Nous, the Aeon of Knowledge itself. I think in a world where the Gods are real, tangible beings that you can reach out and talk to - it makes sense that someone with high ambition and someone who's been called a genius his whole life would seek the confirmation of Nous. When you're a man of knowledge, and you've spent your whole life working with it, being praised for it – it feels natural to look for a god to look down upon you and bless you, right? The Genius Society – it should house him, because he is a genius as well, right? Imagine this – you have been called a genius your whole life, held to that kind of pedestal for so long, and now you wait for the recognition of the Gods. Because if you truly are a genius – then surely, a higher being will recognize your intelligence, right?

The invitation never comes.

And then, comes the doubt.

What if I'm really not a genius? What if everything I've worked for is a lie? Aeons are beings that are 'absolute'. If the god of Knowledge won't accept you or even cast a glance upon you, does that mean that everything was wrong. Gods see more than humans, after all. Gods know more than humans - and that spiral... I think you can see if. (If you don't let me know. I will ramble about how a failure like that can make you spiral down into a worse mindset).

However, the reason why Ratio was never invited to the Genius Society is simple. It’s because he LOSES THE IDGAF WAR. Now, if we look at all the people we know who are in the Genius Society - we find one thing in common. They’re in it to win it for themselves. They don’t help others using the knowledge that they’ve gotten - they use it to pursue shit for themselves. The people of the Genius Society are inherently self-serving. They WIN the idgaf war. Ratio LOSES. Do we see now?

Ratio’s empathy is the reason why he wasn’t let in. He is too human. Nous is a computer. Herta is detached from people. Ruan Mei is literally looking at life as test subjects. Screwllum is a robot.

OUR DOCTOR MAN LOST THE IDGAF WAR, BECAUSE HE IS HUMAN AND FEELS FOR OTHERS!!!

Also, it’s a plausible theory that Nous’s definition of ‘genius’ is different from the human definition of ‘genius’ – it’s a computer, after all. Who knows what’s going on in that code head of its.

However, we still love you Ratio. Never stop losing the IDGAF war.

TLDR: Nous is a computer. It is also in it to win it. It is also self serving. It gazes upon the hoes who are here to win it for themselves. Ratio is busy serving the masses and cooking knowledge in his frying pan. To it, there is no logical reason to be doing this. Therefore, no reason to invite this guy to the Genius Society.

Ratio’s gifted child trauma says otherwise. He wants in. Why wouldn’t he? He’s been working his whole life as a genius.

Nous is like… nah bro, you care too much. Ratio is like, ‘what the fuck?’ And then the AEON OF KNOWLEDGE GOES FOR THE MILK.

Okay, now, quick shoutout to Ratio wanting to help others. He is just like me fr. SO BASICALLY, RECAP OF EVERYTHING I JUST SAID:

Ratio LOSES the idgaf war because he cares about other people. Spent his whole life as the golden egg, and then turns to the gods for recognition because of the inherent trauma of being a child genius. He goes, "hey bro, can you confirm that I am in fact a genius?" and Nous goes, "no, you are too busy cheffing for the masses." Ratio goes, "what the fuck?" and then we collectively realize his attitude comes from blocking off his feelings (while failing miserably), being salty about not being recognized, being put on a pedestal for his whole life, and his crippling depression *cough* lack of self worth *cough*.

Oh, and the "I will never be enough" thought train probably hits him every single day. He is not enough to be recognized by a God. Gods are superior to humans. Maybe nothing has worth after all. Hey, that's Nihility! Hi IX, let's hear what you have to say.

*muffled ix noises*

I see, I see.

The consensus is: HE'S TRAUMATIZED BY EXPECTATIONS! HE WILL PROBABLY SUFFER FROM BURNT OUT GIFTED CHILD IF HE HAS NOT ALREADY!

Okay, now, before I delve into song lyrics (and I KNOW this has been long, just bear with me) I want to talk a little bit (read: a lot) about his relationship with Aventurine. We all know that he cares about Aventurine in his own way. But I want to pull in another idea that I didn’t cover before:

Ratio’s fucking emotional constipation.

Basically, the reason why he has trouble connecting with others is because he was most likely alienated by others as a symptom of being called a genius and being put on a pedestal. This makes him seem unapproachable to his peers, most likely, and therefore, as a result, doesn’t know how to properly connect with others. This just makes his way of presenting affection and care to others even more challenging – because he just doesn’t know how to do it in a healthy and clear way. Academic trauma causing emotional problems, because he’s probably a little bit out of touch with his own. Processing? No! Research. Also, this is very important for understanding Ratio’s character in my opinion, because he’s just a little guy who doesn’t know how to articulate. Maybe he’s got a touch of the ‘tism. Tism mutuals, do we agree or disagree?

However, in comes Aventurine. Love Aventurine, but they are both emotionally constipated. Aventurine displays his affection in ways that Ratio probably only catches after re-analyzing their time together about five times. He’s also a very closed off individual – but Ratio knows this. A cute thing is that Ratio is patient where he needs to be, even if he’s generally a pretty hot-headed guy, and I’m like… bro… that letter… “I wish you the best of luck”... I will wait for you…. GAY ASS MAN…

Sorry the Aventio demons took over. Anyway, what I’m trying to say here is that they both have nonverbal communication with one another that they clearly decipher and Ratio obviously cares for him (he came back and almost jeopardized the plan just for the sake of his ‘coworker’... okay gayboy…) and they just have such a neat little dynamic… Aventurine lets Dr. Ratio do his thing… understands his emotional alienation to a degree…. they’re so neat….

Okay, Aventurine segment over. NOW, FINALLY, WE CAN GET TO THE SONG LYRICS!!! YAY!!!! We all cheered!!!

We are going to be here for two more amber eras, because I realized I actually want to analyze every single lyric from both of these songs. Brace yourself for like, 2k more words. Help.

I think it’s only proper that we start off with ‘Oh No!’ the song that has haunted me since my childhood.

“Don’t do love, don’t do friends

I’m only after success

Don’t need a relationship

I’ll never soften my grip”

Remember when I mentioned that alienation was a big part of Ratio lore? Yeah, that manifests itself in this. When you spend your entire life chasing after knowledge and being held to that standard of untouchable genius, it makes sense that you couldn’t connect with others and that you turn your gaze only to success. Therefore, relationships that are interpersonal lose meaning for a bit – you’re just looking for answers and ways to help them, not connect with them. Also, this is what he wants to do – so he’s never going to pass down an opportunity to better himself or to help someone else.

“Don’t want cash, don’t want card

Want it fast, want it hard

Don’t need money, don’t need fame

I just want to make a change

I just wanna change, I just wanna change”

This is directly alluding to his reasonings for distributing knowledge across the cosmos. Was he based on this song? Maybe he was. He’s not looking for money or fame, his ultimate goal is actually pretty selfless – to bring knowledge and give people the tools they need to think for themselves. He just wants to make a change – he just wants people to be able to have access to knowledge and help cure ‘stupidity’. He wants to do it as quickly as possible, always reaching for lofty goals that might seem impossible, but he will make them possible.

“I know exactly what I want and who I want to be

I know exactly why I walk and talk like a machine

I’m now becoming my own self-fulfilled prophecy

Oh! Oh no! Oh no! Oh no, oh!”

Ratio knows his goal. He knows what he’s working towards. I do believe that he understands why he is the way that he is – he has a degree in Psychology, after all. He knows how he’s been hurt but at the same time, the trauma brain probably doesn’t want to recognize it and he hasn’t stepped into healing yet. He knows what he went through impacted him, but he’s too busy helping others to help himself. He’s becoming what he wants to be, and yet he’s not, all at the same time – which causes the idea of “oh no!” as a kind of cry for help, almost. He’s too proud to ask for it himself, of course, so he’ll fall alone until someone manages to catch him and give him the strength to continue holding on. Aventurine is that.

“One track mind, one track heart

If I fail, I’ll fall apart

Maybe it is all a test

‘Cause I feel like I’m the worst

So I always act like I’m the best”

Now, these are the exact lyrics that made me associate this song with Ratio in the first place. He’s got a singular goal that he will do nothing to stop at getting, that he goes so far to get to. However, as I mentioned earlier, failure is not an option for those who were deemed gifted or genius. You are perfect, so therefore you must live up to everyone’s every expectation and surpass them, too, in order to keep your perception of yourself intact. Ratio does not hold himself in high regard, but acts arrogant in order to hold himself together and not fall to the self-deprecating thoughts, even if they fall through the cracks. It gets tiring to hold yourself together like that for a long time, you know?

“I’m gonna live, I’m gonna fly

I’m gonna fail, I’m gonna die

I’m gonna live, I’m gonna fly

I’m gonna fail, I’m gonna die”

Remember how I was talking about contradictory mindsets and how they can coexist. This is them. The feeling of crippling self-hatred and lack of self esteem versus the idea that you can do it, you can make a difference – you were born a genius, this is what you’re going to do. This is the knowledge that you are a genius vs the lack of self-esteem that Ratio has. “Mediocre” vs “genius” mindset, eh?

All the other lyrics in this song are repetitions of what I’ve analyzed before, so let’s move onto “Are you Satisfied?”

To be honest, there are only a few lines in this song that allow me to connect it to Ratio, so therefore, I will only be analyzing them. However, if you think that other lyrics can connect to him, I’d be interested in knowing how.

“What you’re gonna be

It’s not my problem if you don’t see what I see

And I do not give a damn if you don’t believe

My problem, it’s my problem that I never am happy

It’s my problem, it’s my problem on how fast I will succeed”

Pretending to not care about how the world sees you is so fucking real. Sometimes, you really don’t give a shit, and sometimes it’s all you can think about. Ratio… doesn’t seem like he’s the happiest person. He works himself hard and he’s always chasing after a goal that must be exhausting. He’s always doing his best, and I think even with his empathy, it’s easy to start not giving a shit after trying for so long and so hard. Accepting help is one of the hardest things that anybody can do, especially with how much pride he has. His personal problems are his personal problems and he can deal with them on his own.

“High achiever, don’t you see?

Baby, nothing comes for free

They say I’m a control freak

Driven by a greed to succeed

Nobody can stop me”

Nothing comes for free. A lot of the things Ratio has achieved is due to his own intelligence, yes, but also because of a shit ton of hard work. His goal is literally to cure the universe of ‘stupidity’ – and that’s a pretty large fucking goal. He is a high achiever who likes to know the details of every situation when he can in order to try and make things better, and he is driven by a greed to succeed. Why wouldn’t he be? Success is important, and success means helping more people. He isn’t going to allow himself to be stopped by anybody – not even anybody from the Genius society.

Okay, and we have finally reached the end of my analysis! This caps at around 4k words, so if you stuck around for this long, thank you so much. I would love to hear any of your comments, and I hope you laughed a little bit. Thank you again! This means so much to me that you read. <3

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risestarkiss · 6 months

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What Was Meant to Be: Origins ○ Part 1

Rise Ramblings #149

When watching Rise, you can tell that these turtles are, different, than the other iterations. From their inception these boys were created purposefully as opposed to accidentally.

Likewise, the turtles are different from every other mutant created in the show. The other mutants were made by chance: a random human with whatever animal or living creature (or plant) that human just so happened to interact with last. As a result, the possibilities are endless, but non-specific.

Yet, the turtles were created with a purpose: not just to be mutants, but to be weapons of mass destruction designed to carry out Draxum’s master plan.

All he had to do was to train them: to train their bodies (and minds) to be the super soldiers he had destined them to be.

But there was a hitch.

With no lab, and with no turtles, his plan had ended in failure...

That is until some troublesome turtle teens stumbled into his rebuilt lab thirteen years later.

And just like that, his plan was back on.

But time and time again, the turtles chose to refuse him. So to Baron, what good are weapons he cannot use.

Someone else had tarnished his weapons by teaching them to think for themselves and by allowing them to be themselves...

So if the turtles didn't become the weapons that they were meant to be, then what did the turtles become? Tomato-I mean, Hamatos. ○○○○ Next | What They Became: Origins ○ Part 2

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kuroshika · 1 year

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now. i know what you're thinking. i know. "kallie oh my god let this quote die". but no. because i've had yet another thought.

"achilles, lamenting the death of patroclus. whenever he’s mentioned in the iliad, patroclus seems to be defined by his empathy."

"he became achilles on the field of war. he died for him there, wearing his armor."

i think by now we've all already seen the posts or recognized that hannibal and will have swapped clothes for the battle between them and dolarhyde. if not, here's a nifty little visual (2x13 mizumono, 3x10 ...and the woman clothed in the sun)

and if you're like me, you'd think "oh that's really sweet. he's wearing hannibal's shirt. it shows their lines beginning to blur". but you know what else it shows?

"[...] he died for him there, wearing his armor."

will went into war (the fight against dolarhyde) wearing hannibal's armor, and he (presumably) died there. he died in hannibal's armor, as patroclus died in achilles'.

and even THEN.

"he did. hiding and revealing identity is a constant theme throughout the greek epics."

"as are battle-tested friendships."

where will embraces his becoming, and steps into himself - where he casts off the persona of the man he'd been displaying and reveals who he really is underneath, which is a very constant theme throughout hannibal and will's relationship ― the battle to see each other, to understand.

"achilles wished all greeks would die, so that he and patroclus could conquer troy alone. took divine intervention to bring them down."

if you know me then you know, of course, i love love love the religious symbolism that hannibal is drenched in. and i think it's a very lovely parallel to the fact that hannibal, who sees himself as above but so intertwined with religion, and views will as his god, went to his death with the very man he worshipped.

you know. divine intervention.

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omarcitoloves · 2 months

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simon's arc and growth in s3 was one of my favorite storylines and is one of the main reasons i like s3 so much.

in s1 we got to see the foundations of such a beautiful complex character - a boy who loves his family and those who have earned their way into his heart almost more than himself, loyal to a fault, vibrant and not afraid to make himself more of an outsider by standing by his ethos and personality.

and simon being his truest self taught the 2 most important ppl in his life their key lessons. sara now understands the gift of giving ppl second chances and wanting to hope they wont always fuck it all up. and wille learned everything from simon. how to love unashamedly. how to believe in yourself. how to look outside of yourself. how to speak your mind. how to forgive. how to live freely

idk i think there is something so missing in ppl who cant understand his character in s3 and maybe its a lack of life experience but knowing when you need to remove yourself from a situation that is destroying you and the ppl you love is important and real. he made himself so small to try and fit for willes life and that hurt them both, wille needed shining simon as much as simon did.

love is not always enough and simon was brave for recognizing that. for continuing to stand by issues and ideals that were deeply important to him. to recognize when his own actions were causing ppl harm. to continue to forgive and give ppl more chances despite being hurt but also knowing when he needs to put himself first

on my first watch of s3ep6 it something i couldnt stop thinking abt and i stand by it on a few rewatches, for someone so integral to everyone's personal growth bc he was that catalyst or lesson for them, he felt a bit forgotten. and i get there was a lot of loose ends to be tied up but im ngl he felt a little rushed/in limbo bc of it but i still think he had a full beautiful arc in s3. and the way ppl still damn him for every move makes me wish he had even more time to develop throughout esp s2 i wish everyone could see just how beautiful and complex simon is and how he is the base of everyone around him

#simon eriksson #he is my son and i will stand by him until i die #rambles at 2 am idek if this is fully coherent but oh well #was reading the song of achilles and it reminded me a bit too much of my love for yr at the beginning #he deserves just as much empathy and grace as every other character #he is not villain #young royals #young royals s3 #young royals analysis #young royals character analysis

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jubileemon · 2 months

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Alastor's Smile

During "The Show Must Go On" when Alastor crawled into his wrecked radio station, the Overlord’s near-death experience at Adam’s hands has caused him to enter an honest-to-God nervous breakdown. Even though he still kept a smile, the rest of his body and wild eyes makes it clear that we aren't seeing the composed gentleman anymore, but a man in the middle of a mental breakdown as he grows even more rattled and desperate.

We see him struggling to come to terms with the realization that he’s grown to care for the Hotel residents as friends, his fear of how the public would perceive him if they found out, and how his sheer desperation to free himself from the deal he’s trapped in is driving him mad, all with a smile on his face.

Not wanting to make himself vulnerable by showing weakness, he instead doubles down on his dark nature and his efforts to get out of the deal he’s trapped in, concluding the segment declaring that once he finds a loophole, he’ll be the one in control, which hints at very bad things for the future.

During his part of the song, Alastor seems less concerned with the fact that he almost died than with the fact of how others would react to his death. He is so obsessed with how others perceive him that he isn’t bothered by the fact that he almost died, but how it would have ruined his public image.

What makes the lyrics in his song more painful is that Alastor privately admitted to having grown attached to the residents during a conversation with Niffty. But his losing to Adam has shaken his pride, causing him to push away whatever sort of attachment he was forming with the hotel residents out of fear of showing weakness again.

His earlier admission was a possible hint he could be redeemed, but he's chosen his pride over genuine friendship. Doesn't help that the main cast (except Lucifer and Husk) have actually come to genuinely care about Alastor. While building the new hotel even gave him a brand new radio studio to work in and engage a group hug with him when he reappeared again for the re-opening, with even Vaggie joining in with a smile over seeing him unharmed.

Alastor's gotten genuine friends within the Hazbin-crew and yet, he is so scared over coming off as "weak" over that fact that he rather doubles down on his ambitions and deny any notion of his own growing humanity to keep his own mental well-being together. Remember why Alastor is always smiling so that no one will know his true thoughts?

Here, he's still smiling while completely alone and obviously having a mental breakdown, implying the actual reason is that it's physically impossible for him to stop.

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shyjusticewarrior · 17 days

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phoenixkaptain · 1 year

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I absolutely love Legally Blonde (the musical). Elle is such a great character!!

The audience is introduced to her in such an amazing way, with her mathematically trying to figure out what to wear. “It may be perfect for a blonde, but I’m not that blonde. I may be in love but I’m not stupid, lady, I’ve got eyes.”

Elle in general is so good. She’s so smart and she’s legitimately the most interesting character to follow.

But!!! The best!!! Part!!! At the end of the musical, when she says she’s leaving, Emmett confessing that he loves her isn’t what convinces her to stay. Instead, it’s the other female characters showing their support for her!!! The way the girls in this movie support each other!!! The “Greek Chorus” is perhaps my favourite example, if only because they’re so supportive of absolutely everything Elle does!!! It’s so sweet!!! “We came to see our president be legally blonde”? Best line, I love it, it’s so good.

But also, the romance between Elle and Emmett is so fucking good. Emmett supports her through absolutely everything. Emmett is such a great person, but also his musical cue is an oboe, which means I’m biased to like him anyway-

“They laughed at me like they’re laughing at you. We can’t win if we don’t follow through.” “Though it’s hardly my business to say, could it be the real thing in your way is the very man you’re trying to impress?” “But I know it’ll all be worthwhile when I win my first lucrative trial, and buy my mom that great big house out on the cape.” “As I hugged my mom and told her, with the chance I’ve been given, I’m gonna be driven as hell.” All of Emmett’s lines are so good, all of his songs are perfect, Emmett is the best character ever.

I love the ending, when Elle proposes to Emmett. It’s the character coming full circle. She begins the musical by planning an outfit that will be perfect for Warner to propose to her to; “This dress needs to seal the deal, make a grown man kneel, but it can’t come right out and say bride.” “I’ve got t leave Warner his pride.” She’s fulfilling the stereotypical idea of the woman having to be proposed to. She can’t propose to him or look too desperate to be proposed to, because that will ruin his “pride.”

Elle proposing to Emmett at the end shows such an amazing character growth. She knows she doesn’t have to fulfill the stereotypical female role in their relationship. She proposes in a room full of people, proving that she is no longer concerned with her partner’s “pride.” She proposes by saying “Emmett Forrest, please make me the happiest woman I know.” She proposes in the stereotypical male style, but it’s so fucking sweet because Emmett is so excited and they just love each other so much-

But the best way to portray the character growth is two specific interactions. To set it up, the Greek Chorus mentions, in the very first song, that being married won’t come between Elle and their “sacred bond of sisterhood.” Later in the same song, the Chorus sings: “We love you guys.” And Elle responds: “No, I love you guys.” Note that she specifically says “I,” because presumably, Warner doesn’t actually care all that much about them.

Now, in the finale, the Chorus repeats the line, this time to Elle and Emmett: “We love you guys.” But, this time, Elle and Emmett respond together: “No, we love you guys.”

Emmett supports Elle’s interests to the point that she feels comfortable sharing them with him. She feels comfortable introducing her best friends to him and he actually likes them. It comes full circle. Elle finally has someone who supports her completely, just like she supports Emmett completely, they make each other happy. It’s so sweet.

Also, it’s kinda funny because Emmett is Elle’s sugar baby-

#the inane ramblings of a madman #legally blonde #legally blonde musical #elle woods #emmett forrest #elle x emmett #ellemmett #i dunno what the ship name is but god i ship it so hard #character analysis #slaps the musical #this bad boy can fit so many cool ironic twists #long post #the absolute positivity in this movie #the female friendships are so good #elle woods my beloved #this musical is so good #chip on my shoulder is my fave song #watch the musical its worth it i promise

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sxnbleachedfiles · 2 months

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twp takes place in 2015 so it’ll feature peak tumblr culture and big 1989 vibes

so this means style will be kitty anthem 🤓✍🏻

#im feeding the swiftie!kit allegations like this #once again: i cant make characters analysis but!!#i can associate a song thats so spot on (or at least i believe so)#you got that LONG HAIR #coff coff ty coff #AND WHEN WE GO CRASHING DOWN WE COME BACK EVERY TIME #if a ship can relate to style then they are an it couple 🤞🏻#kit herondale #ty blackthorn #the wicked powers #the dark artifices #twp #tda #shadowhunters #tsc #the shadowhunter chronicles

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one-fandom-became-all-fandoms · 3 months

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I MUST RANT

Everyone's talking about Angel Dust's line in "Loser, Baby" where he owns being a porn star, loving sex and being an addict—but no one's talking about Husk's next line afterwards:

This means that Husk still has the power of an Overlord.

This means that once his deal with Alastor is broken, fulfilled, etc. that Husk will still be an Overlord! He still sits at the table with Vox, Valentino, Velvette, Carmilla, Rosie and the others and still has cards he can play to his advantage.

I imagine once Alastor flees, is defeated, dies, breaks his own contract, Husk will likely be the Overlord to protect the hotel with Charlie. Gain back some territory Alastor basically swiped from him for pennies on the dollar during his deal.

#hazbin hotel #husk #hazbin hotel husk #husker #character analysis #thank you for coming to my ted talk #loser baby #this song wrecked me #lives rent free in my head

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aimbutmiss · 5 months

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It's "always an angel, never a god" from Buggy's perspective, but it's "always a god, never an angel" from Shanks' because they always wanted what the other had.

Buggy, who yearned for the approval of others, for them to see he can be useful, powerful, not invisible. He wanted to be acknowledged for his existence and his strength, instead of living in the shadow of others (specifically shanks). Imagine working so hard all the time, but constantly being overshadowed by a bigger presence that you just can't compete with. Always an angel, never a god.

And Shanks, who never looked down on Buggy, but envied him. Buggy, who had that natural charm, that could convince anyone to follow him to the ends of the world. He inspired, and Shanks never believed he had that power (until Luffy proved him wrong). Because to Shanks, he would always be the writer, not the muse. Always a god, never an angel.

#also the end of the song where it goes “go home alone” hits too hard with shuggy #because their idea of home is each other #they can't go home alone :(#the shuggy brainrot it never ending #one piece #buggy the clown #red haired shanks #shuggy #lyrics #character analysis #song analysis #my writing

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edwardsissyhandsthtdanceslikeabb · 10 days

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romulus roy (succession) x mindless koЯn indulgence's - here to stay (remix) — brainrot presents:

𓆩♡𓆪 photoset

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artist-issues · 4 months

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Actually, no, I’m just going to talk about Sabino.

I was going to talk about the deleted song “A Wish Worth Keeping,” but suffice to say: that song would not have made the movie better because that song had the same terrible point as the movie: “The power to make your wishes come true is in you, so keep wishing.”

No. Bad. Bad point, therefore bad movie.

The deleted song wouldn’t have saved it. Stop saying “Why This Song Matters” and “The Deleted Song That Could’ve Fixed Wish.” Figure out what was wrong with the movie first. Then you can properly figure out what should and shouldn’t have been cut from the movie.

Now let’s talk about Sabino.

I already said several times that the character is terrible in the actual movie. The idea of him could’ve been good, especially when you’re trying to say something about the concept of wishing, though.

In Wish, he’s an old man who’s tangible wish-trapped-in-a-bubble has never been granted. You’re supposed to feel bad for him; his life has been so long and he’s never gotten what he really wanted. But, even if you accept what the movie is telling you (the main point I referenced up there) he doesn’t do a good job supporting it.

Sabino can’t remember his wish. (Stupid.) So you don’t feel that bad for him. He gave it up when he was eighteen. He’s lived more of his life with no wish to miss than he did with one that didn’t come true. So what if it never comes true? He’ll just keep living as a vaguely cheerful guy with people who love him. He’s never that sad. We don’t care.

Also, when the idea that his wish will never come true is presented to him, he just… accepts it. On the one hand, that’s logical because of what I just said. But on the other hand, what a wasted opportunity to say something about your lousy “keep on wishing” main theme.

He’s 100 Years Old. He could have been the character that watches and waits, no matter how much time passes, and genuinely has faith like Cinderella or Geppetto or Snow White or Ray the Firefly or Ariel, and hangs on to his wish.

But they couldn’t do that. They couldn’t have an old character who is an example to a young woman. Because they had to have Asha be the one to “teach” everyone the “you have the power, so keep on wishing” message. You have to have her be the spirited child who proves the naysayers wrong—and therefore, you have to have Sabino be the naysayer. He doesn’t get to be the wise old man who teaches her something. He has to be the guy who says “you’re young, sit down and give up.”

Of course, they can’t even really commit to that either, because they’re still halfway-trying to make Sabino sympathetic, they’re trying to convince you that Asha really loves him and everybody does because he’s a sweet old man with a dream. But they half-do everything, and the base is rotten for all of it, so we don’t care.

Here’s what they should’ve done:

If you’re sticking with that terrible main theme: Give Sabino a wish that he never gives up on. Don’t let him give it to Magnifico. Let him keep it for himself and spend a hundred years working toward it, and he comes close several times, and it keeps blowing up in his face, and everyone (including Asha) thinks he’s crazy for keeping it, but he gets up and tries again over and over. That would’ve at least been interesting and had a shot at being impactful.

Get RID of that terrible main theme. Switch it to “have faith” and then make Sabino the one with the faith. And again, his age highlights that it is hard. It takes a long time. He spends most of his life yearning and wishing, but he never gives up or stops acting on faith. He becomes a source of inspiration for the people around him—except Asha, who loves him but needs to find her own faith before she can understand him—and then eventually joins him in faith. Like Jane from Return to Neverland. (Yes I said it.)

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theotterpenguin · 2 months

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what’s your take on zutara being “you’re the wind, i’m in the water”. i’ve heard k@t@@ngs saying it’s clearly about their ship bc their elements are air and water but isn’t that a very surface level of understanding of the lyrics?

anon, i adore you for this ask because i love chemtrails over the country club (and lana's music in general).

i'm not surprised that people would try to apply this song to katara and aang because yes, at a surface level it's relevant to them for obvious reasons (water vs. wind), but i agree that the lyrics have far more depth than this.

first, we have to look at the context of the lyrics within the song. "you're in the wind, i'm in the water" presents a romanticized view of the separation of two lovers, just as the two elements brush past each other but never become one. this theme of separation is seen throughout the rest of the song as lana contrasts the privileged bubble of suburbia with the harsh reality of society, the darkness lurking behind a beautiful front.

likewise, zuko and katara have similar character arcs that revolve around an awakening to the harsh truths of society. zuko learns that the beauty and the power of the fire nation is just a facade, hiding the extreme cruelty of its colonialism and imperalism that has hurt all people (which goes hand-in-hand with zuko unlearning the abuse from his father, the personification of the fire nation itself). katara's arc involves a similar type of awakening, as she unlearns some of the dichotomous thinking she's held around the fire nation. her experiences with jet, hama, the sexism of the northern water tribe, the fire nation village in the painted lady, and even zuko show her the complexities of the war and teach her that people aren't always as simple as "good" or "evil." essentially, both zuko and katara undergo parallel character arcs that fundamentally change their worldview, reflective of the theme of chemtrails over the country club.

additionally, the "wind" and "water" that symbolize the separation of the two lovers in the song is also reminiscent of zuko and katara's journey - the two characters that have been pitted against each other from the beginning of the show, their opposing goals of protecting the avatar vs. capturing the avatar, daughter of the chieftain of the southern water tribe vs. prince of the fire nation, and the two characters that end every season finale in an climactic fight scene (first on opposing sides, then on the same side). and if you want an even more bittersweet perspective, there's also the fact that they are doomed by the narrative, two lovers who never end up together in this lifetime, fated to be separated.

if we want to look further into the song, i've also seen the lyric "nobody's son, nobody's daughter" being superficially applied to aang and katara as they have both experienced loss, but again, in the context of the actual show, it's katara and zuko who are repeatedly paralleled with this connection of losing their mothers and being separated from their fathers. katara discusses her grief over losing kya with haru, jet, and aang, but it's only her and zuko's connection over this that carries actual narrative weight in the story. and katara is the only person that zuko discusses the loss of his mother with. so it only makes sense that all of these narrative parallels culminate in the southern raiders, an episode vital to katara's character arc in which zuko is a crucial supporting character. you could also argue this ties in with the overall theme of separation in the song - being separated from your parentage and having to forge your own path.

finally, as a fun little addition, one of the other lyrics in the song is "my moon's in leo, my cancer is sun." and hmm, who are the two characters we typically associate with the moon and sun? (hint: "you rise with the moon, i rise with the sun"). but wait - it goes even deeper than that. i am most definitely not an expert on zodiac signs, but according to some basic googling, leo (a fire element) is typically ruled by the sun, while cancer (a water element) is typically ruled by the moon. by switching up what elements we typically associate with the signs, lana is reflecting on the duality and the unpredictability of herself like how she reflects on the duality of society earlier in the song. and similarly, zuko and katara undergo dual character arcs bound by elemental symbolism. despite being a waterbender, katara also personifies the element of fire - the element of passion, power, and will - as she stands up against injustice and refuses to back down from a fight. and despite being a firebender, zuko's arc also personifies the element of water - the element of change and adaptability - as zuko's perception of himself, his father, and the fire nation changes over time. they are both water and fire, both moon and sun, both yin and yang.

#zutara #zuko x katara #zutara analysis #atla #my post #my meta #anti kataang #kataang critical #my asks #i'm sorry this took so long to answer anon!#writing this post almost convinced me lana wrote this song for zutara #i think it just goes to show how well written zuko and katara's parallel character arcs were #i've seen many a tiktok bashing zutara shippers for posting zuko and katara to these lyrics and arguing that k//ataang fits better #and ugh... it's just such a superficial analysis to compare just based on the elements of wind and water

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