They invented the sunshine x moody gf dynamic 💕💕

writers and artists will go "this isn't good enough." my brother in christ, you're creating something new out of nothing and expressing yourself creatively. your productivity and unrealistic standards of perfection do not define you or the worth of your art. you're doing great.

He wants some bread… 🥖🥐 Twitter I Instagram

Rage. In my heart. All-consuming. FUCK AI.

I really like the nuanced take about Zutara and why it makes some people uncomfortable and I can see both sides of it. I ship Zutara now but at first I didn’t and it made me really uncomfortable but I think it was just because of certain fan content I was coming across. Some people do portray Zutara in an extremely fetishized & creepy Stockholm syndrome way that makes Katara come off like some helpless damsel stereotype. It made me feel really gross thinking about as a young WOC but rewatching the show and seeing the true dynamic of these characters made me fall in love with them again. So I guess my feeling is that in canon i really love the dynamic but I hate the way *certain fans* twist it and refuse to acknowledge the racism & misogyny in what they’re doing

this is a complicated topic with many layers to it but first - i am sorry if you have ever felt unwelcome in the zutara fandom due to experiences with racism/misogyny.

it would be ignorant to claim that the zutara fandom is somehow uniquely unaffected by systemic racism or sexism, but it would also be disingenuous to claim that these issues only exist in certain parts of the atla fandom. racism, sexism, and general bigotry exist in every fandom due to institutionalized inequality in social structures. and to make it clear, i'm not directing this criticism towards you, anon, you are entitled to your own personal experiences, but i have seen a broader trend of people attempting to use fandom racism to moralize their position in ship wars, which is diminishing from the actual problem - the focus should be on acknowledging the existence of fandom racism/sexism, combatting implicit biases, and creating spaces that can uplift marginalized voices, rather than focusing only on optics in an attempt to gain moral high ground in a silly *fictional* ship war.

however, given all this, the reason that i am still in the zutara fandom is because i appreciate how many people in the fandom are dedicated to unpacking issues of racism and sexism and cultural insensitivity in atla's source material, which i personally haven't seen in many other sides of the fandom (that often sanitize what actually happened in the text to avoid acknowledging these issues in their favorite show). of course this is a broad generalization, but that's generally why i stick with the non-canon shipping side of the fandom because fans that are willing to stray away from canon are often less afraid to engage in critical analysis.

i also do think the zutara fandom has come a long way from the early 2000s when the show first aired. for example, when i first joined the fandom i had mixed feelings on fire lady katara, but i have since read some fanfics that have done an excellent job deconstructing some of the problematic ways that this trope could be interpreted and balancing respect for katara's cultural heritage and autonomy with the political and personal difficulties of being involved with an imperialist/colonialist nation. the fire lady katara trope, capture!fic, and other complicated topics/tropes are almost never inherently racist/sexist, but rather, their execution is what matters. and all this is not to say that issues of systemic racism/sexism do not still exist in this fandom, but it personally has not significantly negatively impacted my experience in the zutara fandom due to the wonderful content that so many other fantastic people produce, though everyone's mileage may differ with what they are comfortable with. anon, i hope that you are able to find a place in the zutara fandom for you! but i also know many people that have stepped back from other fandoms due to experiences with racism/misogyny, so i understand that decision as well.

on a final note, i think it's important to acknowledge that fandom doesn't exist in a vacuum and broader issues of racism and sexism are rooted in the media, the entertainment industry, and mainstream societal norms. while i do sometimes focus on fandom dynamics/discourse in my criticisms, i think it is equally as important to acknowledge how issues of prejudice and inequality are perpetuated through larger social structures, which is why it frustrates me when the atla fandom refuses to acknowledge the flaws of the original show, which has far more influence and social power over the general public than discourse over fandom tropes ever will. personally, i don't understand the phenomenon of holding fan-made material to a higher standard than mainstream media.

I hope the mutuals I never talk to are doing well.

winding down by the swamp

I think they would've been friends

do i smell like roses to you? id in alt.

now that i am a real adult i am starting to realise. media lied to me about the availability of rooftops to go hang out on. every day i wish i could be hanging out on a rooftop somewhere looking cool as fuck

princess yue

from the earth kingdom chronicles: the tale of katara

shoutout to michael teitelbaum for caring more about depicting katara's feelings than the atla writers ever did

from the transcript and commentary of lake laogai:

It annoys me that fans & even the ATLA narrative treat Katara’s crush on Jet as if she was simply being silly and shallow. Yes, he was tall and attractive…but he’s also responsible for an entire community of orphans? Maybe after years of parentification, she feels very connected to someone who also had to think about feeding and clothing people and generally keeping them alive? Maybe she admires a boy who seemed to have taken on both her and Sokka’s roles (caretaker and protector), and was really successful at them? Maybe Katara saw a competent boy and liked him just for that!

ATLA narratively chides Katara for liking Jet. He’s coded as this untrustworthy smarmy bad boy character in opposition to sweet friendly Aang. I mean, it’s not subtle: Katara makes a hat for Jet, and after she discovers he’s cool with killing civilians, Aang’s shown wearing the hat. But maybe Katara liked Jet because he had his shit together, while Aang was trying to ride giant fish despite being the saviour of the world! Maybe!

“oh, your love is sunlight"

the performative accusation that shipping zutara (and occasionally this criticism is levied at jinko/zukka) is colonialist apologism has been addressed in some excellent posts, explaining the inaccuracies and problematic implications of this logic far better than i ever could - like this post and this one and this one and this one and this one.

and i know this topic has been talked about to death, but if you could indulge my contribution for a moment, i just find it interesting how this sentiment results from the cognitive dissonance of atla fans being unable to reconcile with the idea of their favorite show's political beliefs not lining up with their own.

atla is a largely philosophical children's show that at its core deals with themes of love, redemption, and destiny vs. free-will. atla examines these themes through an anti-colonalist, anti-imperalist lens that deconstructs the idea of racial divisiveness and the idea that people of different ethnicities are inherently different. this is message is pretty explicitly stated by guru pathik:

Guru Pathik: "The greatest illusion of this world is the illusion of separation. Things you think are separate and different are actually one and the same." Aang: "Like the four nations?" Guru Pathik: "Yes. We are all one people. But we live as if divided."

and also by uncle iroh:

"It is important to draw wisdom from many different places. If you take it from only one place, it becomes rigid and stale. Understanding others, the other elements and the other nations will help you become whole."

this theme is developed across three full seasons, with the crux of this message culminating in zuko's friendships with the gaang - despite coming from different nationalities and different backgrounds, they have all had their own experiences being hurt by the fire nation and work together to take down the oppressive fire nation government. the question of destiny vs. free will is also explored through zuko's character - despite starting off as an antagonist, he develops into a symbolic representation of how the fire nation's oppression hurts its own citizens. he unlearns the fire nation's imperialist propaganda while simultaneously unlearning his father's abuse. rather than following misguided beliefs of what he thought his destiny was as the heir to the throne, instead he forges his own path.

thus, to claim that zuko can never form a deep and meaningful relationship with any of the gaang because of his nationality goes unequivocally against the themes of the show. and a major part of this is because these are fictional characters being used to analyze different theoretical questions within the show and in some cases, are used as symbolic representations of different philosophical ideas - their friendships and their character arcs serve a purpose within the text that cannot be easily transcribed onto real-life dynamics between people.

it's illogical to criticize fans who are choosing to understand atla at the level of the themes that are presented by the text - who are interested in exploring similar philosophical questions brought up by the show through the context of relationships.

if you don't like the themes of forgiveness and redemption that atla explores, your criticism should be aimed at the writing of the show itself rather than other fans. because you are giving far more thought to the "implications" of a close friendship or romantic relationship between someone from an imperalist nation and someone from an oppressed nation than the writers ever did. (and if you fall in this camp of people, i would hope you wouldn't be reblogging fanart of zuko and the gaang together while simultaneously claiming zuko could can never escape the sins of his ancestors and can never form a deep relationship based on trust and intimacy with katara or sokka or jin - because that would just be hypocritical).

and as a side note, people seem to apply this flawed logic to zutara far more than other ships solely because the show spends the most time exploring the complicated nature of fire nation imperalism in the interactions between zuko and katara in the latter half of b3. this is because they've been juxtapositioned against each other and paralleled with aang since the beginning of the show in ways that toph, sokka, and suki are not, who have mostly been used to examine different themes. there simply isn't enough time to explore these complicated themes with all the other characters, even if they theoretically exist in zuko’s dynamics with these characters, so the writers focus the most on zuko's relationships with katara and aang, and these relationships are given far more narrative weight, so have more content to criticize. but zuko and katara also canonically become friends by the end of the show. if you want to discount the existence of their friendship, claiming that it will always be tainted by the fire nation's oppression regardless of what is shown in the text, then you also have to discount zuko's friendships with aang, suki, toph, and sokka - because even if this isn't shown as a permanent barrier to their friendships in the show, it’s also not shown as a permanent barrier to his friendship with katara. if your logic is solely based on the idea that a person's identity in a relationship as a colonizer or a victim is fixed and unchanging regardless of character development, this would apply to zuko's friendships with everyone else as well.