#some of these are based on panels from the manga and other official art but yeah | Explore Tumblr Posts and Blogs

that-student-that-has-homework · 3 months

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Heyy, I’ve been reading your wonderful one piece works for a while — and I couldn’t stop wondering how are you actually doing those magnificent headers?

Like… hello? The great quality, with additional 3D-alike details I could catch by my eyes? I got only Ibis Paint X on mobile, since I’m only a young man that literally two months ago went on a life-time ‘adventure’ of living alone in a small apartment.

In short — I got no money to pay for additional graphics/drawing programs, not yet at least

Hello!

Thank you! I'm glad you enjoy my writing - I'm curious to know what's your favorite piece / part? Also I'm so happy you like my headers? Makes it feel worth it to spend time on them! :D

I have excellent news for you, I used a mix of Canva and Photopea. They're both FREE!

I'll be explaining the process for making these two kinda? The full tutorial is below the cut, to be courteous to the other folks, hope you don't mind?

Though I am hearing that Canva has given people some grief. But Photopea is just *chefs kiss*

If you've ever used photoshop, Photopea is essentially a free photoshop, and it even has the automation tools! An absolute lifesaver when you have multiple layers you want to export (but that's for larger projects not this)

I'm going to assume you have basic knowledge of layers in digital drawing programs for this. If anything isn't clear: ask me, I'll clarify!

//-------------------------------------------------

My General Process is:

Search for official art / images

bring it into canva / photopea

crop / arrange images to match the dimensions

select a thematic color that is associated with the character

separate the foreground from the background

mess around and test things until they work

//--------------------------------------------------

Given "Louder than Words" is the latest one I've made, I'll start with the process for it.

Dimensions: 3000 x 1055 px dpi: 96

//-------------------------------------------

Let's Get Crackin'

Alright let's grab some official art so we're not using any fanart without the artist's permission

I try to pick images that feel relevant enough to what I'm trying to make. For example: the image for the Matching banner shows the ASCE tattoo which is super important in that fic

2. Let's arrange them onto a banner where each individual image has the same/similar dimensions to the rest

That's probably part of why you like these. To a certain extent they have similar dimensions, so they have a uniformity that's pleasing to the eye! (It's not perfect because I threw perfectionism to the wind because this is tumblr not my portfolio) Tip: if you have 3 images and only 2 that have similar dimensions, and the 3rd one can't be cropped logically: but the one that's a different aspect ratio in the middle!

3. lets arrange them in such a way that the borders all feel like they're the same/equal width/thickness

you might find that you have to shrink some images for this, that's fine.

ALTERNATIVELY: if you're going with one image crop it so it's just the relevant info and it matches the dimensions (3000 x 1055 px)

We have our base! Now let's add some color, and direct the viewer's eye together!

4. pick out a color that you think matches your character / vibe - that color is going to be your background Given I'm making an Ace banner: orange is the color I'm going with

I went and named my layers for this lol. The numbers represent the opacity, and they aren't important. I just kept changing the opacity until I liked the way things looks. But here's the secret to the 3D feel:

Motionblur (+ moving it about)

Separating the foreground and background and dulling out the background.

I'm going to show you my process so you can see the effects, but first let's give you some quick skills:

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SKILLS / THINGS I THINK ARE HELPFUL

//------- Select Similar

magic wand -> select something -> right-click -> select similar This works best when you have high contrast images (like manga panels that are black and white). You can select the black or the white areas. Depending on what works better for you. TIP! Invert selections with ctrl + i Say you know that you want to select everything but Ace's face in the second panel. Select his face with the magic wand then ctrl + i, and that's the only thing NOT selected

TIP!!!!!!!!!!!!!!! Please, please, please, duplicate your original image and work on the duplicate layer. This helps you SO much. !!!!!!!!!!!!!!!!! TIP! Check your selection tolerance! This could be why too little, or too much is being selected.

//------- The Move Tool

Shortcut key: v While the move tool is active, you can nudge the stuff on whatever layer with your arrow keys Shift + arrow key = 10 px move (generally)

//------- Layer Locking

1- Layer Blending Mode (see Overlay vs Multiply vs Normal) for how this can affect results) 2- Opacity: how see through it is / isn't 3- Lock Transparency (it's the little checker board) 4- Lock Layer (looks like a lock) 5- Lock icon that appears when anything on the layer has been locked More on 3 Lock Transparency: You can only paint on / modify what's on that layer. You CANNOT add anything to any area that is already transparent Here's a demo of what you can do with this power:

Here's the original Image - notice how it's just the lineart with a transparent background.

It's powerful: abuse it

//------- Overlay vs Multiply vs Normal

I think seeing this is the best way to visualize how different modes can affect the color.

//--------------------------------

Back to the Tutorial

!!I IMPORTANT NOTE !!

Please play around with the opacity slider to figure out what opacity works best for you on the multiple different layers we're about to make / work with. It's up to your own style to figure this out. Next: please feel free to not follow all of it. Add more layers, add less layers, take the base principles and go wild! :D

5. Separate the lineart from the background and save it as a new layer 6. Duplicate it and set it to overlay, or set it to overlay immediately

7. Duplicate that lineart layer twice and set the blending mode to overlay 8. lock transparency on the top one and change it to be a dark grey 9. Apply motion blur to both:

Main menu bar -> Filter -> Motion Blur I made it so that the grey layer was blurrier than the black layer

10. More them around a little to give it a "3D effect" as you called it.

It creates shadows under the lines - I was aiming for an effect similar to chromatic aberration (chromatic aberration is a valid way to add punch to your stuff too!)

So this is what things look like now - painful, but let's keep going

11. Duplicate the ORIGINAL / BASE lineart layer, that you DID not apply motion blur to -> set the blend mode to multiply (reduce opacity for it to actually take effect)

okay that's less painful here's what the layers look like right now:

let's bring more focus to Ace's face, and push the background farther away:

12. Use the magic wand tool to quickly select large areas of the faces / focal area / foreground and the lasso tool to refine things

TIP! Hold shift + click -> add to selection Hold Alt + click -> subtract from selection

13. On a new layer with blending mode -> lighten, fill that selection to be white

If you look at it, you'll notice that it is ALREADY starting to draw our attention to his face, but the background is kinda aggressive, so let's dim that down

TIP! Right-click on the gradient tool to find the paint-bucket tool

TIP! Sample All Layers: Turning this option off makes it so that you only work with the content on THAT specific layer. Turning it on makes it so that it is working while taking all other layers into consideration.

14. ctrl + click on the "white foreground" layer to select the contents of that specific layer (pink thing is your mouse)

15. ctrl + i to invert selection and ON A NEW LAYER (layer mode -> multiply) fill that with a complementary color

16. I did one last thing where I took the original base (before we separated the lineart) and added it to the very top and played with the opacity to get something less in your face (layer blend mode was set to NORMAL)

And that's it!

More considerations that I take:

I want the banner to be "thin" or not square, so it doesn't take up too much screen real estate on people's devices

I don't want readers having to scroll too much to get to my writing (which is the whole point of the post, let's not waste their time making them look for things)

I want the banner content to be relevant enough?

ie: with Matching: I wanted the ASCE tattoo to be visible. With matching I wanted Ace to not look too happy in some of them.

I'm also trying to avoid spoilers, I hated getting things spoiled, so I'm trying to be careful that the images I pick don't spoil anything really.

Congrats on starting life on your own! I did that whole living by myself thing too! Tip: keep the pantry stocked with lentils, beans, pastas, baking essentials, rice. They really come in a clutch when you're hungry.

#photopea resources #photopea psd #tutorial #tutorials #tumblr banner #photoshop #photoshop tutorial #digital art #fuck adobe #adobe photoshop

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tamelee · 5 months

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Personally I don’t really get people who say they acknowledge Sasuke and Naruto’s romantic bond but still ship Sasuke with a woman… Like, they saw that he was gay (he’s shown to not be attracted to women so he’s not bi) but kinda don’t care?

Actually I don’t really understand the whole shipping culture, or even mainstream fandom culture… I don’t know, I just don’t see the point in just making up content for pre-existing characters while completely destroying what made the characters unique in the first place by ignoring canon entirely (like crack-shipping). I get why people wouldn’t like everything about canon, it’s my case too, but if they don’t like anything about canon… Why are they here in the first place?

Nooo now I sound grumpy. I must be bothering you I’m so sorry 😭😭

Anyway, you’re amazing and I hope you know it 🥰

You don't sound grumpy to me dw 🫶

Well, I don't believe such ships have much to do with Canon either way. And I doubt all of them hate Canon per se, though some change 'Canon' to like Canon, which is funny. "This is my Canon." Yeah, not how it works, but ok- have your Canon your way ofc ┐(￣ヮ￣)┌

Side-note though, I don't think Sasuke even knows who Hinata is? 😆 It's as you say; crack-shipping. (I saw that giant/small-yaoi meme here on Tumblr again. No idea what it's called, and immediately thought; a yes, Sukuna and Levi. Kinda want to draw xD Makes no sense at all.) A lot of Headcanon is derived from personal... ideas/desires/inspiration or self-inserting reasons? (Isn't that exactly what 'x-reader' fics are?) Or even trend-posting. As much as characters are used to tell a story for the original author/creator (they're essentially tools), do fans use them to create new ideas. "Ah yes, we all know this character, let's create something around it simply because I want to." Which is completely fine, right? Look at rare pairs. And to be fair, a lot of content, fictional writing and art aren't even based on canon either. The closest thing through fan-work are Manga analyses or meta's, even panel redraws- stuff like that. People adapt 'canon' into fanwork through various degrees or sometimes ditch it altogether. Nsfw/spice is by default made up and entirely Headcanon :') (Though personality can be depicted in a way ig, through expression/behavior and whatnot.)

I totally get what you mean though, although I guess I'm caught up in fandom-culture now. Personally, I do like characters as 'canon' as possible, but it really depends. For some Animanga I don't really care. I think I ship pretty much all TR/BlueLock-characters for literally no reason, but I wouldn't claim it to be Canon in any way (˚☐˚! )/

However, I don't like it when Naruto and Sasuke's characters are butchered. Made-up context or not. The originals are so special to me and it's the reason why I'm a fan, though I don't mind too much in fics, depending on the story. I find it hard to feel the same when they've practically become someone's OC's with only the same name and design. I can't even read height/age-differences because I can't imagine it xD But anyway, this all includes "official" work made for financial/marketing reasons also- especially those damn novels. Those never have anything to do with canon, nor does it align with it. No matter how passionately people claim otherwise.

I'm only a tiny bit petty about it >< u&me grumpy 🤝 And aahhww I don't actually, you should see me sitting here in giant red Christmas socks and a glittery green sweater that's kinda itchy tbh. I don't really feel anything other than those glitters annoying me every 3 seconds... which reminds me I should change -.- anw thankyou <3

#asktamelee #fandom talk #shipping talk #btw I lost a bet #and I have to read a x-reader fic #is there... I dunno #one that is #okay'ish #I mean I'm very sure the authors are amazing #and write really well #but ykwim #pls not one that is too long ;-;#I've read one a while ago #where I was a little princess #and I had a bodyguard #amazing story #but omg did I get annoyed with myself #why DID I SAY THAT #wow

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madhogthymaster · 7 months

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Down The Cabbit Hole: The Weird World of Klonoa Literature - An Archive (Part 3)

[PART 1] [PART 2]

This is where our burrowing ends, in the most awkward crevices of pro-bono fandom work: the oxygen-depriving hole of amateurishly translated Japanese comics. The older among you might recall the days where the only way to read your favourite unpopular manga was to rely on some random fellow on the Internet to provide it through the incomparable medium of "scanlations." That is to say, poorly scanned pages from a physical copy they somehow owned subsequently localized through the power of Grit, Determination and Google Translate. Right about now, your bones should have begun turning to dust. Before you're gone from this world, however, please consider holding on for a while longer as I share my last archived tweets on the subject of Fluffy Boy Literature. As you might have guessed, the covered works belong within the domain of fan-translated scans and, as such, they occupy a very specific, very niche place in that befuddling collective unconscious we all know as The Web. In layman terms, stuff's about the get wacky.

---

25 July 2022

It is now time to enter the (forbidden) world of Klonoa's physical literary media - as scanned and translated by community hero, powerstone05. Appropriately, I will start with the much lesser known, unofficial and self-published story by Mofusuke, Dream at Night.

I shall not rag too hard on the obviously unprofessional translation work here - it was done by a fan, after all. The awkward lettering and sentence repetition give it the distinct charm of something decisively made in the early days of "Scanlationns."

Which is a surprisingly good fit to the adorably simple art style that was also drawn by a fan. I do like the sibling dynamic between Klonoa and Huepow, whereas the latter acts as an impatient older brother to the former. Grandpa reprimanding them at the end is the icing on top of this fluff cake.

There isn't much else to say: it is a short, fifteen pages long doujinshi and it's pure slice-of-life. It is all it wanted and needed to be.

As an addendum: the existence of the Namco x Capcom anthology manga, based off the Japanese-exclusive gaming crossover of the same name, has been made known to me. I've read the only Klonoa centric comic from it and it's just one dumb, obnoxiously protracted joke. I don't care for this.

27 July 2022

I have been postponing the inevitable for far too long. This is Shippuu Tengoku Kaze no Klonoa (2002-2003) by Hiroshi Katou as questionably, yet valiantly, scanslated by powerstone05. It is the most "renowned" official literature within the Klonoa community.

Ah, of course... puns. Bad puns. Bad Japanese puns localized into English. Those puns.

This manga is a fast-paced, madcap comedy - emphasis on fast-paced. It moves at a speed of a million kilometers per hour, constantly shooting visual gags at your face on almost every panel without any proper sense of pacing and with flimsily established setups.

The translation does not help but it's clear that this lack of focus and breathing time between jokes is an intrinsic issue. Frankly, I find this brand of "Machine Gun Humour" exhausting to read. I'd much prefer my comedy to be akin to a shotgun: powerful and deliberate.

On the other hand, I enjoy the artwork. Take a look at this delightfully detailed two page spread of pure wanton destruction, capped by Klonoa's comically traumatized features.

It must be pointed out that the entire premise of this manga is Klonoa being the biggest moron who ever lived. Your mileage with it may vary.

Right! This manga is turning into a "Looney Tunes" short and I'm starting to warm up to it. Katou has a clear penchant for slapstick humour. The propeller hat made me chuckle.

I finished reading the whole thing - well, skimming would be the appropriate term. It's a tiresome little deviation that could not quite distract me from its flaws. There isn't anything worth noting as all the over-the-top, frenetically paced gags tends to blend together.

With that, I have successfully covered all the major, currently available comic book media related to Klonoa: a thoroughly mixed bag, overall.

The fan-made web series Dream Crusaders sits atop the proverbial hill even with its troublesome connection to the insipid Sol Noctis storyline. Everything else is various degrees of forgettable or insubstantial.

'Tis an unsurprising result considering how hard to follow the games are - the first two games, that is. Regardless, this was an illuminating experience in its own right from the perspective of how malleable (or not at all) this franchise can be. Thanks for reading.

---

As a posthumous note, there was a final piece of literature worth mentioning to you, an officially licensed short manga that served as promotional material, introduction and basic tutorial for the 2009's Nintendo Wii remake of the first game, Klonoa: Door to Phantomile. The comic is readily available online if you're curious about it.

With that, the excavation has been halted, the dream has ended, my terrible analogies have been put to rest, my archive has been shared. As I lack a romantic way to see us out of here, I shall simply bid you a fond farewell and a good night sleep. Stay wondrous, fellow Phantomilians.

#madhog thy master #fluffy boy literature #klonoa #down the cabbit hole #part 3 #scanlations #manga #comedy #namco x capcom #doujinshi #twitter

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kittytheartist · 2 years

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Minamoto No Yorimitsu appreciation post

guys STOP SLEEPING ON YORIMITSU!!! I love him so so much and I swear nobody took note of him but somehow ppl took notice to KATAKURI??? HE AINT HALF AS MUCH OF A MAN YORIMITSU IS!!!! cries/

I'm gonna be honest ever since Hanako brung up Yorimitsu in the boy exercist arc I was like, WOW can't wait for that to be of plot relavence

and OMYGOSH was I interested in the Minamoto history!! we've seen shrine preists and the way our current exercists live, we've been told they used to be more powerful, we've heard of the Yokai supernatural ages some, SO YORIMITSU HAD TO COME IN THE SERIES EVENTUALLY RIGHT???? so I waited so long for him on page!! the closest I knew we got to Minamoto history was Hakubo, and how he had Minamoto beads wrapped around him in the official art with Sumire. very questionable, BUT OH BOY WAS THE BACKSTORY WITH YORIMITSU FUN!! the second I saw his figure I was like, woah wait....

AND THEN LIKE NEXT PAGE I SAW HIS LEG AND WAS LIKE BREATHLESSLY LIKE "NO WAY....COULD IT BE YORIMITSU?" AND THEN I READ SOME MORE DIALOGUE AND IT SAID YORI FUCKING MITSU!!!! I WAS SO HAPPY AND HIS DESIGN IS SO TOP TEIR???

I kid you not I was internalized waiting for him to come and I said his name like before it was even read and like, PPL STOP SLEEPING ON THIS GOD OF A MAN???

AND WOW WAS HAKUBO'S DISCRIPTION OF YORIMITSU SO PERFECT!!

I ADORED how it was done so much!! and how Yorimitsu acted was so fun!! his personality was so fiery and willing, and boy does he have those Minamoto genetics, you can thank this sexy man for Teru's beautiful self!

okay but like, everyone has to agree his design?????so fucking beautiful?????and WOW THE PONY???? AND HIS BANG PEICES???

THE DESIGN THEY CHOSE FOR HIM?? it's so so fucking stunning, I've seen stunning Yorimitsu designs before but WOAH did AidaIro go all out for their Yorimitsu!! and I am over the TOP for what they did for his sleeves and armor!! the classic tbhk Minamoto style and typical Yorimitsu attire? so perfect?? and I'd say the take on the Oē Mountain slaying (I believe it was?) was so effortlessly PERFECT!! and honestly with the backstory I wasn't really surprised because this is all something I could have guessed before with what I've seen/read and the artwork but it WAS SUCH AN AMAZING READ!!!

and boy was the way he treated an Oni like Hakubo, well, unnatural? that's such an interesting touch on Yorimitsu!! he is such a chance guy, but he knows he could take care of him if he needed too, but that trust was something Hakubo hasn't been shown :(

ALSO BACK TO YORIMITSU'S DESIGN(I know I keep coming back to it but shush)

after we finally got him in the manga panels I was over joyed, but after a few weeks, I started wondering when our official coloring would be? because as much as people didn't really color him there were still colorings and I had ideas from other Yorimitsu designs and color pallettes I've seen, but couldn't exactly decide what AidaIro would go for, BUT BOY WAS I NOT EXPECTING AIDAIRO TO GO FOR THE RED AND WHITE COLOR SCHEME?? ITS SO PERFECT AND ACCURATE AND BEAUTIFUL AND OML

WE ALL KNEW YORIMITSU WOULD HAVE GOLD ACCENTS BUT OMG DID THEY TURN OUT SO MUCH PRETTIER THEN I EXPECTED??? HE SLAYS SO BADDDD

THOSE ICY BLUES OMYGOSH!!!!😳😳 THEY'RE SO PRETTY!!! I already adored Teru's blue eyes so I couldn't wait for Yorimitsu's, BUT THEY TURNED OUT SO MUCH MORE STUNNING THEN I ORIGINALLY THOUGHT!!! (also side note I rly liked Hakubo's working outfit colors)

and his spikey👏ass👏HAIR?👏👏👏looks so good tied up!!

and again, his interactions with Hakubo were AMAZING!

it's so amazing to see on page, and he is so silly!! his interactions and the way he treated people I imagine could be blunt at times, but he cares so much!!! and his priorities are to protect, he's so perfect for this manga sjsjjdjd(also the official art with Yorimitsu based on the panel in the right bottom corner was priceless)

his laugh and smile is so cute too?!?!!?!?! and he DOES remind us of Kou huh? so happy Hakubo saw it too!!! weren't we all waiting for him to think of Yorimitsu while fighting Kou?

and he still looking fine asf there????????HAKUBO REMEMBERS HOW HIS PONYTAIL WAS SO JSDHFHDKDNDOJDJDOFNFJJF

okay but actually AidaIro's portrayal of Yorimitsu was literally so amazing like like like

I LOVE HIM!!! DEFINITELY UP IN MY FAVORITE CHARACTERS!!!

okay I'm done bye—

#im so normal #tbhk #jshk #toilet bound hanako kun #jibaku shonen hanako kun #jshk manga #tbhk manga #minamoto no yorimitsu #yorimitsu #tbhk yorimitsu #jshk yorimitsu #tbhk spoilers #jshk spoilers #tbhk hakubo #jshk hakubo

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yukinikuu · 2 years

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Coloring manga for money is pretty risky in terms of how much trouble you can get into if the wrong person finds out. Fanart is already a pretty grey area but it's usually allowed because it's solely the work of the artist making the money, but coloring manga is a collaboration and you've got no permission from the collaborating artist to make money off their half of the work. I'm not necessarily condemning it but you should be really careful that could land you in some hot water if you use the wrong work and the publisher or artist gets mad about it.

hello, anon. thank you for this. while this is understandable, I will be breaking your argument point by point.

"Fanart is already a pretty grey area but it's usually allowed because it's solely the work of the artist making the money"

Inaccurate. Since I usually work with Manga, I will set the parameter around Japan.

Fanworks of any sort, based on any copyright law, is illegal. Fanart is illegal. Fanfics are illegal. They're all illegal. Taking this into consideration, fan merch sold in cons are illegal as well. Fanfics that were commissioned are, too, illegal. Manga colorings are illegal. The English/Spanish/French fan-translated version of Tokyo Revengers that everyone enjoys is very much illegal. Fanedits. The manga panels that are posted on social media are illegal. The manga icons that people use are illegal. Everything besides consuming and buying the official content is illegal.

However, despite that, these works still continues to exist. Nobody gets reported for having a Baji icon and header that was stolen from an illegally uploaded chapter. Not to mention Japan has an insanely large fan community; they hold large events where they sell fan merch like fanzines, keychains, prints, and acrylic stands. So, why? For Japanese Companies, fanart is not necessarily allowed but tolerated, not because it's 'soley the work of the artist making the money', but because fanarts are good for promotion and marketing. No company could care if it's your art anyway. It's not the drawing alone that is copyrighted, it's the character itself. It's who that character is and where that character came from. But when people make fanart, it spreads the influence and interests of people to read a manga. It's like having a thousand free advertisements.

When you see discourse regarding the "gray area of fanarts", it's not because of people earning small from them but rather others who repost them without the artist's permission which makes it hard for them to control where their art goes. I will explain why on a later point.

"Coloring manga is a collaboration and you got not permission to make money off of half of their work."

Coloring manga is neither illegal (under unwritten terms of the "tolerance") nor a formality. When, let's say, Mangaka B makes art or colors the art of Mangaka A in their style, it is simply done to promote the manga of Mangaka A. I've seen this many times over the years. I'm unsure of how long you have been in fandoms, these aren't a paid collaboration of any sort.

In addition, over the last few months (December to present) I have changed my coloring style. I no longer color on the panel itself, but rather I do a rework of the line art to fit my coloring style better and add my own style in terms of the line strokes and line weight of the work. This tiny change is the loophole in manga coloring that technically categorizes your work as a "fanart" rather than just a manga coloring (but it's still a manga coloring, of course). This makes the piece sort of mine since both the line art and the coloring is done by me, rather than simply taking a panel and customizing under it. However, as aforementioned, it is still illegal as fanarts can be copyright claimed. But! At least the piece is no longer "half of their work", as you said.

But if we take this seriously and by virtue of law, every single fanart is half of a mangaka's work anyway since the design and characters are theirs. So...

I only opened comms because someone asked me to (and another person asked if I do Jojo and if no: "what if it's a commisison". bless that person). Also, it's the reason why I don't charge past $35. I have specified in the terms that these colorings are for personal use only and never commercial. I am not selling my rights over them, as I barely have any, but rather I am selling my abilities as a color artist. The work can technically be considered as a fanart. I have seen many artist taking many fan commissions. Fanmerch exists everywhere as well (though with fanmerch you are only allowed to add a tiny profit percent after the production cost). People who earn on Youtube by streaming fancolorings as well. All of these people are selling "half of someone's work" without permission. They are sold online, at big cons and fanevents in various places in Asia (like this, this, this and this)

Following this argument, I'm pretty sure I'm not the only person who accepts coloring commissions. I myself have commissioned bigger "color artists" for their works. Like myself, they make their own rendition of the line art to fit their styles better while preserving the original style.

"Coloring manga for money is pretty risky in terms of how much trouble you can get into if the wrong person finds out."

Well, this is the internet. The wrong person is bound to know, and I'm pretty sure the wrong person is already aware that these are happening. Like I have said, these coloring comms has been there since long before. And the 'wrong person' i.e. publishing companies have seen them for years. The only reason why no one has really been sanctioned is because, again, like I said, these are tolerated and taken as a form of free marketing. There's unwritten rules and boundaries about it, and so long as you don't cross them you will be fine.

Another thing to point out with regards to this "tolerance", the primary reason why I, and a lot of fanartist ans manga color arists, do not like people reposting our works is because we lose control over them. If or when the "wrong person" say that fanworks will no longer be tolerated, then we will be able to easily clear out our works by deleting our acocunts and contacting our commissionees (? is that a word). Another thing is that I am a fairly small account. I doubt I will be getting sanctioned. And if I do, I'm going to follow accordingly. I'm not four. If I'm gonna get a letter or a notice to stop, I will stop.

"I'm not necessarily condemning it but you should be really careful that could land you in some hot water if you use the wrong work and the publisher or artist gets mad about it."

You say you are not necessarily condemning it, but you wrote me a paragraph. Thank you for this, I suppose. That being said, I do not appreciate being lectured by an anonymous person online. As you have expressed, this does seem like an important matter. Important things should be discussed personally. I'm sure we can have a civil conversation about these things that you're very concerned about. My DMs are open, after all. Why are you in my ask box on anon?

I, of course, did my research before I opened commissions. I wouldn't have opened commissions if I found anything alarming.

Tumblr is such a small place. You should check twitter some time. And perhaps condemn other manga colorist that accepts commissions like this, this, this, this and this.

Have a nice day.

#come off anon #and i hope ur day goes rad #while we r here do u think sanzu is the second time leaper #i think he's from a scarier timeline #yuki's got mail #anon.asks #yuki.rants

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lesbiansfortobio · 3 years

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WLW Coded Characters!!

Nami (One Piece)

Sexuality: Lesbian

Nami from One Piece is easily one of the most obviously queer coded characters in the entire series along with our ace king Luffy ofc.

The most recent conclusion about sexuality that scientists and psychologists have made is that early childhood does effect your sexuality. Nami’s childhood was spent closely with her adoptive mother and sister and was constantly surrounded by positive and strong women. She was also forced to join a solely-male based pirate group named the Arlong Pirates, who put her through extremely traumatizing experiences since she was 4 years old.

In the manga her relationship with princess Vivi, especially at the end during the bath scene well... I’ll let that panel speak for itself.

and while yes some people may say the panel where Nami calls Khalifa sexy (which is totally gay IMO) but tbh it’s her own internal monologue so it’s honestly just really fucking gay.

Yachi Hitoka (Haikyuu)

Sexuality: Lesbian

Yachi is so clearly lesbian coded it’s painful tbh. I mean you could maybe ignore it if you watch the anime and read the manga with your eyes closed!!

Her introduction to the show was just her talking about how pretty and sexy Kiyoko was. You could make a strong point in arguing the fact that she only joined bc of a moment of gay panic she had after seeing Kiyoko.

She stared at Saeko’s titties for like three minutes, it’s okay girl me too <33

The bath scene with her and Kiyoko? Please watch it and try to give me a single heterosexual explanation for a single second of this clip (oh wait! You cant.) https://youtu.be/a1asEZ2vGo8

Momo Yazuru (MHA)

Sexuality: lesbian

I’ve seen lots of debates about this tbh, but personally she gives off clear WLW vibes (coming from a lesbian). I mean have you seen her and Jirou? Yeah, that’s what I thought.

To be fully honest it’s been a WHILE since I’ve watched or even been involved with My Hero Academia, so my evidence thread probably isn’t going to be that long.

Her and any other MHA woman, like seriously. She just gets totally flustered and plus her relationship with men just seems so much more business like than with women.

Call it fan service but again, momojirou in official art? BIG lesbian vibes.

Jirou Kyouka (MHA)

Sexuality: Bisexual

Okay so I swear I’m not trying to push this Momojirou agenda I just literally can’t think of anything else substantial (it’s been a while)

That one specific picture in the MHA movie where she’s staring at Momo’s tiddies and blushing. Or in the helicopter scene, or in the tent scene, or basically any other time momo’s tits are out.

The way she’s constantly blushing around other women and again, just seems way more comfortable around them. She acts similarly around denki too (also ship them, they’re v adorable).

#wlw mood #lesbians #sapphic #mha #mha headcanons #one piece #cat burglar nami #nami x vivi #headcanon #haikyuu yachi #hq yachi

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shortnotsweet · 3 years

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Bakudeku: A Non-Comprehensive Dissection of the Exploitation of Working Bodies, the Murder of Annoying Children, and a Rivals-to-Lovers Complex

I. Bakudeku in Canon, And Why Anti’s Need to Calm the Fuck Down

II. Power is Power: the Brain-Melting Process of Normalization and Toxic Masculinity

III. How to Kill Middle Schoolers, and Why We Should

IV. Parallels in Abuse, EnemiesRivals-to-Lovers, and the Necessity of Redemption ft. ATLA’s Zuko

V. Give it to Me Straight. It’s Homophobic.

VI. Love in Perspective, from the East v. West

VII. Stuck in the Sludge, the Past, and Season One

Disclaimer

It needs to be said that there is definitely a place for disagreement, discourse, debate, and analysis: that is a sign of an active fandom that’s heavily invested, and not inherently a bad thing at all. Considering the amount of source material we do have (from the manga, to the anime, to the movies, to the light novels, to the official art), there are going to be warring interpretations, and that’s inevitable.

I started watching and reading MHA pretty recently, and just got into the fandom. I was weary for a reason, and honestly, based on what I’ve seen, I’m still weary now. I’ve seen a lot of anti posts, and these are basically my thoughts. This entire thing is in no way comprehensive, and it’s my own opinion, so take it with a grain of salt. If I wanted to be thorough about this, I would’ve included manga panels, excerpts from the light novel, shots from the anime, links to other posts/essays/metas that have inspired this, etc. but I’m tired and not about that life right now, so, this is what it is. This is poorly organized, but maybe I’ll return to fix it.

Let’s begin.

Bakudeku in Canon, And Why Anti’s Need to Calm the Fuck Down

There are a lot of different reasons, that can be trivial as you like, to ship or not to ship two (or more) characters. It could be based purely off of character design, proximity, aversion to another ship, or hypotheticals. And I do think that it’s totally valid if someone dislikes the ship or can’t get on board with his character because to them, it does come across as abuse, and the implications make them uncomfortable or, or it just feels unhealthy. If that is your takeaway, and you are going to stick to your guns, the more power to you.

But Bakudeku’s relationship has canonically progressed to the point where it’s not the emotionally (or physically) abusive clusterfuck some people portray it to be, and it’s cheap to assume that it would be, based off of their characterizations as middle schoolers. Izuku intentionally opens the story as a naive little kid who views the lens of the Hero society through rose colored glasses and arguably wants nothing more than assimilation into that society; Bakugou is a privileged little snot who embodies the worst and most hypocritical beliefs of this system. Both of them are intentionally proven wrong. Both are brainwashed, as many little children are, by the propaganda and societal norms that they are exposed to. Both of their arcs include unlearning crucial aspects of the Hero ideology in order to become true heroes.

I will personally never simp for Bakugou because for the longest time, I couldn't help but think of him as a little kid on the playground screaming at the top of his lungs because someone else is on the swingset. He’s red in the face, there are probably veins popping out of his neck, he’s losing it. It’s easy to see why people would prefer Tododeku to Bakudeku.

Even now, seeing him differently, I still personally wouldn’t date Bakugou, especially if I had other options. Why? I probably wouldn’t want to date any of the guys who bullied me, especially because I think that schoolyard bullying, even in middle school, affected me largely in a negative way and created a lot of complexes I’m still trying to work through. I haven’t built a better relationship with them, and I’m not obligated to. Still, I associate them with the kind of soft trauma that they inflicted upon me, and while to them it was probably impersonal, to me, it was an intimate sort of attack that still affects me. That being said, that is me. Those are my personal experiences, and while they could undoubtedly influence how I interpret relationships, I do not want to project and hinder my own interpretation of Deku.

The reality is that Deku himself has an innate understanding of Bakugou that no one else does; I mention later that he seems to understand his language, implicitly, and I do stand by that. He understands what it is he’s actually trying to say, often why he’s saying it, and while others may see him as wimpy or unable to stand up for himself, that’s simply not true. Part of Deku’s characterization is that he is uncommonly observant and empathetic; I’m not denying that Bakugou caused harm or inflicted damage, but infantilizing Deku and preaching about trauma that’s not backed by canon and then assuming random people online excuse abuse is just...the leap of leaps, and an actual toxic thing to do. I’ve read fan works where Bakugou is a bully, and that’s all, and has caused an intimate degree of emotional, mental, and physical insecurity from their middle school years that prevents their relationship from changing, and that’s for the better. I’m not going to argue and say that it’s not an interesting take, or not valid, or has no basis, because it does. Its basis is the character that Bakugou was in middle school, and the person he was when he entered UA.

Not only is Bakugou — the current Bakugou, the one who has accumulated memories and experiences and development — not the same person he was at the beginning of the story, but Deku is not the same person, either. Maybe who they are fundamentally, at their core, stays the same, but at the beginning and end of any story, or even their arcs within the story, the point is that characters will undergo change, and that the reader will gain perspective.

“You wanna be a hero so bad? I’ve got a time-saving idea for you. If you think you’ll have a quirk in your next life...go take a swan dive off the roof!”

Yes. That is a horrible thing to tell someone, even if you are a child, even if you don’t understand the implications, even if you don’t mean what it is you are saying. Had someone told me that in middle school, especially given our history and the context of our interactions, I don’t know if I would ever have forgiven them.

Here’s the thing: I’m not Deku. Neither is anyone reading this. Deku is a fictional character, and everyone we know about him is extrapolated from source material, and his response to this event follows:

“Idiot! If I really jumped, you’d be charged with bullying me into suicide! Think before you speak!”

I think it’s unfair to apply our own projections as a universal rather than an interpersonal interpretation; that’s not to say that the interpretation of Bakudeku being abusive or having unbalanced power dynamics isn’t valid, or unfounded, but rather it’s not a universal interpretation, and it’s not canon. Deku is much more of a verbal thinker; in comparison, Bakugou is a visual one, at least in the format of the manga, and as such, we get various panels demonstrating his guilt, and how deep it runs. His dialogue and rapport with Deku has undeniably shifted, and it’s very clear that the way they treat each other has changed from when they were younger. Part of Bakugou’s growth is him gaining self awareness, and eventually, the strength to wield that. He knows what a fucked up little kid he was, and he carries the weight of that.

“At that moment, there were no thoughts in my head. My body just moved on its own.”

There’s a part of me that really, really disliked Bakugou going into it, partially because of what I’d seen and what I’d heard from a limited, outside perspective. I felt like Bakugou embodied the toxic masculinity (and to an extent, I still believe that) and if he won in some way, that felt like the patriarchy winning, so I couldn't help but want to muzzle and leash him before releasing him into the wild.

The reality, however, of his character in canon is that it isn’t very accurate to assume that he would be an abusive partner in the future, or that Midoryia has not forgiven him to some extent already, that the two do not care about each other or are singularly important, that they respect each other, or that the narrative has forgotten any of this.

Don’t mistake me for a Bakugou simp or apologist. I’m not, but while I definitely could also see Tododeku (and I have a soft spot for them, too, their dynamic is totally different and unique, and Todoroki is arguably treated as the tritagonist) and I’m ambivalent about Izuocha (which is written as cannoncially romantic) I do believe that canonically, Bakugou and Deku are framed as soulmates/character foils, Sasuke + Naruto, Kageyama + Hinata style. Their relationship is arguably the focus of the series. That’s not to undermine the importance or impact of Deku’s relationships with other characters, and theirs with him, but in terms of which one takes priority, and which one this all hinges on?

The manga is about a lot of things, yes, but if it were to be distilled into one relationship, buckle up, because it’s the Bakudeku show.

Power is Power: the Brain-Melting Process of Normalization and Toxic Masculinity

One of the ways in which the biopolitical prioritization of Quirks is exemplified within Hero society is through Quirk marriages. Endeavor partially rationalizes the abuse of his family through the creation of a child with the perfect quirk, a child who can be molded into the perfect Hero. People with powerful, or useful abilities, are ranked high on the hierarchy of power and privilege, and with a powerful ability, the more opportunities and avenues for success are available to them.

For the most part, Bakugou is a super spoiled, privileged little rich kid who is born talented but is enabled for his aggressive behavior and, as a child, cannot move past his many internalized complexes, treats his peers like shit, and gets away with it because the hero society he lives in either has this “boys will be boys” mentality, or it’s an example of the way that power, or Power, is systematically prioritized in this society. The hero system enables and fosters abusers, people who want power and publicity, and people who are genetically predisposed to have advantages over others. There are plenty of good people who believe in and participate in this system, who want to be good, and who do good, but that doesn’t change the way that the hero society is structured, the ethical ambiguity of the Hero Commission, and the way that Heroes are but pawns, idols with machine guns, used to sell merch to the public, to install faith in the government, or the current status quo, and reinforce capitalist propaganda. Even All Might, the epitome of everything a Hero should be, is drained over the years, and exists as a concept or idea, when in reality he is a hollow shell with an entire person inside, struggling to survive. Hero society is functionally dependent on illusion.

In Marxist terms: There is no truth, there is only power.

Although Bakugou does change, and I think that while he regrets his actions, what is long overdue is him verbally expressing his remorse, both to himself and Deku. One might argue that he’s tried to do it in ways that are compatible with his limited emotional range of expression, and Deku seems to understand this language implicitly.

I am of the opinion that the narrative is building up to a verbal acknowledgement, confrontation, and subsequent apology that only speaks what has gone unspoken.

That being said, Bakugou is a great example of the way that figures of authority (parents, teachers, adults) and institutions both in the real world and this fictional universe reward violent behavior while also leaving mental and emotional health — both his own and of the people Bakugou hurts — unchecked, and part of the way he lashes out at others is because he was never taught otherwise.

And by that, I’m referring to the ways that are to me, genuinely disturbing. For example, yelling at his friends is chill. But telling someone to kill themselves, even casually and without intent and then misinterpreting everything they do as a ploy to make you feel weak because you're projecting? And having no teachers stop and intervene, either because they are afraid of you or because they value the weight that your Quirk can benefit society over the safety of children? That, to me, is both real and disturbing.

Not only that, but his parents (at least, Mitsuki), respond to his outbursts with more outbursts, and while this is likely the culture of their home and I hesitate to call it abusive, I do think that it contributed to the way that he approaches things. Bakugou as a character is very complex, but I think that he is primarily an example of the way that the Hero System fails people.

I don’t think we can write off the things he’s done, especially using the line of reasoning that “He didn’t mean it that way”, because in real life, children who hurt others rarely mean it like that either, but that doesn’t change the effect it has on the people who are victimized, but to be absolutely fair, I don’t think that the majority of Bakudeku shippers, at least now, do use that line of reasoning. Most of them seem to have a handle on exactly how fucked up the Hero society is, and exactly why it fucks up the people embedded within that society.

The characters are positioned in this way for a reason, and the discoveries made and the development that these characters undergo are meant to reveal more about the fictional world — and, perhaps, our world — as the narrative progresses.

The world of the Hero society is dependent, to some degree, on biopolitics. I don’t think we have enough evidence to suggest that people with Quirks or Quirkless people place enough identity or placement within society to become equivalent to marginalized groups, exactly, but we can draw parallels to the way that Deku and by extent Quirkless people are viewed as weak, a deviation, or disabled in some way. Deviants, or non-productive bodies, are shunned for their inability to perform ideal labor. While it is suggested to Deku that he could become a police officer or pursue some other occupation to help people, he believes that he can do the most positive good as a Hero. In order to be a Hero, however, in the sense of a career, one needs to have Power.

Deviation from the norm will be punished or policed unless it is exploitable; in order to become integrated into society, a deviant must undergo a process of normalization and become a working, exploitable body. It is only through gaining power from All Might that Deku is allowed to assimilate from the margins and into the upper ranks of society; the manga and the anime give the reader enough perspective, context, and examples to allow us to critique and deconstruct the society that is solely reliant on power.

Through his societal privileges, interpersonal biases, internalized complexes, and his subsequent unlearning of these ideologies, Bakugou provides examples of the way that the system simultaneously fails and indoctrinates those who are targeted, neglected, enabled by, believe in, and participate within the system.

Bakudeku are two sides of the same coin. We are shown visually that the crucial turning point and fracture in their relationship is when Bakugou refuses to take Deku’s outstretched hand; the idea of Deku offering him help messes with his adolescent perspective in that Power creates a hierarchy that must be obeyed, and to be helped is to be weak is to be made a loser.

Largely, their character flaws in terms of understanding the hero society are defined and entangled within the concept of power. Bakugou has power, or privilege, but does not have the moral character to use it as a hero, and believes that Power, or winning, is the only way in which to view life. Izuku has a much better grasp on the way in which heroes wield power (their ideologies can, at first, be differentiated as winning vs. saving), and is a worthy successor because of this understanding, and of circumstance. However, in order to become a Hero, our hero must first gain the Power that he lacks, and learn to wield it.

As the characters change, they bridge the gaps of their character deficiencies, and are brought closer together through character parallelism.

Two sides of the same coin, an outstretched hand.

They are better together.

How to Kill Middle Schoolers, and Why We Should

I think it’s fitting that in the manga, a critical part of Bakugou’s arc explicitly alludes to killing the middle school version of himself in order to progress into a young adult. In the alternative covers Horikoshi released, one of them was a close up of Bakugou in his middle school uniform, being stabbed/impaled, with blood rolling out of his mouth. Clearly this references the scene in which he sacrifices himself to save Deku, on a near-instinctual level.

To me, this only cements Horikoshi’s intent that middle school Bakugou must be debunked, killed, discarded, or destroyed in order for Bakugou the hero to emerge, which is why people who do actually excuse his actions or believe that those actions define him into young adulthood don’t really understand the necessity for change, because they seem to imply that he doesn’t need/cannot reach further growth, and there doesn’t need to be a separation between the Bakugou who is, at heart, volatile and repressed the angry, and the Bakugou who sacrifices himself, a hero who saves people.

Plot twist: there does need to be a difference. Further plot twist: there is a difference.

In sacrificing himself for Deku, Bakugou himself doesn't die, but the injury is fatal in the sense that it could've killed him physically and yet symbolizes the selfish, childish part of him that refused to accept Deku, himself, and the inevitability of change. In killing those selfish remnants, he could actually become the kind of hero that we the reader understand to be the true kind.

That’s why I think that a lot of the people who stress his actions as a child without acknowledging the ways he has changed, grown, and tried to fix what he has broken don’t really get it, because it was always part of his character arc to change and purposely become something different and better. If the effects of his worst and his most childish self stick with you more, and linger despite that, that’s okay. But distilling his character down to the wrong elements doesn’t get you the bare essentials; what it gets you is a skewed and shallow version of a person. If you’re okay with that version, that is also fine.

But you can’t condemn others who aren’t fine with that incomplete version, and to become enraged that others do not see him as you do is childish.

Bakugou’s change and the emphasis on that change is canon.

Parallels in Abuse, EnemiesRivals-to-Lovers, and the Necessity of Redemption ft. ATLA’s Zuko

In real life, the idea that “oh, he must bully you because he likes you” is often used as a way to brush aside or to excuse the action of bullying itself, as if a ‘secret crush’ somehow negates the effects of bullying on the victim or the inability of the bully to properly process and manifest their emotions in certain ways. It doesn’t. It often enables young boys to hurt others, and provides figures of authority to overlook the real source of schoolyard bullying or peer review. The “secret crush”, in real life, is used to undermine abuse, justify toxic masculinity, and is essentially used as a non-solution solution.

A common accusation is that Bakudeku shippers jump on the pairing because they romanticize pairing a bully and a victim together, or believe that the only way for Bakugou to atone for his past would be to date Midoryia in the future. This may be true for some people, in which case, that’s their own preference, but based on my experience and what I’ve witnessed, that’s not the case for most.

The difference being is that as these are characters, we as readers or viewers are meant to analyze them. Not to justify them, or to excuse their actions, but we are given the advantage of the outsider perspective to piece their characters together in context, understand why they are how they are, and witness them change; maybe I just haven’t been exposed to enough of the fandom, but no one (I’ve witnessed) treats the idea that “maybe Bakugou has feelings he can’t process or understand and so they manifest in aggressive and unchecked ways'' as a solution to his inability to communicate or process in a healthy way, rather it is just part of the explanation of his character, something is needs to — and is — working through. The solution to his middle school self is not the revelation of a “teehee, secret crush”, but self-reflection, remorse, and actively working to better oneself, which I do believe is canonically reflected, especially as of recently.

In canon, they are written to be partners, better together than apart, and I genuinely believe that one can like the Bakudeku dynamic not by route of romanticization but by observation.

I do think we are meant to see parallels between him and Endeavor; Endeavor is a high profile abuser who embodies the flaws and hypocrisy of the hero system. Bakugou is a schoolyard bully who emulates and internalizes the flaws of this system as a child, likely due to the structure of the society and the way that children will absorb the propaganda they are exposed to; the idea that Quirks, or power, define the inherent value of the individual, their ability to contribute to society, and subsequently their fundamental human worth. The difference between them is the fact that Endeavor is the literal adult who is fully and knowingly active within a toxic, corrupt system who forces his family to undergo a terrifying amount of trauma and abuse while facing little to no consequences because he knows that his status and the values of their society will protect him from those consequences. In other words, Endeavor is the threat of what Bakugou could have, and would have, become without intervention or genuine change.

Comparisons between characters, as parallels or foils, are tricky in that they imply but cannot confirm sameness. Having parallels with someone does not make them the same, by the way, but can serve to illustrate contrasts, or warnings. Harry Potter, for example, is meant to have obvious parallels with Tom Riddle, with similar abilities, and tragic upbringings. That doesn’t mean Harry grows up to become Lord Voldemort, but rather he helps lead a cross-generational movement to overthrow the facist regime. Harry is offered love, compassion, and friends, and does not embrace the darkness within or around him. As far as moldy old snake men are concerned, they do not deserve a redemption arc because they do not wish for one, and the truest of change only occurs when you actively try to change.

To be frank, either way, Bakugou was probably going to become a good Hero, in the sense that Endeavor is a ‘good’ Hero. Hero capitalized, as in a pro Hero, in the sense that it is a career, an occupation, and a status. Because of his strong Quirk, determination, skill, and work ethic, Bakugou would have made a good Hero. Due to his lack of character, however, he was not on the path to become a hero; defender of the weak, someone who saves people to save people, who is willing to make sacrifices detrimental to themselves, who saves people out of love.

It is necessary for him to undergo both a redemption arc and a symbolic death and rebirth in order for him to follow the path of a hero, having been inspired and prompted by Deku.

I personally don’t really like Endeavor’s little redemption arc, not because I don’t believe that people can change or that they shouldn't at least try to atone for the atrocities they have committed, but because within any narrative, a good redemption arc is important if it matters; what also matters is the context of that arc, and whether or not it was needed. For example, in ATLA, Zuko’s redemption arc is widely regarded as one of the best arcs in television history, something incredible. And it is. That shit fucks. In a good way.

It was confirmed that Azula was also going to get a redemption arc, had Volume 4 gone on as planned, and it was tentatively approached in the comics, which are considered canon. She is an undeniably bad person (who is willing to kill, threaten, exploit, and colonize), but she is also a child, and as viewers, we witness and recognize the factors that contributed to her (debatable) sociopathy, and the way that the system she was raised in failed her. Her family failed her; even Uncle Iroh, the wise mentor who helps guide Zuko to see the light, is willing to give up on her immediately, saying that she’s “crazy” and needs to be “put down”. Yes, it’s comedic, and yes, it’s pragmatic, but Azula is fourteen years old. Her mother is banished, her father is a psychopath, and her older brother, from her perspective, betrayed and abandoned her. She doesn’t have the emotional support that Zuko does; she exploits and controls her friends because it’s all she’s been taught to do; she says herself, her “own mother thought [she] was a monster; she was right, of course, but it still [hurts]”. A parent who does not believe in you, or a parent that uses you and will hurt you, is a genuine indicator of trauma.

The writers understood that both Zuko and Azula deserved redemption arcs. One was arguably further gone than the other, but that doesn’t change the fact that they are both children, products of their environment, who have the time, motive, and reason to change.

In contrast, you know who wouldn’t have deserved a redemption arc? Ozai. That simply would not have been interesting, wouldn’t have served the narrative well, and honestly, is not needed, thematically or otherwise. Am I comparing Ozai to Endeavor? Basically, yes. Fuck those guys. I don’t see a point in Endeavor’s little “I want to be a good dad now” arc, and I think that we don’t need to sympathize with characters in order to understand them or be interested in them. I want Touya/Dabi to expose his abuse, for his career to crumble, and then for him to die.

If they are not challenging the system that we the viewer are meant to question, and there is no thematic relevance to their redemption, is it even needed?

On that note, am I saying that Bakugou is the equivalent to Zuko? No, lmao. Definitely not. They are different characters with different progressions and different pressures. What I am saying is that good redemption arcs shouldn’t be handed out like candy to babies; it is the quality, rather than the quantity, that makes a redemption arc good. In terms of the commentary of the narrative, who needs a redemption arc, who is deserving, and who does it make sense to give one to?

In this case, Bakugou checks those boxes. It was always in the cards for him to change, and he has. In fact, he’s still changing.

Give it to Me Straight. It’s Homophobic.

There does seem to be an urge to obsessively gender either Bakugou or Deku, in making Deku the ultra-feminine, stereotypically hyper-sexualized “woman” of the relationship, with Bakugou becoming similarly sexualized but depicted as the hyper-masculine bodice ripper. On some level, that feels vaguely homophobic if not straight up misogynistic, in that in a gay relationship there’s an urge to compel them to conform under heteronormative stereotypes in order to be interpreted as real or functional. On one hand, I will say that in a lot of cases it feels like more of an expression of a kink, or fetishization and subsequent expression of internalized misogyny, at least, rather than a genuine exploration of the complexity and power imbalances of gender dynamics, expression, and boundaries.

That being said, I don’t think that that problematic aspect of shipping is unique to Bakudeku, or even to the fandom in general. We’ve all read fan work or see fanart of most gay ships in a similiar manner, and I think it’s a broader issue to be addressed than blaming it on a singular ship and calling it a day.

One interpretation of Bakugou’s character is his repression and the way his character functions under toxic masculinity, in a society’s egregious disregard for mental and emotional health (much like in the real world), the horrifying ways in which rage is rationalized or excused due to the concept of masculinity, and the way that characteristics that are associated with femininity — intellect, empathy, anxiety, kindness, hesitation, softness — are seen as stereotypically “weak”, and in men, traditionally emasculating. In terms of the way that the fictional universe is largely about societal priority and power dynamics between individuals and the way that extends to institutions, it’s not a total stretch to guess that gender as a construct is a relevant topic to expand on or at least keep in mind for comparison.

I think that the way in which characters are gendered and the extent to which that is a result of invasive heteronormativity and fetishization is a really important conversation to have, but using it as a case-by-case evolution of a ship used to condemn people isn’t conductive, and at that point, it’s treated as less of a real concern but an issue narrowly weaponised.

Love in Perspective, from the East v. West

Another thing I think could be elaborated on and written about in great detail is the way that the Eastern part of the fandom and the Western part of the fandom have such different perspectives on Bakudeku in particular. I am not going to go in depth with this, and there are many other people who could go into specifics, but just as an overview:

The manga and the anime are created for and targeted at a certain audience; our take on it will differ based on cultural norms, decisions in translation, understanding of the genre, and our own region-specific socialization. This includes the way in which we interpret certain relationships, the way they resonate with us, and what we do and do not find to be acceptable. Of course, this is not a case-by-case basis, and I’m sure there are plenty of people who hold differing beliefs within one area, but speaking generally, there is a reason that Bakudeku is not regarded as nearly as problematic in the East.

Had this been written by a Western creator, marketed primarily to and within the West (for reference, while I am Chinese, but I have lived in the USA for most of my life, so my own perspective is undoubtedly westernized), I would’ve immediately jumped to make comparisons between the Hero System and the American police system, in that a corrupt, or bastardized system is made no less corrupt for the people who do legitimately want to do good and help people, when that system disproportionately values and targets others while relying on propaganda that society must be reliant on that system in order to create safe communities when in reality it perpetuates just as many issues as it appears to solve, not to mention the way it attracts and rewards violent and power-hungry people who are enabled to abuse their power. I think comparisons can still be made, but in terms of analysis, it should be kept in mind that the police system in other parts of the world do not have the same history, place, and context as it does in America, and the police system in Japan, for example, probably wasn’t the basis for the Hero System.

As much as I do believe in the Death of the Author in most cases, the intent of the author does matter when it comes to content like this, if merely on the basis that it provides context that we may be missing as foreign viewers.

As far as the intent of the author goes, Bakugou is on a route of redemption.

He deserves it. It is unavoidable. That, of course, may depend on where you’re reading this.

Stuck in the Sludge, the Past, and Season One

If there’s one thing, to me, that epitomizes middle school Bakugou, it’s him being trapped in a sludge monster, rescued by his Quirkless childhood friend, and unable to believe his eyes. He clings to the ideology he always has, that Quirkless means weak, that there’s no way that Deku could have grown to be strong, or had the capacity to be strong all along. Bakugou is wrong about this, and continuously proven wrong. It is only when he accepts that he is wrong, and that Deku is someone to follow, that he starts his real path to heroics.

If Bakudeku’s relationship does not appeal to someone for whatever reason, there’s nothing wrong with that. They can write all they want about why they don’t ship it, or why it bothers them, or why they think it’s problematic. If it is legitimately triggering to you, then by all means, avoid it, point it out, etc. but do not undermine the reality of abuse simply to point fingers, just because you don’t like a ship. People who intentionally use the anti tag knowing it’ll show up in the main tag, go after people who are literally minding their own business, and accuse people of supporting abuse are the ones looking for a fight, and they’re annoying as hell because they don’t bring anything to the table. No evidence, no analysis, just repeated projection.

To clarify, I’m referring to a specific kind of shipper, not someone who just doesn’t like a ship, but who is so aggressive about it for absolutely no reason. There are plenty of very lovely people in this fandom, who mind their own business, multipship, or just don’t care.

Calling shippers dumb or braindead or toxic (to clarify, this isn’t targeting any one person I’ve seen, but a collective) based on projections and generalizations that come entirely from your own impression of the ship rather than observation is...really biased to me, and comes across as uneducated and trigger happy, rather than constructive or helpful in any way.

I’m not saying someone has to ship anything, or like it, in order to be a ‘good’ participant. But inserting derogatory material into a main tag, and dropping buzzwords with the same tired backing behind it without seeming to understand the implications of those words or acknowledging the development, pacing, and intentional change to the characters within the plot is just...I don’t know, it comes across as redundant, to me at least, and very childish. Aggressive. Toxic. Problematic. Maybe the real toxic shippers were the ones who bitched and moaned along the way. They’re like little kids, stuck in the past, unable to visualize or recognize change, and I think that’s a real shame because it’s preventing them from appreciating the story or its characters as it is, in canon.

But that’s okay, really. To each their own. Interpretations will vary, preferences differ, perspectives are not uniform. There is no one truth. There are five seasons of the show, a feature film, and like, thirty volumes as of this year.

All I’m saying is that if you want to stay stuck in the first season of each character, then that’s what you’re going to get. That’s up to you.

This may be edited or revised.

#bakudeku #meta #my hero academia #boko no hero academia #bnha #mha #bakugou katsuki #izuku midoriya #ok these are just my general thoughts in response to the people who have hang ups about this ship #like y’all need to pls chill tf out ok #this is also not comprehensive and could definitely be elaborated on #but it’s just general thoughts #it’s just addressing general opposition I’ve seen #I never thought I’d ever write this much about this ship wtf

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demonslayedher · 2 years

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General thoughts and recall on the 2022 Osaka version of the Kimetsu no Yaiba Gotoge Koyoharu Exhibition, which is probably pretty similar to the Tokyo version from last year. No other images below the cut, as photos were only allowed in the above spaces, but you can scroll through photos of the gallery on the official homepage. There's wasn't a lot of previously unseen art or Taisho Secrets, nor was there much original colored artwork, but lots of thoughtful displays of the original manga pages.

The exhibit stated with the 3D display of a fictitious "Volume 0" cover, among all the other 23 manga covers. There were English translations for a lot of the section headings, but I can't remember them so I'll throw in simple translations here. The first section was about Tanjiro, Nezuko, Zenitsu, Inosuke, Kanao, and Genya, highlighting some of their introductory, iconic, and character growth moments. This section's focus was "Bonds: Brother & Sister, And Their Friends." While in general they were going for drama in the large wall displays, along the bottom there was a smaller border composed of a collection of derpy faces. I appreciated that greatly. At the end of this section, there was a small section for other people who support them, like at Mt. Sagiri and in the Swordsmith Village. There was also a small 3D statue of the image in which the Kamaboko members are all chibis stacked on top of each other. Better that image than any of them biting each other's heads.

Section Two had my favorite layout and design: "Demons: The Extremes of Humanity, The Extremes of Sorrow." This had our first 3D display as part of the wall decor, and in my humble opinion, it was the best. Truly gruesome detail in the Muzan flesh crawling up out of the wall and across the ceiling. What really got me was how this room had four pillars (no pun intended) with two different sides dedicated to some of the Upper Moons, with one side showing them at their worst as demons and the other side showing their sorrows as humans and their death scenes. Very nice touch. That led into the Infinity Fortress display, with the twangs of Nakime's biwa playing as she flashes in the displays. There's also a short display dedicated to Muzan and Kagaya's conflicting worldviews.

Section Three: "Pillars: The Absoluteness of Breath" also had fun 3D displays for each of the Pillars; my favorites were Mitsuri's and Sanemi's, because seeing the full length of Mitsuri's twisty sword was fun and I liked all the details of the wall getting torn to bits by the Wind Breath effects. These sections were also my favorites in the Pillar section for two kind of dumb reasons. In observing the original manga pages close up, I really liked the panel from Chapter 123 in which Mitsuri has just woken up and is declaring how precious the Demon Slayer Corp is to her and how she won't let any of them die as she strikes a pose with her sword in the air. Based on the leftover draft pencil marks, it seems this was one was the many places where cute characters were original drawn with longer limbs and had them shortened, but what I found more endearing than that? I really, really can't be sure about this, but it kiiiiinda looks like Genya was added in after the rest of the panel was drawn. His face was already funny, but now I find it even funnier. As for a nice memory in the Sanemi section, this was where I happened to enter at the same time as two ladies in "Shinazugawa Sanemi" and "Tomioka Giyuu" baseball shirts who whispered to each other, "IT'S HERE." This stuck out because talking was not allowed at the gallery, and when I turned my head, I saw that the lady in the Sanemi jersey had a big beetle toy pinned to her shoulder. Excellent touch, lady.

Section Four: "Ties: Betting It All" was just... rubbing in all the pain. Reminding us of all the loses. You know the cover of Chapter 180? Seeing that life size hurt, yo. Also, the amount of white-out used on the Seventh Form of Thunder Breath? Respect.

Section Five: "Time: The Breaking Dawn of A Thousand Years" was dedicated to the Sunrise Countdown arc and I was hyyyyyyped. It might just had been my impression, the draft pencil used seemed so much more heavy-handed through these pages. I tend to be quite heavy-handed with my sketches as well, so I felt this area strongly, but I also felt humbled for ever having spent over a decade of my life dreaming of being a manga-ka. I have too much respect and awe for this craft to ever find myself so foolish ever again. Also, there is now one particular variety of screen tone that now triggers me to get emotional after seeing the patterns of its use.

Quick interjection here to say that HOLY FUDGE, LOOK AT HOW ALL THE TATAMI ARE HAND-DRAWN. I thought those were screentones, but nooooooo, it's the black lines first and then whiteout on top of them, so they all fit the necessary angles exactly. AAAAAAAAAAAH.

Final Section: "Succession: Exceeding All The Months and Years" was dedicated to Tanjiro's internal battle with Muzan. Yeah, there was a 3D wisteria display. How could they not.

Omake: Obamitsu and Flame&Sound duo images like have already been leaked a lot, and The Legend of Zenitsu stuff, Chapter 205 stuff, and then I had to return to real life.

#kny in real life #kimetsu no yaiba #demon slayer

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iamnightduchess · 3 years

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Reiner & Mikasa: A Retrospective Pt.2

“The Shield of Marley & The Blade of Paradis”

Why ReiKasa is a (BR)OTP ship that’s worth more than a fleeting glance

[*caution: a continuation of a long reflective post with the sole intention to share a fan’s perspective through available representation through manga, anime, exhibition & etc. This post is not to convince nor argue where is its place in canon, but only to explore the vast possibilities of these two amazing characters that I love. In the end, if the series ends with Mikasa alive & ending by herself or with X character, then it means Isayama believes that X character is the one she’ll find that eventual happiness with and I’m all for that. Same goes with Reiner :)] Special thanks to @berumika for sharing some of the additional points that are included in this post. Years down the line after SnK ended, I’d love to have a post I can revisit of these two amazing characters & the possibilities that could have been from time to time. I’m having absolute fun in observing how much both of these characters have grown since the series debuted in 2010.

Pt. 1 available here. Warning: Image heavy, potential spoilers.

When I first got to know SnK/AoT, it was through the anime first before manga. Bad idea for me. My initial perspectives of Mikasa & Reiner were skewed and that was later rectified as I navigated the original source directly. Eren is the first protagonist that was introduced by the series creator but I was drawn to Mikasa & Reiner when I started the manga after Season 1 ended.

Trainees

These top two trainees of the 104th batch are closely matched to each other in ranking. We don’t see them interact directly in the anime, but in the early panels of the manga, Reiner could be seen sitting down with Eren, Mikasa & Armin during mealtimes.

Sure, Mikasa can be expected to not converse with Reiner directly, but if her two childhood friends have their good friend sitting together for meals, at the very least we can expect them to have some brownie points in socialization.

Apart from being total gorgeous hotties, they’re both physically strong people, with Reiner always being second to Mikasa in terms of brute strength. Total muscle pairing and I could see them being at par with each other during physical drills. Reiner & Mikasa could go all out, even beyond 100% and the other would be physically capable to take/receive the force. Shadis would’ve tasked them to lead the physical trainings from time to time. They have been sparring partners, evident from the moment Mikasa threw Reiner across the field into Eren who’s sparring with Annie. Their fitness regime would be in-sync with each other. I could see them having mad respect for each other and secretly admire the other person’s prowess and skill.

Connection through Eren

As highlighted primarily in Pt.1, Eren has been shown to look up or aspire to be high achievers like Reiner and Mikasa both. He wanted to be as strong as the two of them. The odds of the very same people he look up to, as the two individuals who would be able to stop him, I would suspect as very high at this point.

When they were younger, Reiner has always been the one that’s pulled Eren up when he’s down, nearly giving up & at the lowest points of his life. He was also the one who convinced Eren to ‘keep on moving forward’, which we’ll learn later was one of the most ironic moments that Reiner recalled as he feels responsible for everything that begun, which also pushed his guilt inside him to his near-suicide attempt.

Survey Corps

Reveal on Wall Rose

Mikasa, was one of the few junior SC members who were called in for the secret meeting with the unit’s top brass the night before the reveal. She was made aware of Reiner & Bertolt’s possible identity as the enemy after she assisted with apprehending Annie in Wall Sina. While Reiner was talking to Eren, Mikasa could be seen being highly agitated, hands shaking as she waited with unease breath for Reiner & Bertolt to make their move.

She was later seen questioning her hesitance on delivering the killing blow or at least enough to incapacitate them. Mikasa called Reiner & Bertolt “the plague of humanity” in anger and absolute disappointment. They were still her friends that she knew for three years & it had been difficult for her to kill them.

Thunder Spears Training

Mikasa could be seen reflecting in a combination of unease, sadness & regret as she recalled back the moment she was unable to break Reiner’s armor with her blades.

Return to Shinganshina

Mikasa was the one who crippled the Armored’s legs. She wasn’t as emotional as Connie, Jean & Sasha but there was a deep, painful rumination on her part the moment they assumed that Reiner was dead dead. She was also the one who noticed the sudden move from Reiner’s Armored Titan. In the anime, she could be seen angry & frustrated at Reiner’s refusal to confess that she pulled too hard on the bandage in her hands while she was helping Jean with his injuries.

Time-Skip (Current)

Reiner’s reminiscence & nightmares

Reiner’s reminiscence of Mikasa was indirect, but he highlighted her (and Armin’s) fierce, unwavering loyalty towards Eren. He had recurring nightmares of her & Levi that are the symptoms of his PTSD. The anime specifically used her shot to highlight the last image of her that he saw: anger.

Assault in Liberio

You could see the existing disappointment on her face when Reiner’s partially transformed Titan appeared, having to cross paths again in such a way after four years. She could’ve intervened the way she did with Galliard’s Jaw but she didn’t. Eren said Reiner’s out of any energy left to retaliate and Mikasa didn’t disagree. At this point, Mikasa is already affected by Eren’s actions in murdering the women & children inside the building that he shifted in and the destruction they all left behind.

Connection through Gabi

Reiner’s young cousin reminded Armin & Mikasa of a young Eren. The difference is that, Gabi had an early opportunity to be saved through the compassion showed by Mikasa and Sasha’s beloved family. The very same people who had every right to be sad, grieving and taking out their anger on the child who gunned down their beloved friend & daughter.

Mikasa doesn’t verbally express her emotions but it can be shown through her body language & facial expressions. I love seeing the tender way she pressed Gabi’s head onto her shoulder as protection and a symbolism of safety. It was a bit sad that this ‘bond’ was short-lived but what an amazing connection it would’ve been if Mikasa & Gabi had been given more space to develop their bond in canon.

Concern for Reiner & Annie

Usually when Mikasa verbally expresses something, it is usually important/significant to her. In ch.124, she could be seen asking Gabi about Reiner’s location. Why? It’s because she is concerned for Reiner’s safety. If his Armors were undone, he was vulnerable and with pure Titans and the Colossal Titans walking around, he would be in danger.

“We need to help Reiner & Annie.” She was heavily concerned with Reiner and Annie’s lives at the docks. But this moment is more important for Connie as a callback to the moment when Annie & Reiner both had saved Connie when they were trainees.

Adjacent Manga/Official Art Paneling(s)

In the current final arc of the manga, (several panels have been highlighted in Pt.1) it’s quite interesting to note that Mikasa & Reiner’s characters/panelings have been drawn adjacent to each other. I could also see the way Armin, Reiner & Mikasa (ARM) are getting primary focus by Isayama in this final arc.

Others (Misc./Semi-canon)

Cool-faced Cookie (Attack on Titan Game)

When Reiner suggested the player to do a melee practice with two other sparring partners, he immediately spotted Mikasa & Historia. It’s very interesting to note that Reiner’s nickname for Mikasa is “Cool-faced cookie” as he hinted the player to ask Mikasa for an impromptu practice.

The blink and miss furtive glance(s)

In Lost Girls OVA’s ED by WIT, a screenshot of the primary 104th walking together could be seen. Mikasa could be seen sneaking a glance at Reiner.

In a scene during the fresh SC recruits discussing intensely about Eren’s role as humanity’s hope, Reiner could be seen glancing silently with concern for Mikasa, as Jean questions her vouch of confidence in Eren’s abilities.

In Snk OVA#3, Mikasa is grouped with Reiner for the excursion and they could be seen having good teamwork together. When Mikasa’s ‘sixth senses’ are triggered due to Eren being in danger, Reiner could be seen looking at her direction immediately as if sensing her distress.

Characteristics & Zodiac Signs

Amazing/Compassionate with children

Known as the Shield of Marley, Reiner’s a caring keeper, a natural leader and a provider who’s naturally amazing with children. Everyone looks up to him. Would’ve made a good family man if the circumstances were different. Based on his characteristics & physical attribute, he reminds me of Mikasa’s father below, no matter how short-lived he was. I could see her admiring that side of him even if it wasn’t mentioned directly. They are both loving, selfless, protective towards their child/ward.

Mikasa, true to her name, an Ackerman, a genetically-enhanced super soldier/warrior of Paradis that wields their blades with the highest efficiency. Though she might not seem as natural with children, did come from a healthy & loving upbringing with her parents for nine years. Her real persona as a child pre-awakening is a curious, thoughtful and actually a warm-hearted girl. Post-awakening characteristics could also be contributed from the traumas imposed by the murder of her parents, the fall of Wall Maria, the death of Carla & having to shoulder the immediate responsibility as Eren’s new ‘guardian’/caregiver/problem-solver/mess-cleaner.

She shown her compassion towards Gabi, which in turn had proved to the little girl how there are good-hearted, forgiving people in the Island. Mikasa could be observed as being heavily concerned with Falco as she questioned Jean about the young boy. One could see the anger on her face when she saw Connie took off and abducted Falco to be fed to his mom. She drew the line in harming children even if they’re trained enemy soldiers.

Aquarius & Leo’s Compatibility

Reiner’s a Leo and Mikasa’s an Aquarius. Their characteristics are too coincidental to their respective astrological signs to be disregarded completely.

He’s an extrovert (Ref: younger!Reiner. Older Reiner too but his PTSD’s and maturity have taken over his more outgoing personality) that compliments her introvert personality yet they both have their inner demons to deal with and could somehow understand that about each other. He’s a ray of sunshine that could enlighten her melancholic personality. Yet their dominant personalities, although might be clashing at first, eventually would lead them to respect the other’s perspective. This would ring true when they were younger. Currently they have grown older, wiser and more understanding of the other.

At the current Final Arc, this has been highlighted in Part 1, recent chapters have shown older Reiner and Mikasa’s unspoken respect and understanding for each other. The current Reiner’s natural leadership as a born Leo is very apparent. Reiner was being very mindful of her feelings as Eren is a very sensitive subject & Mikasa took in Reiner’s words with serious consideration.

It would be great to see more of their combined synergy as Reiner & Mikasa’s teamwork could be seen once again in ch.135. Aquarius & Leo would take turns to take a back seat while letting the other leads.

They are actually very physically and sensually compatible with each other & could potentially be an unstoppable force if they were to fight for the same side. At the moment, I’m hoping to see this potentially deadly combination once again in ch.136 onwards. They could’ve overtaken Eren’s Founding Form is it wasn’t for OG!Ymir’s one-sided overkill powers. To the real God who created the parasite worm, please take powers away frpm this uncontrollable grandma in a little girl’s body.

More of Mikasa’s Aquarius & Reiner’s Leo Compatibility Meter with description below:

Since this is SnK and not Berserk/Tokyo Ghoul/insert other josei manga titles, no one’s having sex directly haha In an ideal world, Reiner & Mikasa’s physical attractions for each other will almost be off the charts. “When they find true emotion, Aquarius might actually end up respecting the king”. In current arc, this can be observed. She respects Reiner & his words.

The above describes both Mikasa and Reiner respectively. Mikasa does not reach for heroism directly but it can be seen indirectly from the way she had inspired a child Louise through her bravery, protecting Gabi and rescuing/protecting the Azumabito Service crew from the Jeagerists. Reiner has always been born to be a hero, regardless of the circumstances of his conception or birth.

“If they end up fighting for the same cause, they could turn down entire governments and use their incredible force to change anything in the world.”

Even oppressive, destructive supernatural, God-like powers? Ymir & Eren, better be prepared.

“To get there, these two would have to stop the battle they have with each other.” Check and Check.

“Leo -- has the ability to give clarity to any situation.” Ch.133. That was not Reiner projecting. He’s always been Eren’s counterpart. He’s telling the readers that there’s a part of Eren out there that still wants to be stopped since he has surrender his will to Ymir. She took his words into serious consideration and in Paths, voices out to Eren on his sins and burden.

“Leo is exactly what Aquarius needs to find love. -- to liberate and shine as if they have been searching for one another for many lifetimes.” In an ideal world or in my gazillion AUs: Reiner and Mikasa could be soulmates.

This could ring true for the younger Reiner & Mikasa.

Reiner and Mikasa both are indeed strong, selfless individuals in each other’s eyes. This can be observed in Ch.133 & 135. Reiner feared her but respect her strength & feelings when it relates to Eren nevertheless. Even Reiner was taken aback by Pieck’s ultimatum in blowing the Founder’s neck, although Armin had suggested the same thing the night before.

“Just like the Sun and the lightning don’t go together, Aquarius should take over on a rainy day, in a depressive crowd or in places where they both feel as if they would drown. This is where Leo needs to give in and let their partner rule the sky--” It wasn’t a rainy day or depressive crowd in ch. 135, it was a chaotic shitstorm and they were all not drowning but dying. Period. Our dear Mikasa took charge like a BAMF Queen that she is. She was putting her life on the line to protect the four injured men behind them. She aimed to buy them more time if she could as everyone expected it to be the end. As highlighted in Pt.1, you could see the helplessness on Reiner’s face when he saw Mikasa’s breaking point.

Reference : http://www.astrology-zodiac-signs.com/compatibility/aquarius-leo/

Final Exhibition

The Final Exhibition highlights the Last Stand: the direct final confrontation between The Founding/Attack against The Armored, with Mikasa being in the middle of the confrontation, tipping the scales of the outcome. Before, she assisted Eren against Reiner. Currently, she is working with Reiner to stop Eren.

Trio(s) Parallel

An interesting panel from ch.97:

EMA & RBA have always been lauded as the main trio of their respective sides. We have seen Armin taking over Bertolt’s powers & is potentially promised a future with the girl that Bertolt had feelings for. Recognize the probable pattern?

Guy from trio 1 ate Guy from trio 2′s Titan & is promised a potential future with the girl he cares for/have feelings for/close with from the trio.

Only one between between Eren & Reiner will remain. What if the story begins with Eren but will end with Reiner all along?

SnK HighSchool AU / Breakfast Club X-over

In the movie, the Jock (Quarterback!Reiner) ends up with the Rebel (Goth!Mikasa). He looks past her eccentricity & see her for who she is. This is a fun crossover by Isayama but very interesting to see Armin, Mikasa & Reiner work together to save Eren in the fake previews.

Whether the combined strength and perseverance of the Blade of Paradis & the Shield of Marley be enough to save the world from total annihilation? It remains to be seen very, very soon.

No matter how the series ends, whether both Reiner and Mikasa survive or not, I’ll be looking back in pride upon seeing their journey, growth & dynamics as either individual or together in this beautiful series by Hajime Isayama’s brilliant mind. Because of him, these two characters inspired his readers, myself included, to be brave and fight for what they truly believe in: humanity & its continuation. It has been an incredible ride and I will continue to enjoy writing for this OTP/BROTP, that I’ve fell so deeply in love with and their vast possibilities.

#snk #aot #shingeki no kyojin #attack on titan #進撃の巨人 Attack on Titan #snk meta #snk thoughts #snk opinions #snk spoilers #snk 135 #snk 133 #snk 134 #Retrospective #reiner braun #mikasa ackerman #reiner x mikasa #ReiKasa #character appreciation #ship appreciation

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yostresswritinggirl · 3 years

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Ahhhhh I see I didn’t consider Germany’s drinking age and you might be right, it checks out pretty ok with the webtoon; Amber states in one of the panels that she’s too young to drink (I think she mentioned needing one more year but I might be wrong) the webtoon is set 4 years prior to the in-game events so Amber would be around 19-20 and since she’s an adult who can drink in-game it checks out. We could probably go a bit further and see that Amber is about 12 when Dilucs father dies 3 years prior to webtoon events because Collei wears the same outfit she did in flashback (assuming Amber gave her her old clothes) and Collei is a child. Ugh I pulled up the manga and now I’ve found a problem,,, on the day Dilucs dad dies Diluc was celebrating his coming of age but it doesn’t specify what age that is. I had originally assumed he was 18 because I was going off of US standards of adulthood- another character says “you’re an adult now” to diluc. However, this could also be 16 if being able to drink alcohol makes you an adult. This becomes extra confusing when you consider Dilucs line of “I’ll pass this time” when the same character from before says “come on, have a drink” because it could have like 2 different meanings. (Things to consider: he was part of the knights and still on duty during this scene) 1. He just turned 16 and declines the offer saying “I’ll pass this time” because the next time they offer he will be legal and probably off duty 2. He is 18 and him saying “I’ll pass this time” is supposed to imply that there have been times before this that he drank and is now declining because he’s on duty. If we assume he’s 18 the day his father dies then 3 years later, at the start of the webtoon events, he would be 21 (which checks out with in-game age of being in his 20’s). On the other hand, if we assume he’s 16 then that would put him at 19 during the webtoon and to me that seems a bit too young for how he is regarded. We can’t really compare Amber and Dilucs age since we have an EXTREMELY rough estimate of Dilucs age but by analyzing how kaeya treats Amber during the webtoon events and even a bit in-game we can see a sort of ‘annoying older brother dynamic’; in the webtoon Amber is a bit more nervous when talking to kaeya than she is in-game (she becomes more bold when talking to him) I think this points to kaeya already being in his 20’s and because Amber would also be in her 20’s in-game she wouldn’t be as hesitant to show her annoyance with him since they are equals. If this is the case then Dilucs age checks out at 18 when his father died and all is well, but we can never be sure due to the many interpretations of the characters dialogue.

Ok that took longer than expected but I hope it makes sense,,, ugh I wish I could post a diagram or timeline to map out the events and the possibilities of what could have happened. Some of these numbers were rough estimates based on head cannon ages I have for diluc and kaeya (around 23 and 24).

If I were to guess their ages strictly going off of my personal headcanons without looking at webtoon ages I’ve always seen Amber as junior/sophomore college age, the traveler (in official art, which I think makes predictions more accurate considering there are only like 4 character models in game) as freshman/sophomore college age, and diluc as sort of a just graduated college/has been out of college for 1-2 years. Alright that’s it for my hyper focus on genshin lore that I’ve wanted to talk about for a very long time.

-🦋 anon

Mmmmmmmmmmm

Okay this is a lot to pick through *rubs temples* I guess going by Germany standards thus change things up so let me go through this slowly.

So adult age for Germany is 18, 14 is minor, and in between is adolescent. You can do the following during 16: get married (wack), and consume alcoholic beverages.

In canon, the timeline for the Amber/Collei chapter is set one year (or half a year) prior the game's current timeline, you can check this in game by reading the board by Good Hunter's where they mention Collei. If we go by that standard of age in Germany, Diluc may really be 18 in the celebration if he's considered an 'adult'. I don't remember which panel Amber declines because she's still underaged but she's still considered underage in game during Jean's story quest party.

I also wish to point out for reasons of age discussion that Kaeya is younger than Diluc.

Otherwise, specific age is left vague by Mihoyo and can only be interpreted in terms of underage or not.

That's all my brain juice for this discussion, my brain is dead now.

(My age hcs for em are: Amber 16-17, Traveler at 15, Diluc at 22, Kaeya at 20)

#anon 🦋#Amber #Diluc #Kaeya #exile.goblet #genshin impact #theories #wow Diluc you tried to kill your younger brother #thats fucked up

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lady-bluebird-luv · 3 years

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Digesting Chapter 138

Don't get me wrong, there were moments in chapter 138 that fucked me up (cough Connie and Jean cough), and I love the art. Eren and Armin’s fight and the final panel with Mikasa, which I want to dig into in a bit, are both especially powerful drawings. Overall, though, I feel much calmer after reading this chapter than I thought I would. I’ve been trying to figure out why that is, and one reason is probably that I expected some of it. The rumbling was going to continue, the explosion wouldn’t have killed Eren, and he was probably going to die in either this chapter or the next one.

But I also think that part of why I feel so normal is because I’m not thrilled about this chapter. Which is rare for me. I won’t say that I’ve never been peeved about a chapter, since I definitely have been and I just can’t remember the specifics, but it’s been a while. 138 is confusing, it’s disgruntling, and it didn’t pack as much of a punch as AoT usually does. I don’t hate it, but I’m also not here for it, and there are a couple specific moments that make me feel that way.

First, the titanization.

Like I said, Jean and Connie’s last moments cracked my heart, but even though that last panel of them standing together, watching Falco fly away, was beautiful and painful, I’m so confused about how the titanization happened. The chapter heavily implies that the gas which infects the characters comes from the Hallucigenia-worm-neck-thing.

Okay, bet. I can accept that the spine worm primed the Eldians for titanization. What confuses me, though, is that it’s not clear that the worm triggers the titanization. If anything, it looks like Falco did, which I don’t understand.

As Falco flies away with Mikasa and Levi on his back, leaving the other characters behind to become titans, Falco screams. After he screams, the Eldians turn into titans. It’s not clear what else could trigger the transformation. There’s no panel of, say, Eren screaming, and from past chapters, titanization is trigged by a scream, not because of exposure to gas or spinal fluid alone.

So, the chapter looks like it implies that... Falco screams?

Maybe that’s not what’s going on, but that’s what it looks like, so the titanization makes no sense to me. If Falco screamed The Scream, why? Screaming turns the people that he wants to protect and free, e.g. Gabi and his family, into titans devoid of autonomy. If Falco is the trigger, that also means the titanization was preventable, which is incredibly frustrating given that so many important characters were transformed.

Maybe someone could say this is a highly dramatized scream of anguish, and that the gas was strong enough to turn the Eldians through exposure alone. Maybe the worm is just insanely powerful. But that sounds like a cop-out, so this is a really confusing, frustrating scene.

The confusion about the Hallucigenia and its role in titanization is part of a bigger problem with this final arc and this chapter: Ymir and the lore.

The more I see of the Hallucigenia and Ymir, especially after the weird origin story last chapter, the less sense everything makes. I have a lot to say about Eren’s death, and I’ll get into it more some other time, but for now, I want to focus on Ymir’s reaction to it.

Putting aside how morbidly funny I think her presence is, why is she smiling? Ymir has either helped or controlled Eren, I’m still not completely sure which, for a long time at this point. She’s invested in him. His death seems like it would be a massive loss for her own objectives, but when Eren fails, Ymir just... watches.

Her smile definitely makes me think that there’s much more going on here than she’s letting on, but I also can’t figure out what the hell that “more” is. At this point, watching her react this way, I don’t understand what she wants or her dynamic with Eren. Last chapter’s lore confused me, too, so this chapter’s weirdness exacerbated my frustration with not knowing what’s going on.

Why this panel from last chapter confuses me is a whole other text post, and I don’t want to go off on a tangent, but basically, if she made the titans/ Hallucigenia to have an undying body, and if she meant to escape to a free world, whether that’s the paths or something else, she didn’t succeed. It’s also not clear to me whether she completely controls the thing in Eren’s neck, or if she only made it.

Ymir and the founding titan’s powers are massive components of the rumbling and Eren’s behavior. They also don’t make sense. After last chapter’s lore threw me off, I hoped that 138 and 139 might shed some more light on the titans’ origins and Ymir. After reading 138, I’m more confused, and I’m started to give up on trying to wrap my head around any of it. It’s still intriguing, but I’m increasingly frustrated, and it makes the series’ ending feel rushed.

Beyond Ymir, I’m not into the ending in general. And yeah, it’s because of That Final Panel.

Like I said at the beginning of this post, I LOVE the imagery. It’s so dramatic and macabre, and I’m excited about what fanart it might inspire. I don’t also love it thematically.

I’ve seen a lot of really vitriolic reactions to it, especially from people who dislike EreMika. For me, I’m just bummed about it means for Mikasa’s character.

One of, if not her greatest, defining traits for YEARS has been her love for Eren. Especially after Eren’s rampage in Liberio, it became more and more clear that her development would have to mean letting go of that devotion, or at least not let it keep her from stopping his plans.

Mikasa rejecting the dream and killing Eren fulfills that development, but the kiss undermines it.

The kiss is closure. A goodbye. It is also still a kiss on the lips, which, at least for me and in the culture I grew up in, reads as romantic. Since Eren is dead, it’s also unreciprocated. The scene is both as Mikasa letting go of Eren and perpetuating the same (recently toxic) devotion she’s had for the whole series.

I’m not saying that I don’t think she should have closure. It makes sense that, after such an intense relationship, her goodbye is going to be tender. Nevertheless, I don’t think that the kiss is the form that closure had to take. Even if it took the form of a kiss, I don’t think that it needed to be on the lips. It’s like Yams can’t decide whether he really wants Mikasa to lose her love interest or not. Or, by extension, to not be defined by Eren.

Over the years, I’ve gotten exasperated with how much Yams writes Mikasa focusing on Eren. This end doesn’t read like she breaks free the way she needs to. Saying “see you later” instead of “goodbye” right before she kills Eren also reflects her attachment, although the dream/vision/??? is a WHOLE different rabbit hole and that line is up for a shit ton of interpretation.

As you can see from the watermarked panels, I’m not using an official English translation, so maybe the official English pages might clarify some things when they come out. I doubt it, though, since my frustrations don’t hinge on interpreting slight differences in wording. It’s also true that this is a pretty raw reaction, so my opinions might still develop, and I might figure out some of the lore and confusing panels that I’m stumped on.

Nevertheless, this is how I feel right now, and based on what I’ve seen, I’m not the only one. If you liked the chapter, you do you. This is just my opinion. Everyone values and focuses on different elements of a story. Even though I just slammed the chapter for about 1400 words, I also liked some parts of it.

In the end, it still doesn’t bode well for the manga’s ending. An author doesn’t have to explain every mystery and ambiguity for me to like a story. Grey areas and space for interpretation actually make a series stronger, in my opinion, but only to a point. Right now, there’s just too much that seems out of reach. I don’t blame Yams for wanting to be done with the manga after, as of about a week and a half from now, 11 years. At the same time, when I read this chapter, it felt like it was written by someone who was ready for it to be over, and not in a good way. I’ll wait and see how everything ends, but so far, I think the ending is... kind of underwhelming, unfortunately.

#snk #aot #snk 138 #aot 138 #snk meta #aot meta #bluebird's snk meta #aot spoilers #snk spoilers

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stillness-in-green · 3 years

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When MVA/MLA Arc gets animated, what will you be looking forward to the most? What (canon-compliant) additions and/or changed do you want or think Bones should make, if any?

There’s--a lot. Does that surprise anyone? There’s a lot.

o I have been foaming at the mouth for voice actor announcements for almost a year now, particularly for Trumpet, Geten and RD. Trumpet’s superpower is literally his voice! I mean, nothing about that statement requires that voice be particularly entrancing, but it certainly seems like it should be, right?? Geten is a boku-type in the manga, but that was literally the only hint foreshadowing his pretty boy face through 21 solid chapters of Pure Feral Gremlin. Everyone was shocked by Geten’s face reveal! How do you maintain that surprise value with an actual voice actor in the mix? Do you not even try? Do you play up the disparity--in which direction? I can’t wait to see what they do. And Re-Destro! Re-Destro requires so much range! From his peppy, silly businessman persona, to the urbane commander, from the overeager yes-man to the raving zealot--who on earth do you get to believably cover all that ground? I can’t even begin to guess, but I am living in anticipation of that article going up on ANN or the official Twitter sources.

o I’m also much looking forward to getting official coloring on Trumpet and Geten. Skeptic seems pretty straightforward--black, black, more black--and RD and Curious, we have color art for, but I wonder if Trumpet will also be all black clothes, to go with that dignified politician image of his, or if he’ll get some color to pep him up a little. What color are those tinted shades of his? His eyes? The wicked-cool Sevens Loud? I assume Geten is all wintery shades, but it’ll be great to confirm which ones. I mean, we all assume he’s white-haired to better annoy Dabi with family parallels, but what if he turns out to be platinum blond? And are his eyes blue? Gray? White? What color is that awful parka? Also, Re-Destro’s stress powers. Having been writing them as black since at least August--Rorschach test blots are generally black, after all, and they’re the clear inspiration--I would much like it if the anime would have my back on this. They made Destro’s mask a dark cinnamon brown, though, so I’m prepared to be unpleasantly surprised in this matter.

o Predictable MLA adaptational choices aside, I’m also eager/anxious about how they’ll handle Spinner’s narration. What I really hope is that they actually straight-up hand him ALL the narration duties--not just the stuff he dictates directly in the manga, but also e.g. the name and quirk explanation material that Present Mic normally gets, or the previews that are always handled by Deku. The opening and closing sequences are another big structural thing, of course--based on the flashed snippets of Hawks and Endeavor in both our current and the previous OP, I’m expecting we’ll see at least a bit of something referencing the upcoming internship arc (which I expect to close out the season), but I hope the villains just walk away with the closing entirely. I want my slice of life villainy ED, dangit.

o Another thing I’m eager/anxious about would be Kotarou, and the Shimura flashback generally. There’s a brittle edge of to Kotarou that I really love, and I hope he manages to keep it in the anime, despite the anime being generally not so great at moments that I would describe as “delicate.” For example, I’d like it if he doesn’t get a super deep voice, and if they could manage to keep his pretty face, and capture how deeply bitter and tired he looks in the scene where he’s reading the letter Nana left him. Also, I hope they keep the little montage bits and, crucially, the changes of clothes the family goes through. We see Tenko in no less than five, possibly as many as seven, different T-shirts through the course of that flashback. It seems like a small thing, but it’s one of the factors that makes me skeptical that AFO gave Tenko Decay, when so many days clearly go by between the opening with the man at the door and the tragic end. It’d be nice not to see too much resurgence on that just because the anime can’t be bothered to come up with more than one outfit for the Shimuras.

I have enough issues with the anime’s usual adaptation choices that I’m trying not to get my hopes up too high on the actual content of the episodes. The staff is diverting too much of its major talent to the movies (BAH) these days for me to expect the whole season to look all that great, and it’s never been particularly creative or daring outside of its climactic sakuga-heavy fight scenes anyway. I’ve also long had a bone to pick with its scoring decisions, and am already eyeballing the climax of the RD/Shigaraki fight and imagining the minor-keyed terrifying dirge I fear the anime will play there, at the moment that Re-Destro (and, shortly afterward, Spinner) are supposed to be experiencing something akin to religious awakenings. There’s also the issue of the violence and gore--judging by how the anime handled the scene where Shigaraki and Compress maim Overhaul, I have some severe reservations about how much blood they’ll be allowed to get away with, particularly in the scene where the League brutally decimates that CRC group and, of course, Shigaraki’s backstory. I’m looking at MVA to serve as a preview for how all the same issues will be addressed in the War Arc.

That bit of pessimism aside, as to what I’m hoping they’ll add or change? Well, off the top of my head.....

o I would love to get a full episode devoted to the time the League spends fighting Machia. Not that first tussle, but the six grueling weeks in the mountains. There’s so much you could add there for character building and atmosphere that Hori didn’t so much as montage through. Where was their food coming from? How’d they pick out places to pitch camp? How much access to news from outside did they have, and how frequently? What were the circumstances in which Gigantomachia “told them himself” about his great sense of smell?? Stuff like that! I don’t think we’re at all likely to get this--honestly, the series of late has had enough of a problem with trimming bits and pieces that I’m as worried about what they might cut as I am hyped about things they might add--but the one thing that gives me some hope is the training camp arc. Specifically, the moment 1-A first gets to the Pussycats’ forest, they get jumped by earth golems, a fight that the manga off-panels entirely, but the anime spends a modest amount of time on, giving the kids a little bit of time to show off their moves and such. I’d love to get something equivalent for the League.

o On a similar note, I wouldn’t turn it down if they fleshed out some of those running street fights a bit. One obvious thing comes to mind: there’s a weird jump in the manga between Skeptic and a horde of his golems being all but on top of Twice at the beginning of 233 and then that fight just--doesn’t happen. There’s no mention of it at all. I think the suggestion is that either Machia’s appearance or the tower going down interrupted it--Skeptic breaks off from his fight the same way Geten and Trumpet do theirs, shifting focus to protecting Re-Destro--but it’d be nice to see the anime touch on it.

o It’d be nice to get a bit of expansion on the nature of the bullying Spinner endured. We’re told he was, but was it limited to verbal? Did he get beaten up a lot? Was there an online element? Deku’s our only other reference point for “bullied kid,” and whatever one might think about the story’s development of Bakugou’s mentality, it’s been made clear in retrospect that there was a lot more too that than just the matter of Deku’s quirklessness. I’d love to know how Spinner’s bullying looked in comparison (not least because of some of the theories about Spinner and Deku needing to come to some kind of accord to free Shigaraki from AFO).

o Make the Villa (both here and during the War Arc) look more realistic. By which I mean, I know Horikoshi is capable of drawing interesting and lived-in interior spaces--he has an entire chapter dedicated to it in the 1-A dorm room contest, after all--but he normally doesn’t bother much with it. At UA, it’s not too distracting, because we know good and well that that whole building is probably maintained by Cementoss anyway. Ditto places like Tartarus (intentionally, dehumanizingly barren) or the League’s post-Kamino hideouts (abandoned homes and industrial spaces). But the Villa? For heaven’s sake, it’s called a mountain villa. It has a clear reception desk on the ground floor; it’s obviously some sort of high-end hotel, if not an outright resort or rentable retreat lodge. Speaking as someone who’s worked in one, places like that don’t look as fuckin’ bare as the rooms we see there always seem to. For fanfic purposes, I’m happy to go on telling myself that e.g. the pool and the bar and the restaurant(s) and the gym are in the building Cementoss doesn’t tear in half, but it’d be nice if the anime could class the whole place up a little, maybe put some real furniture and decor in the rooms that are in use. (Yes, I know this is a ridiculous nitpick.)

o This is less a change and more a correction, but for fuck’s sake, BONES, give us white-haired Shigaraki. The climax of Deika is a solid time for it, given that it’s obvious in the manga that Shigaraki’s hair gets paler in Deika--you can see it in the way Horikoshi inks it (which is to say, the way he stops inking it)! I think if we ever get white-haired Shigaraki in the anime, a somewhat better time as far as narrative justification goes would be when Shigaraki gets out of the tube in the War Arc; you could easily justify it as a side-effect of the surgery. Still, I’d rather see it here. I want white-haired Shigaraki, gleaming and brilliant through the scattering ash in that crater, a veritable angel of sacred destruction. Honestly, more than anything, the crater sequence is the one I hope I love. It’s probably my favorite single moment in the entire manga, as Shigaraki wins over Re-Destro, Spinner and Gigantomachia in the same moment, and finally comes into his own. If they can at least nail that, I’ll consider myself pretty satisfied.

#stillness-answers #my villain academia #meta liberation army #boku no hero academia #bnha #hopes and dreams

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