you wanted to be a good friend, because you loved your friends, but the truth was that everyone else somehow had a pamphlet on being normal that you never received. most of the time you learn by trial-and-error. you are terrified of the next big mistake you make, because it seems like the rules are completely arbitrary.
you've learned to keep the prickly parts of your personality in a stormcloud under your bed - as if they're a second version of you; one that will make your friends hate you. it feels feral, burning, ugly.
instead, you have assembled habits based on the statistical likelihood of pleasing others. you're a good listener, which is to say - if you do speak up, you might end up saying the wrong thing and scaring off someone, but people tend to like someone-who-listens. or you've got no true desires or goals, because people like it when you're passive, mutable. you're "not easy to fluster" which is to say - your emotions are fundamentally uninteresting to others around you; so you've learned to control them to a degree that you can no longer really feel them happening.
you have long suspected something is wrong with you, but most of the time, googling doesn't help. you are so-used to helping-yourself, alone and with no handbook. the reek of your real self feels more like a horrible joke - you wake up, and, despite all your preparations, suddenly the whole house is full of smoke. the real you is someone waiting to ruin your other-life, the one where you're normal and happy. the real-self is unpredictable, angry.
your real self snarls when people infantilize the whole situation. because if you were really suffering, everyone seems to think you'd be completely unable to cope. but you already learned the rules, so you do know how to cope, and you have fucking been coping. it's not black-and-white. it's not that you are healed during the other times - it's just that you're able to fucking try. and honestly, whenever you show symptoms, it's a really fucking bad sign.
because the symptoms you have are ugly and unmanageable for others. your symptoms aren't waifish white girl things. they're annoying and complicated. they will be the subject of so many pretentious instagram reels. if they cared about you, they'd just show up on time. you care, a lot, so deeply it burns you. you like to picture a world where the comments read if they loved you, they'd never need glasses to see. but since that's a rule you've seen repeated - "one must never be late or you are a bad friend" - you constantly worry about being late and leave agonizingly early. there are no words for how you feel when you're still late; no matter how hard you were trying.
so you have to make up for it. you have to make up for that little horrible real you that you keep locked in a cabinet. you are bad at answering emails so every project you make has to be perfect. you are weird and sensitive so you have to learn to be funny and interesting. you are an inconvenience to others, so you become as smooth as possible, buffing out all the rough parts.
all this. all this. so people can pass their hands over you and just tell you just the once -how good you are. you're a good friend. you're loveable.
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hey, Leverage peeps, I've got a thought. I've seen a lot of posts and memes joking about Nate's inability to understand that his clients do not want money, they want revenge. I also find this funny. but I was thinking about it and I realized something: there's a personal reason behind it. there is a very, very good reason why Nate doesn't get that.
Nate's drive to lead Leverage, outside of the crew, originated from his son's death due to his insurance company's refusal to cover the bill for the required treatment. we all know this. if his company had paid for Sam's treatment, everything would've been fine.
…or, if Nate had been a little wealthier, had a little more change to spend… maybe he could've paid for it. maybe Blackpool never would've had a say in any of it. maybe Nate would've had everything under control from the start.
we've discussed at length in the fandom how money equals safety for some of the others in the crew (Parker and Hardison grew up with little to none and know its importance to survival, Eliot needs it to stay ahead of his old enemies, etc.), but I don't know that I've seen any discussion on how it's relevant to Nate. for him, however, money equals security in healthcare and in housing (he lost the house, remember?). Nate's older than the others. he remained in the same place for much longer, and he had a stable life for a while. the others haven't been in that position before. many of their clients, however, are at that place in life.
yes, for the others, money keeps them ahead of the game and it keeps them secure. but none of them ever lost a kid because they couldn't pay for healthcare. none of them risk losing the life of someone who is completely dependent on them when they don't have enough.
(Hardison, perhaps, has the closest understanding, considering he hacked a bank to pay for his Nana's healthcare. but he never lost her.)
Nate thinks ahead, you know? he has a long-term view of things. I imagine that for him, when clients refuse the money, they're not just refusing a month's worth of groceries, or a place to stay the night, or the ability to keep running. for him, they're refusing control over their hard-earned, stable, long-term living situation. they're refusing the potential to save a family member's life.
I dunno, guys. I think that's a pretty good reason to not understand why people don't want the money.
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⭐🌛🌞 november trick or treating... spooky season can be anytime if you aint a scaredy cat!!! flynn, terence, nate - from my series Lost & Found Children
some WIPs!
^ some theatre costume designs that inspired Flynn's outfit. originally I wanted more of a pierrot motif, but I went with a sortof celestial angel to match nate's fiery devil. I do want to draw them all as pierrots one day...
my friend asked about the "costume" part of this - terence is not wearing a "halloween costume" per se, because he thinks he's too mature for costumes (haha). hence the star moon and sun theme to unify all of their outfits. he IS a piano player in the story, who wears a similar outfit to concerts, so you can see him as being a sort of astronomical musician for the occasion. i think these designs turned out pretty rad and since they're not "stereotypical" halloween fare, i would like to use them again...
tumblr killed my drafts... and unfortunately I am too tired to type out more of the description that got lost.
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Fun little silly thought I had about the Lair Games and specifically Leo deliberately losing is all the reasons he could have for doing so.
My favorite headcanon for his main motivation is that Splinter wasn’t proud of him anymore.
I imagine that, in the beginning, winning the Lair Games was Leo’s opportunity to shine. He wasn’t artistic or the baby of the family like Mikey, wasn’t a tech genius who created amazing inventions like Donnie, wasn’t the eldest who was insanely strong and dependable like Raph. So he had to shine somewhere else- anywhere else- and what better way to get attention than to be a winner? A champion?
And then he won too much. And it wasn’t special anymore. He got too big headed, too cocky, he knew this was his element and he ran with it.
Splinter’s words of congratulations slowly petered out. Suddenly, there was no real reason to win.
Winning feels empty when the only one cheering you on is yourself.
So- Leo schemed. And he’s a great schemer, fooling his whole family (and Donnie did deserve a win- people were way happier when he won.)
He even gave up his prized possession! His room!
Though he knows his brothers probably think it’s a bad prize. A terrible one, even.
Leo doesn’t sleep much as is, though. So Dad’s snores were more comforting than anything. It was reassuring to hear him so clearly alive and close by.
Even if the distance between them was larger than Leo’d like.
He’d just have to find something else, something more to show his dad that Leo was someone to trust, to be proud of, to love.
He gets his chance soon after, when he needs to pull off a plan against Big Mama at his dad’s side. Leo can only hope this victory is one that has a lasting effect when his father looks at him with pride once more.
Victory, for Leo, is a pretty loaded term.
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