Here's an art/info dump about this stupidly cute idea that's been rotating in my brain for three day.
(the first comic here is just how they first met. they ended up in the same alley, pestering the same cat without noticing. Then the cat left and they notice they're not alone lol)
(Second is Donnie 'talking' with Mikey for the first time. He only uses Mind Mend to communicate and is just as surprised as Mikey to find it worked on him. (it has only worked with Leo before this))
I'll put the rest under a break b/c i will be going off about this and i don't want it to take up your entire feed.
I'm jokingly calling this "Mikey's Imaginary Friends" though that might change if i continue this.
Basically it's this, the twins grew up with Draxum while Raph and Mikey grew up with Splinter. Neither set knew about the other (b/c splinter though they were dead and didn't want his two remaining kids to worry about it, and Draxum was too focused on fixing his lab to pay much attention to the twins.) So, imagine Mikey's shock when, at age 8, he's out exploring topside (having snuck out) and runs into two more mutant turtles (who also snuck out and are exploring.) Thus begins an ongoing sneaking out to meet up thing between the three b/c Mikey's excited to have new friends and the twins are just as fascinated with Mikey as he is with them.
And before you ask, "hey, why doesn't Mikey tell his family about the two other turtles?" he does. Raph thinks he just made up some imaginary friends so he plays along but doesn't believe they're real. Splinter, on the other hand, thinks he's talking to Hamato ancestors due to some very big miscommunications (that i'll probably draw out at some point b/c it's silly)
Twins background wise, i'm still thinking through a lot of it, but i'll put my thoughts down anyways.
Draxum knew that training the twins at a young age would be counterproductive, so he doesn't train them beyond some basics a few times a week. Other than those sessions, he leaves them alone with their less-than-stellar caretaker, in favor of rebuilding his lab. The caretaker doesn't do much for them beyond give them food and very basic school like lessons. Beyond that the twins are left on their own.
they come to the conclusion that the only people that will care for them is themselves. They discover Mind Meld very early as a result of this and will not talk verbally b/c they found out early on with their caretaker, that if they tried to talk, they were just ignored anyways, so what's the point.
(I'm also thinking Donnie might be deaf or hard of hearing in this, with the pair of them using Mind Meld as a way for him to temporarily hear through Leo and thus keep Drax from finding out. but i'll have to do some more research before i decide for sure/figure out the specifics)
as for Meeting Mikey
That's why they became so fascinated with mikey. B/c mikey was the first person that treated them like a person and not a job or an incomplete experiment. (He's also so happy and bright, they can't avoid getting drawn to him lol)
Mikey's probably the only one they verbally start talking to, even after they teach him mind meld. (though Leo's the one to pick up on that more than Donnie. Donnie doesn't do much talking at all outside mind meld).
They also come out of their shells (hehe) a lot as they interact more with Mikey. Before they met him, they acted more like automatons, even when alone. The more they socialize with Mikey, the sillier these two get. Leo learns about puns and starts going mad with them, Donnie starts happy stimming about thing (which he has either been suppressing or just never had the urge to do before.) Basically they stop acting like little creepy statues and start acting like kids.
Honestly, it's just a cute idea with the kiddos meeting each other and Mikey inadvertently socializing his not-well-socialized brothers.
(also, the twins wear masks b/c Donnie doesn't like the smell of the city and he's worried about germs. Not for any ninja reasons, what so ever.)
Alright, that's it for my info dump. maybe more later? Maybe not? Depends on how much longer these kids keep my attentions (though right now, they're doing a pretty good job at it lol)
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pathologic but it's a lost 1920s german expressionist film [id under cut]
[id:
image 1: a digital drawing of a fake poster, using bright colours and rough, painterly brushstrokes. the title, 'pest' (german for 'plague'), is written at the top in spiky black text. in the foreground a man dressed as a tragedian is staring intently at the viewer, his hands raised and splayed as if in horror. in the background, the town is framed against a red sky, with the polyhedron in yellow behind.
images 2 and 3: fake casting sheets for the film, with the names of the actors and the characters they are playing above a black-and-white portrait photograph of them. all the text is in german. in english it reads:
'Pest', a film by Robert Wiene
Alfred Abel as Victor Kain
Ernst Busch as Grief
Lil Dagover as Katerina Saburova
Ernst Deutsch as the Bachelor
Carl de Vogt as Vlad the Younger
Marlene Dietrich as the Inquisitor
Willy Fritsch as Mark Immortell
Alexander Granach as Andrey and Peter Stamatin
Bernhard Goetzke as General Block
Dolly Haas as the Changeling
Ludwig Hartau as the Haruspex
Brigitte Helm as Anna Angel
Brigitte Horney as Maria Kaina
Emil Jannings as Big Vlad
Gerda Maurus as Yulia Lyuricheva
Lothar Menhert as Georgiy Kain
Asta Nielsen as Lara Ravel
Ossi Oswalda as Eva Yan
Fritz Rasp as Stanislas Rubin
Conrad Veidt as Alexander Saburov and Tragedian
Paul Wegener as Oyun
Gertrud Welcker as Aspity
image 4: four digital sketches of set designs for various locations. all are strongly influenced by expressionist imagery, using extreme angles, warped perspective, and dramatic shapes. they are labelled 'street 1' (a street lined with houses), 'street 2' (a square with a lamppost and a set of steps), 'polyhedron exterior' (the polyhedron walkway), and 'cathedral interior' (the dais at the far end of the cathedral).
image 5: four digital drawings in a black-and-white watercolour style, showing fake stills from the film. all are similarly distorted and lit by dramatic lighting. the first shows katerina's bedroom, with katerina standing in the centre of the floor. the second shows the interior of an infected house. the third shows daniil staring out of the frame in horror, one hand on his head and the other raised as if to ward something off. the fourth shows an intertitle with jagged white text reading 'the first day' against a dark background.
end id.]
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