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#shock value doesn't mean 'i watched it and was shocked!'
feedingicetothedog · 11 months
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i can't believe ppl are still debating ep 5....like come on! use your brains for once.
i'm going to start blocking ppl for calling the dv scene 'shock value' or out of character. it's neither of those things and straight up the beginning of that scene comes almost directly from the books.
"And our fragile domestic tranquility erupted with his outrage. He did not have to be loved but he would not be ignored; and once he even flew at her, shouting that he would slap her, and I found myself in the wretched position of fighting him as I'd done years earlier before she'd come to us." (IWTV p. 104)
yeah is the scene in ep 5 more graphic/brutal? sure. but one could argue that louis in the book is playing down the violence in order to maintain the image he's painted of lestat as a weak, stupid failure of a mentor. in opposition to the book, the show has added claudia's account as corroboration of the abuse that they experienced as well as the scale and scope of that abuse. later in the book when claudia proposes that they leave together, louis says this:
"I could hear a vague mingling of sounds now, which meant he had entered the carriage way, that he would soon be on the back stairs. And I thought of what I always felt when I heard him coming, a vague anxiety, a vague need. And then the thought of being free of him forever rushed over me like water I'd forgotten, waves and waves of cool water." (IWTV p. 117)
i don't know about anyone else but this reads to me as an abused spouse hearing their abuser come home. i also think that this vague anxiety and vague need that book louis describes here is etched all over ep 6. the louis of ep 6 is Extremely submissive and placating to lestat in a way he never has been in the previous eps because he's afraid of him. at the beginning of ep 5 itself he straight up tells lestat to shut the fuck up and in the middle he goads lestat by making fun of his intelligence. the contrast is stark and why? because he has been given a fuller picture of the sheer magnitude of lestat's strength and power and knows that it can be turned onto him or claudia. to say that the show doesn't reference the violence after that ep is absolutely ludicrous. claudia references it directly!
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this is only one example of several in this ep. the violence was necessary to make the urgency of louis and claudia's need to leave make sense. if lestat wasn't keeping them there with the unspoken threat of repeated violence why would claudia need to scheme and plot to walk out the front door? she did it at the beginning of ep 5, why couldn't she do it again? claudia is older in the show than the book, she's not a 5 year old trying to brave it on her own, the modern conceptualization of the teenager didn't exist, she could reasonably get by. the dv scene was necessary to account for the new context of the characters.
also the slave/master dynamic was not created wholesale by the show writers, that's straight up from the book:
"The vampire made a slave of him, and he would be no more a slave than I would be a slave, and so he killed him. Killed him before he knew what he might know, and then in panic made a slave of you. And you've been his slave." (IWTV p. 120)
they have claudia say this in the show practically verbatim. they didn't add this just to make on the nose points about race, they simply expanded on what already existed in the book. the fact that claudia and louis in the show are black make this sentiment more uncomfortable but it's not any less true. in fact, i think it adds to why claudia refuses to let the situation continue. the transgression becomes more egregious because of the larger implications of white frenchman lording his status over his black creole subordinates (this where lestat's 18th century roots become so interesting as well as his aristocratic heritage. i also think it's interesting that you have lestat = aristocrat; louis = bourgeois; claudia = working class/poor as their economic backgrounds but that's a different post).
if the showrunners were to walk this back i legit would be pissed. it would be such a cheap shot to write such a brutal, narratively cruel scene (i mean this as a compliment) that contextualizes one of the main character's motivation, plot, and worldview (claudia and to an extent louis) and then be like 'jk nevermind, louis was lying! claudia was exaggerating! it wasn't that bad actually!'. like that's just bad writing. it also would be racist. i actually love ep 5, all of it. i've never been to affected by an ep of television in my life and i think it's so brilliantly written. do i think it complicates the loustat relationship? sure but i'm not watching this show because of ships, i'm watching it because it's some of the best crafted television i've seen in years. it's not afraid to piss off fans in favor of a better, more compelling narrative choice and that's why i respect and trust writers more than i do for most other shows.
i also need to emphasize that i love lestat. he's my special boy and has been one of my favorite characters for like 16 years. ep 5 did not diminish that for me, i love how it works in relation to his backstory and how in the books lestat does not break the cycles that terrorized him as a child/young adult. he continues them by putting himself as the perpetrator and isn't that what he does ep 5? the writers get these characters, the actors get these characters. i still think lestat is wildly sympathetic and that's a testament to how strong the writing, directing, and performances on this show are.
anyway, let's all start talking about a different ep, this one has been discoursed to death
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psalmsofpsychosis · 26 days
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yeah so i dont get the "wasn't that some fucked up shit? anyway i'm Rod Sterling" mentality some people have towards different narrative reads. It's all sweet and cool to want to explore all the different variations of a fucked up scenario, but i'm gonna need the reasons for it. I need the "why"; why are we exploring this thing? Why is it important to explore this story? what am i getting out of it? and no it's not about morality.
I dont need a story to teach me "good" life lessons, though that'd be lovely. I dont need it to be an exceptional and exemplary narrative even, but i need my discoveries to be purposeful and meaningful. Sometimes the aim for an exploration of say, a very tragic story, is to simply experiences the different flavours and nuances and complexities of a deeply held personal emotion; sometimes it helps us find the mirroring and connection and relatedness that we need to feel seen and heard and understood. Sometimes it helps you parse out your own bullshit by taking it out of your head and putting it in front of you– i dont care what the reason is, but there's a reason. There's a purpose for every single endeavour you take on, even if you haven't discovered the reason yet. "i just want to experience a fucked up shit" lazy superficial thinking, dig deeper. I hate superficial and purposeless shit; and no i'm not gonna explore the 863796373th trending trauma porn piece of the day because "wouldn't that be fucked up?" nah. I dont care, it's got no use to me. I will absolutely respect the endeavour and make space for it if someone tells me something as simple as "it is relevant to me and my interests and experiences and my mental preoccupations, and helps me refine my humanity and my understanding of humanity in general", that is a lovely and true statement. But if someone keeps churning out worst possible fucked up sad scenarios one after another under the "wouldn't that be fucked up?" flag, i'm out, i dont give a fuck. take your sad shit somewhere else, i have absolutely zero space for purposeless horrible narratives that positively add nothing to my life and dont help me navigate it in any meaningful way.
#and no we dont say the same thing about happy stories because happy stories feel good. that can be a purpose in and of itself#if someone tells me that tragic stories make them feel good i can still make space for it; it's not as sturdy a means but it'll do just fin#i literally dont get the '' fucked up story for the sake of fucked up story'' crowd like ???????#you guys do understand that we live by the narratives we immerse ourselves into right?? you know that our worldviews and beliefs#and conscious/subconscious frameworks are all stories we tell ourselves right?? right?????#This rant delivered to you by me seeing that tumblr famous Tamsyn Muir quote 3 in the morning and like#lmaoooo no.#millenials leak their incessant nihilism into every fucking crevice of the arts and it's so tiring to watch.#no your constant deconstruction of meaning and purpose and value is not cute#no you're not subversive and revolutionary for creating the 85379637th Sad Shit Of The Day— you're literally protocol behavior#and you couldn't be more in alignment with the moral status quo of our time.#no aimless and listless shock value traumatic stories are not fun and 'adventurous';#they just speak to you circling right back into the comfortable confinements of your socially acceptable superficiality#and vapid consumerism.#goddd i'm tired. lack of purpose frees these fuckers from ever having to align with any substantial endeavour in their goddamn lives#and they think it's so funny; it's not.#I expect something out of the stories i explore. ''tragedy for the sake of tragedy'' is the laziest thing i have ever heard.#humans are designed to be happy; they're also designed to engage in meaningful and intentional growth.#own up to anything to gives you a chance to grow and expand and change or get the fuck out of my face#this blog is an absolutely unsafe space for socially sanctioned neutered nihilism#i will hunt you for sport; it doesn't matter anyway right??
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homoquartz · 4 months
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this post is not gonna be well put together but i am having feelings
mean girls is trending right now because the musical movie just came out and i feel insane. idk why i do, it was stupid of me to think that most people Got It, no one ever gets it, it was always about the memes and the aesthetic.
the first mean girls movie was based on a nonfiction book called queen bees and wannabes. it interviewed and discussed the social hierarchy system in teen girl friendships. how they hold each other to these insane standards of heternormative femininity out of sheer terror that they won't meet those standards themselves. the way they leverage their relationships for some small degree of power in a world designed to strip them of it, even if it drags other girls down.
the "you can only wear your hair in a ponytail once a week and on wednesdays we wear pink" speech was not an original creation for the script. it's a QUOTE from a real teenage girl. those were REAL RULES.
then the musical came, and it was one step removed from the intended messaging of the film. OG mean girls was not perfect (and was extremely racist), but it said what needed said. the musical leaned on the comedy more, but still left a heartfelt undertone, and still critiqued the systems in place. of course no piece of media is going to be perfect, but it was about the conversation.
then this new movie comes out and it is washed over in the veneer of white hollywood feminism so thick you can't see anymore. the problematic aspects of the original movie are taken out to avoid "offending" when the offense was the point. it becomes toothless, it becomes some other thing entirely. they changed karen's line "i expect to run the world in shoes i cannot walk in" to "watch me as i run the world in shoes i cannot walk in." because choice feminism is in vogue, suddenly this character whose entire point is that she doesn't think deeply about WHY she does anything is suddenly hip to the fact that the world is against her.
i think of sokka losing his misogyny arc in the new atla. i think of the Heathers remake casting the bitchy, identical heathers as queer and hollywood-fat outcasts. as if the story, the meaning, the allegory is hidden in the sets and the jokes and the music. it's a whole new thing now, and it's a thing that means nothing in particular.
the plastics should not wear jeans. they should not have curves. their queerness should be suppressed, painful. their sexuality is not a slay, it's the only thing they think they have of value. the santa dance isn't sexy, it's shocking, it's mortifying - they are children.
they're not mean because "we are all mean." they are mean because they are girls in a world that brutalizes them and crushes them into a standardized shape. they are mean because the world is mean to them. they are mean because it gives them some power back. they are mean because it's the only weapon they have.
the landscape of femininity today has shifted to camera-ready makeup at the age of 10, stringent performative hygiene standards, and avoiding being caught on film while having a genuine emotion. the consumerism, the fatphobia, the racism, the classism, the homophobia remain. We could have had a conversation about that.
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medicinemane · 3 months
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You know, it struck me the other day just how funny it is the GRRM acts like LotR isn't edgy and dark and realistic enough, and he's writing the real stuff cause anyone can die... as if two major characters didn't die in the first LotR book
(Sure one comes back, but one very much stays dead)
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Help! I loved Nerdy Prudes Must Die and am curious about Nightmare Time but don't really have time to commit to watching it all... (a handy guide)
For those of you who don't know Nightmare Time was a series of Hatchetfield one shots that starkid wrote and recorded during lockdown, all of which are of course available for free on YouTube. They go a lot deeper into the lore than the 3 Hatchetfield musicals, including explaining and explore the characters we know and love in more detail, sometimes including shocking revelations.
They also introduce new characters to the Hatchetfield universe, including Stephanie Lauter, Grace Chasity and Pete Spankoffski, who we first met in a Nightmare Time episode.
As they were filmed in lockdown the recording quality is somewhat variable, but Season 2 has a much higher production value than Season 1, and in Season 1 Episode 1 in particular they were very clearly trying to find their feet with it. That being said the actual scripts and content of the episodes is solid throughout.
I've decided to put together this handy guide of which Nightmare Time episodes people might want to check out if they want to learn more about certain things we saw in NPMD.
1) Nibbly - Honey Queen (season 2 episode 1)
If you're curious to learn more about the Lords in Black each of them (bar Wiggly) have an episode of Nightmare Time devoted to them.
For Nibbly, Wiggly's hungriest and pinkest brother that episode is 'Honey Queen' in Season 2 Episode 1.
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It explores a very entertaining rivalry between Linda Monroe (from Black Friday) and Zoey (the annoying barista from Beanie's in TGWDLM) that naturally turns very very dark. We also get to meet Linda's husband Gerald who she spends most of Black Friday on the phone to.
As a heads up Nibbly doesn't appear until, shall we say, the end of the episode (with Hatchetfield there's always a twist) and he's not in the super sexy form from NPMD but it's a very strong episode and does give a bit of background to Nibbly's deal.
2) Tinky - Time Bastard (season 1 episode 2 part 2)
If you're curious to learn more about this yellow motherfucker played by Curt then you're in luck because he's in my personal favourite episode and one with a lot of interesting lore surrounding it.
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If you're curious about what he means when in NPMD he says 'I could add another Spankoffski to my set', Time Bastard is focused around Pete's brother Ted (from TGWDLM) and the dodgy dealings of CCRP.
It's an extremely clever episode, with lots of really fun twists. It's unfortunately season 1 so has slightly lower production quality, but in terms of raw scripting is just outstanding and has some really interesting reveals about people in the Hatchetfield universe who may not be who we think they are...
Also worth noting that this is in the same episode (Youtube video) as a different Nightmare Time episode 'Forever and Always'. Most episodes work like this where you have two different stories per episode, they absolutely can be watched independently but usually have some sort of thematic link (in this case it's the things we do for love and how they will inevitably be thwarted by CCRP being sketch).
3) Blinky - Watcher World (season 1 episode 1 part 2)
And if you're curious about the one who's always watching you, he's actually the first Lord in Black we meet through Nightmare Time, in the very first episode when Bill and Alice Woodward (TGWDLM) go on an ill fated trip to a spooky theme park.
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Again this is from the first episode so production quality is low but it's a really solid episode and a very interesting look into these characters.
While this is our first meeting of a lord in black in Nightmare Time, I don't believe he's actually referred to as such, and the concept of the Lords in Blacks being introduced as Wiggly's brothers comes in at point 5 on this list.
4) Pokey - Yellow Jacket (season 2 episode 4)
You've already met Pokey through TGWDLM (yep that was his blue shit that destroyed the world!), but you won't truly realise how fucking scary he is until you meet his incarnation 'Otho' in Yellow Jacket.
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A solid episode exploring Lex, Hannah and Ethan in a lot more detail, and in a world and lives where (at least at the start of the episode) things seem to be a lot more stable for them than in Black Friday.
And yeh as I've already mentioned Pokey is fucking s c a r y in it. Also you remember James Tolbert's character, Charles that gets a little cameo in Hatchetown? Well he's the main human antagonist of this episode!
We also learn a lot of lore about 'the gift', the thing that makes Hannah able to do magic.
5) The concept of the Lords in Black generally - The Witch in the Web (season 2 episode 3 part 2)
If you're curious about why everyone's been posting pictures of those evil teddy bears and now even more confused that you've met them all as fucked up high school students, the Witch in the Web is the episode where we're first introduced to the 'they don't care bears' as a set.
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This is a really cool episode, again about Lex and Hannah, but it also exploring Uncle Wiley (from Black Friday) in a lot more detail.
We also first meet two characters called Duke and Miss Holloway who together form the ship Holloduke that if you were following any of Starkid tumblr during lockdown you will definitely have heard of. They're really cool!
Here we also meet Webby, Hannah's imaginary friend in Black Friday, who turns out to be the lord in black's sister: a queen in white. And she's dope.
6) Pete Spankoffski, Stephanie Lauter and Grace Chasity - Abstinence Camp (season 2 episode 2 part 2)
We first meet the now beloved characters of Pete and Steph and the slightly less beloved character of Grace in an evangelical abstinence only camp. The episode centers entirely around these characters and plays excellently with tropes of the horror genre.
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It also has the best song in all of Nightmare Time and it's up to you to decide if I'm talking about 'oh my god it's the axe-man' or 'virginity rocks' (it's both, the answer is both).
That's pretty much it in terms of Nightmare Time episodes that cover things from NPMD, but in case you're curious here's a quick run down of what the rest are about:
The Hatchetfield Ape Man - season 1 episode 1 part 1. Hidgens makes Ted pretend to be a Tarzan style half monkey, half man thing to con Angela Giarratanna out of her inheretence.
Watcher World - season 1 episode 1 part 2. See bullet 3 above. Alice and Bill Woodward go to a theme park and shit hits the fan.
Forever and Always - season 2 episode 2 part 1. Paul and Emma get married. Things are not as they seem (there are robots). One of my personal favourites.
Time Bastard - season 2 episode 2 part 2. See bullet 2 above. Ted fucks with time travel and things end very badly for him. Best episode imo.
Jane's a Car - season 2 episode 3 part 1. Turns out the soul of Tom Houston's ex-wife Jane, who died in a car crash, transferred into the car. This somewhat complicates his budding relationship with Becky Barnes.
The Witch in the Web - season 2 episode 3 part 2. See bullet 5 above. Hannah Foster's having nightmares and somehow a witch and Uncle Wiley are involved. Luckily a good witch (Miss Holloway) is there to try and help.
Honey Queen - season 2 episode 1. See bullet 1 above. Linda Monroe and Zoey Chambers compete to win the Hatchetfield honey queen beauty pageant and things spiral wildly out of control. My personal favourite episode from season 2.
Perky's Buds - season 2 episode 2 part 1. Emma's finally achieved her dream of owning her own pot farm. Just her, her non-binary farm hand Ziggs and some very evil birds.
Abstinence Camp - season 2 episode 2 part 2. See bullet 6 above. Pete, Steph and Grace go to a retreat in the very creepy woods to learn one way or another about the perils of pre-marital sex.
Daddy - season 2 episode 3 part 1. Remember Sherman Young (Jamie's weird creepy guy from Black Friday)? Turns out there's something very weird going on with his mum. We also learn a lot about Frank Pricely (owner of toyzone from Black Friday) in this episode, who turns out to be a very interesting character.
Killer Track - season 2 episode 3 part 2. Miss Holloway must take extreme action to save a young girl and then the whole world against an evil song that kills anyone who listens to it. We learn a lot more about Holloway as a character and she is soooo cool. Another favourite episode of mine.
Yellow Jacket - season 2 episode 4. See bullet point 4. Hannah seeing her sister struggling to provide for them financially decides to find a way of using her power to earn some spare cash.
Hey Melissa - episode aired only on a livestream, type it into youtube and it'll come up. If you've ever found yourself asking 'what if Mariah's secretary character from the start of TGWDLM was really into dom pup play and Paul Matthews was her little pup bitch and she was also a horrific out of control serial killer?' then a) are you Matt Lang because if not I'm concerned? and b) by god this is the episode for you!. I personally really enjoy it I think it's super funny, but obviously heavy trigger warnings for abuse and sexual content warnings (there's a reason they didn't put this in the real series). Fucking excellent tho.
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nicosraf · 8 months
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i talked to my ex professor two days ago about shock value and violence and offensive art and he did a really good job of reminding me that graphic (violence, sex, and all) is good, it's unafraid, "those most offended by your work are those it struck the hardest," it's emotionally evocative, art is nothing if it doesn't make you feel, you have to disturb the comfortable, comfort the disturbed — and shock is no lesser of an emotion than love or curiosity, and art that exists to shock is not lesser than art that exists to love
And shock is power. terrorists and paramilitaries build themselves on shock, they behead in public and send you home to your parents in pieces tucked into a small cardboard box, and they leave bodies hanging from overpasses for the town to see, and this is how they keep you quiet. and when they recruit you, the first thing they do is hand you a knife and make you kill to horrify you, to shock you (change you)
and my prof says "for those of us on the margins of society, everything about living is a shock" and "these are real things that happen to real victims, and the least you can do is read a book about it, watch a movie about it," in the comfort of your home, with a cup of hot tea, wrapped in a blanket, and watch someone get cut open, someone who really felt that blade in their gut; and you have what they don't — the pause button, and you click it if you wish but try not to look away, do not be afraid
they say the best anti war film ever made is 1985's Come and See, because it's unrelenting, it never cuts away, never turns the camera away from the horrors of war. it tells you to come and see, do not look away — and the title is a reference to Chapter 6 of the Book of Revelation: I heard the voice of the fourth beast say, "Come and see!" And I looked, and behold a pale horse: and his name that sat on him was Death, and Hell followed with him. But you can pause, and you can step away, and you can return when you are ready to be shocked. you have to be shocked. you will not understand violence unless you are shocked so deep that it reaches your soul
and there is no tasteful violence. you can't write about death or war or assault tastefully. the more tasteful you frame it, the further removed from reality it becomes. there is nothing but shock about violence. there will never be meaning to it, but there is religion and there's delusion, and you will find a meaning for violence when it is over. but some people will live in violence forever, live in shock forever, in the margins of society. displaced in warring states or in a house of abuse or standing in the most contaminated rivers in colonized nations.
victorian england loved comfort literature. the imperial cores always have, always will. they see shock and see themselves in it. we all see ourselves in shock — but do you see the violence you've suffered or the violence you've committed. are you angry because you remember the hands at your neck or are you angry because you have been the hands.
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nunalastor · 2 months
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How everyone finds out Alastor's a virgin; they need a virgin sacrifice for some reason, nothing murder-y, just a few drops of blood, and Alastor casually offers his (probably bc whatever they need it for is important to his goals, or else he thinks it'll be funny to see what chaos is unleashed).
Everyone kinda stares at him in shock. Lucifer tries to tease him about it, just a bit, but is stonewalled by Alastor just not giving a fuck, bc why should he? It just means no one's met his standards yet, and he simply doesn't place the same value on sexual experiences that the rest of them do.
He's so nonchalant about it that everyone else can't help but follow suit, even while being completely thrown for a loop.
Anyway, Alastor pours some of his virgin blood in the stone chalice or whatever, they unleash an ancient being so horrific and terrible that the seraphim could only seal it away. The being has since changed their name to Jerry and has grown so accustomed to their little time-space prison they don't even want to leave. They just want to stay inside eating ramen and watching Friends for the 10^16th time. Alastor is disappointed by the lack of a boss fight.
Beautiful. I love that so much.
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hyperfixatedbastard · 2 months
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Hi i hope you doing well. I have a resquest... more like a headcanon. What if Adam was a dad ? What his behaviour will be ? Does he be a good or a bad father ?
I understand if you don't do it. I don't want to force you for something you don't want to.
Dadam (Dad!Adam) Headcanons
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we bringing out the daddy issues on this one boys
WARNINGS: none
A/N: I haven't done a headcanon type of post yet, but they're easier to write than regular one shots and I'm too tired for that shit. The request didn't specify what kind of Reader (spouse or child), so I just went with general headcanons that don't specify the Reader at all. Insert yourself as you wish!
Also, thank you all for your patience! It's been very busy for me lately and I've been too exhausted to write much, so expect a lot more of these kinds of posts (the formatting is easier and I don't have to write a bunch of dialogue lol).
Dividers
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As the father of humanity, Adam had...a lot of kids. The guy lived for 800+ years just populating the earth. That's a LOT of kids. We all know how the first two turned out. That is, not fuckin' well. To be honest, I don't think Adam valued his children. It was just kinda... a thing he had to do. (When Abel died and Cain got exiled, he fr just went and had another kid to replace them.) But I am in deep, deep denial and this is for my enjoyment as someone with severe daddy issues. So fuck all that.
At first, Adam is 100% the guy that freaks the fuck out when he finds out he knocked someone up. That man is SWEATING. He's actually pretty chill if it's someone he's in an established long-term relationship with, though. He still freaks the fuck out, but to a significantly lesser degree and with a much smaller chance of up and leaving. Once he's over the initial shock, he's shocked to find that he's kind of excited. Back when he was alive, having kids was just normal because it was such a common occurrence.
This man knows every little detail about pregnancy and infants. With the amount of kids he's had? He has seen it ALL. Sure, all his information is thousands of years old, but knowledge learned through experience is super valuable when it comes to this shit! He doesn't know what the fuck a uterus is, but he knows exactly how to make his partner the most comfortable, how to deal with cravings, etc. If his partner has a problem, he's got a solution. It might be a fuckin' weird one, but it works! He'll probably grumble and complain, but he doesn't actually mean it. Bitching is just his thing, y'know? But... pregnancy hormones + Adam's douchebag-ness = feelings getting hurt. If his partner starts crying because of some shit joke or complaint he made? He's scrambling so fast. "Shit, babe, fuck, I'm sorry, I didn't mean it, fuckfuckfuck, don't cry—"
Once the baby is born, he definitely surprises literally everyone but his partner by actually doing helpful shit. Changing diapers? Easy fuckin' peasy (he does watch a tutorial online because he doesn't know how tf modern diapers work but he's a fast learner) Feeding? No problemo. Getting up in the middle of the night to do both of those things? His sleep schedule's already fucked, this shit ain't new.
When it comes to parenting and raising the kid, though... that's definitely where Adam struggles. He'd struggle with bonding. A lot. Adam mostly talks about things that you really shouldn't say around children, much less bond over. I think he'd be better at just letting the kid ramble while he's just sitting there, fully engrossed in whatever bullshit his child is saying. He's not just passively listening with little 'uh-huh's and nods, this man is active in the discussion. Have you ever heard a small child speak? They say the most random shit ever, and Adam would love it. It's peak entertainment to him. Even if it's just incoherent babbling, he'll have full-on conversations with this baby.
He'd definitely have some shared interests as the kid gets older. I think Adam's favorite shows/movies are a mix of action movies and shit like Power Rangers. He's not ashamed of it either—'fuck you, the Power Rangers are fuckin' cool.' This also goes for video games. I know that man is a toxic COD gamer boy and you can't prove me wrong. Basically, the only thing that keeps him from becoming one of those husbands that locks himself away in a man cave to play video games is the fact that he can game with his kid.
And once they get into school, he just gets really invested in the drama. Elementary school drama is such bullshit, and it'd be the best reality TV he's ever seen. "Oh, don't tell me—it's that bitch Cindy. The fuck did that little shit do this time?" He'd be gasping like it's a damn soap opera. 'Oh no she didn't!' kinda vibe.
He'd talk so much shit around his kid about the parents of their classmates, the teachers, anyone. Then the kid would repeat it and Adam would get sat down in the office with his kid like: "Your child said, and I quote, 'My dad says your mom's a bitch.'" "What? She fuckin' is." And yeah, he's not wrong - some of those parents are fucking nightmares.
If his kid got in trouble for fighting, his reaction would depend on the situation. If it was unprovoked and/or a part of bullying, he'd originally laugh it off but would be freaking the fuck out internally. He's probably a little traumatized by what happened with Cain and Abel. But if the fighting was an act of defense (whether of themselves or someone else) he would be the proudest dad ever. Fist-bumps his kid in the office in full view of the principal.
You cannot trust this man to give his kid the sex talk. It just will not go well. Like, if his kid needs advice when they're older (basically anything beyond 'where do babies come from') then he's your guy, but it's still gonna be awkward and uncomfortable. He'd probably have Lute handle most of those issues just so he doesn't have to know about his kid's sex life but can still trust that they have a responsible(?) adult if they have questions.
In terms of where Adam is lacking as a parent, there's a few areas in particular to focus on.
Emotional availability? Not his strong suit. At all. He can't deal with his own feelings, let alone his kid's. Most of the emotional support will be coming from his partner. That doesn't mean he doesn't try. But he can't show it with words all that well. He'll show emotional support in other ways—quality time, gifts, and acts of service for the most part. Like going out for ice cream, watching a movie, etc.
He's not good with discipline. To him, everything's no big deal. If his kid hasn't killed their sibling, that's good enough for him! Generally, his partner will choose when/how to discipline (with Adam's input ofc), but Adam's job is to just enforce it/not overrule it. He's 100% the type to be sneaky about it tho. If his kid is grounded, he'll go out with them to give them a break from being stuck in the house, y'know, stuff like that. Because of this, his kid forms a closer, different kind of bond than with Adam's partner. It's more friendly, I guess is the word? Like, his kid won't go to him for actual helpful advice, but if they fuck up somehow or are in a bad situation that they kinda got themselves into (drinking, car accident, etc.), then Adam is the parent they call.
I think Adam's peak parenting era would be when his kid is a late teen/young adult. 'Cause then he can actually be himself, for the most part. His personality is not very kid-friendly, so once his kid isn't really much of a kid anymore—he is so fucking excited. His relationship with his kid would be a lot more unconventional as they grow older. Like, he's really close with his kid once they're an adult. (totally not basing this off my relationship with my mom) His advice would be shit, but he'd give it if his kid needed it!
Definitely the type to text his kid more often than most parents. Mostly because he texts more like them and has the same sense of humor. Lots of shitty memes.
Also!! I think Adam would definitely make time for his partner. Date nights are a must. His kid better get comfortable with sleepovers at friends' houses or getting babysat by Emily 'cause he ain't letting parenthood fuck up his sex life.
I think that's all I got. Not sure how to end this so uh... shoutout to all you bitches with daddy issues lmao
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Taglist: @little-miss-chaoss @fakeguysarehot @3sire-777
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jennycalendar · 11 months
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descending into deadlochposting on main i don't even care. this show is SO GOOD. i think the thing that really stuck with me throughout every episode is how committed it is to not fucking up women, and especially women of color, just to have a Plot Point + for Emotional Resonance!!! every woman on this show gets an ending that feels earned. (and yes that does include margaret carruthers.) there is just so much love woven into this narrative but they still manage to capture the grim miserable reality of patriarchy without EVER reducing a female character we care about to a Murder Victim or having her horrifically brutalized as an ending!!!! like holy shit, guys, it's actually fucking possible! you can create horror blended perfectly with humor and never actually fuck women over!!!
and yeah actually as a woc it felt really fucking good to watch a show where i got to see women of color (aleyna and tammy and sharelle and miranda and faye my beloved <333) just thrive and be silly and stupid and terrible and also lovable. and also, oh my god, revolutionary, NOT GET MURDERED, even though this is literally a fckin murder show!!! i said to my dad like midway through the series that i just got this sense the show understood how goddamn hard it is to watch television sometimes waiting for that character you love, who looks like you and has life experiences that resonate with you, to get killed, or to be treated like she's not important, and how dedicated it is to not just killing off women for shock value. every woman in this show mattered and had meaning and dimension.
because seriously, SO MANY INCREDIBLE WOMEN!!! abby with her perfect little haircut driving off into the sunset saying Of Course She Knows She's Right About Forensics. aleyna and her husband, her whole heart!!!! vanessa who in a lesser show would have been reduced to The Bad Woman, The Bigot, but we are shown how she has been abused and mistreated by men and how that's so informed her perspective + her genuine love for her son! sharelle who lays down the hard truths, who calls them out -- "all this civility but no fucking community" !!! miranda who learns that she doesn't want blood money from a woman who looks down on her cousin! tammy who is literally just all about that footy club the entire time even as men are being murdered and that's honestly so real of her. skye o'dwyer who perfectly captures that Emotionally Unavailable Dad energy except she's a lesbian and i love her. nadiyah who is Trying Her Best :) And Gritting Her Teeth About It :) faye who has no god damn patience for margaret carruthers and all kinds of blunt determined love for her niece and her daughter. vic who throws herself under the bus because she's just so determined to protect anyone she can after the women in this town protected her and kept her secret for so long!!! cath who parents her emotions and is definitely relentless in her guilting but also so relentless in her love. MARGARET CARRUTHERS WHO EXEMPLIFIES SHITTY RICH WHITE WOMAN. and of fucking course, the legends, the buddy-cop duo of all time, dulcie and eddie, who are just perpetually going around like this
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except it's not even working because eddie chewed the leash off.
favorite show of the year by far. so so happy about it. rotating it joyfully in my brain for the next week, probably longer.
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the-whispers-of-death · 2 months
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Lesson Learned
CW: Angst at the end!
You decided to help Fallen God!Ghost see that mortals weren't so bad (not knowing that he was already starting to see that himself), so you start bringing him to a soup kitchen you volunteered at where mostly homeless veterans attended. You figured the homeless veterans and those who ran the soup kitchen would hammer the point home, since Ghost is the God of Warfare.
Ghost is not pleased at first, since he had wanted to spend the evening staring at you with lovey-dovey eyes (he'd never admit he does so), but he wants to make you happy so he doesn't complain. His first reaction in the soup kitchen is to sneer and be disgusted, because surely this is beneath a god like him.
But he eventually warms up to the homeless who go to the soup kitchen, and the soup kitchen staff. He gets to know them as people, hearing their stories of war. Some of these veterans had fought in battles where Ghost has watched over and had a hand in who won and who lost, seeing up close the damage his own bloodlust had done as he sees them with missing limbs, fractured minds.
And as he continues to come with you to the soup kitchen and help around, he slowly realizes why God!Price and the other deities had said mortals were still important. Before his fall, Ghost had thought mortals had long ago stopped praying to his pantheon, but he hears these homeless veterans pray to Price and some of the other deities.
What truly hammers in the importance of mortals for Ghost is when he hears one veteran pray to Ghost himself, feels what the prayer does to him. Even though Ghost's powers are locked away, he can still feel them beneath the surface. And when the veteran prays to him, he feels the locked power grow, prolonging his divinity and life-span.
That's when he realizes, mortals' prayers give the deities power. They keep the deities relevant and not fade away like those forgotten deities. He's still here because of mortals. They keep the memory of when he was at his peak, when deities were still revered, alive.
The night he comes to that realization is also the night he decides to finally tell you his feelings. He cares for you, sees the value and beauty in you. You're so kind for a mortal, even deities aren't as kind as you are. And you deserve to be loved and to know you are loved.
You two are in your house now, you about to turn in for the night.
"{Name}, wait," Ghost says, calling out to you. He takes a deep breath as you turn back to face him. "I understand now the need for mortals. You all keep us from fading away into the void that created us. Your prayers give us power."
His eyes scan your beautiful ones as he continues, "And I realize something else. You've shown me something more than understanding, you've shown me how to be kind. And you've shown me love. You love so deeply, so openly. You care for others and you don't hide it from anyone, you don't let them judge you for it."
He takes another deep breath.
"It has made me fallen in love with you."
You're shocked at the revelation, at the confession. You hadn't expected a god like Ghost to fall in love with you. But you can tell he means it. You can see it in his eyes, the way he looks at you like you're his entire world.
A smile graces your beautiful face, feeling relieved that he shares your feelings. "I've fallen in love with you too, Ghost," you admit, shy for the first time since he's met you.
"Really?" Ghost asks, stepping towards you. When you nod your head, he gently cups your cheeks in the palms of his hands. "Oh, I'm so glad to hear that. You've taught me how to live, how to be a proper god."
"I love you, Ghost. Not because you're a god, but because you have a heart of gold underneath that tough exterior." You stare into his eyes, your smile widening. "I didn't teach you how to be a proper god, I just brought out the humanity inside of you."
"And I thank you for it. I really do. I love you so much."
Silence washes over you two, the tension growing thicker in the air. You find yourself leaning in, wanting to kiss him. And Ghost leans in as well, having been craving you for weeks now.
So close, he thinks to himself. They're right there, right there for me to kiss. Just a few more inches.
His lips are just brushing against yours when he feels the air shift, power rushing towards him as his divinity and powers are given back to him. He finally has his powers back, he's finally a true god again.
But he can't rejoice, because he's back in the paradise realm.
The change of scenery makes him sink to his knees with his hands still up and reached outwards from where your face had been cradled in them, his lips tingling with the lingering feel of your lips on his. He feels Price's presence in front of him, but he doesn't look up at the other god, his eyes focused on the marbled floor of his temple.
A temple he never thought he'd see again.
"Congratulations, Ghost," Price says, oblivious to the turmoil Ghost is going through. "You've learned the importance of mortals and have earned your way back to the paradise realm. It takes a great amount of strength to do the introspection you did, I'm proud of you."
The air shifts again, signaling Price's departure from the temple, leaving Ghost alone. Without you.
Ghost's breaths come out in short and panicked huffs, his chest tightening as despair creeps up on him.
You're not here, he's not with you in your living room. He's not kissing you and pouring out all of his love into the kiss. He's not following you into your bedroom and spooning you as you two lay in your bed. He's not burying his nose into your hair and taking in that scent of yours that he loves.
"No, no, no," Ghost wails, the empty walls of his temple bouncing off with sound. "Take me back. Take me back to the mortal realm. Strip me again of my divinity and my power, just take me back! Price, take me back!"
Price doesn't hear his wails and pleas.
Reblogs are welcomed & appreciated! Asks are open, feel free to pop in and talk or request something! (SFW requests only, please and thank you)
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hamcakevaletguy · 8 days
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My thoughts on the Damien situation, from the POV of someone who’s relatively uninvolved with posting on social media:
As a newer fan of Smosh myself (I watched some videos in 2012, but haven’t really kept up since, and only started regularly watching the last year or so), I went through the backlog of content that they have because I enjoyed their more recent videos. Zayna, a newer Palestinian fan, did the same and found this joke in an old TNTL disappointing and wanted him to address it firsthand and make his stance clear.
For anyone saying Damien has already made it clear that he is in support of Palestine: it’s not a given that the fan who brought up the clip would have already known about Damien’s stance on Palestine. Yes, he’s talked about it in a couple of his streams and posted Insta stories about it, but a newer fan of Smosh, not necessarily Damien himself, wouldn’t know about those unless they were looking for it because they are:
temporary (IG stories only have a lifespan of 24 hours unless you take screenshots) or
a few minutes hidden under several hours of game streams on a separate platform (he talked about Palestine several months ago and has streamed a lot since, unless you know the specific Twitch stream and the timestamp when he talked about it or had clips of it, most casual fans wouldn’t know either)
In his defense, Damien himself has recently said that more fandom stuff has reached his timeline than he would like, so maybe he thinks more people know about his activism because of that. However, even if Zayna did know, wanting a straightforward statement apologizing for the insensitive joke (because bringing up the "Israeli-Palestinian conflict" [as it was called back in 2019, not accurate to what has been going on for 70+ years and counting, which is an ethnic cleansing] for shock value, as he himself said, is insensitive) is not an unreasonable request.
More under the cut
When all you have is 240 characters per reply, the things that you do choose to say matter even more. When you parse out everything in Damien's replies, he doesn't come out looking too good. Yes, he did apologize for the original joke. In his replies, he said:
using it as shock value was in poor taste and naive of him,
it was in poor taste back in 2019 and he wouldn't make it now
(in response to his first couple of replies) he is sorry for reacting in frustration and he'll learn from it,
and, in his final reply, his parting words were "With all my heart, I hope for safety for your loved ones. Be well."
However, he also says and does things that undermine his apology in the same replies:
questioning why the clip was brought up in the first place, as if bringing up old content wasn't something fans regularly do with things they're interested about and as if it's not still a public video fans can easily find,
bringing up that the fan in question had 19K followers, a fraction of the followers he has as a public figure,
saying that this conversation could have been done in private, as if an initial DM request wouldn't be buried in his other requests as a public figure, and as if he doesn't have the capability to start a DM himself to clarify things after the initial reply/post,
saying that the original tweets tagging him should have been deleted after his first response when he never asked for that, and just assumed it would happen for some reason,
deleting his replies a couple of hours later,
and blocking Zayna and several others who were only interacting with Damien through quote tweets (I'm not sure how quote tweets work, do they notify the OP?), some who don't even say anything remotely critical of him - in his defense, blocking is not inherently a bad thing, it just means that he doesn't want any further interactions from them for whatever reason. However, silencing any Palestinian voice isn't good, to say the least.
Damien has always been a proponent of “trying to understand and see from different perspectives” so his response here surprised me, personally. I get that he has a fear of being misunderstood, but jumping to the conclusion that the other party is purposefully trying to be incendiary is the opposite of that.
I'm not going to try to make excuses for him. He knows better. He's been a content creator for years. He knows he has more influence than any normal fan would. His autism is not a part of this conversation either. Mental illness is an explanation for behavior, it doesn't absolve you of the consequences of it. If you're citing Damien's autism as an excuse for his behavior, you have to also account for Zayna's autism.
People are also bringing up the possibility of Damien getting death threats as a result of this, which we have no proof of and won't have proof of unless Damien himself decides to disclose that. He has only stated that he is taking a social media break, which has been a long time coming, not necessarily only because of this, because he has been busy and tired in recent months. What we do know has happened is that Zayna has received death threats (weird of people to want the death of a Palestinian when the original argument they're defending Damien for is that he is in support of Palestinian liberation).
This isn’t an issue of cancel culture, it’s an issue of accountability and frankly, hero worship of Damien in the part of people attacking Zayna and other people on Twitter.
When the only people who had spoken about their support of Palestine in their own words, however briefly, are two or three cast members, some people are naturally going to put them on pedestals. This hero worship of Damien has been exacerbated by his image as the most politically correct member of Smosh, and Smosh’s (until recently) silence about the issue.
While we're at it, for people saying Smosh's sudden outward support for Palestine and joining Creators for Palestine is in response to backlash about Damien, or only in response to the block list going around:
It's only been a few days since the Damien's whole ordeal. Smosh is not that fast, and historically, their response to backlash would have been either complete radio silence or unlisting or privating the TNTL that the clip is from, combined with silence.
I’m sure Shayne, Ian and Courtney have been working on it for more than a few days, based on their liked posts, to get everything straightened out with the organization themselves and adding their names to the list of creators.
People have been asking for Smosh to be more public about their views on Palestine. Some of the cast members have said their piece on their personal social media, but their views could have changed. Those posts were made shortly after the events of October 7 brought even more media attention on Palestine and the Gaza Strip, which was not necessarily in favor of Palestine because of the effects of U.S. propaganda. It's been several months since then and people have a lot more information now, and more clarity.
Up until now, the only indication of Palestinian support not from social media is a brief statement from Ian who said something along the lines of "travel watermelon", while they were talking about their rejected roasts during Anthony's Funeral After Show in December, which are codewords that were used in TikTok for Free Palestine. However, this is heavily censored, behind a paywall, and temporary, because of the nature of their live shows. This support of CFP is the bare minimum of what Smosh could do, but the bare minimum is more than they were doing before.
They listed Smosh as the name under their $15,000 donation to CFP, not just Shayne, Courtney and Ian, which could be intentional, referring to Smosh as a whole company, or just referring to the three that have posted about it as a collective. Unless Smosh makes a full statement about it, themselves, it's still up in the air.
The timing of it is unfortunate. Damien has been silent about it so far, making his original posts about Palestine seem performative to some. However, it’s only been a few hours and he is on a social media break. The only thing he has briefly gone back online for is to promote something he's doing with Nintendo, which he could have been contractually obligated to do. He may or may not say something when he fully comes back from his social media break, but for now, that's everything we know. People can make their own conclusions based on all of this.
I am being very intentional with every single word I say on here, as to not be misconstrued in any way, however, if I missed anything or anyone else has anything to add (constructively, like images of either the actual conversation had by Damien and Zayna, or the cast and crew's support of Palestine prior to CFP, not outright anger and disagreement), please do. If anyone has any genuine questions about the situation, please feel free to message me directly and not bring it into this post, which is supposed to be a civil discussion surrounding more facts and events, less speculation. If I feel those questions have relevant points to add on here, I will add on in reblogs.
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bucksdaffy · 8 days
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i mean i think it's fair to ask what show y'all are watching when you act like tommy's this amazingly well developed character and he and buck have this deep emotional connection lmao. the fact that people started shipping buddie by the end of 2x01 if not the second eddie showed up in buck's pov working out shirtless to 'whatta man' and nobody shipped bucktommy til that kiss should tell you which is the ship with an Actual instant attraction and emotional connection (on both sides) even if that first part was obviously unintentional and which is a random ship forced together for shock value that we're all supposed to cream ourselves over because of The Representation.
i can promise you no one acts like tommy is a well-developed character, and he and buck already share some deep emotional connection. what we do acknowledge, however, is the potential. and because plenty of people can see it, they simply choose to enjoy it.
people who started shipping buddie by the end of 2x01 ALSO only saw the potential. buck and eddie did not share any deep emotional connection by that point as well. what's funny is that eddie also wasn't a well-developed character yet too. but you don't seem to trash on people who started shipping them at that moment, why is that? if you want to criticize us, you should at least be consistent.
and also i'd argue there WERE people who started shipping (although perhaps "shipping" is too strong of a word so rather who did see something between) buck and tommy as soon as they shared this little moment at the end of 7x03. many people speculated if this was some kind of foreshadowing of a future relationship between the two of them. some even enjoyed the idea. so i don't think it's right to assume absolutely no one hoped for them to be canon before they kissed.
at the end of the day, the basic difference between buddie and bucktommy is that buddie is, and always has been, fanon, while bucktommy isn't. i'm really not interested in what little feelings of yours you assign to buddie. just because YOU think some moments between buck and eddie are romantic doesn't mean everyone thinks so. in fact many people interpret them as platonic. and that's the thing with buddie: there is no real evidence to prove their bond has any romantic elements to it. no acknowledgement of feelings, no kiss, nothing. neither buck nor eddie has canonically ever shown that one is romantically interested in the other. in canon they are just friends. and nothing you say will ever change that unless tim and co ultimately do decide to make them canon one day. until then i'm sorry to say it's all in your head.
you should realize that not everyone enjoys constantly reading into every interaction buck and eddie have to prove there are romantic implications between them. some people simply prefer having things laid out before them. it's honestly wild to me that you can't accept there are people who'd take canon over fanon any day. if you're angry because people don't see what you see while watching the show and instead enjoy what is actually happening on the screen, i think it's a sign for you to take a breather and focus on real world for a while.
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scholastic-dragon · 1 year
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Hiii can i get a headcanon on how fast the bayverse turtle boys gain a crush on someone? Thank youu!
Oooo this is fun, I put the turtles in order from fast to slow!
Raphael
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I know it's sounds surprising but I feel like raph is really easy when it comes to crushes
He just likes people
Like he's so fascinated by them, that when someone new comes around, he kinda gets attached
With crushes it's more physical stuff he's attracted too: your hair whether it be long or short. The color or your eyes. Any and all accessories you wear daily. Your height, are you super short or tall when compared to him?
Now, raph crushing is easy, but falling in love, that's when his walls go up
After about a month or so, when the friendship doesn't go anywhere or the person just doesn't have a fun personality, the crush kinda simmers away
But, if you prove to him that you value him as a friend, that's when you're in for it
If you stand up for him or his brothers in front of people that'll get you some extra Raphie points
If you can take his angry jabs and throw them right back at him, even more points
Then the physical stuff doesn't matter, he spends every moment learning everything he can about you
When this stage happens, he thinks it's just a strong crush, but no, it's the early stages of love <3
Donnie
(Look at his cute little smile in the picture!!!)
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This might also be a shock, but Donnie is also very quick to get a crush
Well not quick, he's very picky when it comes to any possible romantic partner
He's a 'friends to lovers' kinda guy, ya know
But if you come down to the lair often, and always make a point to visit and check in with him, he'll start to get happy by your visits
If you bring him food or coffee (just the way he likes it) something clicks in his brain
Like the way you're taking care of him suddenly makes him realize how sweet and caring you are
How warm and bright your eyes are. How enviting your smile is. Have you always had those dimples on your cheeks?
Like Raph, if you show him how much he means to you and how much you value your friendship, it'll make his heart skip a beat
He'll be reserved with his feelings for quite a bit, scoping out your movements to see if they're just friendly or if it's something more
In the meantime, he's happy to just sit with you and learn all about you
Mikey
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At a shocking third place we find Mikey
Now, you may think Mikey gets crushes easy, but no, no no no, those are not crushes and feelings, that's admiration
He admires humans, all humans, all traits, literally everything
In the first movie he had a bit of a "crush" on April, that was simply because she was new, she was a girl, and actually took the time to get to know him and his family
But that crush quickly went away before the second movie
Mikey admires people, but there are certain ones that catch his attention.
Your hobbies and your job are the most interesting things about you to Mikey, he thinks they say a lot about a person
If you share hobbies he'll try to do them with you, but if not he's happy to listen anyway or watch silently
And then if you show interest in his hobbies.....!!!!!!!
Very few people actually bother to get to know the real Mikey, the Mikey behind all the funny faces and jokes, but if you put in that effort, he's practically head over heels for you in that very moment
You have to show him that you care about who is his not what he is
Once you do that you're in
Leo
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Hardest to impress and hardest to keep, Mr. Fearless himself
He's not very trusting of people, he can be a bit of a negative Nelly when it comes to new people
He constantly thinks everyone is out to get his family and is going to turn them in the second they get a chance
So if you manage to actually get past all those walls, now starts the friendship stage
It takes Leo a while to form romantic feelings so it's a slow burn
But when you show him how much you care for his family (maybe getting Splinter tea, or playing games with Mikey, or working out with Raph and helping Donnie clean up his lab) he'll start to let his walls down
He's a bit of a dumbass and won't try to make a move because he is scared shitless that he'll make you uncomfortable
But when your attention suddenly goes from his brothers to him, he's thrown through a loop
He already knows everything about you, and now he sees just how amazing you are
Show him how much he and his family means to you and you'll have him eating out of the palm of your hand
tags: @turtle-babe83 @thelaundrybitch @post-apocalyptic-daydream @happymoonangel @mysticboombox @sharpwindow @dilucsflame33 @strawberrycakeblog @sketch-and-write-lover
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bteezxyewriter12 · 10 months
Text
Fucking You Right
Pairing- Jungkook x Named Reader
Word count- 4.9k
Includes- Argument, sex, fingering, oral, pussy eating, cum eating, missionary, cock riding, tummy bulge, squirting, multiple orgasms, fluff, Jungkook is such a fanboy for his girl
Tag List- @mingtina @jaxxminee @yeosayang @delightfulmoonbanana @tannie13 @y00nzin0 @marsstarxhwa
@borntowalkaway @soulseobi05 @kpop-bambi @seokwoosmole @meowmeowminnie @realisticnotes @effielumiere @svnbangtansworld
Gif Credit- @jung-koook
Masterlists- check out for more fics
📝Masterlists 📝BTS Masterlist 📝Jungkook Masterlist
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Jungkook POV
She's bopping her head to the music, my headphones on her ears, sitting next to me on the couch, Bam's head in her lap as she absentmindedly pets him
She's the only one I'm letting hear the finished track before anyone else
I value her input and I also wanted her to hear this song
The explicit version
I see when she hears the part I want her too because her head snaps to me, her eyes wide as plates, her mouth dropped open
"Holy shit", she gapes
I just smile, waiting for the song to finish
Waiting to see if she gets it
Two minutes later she pulls the headphones off, her face blushing
"Jesus Christ Kookie", she says
"Do you like it? Is it good?"
She nods, "It's good. So cute and then... damn....that line..."
"Which one?", I ask nonchalantly
She rolls her eyes, "You know. The 'fucking you right' one? ARMYS are gonna go insane"
Yeah I know
But that's not why I did it
"Are you really gonna sing this live?"
I shake my head, "That's the explicit version. There's a clean one. Changes fucking to loving"
She raises her eyebrow, "Still can be taken sexually"
I shrug, "I don't care"
I really don't
I'm not a fourteen year old anymore
I'm twenty five and ARMYS have to recognize I'm a grown man now
"K-ARMYS might be upset", she says, "I-ARMYS not so much. They're used their artists dating. To them it's not a big deal"
"That's why there's a clean version", I answer
"Well, I really liked the song. Congrats on writing a bop", she smiles
"Thanks", I smile, somewhat annoyed that she still isn't getting it
She nods, cuddling Bam, "So movie? Or do you wanna keep watching the kdrama we started?"
I just stare at her, not believing that she's not going to say anything more
I mean I'm talking about fucking someone in the song
Something no BTS member has done and she's not gonna ask more about it?
How?
"Kookie?", she asks, tilting her head, "Are you ok?"
No, I'm not
"Is that all you have to say?"
"Uh what?"
"About the song. Is that all you have to say?"
"Well yeah", she says confused, "I mean you asked for my opinion and I gave it. I don't know what else to say"
"You don't know what else to say?", I repeat, getting upset, "So you're not going to ask about the fucking part? Like is it literally or figuratively? Like is it an actual person?"
"Well I assume you mean a girl Jungkook", she answers, "But I don't know why you need me to ask about your sex life? Why do I have to know who you're fucking?"
"I'm not fucking anyone", I growl, angry this isn't going the right way
"Then what the hell?"
"You're not curious if I have someone in mind when I wrote that line? When I wrote this whole song which is basically a love song?"
"I don't need to know who you're pining for Jungkook"
"You should be asking because it's fucking you!", I yell, the shock on her face so fucking irritating, "The song is about you!"
I can't believe she's this oblivious
"What?", she gapes
"God, you're so fucking dumb!", I shout, standing up, starting to pace, Bam lifting his head and barking at me, "Jesus Christ, I've dropped so many fucking hints over the last few months and you don't get any of them!"
I've done everything I could think of- complimenting her, holding her hand, constantly hugging her, kissing her cheek
We fucking cuddle everytime we watch something
And she does all these things back to me and I don't understand what she doesn't get
I can't stand it when she introduces me as her best friend, when she constantly talks about what a good friend I am and all that shit
It infuriates me
And I'm angry at myself because I was too chicken shit to be direct
The fear of her rejection is massive
I have no problem getting girls to fuck, no problem telling girls my feelings for them when I did have girlfriends
But with her it's like I'm catatonic when it comes to talking about my feelings for her
I assume it's because I'm fucking in love
I've never went that far with any of the girls
It was never love
But with her it just fucking hit me in the face and at first I was terrified
I tried to deny it for awhile but being with her all the time, I couldn't
It was fucking obvious
To me anyway
I choked every time I tried to say something so I decided to drop hints
None of which she got
This song was the last thing I was going to try indirectly
Yes it's also for ARMYS but certain lines in the song I wrote when I thought of her
And I suspect the only reason why I'm saying anything at all is because I'm so heated
"Hints?", she asks
"Yes fucking hints! Goddamn Joanne, we fucking cuddle every time we hang out!", I yell, "I hate when you call me your best friend. I don't want to fucking be your best friend! I want to be your fucking boyfriend! I want to be the only fucking guy you want, the only guy you see, the only guy you love"
Her eyes are huge, blinking, as she whispers, "Love?"
"Yes love! I fucking love you! What do you think that line about giving all of me in the song is about? The devotion line? It's everything I want to give you!", I shout, "And by the way, you can be damn sure, I'd fuck you right!"
The look of utter shock on her face is insane to me
"I'm fucking stupidly in love with you!", I yell, to make everything clear
"Then why didn't you say that!", she yells back, standing up, making Bam yelp, jump off the couch and leave the room
"Because I was fucking scared! You fucking mean everything to me! I didn't want to lose you because you don't feel the same way!", I yell
"That's your fault! I never gave you the impression that you couldn't tell me anything or that I'd ever drop you, no matter what!"
"I was scared!"
"You didn't have to be!"
"Well how the fuck should I have known that?"
"You would have if you'd open your fucking mouth instead of dropping stupid hints like we're in high school!", she roars, "If you'd open your stupid mouth you'd know that you are the only guy I ever wanted! That I want to be your girlfriend for literally years! You'd know that I'm stupidly in love with you too! You fucking jerk!"
I open my mouth to yell at her when what she says sinks into my brain
She....loves me?
"And by the way, I love that your stupid song is about me and you better be damn sure you're gonna fuck me right", she yells, "And to start you better get your ass over here and kiss me right fucking now Jeon, Jungkook!"
My feet move immediately, practically running to her
Pulling her into my arms, I crash my lips against hers in an explosive kiss that shocks my entire body
I feel like my body is on fire, fireworks going off and I knew, I knew she's the one
Her arms move around my neck, her body pressing against mine as my arms wrap securely around her
My tongue finds hers, pressing together and shivers run up my spine
When we pull away, I smile, running my fingers in her hair, my eyes on her gorgeous brown ones
"I love you", I finally say
"I love you", she smiles, "My Kookie"
I nod, leaning my forehead against hers, "Always yours"
She kisses me again just as I was about to kiss her
I pick her up as the kiss deepens, heading right to my room
Bam is laying on the floor and he needs to get out right now
"Bam, out. Living room"
He whines but gets up and leaves the room
I close the door, sparks running up my spine as her lips press into my neck over and over again
I get her on my bed, kissing her passionately as I begin to undress her
I need her now
She helps me get her clothes off, pulling mine off at the same time, the clothing thrown all over my room
"Jesus Kookie", she says, gaping at me, her eyes widening when she looks at my dick, "That's...wow... very....huge"
I smirk at her, "Yeah. It's all for you baby"
She swallows hard as I get on the bed next to her
Pushing her down on the bed, I get my first glimpse of her, my mouth dropping
She's fucking amazing
Her stomach actually has some girl abs that I had no clue would turn me on
They're not cut into her like mine are but the faint lines are there
And now I noticed the small muscles in her arms and her thighs, muscles that were always covered up by clothes
Add the tattoos sprinkled all over her body I had no idea about and she's like my wet dream
"I didn't know you worked out", I say, touching her stomach
"Uh yeah. I don't go to a gym or anything, I just do it at home", she says, nervously, "Do....do you not like it? Do I look like a guy?"
I scoff, "No Joanne, you do not look like a guy. Don't be dumb. You're fucking gorgeous baby. God, I didn't know I'd be this turned on by your muscles baby"
"Really?", she asks quietly
"Really baby", I assure her, "And this just means that now you have to come work out with me"
She raises her eyebrow, "You want to do that?"
"Definitely", I nod, "We can work out together and then I can fuck you all over the gym"
Her cheeks turn so red, making me grin
"I'm gonna fuck you against every wall, on every machine we use and in the shower", I tell her, lowering my mouth to her ear, changing to a whisper, "Then I'm gonna bring you home and fuck you all over my apartment"
"Fuck Kookie", she whimpers
God I'm so turned on and I can't stop my hands from roaming all over her pretty body
"Fuck baby, I'm gonna fuck you so good. Every fucking day, all day"
"Seven days a week?", she giggles making me chuckle too
"Damn right baby. Gonna fuck you right, eat your pretty pussy just right, make you cum over and over for me", I tell her, leaning down, pressing kisses to her chest as I grope her boobs, "Make you scream my name until I'm the only thing in your pretty head. Fill your tiny pussy up with my cum, watch it drip out of you"
"Fuck Kookie"
"Mmm baby", I whisper, kissing around her nipple, "Then after I'm gonna kiss you, hold you, cuddle you"
I stop kissing her, looking up into her eyes, "And I'm gonna love you right every day of my life Jo. You're my everything and I love you so much"
She smiles, her fingers running in my hair, pushing it off my forehead, "I love you Kookie. Always baby"
I smile, letting her love wash over me, making me so fucking happy
Moving to her lips, I give her a sweet kiss, savoring the feel of her lips against mine
Then I pull away and immediately attach my mouth to her nipple, sucking on the perfect bump
"Jungkook, fuck!", she moans, her hand burying in my hair
God, her nipple is so hard, easy to suck on as I squeeze her boobs over and over
Her tits are amazing and I know I'm gonna be on them all the fucking time
Switching between nipples, I suck and lick all the while trailing my hand down her sexy body
Getting between her legs, I slide two fingers inside
She's so wet she takes them easily, moaning loudly as I massage inside her cunt
Her pussy clenches tightly around my fingers and I can't fucking wait to get her around my dick
She's gonna feel so fucking good
Pulling my fingers almost out, I thrust them back in, listening to her wet cunt take them
Moving faster, I thrust into her again and again, trying to find her spot
After a few more pumps, she moans so loudly, clamping down on my fingers, her pretty body shaking
Found it
Making sure I hit there as I finger her, I spread kisses down her body, feeling her skin tremble under my lips
I like that a lot
Finally getting between her legs, I watch her wet hole take my fingers, creaming them as I kiss her thighs, mesmerized by the sight
"So pretty baby", I murmur
My eyes land on her throbbing clit and fuck me, I need it in my mouth now
Leaning forward, I give her bump a lick, making her shout in pleasure, then I suck it in my mouth
It throbs against my lips, sending bliss down to my hard cock and I can't stop myself, I start sucking on her hard and fast
"Jungkook!", she cries and oh man, I never loved hearing my name more than this second
I keep my fingers moving at a steady pace, pressing on her spot again and again, slurping on her perfect clit
Both of her hands move into my hair, gripping hard as she cries out in pleasure
Fuck, she's so hot
I swear I had to be fucking stupid to not notice her sooner
She's the most beautiful, sexy, hot, stunning girl I've ever seen
I'm so happy everything worked out and she's finally mine
"Jungkook! I....I'm...I", she trails off into a moan
Hearing her fuels me to go harder and I suck on her faster, loving the way her clit feels in my mouth
God, I'm so gonna eat her out everyday
Not only do I love making her feel good, I'm enjoying this so much too
Another tug on her bump has her screaming my name, her body arching off the bed as she cums, holding my head against her cunt
I don't stop sucking, making sure she feels the pleasure throughout her orgasm, her pussy pulsing so hard around my fingers, soaking my hand
Feels so good
When she finishes, I slide my tongue down as I pull my fingers out
Licking around her hole, her cum hits my tongue and I moan from how absolutely sweet she tastes
Opening her legs more, I run my tongue on her more, swallowing her creamy cum
God, she's so good
How is she this good?
Fuck
When I get everything, I don't stop licking her, sliding my tongue up between her swollen lips then lavishing her clit again before sliding back down
"Kkk... Kookie..."
"Need more"
"Huh?"
"Need more of you", I tell her between licks
My god her pussy is so soft against my tongue, so fucking wet
I love it
"You do?"
"Oh yeah baby", I answer, running my tongue along her slit, "You taste so fucking good baby. I need more"
"Jesus", she whispers, only making me chuckle
"I need you to cum in my mouth baby so I can swallow you're yummy cream"
"What?", she squeaks
"Oh yeah baby", I continue, swirling my tongue around her little hole, "Your cum tastes amazing and I need more"
"Fuck"
"Gonna give it to me?", I ask, poking my tongue into her hole, wiggling inside her
"Yes! Yes Kookie!", she cries, her body arching again
God that sight it so fucking beautiful, it's burned in my memory
Pulling my tongue out, I lick up her cunt then plunge my tongue back in, her cries so fucking beautiful
Her fingers twist in my hair hard as I tongue fuck her, my own hands on her thighs, keeping her legs spread wide open for me
Her cunt throbs around my tongue each time I dive into her, the pulses going straight to my dick
I'm so fucking horny and I need to fuck her soon
I need to know what it's like to be inside her
Soon, I tell myself, soon
The next plunge in her cunt sends her over the edge, her pussy squeezing my tongue as she cums all over it
"Jungkook! Jungkook!"
I'm hit with her delicious taste, moaning as I keep swallowing until I'm sure I get it all
So good
I give her one long lick after she finishes, then move away
She starts to sit up, but I move over her, gently pushing her back down
"But don't you want-"
I shake my head as I get her legs around me, "Not now baby. I'm fucking dying to be inside you"
She smirks, moving her arms around my back, pulling me on top of her, skin to skin
Fuck, she feels so soft, so smooth against me
"Is that so?", she asks, lifting her head, kissing my cheek
I nod, "Want you so bad baby"
"Then it's good I want you just as badly"
"Yeah?", I ask shyly
I have been very vocal about wanting to fuck her and I'm glad she feels the same about me
Her hand moves between us, wrapping around my dick
"Fuck, so big baby", she murmurs, stroking me, pleasure entering my body, "Are you gonna fit?"
I nod, moaning softly, "Yeah baby. I'm gonna stretch you out so good. Make you fit around me"
"Promise?", she smiles
"Promise baby", I agree
She moves my cock to her hole just as her lips crash against mine
I push in, my head slipping inside her
She drenches me as I move in inch by inch, spreading her unbelievably tight pussy around my cock
"Jungkook! Fuck!", she moans, her pussy taking my cock so well
God she feels so good, sucking me in as I move
Fuck
"Oh fuck, yes baby", I moan when I finally slide all inside her tight pussy, my body actually shaking
"Kookie, oh god, Kookie!", she cries, her body pressed right against mine, clinging onto me
"Fuck, you're even better than I imagined", I murmur
"Imagined?", she whimpers quietly
Smiling at her, I nod, "Yeah. If you don't think I fantasized about having your sweet pussy wrapped around my cock all the damn time then you're crazy"
Her entire face flushes pink and it's so cute
"Is...is it just like you imagined?"
"Better", I tell her, "So much better baby"
She smiles shyly, "You're better than I imagined too"
I smile wider, proud that she thought of us together
At least I wasn't the only one
Kissing her, I start moving, pulling back then plunging back in
"Oh my fucking god", I moan, feeling her spread open so pleasurably, pulsing hard when I'm all in, "Oh baby fuck"
Her pussy is so loud, the wet slippery noises of my cock fucking her so fucking pretty to listen to
I need more
I need to go deeper
Moving my arms under her legs, I push them to her chest, getting on my knees and pounding into her cunt at a rapid speed
I get in so much deeper, slamming into her spot, her screams getting louder and louder, feeling out of this world
When I look down, I see her cunt creaming my cock so much, it's fucking all over
I have never seen a pussy this creamy, not even in porn
And it's all mine
All fucking mine
Each pound into her cunt splits her open on my dick as I move harder and harder, the sound of our skin slapping mixing with the sound of her squelching pussy
Something I'm so excited to listen to every day
With each move inside her, I watch her stomach bulge, so turned on knowing my cock is that deep inside her
"Do you feel how we were made for each other?", I ask her as I fuck into her, "Do you feel how my cock was meant to be inside you? How your pussy was made to be wrapped around my cock and only mine?"
"Yes", she cries, her fingers gripping my arms so hard, her eyes closed, face in pleasure
"Do you feel how I was made to move inside you baby?"
"Yes Jungkook", she moans, "Yes baby"
"You were made for me baby. Everything about you, you were meant for me", I tell her, really believing that, "And I was made for you Jo. Just for you"
She nods in agreement, "Yes Kookie. Just for you baby"
"I love you", I tell her
Her eyes open and I can see the love for me in them
It's truly aweing
"I love you Jungkook"
Crashing my lips to hers, I soak in her words, her kiss and I'm utterly happy
Her pussy clamps down hard around me, pulsing at the speed of light and I know she's close
"Cum for me baby. Cum for my cock", I murmur, pressing kisses into her neck, listening to her moan my name over and over
This is something I can get used to every fucking day
"Oh my god, Kookie", she cries, her fingers digging into my arms as she clenches my cock in a death grip, coming so fucking beautifully
I watch her, mesmerized while unbelievable pleasure hits me hard
"Jungkook! Jungkook!", she cries, her small body shaking against me
Fucking hell, it feels so good
So goddamn good
I'm ready to explode but I push back my orgasm
I'm not ready to be out of her pussy yet
Thrusting into her, I fuck her through her orgasm, her body relaxing when she's finished
"Good baby?", I smile
"Amazing", she says, breathing hard as she struggles to sit up
"Baby-", I start
"Wanna ride you", she says and I nod, so down for that
Pulling out, I let her push me down on my back, watching her climb in my lap
I'm so fucking excited as I realize I get to watch her body as she fucks me
Oh my god this is going to be amazing
I watch her get my head in her hole, then watch her hole spread and strain as she slides down my cock
There's so much fucking cream pouring from her cunt, her pussy only getting wetter the more she takes me
She finally bottoms me out, sitting on me, her hips immediately rocking on me
The tight grip around my cock feeling absolutely perfect, her throbbing increasing the more she grinds on me
"Fuck baby, this pussy feels so good", I murmur, placing my hands on her hips and slowly moving them up her body
I love touching her skin, feeling her muscles underneath
Such a turn on
"Mmm baby", she whimpers, "Love your hands on me baby"
"Don't worry baby" I assure her, "I'm good to be touching you every single day, just feeling your pretty skin, your pretty body"
"Mm", she murmurs, leaning back on my legs
Her hips lift, sliding up my cock, leaving a glistening mess on my length
It's so fucking pretty
She slides down quickly, taking me all in right away and I can't help but yell in pleasure when I'm back inside her
She keeps moving, her bounces getting harder and faster with each one
I watch my perfect girlfriend ride me, her boobs bouncing in my face, a light sheen of sweat all over her, pleasure in her face
I'm so fucking lucky she's mine
So lucky
Gripping her hips, I fall into the feeling of her pussy engulfing my cock, the spasms, the way she soaks me, a pretty ring of cream forming around the base of my cock
I'm in heaven
"Promise you'll bounce on my cock like this everyday baby", I murmur
"I promise", she moans, riding me harder, her pussy clinging to my length in a vice grip
"I promise I'll fuck you everyday", I promise her, "I'll eat your pussy everyday baby. I promise"
"Yeah Kookie", she whimpers, her cunt so close to coming
"I'll fill your cunt with my cum everyday"
"Yes Kookie. Want that so much", she moans, "Fuck, wanna be full of you. Full of your cock, full of your cum"
"You will be baby. I promise", I breathe, sweat rolling down my face
She slams down, my head rubbing her spot and she screams my name as she cums
Her hands grab my wrists, my entire lap flooded
Looking down, I realize she's squirting on my cock and that sight sends me over the edge
"I'm gonna cum!", I yell
"Inside my pussy! Fill me baby", she cries
I grab her waist, pulling her down on me as ecstacy tidal waves over me, shooting my cum into her squirting pussy
"Oh my fucking god! Joanne! Oh fuck!", I yell, stars blasting in my eyes from the sheer bliss
I can't...it's never felt this good before
Never
My body shakes hard and I'm just lost in the pleasure
Lost in her
I come back from that intense orgasm to kisses on my face and her voice murmuring, "I love you" over and over
I move my arms around her, hugging her to me, whispering, "I love you Jo"
She smiles, gives me a soft kiss, then moves off me, laying next to me
Turning to face her, I pull her into my arms, cuddling into her
She giggles, her arm wrapping around my body in a hug
Looking down at her, I smile widely
"What?", she asks
"Afterglow", I tease
She bursts out laughing, "You dork!"
I chuckle, nuzzling into her neck, giving her soft kisses, "That's your dork"
"Yeah mine", she giggles, "All mine"
"Fuck baby, you have no idea how happy you make me when you say that. I never thought you'd be mine Jo"
"I am", she assures me, "And you're my Kookie"
"Always baby", I promise, gently pressing my lips against hers
After the kiss, she snuggles into me and I'm having the best fucking time, holding her tightly
"Cuddle time", she says so adorably
"Yeah baby. All cuddles all the time"
Her musical laughter fills the room and I know I'll never tire of hearing it
"Nap time?", she asks, making me laugh
"Yeah baby but first I have to ask you something"
"Mm what is it?"
"Well it's about the song"
"What about it?"
I've been thinking about this since I recorded the song and I really hope she goes for it
"I want you to be in the music video"
Her eyes shoot open, her mouth dropping, "What?"
"I want you to be in the music video with me", I repeat, "The managers, director and I were talking about the video and we all agreed that there should be a girl in it with me"
"But doesn't the director already have someone? An actress?"
I nod, "Yeah, he does but I asked him to hold off on contacting the actress. I told him I had someone in mind but I had to ask first"
"I...I don't know what to say"
"Say yes baby", I ask, "I just, I want you in the video. It's a song for you, about you baby. I don't want to pretend to sing it to an actress. I want you"
She bites her lip hesitantly, "But Kookie, won't ARMYS ask you who I am? Who the girl is in the video? I'm not a well known actress that they will recognize. I don't want it to cause problems for you"
I know why she's worried
I know ARMYS would get mad about a girl in the video
I see the ridiculous comments some leave about how they'll stop supporting me if a girl is in the video
Or how upset and hurt they would be
It's ridiculous
I'm not allowed to have someone special but they can?
It's not fair and to be honest I don't care if they're mad
I'm not sixteen anymore
I'm not a sheltered baby
And if I want my girlfriend in my music video I damn well will
If she agrees of course
"Baby, when they ask me that I'm going to tell them the truth"
"The truth?", she gapes
"Yes", I nod, "I'm going to tell them you're my girlfriend and that I'm ridiculously in love with you"
"Kookie, you can't-"
"Yes baby, I can", I say gently, "I don't care if they get mad. I'm not going to lie to them either. They either support me or they don't. But I'm not hiding you. Not a chance in hell"
She doesn't say anything, shock over her face
"So will you be in my music video?"
A small smile forms on her face as she nods, "Yeah baby. Ok"
A huge relief washes over me
"Thanks baby", I say, then give her a kiss
"Just don't blame me if you're career tanks after this", she mumbles
"I won't", I laugh, "Don't worry so much baby. As long as we're together, everything will be fine"
She giggles, nodding, settling into my arms, "Ok Kookie. I love you"
"I love you too baby"
288 notes · View notes
ts1m1kas · 7 months
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Original Ask: here's one for jude 😁 they're childhood friends, have known one another for so long, everyone says they are a perfect fit but jude brushes off the idea because deep down he doesn't want to admit he's in love with her, she on the other hand doesn't have time for relationships cause of her career as a ballerina. they stop talking for about three years until they meet again in madrid, she's dragged by her girlfriends to see real madrid play, that's when she sees jude, they reconnect with jude finally ready to confess his feelings, however one of his teammates tries to jump in the way. (@findingnemosworld)
Word Count: 761 words
(author's note: everyone thank @findingnemosworld for her amazing requests !! i did change the ending a little so i hope thats okay 🫶)
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Jude always thought that Y/N was the most beautiful girl in the world. Her smile could light up a room, and her laugh was like music to his ears. They had been friends since he could remember, spending most of their childhood years as an inseparable pair.
What Jude didn’t realise is that Y/N felt exactly the same about him. His happy-go-lucky personality made her enjoy being around him, and the side of him that was ever-so caring made her fall head over heels for the boy.
But through Jude’s move to Real Madrid and Y/N’s gruelling career as a ballerina, the pair had fallen apart. This shocked everyone around them, as anyone who looked their way would assume they were a couple. There was no one else in the world who would've been more of a perfect fit together than Jude and Y/N.
Jude Bellingham wasn’t scared of most things. He’d played professional football for years. Suffered online abuse and gone through many hardships throughout his life. But the idea of telling Y/N how he felt about her had him shaking with fear. He valued her friendship more than anything else, so when he had to let his best friend know he was moving away, it broke his heart.
Y/N was devastated. Jude’s departure had made her lose her drive and motivation and her ballet career was suffering because of it. Her coach was pushing her to her limits to distract her from the gaping hole that Jude had left behind in her life with his departure.
Time passed, and the pair hadn’t spoken in months. But that didn’t mean that they didn’t think of one another every passing minute, of every passing day.  
Y/N had a break in ballet performances, and it just so happened that her dance group’s next show was in Madrid. Her friends had been given tickets to a football game, and she blindly agreed to go. Her friend, who had been given the tickets, was married to a player from one of the teams playing, and Y/N desperately needed a chance to relax.
Jude was sat in the changing rooms. He was listening to Vinicius Jr. give them a pep talk before their game against Sevilla. He had a strange feeling his his stomach but he couldn’t place it. 
"Jude, are you okay?" Luka asked him, noticing the look on his Jude's face.
“Yeah man, I’m fine”, Jude responded, brushing off his friend’s concerns.
And so the game began. Y/N and her friends sat, immersed in the game. She always used to watch Jude play, and the interest in football had stuck, even after he moved away. However, when the line-ups were announced and the players walked out, Y/N felt sick. She hadn’t seen Jude in three years since his move to Madrid, and the painful memories rocketed to the forefront of her mind.
Jude ran onto the pitch. As he stood through the pre-game formalities, his eyes wandered over the masses of spectators that had turned up to watch their teams play. However, his eyes widened when they connected with those belonging to a familiar face.
Y/N’s mouth dropped open. The look she shared with Jude was one full of shock and pain. Jude mouthed ‘meet me after the game’ and she understood immediately.
It was an interesting game that resulted in a draw. Each side fought hard, but neither of them could grasp the winning goal. Jude had never been so eager to leave the pitch as he rushed over to where Y/N was waiting for him.
As he stood in front of the girl he had loved his whole life, he faltered. Jude knew he couldn’t hold his feelings back any longer.
“Y/N, I love you. I have for so many years and I-”
“Jude, I love you too.”
Jude stopped talking. He had been waiting to hear those three words come out of her mouth since he had learned what they meant. He couldn’t stop himself anymore. He stepped forward, cupped her face with his hand, and kissed her. 
Jude poured every ounce of love he had for Y/N into that kiss. The fondness he felt for her was unbeaten, the years he spent hiding it, filled with regret.
Once they broke away, the looked at eachother. The look was not filled with pain this time, it had been replaced with love and tenderness.
The pair left the stadium, reunited and ready to spend their days together.
227 notes · View notes
syrena-del-mar · 4 months
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Blind Spots of Motherhood: Last Twilight, Episode 10
We're coming off of the emotional rollercoaster of last week's episode and seeing the consequences of Day and Mhok's getaway. And the consequences are big, which not even Night can assuage.
I love scouring the tags as I watch Last Twilight, and I've been seeing many call Day's mom evil or a narcissist. In my opinion, she does not fit the bill (if you're looking for one that is, go watch Twins, now that's a narcissist). There's a tendency of wanting to villainize mothers, and BLs do a great job of giving us mothers that do fill that role, but I sincerely don't think that's the story P'Aof is trying to tell us here. Rather than evil, I think her arc is more about being a flawed mother that does more harm than good through overparenting, her perceiving Day to be more vulnerable than he really is, and sidelining of Night.
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Stages of Adjustment to Vision Loss
Just like the seven stages of grief, similarly there's a theory about the seven phases of adjusting to vision loss. The Stages of Adjustment applies not only to the one suffering the vision loss, but even their friends and family.
Phase 1: Trauma, where personal attitudes and generalization form one's personal view of a person who is blind takes over.
Phase 2: Shock and Denial. Self-explanatory.
Phase 3: Mourning and Withdrawal, it's where the loss of regular activities and routines occur.
Phase 4: Succumbing and Depression occurs when an individual is unable to come to terms with the sudden low vision/blindness and they stop caring for themselves. Feelings of inadequacy becomes prevalent.
Phase 5: Reassessment and Reaffirmation occurs when individuals regain and maintain control of their life. Loved ones play a significant role in assisting them to reach this independence at this stage.
Phase 6: Coping and Mobilization happens when individuals develop coping techniques to live with the vision loss and acknowledge their abilities and accept when the need assistance.
Phase 7: Self-Acceptance and Self-Esteem occurs when the individual realizes that they have value and their loss of vision is just one of the many attributes.
When the Last Twilight first started, we met Day as he was dealing with Phase 3 and 4. With the help of Mhok, we've seen Day grow in his independence, but also come to terms that his vision loss may be forever. He no longer was thinking and hoping for that transplant surgery, he wasn't even counting on it anymore. Instead, with the help of Mhok (and Night), Day was able to reach Phase 6 and was transitioning into Phase 7.
But just as Day was moving on with his, his mother wasn't. She's still struggling with his disability and has gotten stuck in Phase 3 and 4, just as Day had been. She's so blinded by Day's disability, that she's drowning in the fears of what could happen to Day rather than seeing the strides of improvement that he has made.
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Overprotective Parenting fails in Harm Reduction: Day
"Expecting him to be independent at one time and overprotecting him at another will only result in a frustrated youngster. It is important to judge and treat the blind child fairly; not indulging him, yet not setting goals and expectations so high that he is discouraged." -The Blind Child: Becoming an Independent Adult
Day's mother is frustrating, to say the least. She is so incredibly misguided in how she treats both of her sons, it's no surprise that Day locks himself away into the cavern of his bedroom.
She only sees Day for his disability. Acknowledging and accepting that Day is blind is important, and that does signify life adjustments, but that doesn't mean making Day's blindness the only thing about him. She forgets that Day was a full-functioning adult that had his own lifestyle before he lost his sight. She's only come to known Day for his blindness. She's the one that puts his blindness at the forefront.
She wants him to get out of his bedroom, to stop locking people out, but once he has some sense of independence, apart from his family, now she's afraid? Her son, vision loss or no vision loss, is an adult, but instead of giving him such dignity, she regresses and infantilizes him. She pushes him back into that suffocatingly big bedroom. She takes away his phone, his internet, every tool that connects him to the outside world. She takes away what little independence he had started to build up again.
Any good parent would be worried about their child who has undergone a traumatic event, but over-protecting does more harm than good. In her anxieties, she ends up resorting to using unintentionally abusive tactics. Yes, Day would be physically fine, but in her overprotectiveness, she fails to realize that it could lead to dependency inducement, learned helplessness, and bouts of depression. Day's mother fails to realize that taking away any autonomy that Day has only started rebuilding, would only result in Day's emotional state worsening.
Blindness doesn't have to mean debilitating, but locking your son up in his room without any way to interact with the world around him that he is trying to relearn? That's more crippling than any vision loss could ever be.
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Readjusting as the Glass Child: Night
"The most egregious form of rejection that anyone can ever experience is parental rejection" -Is Rejection, Parental Abandonment or Neglect a Trigger for Higher Perceived Guilt in Adolescents
Oh man, the pain I felt for Night this whole episode was next level. The idea of a glass child is not one's delicateness but rather as a sibling of a individual with disabilities, the sibling becomes invisible to the parents, only seen when the parents need them. If it wasn't obvious before, it's clear that this was the role that their mother was forcing Night into.
There's nothing that hurts worse than the sharp words of a mother directed to her child. His mother explicitly blaming Night for Day's disability was a new low-blow. Night had already been beating himself up for the accident, his father (who doesn't even live with them) knew that, but seemingly their mother was oblivious. The only one that Night could rely on was an outsider, a father that they hadn't been in contact with for years. Their mother created that environment by not paying attention to her other son, who was also in that accident.
Nothing fuels sibling rivalry like preferential treatment from parents. Even worse when one has to be the caretaker of the other when they already have a fractured relationship. Instead of easing the tension between the two brothers, their mother is too busy worrying solely for Day without accounting for Night. Caretaker burnout is already incredibly exhausting when you're caring for a loved one, but Night has personal guilt and Day's resentment to deal with as well. Not once does their mother ask him how he's doing, if Night is alright.
Night is the forgotten child, the child that's expected to take care of his brother no matter what, no matter how independent Day has become. She has parentified Night without any consideration of how he was doing or what was going on in his life. This was probably already a running theme as they grew up, assuming from their positioning in the family portrait. In doing so, she unknowingly worsens the strife with the brothers, making Day believe that Night had only been "behaving well" in order to win some preferential treatment from her.
Even on Christmas, their mother only cares for Day, feeding him first and putting food on his spoon, body fully turned against Night. In that scene, visually Night seems like he's intruding and he feels it as well! It's why he excuses himself, saying that he's going to meet up with some friends. Even after being forgiven by Day, his mother doesn't make any effort to include Night other than just having him at the table. It's as if he wasn't part of their nuclear family, just a convenient body that is there to help out as Day adjusts to his new life. If it hadn't been for Day, Night would have left that table that night and would have believed that nobody cared for him. I'm hoping this makes her confront and reassess how she's treated Night, now and in the past.
It's ironic, even though Day is blind and held a lot of contempt for his brother, he was still saw Night and all his struggles. Meanwhile, their mother was seeing right through him, blaming him for what happened to Day. Driving a dagger, that Night had already stabbed himself with, even deeper.
Final Thoughts
I'm not quite ready to jump on the 'Mother Gothel' train for Day and Night's mom. I think she is juggling being a career woman and being a mother at the same time, while failing to adjust to Day's blindness and making mistakes in her parenting as a result.
I also don't think it's out of maliciousness or self-importance, either. When I see their mother, it's as if she's trying to save a sinking boat that is already pierced by numerous holes. There's no going back to their lives before Day's blindness. She needs to adjust her priorities, because disregarding Night and locking up Day is not the answer.
This episode was frustrating, not because I found her to be outright abusive, but because of her worries she ends up hurting her sons even more. No parent is perfect, and they can hurt you while thinking they're acting in your best interest, but they have to be willing to love and let their kids learn on their own.
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