One of my favourite things about the locked tomb is the way it depicts love in the context of other people. Harrow loves Alecto loves John who feels some kind of way (tbd) about Gideon who loves Harrow, who is John's favourite. Nonalecto thinks Gideon is overrated but wants to be kissed enough to be kissable and Gideon makes friendship bracelets with Ianthe who wants to marry Harrow and whose sister is the other half of soul and her sickest obsession and her Barbie doll in a tower. Coronabeth is in love with Judith, who went to all their birthday parties. Judith is too sensible to have great loves, but the only people who really get to love in isolation are Gideon and Harrow and they mostly choose not to at the time. They're too busy being choked by trauma and duty and the miserable grind of isolation and loneliness. It's when we see them in the context of other people in Canaan house that the love becomes obvious. Love in the ecosystem of community. Ten thousand years of polycule hell. The most loyal man in the world being constantly torn between his two best friends, only to end up in a love triangle featuring bestie #1 and a woman desperately trying to kill bestie #2. There's no one it's safe to kill because everybody loves somebody. There's no vengeance that only targets the deserving.

Maybe it's a 'study finds water is wet' type of thought, but

considering it's an action movie whose overall plot is "immortal warriors Fuck Shit Up™️", I think it's significant that in The Old Guard the thing that makes Copley pull red strings through his Murder Conspiracy Board and say "[Merrick] doesn't care what [Andy]'s done with [her immortality]" is the people they save, not the ones they kill

Most of the Conspiracy Board is him circling random newspaper headlines and faces on old photographs to (more or less realistically) follow the immortals' treck through the world and big historical events. Which is, in-canon, not much different than putting portraits from different centuries next to a picture of Keanu Reeves and saying "they look the same, clearly Reeves is an immortal!"

But then there are the connections. A little girl holding Joe's hand in WW1 becoming the youngest (and first) woman to be awarded a Nobel Prize for Medicine (suck it, Kozak). Or the grandchild of a family that Andy saved from [something] helping people escape from the Khmer Rouge genocide in Cambodia.

They are warriors. They have fought and been in the midst of countless wars, major or minor, throughout history. They must have killed as many people as they saved... and yet.

It's not them taking out a random warlord or dictator or rabidly hateful politician that has tangible repercussions in history. It's the children and families they get out of war zones, save from accidents, protect from natural disasters. People to whom they give a second chance at life, and grow to change the world (or even just their own world), like a mysterious stranger once changed theirs just by holding out a hand or patching a wound.

I don't know I just think it's particularly neat

i just thinks it's neat that luke's whole shtick is targeting demigods whose faith in the gods and their environment are weakening. and one of the last people he visits before he turns is annabeth.

Honestly, it is so funny remembering that Annabeth Chase's literal, stated, canonical fatal flaw is hubris.

Rick Riordan was like, "This clever, neurodivergent preteen girl believes that she is smarter than the gods, and she will get the chance to prove herself right," and he was correct. 😌

I honestly dont trust Ollie either. I do wonder if he’s tried to tell drew to not trust daddy or pops. Cause like poppy Ollie seems to not care of the bigger bodies die or live.

“Poppy ain’t perfect, but trust me when I tell you that she cares. But you’re right about one thing, I don’t trust Ollie worth a shit.”

(This is a joke, please do not take this seriously! I thought it was funny)

as a kid this scene in coraline where she makes her parents out of pillows and clothes the night they disappear made such a big impact on me and when tubbo died i couldn’t stop picturing sunny in the same situation. i think the night he died and she went home alone after all the stuff with creation, she curled up in bed with a pillow version of her pa. she probably used his jacket and his goggles to try and find some sense of familiarity. it’s always been her and her pa against the world and now he’s gone and she comes home but it doesn’t feel like home anymore because her favorite person in the entire world is gone and dead and she had to watch him die and listen while everyone around her joked about it for hours afterwards and every word said is just more proof that she is completely and utterly alone and yes she has fit but he’s not her pa it’s not the same and her heart is broken and she is exhausted so she goes to bed hugging her pillow-pa because she knows in the morning when she wakes up everything will feel too real and too empty and she wants as much time with him as possible even if he is only a jacket and a pair of goggles now

If harrow decides to destroy the entire universe to get Gideon back she will be right to do so. Imo

I gave myself a writing challenge and I am fascinated by it

So basically I put the robins in a randomizer to give them a new order/role (because I just...kinda wanted to see what would happen + I like role-reversal AUs) and got results that are giving me a fucking brain blast.

Stephanie, the first sidekick who defines the role

Tim, the sidekick who dies and comes back wrong

Dick, the sidekick who saves Batman from himself

Damian, the sidekick who was never supposed to be a sidekick but would go on to prove everyone wrong

Jason, the youngest sidekick who is still the Kid Wonder

...So this is fucking wild. I've got some ideas and several of these fit perfectly (Dick's role is pretty similar to his one in canon), but some of these are fucking INCREDIBLE to explore (Steph being the first Robin is something I never even considered but tbh I kinda love it).

I probably won't write a fic or anything because tbh I don't like publishing my writing that much, but I might expand this into a full AU and post about it. I might randomize other stuff too (ie, stuff that I cannot change vs stuff that I cannot keep the same) but this fucking rules as a starting point.

You’ll find moonlit nights strangely empty

Something something Doctor Mother being the only person in a crowd of bystanders to try and stop a young girl from doing something dangerous. Even when the girl ignored her DM refused to leave the girl alone and followed, being the only one to help her kill the monster. How she believed the girl when she was told of the situation despite how insane it was. How she helped despite also being told how dangerous it was.

And how later, when another young woman puts herself in harms way to stop another monster, Contessa is given the same opprotunity as Doctor Mother. Another young woman who's power is messed up so that she can't find the path out. But this time Contessa can.

sorry i'm thinking abt megumi's incessant desire to be the first to die vs. the narrative keeping him alive despite and how the most tragic ending for him is not actually dying, but being left behind. for megumi, the worst fate is living a long life

I've been thinking about the tragedy of Elizabeth Woodville living to see the end of her family name.

I don't mean her family with her husband, which lived on through her daughter and grandson. I mean her own.

Her sisters died, one by one, many of them after 1485. When Elizabeth died, only Katherine was left, and she would die before the turn of the century as well.

All her brothers died, too. Lewis died in childhood. John was executed. Anthony was murdered. Lionel died suddenly in the peak of Richard's reign, unable to see his niece become queen. Edward perished at war. Richard died in grieving peace. For all the violence and judgement the family endured, it was "an accident of biology" that ended their line: none of the brothers left heirs, and the Woodville name was extinguished. We know the family was aware of this. We know they mourned it, too:

“Buy a bell to be a tenor at Grafton to the bells now there, for a remembrance of the last of my blood.”

Elizabeth lived through the deposition and death of her young sons, and lived to see the end of her own family name. It must have been such a haunting loss, on both sides.

oh my god i’m going to meet chris colfer wtf 😭

Demon boy!!

Something something Bruce love Gotham because it's his home, jason loves Gotham because it's in his soul, Duke loves Gotham because it's his family, Steph loves Gotham on purpose

When Sanji sacrifices himself he's aware of what he's doing. He knows exactly what is at stake and how much he's given and why his act is bad to others or himself, why it must be done either way. From what I see, it's a reflection of his self-esteem and his desire to put others first, it's guilt and it's self-punishment and he knows, okay?

When Zoro sacrifices himself he's insane, batshit crazy. He doesn't want to die per se, he doesn't hate himself and doesn't do it out of punishment. His dreams are bigger than his life, they are more valuable, so he's never afraid to put his life at risk when it comes to fulfilling what he thinks his duty is. You could say it's his honor or his code of life— Zoro can survive the deadliest wounds, the worst circumstances, 'cause he doesn't seek death, it's just that he won't avoid it either.

I love that contrast and how clear it is during the encounter of Zoro and Mihawk in Baratie.