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#shades of magic parallels
clockworkbee · 1 year
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when they're this in your life >>>
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starsailores · 23 days
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the most agonising thing about holland saying 'once you let the magic in, you've already lost' to kell is the parallel to his receipt of the soul seal, and how he felt the magic running through his veins before he could block it out. he knew first hand how dark magic can damn you once it gets into your blood, antari or not, and it was as much a tired warning and reminder of his own pain as it was a jab at kell's weakness. between that and astrid's desire to keep kell, holland spent the entirety of book one a little too close to seeing kell relive his own trauma, and was consequently doing the few things he could to prevent it
he may not have liked kell, but he refused to let magic ruin kell's life the way it had his. to the point of letting kell kill him.
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luciehercndale · 7 months
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SOM/TOP Parallels (Spoilers)
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Kell rescues Lila in A Darker Shade of Magic - VII: The Follower, I
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Kell rescues Lila in The Fragile Threads of Power - XI: In The Wrong Hands, VII
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Lila is attacked in Rosenal in A Conjuring of Light - IX: Trouble, II
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Kell's magic threads are frayed in The Fragile Threads of Power - XI: In The Wrong Hands, VII
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I see a lot of memes right now on how hamilton george III and bridgerton george III are versions of the same king, but I’m trying to join in on the a darker shade of magic author readalong and apparently the grey king is also george the fucking III
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Series Recommendation:
Shades of Magic Series - V. E. Schwab
A Darker Shade of Magic (Shades of Magic #1)
A Gathering of Shadows (Shades of Magic #2)
A Conjuring of Light (Shades of Magic #3)
Genres: Fantasy, Young Adult+, Magic, Adventure
Keywords: Parallel Worlds, Strong Female Character, Romantic Subplot
Length: Very Long
Rating: #1 - 4/5, #2 - 4/5, #3 - 4/5 : Overall - 4/5
Find on Goodreads:
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twogyuu · 1 month
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an unfinished tale [prologue]
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Pairing: Wonwoo x fem!reader
Synopsis: In an age absent of DMs and dating apps, a year you're not supposed to exist in, you defy all odds and manage to fall in love with the neighbor down the hall from your uncle's dorm. Part of you wishes he feels the same, part of you hopes he doesn't - for the sake of your heart and his.
Genre: Fluff, crack, smidgen of angst, first/last loves, time travel!au, 90s!au, college!au, uncle/roommate!chan, chan has a twin brother who is reader's dad LMAO, fairy godmother!seokmin; featuring friends!seungkwan, vernon, and jihoon too 💙
Warnings: Mentions of Haruki Murakami's Kafka on the Shore(?); references to the films, Past Lives and The Butterfly Effect
WC: ~1k
masterlist || next
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Red thread. 
Inyeon. 
Butterfly effect. 
These were only a few of the hundreds of concepts of “fate” out in the world. The idea of fate was fascinating, wasn’t it? Two souls predestined to be together despite the confines of space and circumstances. One way or another, you’d find your way to one another because the universe, or whatever higher being up there, willed it – your stories already penned into the endless constellations of the sky before you were born. The only thing left was for the pages to be turned, eyes lingering across each word like footsteps on an unscathed path. 
The seamless flow of fate makes it natural to think that it only moved forward. Two people’s fate existed in the same timeline and moved in parallel before they crossed, tangled, and knotted. 
What would happen if fate didn’t follow these unsaid, human-made rules?
What if fate transcended the confines of time?
. . . .
With the flick of his wrist, Wonwoo snaps his hardcover copy of Haruki Murakami’s Kafka On the Shore with one hand. The quiet clap of stacked pages is lost amidst the noise of the subway station during rush hour. Businesswomen clatter down the stairs in their heels, hands pressed on the side of their tight pencil skirts; it’s in contrast to the rubber soles of the sneakers worn by the teenagers who heave as they sprint and race one another across the platform to catch the last train before they are late to class. The soothing robotic voice overhead announces the incoming trains; every ten minutes, it is complemented by the warning to stay away from the rails for one’s safety. 
With a heavy sigh, he tucks the red and black book into his satchel, the only question of why he took Kim Mingyu up on his recommendation to read Kafka on the Shore, polluting his mind. His friend had claimed it was award winning and vaguely added that it had an “interesting plot.” Mingyu hardly read, and if ever, he opted for mainstream books, like Me Before You – which took him four years to finish by the way. 
Murakami’s work wasn’t boring per se, but magical realism isn’t really Wonwoo’s cup of tea. Perhaps others would say he lived his life boringly, but he preferred one or the other. Black and white – the right shade of gray was difficult to perfect. 
Wonwoo is fortunate to have a later start time to work than most people. It gives him time to sleep in – or on the days he couldn’t, he could get up early and actually enjoy the leisure of his mornings. Workout checked off for the day, he could grab freshly brewed black coffee and perhaps a simple croissant straight from the oven from the bakery across the street from his loft, before settling on a bench in the subway. His activities ranged from doodling and reading to people watching while listening to music. Indeed, he is an introvert, but for that very reason, he finds solace in the anonymity of crowds during rush hour. In these moments, he didn’t matter and no one questioned him. 
The familiar sound of the rusty metal wheels against the tracts down the strip screech through his AirPods as Wonwoo comes to a halt near the ledge. The last train swept away most of the morning crowd, leaving only him and a select few others loitering in the dreary, gray terminal. The train rushes past him in a blur, creating a wind that rustles his overgrown bangs; he could feel it skimming the rims of his glasses, some strands brushing across the top lashes of his eyes. 
He waits for the cars to come to a halt, then the hissing of the doors sliding open to climb in. Though there were several empty seats, Wonwoo always opts to stand – there was enough sitting in a day. 
One. 
Two. 
Three. 
The overhead voice announces the next stop – the signal for the doors to come to a close and the train engineer to start the lever once more. 
Wonwoo knows this routine like the back of his hand. There was no reason for him to expect it would change. 
But it does. 
It feels like time slowed, everything happening fast, yet slow, all at once. A young woman dressed in a lavender blazer, clinging onto her own work bag like her life depended on it, barrels towards the already closing doors. It narrows and she barely slips through; they snap close behind her, releasing air as the car rocks back, then forward as the train starts moving. 
Without enough time to find a seat, she clings onto the same pole as Wonwoo to steady herself and keep the inertia from sending her sailing across the car too. She collects herself enough to stand tall, lifting her head to come face to face with Wonwoo. 
The young man is awestruck. His jaw grows slack, lips parting, yet no words escape. Excitement courses through his body; his grip tightening around the stainless steel pole, turning his knuckles white and the sensation in his hands growing numb. His heart surges with an unfamiliar, yet seemingly nostalgic feeling. The soft acoustic music flowing from his AirPods grow faint; only the sound of his quickened heartbeat thrum, replacing the gentle plucking of chords. 
The young woman is no less shocked – if not more. Her eyes well with tears, a half-hearted chuckle escaping her lightly painted lips before she presses them together and swallows harshly. Confliction flickers across her pretty features, her chin wobbling as she tries to maintain her composure and figure out what to do next. 
“H-hi.”
“Hey.”
Silence, then a beat. The sounds of the wheels against the tracts roar throughout the train. They’re barely speaking in whispers this time, but they can hear one. It’s as if everyone else on the train evaporated and they’re transported back to the first time they met. Only the two of them, this close in the expanse of the wide and spacely car. The scenery outside blur and blend into an infinity of white. The train could be taking them to outer space for all they cared. 
Where they were going didn’t matter. 
If fate didn’t know distance, then what they had didn’t know time. 
“Long-time, no see, stranger.”
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tmntaucompetition · 3 months
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As promised here’s the full list of every submission plus the creator! Keep in mind I’m only human and might’ve missed a few AUs. If so, let me know! (This does not mean every au on here is in the competition! Refer to the other two lists for those who are.)
Mystic Prodigy Series - KHLegacyNexus (+ao3)
Rabbit’s Broach - Pigeonsgrame
RatTrap AU - RatTrap tmnt
Uprising Dystopia AU (ROTTMNT) - alexthenerdbird
Uprising (2012) - hypernovasmash
Down with the Stockholm - devotedtoasadpoetry
Donnie Disaster - 5ilent5ilence
Until I Found You - PhoebePheebsPhibs
Little Subjects - AllyHeart707
Snapdragon - bluesgras
Remember Forever - uncannyAlien (ao3)
Totpocalypse - pastadorable
Warriors Heart - PeanutRat20
Gemini AU - tangledinink
Kid Leo - Angelpuns
Mama’s Boys - honey_rye
Feral Casey - azucar-skull
Lone Turtle and Hunter - MidnightCreator12 (+ao3)
We ran out of rats - breadle_doodles and sheltered-uno
Tmnt search for our colors - breadle_doodles
Minor interference - bambiraptorx (+ao3)
Rita’s AU - ProbablyNotARutabaga
Catch You - mudlurkspur (ao3)
Spikerangleo - Sweeenydino
Sorry I’m Late - GeminiForest
Kendratello childhood - zeawesomeness
Kendra tells Childhood AU - AlleyHeart707
Empyrean Weeping - cupcakeslushie
Open your shell to find - Onejellyfishplease
The lemonade leak - turtleinsoup
Fears embrace - Karonkar and OwlieDoesNothing
Their memories - 3mutantsinatrenchcoat
The last ronin becomes a discord admin - MelonPaloonza
Lost and found - LilliputianDuckling (ao3)
Two souls - virgilsspidey
Jacob’s Ladder - Tapakah0
Happily ever after - Phykoha
Ghost in the shell - amevello-blue (+ao3)
Of mutants, mystics, and magic - clanofjones (sideblog: of-mutants-mystics–and-magic)
Rise of the parallel - Indieyuugure
The mutation situation - Indieyuugure
Quilt au - Cokowee
Difference (2012) - NeptuneIsaPlanet (ao3)
The colors of yesterday - boots-with-the-fur
Tmnt greyscale - broken-slime-boi
Good genes 2012 - lordshroom
Two shades of blue a new timeline - Leon/Blue
Aberration - ProbablyNotARutabaga
I’m sorry teenage mutant what now? - tangledinink
TMNT stabilize - tangledinink
Slice of life – Theawesomeninja_XD (+ao3)
Memories - Theawesomeninja_XD (+ao3)
Miraculous hamato - Theawesomeninja_XD (+ao3)
Twin-Sync (More than you think) - little-banjo-frog
Snapper and stinkpot - Paytato435
Blood Orange Multiverse - JadeClementine, Mylenapony11, Cherry-Blossom-Consumer
Teenage turtle ninja mutants - idiot-mushroom
Revelations Timeline - idk-im-just-here-now (+ao3)
Through your hollow bones - idiot-mushroom
Age Gap - pezhead
The Lonely Buzz in Blue - Overthinkingbluesparks (+ao3)
Flowers amongst ashes - Spacemimz
TMNT Reticent - tmnt-reticent
Tabletop turtles - caffetato-the-caffinated-potato
Who rescued who - shardkn1ght
Purple squared - debb987 and bluepeachstudios
Michelangalone - error-code400
TMNT Street punks - Sir Concon (DeviantArt previously, Instagram currently)
Wrong home - Demonwitchcat (TikTok)
Subnautica leon au - havendoesthings
Space pirate leon au - havendoesthings
Pacific turtles - FantasiaWandering (ao3)
Snapdonnie - Onejellyfishplease
TMNA (Tortugas Mutantes Ninja Adolescents) - matuito
Prime Leo - Darth Sonny
Onryo leo - Aquariumgirls (+ao3)
Lost in the pink mist - lost-in-the-pink-mist
Hues of mystic neon - Overthinkingbluesparks (+ao3)
The Neon void - sugarpastelTMNT (+Twitter)
TMNT but warrior cats - Fireheartfan
Reptile rampage - lexa-ocean
What once was calm - lucatea
Soulmates (evil) – error-core-animations (Oofiescreams - ao3)
The somber sunrise - Mocha_Mochaccino (ao3)
Sorrow is an autumn heart - Srloc_Elbisivni (ao3)
Replica - Kathaynesart
Mitosis - Varian_dislikes_cheese (ao3)
Vengeance is yours - that_one_dork (+ao3)
The likeness of mirrored souls - enthblaze and omgselinabeckendorf
Future!rise mandalorian - TinyP3ncil (+Twitter)
The employees - theemployees
Hello, Clairvoyant? - cogentsummoner (+ao3)
When the world crumbles - tmnt-obessesed-ace
Same story different font - tmnt-obsessed-ace
Non-canonical chronicles - tritailed-shenanigans
The cupboard game - pianokantzart (mollykittykat - ao3)
Sidelined au - Dandylovesturtles
100 feet and a world away - Dandylovesturtles
Villain leo – villainleoau
Bloom from oblivion - Aliteraladhdmess
2012 sep au - Jaydrawsdoodles
Scraps - Skrapadoodlez
Magic au - Vaudeville-Moggie
TMNT unified - Bellaizumi13
Surp-Rise! - TheWritingDork (what_in_the - ao3)
Shades of purple - the_lavender_clown (+TikTok)
Never better - less-depresso-more-espresso
TMT Croc pot - less-depresso-more-espresso
Multiple red masks - Insane_lollypop
Eclipse - G0LD_Tea (Twitter)
Mama’s Wishes - Bucketofbugz
Twins Stick Together - YourGlitchedFandom (ao3)
The last something that meant to me - kinky-asexual
Forgive me - reagi-df
Rottmnt x TADC - insane-ace
Teenage Mutant Meddling Turtles - kaysdenofchaos
Ghost au - Melliedoodles
Difference between the appearance - jasminegazer
Bayverse rewrite - ragathaempanda
Feral leo - cupcakeslushie
Feral Leo (2012) - Tmntforeverinmyheart
Just this once everybody lives - TheDragonTribes (ao3)
The rift - Mathclassd00dles
Multi-Mutant Verse - MerakiMagic
Guess i’ve been disarmed - PhoenixDeleted (+ao3)
The Little Prince - Beannary
Same as it never will be - Hecktail
Is this right - cruilty-ink
Turtles all the way down - Pommigranite
Call me here I will appear - callmehere-iwillappear (rbt_lvr - ao3)
Firefight au - remedyturtles (remrose - ao3)
Death wish - remedyturtles (remrose - ao3)
Strawberry skys - frogandbird
Swanatello - tangledinink
Finding home - sad-leon
Once more, with feeling - oncemorewithfeeling
Causa scienta - urlocalllama (ao3)
Tmnt 04 - koolaidashley
DNAngel - blye-flower
Spider-lily au - tinker-the-dragon
No crime only brooches - olliethescribe
Villain PB and J duo - onionninjasstuff
Size upgrade - twin-disaster-tutel-brainrot
Know peace - less-depresso-more-espresso
Childhood dreams - chaos-potat
Wow, what a coincidence - Mathmusic8 (ao3)
Monophobia - MarukisSnack
Little Scraps of Wisdom - spectralsleuth
Mystic Malfunction - VanillaVengeance (ao3)
Softshell in human clothing - HoonHarpoon (ao3)
Puppet tightly strung - clairakitty (ao3)
Even more a disaster - 3lectricinsomnia and teaableu (mainblog: evenmoreofadisaster)
Red rover - Red-Rover-AU
Old soul - Delicatechildwitch
Camp hamato - P0t3n1al
Ktech - dontfindmeimscared
The sky is still red - cartoonhostage
At my worst - teainthesnow
No fun in fungus - boots-with-the-fur
August’s au - star-sparkler
Years we’ve lost - reagi-df (Reagy_jay - ao3)
Hueso raised leo - shardkn1ght
Remnant au - SelinaBeckendorf
Alt ninpo au - azure-fl0wers
Bad end ninja turtles - butterfilledpockets
Teetlez-verse - shiveagit
The girl who was once human - YourGlitchedFandom
Killer donnie - Yumeleo
wanderer - vangh17a
Live life - centerofleesmind
Twinpathy - vangh17a and centerofleesmind (mainblog: twinpathy)
Wouldn’t it be easier - 12Muffinz
Portal baby - Quartergremlin
Clarification - Quartergremlin
Caseys high school disaster era - Quartergremlin
Teenage mutant neglected turtles - nerves-nebula
Krang infection - Abbeyofcyn
Mutant Menace - 3m0n3rd
One turtle short of a lair - bucketofbugz (+ao3)
Remember your mission - Srae13 (+ao3)
Two arms left - intotheeliwoods
Rise rodeo - wanderinguteruspress
Dadatello - dadatello
Tlr rise - x bluebell (TikTok)
True colors - V-albion
TMNT 1999 - ezguple
Five Nights at the Mad Dogs - cj-can-art
2000s au - Youtube (???)
Mutinis - mutinau
Same as it never was – Kittynumyumm
Dee-evolution au - cnwolf-brainrot
The dragon on 5th ave - Lavender_Chaos (ao3)
Please Don’t Leave I Need You - TownFowl (ao3)
Battle scars - kaysdenofchaos
Blood is thicker than ooze - Linkymew
Loyalty leash - Nicoforlife (ao3)
Little brother au - Sharkfinn
Spider’s web - blue-star-doodles
Multidimensional turtles - multi-dimensional-turtles
Raised by the capybara au - rube-tmntluver and auggie-arts
Minecraft isekai - calebscornerofart
Ronin plural au – cpunkhobie
We’ll go from there - koolaidashley
Universes - XxLea_nardoxX
Honor bound - Terrazooid
New home au - clovers-super-cool-ask-blog
Crusade of a lonely turtle - revitalizationrat
Mustachello - revitalizationrat
Little warrior - NovelistServant (ao3)
TMNT x Sonic the Hedgehog - theelvishfiddeler
Aftermath - Happyfoxx-art
August and papatello au - Star-Sparkler
Her inspiration - Onejellyfishplease
Memories of a tyrant - Idk_im_just_here_now
TMNT Pokemon au - rubie-tmntluver
Bad end friends x tmnt - Landon Discher
Tmnt masa - Masadesign
Separated leo au - dianagj-art
Sewer punks - kettle-bird
Rottmnt ghost au – melliedoodles
Its not always the rabbit that takes a wrong turn (Dimension Hopper Leo AU) - nights-flying-fox (nightsfox - ao3)
Snapper lou au - Kittynomore
Reboot: a second chance - donniesbrows
Tmnt foodie au - Sleepis4theweak
But first they must catch you - mudlarkspur (+ao3)
Mirror maze au - idk-im-just-here-now
Omniverse - glitter-alienz
Life goes on - Andromeda_Galaxy2877 (ao3)
The unicorn paradox – Mushangaa
Starblind - WeirdNCrazy (ao3)
Prison leo au - Turtleblogatlast
Tiz sep au - Tizeline
Mutanimatronics - patate.frenchie (TokTok)
Not quite kintsugi, but close - terveneula
There must be something in the water - Filsamek (ao3)
Once upon a turtle - Metalshootingstar
Hunger games - daboyau
Fireflght - dandylovesturles
Tmnt chicago style - its-captain-sir
Tmnt shen and the lesbian league - genderfluid-envy
Broken trifecta - genderfluid-envy
Prodigy AU - koolaidashley
Leomori - koolaidashley
Four knights - lactoseintolerantswag
Leaves from the vine au - Cheetochild989
The extracurriculars - Nameissmile
Unfamiliar Familiar - Torable (ao3)
Goosey Leo au - GooseyLeo
A ninjas life for me - Triona-tribblescore
Grown apart - Chriscribbs
Turtle torchwood - Kiaxet
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probablyhuntersmom · 1 year
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The scenes towards the end of the finale were like an intersection of multiple characters experiencing the loss of father figures, in different shades:
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Luz's relationship to her late father took on a different form, after King's own father passed on and his glyph magic was gone for good. Manny gifting her the Azura books before his death, and Papa Titan offering her glyph magic before he too passed on, helped Luz find her place in the world and defeat Belos.
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Apparently this scene is what made Sarah Nicole-Robles bawl in the recording studio, right after she recorded the lines.
When these changes happen - when we experience the loss of a person, when our ties with them are wrangled into a new form, against our will - it can be devastatingly painful. Change and transformation make for fancy, dramatic scenes in fiction, and they always incur loss in some form, painful or not. It also made me so emotional when seeing how much 18-year-old Luz resembles Manny, and how her enrolment in the university is linked to both her biological father and Papa Titan.
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King's experience of seeing the majesty of his father, however brief, left him in awe and exhilaration. He can rest in the beautiful knowledge that Papa Titan was watching over him the whole time too. The message that his dad left him, relayed by Luz, is something he'll hold dear forever.
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Hunter will never be truly harmed by Belos ever again. But he can't discard the memories of Belos granting him attachment: even if the attachment ended up not being real in a sense. However, like what can be applied in real-life therapy, he can get guidance on how to rescript those memories.
Belos's lies about having good intentions don't change how it felt real to Hunter all those years ago. Hunter was a young child when receiving this 'love', and in a twisted way...the mission given to him by Belos kept him alive up till he could escape the Coven, because the mission gave his life meaning despite the circumstances being awfully terrible. A child cannot survive without attachment, and needs attachment even if the experience of attachment has been horrendous and scarring. And holy Titan don't get me started on how at age 16 (before the timeskip), he had yet to learn more grisly details about his predecessors - whom he might view as older brothers and fathers whom he never met - and the generational trauma in his Golden Guard family tree:
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which would have definitely been explored before he could experience that amazing hard-won serenity and peace at age 20.
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Even Philip's arc is inextricably tied to his manner of coping with how he murdered Caleb, who was the closest thing he had to a father, given how these two brothers were orphans. In the end, Philip meets his end while Luz gazes upon him the same way Caleb's ghost did. Philip won't be haunted by Caleb's ghost again, and he joins the person who was essentially his father figure in death. Till the very end, he was projecting onto another person because he didn't want to recognize the same traits in himself. He was the one responsible for his father figure's death.
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But grief doesn't mean the relationships in question have ended altogether. It's kind of like what this post about the finale (link) says, and it even extends to the relationship between us fans and the show itself.
The cliché "5 Stages of Grief" is the most commonly mentioned grief model, but I follow the development and advocacy of a newer perspective on grief that challenges it. In fact, the 5 Stages was originally just intended for terminally ill patients, but it was taken out of proportion. I began a serious investigation into the newer models after I went through something that parallels Hunter losing Flapjack...eerily, it happened to me two weeks before TTT's release date. No wonder I feel so close to Hunter as a blorbo, I guess.
Unlike what the 5 Stages of Grief says, grief and linear time don't mix well. Without "stages" to follow, there isn't an expectation of some deadline or permanent end of a tunnel in the newer models. Such pressure wouldn't be honoring the sacredness of connections between us. Instead, less famous grief perspectives like the dual-process model and continuing bonds model, are a better fit to honor relationships that mattered, since they aren't given an expiry date.
I wonder how Luz would be feeling on the day she graduates from the Wild Magic University, and how King feels each time he unlocks his own new glyphs since he is the new Titan to supply the Isles with magic. And I wonder how Hunter felt when his coven sigil was replaced with the Flapjack tattoo, and how he feels when he sees the Gravesfield town seal and Wittebane statues.
There are ways in which they can get creative to integrate their grief (notice I didn't say "get rid of", "remove", "erase" or even "manage"...the pain is what is to be managed, not the grief itself) the best they can. In canon, we have examples such as the Hexsquad agreeing to get their Flapjack tattoos together. Luz letting go of the light glyph sheet here:
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is also a fantastic representation of rituals like sending off a message in a bottle at a beach, tying a message to a balloon and letting it fly away (this happened in Reaching Out, didn't it?), or burning a message in a campfire to let it float up towards the sky in the form of embers.
It is a common recommendation to have exercises like letter-writing where the griever writes to the lost loved one. What many may not know is you can also do the reverse: you writing as your lost loved one, to yourself. Because the griever takes a piece of the lost loved one with them, that the griever has shaped within themselves. This is especially good if you need to extend forgiveness to yourself. An example from a book called Bearing the Unbearable:
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The author felt responsible for the stillbirth of her child, but had a "happy accident" where she intuitively asked for forgiveness and then received it, by invoking the love that her child would have shown to her in a world where said child had remained alive.
I think Hunter in particular could benefit from something like this, writing to himself as the uncle whom he saw as genuine and nurturing, and gaining ownership of that part of him even though Belos was a liar and is now gone for good. It can help him move forward especially since he won't be spared from nightmares in which his loss is re-enacted. With this kind of rescripting, historical accuracy doesn't actually need to matter. After all, our own minds lie to us at times and mess with historical accuracy anyway, like Luz's thoughts telling her she was as bad as Belos, and how true that felt.
A physical loved one is lost to death, and it can feel just as painful - only in a different way - if people become estranged or separated without a literal death having occurred. But the connection to them isn't lost, it is only adapted. The bond continues. For better or worse.
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I believe the pain in grieving is connected to each moment when we remember all over again that the one we loved isn't coming back.
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It's like the needle of a gramophone getting stuck in the loop of an unpleasant-sounding record scratch noise. It's a bit like what C.S. Lewis says in his book A Grief Observed: "In each of my friends there is something that only some other friend can fully bring out." I can't find the other part but he later said something like, therefore if a friendship is lost, the part of you that only that friend could bring out, is also lost. Something in you is locked away forever, though new things can also be unlocked after the loss.
It wasn't shown onscreen but I wouldn't be surprised if it's regular for Luz to come across a meme and be freshly reminded of her dad's absence, because she can't show him that meme. King would be wishing that a new funny cat video he discovers is something his dad could also laugh at along with him. Hunter would be hoping that Flapjack, the previous Golden Guards and Caleb are watching as he brings back palismen.
Bereavement, and any grief that is significant enough to alter our personhood forever, are the forms of love that can never really grasp how time flows in a linear way. They can't be reasoned with, only experienced.
"...the howling at the center of grief is raw and real. It is love in its most wild form" - Megan Devine.
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its-gettin-weird · 25 days
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"I want to be an admirable person. Like Mother Fortuna, who’s my role model. Or Geuse, who’s so kind and strong. Like Archi, who kept smiling until the very end, just so I wouldn’t be scared. Or Puck, who always protected me and never left me alone. Like Ram, who wished to do the one thing that would be the most helpful for someone who’s truly precious to her. Like Otto, who does his very best for his friends. Or Garfiel, who never once uttered a word of complaint. Like Subaru, who says he loves me, and does reckless things even when he’s wounded and hurting. I want to earn the respect of each of them. From now on, I want to be the one reaching out to help someone.”
It’s Emilia!
I don’t really have much to say about her in regards to what her powers or wish would be in relation to her design since in my au she hasn’t made a contract (yet… ;) and talking about it here would be spoilers lol), but what I can say is that I wanted her outfit to be very reminiscent of Madoka’s magical girl form (you know, for the Homura x Madoka / Subaru x Emilia parallel) (also some Satella elements like the roses because, you know :) ). I also took note of the spin-off magical girl event in the game Lost in memories where they have magical girl designs for some of the characters, and they happened to have one for Emilia, so I took a lot of inspiration from her outfit used there. Since the majority of y’all voted for her to have the main color in her outfit be white, I went with that for her top and boots and made most everything else a different shade of purple.
A quick aside, I really want to thank all of you who voted on the poll and gave positive comments/ feedback on not just the designs that I’ve made so far but on the art that I’ve been posting here since last year. I know saying this is cliché (and even saying it’s cliché is too) but it really does mean a lot seeing so many people like my art and my ideas. I have been posting art for a while now (on Instagram but I’m pretty new here so bear with me 😂) but I have never really seen as much engagement with my stuff as I have on other platforms and I’m really happy about that :) I have a hell of a lot more to make and show you not only about this au but in general, and I am so glad all of you will be able to see it and I hope you like it to. Thank you for everything so far!
Now with the sappy shit out of the way, I’ll go over a few last thoughts I had about Emilia’s weapon and soul gem.
I didn’t know what to give her for a weapon since in canon she makes a lot of her weapons out of ice, so I just decided to give her a typical magical girl wand/staff since I thought it would fit her and it’s what she wields in the Lost in Memories spin-off. I made the staff look similar to Madoka’s bow (again, parallels) with elements of the concept art for the magical girl rings in pmmm and of Madoka’s soul gem at the bottom. The crystal star shape on top of the wand is also a Madoka reference because it’s the same star on her grief seed and Law of cycles symbol / witch kiss. I also made it crystal sort of call back to Puck’s crystal.
Now for Emilia’s soul gem I made it look like a certain key that appeared in season two… It was based on the comment by a certain someone that said something along the lines of “imagine you are the key.”… This character is very important to this au not just in the world of Lugunica… :)
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atamascolily · 6 months
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Looking back over my screenshots again, I noticed something that bothers me: "Walpurgisnacht" is a name supposedly given to this witch by magical girls (and not what she calls herself, unlike the other witches we encounter), and yet that name appears in heavily stylized runes on her countdown signs in the original series. Why is that? Am I missing something?
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The same runes are also in the Eternal movie, although they are a bit more legible. Nothing else appears to have changed overall, although the shading/contrast on the ring and "peacock tails" (probably stylized lotus flowers common in Buddhist mandalas?) is switched up.
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The art style here is reminiscent of sixteenth- and seventeenth-century European woodblock prints during the time of the original witchcraft trials. This movement was stoked in large part by the widespread proliferation of lavishly illustrated printed pamphlets, which detailed witches' misdeeds in lurid detail, and popularized many archetypes we now associate with witches, from brooms and black cats to deals and dances with the Devil.
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Witches dancing with devils, featured in The History of Witches and Wizards (1720).
Similar woodblock prints, likely representing primary sources, can be seen in the background in Homura's apartment as part of her research into Walpurgisnacht, including several with dancing figures.
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These figures can be seen as Walpurgisnacht is ultimately broken up in the final episode.
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Just for some fun visual parallels, compare to this shot from the recap movies that wasn't in the original TV release. The main difference is that all of the figures of Homuras are the same, whereas the ones in Walpurgisnacht's circle seem to be different.
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The woodblock print in Homura's apartment depicts all the dancers as identical, while the later shot makes them look more like Walpurgisnacht's individualized familiars--which they might well be. Comparison to the Clara Dolls--a large number of familiars repeatedly described as being a match for or counterpart to magical girls with individualized designs--is also inevitable.
Ironically, the Christian saint Walpurga was supposed to protect against witchcraft, but her saint's day (April 30-May 1) ended up being conflated with the witches because it occurred at the same time as Hexennacht (German for 'Witches' Night'), when witches were said to dance with/in honor of the devil on Mount Brocken--and thus when people were most in need of St. Walpurga's protection. Goethe draws on this tradition in Faust, Part One (a major influence on PMMM) for the scene where Mephistopheles takes Faust to the Brocken in order to witness the celebrations--which is also one of the texts depicted in Homura's apartment.
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Another sheet reads "Ein Narr"--German for "the fool", another recurring motif associated with Walpurgisnacht (and also Homura).
Given the accuracy of these documents, these woodcuts are presumably based on eyewitness accounts (possibly magical girls, since ordinary people see Walpurgisnacht as a storm) where Walpurgisnacht appeared but was apparently not permanently defeated. Combined with Walpurgisnacht's ability to appear--and presumably disappear--without warning, and the fact that she's large enough to show up on radar as a storm, this suggests to me that Walpurgisnacht might be a time traveler or possess a similar ability to "exit the stage" and only reveal herself at the most dramatic moment(s) possible. Not only would this fit with her cog/stage motif, it would make her an even more fitting narrative foil for Homura, and add yet another parallel between them.
For both witches and ordinary humans alike, Walpurgis Night is traditionally celebrated with dancing and bonfires. Not only is Homura's name is a homonym for 'flame', Rebellion is chock full of ballet motifs, and she is last seen dancing alone in the moonlight late at night--presumably during the "witching hour" (which, depending on the source, is either between 3-4 a.m., or the hour immediately after midnight. Given the earlier scene of Homura becoming a witch as the clocks strikes midnight, I lean towards the latter interpretation).
Even more suggestively, Homura is now diegetically the Devil and appears to have taken on Kyubey's role as a contractor. If so, this strongly implies that she (and/or her double?) will have a personal relationship with magical girls as the one to whom they sold their souls to gain their power, just like historical witches were said to do with Satan. And given that these historical witches supposedly gathered on Walpurgis Night to honor the Devil... well, that does put Walpurgisnacht's likely (re)appearance in a new light, doesn't it?
...and if the 'Walpurgis' of Walpurgis no Kaiten is indeed the same Walpurgisnacht we saw before, then some timey-wimey/reality-bending/fourth-wall breaking shenanigans are afoot.
It's funny because "what were YOU doing at the devil's sacrament?" is usually meant as a tongue-in-cheek joke, but if PMMM continues to take these references seriously, we might actually get to find out!
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sofoulandfairaday · 5 months
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Please share all of your Sirius and Bellatrix thoughts ♥️
I have way too many, darling.
The TLDR is it is our choices that show us who we truly are, far more than our abilities. The long version is under the cut.
When reading about them I usually prefer stories where their original 8-9 year gap is preserved (it annoys me to no end when people write the Order and the Death Eaters as entirely made up of people in the same couple of years in Hogwarts —really? Was the conflict exclusively waged by child soldiers? Were Dumbledore and Voldemort just chilling before 1977, when they decided to start recruiting?). With that being said, I can also enjoy fics where - for shipping purposes - their ages are more compatible, to make them share time in Hogwarts or during the First Wizarding War.
I think they are very, very alike personality-wise. The narrative draws some delicious writing parallels between them, both physically and in their expressions, vices and virtues, and choices. Directly between them, might I add. The author underlines the difference between Bella and Narcissa more than once, we're meant to see it, and similarly we're meant to see the similarities between Bella & Sirius.
They are haughty, passionate, powerful, competent, arrogant, bright, much more intelligent than the fandom thinks they are. In general, they suffer from the stigmatization that many characters - but some people in real life do too - that someone who is intense and impulsive cannot possibly be as intelligent as people who are meek, soft-spoken, generally more controlled. Think what the fandom does to Sirius vs Remus and Bella vs her sisters, when every arrow points to the fact that they are actually the cleverest in these pairings.
They are both some shade of mentally ill, and not because of the curse of the Blacks - half the Blacks went mad didn't they? What's the saying? Every time a Black is born the gods flip a coin. god the Targaryen-Black parallels are gold - Sirius is very likely horribly depressed in OOTP, something no one around him seems to understand, infuriatingly. The only one that seems to get it is Harry, who has the literal Dark Lord living in his brain (= bigger problems to deal with). Bella is... I don't know what she is, ask me after my psychiatry module next year, but my money is on PTSD after Azkaban - after all, she didn't have the escape of an Animagus form behind bars. She would also very likely be victim-blamed for these different feelings, which would lend itself to a delicious nobody else in the world understands us but us type of post-Azkaban dark!fic which I would love to read.
They are both skilled at magic, and while they might despise each other for their respective political views, they respect each other because of this. Bella is probably above him in terms of magical power and skill, because she's 9 years older and because of Voldemort's training, but Sirius seemed to be keeping up quite well with her during their fight in the DoM.
Speaking of which, I am sure that Bellatrix's scream of triumph was due to her winning their duel, not because she thought she had killed him and that is probably the single thing I love the most about HBC's interpretation of her in the movies. That look. 10/10.
I am of the opinion that Bella is all bark and no bite when it comes to certain members of her family, especially her sisters. Sure, she might say that she wants to prune her family tree but 30 years later in the beginning of DH, she still calls Andromeda sister. I'm sure she would want nothing more than to put him under lock and key for the rest of his life and never let him escape, not kill him. And, to me, the way Sirius speaks of his family is very interesting. I'm sure he firmly believes that he hates them, but his actual feelings are more complex than that. You can hate someone and still desire their love, their respect. You can hate that they are the only people in the world who understand you - and hate yourself more in turn, for it.
Sirius seems to me like someone haunted by his own darkness. He, much like Harry, would be constantly worried that he's becoming like them. I'm sure it's a weak spot for him and I wish we had heard more bickering, or at least a full interaction between Bella and Sirius (I feel like she would claim him as hers, underline how much he cannot escape his own blood, even just to mock him/unsettle him in battle). But what Dumbledore says to Harry is true: it doesn't matter how alike they are, it's their choices that matter much more. And I feel like this is why the two of them would never reconcile in canon. They stand for different things.
I also think there might be some - and I know Freud is controversial nowadays, but bear with me - penis envy, on her part. Because Sirius was born the heir - something she would have given her left hand to be: to be born and die a Black instead of being expected to marry into another family - and he squandered it all away by consorting with werewolves and mudbloods. But no. He got everything and pissed on it, and it's just not fair. And by choosing not to come back, even in the two years after Regulus' death, he made sure that the Black Family name will die with him- and I think that is just something she can never ever forgive him.
Now. Everybody knows I don't like TCC and my preferred view of Bella is someone with fertility issues, even to the point of being sterile.
[I read an amazing fanfic once and a line from it stuck in my brain - "If I can't be life, then I'll be death"]
But. If we do see it as canon. This is also the reason why - despite being overjoyed at Delphi's birth - I am convinced that she wished for a boy when she was pregnant. If she had a boy with the Dark Lord, who couldn't possibly give them his name, the House of Black would have an heir. This is also the reason why I don't thing she was necessarily opposed to having children with Rodolphus - the "spare" would have been her heir.
Bellatrix would say that Regulus was her favourite cousin, but truth be told, it was really Sirius whom she respected more - at her core, in my opinion, Bellatrix is really only someone who respects power. Sirius is like her that way.
But Bellatrix is clearly a cruel person, which Sirius is not (or at least, he tries not to be: Kreacher and Snape are two very particular cases of people who are mean to him back). Also, Sirius' view of the world is much more egalitarian - If you want to know what a man’s like, take a good look at how he treats his inferiors, not his equals. Bellatrix is clearly someone who sees the world in terms of hierarchies, and lives within them (see: how she acts around Voldemort and what is implied of her treatment of house-elves who obey their masters: there is a scale and some serve others, and as long as they do so well they have certain rights; disobey, you get punished).
(Bellatrix is somewhat a feminist character but let's be real- she's not a revolutionary. She went to the Dark Lord and showed him just how powerful she was - aka my wand is bigger than all these male DEs' - and he said "okay, fair, I'll give you the Mark", thereby freeing herself. She is not a "equal representation for women inside terrorist organizations!!" type of girlie)
I also love how her death parallels Sirius'. It's thematically beautiful and it excuses her death coming at the hands of one Molly Weasley (who could never ever in a million years have beaten her on skill alone). She dies because she is arrogant. It's one of her traits. Overconfidence. She was always meant to die like that.
[coincidentally one of the reasons why she would not be a hufflepuff like some suggest: this woman is not humble]
I could go on, but I think I've rambled enough.
P.S. Let's not sleep on the fact that the two of them together would be hot.
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clockworkbee · 1 year
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tfota posts by me
This is in no way a complete list (nor it can be, coz I post a lot about them XD) but I will keep adding to this list in time. I'm kind of just putting together some things I love <3
Jude and Cardan thinking about each other so much that they even dream about one another
Why Madoc didn't allow Jude to declare herself ready for knighthood in the tournament?
“And is it?” “Out of your system?”
Cardan's fear for Jude while she's held prisoner in the Undersea
Karma in tfota
Like father like daughters
Cardan "I am no murderer" ready to kill for Jude
Jude misunderstanding the signs Cardan gave
Why didn't Jude end her own exile when she could have?
Madoc respects Jude as a Queen
Jude's uncomfortable love for Madoc
“It meant nothing, and he should forget it.”
“I see a new monarch coming” aka. Cardan's queen aka. Jude
Soft Jurdan
Caring Cardan Supremacy
QoN underrated scene
some small/deep parallels in tfota
Jude and Cardan: heart-less
When Jude's taken a prisoner by the Undersea
How Jude feels in the mortal world and how Cardan sees her in Faerie
What Kaye thought she saw in Cardan's eyes for Jude vs. what he really saw.
tfota and lyrics
I'm kinda slowly rearranging the “lyrics” posts for tfota under the #tfota + lyrics tag so you can check it out <3
tfota parallels with sword catcher
when he thinks about her too much
princes too spoiled to even plan anyone's humiliation
tfota parallels with Simon Snow trilogy
Cardan and Baz: I didn't know what I wanted
When they don't think what/who could hurt them
How Cardan and Snow make Jude and Baz laugh
Jude and Baz: maybe I should kill him
the energy between jurdan and snowbaz
Snow and Cardan simply giving heart attacks
tfota parallels with tsc
Jude and Julian: acting behind the scenes
Cardan and Julian making decisions based on ...
Jude and Kit being like: enough is enough, I need to show them.
Cardan Greenbriar and Kieran Kingson
Cardan Greenbriar and Ash Morgenstern
tfota and other small parallels I've squealed over
Jude and Annabeth fooling people with their smiles
Cardan Greenbriar and Oliver Marks
Patroclus, Cardan and Emma, in the dark
Jude Duarte and Delilah Bard, same energy?
they feel like the only real/solid thing in the world
A little of my treasure for you 💗
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sleepynegress · 1 month
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Your post about Loustat paralleling Ruby and Christina makes so much sense. I haven’t rewatched lovecraft in a while though what specifically would you say makes them relate?
Whew! Where to start. I feel I probably need to play catch up for Ruby/Christina's dynamic on Lovecraft Country because that's probably the one fewer people who follow me are familiar with so... This is Ruby and Christina:
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Ruby is a rock/blues singer in the 1950's Chicago, and like our man Louis, she has done most of the work holding up her family. Also, like Louis, a lot of the challenges she faces are deeply racist, and because of her gender full of misogynoir as well, more than today because of the past setting of the story... Her shade and body type also come into play when compared to what her sister, who is lighter-skinned and thin could get away with in life. Christina is the daughter of the leader of a centuries-old white male-dominated magical cult, in which she is clearly the most talented in wielding magic but she has no say-so and cannot inherit the same privileges because of sexism, something that is *always* intersected with racism which that cult has deeply ingrained traditions in. Despite it all, these two fall in love. The biggest similarities I see in Christina and Lestat are...
both... are not just white but white-white blonde hair blue-eyes.
have a measure of self-loathing because of some trauma devolved from whiteness (Lestat stalked and tortured and piled into a bunch corpsed reflections of himself) and (Christina always considered a "protected" possession beneath white men and not an equal because of her gender)
are powerful supernatural beings, a wizard (I just feel that's the more likely adjective over witch for her) and a vampire
are narcissists
woo and manipulate, seduce, their partners into being with them, by lending their own privilege to give them protection or higher status, via whiteness
both are desperate to connect with their Black partner in ways that are impossible because of innate privilege deferential w/in the times they live and their own psychological shortcomings - Lestat opening the relationship and Christina going through the pain of a "lynching" to try to understand Ruby's day-to-day fear
are ultimately toxic to their partner and all other healthier relationships they have - Ruby's family especially Leti and Louis' family, most importantly Claudia
genuinely love their partner but just don't have the capacity or ability due to past traumas, narcissism, and that huge gulf in empathy for their very different lives.
The biggest similarities between Louis and Ruby are.. that they are broken by racism and the responsibilities of existing and maintaining for others while they are invisible in their plight. Both are uniquely beautifully human, vulnerable beyond what any other people in their lives "see" and that makes them both entrancing and vulnerable to the Lestat and Christina.
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These are both queer interracial dynamics that take a really empathic and honest eye to render well, especially in this day and age. Both of these cultural spaces are riddled with discomfort, judgment, and fear, which mostly lead to dishonest depictions; and self-censoring, but they have subverted that for the most part.
Both I would say have been exceptionally well done and if really looked at critically beyond the chemistry and romance, I do think some interesting wider sociological conclusions/implications could be gathered from them. I think that's in part because of the freedom of the genre space. When it's supernatural or fantastical in some way, often the heavier issues are rendered more honestly. I'd absolutely love to read a dissertation really breaking it down.
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luciehercndale · 4 months
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I just love the "For luck" moments so much because they show the ways in which Kell and Lila deal with tension and fear, but also how they deal with trust and their feelings for each other.
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ADSOM - VIII: An Arrangement, II
Lila wants follow him but he is afraid that she might not make it to the other side. He gives her his coat as a sort of protection - which is like his Peanut's blanket, he never parts with it so it makes it 100 times thoughtful and cute - so that she has something magical on herself, other than the black stone. She is anxious, but tries to be brave. He feels the changes in her body: her pulse quickens, her heart beats loud against her ribs. And then she kisses him and he's dazed. It's a way for her to cope and to be braver, but also lol, Lila simply wanted to kiss a pretty boy. A carpe diem kind of situation. Can you blame her? This also shows that there's a tiny bit of trust between them. She's putting her life into his hands.
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ADSOM - XIV: The Final Door, I
This is the reversed situation. They need to go back to Red London from White, and they don't have the black stone anymore, so Kell is even more protective and scared, and so is Lila. They've had quite the adventure so far, and there's obvious attraction between them. They don't want to lose each other. They have so much to lose, but they need to try. Before they do, he wraps his arms around her and it is so intimate... and I'm a fan of their hugs because they're so meaningful and comforting. It feels bittersweet because they don't know if Lila will make it. This is Kell's carpe diem moment. He hugs and kisses her because it may be the last time he can do that. But of course, it isn't. And what's the first thing he does when he sees she's okay? He hugs her again. 💜
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drconstellation · 4 months
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Chiastic Structure of S2
The post preceding this is Chiastic Structure of S1.
S1 was neat, tidy and simple compared to S2.
S2 was...difficult. I have a feeling this is because of the missing minisodes. There felt like there were "holes" in places, where there was a strong scene with no corresponding pair, and yet in others there were single lines matching up.
You will also notice its quite...skewed? The hinging midpoint is right at the end of Ep4, which means the last two episodes mirror the preceding the four! So there are gaps. For example, the conversation in the pub in Ep2 doesn't match with anything specific.
One of the things I hoped it might shed some light on was the purpose of the trip to Edinburgh, which seems like a bit of a dead end. It does, in a way - I will discuss it a bit further below, along with some other parallels that didn't fit the structure.
A: Before the Beginning B: Aziraphale meets Crowley C: "How much trouble can I get into just for asking a few questions?"  D: "I'm very good at forgiveness. It's one of my favourite things." E: Gabriel: "I love you, you're funny" F: Argument about helping the other G: Crowley offered Duke of Hell position H: Crowley apologizes to Aziraphale I: Hiding of Gabriel - 25 Lazurii miracle J: Shax threatens Crowley K: Jobs children are turned into geckos M: Aziraphale's Trial by Temptation N: Aziracrow see God talking to Job: AZIRAPHALE: I don't suppose he's getting any answers. O: AZIRAPHALE: That sounds, um…CRAWLEY: Lonely? P: An angel asks permission for entry to the bookshop Q: Aziraphale makes unauthorized changes to the Bentley R: CROWLEY: Oh, come on, Mr. Dalrymple, it's not brain surgery! S: BARTENDER: You'll be one of those investigative reporters, no doubt? T: Aziraphale goes back to offer assistance to Elspeth and wee Morag U: Aziraphale stalls on saving wee Morag, says he doesn't have permission V: The laudanum toast to wee Morag W: AZIRAPHALE: Will you get into trouble? X: Crowley does Operation Lovebirds - Calls tempest Y: CROWLEY: "What are we talking about now?" GABRIEL: "Who am I? What's happened to me?" Z: Crowley confronts Gabriel about Aziraphale - Its always too late AA: Shax saying to Aziraphale she heard Aziracrow were an item 90 years ago BB: Zombies kill - 1st brain eaten CC: Crowley talks Aziraphale into performing a bigger magic act DD: Aziracrow shake on deal to do more miracles if needed EE: Zombies kill - 2nd Brain Eaten FF: The Staging of the Bullet Catch GG: Aziraphale gives permission for Furfur to enter the dressing room HH: Furfur says to expect a legion to come for Crowley in the morning II: Furfur's audience with the Dark Council, is treated condescendingly 
● SHADES OF GREY  - you said "TRUST ME."
II: Shax is stopped by Demon Josh, is treated condescendingly HH: Shax wants a legion to storm the bookshop GG: Beez asks if Shax has permission to enter the bookshop FF: AZIRAPHALE: I can guarantee you it will be a night to remember! EE: Shax wants killers, 10,000 demons DD: Deal for Dr Who Annual with Mr Arnold CC: AZIRAPHALE: Maggie and Nina are depending on me BB: 70 demons and a malignant and creeping sense of unease AA: Nina asks Crowley about how long he and Aziraphale have been together Z: Crowley confronts Gabriel about Aziraphale - stops him before its too late Y: Nina: "I’m going mad" - is spoken to by all the people at the Ball X: Aziraphale does Operation Lovebirds - Maggie asks Nina to dance W: AZIRAPHALE: I think you're overestimating how much trouble we're actually in. V: SHAX:… they are toast. T-O-S-T E. Toast. Now! U: Crowley stalls Shax on attacking humans, asks if she has permission T: Crowley says he's coming back, won't leave Aziraphale on his own. S: CROWLEY: Officer, I need to report a crime. R: Aziraphale: It all looks so simple in Jane Austen… the brains behind the 1810 Clerkenwell diamond robbery. Q: An unauthorized demon enters Heaven, changes P: Maggie gives permission for the demons to enter the bookshop O: MURIEL: It's a bit lonely. N: Aziraphale opens the portal to Heaven: GABRIEL: I told you you could ask. However, I am the only First-Order archangel in the room, or, you know, the Universe, so I'm not gonna answer so much. M: Gabriel's Trial K: Gabriel puts himself into the fly J: Aziraphale declares war on Hell I: Reveal of Gabriel - memories restored H: Gabriel apologizes to Beelzebub G: Aziraphale offered Supreme Archangel position F: Argument about helping the other E: The Big Damn Kiss D: "I forgive you" C: "Always asking damn fool questions, too."  B: Aziraphale leaves Crowley A: Beginning of  the End – Learn of Second Coming
Discussion on parallels that didn't fit the structure:
1. Crowley is given permission to destroy all of Job's possessions /  Gabriel refuses to give permission to destroy the Earth aka Armageddon II
There is a repeat emphasis on licenses, permits and authority throughout S2, so I really thought Crowley's permit to destroy of Job's possessions would have a match. It did, but it didn't fit the structure! If you look closely some of the other permits and authority lines do slot in. I'm planning some metas on these topics in the near future, as the use of language around these concepts is quite interesting, and there is some history to throw into the mix as well.
2. Crowley deceives the archangels with the help of an angel
This pair is a reference to Crowley and Aziraphale teaming up in the Job minisode to restore Job's children, and then Muriel aiding Crowley to sneak into Heaven. I'd just like to point out that Crowley could have gone to Heaven on his own - remember Eric went up with the hellfire in S1E6 - but he doesn't know where to go and get Gabriel's file, that is what he needs Muriel for.
3.  Popping up to Edinburgh
Ah, the trip to Edinburgh! Why? WHY!!! Why go all that way for ... nothing?
Guess what - it's a parallel sequence to Crowley popping up to Heaven.
I was going to write a companion piece to this but...my to do list is getting a bit long at the moment. Let me know if you want me to expand on it.
4. Ignoring messages
So this one started as "Nina gets txt messages from Lindsay, Mrs Sandwich says not to look at them," at the start of Ep3, then during the Ball Crowley is trying to lead the humans out of the bookshop and Shax confronts him with another bundle of mail. Crowley is succeeding in ignoring his messages from Hell, but Nina isn't.
5. Muriel and The Interrupted Tea Ceremony
In S2 it noticeable that everyone except Crowley needs permission to enter the bookshop, whereas in S1 they could just walk in. Originally I made a comment elsewhere that I thought this part matched with a sub-story to the Ball, the story of Sodom and Gomorrah and hospitality to angels, but then I came back and had another look and saw that there was a surface match - but I'm still going to do another post about the "cupperty" because it keeps getting lost in all the noise!
6. Threats and Declarations of War
Shax makes a number of threats throughout the series, to hunt Crowley down and to declare war on Aziraphale. So when Aziraphale inadvertently declares war on Hell with the halo toss, you'd think there would be a matching pair. There is, but not with a declaration of war, just a threat to Crowley. This is probably one of the weaker pairs.
7. Mysteriosity, audacity, ferocity and dangerocity
The Marvelous Mr Fell and his Mysteriosity has a pair with Shax's speech to her fellow demons about the unprecedented audacity of the attack on the bookshop, and how their lack of numbers will be made up for with their ferocity and...dangerocity. It should have fit, but it didn't.
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petrenocka · 4 days
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I think the Dark Urge canonical white dragonborn sorcerer set up is frankly perfect for him. Here's why:
Let's start off with the class. Sorcerers are rightfully memed as trust fund babies of D&D for getting all their magic from their parents as inheritance. And for a character who's story is all about taking on his daddy's family business or rejecting it? The one who has a butler following him the entire time? There is no better fit.
Now with the race, Dragonborn in Forgotten Realms lore wise aren't related to dragons, but fuck that, they still obviously invoke the idea of a dragon. And dragons are monarchs of the d&d universe. They horde wealth, amass servants and embody many ruler archetypes depending on their colors. Which play SO well into the whole nobility and world conquest thing.
Then there is a fact that it's a white dragonborn specificall. And white dragons are naturally closer to wild animals then other kinds, they are more aggressive and less contemplative, which is supported nicely by durges cruel animal like nature and his possible quest to fight against it.
And finally the red on white color scheme parallels greatly with Orin's white on red, communicating both that they are the same and opposite of each other at the same time.
And that color scheme is really good too, because of color theory.
Seriously though, red, especially the shades and shapes it takes on their models invokes the idea of blood, or violent death, of murder, which is all appropriate to the Bhaalspawn. And white makes the red stand out even more. White is used to signal purity because how easily it stains, and here it makes it seem like there is nothing but red to these people, it's only their blood only their violence that matters.
But white is also a stand in for innocence and it that what it also interplay nicely with the story of Orin and Durge. Because they were born this way through no choice of their own, Orin most definitely, but Durge probably too were manipulated and abused to mold them into their roles. And Durge looses memory at the beginning of the game, you don't know why any of this is happening to you for the longest time.
And of couture Durge the one with the most white in there color palette, is the one who it is possible to redeem.
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