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#rich i say !!!
stromblessed · 6 months
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Mizu, femininity, and fallen sparrows
In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.
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If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.
So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.
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I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?
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However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.
Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)
And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.
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Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.
It does not mean she doesn't hurt for them.
Back to Mizu and collateral damage, remember that sparrow?
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While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:
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She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.
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You see where I'm going with this.
When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:
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And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD
When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.
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MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS
No wonder Mizu is as stoic and cold as she is.
And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:
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Speaking of Akemi - guess who else is compared to a bird!
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The plumage is more colorful, a bit flashier. But a bird is a bird.
And, uh
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Yeah.
I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.
But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.
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Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:
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But softness and mercy haven't gotten Mizu anywhere good, recently.
There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.
After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:
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"LET" her die. Because as Ringo points out, she doesn't "know how" to die.
Kind of like another bird in this show:
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thatpunnyperson · 1 year
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According to NBC here in the US, the missing titanic sub has been found. As debris. Off the bow of the Titanic wreckage.
And it looks like the sub suffered what we all suspected, and what was undoubtedly the more merciful of the two options: a catastrophic implosion from the pressure.
Also, more info has come to light about the fishing trawler with the hundreds of migrants that sank cataclysmically off the coast of Greece, indicating that the greek coast guard knew about the vessel AND how much trouble the vessel was in, and were towing it at a speed that made it capsize, at which point they unhooked the tow line and watched the trawler sink without helping the passengers to safety. Despite a bunch of other ships trying to help as well throughout the whole ordeal.
So a lot of people are dead, all because of regulations (and the lack thereof) regarding sea-faring vessels and rescue protocols. People shouldnt be allowed to make a business charging a ton of money for a ride on an uncertified, unsafe, un-seaworthy ship going deep into the ocean with no distress beacon or tether to the mothership. People also shouldnt be allowed to enact laws that criminalize the ferrying of refugees, which then force the refugees to hitch rides on fishing trawlers, and which also prevent people from helping those fishing trawlers full of refugees due to fear of legal consequences.
Hopefully BOTH of these events spark changes on an international scale in terms of what is legally allowed to be sailed, who is legally allowed to be the passengers, and what the rescue protocols are in the event of disaster for any seafaring vessel, illegal or not. It shouldnt be just the global 1% who get 24/7 search parties and remote-operated submersibles helping rescue them.
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four EXTREMELY underrated glass onion moments:
"child = nft"
"it's so dumb!" "oh... it's so dumb it's brilliant..." "NO! it's just DUMB!!"
"uh, no one traihed ta kill ya, ya vainglorious buffOON" in that stupid accent
"you... dim-witted, brAINLESS, JACKASS! YOUR ONE MUHDUH WITH ANY PANACHE AT ALL AND YOU STOLE THE WHOLE IDEA FROM ME!!"
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all of us who thought watcher’s “big announcement” was the return of the hotdaga rn
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cuddlytogas · 3 months
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So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.
See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.
But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...
What is the difference between this and this?
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Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?
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Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.
But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.
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And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.
But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.
See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!
As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.
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And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:
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So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?
Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.
In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.
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In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.
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This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).
Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.
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More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.
This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.
A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.
But also. At least it fucking says something with its leather.
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useless-englandfacts · 7 months
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wake up babe new blood-curdling headline about the uk just dropped (x)
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p4nishers · 6 months
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god. GOD. the underlying anger in everything terry writes really IS apparent in hogfather bc fuck u mean this is how things should be? no the fuck it shouldn't. poor people shouldn't have to be satisfied with what they get, that's just fucking capitalism. i REALLY like that terry decided to use death as projection for what he thinks bc death doesn't know anything and it has to be explained to him and by it being explained to him it shows how fucking stupid those things are. bc ok here's this world where an equivalent of santa ACTUALLY exists and, because it mirrors our world, it's still unjust. santa actually fucking exists in this world and he could give ANYONE ANYTHING bc he's essentially a god and people gave him that power by making him up, BUT because ppl imagined him in a way that poor people don't get shit (like they usually do) and rich people get EVERYTHING they want, he exists like that. whereas death has seen the absolutely WORST of humanity and he STILL thinks that's bullshit and it's not how it should be, it's just how it goes. bc capitalism is always capitalism where there's money and the world will always be fucked up as long as there are oppressor to hold it up. like i just.
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darkeneddawning · 11 months
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Escaped clone au
You know all those fics where Danny and Damian are twins but everyone first assumes Danny must be a clone? How about an au where Danny is Damian's clone who escaped the League after he was assumed dead. Damian could even have been the one to have "killed" him, back when Danny was a newly created, fully brainwashed clone minion and trying to kill Damian himself.
Danny gets adopted by the Fentons and canon goes on as normal, until Dan. Witnessing what would happen to the world should he turn evil really drove home to Danny how dangerous he is.
Even if he was confident he could be trusted with his absurd amount of power (which he isn't), what if the League of Assassins found out about him? Does he still have programming triggers from his evil assassin clone conditioning?
So, Danny does the responsible thing: he goes to Batman to turn himself in.
Cue Danny showing up on Bruce's doorstep with ghost hunting equipment, intel on the afterlife, and an almost unbelievable backstory. Somehow he still managed to be more well-adjusted than Damian.
More thoughts under the read more
Here's how I'm thinking Danny leaving the League went down:
After surviving his wounds but failing his mission, Danny (then an unnamed potential Damian replacement) knew there was no point in returning to the League. As a failure, he was meant to be disposed of. He even thought of simply allowing himself to perish, since that was what the League would do.
But he couldn't help but feel as though that would be a waste of a resource. Surely he could be of more use to the League alive than dead?
That tiny bit of rebellious logic is what caused Danny to go into hiding, only living on based on the off chance he would find opportunities to further the League's goals. Obviously, that mentality didn't last long after being exposed to the real world and meeting one Jazz Fenton.
Being adopted by the Fentons was the best cover Danny could have asked for, since any odd behavior he couldn't hide while he was learning how to be "normal" was totally overshadowed by the sheer bizarre eccentricity of his new parents. He was still the neighborhood weird kid, but even that was a major upgrade from disposable tool, so Danny considered it a win.
Anyway, if anyone likes this idea, please feel free to have at it! Interpret it as you please :)
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sp0o0kylights · 2 months
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Wayne takes in a Beat to Shit Steve Harrington after Starcourt as n Owed Favor to Hopper Part 4
Part Three: link
First Chapter (parts 1-3 on tumblr) on A03: Link
The kid was madder than a wet hen.
Just as slippery as one too, when he got like this--music pulsing like a living thing to signal all his rage and upset. 
Not like Wayne hadn’t expected it. 
He just wished it wasn’t quite so damn loud. 
The music had started up almost immediately after Eddie had stormed to his room, startling Steve awake and nearly making Wayne curse for it.
Normally it was a good thing--music meant Eds was willing to listen instead of heading for the hills.  
Normally, they didn't have a house guest who looked like he'd gone ten rounds with a bear.
They had a routine for this, was the thing and the music was a key part of it. It worked all the edges off for Wayne, and he'd long figured out that about thirty minutes was a the perfect length of time for Eddie to stew before he could actually talk things through.
Given the hand Harrington put to his forehead, Wayne wasn't eager to give him that thirty minutes.
Not when Steve deserved little peace he could have.
Unfortunately, so did Eds. 
Still.
 Strutting through the door and demanding to talk right now was a bad move and so, with a sympathetic look given to Steve, Wayne did what he did best
Gave space.
Let Eddie rage, as Wayne got up and shuffled about the kitchen.
Pulled out the soft earplugs he pretended weren’t there for Eds to steal (playing that damn loud guitar all the time could not be good for his ears) and offered them to Steve, before making two cups of what Wayne privately thought was the Munson “chitchat” drink. 
One cup of hot water, one packet swiss miss, a small amount of maple syrup drizzled in, topped with little marshmallows they reserved for these types of situations. 
Wayne took his time with it, thinking through what he wanted to say. 
‘I understand that this is a screen door on a submarine kind of situation...’ 
Nope. 
‘Son I know you hate listening to anyone for anything but this is serious...’ 
Absolutely not--that would end up with the boy bolting for sure. 
‘Ed’s, I love you but could we please turn Ozzy off while we talk? That man wails louder than any damn cat I have ever met.’
That one was purely self indulgent, mostly because the wall was starting to shake. 
Wayne put the finishing touches on the cocoa before staring at both of them. 
Perhaps if he stared the Garfield mug in its eyes hard enough, the right words would come through. 
They did not.
He kept trying, standing there long enough for the cocoa to reasonably have cooled and for Eddie’s song to flip over to something with more screaming in it than singing. 
Wayne supposed that this was the hardest part of being a parent. You just didn’t get to have the magical one liner. The right thing to say at just the right time.  
The joke that would ease all the tension and let things progress forward nice and easy.
Instead, you got to fumble your way through the dark with a flashlight up your ass and hope you were going in the right-ish direction. Ideally without making things worse. 
Wayne was here though, and that had to count for something. 
(Knew it counted for something--because Eddie was still here. 
They had cleared hurdles far higher than this when it came to trust. They’d get through this too, come what may. 
Steve too.)
“Can I just ask,” Eddie started, aggressive as always when Wayne finally gave in and entered his room, feeling all sorts of awful for the migraine Steve had to have, “what the absolute fuck is happening?” 
Sure as fire he was sitting on his bed, leg bouncing a mile a minute.
An unlit cigarette hung between two fingers, looking a little chewed on, but otherwise undisturbed--as it should be, because one of Wayne’s few rules was that smoke stayed outside the house. 
“You could.” Wayne said loudly but agreeably, as he turned himself around and dropped down next to his kid.  
Held out the Garfield mug, and was happy when it was taken from him. 
“Figured you might have other things to say, though.” 
Likely a lot of things. 
It was as good an opening as any, and his kid didn’t disappoint, launching right to it. 
“Why is he here and not at a hospital?”
 ‘Here’ was punctuated by Ed’s hand winging towards the door, and while it wasn’t the righteous fury Wayne expected, it was at least, an easy answer to give. 
“Steve has some people looking for him. Bad people. Hospital makes him an easy target.” 
Wayne was still talking loud. Could only hear Eddie himself because he was looking at the kid’s lips more than he was actually hearing his voice. 
Eddie took that in, swallowing it about as well as he’d swallowed anything he hadn’t liked. 
And thank the stars above, he finally reached a hand out and turned the music down. Not a lot--Steve wouldn’t be able to hear them over all this--but enough that Wayne didn’t have to struggle. 
“We’re hiding him from the cops now?!” Ed’s spat. 
“Cops know he’s here. Hopper’s the one who asked me to take him.” Wayne reminded him, because it was the truth. 
Not the full truth, but given how Ed’s pissed off half the local PD on a good day, Wayne absolutely did not want to see his nephew take on Federal Agents.
(Particularly not the kind who were going ‘round killing kids.) 
“So--what?” Eddie yanked hard on his hair, a gesture that looked less intentional and more like he was trying to fight his own anger down. “Hopper just called you up and said ‘Hey, we had a whoopsie with the rich kid, the hospital’s not safe anymore. Can we stash him with you for a few days?” 
Wayne nodded once, slow-like. 
Always remembered how too fast movements had made Eddie flinch and jerk back when was littler, and given the way Steve was looking, figured it was a good time to be cautious again. 
“He did.”
“And you just--agreed? Just like that!?” 
“I did.” 
He pretended not to see Eddie boggle at him at the simple admission, so furious that he seemed to struggle for words when he normally had too many to say. 
Wayne took advantage. 
“We did talk a bit more than that, I’ll admit.”
Ed’s scoffed. “About the weather I’m sure.” 
“‘Bout trust.” 
Eddie blinked at that. 
“Trust.” He echoed flatly. 
“What have I always told you? People like to ask you to trust them, but you they don’t get to have it until--” 
“They provide proof or a reason.” Eddie finished with an eyeroll. “So which did Hopper provide then?”
Wayne took a noisy sip of his coca. Smacked his lips a little before saying: “Both.” 
Didn’t bother to say anything else, because he knew Eddie would finish the thought for him. 
“One of them was me, wasn’t it.” 
Eds didn’t say it like a question, but Wayne hummed in agreement anyway. 
He wasn’t gonna shame his boy, but he wasn’t gonna sugar coat Eddie’s involvement in this either. Not when he’d already admitted that was half the reason Hopper had gone to Wayne to begin with. 
“No one is expecting Steve to be here.” He said, seeing the chance to hammer home the most important part of this entire shitshow. “So long as no one finds out he’s here, he’ll be safe. Everyone will be safe.” 
Steve from the Feds who were hunting him for while he was busy being involved in shit he couldn’t control and Eddie because he had a mouth that most people didn’t like. 
Not small town people anyway, and absolutely not authority figures with guns. 
“Who’s even after him?” Eddie was theatrical as always, hands waving away as he talked. “Did he make a deal with the mob? Piss off some other rich guy? I know it’s not anything drug related, I’d have heard about it by now.” 
After years of experience, Wayne knew exactly how far to lean away to stay out of range, too used to his nephew talking with his entire body.
“That’s his story to tell ya, Ed’s. It ain’t mine. Same way it ain’t my place to tell him your story.” 
That at least got the boy to think for a minute. Put down that frustration he carried with him all the time, and use the brain they both knew he had. 
“How long is he staying here?”
Wayne shrugged. “Don’t know.” 
Eddie sighed and mockingly mimicked Wayne, taking an obnoxious slurp of his cocoa. “The neighbors are going to notice if he’s here more than a few days. The trailer park isn’t exactly big.” 
“They didn’t notice that time you decided to make fireballs with the cooking spray and about blew up half the driveway. Don’t think they’re gonna notice someone being quiet in the house.” 
Eddie snorted, and probably rolled his eyes again, not that Wayne could see it given the kid was looking into his own mug as he thought it all through. 
Wayne sat with him as he processed. 
Eds worked at his own pace with things, and while life at large might be against that, Wayne was happy to let him do it. Found it easier that way, then trying to poke and prod and force him like so many father figures did. 
Wayne’s patience was rewarded not even a full minute later, when Eddie turned to him and asked; 
“What if he finds out?”  
This in a quieter voice. An unsure one--words and body hunching in a way unlike the Eddie the world outside knew, but very much like the little boy Wayne had brought inside his home. 
It took Wayne  a moment to connect the dots--he’d been speaking out of the place parents and authority figures often do, and in doing so hadn’t thought much of the fact his nephew had a real secret. 
The kind small town minds didn’t like--and would kill him over. 
This all wasn’t about Wayne taking in Steve, he realized abruptly.  It was that Steve being here meant Eddie couldn’t be himself. 
Could not relax in a place he was accepted for who he was, because Wayne knew and made sure Eddie understood he was wanted here, had a place here, regardless of who he loved. 
Now, Wayne had gone and removed it.
‘Shit.’ 
“He won’t.” Wayne said. 
Knew that wasn’t enough, and so, promised: “But if he does, I’ll make sure he understands his safety here relies on your own.” 
Ed’s chin jerked in a nod, the two of them sitting in silence for a moment before the boy did as he often did when he wanted a hug but felt too awkward to ask for one, and tipped himself into Wayne’s side. 
“Thanks old man.” Eddie whispered into his shoulder and not for the first time, Wayne wished things were easier for the poor kid as he put his mug in one hand and hugged his kid with the other. 
Hoped that in the future, it would be.
Even if he had to force everyone and everything coming after him--and now Steve--to do it.
(Wondered vaguely, how bad it was that he was already getting as protective as Steve as he was of his own kid.
Probably very, given his kid clearly hated Harrington.)
xXx
Wayne took the first night of Steve’s stay off.
He wasn’t the type to use his PTO lightly. Was used to rationing it for any possible thing Eddie might need him for.
A night up sick when he was younger, to a night spent chasing him down during some of their bad spots--but the last year or so Wayne had slowly realized he hadn’t had to use it much.
He was still careful with it though, precious as it was, and was thankful for it now as it ensured his nephew didn’t murder their house guest. 
Or at the very least, didn't sit there pecking at him.
The kid might've failed English a few times, but he had a real gift with words and an even better one with insults.
(Wayne wasn't quite clear on what all the "King" jabs were about, and absolutely did not get why Steve looked far more hurt at the comment about his "sad ass floppy hair" but given the increasingly flat look Steve was throwing Eddie's way, Wayne figured it couldn't be anything good.)
Thankfully a pointed reminder about Steve's injuries had finally gotten them all some peace, enough for Harrington to drop back to sleep--and for Wayne to realize he looked a little too dead while he did it to be comfortable getting any sleep himself.
The kids chest barely moved, and that it ate at Wayne’s until he got up and shoved a hand under his nose. 
Felt his breath, and told himself the poor sod was fine. 
Hurt, absolutely, but alive. 
Over and over again, until the sun had made its rotation in the sky, bringing the morning with it.
‘Better than nightmares, I suppose.’ Wayne figured, as exhaustion scraped at his eyelids.
Those Wayne knew, would come later. When Steve’s brain caught up to the rest of him, and stopping dumping survival chemicals through his battered body. 
He'd given up on sleep entirely sometime around 1 am, and now he sat at his small kitchen table, writing out a medication schedule for Harrington so he and the kid both knew when he could have his next Tylenol. 
Wasn’t even halfway through it before Eddie made his typically late appearance and blew through his door. 
Had his back up from the moment he’d stepped a foot in the kitchen and it didn’t take a genius to see he’d worked himself into a snit again.
Unfortunately for him, whatever scenario that imaginative brain of his had cooked up fell flat to the reality that was the poor kid on the couch. 
Steve Harrington was one a hell of a sight.
Didn’t help that he was doing his level best to make himself as small as possible, curled deep into Wayne's ancient couch.
The blankets covered the ribs and hid away most of the damage, but there wasn’t much Steve could do to hide the shiners on his face--or the marks around his neck.  
Not when they’d grown worse overnight, practically inviting questions.
It was almost laughable how quickly Eddie ate whatever words he’d prepared, mouth awkwardly chewing around them as if they were tangible. 
The less-than-sneaky looks he threw at the younger teen were equally amusing, and if Wayne wasn’t trying to peace keep, he’d have given in and chuckled when Eds split attention caused him to pour half his coffee into the sink rather than a cup. 
Looked utterly lost when, after finishing putting his coffee together and grabbing some junk food thing that absolutely was not a breakfast item, he came to stand awkwardly at Wayne's shoulder, openly staring as Steve blatantly ignored him.
Eds didn’t know what to do, and Wayne couldn't blame him. 
Seemed to keep thinking he was going to encounter a boy that likely no longer existed, and whose blood tinged specter just made things sad.
Shit like this, Wayne knew, took a man’s ego and warped it, shaping it to something else entirely. 
At least for Steve, it seemed that getting wrapped up in whatever mess he had had shaped him for the better, instead of pretzeling him into something worse. That, Wayne thought, spoke to the boy's character more than anything he’d done prior. 
(It helped to know what Hopper tolerated and what he didn’t. That he’d vouched for Steve in the same way Wayne knew he’d vouched for Eddie, even if Eddie didn’t yet realize the cop he antagonized so much would do that for him.) 
That didn't erase the history his kid had with Harrington, though.
Wouldn't stop him from seeing the old Steve, first.
‘Don’t you got school?” Wayne asked when he decided Ed had stared enough. 
“Yeah, yeah.” Eddie waved him off, trotting out the door. “Bye old man, house parasite!” 
It was clearly a jab, meant to nettle, but Steve barely acted like he heard it. 
Wayne rolled his eyes. 
“Goodbye, Eds.” He said firmly, much of a warning as he ever gave, and fondly watched his nephew scuttle out the door. 
Turned to see how Steve was taking things, and was once again given a reminder that Steve wasn’t doing a hell of a lot other than feeling his injuries. 
“I think I promised you a game, son.”  Wayne said gently, startling Steve out of the distant, dim look he had trained on the wall. 
It wasn’t a lot to offer in terms of a distraction, but it would have to do.
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idanit · 29 days
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solidarity
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zarla-s · 1 month
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I saw this post about how Engie was probably born into generational wealth and I can't stop thinking about it.
[patreon]
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mangofanarts · 6 months
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Sunny and their crown friends (aka, their bodyguard, chauffeur and Accountant)
EDIT: @this-is-a-name-dont-worry Thank you for letting me know about their pronouns!! I wasn't aware :>!! Unfortunately I can't edit my tags to change some of it to they because I'm on mobile tho I'll use they/them for sunny more in the future!!
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vanhelsingapologist · 5 months
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Publishing has always been a fucking nightmare, but now it’s a layer of hell. It’s not enough that writers be good at what they do. Writers have to maintain an active social media presence and cultivate a following. Be available.
They have to be conventionally attractive enough to look good enough to see on a screen, aesthetically pleasing, kind, funny, up-to-date on trends, socially aware but not so controversial that they turn off a brand from California from slapping their discount code on a video promoting a book.
They have to do all of this with no media training, with little help from the companies that are supposed to be doing this for them.
Of course, a lot of this isn't possible for say, the 40-something mother of two who teaches English at a school and writes on the side. She’s boxed out of an already complex industry that already has enough walls.
On some level, I think authors have always marketed themselves a little, but we’ve reached such a crazy point where we’re demanding the author become the influencer. Accessibility in publishing has narrowed from an inch to a sliver. And that inch was hard enough to get in as is.
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wolvesandshine · 4 months
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AU where Sirius runs away from his famous family and lives his life as a normal guy TM and meets James. Fast forward a couple years and James hooks up with someone and is later forced to sign a non-disclosure agreement but both of them have feelings so they continue dating in secret. It’s not until James introduces him to Sirius that they realise that James has been hooking up with none other than Regulus Black and that he’d been best friends with the scandalous Sirius Black who had run away years ago.
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bruciemilf · 1 year
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One of my biggest pet peeves is the justice league being labelled as " The Avengers of DC" and its like. No? The avengers are law enforcement. The Justice League are volunteers
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plush-rabbit · 11 months
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Hole in One
I promised nsfw of him and here it is:)
Word Count: 3K
A/N: I saw art where he has like these fucking tendrils come out of his face hole and I needed that<3
Jonathan has certainly changed after the Super-Collider. Not only was his appearance affected, with his body elongating and compressing, but also features disappearing. However, his personality was also altered. He’s become more possessive, and clingy. He hardly ever allows you to leave your home during your days off. Sure, you have to go and buy groceries and run your errands, but he needs you. 
If you were to be honest with yourself, you like being needed. You adored the attention that he was giving you. You thrived under it, knowing that you were the one that he cared so much for.
So when you come home and he calls for you, touching and rutting against you while you sit on his lap, you roll your hips, feeling yourself leak arousal. It’s been too long since you’ve had any sort of intimacy with him that led to sex. Most intimacy ended right before it got physical, and you knew that would be an issue- he was still insecure about his body- you only had your fingers to pleasure yourself in the shower. Now that he has you on his lap, rutting and whining about how nice and sweet you are to him, you want nothing more than to have anything of him inside of you.
You press your lips to kiss against his jawline, peppering him in soft kisses and letting your hands cup over his chest. His hands find themselves over your hips, going under your shirt to feel your skin.  “I gotta say,” you mumble, “I miss your nipples.” He hisses out your name and you smile as you kiss down his neck. “It’s true. You were always so sensitive-” the pad of your thumb swipes over where they should have been- “always whined and buck when I’d twist them.”
“I wouldn’t whine,” he mewls, looking down at you. Pinching softly as the skin on your stomach, he tilts his head. “I miss being able to kiss you.”
Smiling softly, you press a kiss on the edge of one his spots near the collarbone. “I tried not to bring it up before, but you’re um, kinda flat down there.”
“Huh?”
“You’re missing your dick, Jonny,” you murmur, rimming a hole with the point of your index finger. 
“Oh um-” he clears his throat and the spot on his face divots at the top- “it's in a hole.”
Your brows furrow. “What?”
“Watch.” His hand shots down to his middle, and between the small space that you’ve created, his knuckles bump against your crotch. You roll your hips against his knuckles and he’s polite enough not to say anything. Oh, it really has been a while since you’ve had any sort of action. You watch as a spot forms, swirling and dark, little lines of it rippling around, and you blink and suddenly, you’re staring at his cock. 
With a watering mouth, you realize that it really has been a while. “Fuck Jonathan,” you mumble, trying to keep yourself composed.
“Good or bad?” He asks, uncertainty and insecurity twisted into his words. 
Having to peel your eyes away from his cock, you look up at him. “Mind if I blow you?” He nods rapidly. “Cool.” You kiss at the edge of the spot on his face. 
You sit on your knees, your hands pushing against his thighs to spread his legs. Appearing from the hole, the cock springs upwards, pure white, lacking any kind of spots. There’s a bit of coloration- a light gray that you wonder if it’s supposed to be his own coloration except in monochrome, or if it's blushing. From the hole, his package also exits the spot, resting over the edge. The spot itself is perfectly shaped for him with dark swirling lines around the edge of the hole, but there are no gaps- not an inch of room for you to rim and poke around. 
“You’re bigger than before,” you say in a whisper. Moving closer to his erection, you press your face against it. “A lot bigger.” You can feel your cunt twitch at the thought of him going inside of you. 
He’s looking down at you, his spot dilated and swirling. “You uh- like it?”
It really has been a while for you. You don’t even want to answer him- all that you can think about it putting him in your mouth. His skin is different than before, almost like a latex feel- or rubber. You aren’t entirely sure of the proper comparison but at the moment, it doesn’t matter.
Pressing a kiss against his cockhead, you pull back, swiping a tongue underneath his head. Other than the color and stretched size, it looks exactly like his did before- down to the vein on the underside, the soft curve to it, and the leaking head. You grab at the base of his cock, and he mumbles your names, hands lifting weakly before they fall back to the bed with a thump. Your tongue peeks out and you swipe over the slit, tasting the semen on your tongue.
It still tastes like him.
Oh, you’ve really missed him.
“Can you-” he falters with his sentence- “Please,” he begs.
You open your mouth to him, pushing yourself midway, already feeling his cockhead hit the back of your throat. He’s much longer than before. Pulling away, a thin sheen of spit covers him. Your hand wraps around his base, pumping him, and you return to him, feeling his thighs jolt at the touch. Taking him into your mouth, you can feel how hot and heavy he feels, and he leaks into your mouth, and you greedily swallow it all. 
There’s never been a stronger want than now. You need him. You worship him, suckling him and hollowing your cheeks, desperate as he is to make him cum. Your jeans rub against your crotch, and you can't think how his heavy scent fills your lungs and makes your mouth water. Unbuckling them right now is the least of your concerns when you can just rut against the friction with the thick material. Pulling his cock off of your mouth, it bobs and taps against your face, leaving your spit sticking to your skin. You watch in awe as it reaches well past your face. Even thinking about it going inside of you makes you want to skip the foreplay and just put it in. The sting of it might actually be worth it. 
Pushing yourself back against his cock, you take him again, shivering at how thick even his pre-ejacualtion is. Oh, your poor Jonathan- too pent up for who knows how long. You;d make up for lost time, you’re sure of it. You won’t let go of his cock until the both of you are spent and even then, you’d want him to be buried deep in your cunt, stretching and hitting deep at your core. You moan against him, the thought of him filling you with his seed and keeping it inside of you makes your cunt throb.
Your jaw almost hurts with how you have to push so far down, choking and spit dribbling in the corner of your mouth. But he sounds so good, moaning and panting your name with his hand holding onto the crown of your head. You focus on slurping him, suckling on his cockhead like it would produce you milk, moaning and rubbing yourself against the seam of your pants while he jerks and moans. 
He calls your name, broken and low, his hand fisting into your hair. “I’m gonna- Fuck!” He tilts his head back, bucking his hips into your mouth, his cockhead pushing against the inside of your cheek. “Your mouth- I fucking-” The sound of you gagging echoes in your ears, and you can feel strands of spit spill from your mouth. 
Your hand grasps onto his package, massaging and rolling the pair around in your hand. It feels so heavy in your hands- burning and weighted with pent frustration. Adjusting him in your mouth, your lips circle around the middle of his cock, his seed spilling and filling your mouth. It’s thick, and gooey, resting flat on your tongue and when you lean back, spills past the corner of your lips. Looking up at him, there are tears in your eyes, and your mouth closes, swallowing the seed and letting it burn down your throat. 
As you stand, you can feel how slick your underwear is. It slips and sticks and you need to take off everything. You’re too hot- too aroused to even want to consider giving him a show, but as he looks at you, his cock stays erect, twitching as a gossamer string of cum hangs and drips onto the floor.
Your clothes fall into a pile and he’s looking at you with his spot swirling and erratic, and you can’t help but smile. Oh, that has to be a good sign.  There’s fleeting spots of gray that stretch over his face, and you’re pulled on the bed. 
Laying on the bed with your legs bent, you watch as he dips his face down. The hands on your legs squeeze, and you suck in a breath through your teeth. You can feel his face nuzzle against your thighs, soft little upwards strokes that lead down to your cunt. 
A hand lets go of you, and you wait, and wait, the anticipation killing you and making you throb. You think about calling his name, wanting him to do something other than just stare at you. Something wet slicks against your cunt, and you yelp, body lifting and skin crawling with goosebumps. It’s wet and feels slimy- a feeling that you aren’t totally opposed to. His tongue- you think it’s his tongue- slides around your cunt.
“I’m sorry! I just- I wanted to try- Are you okay?” He peeks his head up from between your thighs.
“I uh- No, no. That was just a surprise. Keeping going,” you say breathlessly.
Your hands fist into the cover and you feel him lap at your cunt. It oozes over you, thin and viscid, snaking down the inside of your thighs to the bedsheets. You buck your hips. Gasps and moans fill the room, and you need him to keep going. His tongue zigzags over your cunt in fat strides, the point of it liking upwards around your hardened clit. Your hands find themselves at your breasts, pulling and twisting at your nipples. 
He does such a good job with whatever he’s using. 
“Fuck, Jonathan!” You yelp, lifting your hips when something else laps at your cunt, when something smaller and thinner teases at the edge of you, dipping in to feel you clench around him, but pulling away with ease. “No- Fuck, inside, please,” you moan, bucking your hips.
It doesn’t feel like it’s his hands, and it can’t be his hands because they’re holding your thighs, stretching and pushing them away. You don't have much time to think about it when your clit is rubbed with the flat of his tongue. 
Something wet is against your crotch and you aren't sure what it is, it feels like it's a lot- thick and slimy. You grind against his face with stuttering hips and a twitchy cunt. Wet, clicking sounds fill the room, his tongue working you into a frenzy, scuttling around your heat, and his face buries deeper as if he can’t get close enough, as he has to be in you- or you in him considering how his holes work. He eats like a starving man which isn’t completely untrue- and he’s simply lapping and swiping at your sex. 
Gasping and panting, you keen at how close you are, and in what is the cruelest he has ever been, he pulls away. You look up to see something slither back into his face hole, and he’s shining in your arousal, and his spit. 
Your face is flushed and eyes squinted in frustration. “Jonathan,” you wail, a hand shooting down to finish the job yourself. Except a hole stops you, and your hand shows up on the other side of the room, reaching for you, and grabbing for nothing. “Jonathan-”
“I wanna feel,” he says, grabbing at the base of his cock, and swiping it up your cunt. His head touches at your clit, and a jolt causes you to arch your back. He slides it back down and his cock enters you.  You pull your hand back, fisting when you feel him.
His hands find themselves back at your legs and he bends them, letting your cunt stretch and you feel him push further into you. Hands grips below your knees, and your hands bend to rest beside you. His thrusts are heavy and strong, and he’s bent over, looking into you as you whine and writhe under him. 
Frantically, he’s burying himself deep, and you can feel it all- every twitch of his cock, the way that it stretches and makes you want to cry that it’s far too much, but you’re unable to speak, too lost on the feeling of him finally being inside of you to actually think clearly. He ruts into you, and you stare at the hole in his face. He’s so much bigger than he was before, towering over you, having to hunch himself over to keep you at face level. He’s unforgiving, whimpering and cursing under his breath. He bullies your cunt, and it’s clear that he really needed this- that he needed you. You can hear soft gasps, and moans that sound deep and strained, and you think you see his hole twitch and spasm when you call his name. 
“Jonathan,” you mewl, tilting your head backwards. “‘S feels so good.” Your words are simple, mind hazy and muddled as the man before you slams his hips against yours. Sex is nothing like it was before, and you think it has to do with whatever built up pressure the two of you have had. You arch your back, your body shaking and squeezing against him as an orgasm crashes through your body. “More, more,” you plead, your hands reaching to grasp at his forearms, clawing at his skin. You don’t now why you waited to fuck him- you wouldn’t have if you knew that he was this needy and pent-up. 
The spot on his face is enlarged and swirling. Staring it feels too much- like you’re going to get sucked into it and never come out. You wonder if his holes feel good too. Reaching a hand, you swirl it around one near the crook of his elbow. He thrusts into you sharply, groaning and bending his head down. 
“You feel so good,” he laments. Something jolts inside of you- he sounds off, echoey and deeper. “Love how you feel.” he thrust into you and you gasp, fluttering your eyes close as he bullies your cervix. Through fluttering blinks, you watch as his jolts and the spots stretch over, almost encasing part of his shoulder in black. You wheeze and close your eyes when he pushes himself deeper into you. “‘S all mine.” You feel something wet drip on your chest and when looking, it comes out of his face hole in thick, dark drops. “I wanna be deep inside of you.”  He speaks in a guttural voice as he rocks his hips into you. 
There’s a knot in your stomach that tightens with every thrust, and you whine and moan, twisting and jittering as he pistons into you. You can’t bring yourself to speak, only moaning and wailing the closer that you get, the more that he fucks you in a way he hadn’t before. 
“Never wanna let you go.” You return the sentiment by clamping around his cock. “I wanna fuck you,” he slurs, giving short, quick thrusts into you. “Fuck you till you’re full.”
His spots swirl and move and the way that he speaks isn’t his voice, but an echo of it, devoid of emotion, only hunger and possession that lays mixed into the vowels and constants. You really do think you’re going to be sucked into him with how serious he is. 
Your body shakes and stutters as you reach your high, clamping around his cock, whining and clawing your nails into him to keep him close to you. 
“Where?” He asks, his voice melding to sound more like him. “I wanna- Where?” He calls your name, weakly and shakily pushing himself inside of you. His body jolts and twitches, the hands on your squeezing and scratching your skin. “Can I cum inside?” He lowers himself, resting his forehead against your own. “Please. I wanna so bad,” he mumbles. 
“Inside, please,” you mutter,  reaching up to kiss at his skin that burns under your touch. “Wanna feel full.” It’s enough to set him off, chasing his high, fucking you through your own. You squeal, legs twitching and body feeling as if it's on pins.
Even as he reaches his high, he doesn’t relent- his thrusts get sloppy, but they still hold the heaviness to them. It’s like he’s making sure that when he spills into you is going to be too buried inside of you to even leak out.
Past the twitching and calling of your name, he lets his cock warm inside of you, pulling out with a groan as if leaving you is too painful to even do. He lays beside you, his cock twitching against his thigh, leaking a thick cream that can barely be distinguished from his own skin. He takes heavy breaths, fingers dancing over the bedsheets in an attempt to calm down. 
You turn over, resting your hand over his. the middle of your thighs feel wet, and sticky. It leaks down and leaves a trail of warmth. His spots are smaller, back to his regular size, and while they move, they aren’t as erratic as they were before.
“That was good,” you tell him. “Fuckin’ good.”
“Mhm,” he agrees with a high-pitched voice. “Really good,” he agrees in a breathless voice. “Think we can go again?”
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