downsizing seasons from 22 episodes to 13 to 8. describing miniseries as "8 hour movies". loudly declaring that shows with 20+ episodes per season cannot truly be good. complaining that "it couldve been a movie". complaining about filler episodes. complaining about bottle episodes. complaining about episodes that prioritize character over plot. fr i think y'all just dont like television

for anyone too young to know this: watching The Truman Show is a vastly different experience now, compared to how it was before youtube and social media influencers became normal

before it was like, "what a horrifying thing to do to a human being! to take away their autonomy and privacy, all for the sake of profits! to create fake scenarios for them to react to, just to retain viewership! to ruin their happiness just so some corporate entity could harvest money from their very humanity! how could anyone do something so evil?"

and now it's like, "ah, yeah. this is still deeply fucked up, but it's pretty much what every influencer has been doing to their kids for a decade now. probably bad that we've normalized this experience"

if I try working on this anymore I’ll explode probably just take it

listen there really was just something about how in the book, snow’s 3-page descent from hesitant lover boy to deluded psychopath happens entirely in his mind. lucy gray gives him no indication whatsoever that she suspects him, that she’s going to leave or betray him. he’s just sitting quietly in the cabin waiting for her to return when that seed of calculated suspicion, which he has needed to survive the capitol, takes a hold of him and chokes the life out of any goodness left inside him. it really drives home your terror as a reader that “oh my god did he kill her? did she escape? what happened to her? why would he even think that?” in a way that when the movie had to adjust for visualization it lost some of that holy shit this guy has lost it emphasis.

FNAF Abby and Gregory discover Michael is an artist too

Go watch Nimona, it's really good

which movies have you watched the most amount of times? they dont have to be your actual favorite movies, just the ones youve rewatched most. for example: mine are the final destination movies and scream

there's something so poetic about coyote vs acme being the thing that causes wb's 'the producers' ass scheme of shitcanning movies for tax breaks to blow up in their face and cause them to turn to the camera, blink twice, and dissolve into a little pile of ash that their eyes fall down into with a little bounce

society is spiraling and culture is a wasteland. i know this because i looked and most people prefer things that are fun and easy, making fun and easy things extremely popular. this is the first time that's ever happened, historically.

someone probably said this already but in spiderverse i think it's interesting how when pavitr was first introduced everyone thought something bad was gonna happen to him bc of how confident and optimistic he was. and then in the actual movie we see that something bad was supposed to happen to him (police chief dying!) but it doesn't! miles stops it! and miguel berates miles for this, says it's going to cause the universe to collapse or whatever.

there's this idea that tragedy is inherent to spidermans growth, and while it's true that some spiderpeople learn important lessons through loss, no one stops to ask, is it really necessary? yeah, maybe the chief was supposed to die. but why does spiderman have to be formed through tragedy? why do we (as heroes) have to let people die? pavitr didn't lose anyone, and he's still a good spiderman! maybe, if he doesn't suffer, he'll end up better off for it!

so while miguel is arguing for all this big picture stuff about saving the multiverse he's lost sight of what it really means to be a spiderman, he's not looking out for the real individual people. yeah it's just one person who would die, but that one person means something to someone. shrugging and saying "stuff just sucks sometimes, we can't do anything about it" is the opposite of what superheroes do. pretty obviously, miles arc is also a reflection of the struggles people face in real life, working within unequal systems, where it's easy to shrug and say "that's just the way it is" and not ask "but why does it need be this way? can't we do something about it?"

miguel is arguing that you can't have your cake and eat it too. presumably, miles and co. are going to find a way to get around that and change things for the better (and maybe that's why miles has that line about two cakes in the advisors office!)

things critics hate, apparently:

people having fun

movies that are good as fuck and that ignite a viscerally emotional reaction from an audience of thousands and thousands of people

movies that are good

movies

anyways go watch fnaf

Broke: Acknowledging that a character who is an objectively terrible person is also a complex and intentionally well thought out individual with different levels of nuance you can empathize with in some ways while not in others is immediately “woobifying” or “poor little meow meowifying” them.

Woke: “This character is a bad person” and “this character is still a person” are two statements that can, should and do coexist and admitting that they exhibit nuance and depth and are more than just their bad actions doesn’t immediately excuse or condone their bad actions or mean that you’re ignoring or trying to soften the canonical version of the character.

Bespoke: That’s the whole point, that’s always been the point, to be made to empathize with horrible people so you can understand that they can be anyone, that bad people can be likeable, can be interesting, can be human, are human, and it’s scary to think about all the ways they’re just like you and all the ways they’re just like everything you hate, forcing the use of critical skills in media analysis, forcing a confrontation of the duality of man.

Whatever Level is Above Bespoke: But sometimes, yeah, sure, maybe they are a poor little meow meow, what are you gonna do, get a lawyer

ryan gosling was not picked as ken because he looks like ken, obvi lol. gosling was picked because of vibes, personality and what he represents: “all american”, conventionally attractive, generic but handsome, golden retriever, himbo. he’s not ken, he’s Ken-esque.

edit: and i like the casting :)

"I really value when people use violence and raise their voices for me. It's actually one of my love languages."

Havana Rose Liu as ISABEL in Bottoms (2023)

bitches be like "we need more evil women in media" and they cant even handle tashi duncan from challengers (2024)

(Late) httyd anniversary screencap study pt. 2 <3 + process video! (I never show mine cuz they’re full of chem equations and jumpscares but this one is ok <3)

Also random toof

I’ll ever stop thinking about them ok BYEE