i absolutely cannot believe people are trying to start discourse about whether nex benedict was actually nonbinary / whether it was okay for him to describe himself as nonbinary to some people if he didn’t actually identify that way as if he isn’t literally DEAD because he was KILLED. this is a MURDERED CHILD and these monsters are so busy getting mad at the possibility that he might have been a trans boy who described himself as nonbinary to his family because that was easier for them to take that they’re turning a CHILD who was MURDERED into fucking discourse. even when we die at the hands of cis people’s violence, our own community finds a way to make us the villains of the story.
and all of this bullshit on top of the ways that cis people are already trying to say our grief over his death is unjustified. all of this on top of people claiming he wasn’t murdered and speculating on other causes of death (i literally saw someone say he “clearly went home and took the coward’s way out” and i have never been more disgusted) or claiming that he started the fight as if any action on his part could’ve been enough to justify his death. i am haunted by the sound of his father screaming that his child was not filth because that is what people have been saying about this poor kid, that’s how cruelly his memory is being treated, and even the trans community can’t get it’s shit together enough to look past the stupid discourse and see the tragedy in front of us. did you all forget that it was supposed to be up to us to grieve him in the way he deserves when the rest of the world fails to care if people like him live or die? did you all forget that this child was our sibling, the future of our community, a life that we should have had the chance to know and treasure while he was still here but that we now have a responsibility to hold close to our hearts in his absence? nex’s life was precious and it was ended far too soon and if you truly believe that anything is more important than mourning his life and fighting for a world where no more trans people have to meet such an awful fate, you’re a traitor to this community and you do not deserve the place you occupy within it.
i’m so tired. i can’t even imagine how tired his family must be, to see the public treat the child they’re grieving so horribly, to see the world fail their baby again. leave him alone. he was already robbed of peace in life; the least you can do is let him finally have it in death.
700 notes
·
View notes
More clone^2 snippets
Snippet 12: hands
Lancer: dear god, Mr. Fenton, what happened to your hands!?
Danny, had a run in with Damian’s katana and both of his hands have stitches: um… cooking… accident. I can’t use them that much currently
Lancer, pale: right, yes, of course. You may have one of your friends right you notes until they are properly healed
————
Snippet 13: more hands (and dash is a dick)
Dash: I bet Fenturd’s just faking his hand injury to get out of doing class work. Getting out of classwork is my thing! I’ll show him.
Danny, minding his own business:
Dash, yanks on his fingers harshly: Freak! Did you think you could copy me and het away with it?
Danny, his stitches torn from the way Dash grabbed him: you’re the last person I’d want to copy Dash, let go.
Dash: we all know you’re faking the hand injury, there’s no way you’d— you’d—
(Danny’s hands are bleeding, and starting to smear on Dash’s hands.)
Danny, (fake) calmly: you were saying, Dash?
Dash: I - uh—
Danny: thanks for opening them up, jerk.
—————
Snippet 14: Danny is Bruce’s Clone and Bruce Wayne has been hottest man alive for many consecutive years
The A-Lister Girls are at a sleepover
Star: Never have I ever had a crush on Danny Fenton
All girls (including Star): puts a finger down
A-List Girl: Paulina put your finger down
Paulina, begrudgingly putting a finger down: he shouldn’t count - he’s a loser!
A-List Girl: he’s still the cutest boy in our grade. Put your damn finger down.
—————
Snippet 15: unstoppable force vs immovable object
(In the Clone Danny Au, since Danny is not a ghost Valerie doesn’t see Phantom as the guy who ruined her life, but a very exhausted vigilante trying his best. They’re allies with conflicting ideologies on how to handle ghosts.)
Red Huntress: are you kidding me, Phantom? You dragged a kid in with you to fight ghosts? I thought you were better than that
Wraith, offended: *opening his mouth*
Phantom, tiredly putting a hand over Damian’s mouth: *in ASL + one hand* you don’t think I tried to stop him?
Red Huntress: he’s a child, Phantom, how hard could it be?
Phantom: looks down at Wraith
Wraith: looks up at Phantom with the eyes of a hundred enraged bulls
Phantom, kneeling down to Wraith and pulling his mask up to show his mouth: *whispering inaudibly*
Wraith: *takes off in the opposite direction*
Phantom, standing up to Red: *ASL* well? go get him
————
Snippet 16: identity
(Danny and Damian are sitting on a rooftop, in the middle of a break from patrol. Damian sits between Danny’s legs and Danny is slumped over Damian’s back.)
Damian, playing with Danny’s fingers:
Danny: who are you?
Damian: Damian.
Danny: who are you not?
Damian: Damian Wayne.
Danny: do you have to be?
Damian: no.
Danny: who do you have to be?
Damian: I just have to be me.
Danny: who are you?
Damian: I’m Damian.
Danny: good.
Damian:
Danny:
Damian: who are you?
Danny, smiling: Danny
—————
Snippet 17: long hair
(In the Clone Danny Au, Danny’s hair goes to his shoulders. I was in a GNC mood at the time the au was made and it passed on to Danny.)
Tucker: are you going to cut your hair, Danny? It’s getting long.
Danny, laying against the bed frame with Sam doing his hair: probably to get the dead ends cut off. I like it long.
Sam: I like it long too.
Tucker: you like it long because he lets you do whatever you want to it
Sam: it’s also a stand against the oppressive stereotype that men can’t have long hair and must always have it short in order to appear masculine! Danny’s showing individuality and sticking it to the patriarchy at the same time!
Danny: and because I let you do whatever you want to it.
Sam, making a punk hairdo for danny: yea that too
——————
Snippet 18: Danny is Bruce Wayne’s clone and Bruce——
Danny, getting stuff from his locker: my parents have a new ‘Fenton anti-ghost sticky bomb’ they’re working on and—
Student with a photography camera: Hey, Fenton!
Danny, looking over: what?
Student: *snaps a photo* thanks!
Student walks away
Danny:
Tucker:
Sam:
Danny: so… um…. Is that- is that another Wes? Should I be worried?
Sam: you should be angry! He just took your picture without your consent! That’s a violation of your bodily autonomy.
Danny: we can keep an eye on it, Sam, and if it becomes an issue then I’ll report it to a teacher.
Danny: and as I was saying, I can’t wait to have to make sure that that doesn’t hurt anyone.
Danny: i love having to stay up late sabotaging my parents’ inventions. Yay…
—————
Snippet 19: Danny is Bruce’s clone and—
Wes: ranting about how Phantom = Danny and how there’s proof and he has it and—
Random Student from his photography club: you wanna kiss him so bad it makes you look stupid.
Wes: I do nOT
Student: Its okay Wes, so does literally everyone else.
—————
Snippet 20: Lookalike
Danny: the only good thing about being Bruce Wayne’s clone is that my Brucie Wayne Impression is spot on
Damian: what??
Danny: my Brucie Wayne impression. It shouldn’t be as fun as it is doing it
961 notes
·
View notes
the rise of AI art isn't surprising to us. for our entire lives, the attitude towards our skills has always been - that's not a real thing. it has been consistently, repeatedly devalued.
people treat art - all forms of it - as if it could exist by accident, by rote. they don't understand how much art is in the world. someone designed your home. someone designed the sign inside of your local grocery store. when you quote a character or line from something in media, that's a line a real person wrote.
"i could do that." sure, but you didn't. there's this joke where a plumber comes over to a house and twists a single knob. charges the guy 10k. the guy, furious, asks how the hell the bill is so high. the plumber says - "turning the knob was a dollar. the knowledge is the rest of the money."
the trouble is that nobody believes artists have knowledge. that we actively study. that we work hard, beyond doing our scales and occasionally writing a poem. the trouble is that unless you are already framed in a museum or have a book on a shelf or some kind of product, you aren't really an artist. hell, because of where i post my work, i'll never be considered a poet.
the thing that makes you an artist is choice. the thing that makes all art is choice. AI art is the fetid belief that art is instead an equation. that it must answer a specific question. Even with machine learning, AI cannot make a choice the way we can - because the choices we make have always been personal, complicated. our skills cannot be confined to "prompt and execution." what we are "solving" isn't just a system of numbers - it is how we process our entire existence. it isn't just "2 and 2 is 4", it's staring hard at the numbers and making the four into an alligator. it's rearranging the letters to say ow and it is the ugly drawing we make in the margin.
at some point, you will be able to write something by feeding my work into a machine. it will be perfectly legible and even might sound like me. but a machine doesn't understand why i do these things. it can be taught preferences, habits, statistical probability. it doesn't know why certain vowels sound good to me. it doesn't know the private rules i keep. it doesn't know how to keep evolving.
"but i want something to exist that doesn't exist yet." great. i'm glad you feel creative. go ahead and pay a fucking artist for it.
this is all saying something we all already knew. the sad fucking truth: we have to die to remind you. only when we're gone do we suddenly finally fucking mean something to you. artists are not replicable. we each genuinely have a skill, talent, and process that makes us unique. and there's actual quiet power in everything we do.
7K notes
·
View notes
Regarding Mina's description of Dracula and why it's problematic, a good starting point would be to read the Wikipedia article for physiognomy, which is the outdated pseudoscience of face reading that is unfortunately rooted in racism, antisemitism, ableism, etc., and was very popular during the Victorian era as a way to judge moral character based on facial features.
So when Mina says 'His face was not a good face', she is not just saying that Dracula is ugly (though concepts of ugliness and beauty are not value-neutral either), but that she can tell that he is evil based on his facial features; note that one of the facial features she singles out is a 'beaky nose', which comes from Cesare Lombroso's idea that among other traits, hawk-like noses are a marker of criminality on the basis of criminals being evolutionary throwbacks who are less evolved than non-criminals; many of these allegedly 'criminal' and 'degenerate' facial features are obviously racialized and not associated with Gentile whiteness, but in opposition to it.
Stoker was definitely interested in physiognomy and uses it as a narrative device to show how certain heroic characters are intelligent, perceptive, and educated on the latest (pseudo)sciences (the modernity theme again) - namely Mina and Van Helsing, but also Jonathan to a lesser degree; we will definitely see this idea come up several more times, including explicit references to Lombroso himself.
It is also important to remember that linking physical appearance and morality still happens today - think about how many people say they can tell someone is a bad person bc they're ugly or that 'People get the face they deserve' where good people age gracefully and bad people age poorly, even though aging has nothing to do with personal character.
745 notes
·
View notes
i've said this before but i think a huge part of the reason undertale's character writing works that doesn't get talked about enough is the fact that it doesn't fall into the trap of having FRIENDSHIP fix everything. i mean in a way it kind of does but like. the characters fix their own mistakes. they are the ones to decide they've done wrong and take action to fix it, not you. they just realize that through frisk. friendship gives them the new perspective necessary to change their ways, but it's only half the solution.
it's alphys who decides, on her own, to take the amalgamates home and admit her mistakes. it's undyne who, when it's her turn to attack you, outside her flaming house, decides there's no point in this path of mindless murder and destruction she's dug for herself, and breaks the cycle herself by dropping her weapon and deciding not to fight you anymore. it's asgore who, after you've done nothing but attack him, realizes what a coward he's been and decides to end the cycle of violence at the cost of his own life. it's mettaton who hears the voices of the hundreds who love him, and who he loves, and realizes that for now, it's more worth it for him to be content where he is. it's asriel who, despite the comfort of pretending chara's still with him, chooses to recognize frisk as who they really are, and face a harsh reality so he can save his family. sans sees your determination and perseverance in the face of hopelessness and decides that maybe there is something to fight for, all by simply watching you. hell, papyrus gives up his fight entirely on his own- all he needs is an opportunity to really think his plan to join the guard through, and a taste of what that guard actually stands for, and he decides it's not worth it without you saying a word. undertale presents you with all these flawed and complex characters and says, "here, look. they're just like you, and they chose to save themselves, despite everything in them telling them they were damned. will you do the same?"
479 notes
·
View notes