“Nice.”

Well SOMEONE hasn't read the Epistle of Philemon. And yet is out here posting about it. :\

It's been two days and I'm still thinking about Thursday night's show. The setlist was incredible and the vibes were so good??? Everyone on the stage and in the crowd was so genuinely thrilled to be there, Danger Days was heavily featured, Famous Last Words was hella cathartic, and ending with Cancer was the most perfect and bittersweet ending to the whole thing. Like YEAH the hardest part of this (concert) IS leaving you.

I was meeting a client at a famous museum’s lounge for lunch (fancy, I know) and had an hour to kill afterwards so I joined the first random docent tour I could find. The woman who took us around was a great-grandmother from the Bronx “back when that was nothing to brag about” and she was doing a talk on alternative mediums within art.

What I thought that meant: telling us about unique sculpture materials and paint mixtures.

What that actually meant: an 84yo woman gingerly holding a beautifully beaded and embroidered dress (apparently from Ukraine and at least 200 years old) and, with tears in her eyes, showing how each individual thread was spun by hand and weaved into place on a cottage floor loom, with bright blue silk embroidery thread and hand-blown beads intricately piercing the work of other labor for days upon days, as the labor of a dozen talented people came together to make something so beautiful for a village girl’s wedding day.

What it also meant: in 1948, a young girl lived in a cramped tenement-like third floor apartment in Manhattan, with a father who had just joined them after not having been allowed to escape through Poland with his pregnant wife nine years earlier. She sits in her father’s lap and watches with wide, quiet eyes as her mother’s deft hands fly across fabric with bright blue silk thread (echoing hands from over a century years earlier). Thread that her mother had salvaged from white embroidery scraps at the tailor’s shop where she worked and spent the last few days carefully dying in the kitchen sink and drying on the roof.

The dress is in the traditional Hungarian fashion and is folded across her mother’s lap: her mother doesn’t had a pattern, but she doesn’t need one to make her daughter’s dress for the fifth grade dance. The dress would end up differing significantly from the pure white, petticoated first communion dresses worn by her daughter’s majority-Catholic classmates, but the young girl would love it all the more for its uniqueness and bright blue thread.

And now, that same young girl (and maybe also the villager from 19th century Ukraine) stands in front of us, trying not to clutch the old fabric too hard as her voice shakes with the emotion of all the love and humanity that is poured into the labor of art. The village girl and the girl in the Bronx were very different people: different centuries, different religions, different ages, and different continents. But the love in the stitches and beads on their dresses was the same. And she tells us that when we look at the labor of art, we don’t just see the work to create that piece - we see the labor of our own creations and the creations of others for us, and the value in something so seemingly frivolous.

But, maybe more importantly, she says that we only admire this piece in a museum because it happened to survive the love of the wearer and those who owned it afterwards, but there have been quite literally billions of small, quiet works of art in billions of small, quiet homes all over the world, for millennia. That your grandmother’s quilt is used as a picnic blanket just as Van Gogh’s works hung in his poor friends’ hallways. That your father’s hand-painted model plane sets are displayed in your parents’ livingroom as Grecian vases are displayed in museums. That your older sister’s engineering drawings in a steady, fine-lined hand are akin to Da Vinci’s scribbles of flying machines.

I don’t think there’s any dramatic conclusions to be drawn from these thoughts - they’ve been echoed by thousands of other people across the centuries. However, if you ever feel bad for spending all of your time sewing, knitting, drawing, building lego sets, or whatever else - especially if you feel like you have to somehow monetize or show off your work online to justify your labor - please know that there’s an 84yo museum docent in the Bronx who would cry simply at the thought of you spending so much effort to quietly create something that’s beautiful to you.

@/upstreampodcast

"they make me insane" and it's my own ocs

did you know? if you do your laundry you can get your clothes back

me lately once again

listen. i know it's not 2014 anymore and i know it's just a throwaway line and that the russo brothers didnt intend for marvel action blockbuster captain america the winter soldier to become the tragic gay love story that never was but man. having steve say "it's kind of hard to find someone with shared life experience" in a conversation about romantic relationships right before the bucky reveal is so cruel. it's not just about steve and bucky obviously having the shared experience of being "out of time," it's the fact that they've both been stripped of their humanity in opposite directions. steve is a legend, he is an american hero and a national icon before he is a human being the same way that bucky is a weapon and a killing machine before he is a human being. steve knows that anyone who falls in love with him in the 21st century fell in love with captain america first, and that's just not him. but then the one person who knew him first and knew him best and loved him (not captain america, that little guy from brooklyn) so much he died for it is alive, impossibly. and it's a miracle because he's back and it's horrific because he's back under the worst possible circumstances. but to steve, the winter soldier is worth tearing the world apart for because he's always been bucky first. they find each other and suddenly they're human again. and maybe, despite it all, being "out of time" becomes a blessing, because in this century they'd finally be allowed to love each other the way they've always wanted to. like real people do.

like. no. the captain america trilogy isn't about two queer men traumatized and alienated by war and modern life rediscovering and reclaiming their humanity through their love for each other. but. i mean. it couldve been

I’m completely normal about this show

i think a lot about exactly 1 thing from the roman empire: the concept of bread and circus. the idea was that if your population was fed and entertained, they wouldn't revolt. you are asking us to give up our one small life, is the thing - for under 15 dollars an hour.

what would that buy, even. i am trading weekends and late nights and my back health. i am trading slow mornings and long walks and cortisol levels. i am trading sleep and silence and peace. for ... this. for what barely-covers-rent.

life really is more expensive right now. you aren't making that up. i make almost 3 times what i did 5 years ago, and despite an incredibly equal series of bills - i am still struggling. the most expensive line item i added was to own a dog. the money is just evaporating.

we were okay with it because it's a cost-benefit analysis. i could handle the customer harassment and standing all day and the manager's constantly changing temperament - i was coming home to hope, and my life planned in a blue envelope. three hours would buy me my dog's food for a month. i can give up three hours for him, for his shiny coat and wide, happy mouth. three days could be a new mattress, if i was thrifty. if i really scrimped and saved, we could maybe afford a trip into the city.

recently i cried in the car about the price of groceries.

business majors will be mad at me, but my most inflammatory opinion is that people should never be valued at the same place as products. your staff should not be a series of numbers in an excel sheet that you can just "replace" whenever you need something at that moment. your staff should be people, end of sentence.

it feels like someone somewhere is playing a very bad video game. like my life is a toy. like someone opened an app on their phone and hired me in diner dash ultra. they don't need to pay me well or treat me alright - they can always just show me the door. there is always someone more desperate, always someone more willing.

but i go to work and know i could save for years and not afford housing. i am never going to own my own home, most likely. i have no idea how to afford her ring, much less the wedding. my dog doesn't have his own yard. everything i love is on subscription. if i lose my job, i have no "nest egg" to catch my falling.

this thin life - they want me to give up summer for it. to open my mouth and throat and swallow the horrible hours and counted keystrokes. they want me to give up mountains and any non-federal holiday. to give up snow days. to give up talking to my mom whenever i want. to give up visiting the ocean and hearing the waves.

bread and circus worked for a while, actually. it was the kind of plan that would probably now be denounced by republicans as socialist commie liberal pronoun bullshit.

but sometimes i wonder if we should point them to the part of the history book that says: it worked until it didn't.

characters cleaning blood off their partner's face is just PEAK romance actually. bonus points if it's someone else's blood