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#op this analysis!!
ariadne-mouse · 5 months
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"Do not take me for some conjuror of cheap tricks!" says man who spent the last several hours providing the fireworks show for a birthday party
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dykealloy · 5 months
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such a small detail but I cannot stop thinking about law leaving kikoku by luffy's bedside when he went out to talk with hancock and ivankov. idk it stirs up a lot of questions. like does law do this often? does law, like zoro, talk to his well-behaved cursed sword like "kikoku, sit. watch." before he leaves to go have lunch or a well deserved twenty minute post-surgery nap. is this the protective equivalent to leaving a baseball bat by the bedside? doctor's bedside manner emotional support blade? but then I also can't help but notice that it's unsheathed. which... actually, who is that sword protecting really, just sitting there? did luffy wake up more than once in the cradle of that submarine while his body was still recovering? (drugged up to the gills, entirely noncoherent, unable to be reasoned with, going in and out of consciousness, the only thought running through his mind being "ace"). probably would've been a nightmare for the heart crew
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chemblrish · 20 days
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11 May 2024
Here's what's left of the semester:
four weeks of classes (only four?!?! Ahhhh!)
one analysis in ochem
one synthesis in ochem (when am I supposed to do it?!)
two pchem labs
two ochem tests
one final
I am totally not freaking out. It's fine I'm fine okay I'm fINE
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sailing-ever-west · 2 months
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I'm obsessed with Nami in the realm of female character writing, because on the surface her arc is to be saved by a guy/group of guys, and generally with female characters that's used to take away their agency or power and/or support a romance. But with Nami...it does none of that. Her story is about learning to depend on others, but rather than reducing her power in any way, it increases it. The isolation she experienced before wasn't independence, but part of her oppression, so having a family to support her gives her infinitely more freedom.
Luffy is her captain, but the way Luffy does that is never to lord over people, it's to raise them up with him. And, importantly, he waits for it to be her choice. He stays supportively in reach until she asks for his help. The only time he intervenes without permission is to stop her from actively harming herself. And when he does intervene, it's not to whisk her away and keep her somewhere else safe where she's dependent on his security and protection, it's to literally beat the crap out of her oppressor so he's never a problem again and she's free to live her life either way. And although Sanji acts romantically toward her and the rescue follows his grand ideals of fighting for a beautiful lady, there's no expectation that she now owes him anything or has to give him a chance just because he helped her out of an abusive situation. He did it because he cared, not in exchange for anything. They were all willing to fight and bleed for her with next to nothing in return, and that's so vital.
Nami being a woman is definitely relevant to her story (using her beauty and pretend helplessness to steal without suspicion, the fact that she takes after her mom who was tough as nails in the male-dominated marines, the very real isolation and fear of being female surrounded by [fish]men with power over her), but it's important to note that she doesn't need saving because she's a woman, or due to any weakness on her part. She is shown as incredibly strong, brave, and clever, right from the beginning, but she was trapped in a situation with Arlong that would've been impossible for anyone to get out of alone. Now with a crew by her side, she no longer has to.
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i-am-minty-fresh · 5 months
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I love in post-time skip when the Strawhats meet a new pirate foe or a new marine officer with the piss poor task of reining them in and they’re like, “oh so this is the fabled strawhats crew, eh? I am aware of your strength and resilience, and will treat you as the dangerous collection of super soldiers and assassins that you must be-“
Only to see that none of the strawhats have acknowledged their presence at all. Zoro and Sanji are still fighting. Chopper’s still napping in Robin’s lap as she reads. Usopp and Luffy are still finger-painting on the helm. Brook hasn’t stopped playing and Jimbei hasn’t stopped peacefully listening. Franky’s helping Nami design a new desk for map making without as much of a glance in the intruders direction.
The pirate/marine gets to see the ridiculousness of the crew in full view. They’re just a bunch of silly guys. They’re just a bunch of silly guys with power scaling so off the fucking chart that they have embarrassed the world government along with every Emperor of the Sea, most Warlords, and all of the Worst Generation.
Isn’t that thought terrifying? That they weren’t even taking any of that all too seriously? What if they had? What if Luffy wanted his enemies to bleed? To choke on their own blood? Would this group follow him? Slit their throats? Snap their spines? Burn them, beat them, tear them limb from limb?
The strawhat crew could run the ocean red if they wanted but instead they spend their afternoons finger-painting and designing new map making equipment and sunbathing.
Let’s all be thankful for Luffy’s endless mercy.
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midnight-in-town · 6 months
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My take on Sir Crocodile's past, including the possibility of the CrocoParent theory
(Because I can't help thinking about it, in the midst of Kuma and Bonney's heart-wrenching flashback...)
Crocodile is one of the few Warlords we still hardly know anything about, but we're bound to know about his past at some point (same for Mihawk with whom he's currently working, as well as Moria who stole like half (?) of the Rocks Pirates' corpses), starting with the panel that launched all the theories, back in Impel Down :
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Thanks to Kuma's flashback, we know Ivankov used to be a slave to the Celestial Dragons up until God's Valley. As for what happened at God's Valley, we don't know the full story yet but what we know is that...
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...the Rocks Pirates were defeated and disbanded by the alliance between Garp and Roger. Some (?) of them were cloned by MADS (like Stussy for a still unknown reason) and Roger then became the next biggest threat of piracy.
Their leader's name was Xebec and other people have already explained that it possibly is related to Sebek/Sobek, an ancient Egyptian deity represented either in its form or as a human with a crocodile head. And, as we all know thanks to the Alabasta arc, Sir Crocodile is strongly associated with Sobek/Sebek too.
From there, it's not a stretch to imagine that Sir Crocodile is Rocks D. Xebec's child and was also present on God's Valley, which is how Crocodile and Ivankov possibly first "met". Ivankov witnessed Rocks' defeat as well as his child's survival...
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...probably thanks to Whitebeard. Because, considering how the government tracked Ace and Luffy because of their dads, it's clear that any child of Xebec would be hunted by the government just as much and, like he did for Ace, Whitebeard probably saved and offered shelter to Xebec's kid for a while.
Whitebeard saving Croc as a child on God's Valley could be the reason why Croc seemingly hated Whitebeard so much : Whitebeard saving him instead of avenging Rocks, his captain, on God's Valley and then later probably defeated Crocodile, when Croc decided to become a pirate and went after the One Piece, could explain the animosity that we saw during Marineford.
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Anyway, because of God's Valley, this could be the secret Iva knows about Croc: he's the surviving child of Rocks D. Xebec, thanks to Whitebeard.
Whitebeard choosing to save him rather than his Captain and then later defeating him could also explain why Croc has strong issues when it comes to trusting others :
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Another hint that Croc is related to Rocks is Blackbeard. A popular theory/understanding in the fandom is that, while Luffy inherited Roger's Will, Blackbeard inherited Rocks' (leading to the idea that Rocks vs Garp & Roger will be paralleled with Blackbeard vs Luffy & Koby). This is especially interesting, considering that Blackbeard replaced Croc as a Warlord after he was defeated and sent to Impel Down, which is when they met :
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Crocodile also has a lot of "mannerisms" hinting he's a D. He's strongly interested in the Void Century, poneglyphs and the ancient weapons.
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Additionally, upon learning during Marineford about Ace's and Luffy's being hunted by the Government because of their fathers, he intervened to protect them...
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These acts, outside of the CrocoParent theory (see below), can be explained by Croc's own experience of being hunted because of who his father was, but also by what Ivankov said to Law, who's also a D :
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To conclude, I'm a strong advocate that Sir Crocodile is actually Rocks D. Crocodile and he obviously couldn't keep his father's name, in order to avoid being hunted during his entire life by the Government.
But what about the CrocoParent theory?
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Well, as much as I'm an immense and dedicated fan of this theory (full explanation here), a part of me doesn't trust Oda to be brave enough to go down that road, even if I'm also eagerly waiting for him to. :D
Whether Croc was afab or amab though, the theory that he's Rocks' kid still applies. The only difference is that, if Croc was afab, then on top of knowing about who his father was, Iva also helped Croc with transitioning, thanks to their devil fruit.
Of course, it's probably through meeting Iva that Croc then came to meet some members of the Revolutionary Army, like Dragon. He gave birth to Luffy, transitioned afterwards with Iva's help and his actions at Marineford (protecting both Ace and Luffy) are not only because he used to be hunted as Rocks' kid, but also because he just learnt that Luffy is Dragon's son and thus his own child. :))
After all, to quote Dragon in the latest chapter of Kuma's flashback...
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... "a child is their parents' weak spot" seems to ring to the same bell as Croc's "if you want to protect something, do it right" (like giving up on raising Luffy and leaving him in a remote village of East Blue, to avoid him being hunted by the World Government).
Anyway, long post, sorry about it! I hope we'll know soon about Croc's past. Let me know if I missed some hints ! :D
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I cannot stop thinking about this part of the JJK opening credits for the Star Plasma Vessel arc. It is SO SUGGESTIVE.
Gojo just chilling as he plummets off a skyscraper, because he trusts that Geto's shikigami will catch him...
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Then Geto does this FLIRTY 'COME HERE' GESTURE/FACE (and Gojo smiles like the fcking simp he is)...
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THE WINK AND SMIRK?????
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(P.S. don't get me started on the symbolism of Gojo/Geto being literally each others' 'other half')
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Yorki and ‘His Illness’;
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Oda really knew how to drive the knife in when it comes to the story of Yorki and his crew, man…
From the choice of scenes before we get to see the bed-ridden body to the actual real world equivalents, its really rough on the heart.
What we knew about Yorki, from the scenes right before the announcement of his illness getting worse, is both his confidence and his strength.
The scene we get to see is his crew surrounding his brand new bounty, Yorki cheering and proudly proclaiming his joy for it. We see the great swaft of muscles on him, his chest fully exposed and his hair bright and fluffy along his shoulders. His face is clear, his arms fill out his coat, which is important later on, and he holds such a pride that he reminds me quite a lot of Luffy. We see him break up fights, offering advice to his men and we see him joking and drinking alongside his caring crew… and Brook. Brook is always by his side, during the mornings when he brushes his teeth, to the night when they drink side by side. They’re always together.
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[ buff pirate cowboy! ] Until they’re not. Now comes the topic that may be a bit rough, the real life equivalent of what we see Yorki suffering from. I'll list the symptoms and y’all can make what assumptions you wish, and again, I’m not truthfully claiming its any REAL ILLNESS, but I mean simply it is inspired by, acting the same and such. We see a cold compress, so it’s bothering his body temperature. We see sunlit windows, open to the fresh air as if that could help. We see spotting across his face, and hands; small wounds, growing in number. We see his hair, like a mock halo loosely scattered across the pillow he lays in, and it’s stringy now, not glossy or kept. His mouth his covered by a mask, so they believe its airborne/touch. These sound to me, a lot like a certain sickness, one passed by blood which is interesting given the scenes we see before this are Yorki and the members who now are sick, sword fighting with a rival crew. It’s also notable this sickness, and spots of this illness do not show up until the few month mark. Brook would have had to watch he changes wrack his body. Yorki, would have had to watch the changes wrack his body. The doctor states he's unsure what it is, but is treating it best he can, as what he believes it to be is unknown. But knowing what we do on old methods of that certain sickness, it would make sense. The mask helps, the spit and body fluids being a factor, but the idea of sunlight and fresh air helping is an olden falsehood. The men come into the room, and Yorki speaks to them through horse coughs, offering words of encouragement and laughing through the mask as they shuffle out. They know the truth of this serious matter, and Yorki does too. They leave, each crying their hearts out for perhaps they did not realize the truthful change until that moment. Brook certainly looks perturbed, staring blankly ahead at the bed. Note, most do not get too close to the bed, standing feet away, and not touching Yorki.
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What a physical change from the man we saw before. But not too much mentally… or has it. He has a mask, mentally and physically still up; he gives them hope, tries, but… they see through it after months of his brushing off of the sickness perhaps.
After everyone leaves, Brook remains to stand, away from the bed until called. Called. Yorki calls to him, stating his name as he always did. “Brook.” “Yes.” And Brook comes closer, but not quite to the bedside, staring ahead with a blank expression. Than Yorki leans over, and grabs his hand, and in a flash of a moment Oda CHOSE for us to see, Brook looks disgusted. He grimences, brow furrowing at the wounded hand that touches him, but than we see what he sees lying in the bed; a weeping, broken husk. Yorki has begun to weep, sobbing as his confident facade is broken and melted away in front of his Vice-Captian. And Brook melts too, dropping to his knees and forgetting all of these ideas of illness, tossing any safety away for his crew and himself just to make Yorki feel seen, or perhaps because of his own need to love his dying partner. He clutches Yorki’s hand, and now we see the true damage the illness has done; Yorki’s wrist is thinner than Brooks. His arm is gaunt, and we see the bone. He is withering away, has been for months it seems, but Yorki always was good at excusing it with a confident smile. But now, in the bed, unable to stand and wracked and eaten away by something we can only claim perhaps as some blood related illness, he weeps before his partner. “Brook-” “YES? My Captain?” “Give them HOPE.”
I’ll just include the rest of the scene here for your own enjoyment.
I could dive into the fact that Brook believes he failed those words, or the fact the crew did not just die of poison, and their deaths were so gruesome the anime had to censor it. The fact Brook continues to “give the crew hope…” or the way he mentions he may not have made it out of the triangle alive.
However! That is for another day.
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beaulesbian · 2 months
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[egghead spoilers, up to chapter 1110]
Sanji's humanity & Zoro's strength
(or lack thereof) - a theory of possible conflict between Luffy's wings before the end of Egghead arc. Long post ahead. Like.. very long post.
So the new chapter had a very interesting new "banter" between Sanji and Zoro, but no, actually just Sanji, because there was no usual back and forth quips followed after.
Yes, this whole post started because of these few panels: (" ...!!")
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After rereading the chapter more times I realized, Sanji's not even speaking to Zoro or knows that Zoro can hear him. He's talking about Zoro, and calling him a burden to the team.
Which is just baffling to me? (fair, maybe I'm looking too much into it and next chapter it would be explained in different way) but for now, I need to put this out there and make my own small (long) theory on this.
There's lot to be said about the word burden here, and I will get to it later in the post, but for now, let's start with Sanji and his eyebrow!
It wouldn't be a perfect story if Oda didn't tangle threads of each respective characters from multiple arcs before and brought them up together later on during one of the most difficult times when Strawhats and Luffy are facing off with so much danger (reminds me of Sabaody but in a very different way).
In this instance Sanji's past could be brought up again, something that started worrying him since his fight with Queen in Wano, and especially given that his left eyebrow has been changing its shape quite a lot during the run of the Egghead arc.
Here's just few panels throughout end of Wano up to current Egghead chapter, where Sanji' left eyebrow is in the focus on the pages:
Chapter 1029 was the first part where Sanji was thinking his body might be undergoing some changes he couldn't control -broken bones insantly healed, stronger and faster than ever before, due to him beforehand using the Germa suit which possibly triggered this sort of superhuman modification he wasn't really aware of until then. When he realized he couldn't remember certain memories, he panicked, thinking he might be changing into something similar like his brothers, a scientific weapon created by his father. The worry and panic was all the more present because he thought he hurt someone without his knowing, and that'd slowly take away his kindness and sense of humanity. (Too bad I hoped the changes his body might be undergoing would only be realization of his non-cis gender status, but maybe that's still on the table for sometime in the future.):
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^In this second panel his face is on purpose shadowed, which was the last time he was shown in that chapter,
and only again was in chapter 1031 - where his eyebrow changed:
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and it takes him to think about Luffy and what his purpose would be if something so important of him would change. He knows why Luffy went after him in WCI, he knows what values are important for Luffy and his crew, and of course he doesn't want to be reminded of his family and his brothers and act as they did. He chooses the humanity, the kindness that Luffy loves in him.
Even to the extent to call Zoro and make a deal with him - to kill Sanji if anything would go wrong with him. "If I'm not in my right mind, I want you to kill me." That much trust he has in Zoro to protect the crew and Luffy!
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Of course Zoro wouldn't do anything reckless without a good reason, but part of their banter and understanding each other would be to promise something like that - echo of Thriller Bark and the range of how far Zoro would go to take on someone elses pain. It's a promise to win their separate fights, but also this was something that Sanji put out there for Zoro to take notice of. (I will come back to that later.):
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(still the "bad eyebrow" - he had that the whole chapter 1031).
After his fight with Queen (where it was also cleared what his actions were and weren't), he was only shown two times until he woke up, and both times he had his eyebrow back on good side.
1036 & 1044 (hearing Luffy awaken his powers):
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All the way up to Egghead he seemed to have his eyebrow drawn this way, and it started to change only during fights -
ch 1075, still good eyebrow, tho.. ehh this behavior.. whatever:
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ch. 1078, protecting his crew from Seraphim, bad eyebrow:
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in between chapters 1090 - 1105 (most of which were flashbacks and Sanji nor Strawhats were shown) he appeared with his typical eyebrow:
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and it changed again in ch 1107 - when he was again protecting Bonney / fighting against Kizaru:
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interesting was chapter 1108 where he's standing between Saturn and Vegapunk, and he's describing Saturn with "he's less and less human by the minute" while his own face was obscured, (I mean.. interesting choice of words and what character said it, huh?):
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and the next page he still has the bad eyebrow:
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in chapter 1109 it's back on his typical side, where it continues from previous chapter of Sanji carrying Vegapunk- so at some point it must have shifted back (and I'm curious if these changes would be noticable in the animation). At this part he's watching how Saturn is summoning the other Gorosei to Egghead:
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Which leads me to the point from above with Zoro.
chapter 1110 and their interactions (for me) was just off. I like their usual banter and bickering, it's funny (if it's in the manga and contained to few panels to make sense, not so much in the anime, but i'm not going into that now), but the thing to call anyone of their crew a "burden" just doesn't fit right. (Especially after WCI... c'mon Sanji, and especially to someone like Zoro, who's always the first one to think about the crew.)
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I would understand it if he laughed along with the words to elevate their seriousness, or said something like "Finish it up, Mosshead, we need to get moving." but no. He calls him a burden. And again as I mentioned, it pretty much could have been even Sanji not realizing Zoro can hear that.
These words (in my opinion) were chosen on purpose for multiple reasons:
First we have the Zoro vs Lucci fight that goes on for a while in the real world - in the One Piece world it might be just few minutes - plus we don't know how tough were the fights with the Seraphim which let others be injured.
When Lucci attacked, Zoro immediately thrown himself with him away from the rest of the crew. Zoro was possibly stalling with the fight for time to leave. I feel he could have finished that fight earlier but that wasn't the point. The point might have been to hold him back from his crew.
also this was possibly the only fight after King where Zoro could test the limits of his powers and haki, just like Luffy in the Udon prison in Wano was basically training, this (and the Seraphim fights we haven't seen) could be something similar for Zoro.
Some people think that just because of these characters getting new powers it means they already understand how to use them/how it works, but that's usually not the point of how stories go - there can be progress and there can be setbacks, growing up but also falling back down, which makes the stories more interesting.
The words that Lucci used against Zoro were basically the same thing that Sanji said to Zoro few chapters later:
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Amongst them he pointed out the Strawhats inability to cut off one of their own out of their crew to save others - like Lucci left Kaku behind just chapters before this fight when he attacked Vegapunk and Stussy (and Sanji trapped Kaku in the bubble prison). It's a play on very different characters and how they think and act to show clearly how they different they are.
The words burden or dead-weight really stood out, already when Lucci said it in chapter 1107, and the fact that they were targetting Zoro - someone who always blames himself (in his mind, not usually out loud) for not being strong enough, and someone who always has protecting his crew at the first place, was interesting in the connection to Sanji repeating basically the same words in the latest chapter.
I will probably make a different separate post only focusing on Zoro and his fear of being weak, but for the purposes of this post, just to pick a few moments where it's important in the manga:
One of the first time I've noticed how much Zoro keeps berating himself with words like "not strong enough" "too lax" "still too soft" "if I'd been stronger/ faster/ better..."
was just after Little Garden arc, where he almost cut off his ankles just to keep fighting. Time after time the crew encounters strong enemies and Zoro gets a new understanding how far up is the limit that he has to reach to keep the crew safe, so he keeps training. ch. 129:
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When Luffy went to fight Crocodile and Zoro was worried and kept training on the way to Alubarna, this banter between Sanji and Zoro felt typical between them - it's about the two way street, the back and forth (that's why that new chapter and insult from Sanji feels so foreign, there's no reply, not quip back - only silence and some sort of determination, which isn't good nor bad, just.. weird.) ch. 179:
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and after the final fight of Alabasta, possibly one of the first times I really started paying attention to how much it gets to Zoro, this question of how strong he needs to be. (along with what possibly was one of the first introduction of his haki and how he began training the Observation haki, disguised as meditation in the terms of the early manga) ch. 213:
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Thriller Bark was one of the biggest arcs in this sense of Zoro and his protectiveness towards the crew and Sanji knows that - he knows what happened there, he even wanted to sacrifice himself in stead of Zoro for Luffy (but this is beside the point here, and I talked about it in other post before).
Zoro took on himself Luffy's pain, and after that arc he still went right to train as soon as he could despite being still injured, ch. 490. "still too weak!"
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which goes through to Sabaody arc.
Chapter 510 until the end of that arc is just painful to go through again. Luffy was worried for Zoro and didn't know the scope of his injuries, while Sanji knew and was concerned in his own way too - that is another thing of how they care, sometimes wordlessly but there is that understanding of what to mention or not. ("Burden" still shouldn't be one of the words to use between them, not that far into the story.)
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Now - fast forward to Punk Hazard where one of similar moments played out - Zoro telling Luffy not to goof around because they got in the New world and needed to take things seriously.
It was one of those small moments where Sanji was actually one of the few people shown with reaction to Zoro's words and his urgency, ch 678:
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Sanji saying "He's so tough on himself" really puts into perspective how he sees Zoro - he knows what he's been through, and knows to what extremes he's willing to go to protect his crew.
He's definitely not someone who would carelessly call Zoro "a burden" even in the time and place and situation they found themselves on Egghead, if anything, he was supposed to be one of the first ones to know how serious is Zoro always about protecting the crew. (Even in the beginning of Egghead, Zoro stayed at first on the Sunny because "who will save them when they will need saving.")
There's few others scenes and parts where Zoro questions his worth and strength, especially in later Wano, calculating what needs to be done so they have strength to face off with Kaido, ch 980:
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and later against King, ch 1033 "it was my strength that was lacking!" while unlocking his Conqueror's haki, still unknowingly:
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The fact that it's been happening pretty much since the beginning of the story - how Zoro views himself as not strong enough, yet persisting in always getting stronger and protecting his crew - means so much for what character Zoro is and how much he values and loves his crew (just like all the other Strawhats in different ways), and also, as I've been catching up so quickly with the manga, there's been that hope for some call out of this behavior, to poke it where it hurts, to see what would happen if someone turns those words Zoro possibly feels in his mind against him out loud. And that's kind of what's been happening lately - and I'm curious what impact will this have on both Zoro personally and on the other Strawhats, depending who will be around for the conclusion.
Zoro is one of the few strawhats really thinking about the future, plans and what they need to still fight through, carefully calculating what his opponents might be doing, how strong they are and how much of a problem it would be to go through them.
And Sanji normally understands that, he knows how Zoro works and the other way around, that's why he still protected him when Zoro was injured, (if anything, in this moment Zoro could have been something like hinderance or annoyance to Sanji, yet he never said something like that), ch. 1015:
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Even on Egghead, where there was temporary truce with Lucci and Kaku, Zoro pointed out how to recognize the Seraphim's weaknesses, and apologized for 'wasting their stamina' - again, calculating on his strength, ch. 1077:
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Zoro isn't just fighting for the sake of a fight, he does have his dream and does know what's important to focus on (he himself always keeps the crew in focus when it's important!)
So it's difficult to have a conclusion about the whole Zoro vs Lucci fight without knowing what is Zoro thinking - hopefully in next chapter we will have more info on it (that is number 1111 - Zoro's birthday and bounty! so I hope it will be a big focus on Zoro again). But even beside that, it was obvious in such short time two people around him suddenly called him a burden to his team - something he takes very close to his heart and mind, something that will hopefully have some consequences for us to see and read, because as Oda is choosing words definitely carefully to have the right impact, two very similar words like "burden" don't seem like a coincidence.
To wrap this up - with Sanji telling this to Zoro felt different than their usuall banter, and as I said before - maybe because Sanji wasn't even speaking to Zoro. At the same time, on Wano Sanji gave Zoro a clue that somehting was happening with him, the fact that there was a panel with just Zoro's ear twitching and then being silent, thinking, and not replying to Sanji with anything that would hint to us about his state of mind, and it could mean he's also aware of some difference in Sanji's acting.
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The way he says this reminds me of the what Sanji was thinking during his fight with Queen - "what would be more useful to Luffy, regular flesh-and-blood body? Or a cruel, cold emotionless warrior of science." Even for this small part of seeing him speak with Jimbei and hearing what Zoro was up to until then, he speaks without almost any emotions beside anger? Even with his eyebrow not indicating the change, precisely, it doesn't have to be connected in this way, except physical fights, but there could be something still changing within Sanji to make him act this way, a way that really isn't something we've seen before. I think if in next chapters he speaks to Nami, Robin or some other woman without his typical over-the-top pleasanteries, it could indicate how much of a problem this could be for the Strawhats.
So we have Sanji's need to stay human and kind, the pact created with Zoro to kill him if anything felt wrong; and we have Zoro - someone who's biggest purpose from the beginning was to protect the crew and Luffy, while many times we've seen him question his own strength, and now two people in the span of like 5 minutes in the One Piece time are calling him a burden.
It will be interesting to see if this is heading towards a clash or conflict between Luffy's wings while Luffy needs the support to fight / flee from the Gorosei.
To end this too long post, I feel it's very on point for One Piece not to have a sole focus on just one character going through it™ in one arc, but it's always a few crumbs here and few hints there. This sort of conflict would be perfect to deal with both of Zoro and Sanji's respective fears - because this is very much about fears in their minds, while at the same time if they can resolve this, it would only strengthen their crew once again.
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relaxxattack · 2 months
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me attempting to make a post about literally any “theme” or “meaning” in homestuck
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iamhereinthebg · 3 months
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Let's talk about the clock keepers in the new chapter!!
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It's not a surprise to see that they had more in their sleeves, putting up an act to get all the information they wanted. Kako said it after all, he is the one observing. And he will gather what he needs before making a move, showing he deserves his title as the oldest supernatural. Hanako being the leader doesn’t seem to matter a lot to him in the end. He clearly has had his plan for a long time. It's not a shock to see he recognizes what came back with Tsukasa from the red house, probably knowing the entity from before.
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Even if it was an act and all of them knew what the end result would be. The reactions Akane and Mirai had for each other in the last chapter were real. Akane was never shield in the manga, being the one doing it most of the time. So his reaction towards Mirai taking the blow for him is absolutely genuine, especially when he tried so hard to make her run away. And we can see it again when we see how slowly he takes her out of the water to give her back to Kako. Akane even reprimands the old man about being slow and Mirai having to go through this at first. 
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This chapter highlights the clock keepers relationship too. Akane has been before in the innermost reach, he clearly knows what he is doing here, entering the house like nothing and actually setting things up for tea knowing Kako would like it. Being considered as a whole clock keeper, Kako and Mirai trust him not to do anything bad even in their most vulnerable state.
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Kako watches over Mirai like a worried father, being happy when she is back and is still pushing Akane to find the answers himself, always in a teaching position. Akane is quick to scold Mirai about her actions, clearly seeing her more as a kid than a real supernatural being. He is seen worried for her and tells her right away not to do something like this ever again. On her side, Mirai is overjoyed to see Akane, the first question coming out of her mouth asking if he is hurt, and she seems rather shocked to see him being so worried about her, jumping on his head right away to praise him for being a nice boy.
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They are way more genuine in their physical contact and actions. Akane is not refusing Kako’s headpat even though he has an angry/solemn expression when accepting it, the old man is smiling at Mirai and Akane the whole chapter while Mirai is being her usual clingy self. 
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Kako clearly has been observing things and waited until the right moment to take actions. They are coming back in time to fix things up, and will sleep until the new present is stable. And for this they trust the clock keeper of the present to take care of the duty that was placed upon him.  
Akane is a wonderful pick for the present. His personality and way of life has always shown he was the only character who would be able to handle this role. He is a duty centered and really proactive boy, and most of all, sees how life is worth living. Even if he never feared the idea of getting hurt, we can clearly see how much he takes his role at heart. He now knows he has to live if the idea of a better present can exist. 
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Kako knows Akane is able to handle all of it which is why they can leave without being worried about the new present, they absolutely believe Akane will be able to fulfill his duty. In the end, it’s Akane who keeps the yorishiro with him.  They trust him to make sure everything is in order and not die until he can use the key to get them out of the clock once they awaken. Kako’s last word to Akane is once again one with a teaching tone, praising him for a job he will do, showing he thinks he will handle it. 
One of Kako’s strongest traits is observation too. And Akane is really good at that, he is one of the most observant and perceptive characters of the whole cast. His mission will be all about seeing if the events really changed, acting like a memory of a present which doesn’t exist anymore. Having a human among the clock keepers to have eyes in the human world seems also like a logical choice. To know the whole situation Kako needs eyes in the human realm too, and Akane shares his informations with him when he think it's important.
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Akane has known his role for a long time. Once he heard that he had his duty to do, his expression is hard to see because he KNOWS what the implications are. He is aware of what it means, he isn’t happy with this, he clenches the yorishiro once he has it, he says he doesn’t have a choice to Teru. Because even if Akane complains, he does things he is asked to do.
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 Akane’s sense of justice has always been a big part of his character, and it’s also a big part of the clock keepers. Of course he wants the present to be better and goes with the clock keepers’ idea, erasing a problem at its root to help the majority of people and protect the persons he cares for is something Akane would never refuse.
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He has no problem doing it even if he doesn’t want to be on the clock keepers’ side, because he knows he can do something ‘right’. He still trusts Kako on this one, embracing his role as the guardian of the present fully. The old man did say it would be good for humans after all.
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How long has Akane been thinking about changing the present? Even if it means erasing the severance I don’t know how he would react seeing that Aoi never lived it. Having a world where she never got to know supernaturals, never was left dead all alone on the far shore and never got her hand hurt. It can’t be so bad right? 
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But the more I think about it the more I go ‘was this present really THAT bad?’ Aoi has to go through her horrible everyday life once again, thinking that no one will ever love her for who she is and Akane definitely doesn't want that.
His talk to Teru also implies that Teru and Nene may remember since they were stopped by his time power. He trusts Teru to understand what is happening and help him with this new reality or hoping not everything will have changed. 
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If we focus quickly on Amane and Tsuchigomori. They seem to have go back in 1968 so Amane was a middle schooler. Tsuchigomori and him had the talk about the moon in 1969 (after the 20th of July) so Tsuchi may not have the same yorishiro either. Would Amane live this time? Not sure, the reason he was trying to destroy the big clock may be related to the clock keepers going back in Time. I wonder what the clock Amane was working on really represents.
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We can see this clock indicating the hour exactly like when Akane is stopping time, suggesting that it is really the one controlling the whole school time. It’s the first clock we see when the clock keepers are introduced too.
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If Kako and Mirai really go back in time and erase everything they are visualizing on this. It would indeed mean a better control over the mysteries situations and the protection of the Land.
It means everything the mysteries went through won't happen. So the second Mitsuba won't exist, n°3 would still be here, Yako would still be waiting for Misaki to come back and won't go berserk, Shijima-san would still be in her boundary thinking she has no reason to exist expect hurting Mei-chan's memory, Hakubo would still be doing his duty without feeling anything and Sumire would still be living her death over and over again, not having anyone go see her in more than a century.
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It means erasing all of the mysteries’ struggles and acceptance of what they are, not being bound by grief and regrets to do a job most of them didn't want to do. Would this present really be a good one? For the humans mostly it would be, it's the mysteries duties after all, and n°1 is ready to undo all the things each mystery went through to make sure humans have a good Present. They always have been more about humans than supernaturals. And this may also be the reason why Akane is okay with everything going on too. Kako sees this as his ultimate duty in the end, forcing all mysteries to embrace it even if they don't want to. Taking the matter at end without warning anyone since after all, no one will remember.
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Another thing that has always been interesting to me, was the fact that the clock keepers look nothing like something out of Japanese Myths/folklore. It has always been strange to me to see they were labeled as the oldest supernaturals, when clocks weren’t that common in Japan before a long time.  The way they dress look way different compared to anyone else from the cast too. The closest look you could find was from the Meiji Era, which was mostly about Japan importing a lot of Western culture into their Land. I always thought that the clock keepers just couldn’t be from a Japanese folktale and this was confirmed in the last chapter. I had my supposition about where they were from,  but having an actual image of their old town helped me to focus more on it.
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If we look at Clock making history we can easily focus on some countries, The Netherlands, Germany and England being the main ones. Now if we look at the architecture we get in this chapter, we can delete England from the list easily. This type of house is called Timbered framed houses. It can be found in Europe in different countries.
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It’s important to note that the roofs on those houses are really really sharp on the illustration AidaIro gave us. Which means they were built for snow, so it can slide off the roofs more easily. The trees in the background are too blurry to see but it looks like forest of pines and the kids shown are holding one.
Now if I combine the two ideas of clock making and architecture I found here, my thoughts came to one city. Nuremberg in Germany. It’s a city known for its clock making history, there are mountains nearby and there is snow in this region during Winter. And more importantly The Nuremberg Egg.
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It’s known as the ancestor of the pocket watch, created in the XVIth century.  
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I don’t think AidaIro was inspired by a precise place but I think somewhere in this region of Europe could be a good pick for the inspiration of the city the clock keepers are from! Same can be said about the clothes the kids are wearing and the toy's shop which have vibes from this region too.
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I’ve been thinking a bit more about what Kako and Mirai are really and it’s hard to say. With how Akane introduced them it could imply they were humans before. 
Why did they move to Japan and how did they become supernatural? Were they created or were they humans before? The idea of Kako creating a body to survive and creating Mirai is not out of the way since he is clearly the oldest and more experienced supernatural there is. A lot of questions with no answers for now but I am happy we get some glimpse of their old life.
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I am also interested in the clock keeper of the present status too. Are they used to create different presents or if the present is fixed their role is finished? Did Kako and Mirai go back in time to change stuff before?
I don't think it happened recently. Nothing special has been happening at Kamome even with the whole Yugi suicide/murder history. The real problems started really once Nene met Hanako and Tsukasa woke up. Kako may have been observing things since a really long time, maybe putting some students as clock keepers of the present but never ‘activating’ their real role. Which may also be why Akane never was shown that stressed out about his role as a clock keeper, why would he be if all the previous clock keepers of the present never had to do this? What is supposed to happen to them once they have fulfilled their duty? Are they erased from the timeline to represent completely this new Present? Do they get to continue their life like nothing happens, being the only person having the memories of a world which doesn't exist anymore? How long do they stay alone until the other two wake up? Why insist so much on the idea he has to stay alive? So many questions I hope we will have answers on soon.
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The story of the clock keepers is still really blurry but we are slowly getting more on them . AidaIro really showed us that they were mysteries the other characters shouldn't mess with and I am all for it.
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ariadne-mouse · 6 months
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I imagine Essek had one or two record scratch moments in his youth
Such as, alternately,
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dykealloy · 7 months
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i keep going back to this moment. obviously there's the palpable devotion from zoro towards luffy which is all very insane, elicits the urge to chew through drywall etc etc. but I can't help but get caught on the way this is phrased. suggesting maybe zoro isn't the only one mihawk is talking about here. as in, I'm getting opla shuggy rant energy, i.e.
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which is about as blatant and transparent as it gets in terms of the older wiser figure with a connection to shanks speaking about his own experiences (under the weak veil of this being about Luffy). but back to mihawk talking about zoro whilst also talking about himself. I'm having to extrapolate a fair bit here given my limited knowledge of his history, but here's what we do know - mihawk never belonged to a crew, was a "rival" of shanks before he "lost interest" in killing him at some point after he lost his arm ("it's always for the sake of another" - given how powerful shanks still is at this point - one of the four emperors - i'd like to think there's something more to this).
when zoro falls to his blade outside the Baratie and he tells luffy "that's a more treacherous path than even mine" after hearing his main goal is to become king of the pirates, do you think perhaps there's a chance he's projecting some old buried anxiety/fear from his youth about the thought of facing shanks, standing by his side and falling. It's giving "I am not worthy until I prove I'm the best", which if true, was followed after many years by "Now I am the best and it's hollow and empty and I regret all those days I could have had with you".
luffy gave zoro direction - a greater purpose and a family. luffy enables his aspirations, but he also provides zoro the freedom to have something more than just this obsessive structure where the only thing that matters is becoming top dog - something beyond years and years of endless relentless training fueled in part by his loyalty to kuina but also the grief of her loss. without luffy, zoro could very likely have followed mihawk's path, something @joyish-little-boy pointed out in one of @assiraphales' posts.
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despite being recognised by the world at large as the greatest swordsman alive, and supposedly having achieved all there is for him to strive for, mihawk has never struck me as a man awfully satisfied with where he is.
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breakonthroough · 4 months
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I keep wondering why Doflamingo fired such a horrifyingly large number of bullets at his own brother? After all, it is unlikely that this was caused solely by his extreme irritation, resentment and anger at Rocinante.
I think if Doffy had the chance, he would have fired all 16 (sacred) shots at Corazon, knowing the Heavenly Demon's obsession with everything related to the Tenryubito and their traditions. However, his Flintlock is presumably only a six-shooter. And since Doflamingo prefers to kill his enemies in the same way as any tenryubito, with a pistol, he most likely emptied the entire clip into his brother.
It is logical to assume that he did this because he wanted to kill Rocinante. And kill for sure.
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We do not yet know anything about the true strength of the Celestial Dragons or their abilities, but we can say with confidence that they definitely have stamina, endurance and are very tenacious of life. The following examples are worth remembering:
Saint Charlos, who received a terrifying punch from Luffy, a club blow from Mjosgard, and a combined attack from Sai and Leo that few would have survived.
Doflamingo himself, steadfastly withstanding Luffy's powerful blows and even deadly gamma-knife attacks from Trafalgar Law.
The already mentioned Donquixote Mjosgard, the only survivor and practically unharmed after a shipwreck off Fish-Man Island. His brutal public execution was carried out personally by Figarland. He was shooted.
Finally, Rocinante himself. After all, his acquaintance with Law begins with the fact that an angry boy delivers a potentially fatal blow with a knife to the offender’s chest, in close proximity to the heart. After which Corazon, as if nothing had happened, again sat next to his brother, showing almost nothing about the severity of his wound. He later received multiple bullet wounds from the Barrel's Pirates and was severely beaten by Vergo and members of the Donquixote family. And after all this, he was still able to stand on his feet. Here it should be remembered that he himself told Law directly (unless, of course, he was lying to calm the child) that such a small thing (as a few bullets in vital organs) would not kill him.
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In general, Doflamingo most likely knew what he was doing, and carried out the execution of his brother who was disappointed him with the cold blood. However, rather than a quick death — his “forgiveness” — in the form of a bullet in the head, which he loves to rant about so much, Doffy still preferred for the person who was so close to him six (?) shots to the chest. And terrible slow death from bleeding and cold. God, what a sad fact is this!
Well, I won’t hide the fact that I still desperately want to believe that Rocinante, with his stamina and endurance, was quite capable of surviving the shooting (I believe in the One Piece tradition of bringing characters back to life!) Perhaps, having lost his memory, he is alive and still continues his journey, at least in the ranks of the Revolutionary army. But that's a completely different theory :)
Russian translation below
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Мне все не даёт покоя мысль, почему Дофламинго выпустил такое ужасающе большое количество пуль в своего родного брата? Ведь вряд ли это было связано исключительно с его чрезвычайной раздраженностью, обидой и злостью на Росинанта.
Думаю, если бы у Доффи была возможность, то он бы выпустил в Коразона все 16 (священных) пуль, зная одержимость Небесного демона всем, что связано с тенрьюбито и их традициями. Однако, его флинтлок, предположительно, всего лишь шестизарядный. А так как убивать своих врагов Дофламинго предпочитает таким же способом, как и любой тенрьюбито, из пистолета, он, скорее всего, разрядил в брата всю обойму.
Логично предположить, что сделал он это потому, что хотел убить Росинанта. И убить наверняка.
Мы пока что ничего не знаем ни об истинной силе Небесных Драконов, ни про их способности, однако, можно с уверенностью утверждать, что стойкости, живучести и выносливости им не занимать. Стоит вспомнить следующие примеры:
Святой Чарлос, получивший ужасающий удар кулаком от Луффи, дубинкой от Мьёсгарда и комбинированный удар от Сая и Лео, после которого мало кто бы выжил.
Сам Дофламинго, стойко выдерживающий мощные удары Луффи и даже смертельные атаки гамма-ножом от Трафальгара Ло.
Упомянутый уже Донкихот Мьёсгард, единственный выживший и практически не пострадавший после кораблекрушения у острова Рыболюдей. Его жестокая казнь была осуществлена лично Фигарлендом, посредством публичного расстрела.
Наконец, сам Росинант. Ведь его знакомство с Ло начинается с того, что разъяренный пацан наносит потенциально смертельный удар ножом в грудь обидчика, в непосредственной близости от сердца. После чего Коразон, как ни в чем не бывало, снова сидит подле брата, почти ничем не выдавая тяжести своего ранения. Позднее он получил множественные пулевые ранения от пиратов Баррельса и был жестоко избит Верго и членами семьи Донкихот. И после всего этого он все еще был способен стоять на ногах. Тут следует вспомнить, что он и сам сказал непосредственно Ло (если конечно не соврал, чтобы успокоить ребенка), что подобная мелочь его не убьет.
В общем, Дофламинго, скорее всего знал, что он делает, и убил разочаровавшего его брата хладнокровно и продуманно. Однако, быстрой смерти- "прощению" в виде пули в голову, о котором он так любит разглагольствовать, Доффи все же предпочел для самого родного ему человека 6(?) выстрелов в грудь и медленное умирание от кровотечения и холода. Боже, какой же это печальный факт.
Что ж, не стану скрывать, мне по-прежнему отчаянно хочется верить в то, что Росинант, со своей стойкостью и выносливостью, вполне был способен пережить расстрел (я верю в традиции One Piece возвращать персонажей к жизни!). Возможно, потеряв память, он жив и все ещё продолжает свой путь, хотя бы, в рядах Революционной армии. Но это уже совершенно другая теория :)
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halfagone · 3 months
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Danny, You Need To Calm Down
Me: "I need to nerf Danny a bit for this fic. I should have him only reveal and use his intangibility."
Danny: *is still BAMF and kicks ass*
Me: "Hmm... I did not think this through."
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I am serious, though. If you're creative enough and have watched enough superhero media then you'll be able to find all sorts of unusual applications to some of Danny's powers.
With intangibility alone, all Danny needs to do is stand there and let his opponent tire themselves out trying to just land a blow and then fight back. If he has some more melee or martial arts training, he could use a nerve strike and bam, one-shot knock-out. And that's not even counting super strength or flight or telekinesis or why is this boy so overpowered?! /rhetorical
And if you know me, you know how much I love writing a good OP BAMF Danny. But it can be pretty restricting too. With an abundance of powers and a proven track record to gain more powers when necessary, it's not exactly easy to keep Danny down. There are a few known weaknesses we can use to our advantage here, but they come with their own issues:
Major Weaknesses
Blood Blossoms
We've seen blood blossoms are pretty effective on ghosts from the "Infinite Realms" episode in Season 3, but only on Danny's ghost half. I always thought it was a bit strange, since Danny has used ghost powers in his human form so technically it should still affect him? But that's just a personal headcanon so feel free to ignore that.
But! Since Danny could just transform (if he can get past the total agony it causes him) then he'll be fine again. Blood blossoms are also edible, as proven by Tucker, which makes me wonder if Danny could eat them in his human form and make it out unscathed? Since it's only his ghost half that's susceptible to them.
However, it's commonly headcanon'd that blood blossoms are extinct as we only see them in this episode back in the 1600s from the Salem Witch Trials. But canon also tends to bring up some really interesting concepts and then just... never mention them again, so it's possible they're still out there and the Fentons just never learned of them.
Ecto-ranium
We don't see this one come up too many times in fanfiction, if only because many of us have totally blocked out the episode it aired in, "Phantom Planet", from our minds entirely. Ecto-ranium is essentially the equivalent of kryptonite, but for ghosts. (Unsurprising, seeing as Phantom Planet likely took inspiration from Christopher Reeve's Superman II.)
This does come with some plotholes of its own, seeing as intangibility had allowed the ecto-ranium to pass through the Earth despite ecto-ranium supposedly making it impossible for ghosts to use their powers? I'm still trying to wrap my head around that one, I won't lie...
So obviously this weakness also has some shaky ground to stand on.
Mind Control
We see in "Control Freaks" that Danny is pretty susceptible to mind control as well, so long as it comes from the right source. We learn that Vlad continues to collect ghostly artifacts, so it's entirely possible he could find another magical device of equal power and use. Freakshow himself comes from a family with a wide range and collection of ghostly artifacts.
It's also possible that ghosts like Undergrowth could be able to control Danny as well, as he was able to puppet Sam through his vines and plants.
Danny is still capable of breaking through the mind control, if given enough reason to. There is also proof, though, that he can do a lot of damage to himself and others before that time comes. Just food for mischievous author thought.
Plasmius Maximus
This device only appears in the episode "Maternal Instincts" but Vlad had created it to shorten out Danny's powers for three hours. This is another instance of an interesting concept that disappeared after one episode, but considering how Danny used it against Vlad, maybe the man just didn't want to risk it a second time.
Nonetheless, this does prove Danny's powers can be temporarily locked away. How this is possible isn't exactly clear, but I've taken to using a yarn knot analogy to explain it. I won't bore you with that explanation (unless you're actually interested) since it leans more into fanon and headcanons than canon.
Lesser Weaknesses
Blackmail
Now this isn't really a surprise to anyone since Danny is a good kid and most superheroes have this weakness, but Danny is very much susceptible to threats made against his family and loved ones. We see that Freakshow uses this against Danny in "Reality Trip" to make him do his dirty work, as in: collect all the pieces for the Reality Gauntlet.
We might make jokes that Danny could easily defeat anyone he comes across, but the truth of the matter is that he takes these threats seriously and he's lucky more people haven't used it against him.
Inexperience
This one is more understandable and maybe not even technically a weakness but this boy is so silly stupid sometimes it's honestly really endearing. He doesn't have the best grasp of his powers so he can make all sorts of unfortunate mistakes. Danny is the type of person who learns as he goes, and thanks to the fact his one eligible teacher also so happens to be the same guy trying to murder his father... his options are a little limited.
However, this can be easily fixed given enough time and practice. Danny might not have any formal training but he's also proven to be a very fast learner which could very well make up for whatever else he lacks. Due to the unique nature of himself and his powers, there's also a chance that even with a mentor he would still largely be self-taught.
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It can still be pretty hard to write though. When you want to have high stakes, then you need to have a credible threat. And for a kid that has a gazillion powers, all with countless applications, it gets a lot more complicated. Honestly sometimes Danny might not have even needed the new power if he just applied one he already had in a different way? But so is the life of a teenage, overpowered superhero.
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tenderbittersweet · 10 months
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What Oppenheimer is about: A biopic about one man’s decision to sell his soul to the U.S. government, who then went on to live under intense surveillance and ostracization from the very same government
What Oppenheimer is about: A biopic about a man who sold his soul to the scientific community because he desired validation more than anything else, causing him to be ostracized from the scientific community
What Oppenheimer is about: A cautionary tale about what happens when you sell out with no consideration for the greater good of humanity
What Oppenheimer is about: A cautionary tale about trusting the U.S. government
What Oppenheimer is about: The emotional desolation that comes from becoming the very thing you set out to defeat
What Oppenheimer is about: To show people that if you don’t stand for anything, you’ll fall for anything
What Oppenheimer is about: To remind us that life is short and precious and one small group of white men can and will destroy anyone they want to any time they see fit
What Oppenheimer is about: An indictment of power imbalances, systemic racism, and rampant misogyny
What tumblr says Oppenheimer is about: U.S. government & military propaganda, the glorification of white men, excluding minorities on purpose
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