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#one piece theory
0rb1s · 3 months
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One thing i find really interesting is that at one point it was said that Zoan type divil fruits influence their users, wich would put more reason behind why luffy seems to liberate entire countrys for something as simple as a single bowl of rice. His devil fruit literally makes him a god, and a common offering for gods is food, so when people give him food and tell him about their problems he automatically wants to help them since they technically made an offering
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1000sunnygo · 18 days
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Law's artist side isn't talked about enough, so here's a smooth brain ramble.
He prefers abstract arts over realism. Unlike Kid who forms animal or skull figures with metals, Law creates strange 'sculptures' with his victim's bodies/belongings:
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And, of course, the tattoos.
I like how all of his tattoos accentuate the shapes of his torso and arms, especially the joints and muscles. Combined they look like a single stylized drawing of human upper torso.
Seen theories that the tribal style could be a lost trend from Flevance (as seen on the arm of a miner in his flashback), but it could just be his personal style. That said, his upper arm's heart tattoos look similar.
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(Something that artists probably noticed long ago but I'm only noticing recently: Law's upper arm's tattoos have been simplified over time. There used to be two spiral-like protrusions, but Oda has been omitting them in later arts)
The "DEATH" tattoos have a straightforward message. According to the Law novel, these were his first tattoos.
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Speaking of death, ghosts and spirituality have been implicitly a theme for Law, especially during Dressrosa. Doflamingo referred to Law as Cora's 'vengeful ghost'. Law's (cursed) sword Kikoku's name means 'wailings of a restless ghost". Ironically, Law having a hidden name was also a tradition that related to dead people.
The orange jolly roger (red in the sail) could be many things, I think it's a stylized way of drawing the sun.
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Sun symbols are everywhere in the One Piece world. Law's lower arm tattoos are different types of 'suns'. Law might've subconsciously carried those symbols from his hometown for their aesthetic appeal.
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The tattoos on the back of his hands reminded me of the church lady's cross, which is slightly different from the cross seen at Kuma's church. It's possible that various faiths in One Piece world are interconnected, leading to a prophecy about the sun god and Dawn. Law, at the very least, believes in the will of D and his own fate being tied to a purpose.
The chest tattoo, clearly a tribute to Corazon, could have some elements of catholicism. Kikoku also has crosses all over its sheath. Originally this wasn't my observation, but Law seeing Cora as a sacred being makes a lot of sense.
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Carving a heart at the dead center of his chest by creating small wounds - the process itself reminds of Cora doesn't it
The custom-made Dressrosa coat is another tribute to Corazon, but IMHO he designed it specifically for Doflamingo, as a mockery.
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A cross and circle like dangling a pistol target for Doflamingo's shooting practice, with a grinning face copied from Doflamingo's own jolly roger, but it's Corazon. Like his brother has returned to face his pistol again. A vengeful ghost indeed
And boy did it work...
Doflamingo shot it until the mark was completely drenched and unrecognizable.
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Assuming he draws for all of his clothes himself, here's this masterpiece:
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Or maybe it's gifted by his crew mates. Either way, it's adorable.
Since he's a surgeon (and a comic nerd), he should be skilled at drawing human anatomy. How does he draw realistic arts? Does he doodle while taking notes?
We've seen his handwriting in punk hazard arc and it wasn't particularly stylized. Regardless, it'd be nice to take a proper peek at his notebook.
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liliflower137 · 4 months
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You ever think about how Zeff was exactly what a kid like Sanji needed
And I don't mean a father figure, although he did need one
Zeff was someone he could safely push back against, talk back to and yell at and argue with without getting hurt for it
Before he escaped Germa Sanji was a shy, quiet, timid kid. He probably wanted to lash out at the world that was so cruel to him, but he was always too scared
Zeff helped him build his confidence, by just being the way he was, pushing back, egging the kid on, and giving him a safe place to grow into the stubborn bastard he became
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zombie-eats-world · 7 months
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All Crocodad Evidence I Could Find
Hello friends, I wanted to put together an ultimate post with links and pictures showing all the evidence for the Crocodad/Dadodile theory. This post is not here to make you think about the theory, (if you're looking for that you can read my other post about the theory here), this post is going to be a record for anyone trying to find a condensed list of the evidence that exists. Big or small, I'm listing all of it. If I miss anything please add it! Thank you!
Alabasta Existence
Miss father's day.
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Crocodile and Luffy's similarly goofy reaction to seeing the underground passage to the Alabasta Poneglyph.
Episode 123, episode time 13:16 Crocodile spots the entrance and laughs, "ha, now I see secret stairs." Also in episode 123, episode time 20:47 Luffy looks around and spots the secret stairs. "That hole... it looks gator-ish."
Crocodiles strange relationships with children. From hiring a sixteen-year-old Miss Goldenweek, leaving her out of the Mr. 3 assassination order, and her history of actually sinking Crocodile's ships before getting hired, all the way too how Crocodile lectured Luffy in their fight. It just had the cadence of a parent.
Marineford Evidence
Crocodile's missing reaction to the reveal that Dragon is Luffy's father.
Crocodile stops his single-minded pursuit to kill Whitebeard in order to step in and help Luffy by saving ace. (I feel like it needs to be stated again and again that Crocodile actually laughed at the idea of Ace dying before in Impel down)
Crocodile orders Daz Bones to protect Luffy.
Crocodile steps in to fight Mihawk in order to protect Luffy.
Crocodile risks his life to stop Akainu's finishing blow.
Whisks Luffy and Jimbe to safety while standing in solidarity with the Whitebeard Pirates (his stated hated rivals).
The missing explanation for everything above that happened in Marineford. No, Crocodile just wanting to keep Sengoku from victory or being inspired by Luffy doesn't count.
Misc. Evidence
How funny it is, Oda would do it just because it is hilarious.
The wordplay! (Crocodile being closely linked to a Bananawani-> Monkeys like Banana's-> Monkey D. Dragon is a reptilian Monkey attracted to Banana reptile.) Fight me
How similar Crocodile and Luffy look.
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How much of a troll Oda is about it.
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The sheer symbolism
-Crocodile's smiles are the most well known descriptor of a mean/intimidating/menacing smile and gators are said to have the biggest smile in the animal kingdom. It would be kismet that a Crocodile gave birth to Joyboy. -Since Oda has stated a mother in One Piece would stop the adventure, it would fit that the first major villain in the Grandline to try and stop Luffy's adventure ended up being the man who gave birth to Luffy.
That is all The direct Dadodile/Crocodad evidence I can think of off the top of my head! Add more If you think of any, id like this to be a complete list of the known evidence!
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beaulesbian · 1 month
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[egghead spoilers, up to chapter 1110]
Sanji's humanity & Zoro's strength
(or lack thereof) - a theory of possible conflict between Luffy's wings before the end of Egghead arc. Long post ahead. Like.. very long post.
So the new chapter had a very interesting new "banter" between Sanji and Zoro, but no, actually just Sanji, because there was no usual back and forth quips followed after.
Yes, this whole post started because of these few panels: (" ...!!")
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After rereading the chapter more times I realized, Sanji's not even speaking to Zoro or knows that Zoro can hear him. He's talking about Zoro, and calling him a burden to the team.
Which is just baffling to me? (fair, maybe I'm looking too much into it and next chapter it would be explained in different way) but for now, I need to put this out there and make my own small (long) theory on this.
There's lot to be said about the word burden here, and I will get to it later in the post, but for now, let's start with Sanji and his eyebrow!
It wouldn't be a perfect story if Oda didn't tangle threads of each respective characters from multiple arcs before and brought them up together later on during one of the most difficult times when Strawhats and Luffy are facing off with so much danger (reminds me of Sabaody but in a very different way).
In this instance Sanji's past could be brought up again, something that started worrying him since his fight with Queen in Wano, and especially given that his left eyebrow has been changing its shape quite a lot during the run of the Egghead arc.
Here's just few panels throughout end of Wano up to current Egghead chapter, where Sanji' left eyebrow is in the focus on the pages:
Chapter 1029 was the first part where Sanji was thinking his body might be undergoing some changes he couldn't control -broken bones insantly healed, stronger and faster than ever before, due to him beforehand using the Germa suit which possibly triggered this sort of superhuman modification he wasn't really aware of until then. When he realized he couldn't remember certain memories, he panicked, thinking he might be changing into something similar like his brothers, a scientific weapon created by his father. The worry and panic was all the more present because he thought he hurt someone without his knowing, and that'd slowly take away his kindness and sense of humanity. (Too bad I hoped the changes his body might be undergoing would only be realization of his non-cis gender status, but maybe that's still on the table for sometime in the future.):
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^In this second panel his face is on purpose shadowed, which was the last time he was shown in that chapter,
and only again was in chapter 1031 - where his eyebrow changed:
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and it takes him to think about Luffy and what his purpose would be if something so important of him would change. He knows why Luffy went after him in WCI, he knows what values are important for Luffy and his crew, and of course he doesn't want to be reminded of his family and his brothers and act as they did. He chooses the humanity, the kindness that Luffy loves in him.
Even to the extent to call Zoro and make a deal with him - to kill Sanji if anything would go wrong with him. "If I'm not in my right mind, I want you to kill me." That much trust he has in Zoro to protect the crew and Luffy!
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Of course Zoro wouldn't do anything reckless without a good reason, but part of their banter and understanding each other would be to promise something like that - echo of Thriller Bark and the range of how far Zoro would go to take on someone elses pain. It's a promise to win their separate fights, but also this was something that Sanji put out there for Zoro to take notice of. (I will come back to that later.):
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(still the "bad eyebrow" - he had that the whole chapter 1031).
After his fight with Queen (where it was also cleared what his actions were and weren't), he was only shown two times until he woke up, and both times he had his eyebrow back on good side.
1036 & 1044 (hearing Luffy awaken his powers):
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All the way up to Egghead he seemed to have his eyebrow drawn this way, and it started to change only during fights -
ch 1075, still good eyebrow, tho.. ehh this behavior.. whatever:
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ch. 1078, protecting his crew from Seraphim, bad eyebrow:
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in between chapters 1090 - 1105 (most of which were flashbacks and Sanji nor Strawhats were shown) he appeared with his typical eyebrow:
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and it changed again in ch 1107 - when he was again protecting Bonney / fighting against Kizaru:
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interesting was chapter 1108 where he's standing between Saturn and Vegapunk, and he's describing Saturn with "he's less and less human by the minute" while his own face was obscured, (I mean.. interesting choice of words and what character said it, huh?):
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and the next page he still has the bad eyebrow:
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in chapter 1109 it's back on his typical side, where it continues from previous chapter of Sanji carrying Vegapunk- so at some point it must have shifted back (and I'm curious if these changes would be noticable in the animation). At this part he's watching how Saturn is summoning the other Gorosei to Egghead:
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Which leads me to the point from above with Zoro.
chapter 1110 and their interactions (for me) was just off. I like their usual banter and bickering, it's funny (if it's in the manga and contained to few panels to make sense, not so much in the anime, but i'm not going into that now), but the thing to call anyone of their crew a "burden" just doesn't fit right. (Especially after WCI... c'mon Sanji, and especially to someone like Zoro, who's always the first one to think about the crew.)
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I would understand it if he laughed along with the words to elevate their seriousness, or said something like "Finish it up, Mosshead, we need to get moving." but no. He calls him a burden. And again as I mentioned, it pretty much could have been even Sanji not realizing Zoro can hear that.
These words (in my opinion) were chosen on purpose for multiple reasons:
First we have the Zoro vs Lucci fight that goes on for a while in the real world - in the One Piece world it might be just few minutes - plus we don't know how tough were the fights with the Seraphim which let others be injured.
When Lucci attacked, Zoro immediately thrown himself with him away from the rest of the crew. Zoro was possibly stalling with the fight for time to leave. I feel he could have finished that fight earlier but that wasn't the point. The point might have been to hold him back from his crew.
also this was possibly the only fight after King where Zoro could test the limits of his powers and haki, just like Luffy in the Udon prison in Wano was basically training, this (and the Seraphim fights we haven't seen) could be something similar for Zoro.
Some people think that just because of these characters getting new powers it means they already understand how to use them/how it works, but that's usually not the point of how stories go - there can be progress and there can be setbacks, growing up but also falling back down, which makes the stories more interesting.
The words that Lucci used against Zoro were basically the same thing that Sanji said to Zoro few chapters later:
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Amongst them he pointed out the Strawhats inability to cut off one of their own out of their crew to save others - like Lucci left Kaku behind just chapters before this fight when he attacked Vegapunk and Stussy (and Sanji trapped Kaku in the bubble prison). It's a play on very different characters and how they think and act to show clearly how they different they are.
The words burden or dead-weight really stood out, already when Lucci said it in chapter 1107, and the fact that they were targetting Zoro - someone who always blames himself (in his mind, not usually out loud) for not being strong enough, and someone who always has protecting his crew at the first place, was interesting in the connection to Sanji repeating basically the same words in the latest chapter.
I will probably make a different separate post only focusing on Zoro and his fear of being weak, but for the purposes of this post, just to pick a few moments where it's important in the manga:
One of the first time I've noticed how much Zoro keeps berating himself with words like "not strong enough" "too lax" "still too soft" "if I'd been stronger/ faster/ better..."
was just after Little Garden arc, where he almost cut off his ankles just to keep fighting. Time after time the crew encounters strong enemies and Zoro gets a new understanding how far up is the limit that he has to reach to keep the crew safe, so he keeps training. ch. 129:
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When Luffy went to fight Crocodile and Zoro was worried and kept training on the way to Alubarna, this banter between Sanji and Zoro felt typical between them - it's about the two way street, the back and forth (that's why that new chapter and insult from Sanji feels so foreign, there's no reply, not quip back - only silence and some sort of determination, which isn't good nor bad, just.. weird.) ch. 179:
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and after the final fight of Alabasta, possibly one of the first times I really started paying attention to how much it gets to Zoro, this question of how strong he needs to be. (along with what possibly was one of the first introduction of his haki and how he began training the Observation haki, disguised as meditation in the terms of the early manga) ch. 213:
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Thriller Bark was one of the biggest arcs in this sense of Zoro and his protectiveness towards the crew and Sanji knows that - he knows what happened there, he even wanted to sacrifice himself in stead of Zoro for Luffy (but this is beside the point here, and I talked about it in other post before).
Zoro took on himself Luffy's pain, and after that arc he still went right to train as soon as he could despite being still injured, ch. 490. "still too weak!"
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which goes through to Sabaody arc.
Chapter 510 until the end of that arc is just painful to go through again. Luffy was worried for Zoro and didn't know the scope of his injuries, while Sanji knew and was concerned in his own way too - that is another thing of how they care, sometimes wordlessly but there is that understanding of what to mention or not. ("Burden" still shouldn't be one of the words to use between them, not that far into the story.)
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Now - fast forward to Punk Hazard where one of similar moments played out - Zoro telling Luffy not to goof around because they got in the New world and needed to take things seriously.
It was one of those small moments where Sanji was actually one of the few people shown with reaction to Zoro's words and his urgency, ch 678:
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Sanji saying "He's so tough on himself" really puts into perspective how he sees Zoro - he knows what he's been through, and knows to what extremes he's willing to go to protect his crew.
He's definitely not someone who would carelessly call Zoro "a burden" even in the time and place and situation they found themselves on Egghead, if anything, he was supposed to be one of the first ones to know how serious is Zoro always about protecting the crew. (Even in the beginning of Egghead, Zoro stayed at first on the Sunny because "who will save them when they will need saving.")
There's few others scenes and parts where Zoro questions his worth and strength, especially in later Wano, calculating what needs to be done so they have strength to face off with Kaido, ch 980:
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and later against King, ch 1033 "it was my strength that was lacking!" while unlocking his Conqueror's haki, still unknowingly:
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The fact that it's been happening pretty much since the beginning of the story - how Zoro views himself as not strong enough, yet persisting in always getting stronger and protecting his crew - means so much for what character Zoro is and how much he values and loves his crew (just like all the other Strawhats in different ways), and also, as I've been catching up so quickly with the manga, there's been that hope for some call out of this behavior, to poke it where it hurts, to see what would happen if someone turns those words Zoro possibly feels in his mind against him out loud. And that's kind of what's been happening lately - and I'm curious what impact will this have on both Zoro personally and on the other Strawhats, depending who will be around for the conclusion.
Zoro is one of the few strawhats really thinking about the future, plans and what they need to still fight through, carefully calculating what his opponents might be doing, how strong they are and how much of a problem it would be to go through them.
And Sanji normally understands that, he knows how Zoro works and the other way around, that's why he still protected him when Zoro was injured, (if anything, in this moment Zoro could have been something like hinderance or annoyance to Sanji, yet he never said something like that), ch. 1015:
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Even on Egghead, where there was temporary truce with Lucci and Kaku, Zoro pointed out how to recognize the Seraphim's weaknesses, and apologized for 'wasting their stamina' - again, calculating on his strength, ch. 1077:
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Zoro isn't just fighting for the sake of a fight, he does have his dream and does know what's important to focus on (he himself always keeps the crew in focus when it's important!)
So it's difficult to have a conclusion about the whole Zoro vs Lucci fight without knowing what is Zoro thinking - hopefully in next chapter we will have more info on it (that is number 1111 - Zoro's birthday and bounty! so I hope it will be a big focus on Zoro again). But even beside that, it was obvious in such short time two people around him suddenly called him a burden to his team - something he takes very close to his heart and mind, something that will hopefully have some consequences for us to see and read, because as Oda is choosing words definitely carefully to have the right impact, two very similar words like "burden" don't seem like a coincidence.
To wrap this up - with Sanji telling this to Zoro felt different than their usuall banter, and as I said before - maybe because Sanji wasn't even speaking to Zoro. At the same time, on Wano Sanji gave Zoro a clue that somehting was happening with him, the fact that there was a panel with just Zoro's ear twitching and then being silent, thinking, and not replying to Sanji with anything that would hint to us about his state of mind, and it could mean he's also aware of some difference in Sanji's acting.
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The way he says this reminds me of the what Sanji was thinking during his fight with Queen - "what would be more useful to Luffy, regular flesh-and-blood body? Or a cruel, cold emotionless warrior of science." Even for this small part of seeing him speak with Jimbei and hearing what Zoro was up to until then, he speaks without almost any emotions beside anger? Even with his eyebrow not indicating the change, precisely, it doesn't have to be connected in this way, except physical fights, but there could be something still changing within Sanji to make him act this way, a way that really isn't something we've seen before. I think if in next chapters he speaks to Nami, Robin or some other woman without his typical over-the-top pleasanteries, it could indicate how much of a problem this could be for the Strawhats.
So we have Sanji's need to stay human and kind, the pact created with Zoro to kill him if anything felt wrong; and we have Zoro - someone who's biggest purpose from the beginning was to protect the crew and Luffy, while many times we've seen him question his own strength, and now two people in the span of like 5 minutes in the One Piece time are calling him a burden.
It will be interesting to see if this is heading towards a clash or conflict between Luffy's wings while Luffy needs the support to fight / flee from the Gorosei.
To end this too long post, I feel it's very on point for One Piece not to have a sole focus on just one character going through it™ in one arc, but it's always a few crumbs here and few hints there. This sort of conflict would be perfect to deal with both of Zoro and Sanji's respective fears - because this is very much about fears in their minds, while at the same time if they can resolve this, it would only strengthen their crew once again.
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karinzany · 7 months
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SPOILERS: Chapter 1094 of ONE PIECE
We've finally seen St. Jaygarcia Saturn's real form on chapter 1094, and it is absolutely diabolical. It seems to be inspired by a yōkai called Ushi-oni. So I went back to chapter 1085 and tried to connect the rest of the Gorosei with other yōkai. Here are my predictions:
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Ushi-oni: In Wakayama Prefecture, ushi-oni are mountain-dwelling beasts. Legend says when a hiker or traveler makes eye contact with the ushi-oni, the person cannot avert his or her gaze. The person's soul or energy is drained and he or she dies. This is called “Kage wo kuu (影を食う)” or sometimes "Kage wo nomu (影を飲む)", which translates to “eating the shadow” or "drinking the soul".
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Aosaginohi: Aosaginohi, or Aosagibi (青(あお)鷺(さぎ)火(び), "blue heron fire") is a phenomenon illustrated by Toriyama Sekien in his Konjaku Gazu Zoku Hyakki. It depicts a night heron with a mysteriously illuminated body. Folklore built around the phenomenon tells a story of an old black-crowned night heron transforming into a yokai. The herons' feathers fuse into shining scales that give off an iridescent blue light in the dark of night. The yokai's breath is also said to release golden powder into the air that collects to form a heat-less fiery light, though this light eventually dissipates in the wind. The harmless creature is said to flee from human contact, retaining a normal heron's shyness. Legend also warns to not confuse the glimmering blue-white light with onibi lights.
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Baku: Baku (獏 or 貘) are Japanese supernatural beings that are said to devour nightmares. According to legend, they were created by the spare pieces that were left over when the gods finished creating all other animals. They have a long history in Japanese folklore and art, and more recently have appeared in manga and anime. The Japanese term baku has two current meanings, referring to both the traditional dream-devouring creature and to the Malayan tapir. In recent years, there have been changes in how the baku is depicted.
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Benzaiten: Benzaiten (shinjitai: 弁才天 or 弁財天; kyūjitai: 辯才天, 辨才天, or 辨財天, lit. "goddess of eloquence"), also simply known as Benten (shinjitai: 弁天; kyūjitai: 辯天 / 辨天), is a Japanese Buddhist goddess who originated mainly from Saraswati, the Hindu goddess of speech, the arts, and learning, with certain traits deriving from the warrior goddess Durga. Due to her status as a water deity, she was also linked with nāgas, dragons, and snakes. Apart from being a patron of music and the arts, she was eventually also worshiped as a bestower of monetary fortune and was reckoned as one of the Seven Lucky Gods (Shichifukujin).
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Ōkubi: In Japanese folklore, Ōkubi (大首) are giant heads of either men or women. An Ōkubi appearing in the sky is a sign of impending disaster, which may be a typhoon, earthquake, tsunami, or fire. These disasters are often attributed to the Ōkubi. Ōkubi are otherwise harmless and will disappear soon after the first sighting. They are thought to be sky spirits who protect the sky's or people who died during a natural disaster. They are said to protect people from the natural disasters and protect the sky from demonic sky spirits. It is said if one does not pay respect for the Ōkubi, they will be turned into sky spirits and their face will appear in the sky immediately. Those who do pay respect are said to get good fortune and gifts.
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PS.: This silhouette probably belongs to Imu themselves, but I can't figure out what yōkai or supernatural being it represents. What are your theories?
EDIT: Thank you @ozo-blog and @marimo-kyun for your suggestion!
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On chapter 1069, Vegapunk said that Devil Fruits earned the ire of Mother Nature, which is the Sea itself. The name Imu can be read as Umi backwards, meaning "Sea" in Japanese. So, maybe Imu has a power that controls the sea? Umibozu would be on theme for them.
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Umibōzu: Umibōzu (海坊主, "sea priest") is a paranormal phenomenon or yōkai from Japanese folklore. Other names include Umihōshi (海法師, "sea priest") or Uminyūdō (海入道, "sea priest"). Little is known of the origin of umibōzu but it is a sea-spirit and as such has multiple sightings throughout Japan. Normally, umibōzu appears to sailors on calm seas which quickly turn tumultuous. It either breaks the ship on emergence or demands a bucket or barrel from the sailors and proceeds to drown them. The only safe way to escape an umibōzu is to give it a bottomless barrel and sail away while it is confused.
Alternative: I've also seen another theory that says Imu could be Satan (from the Bible, yes) because he has a Red Dragon form that could relate to the Celestial Dragon's symbol, a red dragon hoof.
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Red Dragon (Biblical Satan): The Red Dragon is a form of the Biblical Satan, otherwise known as Lucifer, the former Seraphim that rebelled against the Creator and became evil in Christianity and Hebrew religions. His alias, the Red Dragon, was described in the Bible to have seven heads, ten horns, seven crowns, and a massive tail that knocks one-third of the stars out of the sky. The Red Dragon is mentioned to have other names like the Serpent of Old and the Devil. It is said in the Bible that Satan will take the form of the Red Dragon and will along with the Antichrist, the False Prophet, and the Beast, deceive most of Humanity. After that the Red Dragon will be set free upon the world in which he will rule alongside demons for three long years. After that God will cast the Red Dragon, demons, and other dammed evil souls into Lake of Fire, thus finally destroying the evil of Satan forever.
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During the time-skip, we've seen Brook being accidentally summoned by a Satanic cult, which implies the existence of Satan in the One Piece world. Now, on chapter 1094, we've seen again a summoning circle, this time for St. Jaygarcia Saturn. I think it's pretty obvious the connection between real world devils and the Gorosei and Imu.
It's all going to come to the ironic conclusion that the D. clan, the enemies of the Gods, are Gods themselves (like Nika) and the Celestial Dragons, the Gods of the world, are actual Devils.
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joy-girl · 8 months
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Trans sir Crocodile theory confirmed??
This character gives me reptile vibes. The first thing that came to my mind when I saw this part was that that character was the young and soon to be called sir Crocodile! Maybe it's all just in my mind and that's just a random character... BUT we know that Crocodile was there when Roger was executed, so... 🤭
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breakonthroough · 3 months
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I keep wondering why Doflamingo fired such a horrifyingly large number of bullets at his own brother? After all, it is unlikely that this was caused solely by his extreme irritation, resentment and anger at Rocinante.
I think if Doffy had the chance, he would have fired all 16 (sacred) shots at Corazon, knowing the Heavenly Demon's obsession with everything related to the Tenryubito and their traditions. However, his Flintlock is presumably only a six-shooter. And since Doflamingo prefers to kill his enemies in the same way as any tenryubito, with a pistol, he most likely emptied the entire clip into his brother.
It is logical to assume that he did this because he wanted to kill Rocinante. And kill for sure.
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We do not yet know anything about the true strength of the Celestial Dragons or their abilities, but we can say with confidence that they definitely have stamina, endurance and are very tenacious of life. The following examples are worth remembering:
Saint Charlos, who received a terrifying punch from Luffy, a club blow from Mjosgard, and a combined attack from Sai and Leo that few would have survived.
Doflamingo himself, steadfastly withstanding Luffy's powerful blows and even deadly gamma-knife attacks from Trafalgar Law.
The already mentioned Donquixote Mjosgard, the only survivor and practically unharmed after a shipwreck off Fish-Man Island. His brutal public execution was carried out personally by Figarland. He was shooted.
Finally, Rocinante himself. After all, his acquaintance with Law begins with the fact that an angry boy delivers a potentially fatal blow with a knife to the offender’s chest, in close proximity to the heart. After which Corazon, as if nothing had happened, again sat next to his brother, showing almost nothing about the severity of his wound. He later received multiple bullet wounds from the Barrel's Pirates and was severely beaten by Vergo and members of the Donquixote family. And after all this, he was still able to stand on his feet. Here it should be remembered that he himself told Law directly (unless, of course, he was lying to calm the child) that such a small thing (as a few bullets in vital organs) would not kill him.
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In general, Doflamingo most likely knew what he was doing, and carried out the execution of his brother who was disappointed him with the cold blood. However, rather than a quick death — his “forgiveness” — in the form of a bullet in the head, which he loves to rant about so much, Doffy still preferred for the person who was so close to him six (?) shots to the chest. And terrible slow death from bleeding and cold. God, what a sad fact is this!
Well, I won’t hide the fact that I still desperately want to believe that Rocinante, with his stamina and endurance, was quite capable of surviving the shooting (I believe in the One Piece tradition of bringing characters back to life!) Perhaps, having lost his memory, he is alive and still continues his journey, at least in the ranks of the Revolutionary army. But that's a completely different theory :)
Russian translation below
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Мне все не даёт покоя мысль, почему Дофламинго выпустил такое ужасающе большое количество пуль в своего родного брата? Ведь вряд ли это было связано исключительно с его чрезвычайной раздраженностью, обидой и злостью на Росинанта.
Думаю, если бы у Доффи была возможность, то он бы выпустил в Коразона все 16 (священных) пуль, зная одержимость Небесного демона всем, что связано с тенрьюбито и их традициями. Однако, его флинтлок, предположительно, всего лишь шестизарядный. А так как убивать своих врагов Дофламинго предпочитает таким же способом, как и любой тенрьюбито, из пистолета, он, скорее всего, разрядил в брата всю обойму.
Логично предположить, что сделал он это потому, что хотел убить Росинанта. И убить наверняка.
Мы пока что ничего не знаем ни об истинной силе Небесных Драконов, ни про их способности, однако, можно с уверенностью утверждать, что стойкости, живучести и выносливости им не занимать. Стоит вспомнить следующие примеры:
Святой Чарлос, получивший ужасающий удар кулаком от Луффи, дубинкой от Мьёсгарда и комбинированный удар от Сая и Лео, после которого мало кто бы выжил.
Сам Дофламинго, стойко выдерживающий мощные удары Луффи и даже смертельные атаки гамма-ножом от Трафальгара Ло.
Упомянутый уже Донкихот Мьёсгард, единственный выживший и практически не пострадавший после кораблекрушения у острова Рыболюдей. Его жестокая казнь была осуществлена лично Фигарлендом, посредством публичного расстрела.
Наконец, сам Росинант. Ведь его знакомство с Ло начинается с того, что разъяренный пацан наносит потенциально смертельный удар ножом в грудь обидчика, в непосредственной близости от сердца. После чего Коразон, как ни в чем не бывало, снова сидит подле брата, почти ничем не выдавая тяжести своего ранения. Позднее он получил множественные пулевые ранения от пиратов Баррельса и был жестоко избит Верго и членами семьи Донкихот. И после всего этого он все еще был способен стоять на ногах. Тут следует вспомнить, что он и сам сказал непосредственно Ло (если конечно не соврал, чтобы успокоить ребенка), что подобная мелочь его не убьет.
В общем, Дофламинго, скорее всего знал, что он делает, и убил разочаровавшего его брата хладнокровно и продуманно. Однако, быстрой смерти- "прощению" в виде пули в голову, о котором он так любит разглагольствовать, Доффи все же предпочел для самого родного ему человека 6(?) выстрелов в грудь и медленное умирание от кровотечения и холода. Боже, какой же это печальный факт.
Что ж, не стану скрывать, мне по-прежнему отчаянно хочется верить в то, что Росинант, со своей стойкостью и выносливостью, вполне был способен пережить расстрел (я верю в традиции One Piece возвращать персонажей к жизни!). Возможно, потеряв память, он жив и все ещё продолжает свой путь, хотя бы, в рядах Революционной армии. Но это уже совершенно другая теория :)
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sashi-ya · 2 months
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So, I was working on a cosplay project (surprise, surprise 🙊) and I realized Ace's dagger has the same "Sun" pattern the church of Kuma has... (and who knows if Law's back in Flevance too). I wonder who gave that dagger to Ace...? Could it be he met Kuma before? :3
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The thing that breaks me about the new chapter is it seems like it may be Oda dumping his feelings about being a parent to his daughter, which is heartbreakingly sweet.
He only sees her weekly, staying at the studio during the rest of the week away from family. It’s sad but, I suspect Kuma is not just a tragic story and perhaps a very heartfelt letter of love as well.
All of the “dear Bonney, thank you for being BORN.”
“A child is a parents weakness,”
The love and the acts of love that are shown are being written by a father with a love for his daughter; it makes it all the way more heartbreaking to know he probably puts himself in Kuma’s shoes.
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madameinfinitehearts · 4 months
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So you guys remember the One Piece Mafia Wars mini-episode?
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Yeah, that one.
I've seen plenty of peeps compare Luffy to Crocodile (even using it as evidence pointing towards the CrocoParent theory)
BUT CONSIDER...
What if that short story was hinting at more than just that?
Sir Crocodile is a character that doesn't trust anyone. He's made that very clear. But what happened to him in the past that made him that way. The "Croc is Xebec's kid" theory suggests that Crocodile may have witnessed some of the Rocks pirates (like Whitebeard) betray their captain at God Valley. It would make sense for him to be bitter about something like that but... is it enough?
Is one bad experience with betrayal and backstabbing enough to make him jaded towards trusting others?
I'd like to suggest another possibility. That Crocodile may have had another experience that ruined his trust in others. For now, let's assume that Crocodile is Xebec's. Sometime after God Valley, he could have been taken in by another family. Perhaps one with ties to the criminal underground. There, he would have gained a new family. Maybe things had been nice for a while. He could have built a close relationship with his new 'siblings'. But for one reason or another... that family met an unfortunate end. Something along the lines of a massacre, leaving Crocodile as the sole survivor.
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(I would also like to take this moment to point out that in the mini-sode, everyone ends up killing each with guns...)
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(It's probably not that important but you never know...)
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Croc would have watched them slaughter each other over their own greed. He would have seen the worst sides of people at that moment and it would have stuck with him for years. But ultimately... Crocodile would find himself alone. Who could he trust now? And would they maintain that trust? Would it mean anything to them?
This is all speculation, of course, but until Oda gives us his actual backstory, I'm going to continue to speculate.
(Also I don't usually do longer posts but I felt inspired to do so by @moongothic. I enjoy their discussion posts so why not make one of my own?)
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eroguron0nsense · 6 months
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As much as I have issues with the "Sabo's going to be the one to defeat Akainu as the inheritor of Ace's will" theory (mostly because Luffy should absolutely be able to confront the man who took his brother's life right in front of him) I very much want to see Luffy and Sabo taking down Akainu together. The entirety of postwar is about ASL's love and loss and brotherhood and I don't feel right leaving either of them out of that confrontation
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1000sunnygo · 10 months
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The fun thing about long running series is that you can trace a character's narrative evolution in real time.
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The Law we saw pre-timeskip clearly aimed for One Piece.
Unless it was an elaborated lie to his crewmates (which I guess is the in-series explanation at the moment), it's safe to assume that his D lineage and self assigned suicidal mission didn't exist as a concept back then. The goal is eventually re-established with a context.
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While drawing, I assumed Kidd would become important, but I didn't think LAW would move forward like that. So it's youu?? 😱
Weekly serialization, it's a Wonderland.
Weekly serialization means adding oomph on micro scale. I have a particular theory extrapolated from this statement: Law's introduction in Punk Hazard wasn't planned at all.
It might sound far fetched for how integral Law is to Punk Hazard's plot. But it's not an uncommon event, and not just in One piece. Editors often suggest heavy changes to accommodate strong cliffhangers and quick surprises. Eleven supernova were created because early Shabondy lacked oomph, Law might have appeared in Punk Hazard for the same reason.
Even without Law, the straw hats would've anchored in Dressrosa to save Kanjurou, Zou to reunite with Raizo, and in Wano to escort their friends back home. Law just happened to have something going on in all of these places.
I think both Law and Kidd's post timeskip debut was planned to be in Wano arc. Law's competitive dynamic with Kidd and Luffy in Wano is more consistent with Shabondy than anything that came before.
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Doflamingo was initially one of Kaido's strongest allies to be defeated within Wano country (confirmed in volume 98 SBS). It means Dressrosa was entirely different from what we got.
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Given the similarity in their Jolly Roger, Oda may have always planned Law to be Doflamingo's ex-subordinate with a complicated history, keeping his and Doflamingo's conflict reserved for Wano. But Law was popular, resourceful and the story needed a boost after a monotonous Fishman Island arc. Thus, Law gets his early screentime that snowballs into a dramatic Dressrosa arc. I'm sure Oda didn't mind.
Tldr, I think this is how it went down: Oda decides that Kidd and Law would return and fight alongside Luffy in Wano -> Punk hazard is written and introduces Kinemon -> Punk Hazard falls bland and editor pesters Oda to bring Law early -> Law appears and proposes an alliance, so the plot is now directly chained to Wano -> Oda realizes ope ope makes a good device to explain Imu's immortality -> Oda makes Law a D as he's now connected to endgame plot.
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Even if the theory above is wrong, it's a fact that Law was not a part of the bigger picture but became unexpectedly relevant. To work with him, Oda had to figure the smaller details of his personality slowly as the story progressed; such as his honesty and the suicidal tendency.
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Law roped straw hats into his revenge scheme while deep down wanting them to leave Dressrosa safe and unharmed. But Law in the draft for this scene looks more... certain. Maybe Robin wasn't wrong to suspect Law after all.
I guess, by the time Oda actually reached the scene, the shadiness didn't suit his personality anymore. Corazon would not approve.
Wano Law was the best written Law. His personality was fully ironed out, not just the revived rivalry with Luffy-Kidd but also a reluctance to be nice while time and time proving it's mostly just talks. It's a mix of his personality traits that were decided at his very introduction and the later decided improvisations.
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This post was getting too big and derailed so I had to cut it short lol. Maybe I'm reaching with my speculations but it was a fun topic to brainstorm about.
Edit: Here's a bit of extension of this theory.
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aalesu · 1 month
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One of my biggest dreams as a one piece fan is one day opening Tumblr and seeing #Crocomom and #Sir crocodile as trending
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bottlepiecemuses · 7 months
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I Feel Sorry For This Doctor (And Again This Information Shows How The Government Has It Fingers In Everywhere)
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It would be easy to make him a corrupt doctor who could have sold them out, but nope it's even worse he's a good man who with no power of his own had the government under his nose find out and now he probably lived with the guilt for years that this family was destroyed because he probably thought he wasn't careful enough. And one tidbit is that it's no wonder Rouge had a home birth because of the fact if hospitals were in heavy connection with the government then they could dig up stuff about Ace more easily.
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turgid-cucumber · 16 days
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I'm on to something.
Cracking the code, even.
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