watching the sdcc panel and i am just very :) about how sweet their answers to “what are some of the micro moments from the game that have stuck with you the most over the years?” are. taliesin saying what the fuck is up with that which was the first like The Party Gets To Know Each Other moments of c3. travis saying asking his wife if he could kiss her in campaign. marisha going way back to the cannonball competition in campaign one. ashley choosing the beauyasha date but also just the silly goat noise matt made. liam adding onto that to compliment matt roleplaying grass so well and then saying his favourite moment was writing a story for laura and reading it to her as caleb for jester. and then matt saying that was his answer, and that his favourite moments of the game are when they find ways to give gifts to each other whether tangible or not. and sam saying his favourite moments have less to do with the story and is more so when he can just. see his friends across the table from him. when marisha perches and when laura and ashley are (badly) drawing dicks and liam saying he loves when sam sneezes and ashley tells him to stop it and just. yeah. they Are an extremely popular online powerhouse, but i’m so happy that they’re also friends building a world together out of gifts to and love for one another.
like i Am so enamoured with the characters and the world of exandria but the moments when you can feel the love that those people have for each other reach out from behind the stained glass of their performances (to steal a metaphor from brennan lee mulligan) are so extremely special and i am endlessly grateful that they decided to share their silly little home game with the world.
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Prompt 71
Klarion is delighted, excited, impatient, and so very happy. He’s found a friend, not the justice league baby-crew who don’t know how to make friends properly or the order-magician who doesn’t play right, but another realm-being his age! They’re even around the same death-date, his is just a couple years earlier! But to beings who aren’t adults until they’re well into the hundreds that’s practically nothing!
His new friend even has a familiar too- even if he has to explain what a familiar is- and, and even shares his two other friends with him!
He’s been in this world for what feels like so long trying to make friends and he’s made three in just a month! And they even know how to properly play and wrestle without targeting Teekl like a certain order lord who he doesn’t like.
Oh! Hey it’s the justice league kiddy-crew! Were they feeling neglected or something?
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The fact that Main-verse Ooo is as good and as kind as it is (relative to the other universes shown so far, at least, it's obviously not perfect) all because of the same character that starts off as the OG series' antagonist, the person we were made to see as the bad guy (albeit an often ineffectual one) for several seasons, is making me lose my mind.
Imagine finding out the guy you spent your childhood beating up and saving princesses from is in fact a driving catalyst behind you being able to exist, and not only exist but also live in a world that knows what kindness is. All because that man, the same man who you've witnessed do terrible things, once met a little girl and taught her how to be good.
Simon's story really shows us that even if you lose your way and forget how it is to be good yourself, the world keeps the memory for you. That act of love Simon showed Marcy by protecting her and seeing her as more than the monster she thought herself to be created ripples upon ripples, small at first but eventually enough to help give their wreckage of a world—a world that easily could have been forsaken, its goodness overlooked because of its inhospitable remains—a chance to grow into something beautiful. Because of those very same ripples Simon created, the people of Ooo grew up in a world where they know enough about kindness that they were able and willing to spare the 'bad guy' some, to see beyond the wreckage and allow him to grow too.
In saving Marceline, Simon helped to not only to save the world, but also himself.
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In RWBY weapons are a part of a person, an extension of yourself, as Ruby puts it in V1. So, a weapon can say a lot about a person in how it appears and what it's used for.
Looking at Crescent Rose compared to our other main characters' weapons and it's immediately one that stands out from the size alone, it immediately draws our attention, it usually takes up the screen.
Like Ruby, it's striking, awe inspiring and larger than life. It's beautiful, resilient and strong, but evolves to be more adaptable during the Atlas Arc, when Ruby herself has to be more flexible and think outside the box, and her worldview is consistently challenged. It's also very easily the most intricate and complicated design, by her own admission:
"I guess I did go a little overboard in designing it..."
Which, while on the surface means it looks cool and flashy, it's also incredibly complex, just like Ruby.
And as we know from V9, a weapon like that would also be a heavy one to carry at all times too, and it weighs on her. Just like being "Ruby Rose" means to shoulder all the responsibilities and entanglements that come with being who she is, a huntress, a leader, a hero, a spark of hope and light who inspires others. In the end her resolve as a huntress and in who she is, and her purpose, is renewed and stronger than ever before, and wields her weapon once more with confidence.
That doesn't mean her burdens have gotten any lighter though, in fact upon returning to Vacuo, because of her message, all of humanity is now looking to her. No matter how strong, confident and resolved she is, that's a heavy weight for one person to carry alone.
Which brings me to Oscar's weapon, the Long Memory. Which is a cane, smaller, simple and straightforward, but has it's own hidden light stored inside. A cane is meant to take someone's weight by design, that's it's purpose. To be something that's leant on as a crutch when you're hurting to alleviate the pain by taking the pressure off yourself, so moving forward is made easier. Because everyone needs that support sometimes and it's okay to be weak, it doesn't make you lesser, it just makes you human. And it is incredibly human for us to care for and lean on one another for support. That vulnerability leads to our greatest strength as humans.
The one who carries the heaviest weapon vs The one who has a weapon that can be leant on to take pressure off yourself. Ruby who carries a heavy burden and Oscar being someone that can be leant on for support. ooooooohhhh the cymbal ism of it all.
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As much as I love the notion of Roy as the reluctant but resolute resident Jamie Tartt Caretaker (duties include: cuddling, Special [and sometimes insane] Rules just for Jamie, loving concern disguised as shouting, and thoughtful nodding while wondering what the hell Jamie is on about) I’m growing increasingly amused by the idea of Jamie as the team’s official Roy Kent Whisperer, now that Ted’s clicked his heels three times and fucked off to Kansas.
Say Roy’s in a mysterious foul mood and running everyone ragged to the point where even the tying together of dicks starts to seem reasonable? The team turns to Jamie: “The fuck’s going on with Coach?”
Jamie shrugs and makes one of his exceedingly expressive faces. “I don’t know, I didn’t do nothing.”
Isaac’s eyeing him like he maybe doesn’t believe that. “Well, you need to talk to him. Figure out what’s going on before he fucking kills us.”
Jamie makes another face, scoffs maybe, partly because uh you think this is bad you wouldn’t survive a single one-on-one training session with him, and partly because he’s still a little contrary at times and also doesn’t like getting saddled with things. “Um, why me?” he demands. “You’re the captain.”
Isaac is unmoved. “Yeah, well, and as your captain, I’m telling you to go talk to Coach.” Off a nudge from Colin, he adds: “Please.”
“Yeah, come on, boyo,” Colin adds. “You and Roy have this whole thing, he’ll listen to you, mate.”
And that’s true, innit, and the thought of that cheers Jamie up considerably, so yeah, sure, he’ll talk to Roy, don’t worry about it, lads.
Jamie’s many and varied tactics for getting Roy to open up ranges from point blank asking what’s going on and refusing to stop making empathic faces until Roy tells him, to cunningly sharing something vulnerable about himself in the hopes that Roy will reprociate, or having Roy join him for some sort of activity designed to eventually lower Roy’s guard, or following Roy around and being obnoxiously cheerful until Roy gives in from sheer exhaustion (and also, but secretly, from being a little bit soothed by Jamie’s happy presence). The whole process usually involved Roy telling him to fuck off at least thrice and possibly the repeated slamming of doors, but Jamie’s nothing but tenacious and in the end he always gets his man. With time and Roy’s continued sessions with Dr. Sharon the need for this sort of intervention becomes rarer and rarer – but when the call comes, Jamie is ready!
(Having Jamie be the spokeperson when it come to special requests is a bit of a gamble, though, because a lot of the time Roy is actually far more likely to say no to him than to anyone else. And, of course, any concerns not tied to Roy being in a mysterious foul and/or weird mood that needs particular handling, is sorted by Isaac, who takes his duties as captain very seriously.)
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Every time I see people try to make the children of Kronos and Rhea into some big happy loving family who are so close and would do anything for one another I can't help but instantly remember that Demeter had her child kidnapped by one of her brothers and that another brother sanctioned the kidnapping and didn't bother to inform her either before or after, that the same brother killed her lover (it is pretty clear in the Odyssey at least that Demeter slept with Iasion willingly), that her third brother raped her, that Hera and Poseidon tried to put Zeus in chains, that in multiple variants Hera is responsible for the birth of Typhon because of her anger against Zeus, that Zeus inflicted on Hera a form of public torture the ancient Greeks used for slaves, that he made a Giant try to rape her and only killed him when she cried out for help, that Poseidon dried up the rivers of the Argolid in revenge for them choosing Hera instead of him to preside over the region, that in Claudian's De Raptu Proserpinae Ceres imagines Juno taking satisfaction in her suffering, that-
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telling myself i can't start another tdwt rewrite but dear god do i want to write one focusing on alejandro and courtney in this weird situationship thats a lot more nuanced than just alejandro manipulating courtney and her falling for it. like theyre best friends they dont trust each other theyre the same person they dont know anything about the other one theres a mutual attraction theyre pining for other people theyre codependent they dont care about each other theyre platonic soulmates like i just want to do a deep dive into how messy that relationship couldve been building off of their friendship that exists in my head except the line between romantic and platonic is so fucking blurred they have no idea what they are to the other person
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HAPPY (EARLY) BIRTHDAY RED @hkpika07 I HOPE YOU ENJOY THIS HUMBLE ART OF YOUR THREE STOOGES
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I get hating certain political systems and trying to abolish totalitarian regimes but at the same time many of them are so interwoven with our history and society they have become tropes and when I consume media with a setting where the monarchy is absolute and revered then I am playing my part and sucking that princeling off
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pocket-square sized
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Tim and Damian Sharing Robin
Think of it this way: A cafe only needs one barista at a time, but there are multiple baristas who cover different shifts
Scheduling errors where BOTH of them thought they were gonna be Robin that night and the ensuing fistfight
Scheduling errors where both of them thought the OTHER was gonna be Robin and the panic that ensues. Damian planned a trip to the art museum. Tim planned a date with Bernard. Bruce is like “I don’t NEED a Robin” and they’re both like “YES YOU DO”. Jason ends up being Robin. Everyone assumes Robin simply got hit by a magic spell that made him Buff and Twice His Size
Tim and Dami sometimes getting mixed up for each other. Tim is mortified that he’s short enough that people think he might be the same person as his ten year old brother
People who think there’s just one Robin assuming that Robin just brings his sword out when he feels more murdery and his bo staff when he feels less murdery
Bernard being like “I have a conspiracy theory where Red Robin sometimes acts as Robin because of the bo staff, different looks, and different character”. Tim is like. Wow my boyfriend is so smart. Time to gaslight him.
Tim and Dami switching Robin shifts without informing Bruce and letting Bruce be absolutely baffled and off-footed when a different son shows up.
Bruce is like “tonight Tim is Robin so we’ll look into [investigation that requires computer skills]”. Dami shows up and Bruce is like uh oh. This is why Bruce has like 50 different contingency plans, because his children just do stuff without telling him and it destroys all his og plans
One time Tim and Dami switch and Bruce doesn’t notice for a solid 10 minutes because he’s so sleep deprived
Core Four invites Tim to a group get-together so he asks Damian to switch shifts with him, Damian demands a bribe, Tim gives Damian a new set of brushes
Damian wants to go see an animated movie with his art club, tries to ask Dick to ask Tim to switch with him, Tim appears very smug and tries to ask for a favour in turn but then Dick being a DICK says that Tim has to be the “older brother” and “if he’d do it anyways he should just do it” and “as the older brother you can’t take advantage of a ten year old”
Tim: I’m supposed to be MATURE and just allow the switch without forcing you to take my weekend shifts--
Damian: HAH
Tim: --BUT I’M NOT MATURE SO TAKE THE WEEKEND SHIFTS SO I CAN STAY WITH THE KENTS ON THE LONG WEEKEND.
Tim and Damian forming a union and presenting their terms and conditions to Bruce saying that they’ll strike unless he agrees. Bruce, exhausted, points out that he has literally been trying for over a decade to get Robin to stop existing and that THEY were the ones to force him to accept them as superheroes. He gives into the union’s conditions anyways.
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It’s almost 5 am, finals are almost done, and all I have to say is that all this discourse about an imodna break up when I haven’t finished the last two eps of CR or even started 4sd is not good for my already abysmal sleeping schedule
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Just thinking about Bobby teaching a little figure skating class on the weekends that Jee-Yun, Denny, Chris, May and Harry (when they’re home) are in with some other kids. Buck’s there as the “assistant” but Bobby uses him as a what not to do prop and comedic relief (that Buck plays into a little too much sometimes) to get the shy kids out of their shell. Chimney and Hen run a little hockey tournament on the other end of the rink where the rules constantly change but the bets are fair. Athena and Maddie serve as coaches sometimes when some people from the call center and police station come to play against the firefighters. Karen has a little book club going with the other parents and Eddie alternates weekends between the book club, hockey, and bandaging up any little scrapes and bruises the students get (mostly Buck).
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