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#not mad at people who like those characters. those characters are cool and you should get to like them but. feferi is literally-
utilitycaster · 6 months
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will say whenever people are openly resentful of the time one cast member takes or the cool things their character gets, which, with the current cast, has in my opinion never been a problem when averaged out over the course of a campaign and taking into consideration the nature of the character, I just think of the scene in Tiny Heist where Justin McElroy in a dubious French accent is saying "I listen to them fight about he's got a bigger chicken nugget, no, I've got a bigger chicken nugget, no, it is my turn to play with the Ashinbot...I hate the children."
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usernameproxy · 7 months
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Tip: Looking at the amount of pesterlogs that characters are in can make you Very Mad!
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daycourtofficial · 2 months
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Forever is the sweetest con
Cassian x reader, Azriel x reader
Summary: based on this request - the war with Hybern claimed the life of your husband. Reeling with grief, you discover that you’re pregnant. His brother and your friend, Azriel, begins spending more and more time with you, finding solace in each other amidst your shared grief.
Author’s note: sadness, sadness, sadness, this one took me ages to write bc it’s so fucking sad 😭 I’m not super happy with this bc I was mostly trying to meet the deadline so this might feel disjointed bc I had to kinda skip around a lot. Also I didn’t tag this as Cassian x reader in tags bc it felt too painful to do that
Word count: 3k
Warnings: character death, unexpected pregnancy, honestly just sadness
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“I’m Cassian.”
A large, handsome male greeted you as you were shelving some new books away. His large outstretched hand reached towards you, waiting in the air for a moment as you set the stack of books in your arms down. Your hand gets lost in the warmth of his, telling him your own name.
He smiles at it, repeating it, testing it on his tongue.
For days, that is the only memory playing in your head. It is what you think of as you lay in your shared bed, his scent still lingering. It is what you think when Feyre picks you up, and her and Mor place you in a bathtub as they clean you. It is what you think of as you stare at the ceiling, hoping it will collapse on you.
It is what you think of as you stand between Rhysand and Azriel at Cassian’s memorial. It is what you think of as they lower the casket into the ground, the citizens of Velaris standing around to pay their respects.
You don’t notice the hundreds of people who come to offer you a silent nod, a gentle prayer over you, their voices carrying gentle choruses of “he was so brave” and “you should be proud”.
You’re too numb for any of this. You’re too numb to recognize the hand Azriel places on your back, or the hand Feyre clasps into your own, squeezing tightly.
All you can think about is how his hand felt in your own the first time you held it - warm, gentle, comforting. And how it felt the last time you held it - cold, lifeless, gone.
Being a war hero came with a cost.
Only Cassian didn’t have to pay it - those he left behind did.
-
You’re not sure how much time has passed since Cassian died. You’re not sure if the people of Velaris still mourned him, or were simply wearing the traditional colors of their court.
You sat in one of Cassian’s old tunics, piles of clothes scattered on the floor around you. Your back was to the wall, its cool surface warming with your heat.
You hear movement in the house, but you don’t have the energy or ability to care who’s here.
Someone knocks gently before coming into the room, Azriel’s large frame coming through the door to your chambers. He sees the slightly ajar closet door, and shimmies his way in, sitting next to you amidst the pile of clothes on the floor.
He notes that they all seemed to have been pulled right off their hangers, in a fit of rage or desperation perhaps. Shades of black and red litter the floor, and the realization that it was all Cassian’s clothes causes him to take in a deep breath.
You two sit for a while, Azriel’s wings likely cramped in the small space. Mother knows Cassian complained if he spent more than five minutes in your closet.
Azriel just sits in silence, his shadows gently swirling the floor, searching through the piles.
For what, you’re not sure.
You finally speak, the words hard to form. You didn’t speak much these days - your voice a rare sound for your family’s ears.
“He doesn’t need them to be hung up anymore.”
Azriel sighs, shifting closer to you. He gauges you, looking for a reaction before moving a bit closer.
“He never needed them hung up. Before you he mostly just left his clothes strewn about the room. Drove Nuala and Cerridwen mad.”
You look at him, pulled from your trance of that black shirt Cassian wore when the two of you went on vacation in Adriada. The shirt that fit him so well the two of you did not see the beach at all for the five days you were there.
“They’d complain, saying every night he’d pull his clothes that they neatly hung up and the next morning they’d be strewn about his room,” he shrugs, still confused over how Cassian kept track of where everything was.
“Eventually Rhys told them to stop and to let Cassian do what he wants. No idea how he managed to stay neat and tidy with you.”
Your eyes meet his, and he reaches out a hand for you. It’s the first offer of help you’ve accepted in days. You keep his hand in yours for a long time, sitting amongst Cassian’s clothes.
-
You were sitting on the small balcony of your home, looking out at the expansive night sky above you. Elbows on knees, collapsing in on yourself.
Eyes red rimmed, tear tracks marking your face. You had never felt so helpless or as hopeless as you did now. Your eyes snag on a dark figure, soaring through the skies, its body getting closer and closer.
Azriel had taken to checking on you every three days now. Make sure you were eating, washing, and moving. Honestly if it weren’t for these biweekly check ins, you’re not sure how you would be faring.
The Illyrian descends next to you, a soft landing as he tucks his wings back in and sits next to you. You two sit in silence for a while, the sounds of the night a melody playing for just you two.
Velaris is dark, few fae lights scattered throughout the city aglow. You breathe deeply, taking in the smell of Azriel next to you. You should tell him, but you haven’t been able to tell anyone all week.
It was eating you up - you knew they’d be supportive, you knew they’d love you and help you in anyway they could. But it would still break their hearts just a bit more.
Your internal debate is ended by the overwhelming turn of your stomach, your lunch from earlier wanting to make a quick exit. You hurriedly get up, running towards your bathroom and throwing yourself on your toilet, narrowly reaching it in time.
Azriel ran after you, making quick work of grabbing your hair before you began your second wave of vomiting. The only sounds in the room are your retching and Azriel’s soothing tunes.
His other hand gently rubs your back as you feel as if you’re going to die. From embarassment or pain, you’re not sure. He waits for you to say what he already suspects, having noted a subtle shift in your scent when he arrived.
You wipe your mouth, not wanting to say the words aloud. The words that Madja had told you three days ago, the words that caused you to shut down until now.
“I’m pregnant,” you say, head leaning against the toilet seat. “All Cass wanted was to be a dad. Now I’m pregnant and he’s dead.”
A forced laugh comes from you.
“It’s not fair, Az.”
Your words hang in the air, and your friend responds by wrapping his arms around you, and pulling you into his lap. He nuzzles his head into your shoulder, his breath shuddering as he cries softly into your hair.
The two of you lay there, the cool bathroom tile digging imprints into your skin as he holds you, tears streaming from both of you.
-
Several months along in your pregnancy, and Azriel has essentially moved in with you full time. He takes meticulous care of you and the babe - he goes to your appointments with Madja with you, he goes baby shopping with you, he even put together the crib in your room.
He was your late husband’s brother. He was stepping up, knowing that Cassian would want him to help you. And yet your dreams wouldn’t stop being so perverse.
For the past month, every night without fail you dreamt of Azriel. Every dream was different - some of places you’ve gone before, places you only know of because Azriel described them.
The dreams were weird and disorienting, but you left them there. They were dreams.
About how beautiful he was. About his hands, his wings, his shoulders, his thighs.
Every day you’d wake up full of shame at where your mind takes you against your will.
-
“Az,” you say, a serious look on your face. “Something’s wrong.”
He looks over to you, glasses perched on his nose. The knife in his hand clatters, landing on the cutting board, a piece of carrot tumbling to the floor as he moves to you quickly.
Your breathing becomes more shallow, and you hold your hands out, reaching for his. Once his fingers reach yours, you bring his hands to your bump.
Just as he’s about to ask what the problem is, he feels a soft thump against his scarred hand. He can’t control the soft laugh that comes from him, and he can’t help but cradle your bump just a little tighter.
He looks back up to you, a mischievous glint in your eye.
“I thought something was wrong.”
You smile, “I know - that’s what makes it fun.”
-
Almost eight months had passed since Cassian’s death, and you were finally able to hear his name without breaking down. Azriel was the only one you would talk to about him, though.
It felt right to talk about Cassian to Azriel. It felt right to plunge yourself back into the memories of him - his boisterous laugh, his insistence on touching someone at all times, his presence in rooms.
It felt right, and the babe in your belly would kick frequently whenever Azriel spoke to you about Cassian, as if they knew who you were talking about.
It felt so right, and yet so wrong. Every night before bed you replayed the memories of the day, desperately trying to insert Cassian into Azriel’s spot in them.
He never fit perfectly into them, the edges of him not quite the right size.
-
This was too much.
You were an absolute fool to believe you could do this. To not only birth but to raise your dead husband’s babe. Who let you do this? Who thought this was a good idea?
“Hey.”
Azriel’s voice vibrates through you, pulling you from your thoughts, his large frame behind you. Your back pressed to his chest, his arms helping hold your legs up.
You lean your head against him.
“This was a terrible, terrible idea.”
He smiles, “Cassian never was known for good ideas.”
Your face contorts in agony, a strong cramping pain rippling through you.
Azriel takes the wet cloth from the nurse to his left, holding it on your forehead. “I’m so proud of you. You’re doing so well.”
You scoff, “if I was doing well, the babe would be out by now!”
Azriel takes your jabs, your sarcasm, the intense squeezing of his hand in yours. He’ll take everything you throw at him.
After about eight hours, you were blessed by the cauldron with a beautiful boy, tiny wings clinging to his back as he cried.
-
Azriel’s presence didn’t stop after the babe, Camden, was born. If anything, he spent more time with you. He delegated much of his work as spymaster to support you, even going so far as helping coordinate schedules for Feyre or Nesta to help you bathe.
In the first few weeks, you were able to move around, but you were utterly exhausted. Not just the physical demands of your babe and recovering from birthing a winged babe, but also the emotional toll this took on you left you unable to care much for yourself.
You had thought being bathed would make you feel like a burden, but Feyre and Nesta did everything to make you feel so loved instead. They lit candles, rubbed your back, and told you how proud of you they were constantly. Their words never failed to make you cry, the task at hand feeling impossible if you thought about it too hard.
Eventually, after weeks of sleepless nights, feeling like nothing more than a cow for milk, you and Azriel were able to settle into a routine.
He took care of the babe at night, allowing you decent sleep. He brought Camden to you for his middle of the night feedings. You took care of Camden during the morning through early afternoon while Azriel attended to his duties. The two of you cooked dinner together, Azriel always insisting on washing dishes afterwards.
After a while, it all felt so normal. As if Cassian was never meant to be here for this part.
-
A few months after your son’s first birthday all Hell broke loose. It was a regular day. The sun still shone as it always does, your son was as beautiful as ever. Azriel was holding Camden in the air, helping him stretch out his wings, when he spoke for the first time.
A soft dada accompanied the little boy’s giggles, followed by Azriel stiffening immediately. You looked to the shadowsinger, and when his eyes met yours, you knew.
As if a golden thread appeared out of thin air, tying a knot from Azriel to you, you could feel him. You pulled an experimental tug in the bond, and he pulled back.
Wide eyes meet each other from across the room, silent except for Camden’s continued giggles. You stare at him bewildered, your expression mirrored back to you on his face.
A high pitched noise starts ringing in your eyes before everything goes black.
-
“It’s a bit of a cruel joke,” you say. “I want to love him, I want to be with my mate. But what kind of person does that to her deceased husband?”
You had woken up in Rhys’s office twenty minutes ago to your head in Feyre’s lap, her hands gently running through your hair.
You had heard bits of hushed conversation, and you thought you had heard Az, but when you came to, he was nowhere to be seen.
Rhys looks contemplative before saying, “you of all people should know that Cassian would have wanted you to be happy.”
You put your head in your hands, gathering to courage to say your worst thoughts out loud.
“It feels like Cassian died for me. I know he didn’t, but I can’t help but feel like if he had survived, would Azriel still be my mate? He would have let me be with him, yes, but just.”
You sigh, trying to grab the fragmented thoughts in your head and place them together. Rhys lets you, allowing silence to fill the room.
“It would have killed him having to watch me choose Azriel over him. He would have done the respectable thing, he would have stepped back. He would have been happy for us.”
You sigh, “but if it were the other way, if Nesta or Elain were his mate, I’m not sure I could give him up.”
Your words come pouring out quickly before you begin sobbing. He wraps his arms around you, pulling you into his chest. His hands wrap around your head, and he gently smooths your hair down.
“Feyre and I are immensely happy for you, despite the circumstances. Both of you. I know you might not feel like it, but you made your own family.”
-
You found Azriel a few hours later in what used to be his room in the townhouse. He hardly stayed here, hardly stayed at any of Rhys’s estates anymore, opting instead for the comfort of the home you two now shared.
“Hi,” you say tentatively, stepping through the door.
“Hi,” he echos back, turning to see you.
“Crazy day,” you say, pulling lightly on the bond. He cracks a smile, but there’s a sadness deep in his gaze that you haven’t seen in months.
He moves towards you, slow and deliberate steps, as if you were a bunny found in the woods easily scared off.
“Do you want this?” He asks, eyes focused on your own.
You nod your head. He nods back.
“I dreamt of you. For months, years even. Since about halfway through my pregnancy, you’ve been in my dreams most nights.”
He watches you speak, letting you say whatever it is you need to. You take a deep breath before continuing.
“I don’t want to forget Cass, and I don’t want you to feel like you’re replacing him. I can love both of you.”
He steps closer, slowly moving towards you until he’s stopped right in front of you, his wings blocking you in.
“It’s unconventional, I understand. And I understand if you don’t want a widow with a child.” You look up towards him, determination in your eyes. “But I am all in.”
He gently cups your cheek, eyes full of conflict. “It won’t be easy,” he muses.
“Nothing about this has been easy, why start now?”
His face slowly moves closer to yours, his lips gentle against your own. His hands still hold you gently, as he kisses you long and slow.
There would be time for passion later, his kiss now is full of the emotions words can’t convey. Adoration, sacrifice, immense grief.
You thought having Azriel kiss you would make you feel like you were betraying Cassian. Instead you feel an overwhelming sense of rightness as your hands cup his jaw back, pouring every ounce of you into him.
-
You and Azriel look out at your backyard, watching Nyx and Camden run around, play fighting with their swords. The two boys occasionally take short flights, only about a foot or so off the ground.
Azriel wraps his arms around you, pressing his face into the crook of your neck. You close your eyes, letting yourself feel this moment, allowing the sounds of the boys playing and your mate’s breathing to lull you into some form of peace you never thought you’d find again.
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lovelybrooke · 3 months
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I’m the topic of Adam, right sera would realistically go down to earth just to spend time with the reader. (This is based on another ask)
Spoilers for those who didn’t finish the series :)
I know it isn’t canon but imagine Adam wasn’t stabbed by nifty and he managed to survive. I feel like Adam would FINALLY get the chance to speak to the reader, constantly going down to earth to talk to the reader, nitpick all the things he doesn’t like about their friends and family, consistently encouraging them to make time for him even though as it is he’s on earth more than he needs to be and so on. I think this might be an unpleasant time for the reader.
I've seen a lot of people headcanon that since Sir Pentious, a demon, could be redeemed, then Adam, an Angel, could be sent to hell. That would be super cool to see, but I wouldn't count on it.
Anyway, I could totally see Adam getting super giddy once reader goes back to Earth because now he finally has a real opportunity to meet you. Like, he knows Sera probably wouldn't like it, but what is she gonna do, she also goes to Earth to keep an eye on you all the time. But unlike her, she actually has the balls to confront you.
I don't think he'd be the type of person to lie about who he is, even though he realistically should since you witnessed him nearly kill all your friends. He doesn't see a point of doing so, and just welcome himself into your life like a wrecking ball. Of course, he disguises himself, he's not stupid, but that's more so he can go out in public with you and not get stared at.
Unlike a lot of the other male characters in hazbin, who recognize readers poor home life and lack of a father and attempt to become that fatherly figure in their life, Adam couldn't care less. He doesn't have a reason to become your father, he doesn't need to go through that again. That doesn't stop everyone in your life from mistaking him as your dad though.
"Oh my god (Y/n), when did your dad show up? I thought he was a deadbeat."
"Not my dad..."
You thought he came back to Earth to kill you, but instead he just lounges around, eats your food, and nitpick every aspect of your life. He makes a lot of comments about your mom that makes you anxious, why you don't move out, why does she sleep so much, do you want me to kill her? You adamantly refuse, and you hide all the knifes in the house. He also urge you to gossip about your friends at school, and gets mad at your expense when you describe anything relating to bullying.
Regardless, Adam spends a lot of time with you on Earth. It's a way to get off work, its of way to piss off Sera, and it's something he can rub in those idiot demons faces when the time is right.
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latteandjacks · 9 days
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"They should've made an emphasis on Sallie May being trans before" "There should be things that openly indicate she's trans aside from the horns" "The merch shouldn't show her with a bulge if she's trans, logically she should hide it"
My brother in Christ shut the fuck up
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Aight, I get where most of you are coming from but let me just say that Sallie May is a big breath of fresh air from a lot of canon trans rep I've been seeing in the internet about big projects such as Helluva Boss, let's go point from point
This contains spoilers from Hell's Belles
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Sallie May is a transgender Imp, this is not something that was decided just now for the short as her first appearance in the moon harvest festival already shows her with the thick line horns (Which are exclusively from AMAB (Assigned Male at Birth) Imps
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If there's only one point these people made that I agree with is the fact that the horns thing should be something implied in the show, not specifically with the intention of outing a trans character but something simple that could give more context for those who do not check the wikis or the social medias that often
Other than that, I feel like they haven't actually meet a trans person irl because they believe that her being trans should be something that everyone should catch the first time they see her, that someone should inmeditaly point out she's trans, yet, they get upset at the fact that she's proudly showing a bulge on the merchandise They want the show to scream verbally about her being trans but not casually
You have no idea how relieved I felt when, at no point in the episode, her being trans was mentioned or outed, none pointed out her horns or voice and instead the problem was her feeling left out of her sister's life, and, again, not because she's trans and feels like Millie doesn't view her the same or some bullshit, but because Millie doesn't go home as often and felt a bit mad when she had to do her work In fact! Her not getting genitalia reconstructive surgery is also a thing that is cool about her, she got tits but didn't chop off the dick and is not insecure about it, most of times trans people are put between not getting surgery or getting ALL of the surgeries AND being extremely insecure about their genitalia, and yes, there's a lot of trans people that feel that way, but I think that aspect of her is really good representation for those that don't want to get surgery or only want to either reduce or enlarge their chest, not everyone gets dysphoria the same way and this doesn't make her less of a woman for that
Even if it's okay to have characters where one of the main issue of the comes from being trans (I have a few myself), It's also nice to see character that are trans but the main issue with their life comes from something completely different and not related
So for people upset about her passing so well you can't immediately tell she's trans Surprise! That's a lot of us want, that's what a lot trans people irl try, to just be a person of the gender we really are, to be normal and not needing to always out of ourselves, to be treated the same no matter what I make a lot of jokes about my lack of dick and my excess of tits, I only out myself as trans when formally presenting to someone and that is just because I'm not allowed to be trans so I don't pass as a boy at all and need to specify, but me being trans is something that most of my friend only bring into the conversation to make a friendly joke or when I bring it up
Sallie May is not only good representation, is one of the best I've seen in a while in the modern adult media, because she's subtle yet obvious You may not like Viv (Me too girl /non gendered), but I got to give it to her, the lgbt+ representation she does is on point
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Anyways now that I tackled down that issue is time to actually talks about this short as a whole see ya
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arty-cakes · 5 months
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being both a bretta and zote fan is so so painful actually ppl will always find some way to make sure they never interact again or use the latter to (seriously) demonize zote for stuff he never did while also mischaracterising bretta and i 💥👊💥🥊👊🤜🤛💥🤜👊🤜💥🤜💥🥊 🤜👊👊👊🤜💥 im not good at putting into words why this is frustrating
either make them divorced mortal enemies or reluctant friends who actually enjoy eachother's company either of those are funnier but why make up stuff that didnt happen and then pretend its canon and the reason why they should never talk again..... thats so boring
i was gonna leave this in the tags but no i wanna talk
i know im complaining here but its honestly not an issue i see a-lot like i do see them being enemies or friends in fancontent and to the ppl who do that ily very much. its always cool. and people like my dynamic too and when they let me know it makes me rlly happy lol
but i feel like people need to understand that not every situation is good or bad sometimes they are just. situations. like bretta and zote
and i still feel like there's this general misunderstanding about zote that needs to be cleared up which is that he's not actually.... a liar lol. or i mean the only person he lies to is himself and he's not pretending to be a knight he really BELIEVES he's a knight. don quixote coded like he rlly believes he killed the vengefly king and won the colosseum tournament and whatever. all confirmed by his dreamnail dialogue like it makes it REALLY CLEAR that he believes what hes saying. he's actually having delusions thats why most people in hollow knight choose to help him out its why he cant process life threatening situations. he's still annoying just because of his general personality but NOT because of his delusions. (i'd say something profound about how usefulness ties to worth in most people's subconscious and its rooted in ableism and its why zote hate is so loud and normalized but i dont know how to) basically he is not out here 'manipulating' anyone wtf
bretta's delusional too btw the game literally calls her out (gpz godhome description i think). personally i like that canon decided these two should meet and the result was this awfully tough dreamgod that u can fight 10x that's hilarious to me. if a fan made this up and it never happened in canon i would be like 'holy shit this should be a dlc this WOULD happen' because these two are just like that
also people seriously forget that bretta didnt just leave because of zote she left because of ghost too. girl just had enough of short knights ok she was done with both of them if you bring her back to town she's not suddenly gonna realize ghost is heroic and cool and be apologetic and want them back and zote's mad and jealous. <- this out here is mischaracterising ALL 3 of them its so juvenile what.... and i just dont think she'd care that much about either of them, a lot like how zote barely gives a shit about the infection or never realizes she left, they both have tunnel vision these two are the same do you see it
also tell me he was lying when he called ghost a beast because they are thats all they've been striving for this is a compliment to them i know it
this isnt reallyyy a rant. its a personal grievance because i like them both so i care about their portrayal and interactions and i like it when they aren't lonely. but also they're really light-hearted characters so why not just treat them like that....they go through shit and then they move on easily and go through it all over again. its been 7 years can we cut them a break. i dont wanna see anymore mischaracterising unless its really funny
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ilovedthestars · 2 months
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Hello Tumblr friends, apropos of nothing, I have a book recommendation for you.
If You Think You Would Enjoy:
First person narration that Does Something Cool With It
Urban fantasy that really leans into the urban aspect. The mundane beauty of the city made magical
London Man Investigates His Own Murder While Committing Several More Murders, more at 8
A protagonist who is just an absolute wet pathetic paper bag of a man and knows it
A protagonist(s) who are the exuberant and unhinged personification of telecommunications technology with an unparalleled zest for life and also sometimes murder
Both of those characters are technically the same person
The most breathtakingly gorgeous prose that has ever been used to describe a magically animated pile of garbage
A tone that I feel can reasonably be described as “gritty,” with its refusal to shy away from the blood and grime of reality, but that is also suffused with a deep unflinching love for everything that humanity is
A supporting cast that includes many of the world’s weirdest and most badass women
The protagonist getting beat up and/or stabbed and/or shot and almost dying at least twice per book
A reading experience not quite like any you have seen before or since
Then You Should Read:
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The Matthew Swift series by Kate Griffin, starting with A Madness of Angels
If you love the city of London, you will love this book. If you have never been to the city of London, this book will show you what it looks like through the eyes of someone who loves it.
(And also what it looks like when embodied as a giant dragon made of street signs.)
I cannot emphasize enough the gorgeousness of this prose, the geniusness of the urban magic system, and the amount of love for London and for humanity that oozes out of this book. I am also fully convinced that Matthew Swift would be a tumblr blorbo if his books were not mostly out of print and very niche.
It can be a bit hard to get your hands on a physical copy—try thriftbooks or another online used bookseller, or call your friendly neighborhood bookstore and see if they can order it for you. Or just go for an ebook (maybe your library has it on Libby). It is absolutely worth the trouble.
Brief content note while I have you here: There is a fair amount of violence and it is sometimes very lovingly described. Also...don’t get too attached to side characters.
Go read it and then join the approximately 3 people on tumblr who know this book exists and are obsessed with it!!
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Don't Speak 28
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Warnings: this fic will include dark content such as dubcon/noncon, obsession, stalking, manipulation, reclusive behaviour, disordered eating, dissociation, allusions to abuse, and other possible triggers. My warnings are not exhaustive, enter at your own risk.
This is a dark!fic and explicit. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.
Summary: Reader is a reclusive loner who ventures down to the library on a simple mission. Her task is complicated by the man she meets there. (f!short!reader)
Character: librarian!Andy Barber
Note: here was are again…
As per usual, I humbly request your thoughts! Reblogs are always appreciated and welcomed, not only do I see them easier but it lets other people see my work. I will do my best to answer all I can. I’m trying to get better at keeping up so thanks everyone for staying with me <3
Your feedback will help in this and future works (and WiPs, I haven’t forgotten those!)
Love you all. Take care. 💖
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Your bath is less than relaxing as the residue of your argument lingers. You sit among the bubbles as they dissolve and stare at the ceiling. You didn't mean to make Andy mad. You weren't trying to argue. You thought it would be a good idea to make amends.
Perhaps it is best to focus on one thing at a time. You let your eyes close as you fight to keep your nerves contained. You have that jittery feeling where you just want to scatter into pieces.
You don't stay long in the tub. You climb out, foam dripping from your legs down onto the mat. You dry off slowly and dress even more deliberately.
Your eyes wander and you pinpoint on the blank space on the wall. The speaker is gone, Andy must be dealing with the battery issue. You shrug and pull on your sweatshirt and hang the towel on the rack.
You gather your old clothes and near the door. You inch it open and peer out into the hall. You go into your room and dump your armful in the hamper.
You wander around, restless, and go to the dresser. You made sure to tuck away your journal with Kemp's gift. You don't want either to be discovered. 
You take your tablet and carefully slide back the cover. You jump as a knock comes on the door frame. You face Andy as he leans against the wall.
"You hungry, honey?" He asks. It seems like he's cooled down.
"Um, I guess..."
He clicks his tongue, "I'm not mad. You know? You're the one who holds onto these things. We can just move past it. That's a part of a relationship, we argue and then we work through it."
"Right," you agree hollowly, "I know."
"Hm, maybe I'm interrupting? You were planning on hiding in here all night? When we're trying to make progress." He crosses his arms, "therapy isn't cheap. It's hard work so are you gonna try this time?"
Your heart plummets. He says he's not angry but he sure sounds it. You hug your tablet and take a step forward.
"I just wanted to grab this," it's a half-lie; you weren't planning on coming out of your room. "What should I make for dinner?"
"You want to cook?" He arches a brow in surprise.
"Sure, why not? It'll be something to do..." you smile, you can put it in your journal too!
"Alright, whatever you want, dove," he pulls his arms apart and backs up, letting his shoulders slump, "can I ask you a favour?"
"Uh, okay?"
"Will you stay in my room again?" He lowers his voice, so quiet you can barely hear him. He rubs the back of his neck as if he's embarrassed, "it's just... been a while since I slept as good as last night."
"Oh..." you make an an O with your lips, "I guess... I could."
You don't want to, not really. You're tired and you didn't sleep very well yourself. But you don't want to annoy him. Maybe tonight will be better. Maybe you'll get used to it.
🕊️
You make macaroni and cheese for supper. It's a classic and simple enough. Andy's content with the meal and thanks you with a kiss that leaves you standoffish. You want to like it for him but it still feels so new and different. Just another thing to get used to.
After, he watches a ball game as you draw on your tablet. The picture of a lily wilting beyond your original vision of plush ivory petals. Different, not bad, just like everything else, right? 
You yawn and slump down, closing your tablet and laying it on your lap. You look at Andy as he sips from a beer. He offered you one but you don't drink. You don't see the appeal.
"Andy," you murmur, "do you mind if I lay down? I'm tired."
"Sure," he leans in to sling his arm around you, "you can keep the bed warm, huh?"
He kisses your forehead, the smell of alcohol clinging to his breath. You keep from shying away and grip your tablet tight. When he lets you go, you stand and smile at him.
"Okay, um, good night."
"I'll be up shortly," he winks, "don't worry."
"Alright."
"Love you," he lilts curtly.
"Love you too," you return, hesitating as he stares expectantly.
You shift on your feet then take a step closer. You bend as Andy's lashes flutter up at you. You angle your head and squeeze your eyes shut as you kiss him, his lips slightly rough and his beard tickly.
You pull away and wiggle your nose, scratching along your mouth.
"What's wrong?" He asks.
"Nothing," you try not to sound upset, "just scratchy."
"Oh, uh," he drags his hands down his beard, "sorry, honey."
"Not in a bad way," you insist defensively.
"Good," he chuckles, "like I said, I'll be there soon."
He sits back as you sidle away. You don't let put the air trapped in your chest until your at the doorway. Your feet threaten to run but you keep your pace easy.
You climb the stairs and turn down the hallway. You slow near your door but continue to Andy's room. You sift through the dark and tentatively find your way to the bed.
You set your tablet on the pillow and click on the lamp. You climb beneath the covers as the yellow orb of light surrounds you. Despite the nagging displacement, it's cozy. The duvet is fluffy and the mattress is cushy.
You grab your tablet from behind you as you lay back and prop it up on your stomach. You open a colouring app and lazily fill in the lines. The mindless work keeps your mind from racing.
Your eyes droop as you find it more of a task to scribble with the digital nib. You let your hand rest in front of the screen as you shut your eyelids, letting the moment enshrine you. You don't even feel yourself sinking into sleep, your subconscious recreating the scene in a slightly off-kilter reflection.
It's like floating. You're not in your body, you're like air, weightless and free. Your snores rumble just beneath the haze, threatening to break your shallow slumber.
You feel a shift but don't stir, clinging to the embrace of your fatigue. You haven't slept in more than a day, not truly. Short spurts but nothing more.
A sudden heat enshrines you, like you're dropped into a furnace. The visions dim and you're trapped in a dark void, nothing to see, the rustle of noises you can't decipher. Floating still but on a stronger tide, rising and falling abruptly.
You snort, a break in the veneer. Then again, a soft snore that catches on your throat. Your eyelids part slightly and you find darkness around you and something else.
Your tablet is on the night table, a shadow folded and closed, just beside the dead lamp. The bed frame rocks and you figure it's Andy rolling over but his arm is around you snugly, and he's against you. Oh, he is flush to you, hugging you as his hips tilt oddly.
You feel that stiffness between you again. Your eyes go wide on the darkness but you cannot make a noise. He nuzzles your crown as he holds onto you, rubbing his… part against you as he carries his motion. Your heart spins, tangling up your breaths as his own grow shallow, interspersed with gritty groans.
You lock up. You don't know if he realises you're awake but you don't want him to. His arm slips down and he tugs at the bottom of your sweat shirt. He growls as his fingers slip beneath the fabric.
You quiver as his thick fingers tickle your stomach, the shirt rising with his advance. He brings his hand over one side of your chest and he gropes you. You squeak as you feel your nipple bud beneath his touch.
You don't think he heard you as he keeps going, voice droning louder and louder. You shut your eyes, hands balling to fists as you bite down. Just be over, just be over…
He snarls, a deep flow that courses into you as he spasms. He squeezes you tight, pushing his pelvis into you hard. He keeps you against him, puffing again your head, his hand nestled between your tits. You don’t dare let on that you’re awake.
Your eyes sting and you roll them back to keep the tears from spilling. You focus on your breathing, keeping it even and slow. That’s all you can do to keep from hiccuping or sobbing shock. You know what he’s done but you’re too afraid to confront him. What do you have to say about it? Is it wrong if you’re together like he says?
🕊️
You lay awake just like the first night in his bed, this time confined in his grasp. It isn’t until Andy falls asleep that he lets you free. He pulls away slowly, his arm sprawling over the other side of the mattress. He’s still crowding you.
You shudder as you fix your shirt. Your hand wanders further down as you feel something damp. You touch the back of your pants and suck in a sharp breath. It can’t be… you know what it is and it makes you feel gross.
You’re too nervous to drag yourself out of bed, afraid to disturb him too much. You don’t know what to do. You know you won’t get any real rest.
When you hear Andy start to snore, you dare to reach for your tablet. You cautiously shimmy up enough to bend your neck. You turn the brightness down and scroll through your files. You can’t decide what to work on so you close out and open solitaire.
After a few games, you’re bored, still too wary to get out of the bed. Something tells you if Andy wakes to an empty bed, you’ll be in trouble. You stare at the icons along your home screen and thoughtlessly hit the little envelope.
Your email opens up. A few receipts from your sparse Etsy sales and promotional emails about drawing apps and software. Nothing too pressing. You’re very unimportant.
You don’t have any contacts. Just one. The newest. Dr. Kemp. You stare at his name and think. You should write him an email for the morning, you’ll likely forget by then and leave it too long. You have a horrible habit of procrastinating to the point of losing track.
You turn onto your side and awkwardly type with one hand. It takes you a few tries to just get your opener right.
‘Hey, Dr. Kemp’.
No.
‘Dear Dr. Kemp’
Nope, not that either.
‘Hello, Dr. Kemp’.
Better, but not quite.
‘Good morning, Doctor Kemp.’
Okay, that’s good, he probably won’t see it until the morning. And it’s friendly. What next? Just pretend it’s like your journal.
‘Thank you for your visit today. I’m going to really try to listen and learn. I wrote down everything we talked about so I can go over them again tomorrow.
‘Me and Andy talked. He’s mad about Amber so I didn’t mention her again. He ran me a bath so I made him dinner. I drew for a little bit but I’m having a hard time finding focus. I went to bed shortly after that.
‘When I woke up, he was touching me and I was scared. But I let him finish and he’s sleeping now. I think that’s good.’
No, no, you won’t include that last part.
‘I hope you had a good night too.
Yours truly.’
You reread it and hit send. That feels better. Like you accomplished something. If you waited until the morning, you wouldn’t know what to say. You lay back and lean the tablet on your stomach. You listen to Andy’s rocky snores as they mount, louder and louder.
Your tablet bings and frightens you. Oh, shoot! You didn’t turn the volume down. You peek over at Andy and quickly hit the button to bring the audio all the way down to mute. The new notification surprises you.
‘Steve Kemp has invited you to chat.’
You look at Andy again. You have the tingly feeling along the nape of your neck, like you’re doing something wrong. You tap the notification and your email switches to a new window. You had no idea there was a chat function.
‘What are you doing up?’ Steve’s message pops up after you accept.
Your mouth opens. You don’t know what to say. Should you answer? It’d be rude not to.
‘Can’t sleep. Why are you awake?’
You wait for the response. You think maybe he’ll wait until morning to reply, thinking it may have been a rhetorical question. A sort of admonishment telling you that you should be asleep.
Three dots pop up then turn into a message.
‘You got me. I haven’t been able to settle down either’.
‘Oh. I’m sorry.’
‘Why are you sorry?’
You hesitate, ‘I don’t know. Because I know what it’s like to not be able to sleep.’
‘You’re sweet. Don’t worry about me. I don’t sleep much.’
You don’t know what to say to that. You don’t want to come off strange. You had the same problem with Andy, you just felt awkward about chatting through a screen. You couldn’t see the other person’s reaction.
‘Alright. I’ll tell you the truth.’
You’re surprised by his sudden message. As if you had challenged him or even had the thought that he was lying. You type in just ‘okay?’
‘I’ve been awake. Thinking about you.’
Your heart seems to stop and the world narrows to just your tablet. What? Your hand hits too many keys and you have to backspace before you sit and ponder your response.
‘Me? Did I do something wrong?’
You send and swallow, waiting. Andy snorts and you quickly press the screen to your chest, hiding the light. He grumbles and moves his arm but doesn’t wake up. You watch him as you raise the tablet to check the new message.
‘Nothing wrong. You’re special. So I think about you and how proud I am already. You’ve come a long way already. You’re a very good girl, sweetheart.’
You smile. You don’t know why. He can’t see it but his words make you feel bubbly. He never has anything bad to say. Andy coughs and you wince again.
‘Thank you, doctor. You’re very nice too but I don’t want to wake up Andy.’
You feel bad as the message blips into the chat. Your dread worsens as it takes a whole minute for dots to pop up on the other side. You nearly let out an audible sigh as you read his answer.
‘No worries. I’d rather you get some sleep. I’ll check in in the morning. Sleep tight, sweetheart.’
‘Good night’ you punch in the message and tap the arrow before closing your tablet.
You wriggle back down to your back and lay stranded in the dark next to Andy’s loud rumbles. You won’t sleep but that’s okay. You feel better now. The doctor said you’re doing a good job.
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waywardsunlight · 11 months
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Who Said You Can’t Like Villains?
I didn’t want to make this post but it’s gotten to the point where the Fandom Drama (or Wank, as we should call it) has been pushed to point of harassment so it’s time to talk about this.
Backstory: There’s currently ongoing drama between The Owl House fans and Belos stans. On one side, there’s the Owl House fans who are upset about the behavior of a sect of fanatics who are making Eda, Luz, Caleb, Camila, Darius, and other characters out to be the bad guys while Belos is being apologized and for lack of a better word, woobified. On the other side there’s the Belos stans who believe they are the victims of Dana Terrace secretly hating Belos and the onslaught of people who say “You can’t like villains”, and are claiming that they are on the receiving end of harassment. Both sides of the argument are receiving harassment, and I will not doubt be getting harassment due to talking about this. There are claims of death threats, and if those are true please REPORT them.  Real humans are being brought into this: One of the talking points from the Belos stans is that Dana and her crew secretly hates Belos and there’s some kind of conspiracy that she changed the show just to spite them/because she’s a Belos hater. This isn’t true. She WROTE the character, has made fanart of him, and he was never meant to be a tragic hero. She wrote him to be a bad person. He tries to murder Luz, Eda, King, and Lilith in his second episode. And that’s okay! There’s nothing wrong with writing a villain who is bad! Who Said You Can’t Like Villains? Nobody. Well, somebody did but that’s not what most of TOH Fans are mad about. The reason the Belos stans are getting criticism is not because Belos is a villain but rather because people feel that he’s being justified and that these people are putting other characters down, as well as feeling harassed when they speak their opinions. A lot of the anger from TOH fans has been due to justification that makes Luz, Caleb, etc out to be terrible people who hurt Belos, and that Belos is an innocent character who was justified. There have been people on twitter on the side of the Belos stans using eugenics speak and “he didn’t know better” or “Belos was justified because Caleb left him” as arguments which is why people are mad. Ultimately, if you enjoy Belos as a villain, that’s okay and cool. I personally am a Belos fan and have been for a while. Villains are cool. But that’s not why people are upset right now. Stop making Luz/Caleb/Camila out to be the bad guy and stop making excuses for Belos. Enjoy him as who he is, a flawed human who made a bunch of bad choices of HIS OWN FREE WILL, rather than a sad baby who needs to be rescued from the evil showrunner.
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dogstarmoonheart · 9 months
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Im pissed here ⬇️ This is a rant made mid-rage
written after an encounter with one of those bloggers who hate everything that isn’t canon and dislikes Wolfstar and throws up from the thought of Jegulus (?).
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First of all, there are a lot of tropes I don't really like and that I don't take part of. I, for one, like my Lupin awkward and scrawny, not like a cool casanova. I struggle to see the beauty of making Regulus all soft and dovy, as his personality from the start has been based on the fact that he's cold, hurt and uptight. I have never read Y/N as I feel conflicted with the arrangement. WITH THAT SAID, I feel no bloody need to point out, complain or talk poorly about those who do enjoy these things.
I'm a big jily fan. I was 13 (isch??) when I entered the fandom and back then “jegulus” wasn’t a thing. (I've grown to enjoy the "jegulus ship" though, and some of my favorite fics are jegulus-centered.)
I get people being like:
“huh jegulus? how would that even???”
and I also get people who hold onto jily like a life jacket.
BUT for the love of the gods, that doesn't mean people need to be such c*nts.
“This fandom has gotten out of hand”
“I don’t like it when people make ships that aren’t canon” (????? why are you here then?????)
and also people who are so butt-hurt bc. of adaptions and interpretations, like??? what do you think a fandom does???
“That character would never act like that” DO YOU FUCKING KNOW THEM PERSONALLY??
“that’s not realistic at all” your mom’s not realistic at all.
“rosekiller is so offensive” YOU ARE OFFENSIVE
you’re literally 40 go AWAY.
If you want it to be 100% accurate to the books, read. the. fucking. books??????
I’m not speaking for those who change a character to unrecognition, but I stumble upon people who are still mad about Wolfstar??? And it pisses me off dawg. It pisses me off.
Don’t attack people who enjoy non-canon queerness or a cool Remus Lupin or (gods forbid) a kind ratboy (you know he’s my everything)
Kindly piss off Karen (of course not if ur lovely, and happen to be named Karen, you stay right where you are <3)
Sorry, I had to get that out of mi system. Just think it’s bollocks that people can’t just sit back and shut up.
FYI: This house (blog) is safe to all and I hope ye kno’ that nasty hags are just hiding their weird ass values behind the statement “it’s not canon”. They themselves are mucky. They are a bad joke with a borin' punchline ;)
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I wanted to share this cuz even if it might not make complete sense (as I wrote it in fury at 3 am) it’s a good enough reminder that yeh should stay gay, stay loud, and keep making old angry people mad. Ship weird shit and idk..make James an emo just to piss somebody off, who gives a shit.
kisses my sweets
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pastafossa · 8 months
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Happy Birthday and a merry 6 years to TRT! 🎂 🎁 🎈 🎉 🍰
🕯 🕯 🕯 🕯 🕯 🕯
Some FUN TRIVIA FACTS:
TRT's sun sign is VIRGO and its moon sign is LEO!
After 6 years, its current wordcount is 932k words. If you put that in size 12 arial font, single-spaced, this would come to about 2000 pages, and even more if the pages were the usual mass market paperback size!
TRT is now 40 in cat years!
The Man in the White Coat is my tribute to the Mad Scientist trope common in scifi, which is one of my favorite genres!
It is old enough developmentally to tie its shoes! Keep going, TRT!
Ciro is partially inspired by John Marcone from The Dresden Files!
TRT shares a birthday with literary great Agatha Christie! Maybe I'll introduce poison-based murder into the fic in her honor...
The idea of seeing threads came to me after seeing a meme about red threads tying soul mates together. Everything that came after - the other threads, the thread world, how it works, is unique to TRT!
TRT is now longer than War and Peace, and Crime and Punishment combined! So if you've read all of TRT so far, then you have the perfect middle finger to anyone who tries to say you can't focus on longer stories!
The inciting penguin documentary that Foggy drunkenly watched (which led to him declaring Matt and Jane 'penguins') was about Adelie penguins specifically!
Jane has a leather jacket because I love leather jackets and think all badass characters should have a leather jacket! And so you should you! EVERYONE DESERVES A COOL LEATHER JACKET.
The long hiatus between Chapter 4 and Chapter 5 was because I had life things pop up. During that hiatus, I realized the plotline/ending needed some work, so I spent those two years outlining, and I also wound up doing a bunch of additional novel writing classes just because I wanted to learn. A lot of this wound up influencing TRT!
The grey threads are one of the only threads that no one has solved yet!
There are absolutely some bad people working for Cyrus James. There is also a guy named Kyle. He is there not for Evil Purposes (tm) but instead because this was the only place he could work that would allow him to pay off his student loans.
When I started TRT, I thought maybe 5 people total would read it. I was told five people total would read it by some shitty people. So I wrote it expecting five total people would read it, and told myself at least I'd enjoy it, and I could use it to learn. In other words: I had ZERO idea TRT would take off like this. None. Nada. Zip. AND LOOK AT US NOW, BABY. FUCK THE HATERS, 6 YEARS AND GOIN' STRONG.
Based on my outline, we're a bit over halfway to the end!
I hope you enjoyed these TRT funfacts. And I hope you know: this fic isn't just me. It's you, too. This fic has become so much larger than just me. It's the TRT playlist you've sent songs in for that keeps me inspired when writing. It's the fanart I look at to give me a boost. It's your sweet comments and likes and kudos and messages that encourage me when I'm sick or depressed. It's the people who've made friends over this fic, or who've been inspired to write fic themselves, adding beautiful works to the community that we all use to keep going. It's all of this love for both TRT and Matt, and I'm so happy that I've been able to contribute in at least a small way in keeping Charlie!Daredevil love alive even after the show's been gone for years now. I love you all so, so goddamn much. I love this fandom. I love TRT with all my heart. Thank you so much for being a part of these past six years through cancelations, through your high school and college years and beyond, through my ups and downs of moving and sickness and fiberglass and pandemic craziness, through late night chapter drops and wild twists and turns.
And I hope the next few years as we enter the second half of this story are just as amazing!
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leincendiaire · 6 months
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anyways salty thoughts. dont expect me to be nice
this is the one problem not exclusive to the finale, god ed's character arc just. didnt do it for me at all. I excused it before cuz I thought it would pay off as the season went on but nope. he never had a genuine apology moment, just that youtuber apology like gag and the cat collar joke. like they literally show us how the crew was completely scarred by his actions but theyre later just completely fine with him on board???? and stede keeps being his biggest stan when I think he would have been like hey what the fuck!! im sorry I hurt you but I am not responsible for your actions and you hurt my crew whom I hold very dear!! I love ed but Fuck he really went too far those first episodes and he never makes up for it. they only ever focus on His Own self journey, not how he hurt and traumatized practically every other character.
"well, I think narratively izzy's death made sense but—" no!! no it fucking didnt!! im sorry but it was just lazy writing!! they didnt know what to do with him so whoops he gets shot in the dumbest way possible. like, this aint my first rodeo, it aint the first time ive seen a character start off on their character journey to happiness only for writers to give up on it and kill them off. it's a tiring fucking trope tbh and I really wish they hadnt fallen into this trap. like his death scene wasnt good either, if youre gonna do it at least focus on his relationship with the crew, you know, the people he came to accept as family? not the man Who Shot Off His Fucking Leg And Almost Killed Him? I know they had an important relationship but that shit should have been talked about way beforehand, it deserved closure. they should have acknowledged they werent good for each other and made peace with it. izzy deserved a death with people who actually made him happy. ALSO THEY BURY HIM ON FUCKING LAND?????? he spent his life at sea!!!! he is the most devoted out of everyone to being a pirate and you bury him next to your fucking inn???? fucking twats istg
lastly I swear they forgot stede is the main character. they forgot literally everything about how to write him. he gets No Focus in the finale, and every scene he is in is bullshit. I actually wanted to punch my screen every time there was a joke about him being incompetent or whatever. like, hello??? thought we left that shit in s1??? he had Multiple Episodes about learning to be a pirate and adjusting to his new life and gaining more skills but no. he is just silly old loserboy for his cool war criminal boyfriend now. literally no skills or experience whatsoever. ok sure yea thats totally how he acted the rest of the season. also the fuck is it with him staying behind to run the inn with ed?? wasnt the whole conflict last episode their different desires out of life, with ed wanting to start a normal life and stede wanting to be a pirate?? when the Fuck did he change his mind. who are you and have you done with my boy
honestly I feel bad because jenkins is actually a good writer and the whole fandom really expected a lot from a man making his second show, and I think there were a lot of budget cuts and production issues so I can see why it turned out this way. he is probably mad about this too, I bet the cast also, like even the acting in this episode didnt feel passionate, and thats saying a lot since these actors really love this show. im just frustrated. man. time to write fics ig
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bibibbon · 4 months
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MHA 412 leaks (rant)
Iam not a fan of the leaks I really am not because wtf is going on?!?!?!
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1) THIS !!! THIS WAS ONE OF THE WORST THINGS TO COME OUT OF THE FLIPPING MANGA. What the actual hell like there is no izuku introspection and also I get the idea that's being displayed here but it was done horribly in my opinion. It also doesn't make sense on applying this ideology to shigaraki considering that he literally told shigaraki he could never forgive him because of what he did to Eraserhead.
Look not giving up on the idea of people being able to change could be a good thing and idea that could be explained through midoriyas character and making him a symbol of hope. However, that doesn't excuse the horrible stuff going on between bakugo and izukus dynamic. Izuku has clearly been shown having negative feelings towards bakugo (as he should) and we should of seen those negative feelings explored this to me feels like an utter BS of an excuse to be like no izuku is just naturally a living saint which IS ALSO UTTER BS. We have seen izuku get mad and fight like a lunatic a whole bunch and now Iam supposed to believe that izuku can never feel a bad or negative emotion towards anyone because of this?!?!!?!?! The bakugo redemption fails due to many things but the main thing is the lack of izukus thought. about it.
Here is the thing YOU CAN FEEL NEGATIVE EMOTIONS AND HATE SOMEONE BUT STILL HAVE HOPE THAT THEY CAN CHANGE AND BECOME A BETTER PERSON but horikoshi does this to make bakugo look better?!?!? Why?!?!
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2) ALSO THIS?!?!?!!
Wdym izuku has to give up the thing that he had to gain so he can win?!?! How is he gonna win is horikoshi going to make this a vestiges fighting eachother type of bs whole izuku defends himself quirkless somehow ??!?!??!??! Also why is it that he is THE ONLY CHARACTER WHO IS GETTING CONCEQUENCES?!?! Like you have tokoyami and hawks who lost their quirks but gained it back because AFO died so why not ( NO CONCEQUENCES) and then you have bakugo who LITERALLY CAME BACK FROM THE DEAD (no concequences) the only real concequences there were are some injuries then and there but that's it nothing big for the major and fan loved characters happend they're all alive and fighting.
If the point was that izuku could of become a hero with no quirk then shouldn't if he just become a quirkless hero instead of suffering getting a Quirk more suffering more suffering losing a quirk and more suffering!?!?
3) Also don't even get me started on how dirty shigarakis character is being done this guy wants to destroy stuff for fun not because he believes that the only way to rebuild a society suitable for him and his friends is by destruction or another ideology no he is just a psycho who wants revenge against THE WRONG PERSON!!!!!
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4) wasted potential. IZUKUS LACK OF INTROSPECTION AND POV MADE THIS HORRIBLE. like it could of been good but it fell off horribly due to the fact that he didn't have any development and he is just jumping to ideologies. I think this ideology suits him but in theory he hasn't developed enough for him to have it in the first place. Also the lack of pov also makes us DOWNPLAY HIS BATTLE Strategy AND THE THINGS HE IS DOING. LIKE YALL AREN'T DEEPING THAT HE CANT BREATHE THIS GUY MAY DIE OR GET SEVERE BRAIN DAMAGE BUT IS STILL FIGHTING LIKE A MADMAN and I don't see people talking about it all Iam seeing is "oh bakugo parallel hehe bs". Horikoshi then goes on to show us panels of izuku training and you can tell there isn't a lot because NO ACADEMIA ARC AND BAD PACING OF STORY. The idea of him destroying society's pain rug could of been cool but again not enough pov or introspection or anything
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5) WHY IS STAR AND STRIPES HERE?!?!?!! Like did shigaraki steal her quirk because I forgot and if he did then why hasn't he killed izuku using her quirk that's so stupid. Horikoshi has told us and shown us that shigaraki wants death and destruction. He ruined shigaraki and is he now downplaying his intelligence or something or is this some plot hole because why is she here and why isn't her quirk being utilised also what happend to shigaraki using danger sense?!?!! Like I swear that stuff was active last chapter so what happend now can the vestiges just deny and not give him access or something but if that's the thing he can freely use ragdolls quirk.
ALSO SHIG AND IZUKU ARENT THAT WELL DEVELOPED AND ONLY HAVE PARALLELS THROWN AROUND WITH NO INTERACTIONS SO HOW IS THIS GONNA WORK
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itsclydebitches · 4 months
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I think I sent an ask like this along time ago? IDK though.
The weird thing about Oz is that it feels like there was stuff they could have brought up if they wanted us to view him in a darker light that they just...dont
Like, that whole thing with Oz conquering the world with Salem and tricking people into worshipping them as gods. Yeah he eventually saw what he was doing was wrong, but that was after he and Salem had 4 kids. So for a long-ass time he was an imperialist god-king
Or the part where he nearly attacked Ruby once she asked Jinn the question.
It just...feels like those are totally things that should be discussed more. But instead they focus on a bunch of other things that are really weird to hold against Oz.
Like why focus on this you have way better things to hold against Oz right there.
That's very possible, anon! I don't know how many unanswered asks are sitting in this inbox now, but it's not a small number...
Totally agree. I think Oz gets criticized to an unfair degree by the canon and fandom alike (no one is shocked to hear this lol) but part of my issue is what he's criticized for, not just the extent. The show tends to take incredibly weird perspectives like, "How dare you give our uncle cool bird powers with no downside" and "How dare you save group members from a deadly airship crash." The fandom takes stances with larger political implications like, "How dare an abused man 'steal' his daughters away from the mother who wants to use them for a magical form of genocide" or issues that fundamentally break the core concept of the show: "How dare you let teenagers fight dangerous battles / How dare you reincarnate - something you have no control over - into a 14yo boy." The show does engage with some of Ozpin's morally complex choices with no easy answers like, "Is it okay to keep secrets if history has shown severe downsides to revealing that information?"... but then the answer the story decides on - "No it's not" - immediately doesn't apply to half the cast, with no examination of how that changes our perception of Ozpin's choice. And, as you say, the show simultaneously introduces HUGE mistakes - "You positioned yourself as a god! Then a king!!"- that the characters could absolutely mistrust him for... but they don't. Because they're too busy focusing on all of the above.
The only thing I'd push back against here is anyone being mad at Ozpin for "nearly attacking" Ruby. I'd consider that a highly unfair criticism as well given that:
We don't know if he would have attacked. He just charges with his and out-stretched, so Ozpin could just as likely have been intending to snatch the Relic
All these characters have aura and train/hit for funsies on a regular basis. It feels like a stretch - one working to paint Ozpin in an unfair light - to act like Ruby taking a hit is suddenly some horrific event that's worthy getting up-in-arms about
In this same scene the girls pull their weapons on Qrow and Oscar - someone WITHOUT that training/fully unlocked aura - gets punched into a tree. Again, consistent morality. Why is Ozpin in the wrong for charging with an open hand (ambiguous) but the girls are justified in pulling their weapons (clear intent)? Why should Super Fighter Ruby be defended for taking a hit after forcibly stealing secrets from Ozpin, but we should shrug off the newbie farm kid taking a hit for the "sin" of being an unwitting, passive vessel?
Plus... as said above, "forcibly stealing secrets." I'm not saying Ozpin is 100% justified in attacking Ruby over this, but I think he's a HELL of a lot more justified compared to actions like threatening Qrow or attacking Oscar. Ruby ignored his requests to give the Relic back; she ignored how terrified he clearly was. She wasted a wish (which Ozpin knew would happen). She revealed his entire, traumatic history to the group PLUS a total stranger (Maria) which, again, Ozpin knew would happen. Of course he tried to stop her. We will never know what lengths he would have gone to, whether he would have truly fought Ruby or just made a last minute grab, but even if he had fought her... It think that's understandable. We can argue about whether it's right, but it's not the sort of thing the heroes should be holding against him once tempers have cooled, especially when he has stuff like playing God that they have hold as a long term grudge.
Out of everything Ozpin has done, maybe being willing to fight the prodigy fighter to keep her from making one of the stupidest decisions we've seen in the show to date is pretty low on the sin list.
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yourhighness6 · 2 months
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NATLA Debrief: Episode 3 (by yours truly)
Hi again! If any of ya'll are interested here's episodes 1 and 2. Thank you to those who have been following these deranged, unorganized posts, especially @phoebester (Just an fyi this will be hella long, just like the other two)
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First of all, the way they framed the opening resistence scene was genuinely so cool because I immediately thought back to the cold open for the first episode. The streets are so similar that's where my mind went RIGHT AWAY and if that is not good set design and filming I don't know what is.
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The resistance scene was so powerful for so many reasons besides those small details, too. The concept of a resistance within the FN was never addressed at all within the cartoon and I can't express how glad I am that they added this. It just makes logical sense that some people would resist, especially while so many are dying in war, and it really serves to humanize the FN people in a way that's reminiscent of book 3 ATLA. Perfect way to expand on the source material and introduce core themes earlier in the show (M Nite should be taking notes).
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It was also a perfect way to introduce both Ozai and Azula's characters. Ozai is this menacing figure stepping out of the shadows (quite literally), an almost larger than life villain who seems to have every move planned and everything calculated. He's brutal and efficient and we can see that. Azula is conniving and smart, the kind of girl who can fool anyone and come out on top, but is ultimately still a weapon under her father's control. You can tell from the moment Ozai mentions Zuko that she is the underdog, but she is determined that it will not stay that way, and she seems just terrifying enough to succeed. (also idc what anyone says Elizabeth Yu has mastered Azula's look and general vibe. I feel like the whole 'miscasting' debacle was a mix of fatphobia and being shown the wrong stills before the show came out. She looked sort of sweet and innocent in those but I get absolutely none of that from this scene)
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Ugh the exposition was great and then they have to give us this. What the absolute hell did they do to my Katara? Like there was a whole ass episode in the cartoon devoted to her getting mad because she wasn't progressing as fast as Aang and then in this fucking adaptation the maddest she sounds is when she emotionlessly declares, "I don't get it" to convey mild frustration. I'm sorry Kiawentiio, you're acting is great but the writers clearly have no fucking idea how to put your emotional range to good use. The same problem was present in the last episode and I just don't see them being able to fix it significantly enough at this point, even if they have a desire to. Not to undermine that, but there were a couple good points in this scene: Aang mentions something about bending being "beyond thought" which gives bending a more spiritual aspect that I like, and Katara's PTSD is brought up again in an intelligent way, but still, that doesn't matter if they're going to completely butcher her character. (side note: when is Aang going to learn waterbending? they haven't shown him training at all and I'm getting worried)
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This scene was fine or whatever but what in the absolute fuck is going on with Zuko and Zhao? Are they not going to do the agni kai? Like I know there's still animosity there but they were really just sitting there (semi)-calmly enjoying a cup of tea and demonstrating only mild dislike for each other. All I have to say is if they remove the agni kai altogether I'm gonna be so fucking pissed it'll bug me forever and I'll be fucking insufferable.
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Also Zuko is so mean to Luitenient Jee for no reason. I know it's because his abuse makes him see any kind of comradery as weakness so it's a good detail if that's what they're going for but ngl I also find it a bit funny. Like what did he ever do to you? And Zhao taking three tries to pass his officer exam is so perfect too like what a fucking looser lmao.
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Ba Sing Se looks beautiful. There's something so mystical about it, especially in the way Aang describes it as they walk up to the gate. It's this hub of culture and science and art, but it's also incredibly militaristic and so changed due to war it's almost unrecognizable to someone who was there a hundred years ago. The adaptation of cultures during times of change is something ATLA does so well and I'm glad to see that it's continuing in the LA.
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AHH Katara was so awkward during this whole scene and I loved it. For one thing Sokka's commentary was absolutely hilarious but it's also this reminder that Katara has been relatively isolated from other children her age and her brain is like "cute boy flirt how" and its so fucking funny. It might not be the same Katara as the cartoon who is effortlessly comfortable wherever she goes but this is so much more realistic and if she's going to be a bit different this is probably the best thing for them to change (now keep the awkwardness and give her back her anger Netflix I'm begging you)
I am slightly concerned because it looks to me like they're trying to condense at least four episodes into one and I'm not sure if that's going to be a cohesive plotline or a complete mess or not but if handled carefully I think they might be able to pull it off.
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Ooooh the explosion was super unexpected and totally cray cray thanks for keeping me on my toes. I'm assuming it was Jet that planted the bomb although I cannot for the life of me think why. Anyways Teo was adorable I'm adopting him.
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Also I am so so so happy that they gave him a little more depth beyond just 'happy glider kid' and gave a bit more nuance to his character. Of COURSE kids who grew up in war are going to be desensitized to the bloodshed OF COURSE they're going to be a little vengeful and be thinking about ways to win the war OF COURSE Aang is going to be uncomfortable with that because he didn't grow up with that militaristic mindset even if he did loose everything OF COURSE that's not going to change the fact that kids grow up hearing about death and experiencing loss as extremely young children versus Aang being suddenly thrust into this responsibility and grief because he didn't grow up like that he grew up in peacetime it just makes sense. Good job Netflix this was wonderful this was perfect I loved it.
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Okay don't get me wrong I love the way Aang wears his heart on his sleeve I love how their in-the-face storytelling makes a bit more sense with how open and emotional of a person he is it's just part of his character that was improved upon by the LA in my opinion but this is also just... such a misunderstanding of the group dynamic. Like why isn't Katara seeing these people and thinking "I can help with this I have to help with this" and Aang giving this speech to Sokka jumping on the bandwagon? I would even accept them seeing the destruction together and mutually deciding that they need to help the people there (this would probably be best as it allows us to see both character's compassion) or Aang saying something about it and Katara immediately being like "ur absolutely right" but of course they can't do that all we need is a lengthy speech from the protagonist while Katara stands there like robot girl. My mistake.
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STOP because her mocking face is so fucking perfect I love Elizabeth Yu she's perfect. Anyway, I think that they're kind of... adjusting her trauma a bit? I mentioned earlier how I feel like she's shown as a little more scrappy and an underdog as opposed to perfectly calculating and not a hair out of place, but after this scene I feel the need to expand on that. In the cartoon, Azula's abuse from her father centers around his unattainably high expectations for her that eventually cause her ultimate breakdown and the conclusion to her devastating character arc. But in the LA, they're portraying her as less of a prodigy and more of a hard worker. She still has incredibly high expectations, but in this version, she never meets them all the time. Her brother is almost leveraged against her in a way. Even if she feels like she is the best and has the constant need to prove she is the best to her father, there's always going to be this nagging insecurity that she won't be good enough to measure up to her brother. She's not being told she's worthless like Zuko, but she's not reaching every goal like cartoon Azula, either. This also might explain why she has arrows. In the cartoon, weapons are viewed with disdain by firebenders, making Zuko using them so controversial, but Azula definetely doesn't seem to be hiding her talent for the bow and arrow and even if it was a her-sneaking-away-to-practice sort of situation that's not very in character and I don't think she would do that. I think in this version she probably has them because she's trying to find every possible way to prove herself to her father beyond just firebending, and mastering a weapon is a way to do that. I'm not sure how I feel about these changes but she is clearly a different character in this version than in the cartoon and moving forward I'm going to treat her as such. (I've noticed this a bit with all of the characters except possibly Sokka: they're different people. I think this actually might be intentional. [even so I still don't like their characterization of Katara her trauma hasn't changed very much to my knowledge she should still have the same core drives and character traits])
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As well done as Azula was, there was relatively nothing in the Ty Lee and Mai department. They're just kind of existing, watching her train. Ty Lee is vaguely cheerful (and her costume is great btw) and Mai has one line about exploring the world that gives a bit of insight into her character and has a monotone voice. They're both clearly a little scared of Azula but that's basically it. Hopefully we get more on them soon.
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Back in Ba Sing Se, I noticed a bit of a parallel between Teo and Katara. The Mechanist mentions that they lost his mother due to the war, which reminded me specifically of Katara. Throughout this scene, we see that Teo remembers his mother's philosophy and adopts it into his own mindset far more than his father's. Their situation is different because while Katara is arguing for compassion Teo is arguing for fighting back, but they are both fundamentally saying the same thing. It's not enough just to accept their lot in life and try to survive or fight, it's about the big picture, and about defending the things they love. While Katara and Teo both approach this subject from a very different front, the core idea is the same. It's also telling how they are dismissed initially as idealistic for their values when they are really upholding what their mothers stood for in their eyes: for Teo, a symbol of hope in her retellings of the stories of the avatar, and for Katara, a symbol of kindness in her reminders to remain empathetic despite the horrors of war. Make of this what you will, I just thought it was a nice little parallel.
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Anyway, allow me to have a few words on the whole Jet thing (in bullet points because I don't have enough brain power to do this)
I'm glad Jet got his freedom fighters outfit. I was a bit worried when I saw what he was wearing in the first scene he was in because the fit is iconic, and so are the swords
God he's so fucking dramatic "they call me Jet" while the sun glints off his swords and he turns slightly for affect it was so funny I laughed out loud
He and Kia have no on-screen chemistry I'm sorry. Like even the fight scene was so awkward and every time they speak to each other they sound so stiff. They're good actors independently but whoever was watching their chemistry check (I'm assuming they had one pre-production but judging by this crap I wouldn't be surprised if they didn't) was either asleep or it was their first day because there is NOTHING there
What the hell did they do to the Freedom Fighters? They're so cheesy and the costumes are so bad (especially Smellerbee's). Like seriously that entire fight scene was so awkward idk what the hell happened there but it was nowhere near the quality of the rest of the episode so far
Overall, I'm not a huge fan. Also where is Sokka I'm pretty sure he's supposed to be there somewhere
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Okay here's Sokka finally. Are they just taking him out of the Jet shenanigans entirely? I wouldn't be surprised considering how many episodes they had to condense but still I would have liked to see that. Oh well, I guess they had to have Katara do something in this episode instead of just stand around while her brother and Aang have huge plot points. Anyway, this scene was very interesting to me. Sokka and the Mechanist bonded in the og but not to this extent, and I honestly liked that they did something a bit deeper with it considering they don't have as much screentime to establish Sokka's daddy issues (for lack of a better word). Anywho the Mechanist mentioning that there are other career paths to take besides just being a warrior was super cool and I think we can glean a lot from it about Sokka's future character arc. Maybe in this version he doesn't perfectly live up to his dad's expectations and instead finds his own way? It was nice to see Hakoda proud of him in the original but if they go down this path I definitely won't be mad. It's interesting while staying true to the character, it's just a different direction.
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The scene with Aang and Teo was cute. They're both good actors who play off of each other nicely, and Teo talking about how he doesn't want to follow in his father's footsteps lends a bit of insight to the conversation the Mechanist had with Sokka. He probably mentioned Sokka's dad because he wondered if his parents were engineers too and maybe is looking for a bit of an apprentice since his son doesn't take after him as much. This is also another way Teo conflicts with the Mechanist's way of life and may be more similar to his mother.
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The jetara scenes at the Freedom Fighter camp had a much better dynamic. I think the fight scene was probably just them figuring each other out as actors, it just sucks that it seeped into the final take. I confess I was a bit disappointed that the Freedom Fighters didn't live up in the trees, but I guess that would be a bit difficult to engineer. I also noticed how Jet repeated Teo's "if not us, then who?" statement, which is probably just your basic commentary on how the future generations are our hope blah blah blah. It's a major theme so I shouldn't be as disinterested as I am in it but as it stands I'm still not totally thrilled with the Jet plotline as a whole and I think that may be affecting it. I feel like Sokka should be here to add some variety and spice things up a bit it's kind of boring.
The last jetara scene was definitely the best yet. I can't get over how happy I was to hear Jet say his mother taught him to fight. So often we hear how dads or older brothers are teaching the women in their family to fight but here we have a canonically badass male character saying that an older female relative was the one who taught him. One of the major complaints I have from the cartoon was how for all its talk about women being able to fight and its supposed feminist message, there were no women of the older generation fighting at all except for Jun, who wasn't even a particularly moral character like all these older men. We do have to remember that the cartoon started production over twenty years ago so it is a product of its time, when feminist issues weren't very mainstream. Another factor that might have contributed to the lack of feminism in the original was the generational discrepancies; millennials were the first to have widely accepted equal educational opportunities in the US, and even though educational opportunities are still affected by sexism, college became the norm for both male and female students at that time. This isn't to say women older than millennials didn't go to college, but this is around the time women and men started to become relatively equal as of percentage seeking higher education. Basically, they were the first generation of women expected to have careers, and therefore the writer's minds were probably shaped alongside a similar number of female peers, but primarily by men. This could have contributed to the lack of older women, but as times changed, so to did the amount of older women in professional fields. This line is a reflection of that, and I hope we continue to see more badass older women and older warrior women and women in power as the LA continues.
Other than that, I did take my shipping goggles out during this scene at the "sunrise" bit, and it wasn't about jetara. I heard from other fans in the zutara tag that the "you rise with the moon, I rise with the sun" line was removed but I keep thinking about how Katara is legitimately drawing power from remembering the sun rising, a time when the opposite element, Zuko's element, becomes more powerful. I know I'm reaching, but while I mourn the loss of our beloved "you rise with the moon, I rise with the sun" I have to find a new version. Anyway I think we should call this sunrisegate lol
Also, the way Katara is extremely hesitant to talk about her trauma whereas Jet seems completely fine with being emotional and dumping out exactly what he was feeling may have been a device but it does remind me of something I read about how ppl with PTSD will often react very differently when sharing their trauma and the same is true for many other trauma induced disorders. It was probably unintentional but I still thought it was a nice detail.
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Anyway on a less serious note Iroh and Zuko's dynamic is still top tier. I've seen a lot of people complaining about Iroh's character but I don't see anything wrong up to this point. I might be in for a shock in future episodes but I have genuinely no idea what they find so off putting. He's a great actor and the character has legitimately not changed. The line above was a bit undercut by the fact that he's standing in the middle of an enemy city with a cloth half wrapped around his face to keep part of his face from being seen, but I'm just gonna take it at face value (haha pun). I think the thing Zuko despises most is cowardice, and it affects his perception of the war in a huge way. He calls Aang a coward for escaping from prison because he was running away or whatever and I've never considered Zuko a particularly logical character but it's like... bruh he's outnumbered like fifty to one what he is gonna do? Anyway his definition of cowardice is directly tied to his honor and his perception of it in relation to his trauma and the way he held back in the agni kai and him perceiving that as cowardice maybe... Ya'll got me? This isn't fully formed because I obviously haven't seen this new rendition of the agni kai but I'm guessing the events are basically the same. Do with it what you will.
I skipped over the Azula and Zhao scene because I don't have any groundbreaking commentary except to say that I liked it. It ties Azula into the story nicely and gives Zhao something actually interesting about him (I don't hate him as much as I did in the cartoon so whenever he comes up on screen I just sort of yawn).
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Anyway, it was nice to see Katara get a bit angry. I think this captured the gaang dynamic pretty well. Aang being relatively neutral/ quiet while the siblings argue and Katara gets twice as mad as Sokka. Also he may have had the last word but she had the last laugh:
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Again, the sibling dynamic was really great but I didn't feel like Katara was carrying it as much as in previous episodes. Sokka actually played his part in making it interesting and realistic. I don't think this single argument is enough to redeem Katara's characterization in my eyes but at least we know now there is a little spark there.
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AHH THE SCARF SCENE! Scarfgate was everything I could have asked for and more. Like why does he appear directly behind her like that unless he's trying to fight her? Why does he just let her go by like that? Why does he hold out his hand in the first place? Truly is the Watergate of our time it deserves that name. (also in the same episode as the whole sunrise thing? come on) I'm probably being baited but at least I'm enjoying it.
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So I was right about the bombings! I can't believe all those cute little kids are terrorists but I couldn't believe it in the cartoon either so I guess that checks out. Either way I find the bombing far less forgivable than trying to take out the Mechanist. Innocent civilians were hurt and even though I know there was a real possibility that civilians could have been hurt in the attempted bombing for whatever reason it just seems... more brutal somehow. Like the first one was in the center of town, you know? Anyway terrorism is wrong I hope Jet finds his way.
(I was worried about how they were going to tie all the seemingly unrelated plotlines together but I think they pulled it off. Again my main problems were all concentrated around the Jet plotline but when the Mechanist was tied in it became a lot more interesting)
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When I heard this I was like "son ur about to get ur ass kicked" but the funny part is he was kind of right. Like when neither of them were bending he was winning. I guess in all fairness he is a lot bigger than Aang but I don't feel like that was an accidental detail. Anyway, I think this fight scene was the most entertaining yet and so much better than jetara against the firebenders earlier. Maybe the affects for water are just worse than air and fire (it feels slower somehow) but I'm very partial to this fight. And that's saying something because I usually fast-forward through fight scenes or just kind of tune them out or barely watch, so you know it was really good.
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I think the reason I liked it so much was that it was funny, honestly, not in the same way or to the same degree the cartoon was but I laughed out loud a couple times. For instance Zuko gets hit in the face three times in the span of ten seconds, once with a plate, once with a wicker basket, and once with his own little stick thing. Aang also put a basket over his head and some random ass lady started whacking him with a fan. Kudos to whoever choreographed that it was the best.
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Also I liked how Sokka and Katara saved the day together. Cute sibling bonding excersize. And it ended on a cliffhanger with the characters separated! My favorite kind of cliffhanger! It definitely left me wanting more.
Anyway, to recap, things I didn't like:
No Zuko and Zhao agni kai
Mai and Ty Lee were just sort of there
Katara's characterization is still so-so
Jetara plot line was boring and chemistry was not the best
It was kind of a lot for one episode, even if they managed to do it well
Things I did like:
Opening scene
Azula characterization
Teo
The Mechanist plotline
Teo and Katara parallel
Katara DID actually seem a little bit more firey in this episode
SCARFGATE
Zuko and Aang fight scene
Surprisingly good handling of all those loose ends
Cliffhanger
Overall, I would give it a 9/10. That's the highest score I've given an episode so far and I'm standing by it. I know others might have a very different opinion on it since it was condensed so much and differed a lot from the cartoon, but I agreed with many of the changes they made. One thing I would urge everyone to remember is that these are different characters from the cartoon. They're going to act slightly different and have slightly different journys and that's okay. I think it is worth comparing to the original, as it is an adaptation, but we need to remember that an adaptation is not an exact replica, nor should it be. That in no way means that we should make allowances for anything we found negative or mediocre, but it is going to be different and change in it of itself isn't a bad thing. Anyway thank you guys so much for sticking with me! I'll probably have the next episode's debrief up by tomorrow.
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ajbullet · 4 months
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My thoughts on PJO episode 3: part 2
Part one:
We have no food so I’m back
-Having Alecto outside the Garden was such a clever way of adding intensity to the scene and answers the question of like why didn’t they just leave?
-I loved the changed to them knowing who Medusa is right away. It fits the characters and the vibe of the story so much better
-MEDUSA Omgs
-She was perfect. Her outfit and voice and presence was just absolutely intimidating while also almost nurturing? I was confused as where I should trust her or not, which is the point.
-the way they changed her story was astonishing and all the better for it. Her devotion to Athena. The parallel to Annabeth and how they both worshiped a god who has never recognized them (besides the cap). Medusa’s blind faith and her hatred towards Poseidon after he used her.
-“I’m a survivor” 😘👌🏻 perfect delivery
-Medusa calling Poseidon a monster and it reminding Percy of what his mother said.
-HIM TRUSTING MEDUSA BECAUSE OF HIS MOTHER
-The parallels between Medusa and Sally. The unity Medusa believes they share.
-“I don’t think she’s like that” The only one who can speak about Annabeth like that is HIM
-The INSTANT Medusa mentions killing Percy’s friends he is out of there. Like most people have pointed out: a great nod to his fatal flaw of loyalty.
-The labyrinth was so freaking cool guys. Like wtf. That was amazing. I kept picturing the scene from the movie and it blew that out of the water (even tho that’s my favorite scene from the movie. I mean come on, the iconic iPod reflection? Shall never be forgotten) But the invisibility cap was really cool too
-Grover flying of into the distance, screaming his head off, and Percy and Annabeth just being like “whelp, new plan”
-THEM WORKING TOGETHER
-Annabeth watching Percy kill Alecto. Again, wasn’t sure exactly what she was feeling when I first watched it but looking back I think she’s finally realizing like, oh, this boy is more capable then I thought. Maybe he can be useful. Maybe he can do this. Maybe I have a crush on- wait no not possible. Eww.
-Them finally reconciling after Grover broke.
-Oh and I love that they made the uncle Ferdinand a more sad, meaningful moment. I mean, that part in the movie was funny, but that wouldn’t have fit the vibe at all and I think it really added to Grover’s character. I wanted to hug him.
-Leah’s expression after Percy says he picked her cause they could never be friends. She was hurt and it broke me.
-THOSE TWO ARE GOING TO FALL IN LOVE
-Percy not realizing Annabeth’s hat is so important. Then immediately giving it back.
-“I am impertinent” This boy is Percy incarnate.
-LIN MANUEL MIRANDA wtf I wasn’t ready. Jump scare bro. Like give a girl a heads up.
I’m sooooo excited for next episode!! I think it’s going to be one of the best yet. This episode was perfect in its changes and implications. It was a new take on what we’ve read and seen before and even tho some people are mad about it, you have to realize that they have to keep it new. They have to adjust and change and ADAPT! I knew what was going to happen but yet I didn’t and it kept it interesting to me. It was a job well done. Again, please comment or reblog with any other takes or add one because I love seeing everyone’s perspectives. Just please remember to be kind!
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