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#need a tag for speaking polish

semij · 2 years

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watching a movie in german is like being hit with a bunch of bricks. why is it dubbed. gdzie jest mój ukochany lektor.

#tak na serio #nienawidzę dubbingu #i niemiecki dubbing brzmi tak sztucznie że łeb chce walnąć o ścianę #need a tag for speaking polish

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greenglowinspooks · 2 months

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Hey guys very serious and important poll

Flags, for context (in order of the poll):

#spook speaks #I need to know bc I’m gonna buy new nail polish soon #obligatory democracy tag #im thinkin riddlebat but I’d love input

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rexcaliburechoes · 1 year

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diamant, the horrors chamber, and why he’s just so fun to mess with // the diamant-sertation series

i’d talked a little about this before on twitter about diamant angst and if i’m doing alright (i’m fine just biochemistry major go brrrr) and i just remembered this:

and i wanted to think about this for a little bit. i’m going to try and not retread old ground, but that’s kind of impossible if i want to break him in a realistic way.

but i was mostly thinking about how easy it is to destabilise him. i might be woobifying him too much, but i swear, i’ve been through this rigamarole before with a variety of characters. i’ve hurt characters over and over and over again, testing their limits, watching them bend and potentially break, and diamant has keeled over the fastest. it’s kind of funny in a bit of a twisted way.

but i mean it: why does he bend to easily compared to others?

i think it’s because he Refuses to experience The Horrors, and so when something encroaches on that tenuously stretched self control, he simply cannot deal with anything new, so he shuts down. you’d think he’d have a fight response to new stressors (he is of brodia; if you can’t fight, then what kind of brodian are you?) but i think he’s gone past that point. he’s dealing with enough already as it is, just One More Thing just will set him off. he’s tired, overwhelmed, and bottles everything up because He Should Be Able To Deal With It.

there’s definitely an allegory of being undiagnosed neurodivergent in here somewhere but we don’t have time to unpack all that.

but since diamant is so easily burnt out (which, haha, funny fire trauma go brr), he’s just an easy target to picking at all of his weaknesses and flaws. diamonds have very predictable cutting planes, and if manage to hit one just right, the entire crystal will shatter.

#rex rambles #fire emblem #diamant #diamant fire emblem #fire emblem diamant #fe engage #fire emblem engage #story abt the breaking in realistic way: i'd once met a writer in a different fandom who tortured the charas as a sign of love as one does #she at least tagged her shit so i could avoid it but what most struck me and drove me insane was how all the characters were consistent...#consistently same-y that is. all of them filled the same basic tropes of weak and abused + abuser which doesn't work for some characters #also she wrote one of my favourite characters as an abuser to a character he would never abuse and though he can be neglectful he's not...#he's not like an outright abuser like that. unfortunately a lot of ppl keep stepping on his goddamn trauma so he's very testy #but he's loyal to a fault been burned before scared and angry and he just needs a friend that won't hurt him like he's been hurt before #i have a mild headache and biochem to work on so this is as far as i can go rn so i'm sorry if this one is a less polished than my usual #i just find it interesting that he will bend sooner and requires much more time to. ah. rehydrate him. so to speak #if you want him to be healthier and less stretched thin #bc that's what burnout does: it messes with your ability to Exist and work and the more chronic stress that piles up #something will inevitably snap and usually it ain't pretty

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flokali · 4 months

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Hi!! I am brainrotting and cannot get it out of my mind, so I thought to share. A very simple thought.

Accolyte Zhongli. Very willing to please et cetera. But biting him? Like come on, biting a Dragon? Is it ownership? Is it playful bite? You know, the sudden urge to bite someone (or is it just me?). So biting a very willing Zhongli.

Sobbing. This will haunt me for a while.

Slight NSF_W

Thinking so many thoughts... happy belated valentines day every1 ><

Warnings: NB! Reader, yandere!Zhongli, SAGAU, implied Dom!Reader/Sub!Zhongli, unhealthy relationship dynamics, biting, soft-violence (?), possessive behavior, jealousy, ask to tag!

Dragons in Liyue are known to be loyal, fierce, and elegant; the stories always describe them as powerful beasts who are to be respected, with sincere hearts and wisdom beyond a mere mortal’s understanding.

In a way, such behaviors did translate to your acolyte, Zhongli. He was one of your oldest followers, not just in age but time serving you, over six millenia he has existed and can proudly state he’s worshiped you for most of it. You would think that the years would have mellowed him out, polished up the edges of his devotion, soothe the tempest in his heart into a much milder dribble, and yet – you knew very few of your acolytes who could rival the passion he seemed to hold towards you.

The relationship between you and all of your followers was strange, at least to you — going from a normal person to being worshiped as a God was not an easy process, much less in a world as different from your own as Teyvat was to Earth — however none were perhaps as strange as the relationship between you and Zhongli.

He is always at your side, from the moment you wake up to the moment you go to sleep. At first, his insistence on being your attendant had been met with heavy resistance from the others but his stubbornness greatly overpowered their annoyance; no matter what rotation you were in, Zhongli was always by your side.

You knew of his vessel, Morax, the large dragon that he’d used to fake his death, and you knew that “Zhongli” wasn’t his true form – you just hadn’t guessed some traits would have seeped into the other form or maybe it was simply part of his personality.

He was possessive and overprotective over you, it was like an internal struggle between submission and the need to monopolize you was constantly going on in his head, yet he refused to outwardly admit it.

“I am simply concerned for you, Your Grace.” He’d say whenever you’d bring up his overbearing nature, considering that he and the rest viewed you as an all-powerful being, you’d think he’d have more trust in your ability to protect yourself. And yet, whenever he’s allowed, he’ll always attempt to deter you from leaving his side. At some point you realized it was probably for his sake rather than your own, but by then you had grown endeared to the man and decided to allow it anyway.

Even as your most loyal follower who you spent most of your days with, Zhongli had his quirks and habits about him that simply baffled you – no matter how many days you’d spent with the former Archon, there were just things he’d do and say that’d leave you questioning all you knew about him prior.

All you really knew about him before was reduced to what had been revealed in game, from the Traveler’s perspective and the NPC’s who’d speak about him. Meeting him and interacting with him quickly let you know that his personality, at least when directed towards you, was quite different from what you had assumed from your previous observations.

An example of such discrepancies was his obsessive need to please you.

The traditional Liyue clothes you once complimented him on? Most of his wardrobe has changed to include such attires more frequently. The hair accessory you bought him once when you traveled to Fontaine? You don’t think you’ve seen him without it since. That one time you complimented him when he wore warmer tones? It seems his closet has been rid of any other color.

It was unsettling if not a bit cute, who wouldn’t be a little bit flattered to know their opinion held such weight to a man such as Morax; but it was only a matter of time before it all escalated

Somewhere, at some point, your relationship with Zhongli changed – morphing into something more complex than you would have expected. You would soon wonder if he was classified more so as a lover or some sort of concubinus than a mere helper, his role as an attendant seeming more like a guise so he could spend his time with you each day.

Fleeting touches now lasted longer, the feeling of his hot gaze on you burned stronger with every passing moment, it was a natural escalation; kisses now were no longer restrained to the hand, they now landed on your lips, your cheeks, your neck, wandering hands found their home in your waist and the small of your back.

When he told you he loved you, you knew not if he spoke as a devotee or a lover.

It was during a heated make out session that you found out his weakness to being marked and claimed, much to your surprise. He’d been quite insistent on not leaving a single mark on your person, not a hickey or bite, you guessed it must have been a preference but never asked about it either. You decided that, for the time being, you would avoid the topic until it naturally came up - and up did it come.

You had been on top of him, sitting on his lap and caressing his hair as your lips danced with one another’s, his golden eyes were shut tight in pleasure as he let you use his lips and body as you wished. His hands rested on your waist, tightly gripping at your robes and skin as he desperately clung onto your body. Soft whines left his lips periodically, his breathing was quick and you could feel his heart beating where your chests met.

You playfully decided to trail kisses across his face, at first he whined when he felt the loss of your lips on his but he soon fell quiet – other than a few moans and whimpers – as you left open mouthed kisses into his skin and down his neck.

It’s there that, in the heat of the moment, you decide to bite his neck, leaving a small hickey on his flushed skin. His reaction is immediate; his head falls backwards, his whole body heats up and you feel something stiffen below you, his face burns a bright red as a loud moan escapes his lips. His grip on you tightens, his fingers digging into your skin to a point you are certain it’ll leave a mark, and his heartbeat quickens; pleasure basically radiates off of his body the minute your teeth nib at his neck.

You stop, teeth sunken into his skin and hand tangled in his hair, his reaction so lewd and surprising you become flustered and stop dead in your tracks.

Zhongli, however, only pulls you tighter into his body, using a hand to press your face deeper into his neck, as if urging you to use more force in your bite – timidly you give in and nibble into his flesh, further deepening the imprint of your teeth in his skin. His whole body feels hot to the touch, his mind feels hazy, your soft bites into his skin send shockwaves through him.

You had no idea what you were doing to him, did you? Or else you wouldn’t have been so careless when picking the spot, but it doesn’t matter, in this moment of intense pleasure, the former Archon decides to give into delusion and believe you knew the meaning behind biting a draconic being such as himself — and in the neck of all places as well.

Old traditions dictate that a bite mark, especially in the jugular or neck, was a sign of ownership. It was often that mates would mark each other in the neck with enough force to leave scars, sinking sharp teeth into one another with ironic tenderness. It showed trust and care for the other, both to be marked and leave a mark, as it required vulnerability and care from both parties. It was a deeply intimate act, one that would be reserved to life-long partners and mates, it was a gesture of possessiveness and devotion tinted with love.

If he were to be honest, Zhongli would have thought himself to be the one to mark you instead of the other way around, it’d been something he’d often fantasized at night before your arrival, and yet, as he felt your — significantly duller teeth — bite into him he could feel his admiration and love for you grow as he became yours; even if you may not have known.

He’d always imagined himself on top of you, your naked form beneath him, as he sunk his canines into your flesh until he tasted your holy blood. He’d imagined himself cradling your pleasure stricken body while you moaned his name, a sinful sound coming from a divine being. Instead, it is himself that lays within your grasp, panting in ecstasy as he holds himself back from coming completely undone and showing a depraved side of himself even he did not know of.

If he was honest, he almost wishes you’d draw blood, sink your teeth so deep into his skin it breaks layers of flesh and leaves a deep scar that could never heal – a sign of your favoritism and ownership, one that he could proudly say was unique to him. If only you weren’t so careful with him, so scared of hurting him; he means no offense, but your current form is significantly weaker than his and he’s survived wars most have not heard of; even if you wanted to sink your nails into his skin and carve your name into his body, he thinks his strength and shear devotion to you alone would prove the pain to be nonexistent.

A gasp of your name leaves his parted lips, it’s erotic - the way his pink lips let a symphony of pleasured sounds - a wave of hormones rushing through his body, sending his brain into overdrive.

You look up at him, not having expected such a lewd reaction, but the sight of his half-lidded eyes as they burn into your own sends a hot-buzz down your spine. His cheeks are flushed, his lips bloodied as he bites them, his bare chest is heaving up and down; the expression on his face is orgasmic. His loose hair sticks to his forehead as sweat runs down his temples, clearly your gesture had taken quite an effect on him.

You slowly remove your lips from their spot, about to question his reaction - wondering if you’d perhaps crossed a line, but he stops you with a crooked smile and warm hands against the back of your head.

“It is okay, Your Grace,” he whispers, tongue darting to wet his drying lips, he guides your head back into his neck, “bite me all you want, my neck is yours for the taking.”

You giggle a bit at his eagerness, feeling his hard-on press against your ass. You playfully adjust yourself in his lap, softly nipping at his neck before biting down in a new spot.

“Ha-ah,” he moans once more, you feel him startle beneath you, “don’t be afraid to draw out blood, either… in fact, please, feel free to do so.”

He can only hope you take on the challenge, eager to flaunt your lovely bites to Neuvillette and any poor soul that even so much as thinks of questioning his position in your life.

#๋࣭. ancient scrolls #yandere genshin #yandere genshin impact #male yandere #yandere zhongli #yandere sagau #yandere sagau zhongli #yandere #yandere x reader #male yandere x reader #sagau #yandere morax #yandere rex lapis #genshin impact x reader #genshin x reader #genshin zhongli x reader

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little-hermit-crab56 · 7 months

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I've been writing for a while so I thought I'd share some writing tips I've learned along the way.

1. Never sacrifice the flow for a quirky line.

That bit of dialogue or flowery paragraph you really like but it kinda disrupts the flow? Scrap it. I know it hurts, but you need to. If you really want to keep it, find somewhere else to put it where it actually fits in.

2. Dialogue is a dance.

Dialogue should go at the pace of an actual conversation, back and forth with little breaks and pauses. Add as little dialogue tags as possible while still making it clear who is speaking. You can also describe what is happening during a pause in the conversation rather than saying they paused, unless the pause is important.

3. Show don't tell is a guideline, not a rule.

Show don't tell is a very useful guideline, but if you're ALWAYS showing it can get exhausting to read. Skip the boring bits and just tell us what happened, then we can get to the good stuff.

4. If it's boring to write, it's probably boring to read.

If you can cut out a whole scene with little consequence to the story, you probably should. As I said before, you don't always have to show us, you can always tell us.

5. Everything needs to have a purpose.

I know there are probably lots of interesting or cute scenes where your characters are just fucking around, but if it doesn't develop character, relations, conflict, or plot, why should we care? Definitely still write them if they make you happy, but if you're gonna add it to your final draft, make sure it matters.

6. You don't need to explain everything all at once.

I know it feels tempting to put all the lore, and all the character's intentions, and reasonings into the first few chapters, but please refrain, you can reserve that for your character and worldbuilding sheets. Instead, take the time to let us get to know the characters, and the world, in the same way we'd get to know a real person. Make your exposition as seamless and natural as possible. It will take practice to know when to reveal information and when to let us wonder, but you'll get there.

7. Write in a way that comes naturally.

I know you probably have an author you wanna write just like, but that is unlikely to happen. Embrace your natural writing style and perfect it, rather than trying to be something you're not. Writing is an art, you need to find your own style and polish it as best you can.

8. Try to make us feel connected by cutting out certain words like "felt".

"Chad felt like a glass of water." Can be replaced with, "Chad was thirsty, so he reached for a glass of water." Both sentences tell us Chad wants a glass of water, but one makes us feel more connected to Chad than the other. Though both sentences have their time and place, you want to make your audience feel as close to their protagonist as possible. Make them feel like they're there, rather than just an onlooker.

9. We don't need to know every physical detail of your character.

I know you probably spent ages creating the perfect characters and you want to give us the perfect image of what they look like, but it can get monotonous and boring, why do we care that your character has brown eyes unless the colour has some sort of significance? Try to list off only the most notable features of your character and put focus only on the relevant details. Sometimes you can even not describe them at all and throw in little bits of information about their appearance for the audience to put together. We read to imagine, not to have a perfect image painted for us when we could be getting to the plot.

10. You're allowed to be vague.

Allow your audience to assume things, with some things you can just be lazy and let your audience's imagination do the work for you. Of course, don't do this with important things, but you can save so much time you might've spent researching an irrelevant topic when you can just be vague about it. You don't have to know everything you're writing about, so long as you know the bits that matter.

11. Writing is a skill that takes practice.

Don't be so hard on yourself if your writing is a bit cringe, we've all been there. The important part is that you research how to get better and keep writing those super cringe chapters. One day you'll reread something from a while ago and realize you're actually not as bad as you thought.

12. Leave your work to rest.

I know you wanna start editing right away, but once you've finished, leave it for at least a month. The longer you leave it the better, but that depends on your attention span. A month to six months is good if you're really impatient but want a good result. If you keep writing in that time your skills will continue to improve, then you'll be editing that draft with fresh eyes and fresh skills.

And if you're a fanfic author, I usually leave my chapters for a week before editing and posting.

Hope this helps anyone struggling, I thought this might be especially relevant now with nanowrimo.

I recently realized how much knowledge I've been accumulating over the years, I definitely have more but this is all I can think of for now.

I'm no writing guru, but if anyone has anything they're struggling with, I can do my best to help you out, so dont hesitate to ask questions.

#writing tips #nanowrimo #story writing #writers on tumblr #writeblr #writerscommunity #writing #writer

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jellybonbons · 1 month

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Playground Love

ೀ older!Leon Kennedy x fem!reader

Tags: hurt/comfort, age gap (unspecified but reader is an adult), a lot of self doubt, talks about mommy and daddy issues, pet names (angel, princess, sweetheart).

W/C: 1.0k

A/N: studying? who is that? Anyways, this was supposed to be a cute ‘sitting on his lap would fix me’ but I got hit by existential crisis at 2am so angst.

"Wow, dating an older guy? That's so sophisticated!"

“Are you sure about this? Don’t you think there’s a reason why no one his age is dating him?”

"You get to date someone older? That's not fair! All I get are immature guys my age."

"Darling, I know you're an adult now, but dating someone significantly older... it just worries me. Are you sure you're on the same page?"

I love him.

At every reaction, you find yourself repeating the same phrase in your mind. It was a simple truth that anchored you amidst the swirl of opinions and doubts. Every concern, every envy—you faced them all with the same unwavering declaration.

But do you really love him?

The question lingered like a shadow, casting doubt on the certainty you had clung to so desperately. You couldn't shake the nagging feeling that perhaps you were merely caught up in the allure of dating someone older, mistaking infatuation for love. Or was it that you longed for attention from an older guy who could fill the void your absent father left?

You craved the paternal presence you had been denied, and in him, you found echoes of the guidance and affection you had longed for.

"Dating someone older? Isn't that a bit... strange?"

"Why? Age is just a number, right?"

"Yeah, but... do you really think you're at the same stage in life?"

Oh, how naively optimistic you were.

Perhaps you have been too quick to dismiss your loved one’s concerns, too eager to embrace the illusion of love in the arms of someone—his arms—who offered the fleeting promise of stability and security.

“But he makes me feel loved and safe,”

“Does he?”

Was your love truly built to withstand the test of time, or was it merely a fleeting illusion, destined to crumble beneath the weight of your differences?

“Darling, can we talk for a moment?”

“Sure, Ma. What’s on your mind?”

"Well, I couldn't help but notice... you seem quite taken with this new guy you're seeing."

"Oh, you mean Leon? Yeah, we've been spending some time together."

"He's... older, isn't he?"

"Um, yeah, he is."

"I see... darling, I just want to make sure you're being careful. Dating someone older can bring its own set of challenges."

"I know, Ma. But he's different. He understands me in a way no one else does."

"I'm sure he does, dear…but promise me you'll take things slow and really get to know him before things get too serious."

"I promise, Mama.”

You've broken many promises with your mama, but why did this one hurt? Is it because you partially blame her for shaping you the way you are? Is it because she married your father? Maybe she would have lived a happier life if it weren't for him, if only.

But you thanked her, both her and him, for the lesson learned, for the wisdom imparted, for the love that had always been there, and for helping you recognise the kind of partner to avoid.

You stood before the polished wooden door of Leon’s home office, your hand hovering in uncertainty over the ornate doorknob. Each second felt like an eternity as you battled with the torrent of doubts and fears that raged within you.

You needed him, wanted him to hold you, and tell you that everything would be fine.

But what if he couldn’t understand your doubts? What if your confession shattered the fragile illusion of your love?

With a steady breath, you pushed aside your apprehensions and grasped the doorknob, steeling yourself for the conversation that lay ahead.

“What’s up, sweetheart?” His voice, gruff yet soft and reassuring, always managed to send shivers down your spine, freezing you in place. You couldn’t find the words to speak, and your throat suddenly dried.

Sensing your hesitation, he beckoned you closer with a gentle smile. You could see the experiences he went through, the complexities of adulthood etched into the lines that creased his weathered face.

“Come here, angel. Sit on my lap while I work.”

You obeyed, crossing the threshold into his office, your feet padding on the wooden floor as you made your way to him. Settling onto his lap, your linen dress pooled around you, the fabric soft against your skin. His arms encircled your waist, pulling you close, his rough touch sent warmth flooding through your veins.

You inhaled his scent, a mixture of citrus and wood, with a hint of something familiar: whisky. You thought he quit. Ready to question him, you opened your mouth, but he stopped you before you could question him.

“Don’t worry your pretty head, princess. I only drank a glass, I promised. I’m just a bit stressed.”

“Mm, okay,” you replied, pushing aside your concerns for the moment as you melted into the warmth of his embrace.

You found solace in the familiar embrace of Leon's arms, the weight of your doubts momentarily forgotten as you leaned into his chest, burying your face against him. A few of his buttons were undone, allowing the soft hairs on his chest to brush against your face.

"Is everything alright, angel?" Leon's voice, soft and concerned, pulled you back to the present moment.

"Yeah, everything's fine. I just want to stay like this, with you," you murmured, the words slipping out before you could second-guess yourself.

His arms tightened around you, drawing you closer, as if he could sense the hesitation in your voice. "Me too, princess. Me too," his stubble pricked your forehead as he murmured against them.

Oh, how weak you were. His voice and touch alone melted you into a puddle, and all your problems seemed to vanish in his embrace. Your mama wouldn’t be happy with how you turned out; she wished that you would never let a man make you weak like she was.

Closing your eyes, you allowed yourself to sink deeper into his embrace, letting go of the weight of your doubts and worries. In this moment, all that mattered was the steady rhythm of his heartbeat against yours.

Perhaps one day, when the time was right, you would find the courage to open up to him about your inner struggles. Until then, you cherished this moment, clawing in the warmth of his love.

Pressing a tender kiss to your forehead, Leon whispered softly, "I love you, angel.”

“I love you, too, Leon, always,” you replied. The words were a vow of unwavering devotion and love…was it really?

All women become like their mothers. That is their tragedy. No man does, and that is his.

- Oscar Wilde

#leon kennedy x reader #leon kennedy angst #leon kennedy fluff #resident evil 6 leon #death island leon #infinite darkness leon #damnation leon #vendetta leon #dividers by fairytopea #✧˚ ༘ ⋆｡ ˚

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fatesundress · 1 year

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⭑ for the love that used to be here. tom riddle x reader

summary. you and tom are the only muggle-borns in slytherin, until one day he isn’t.

tags. angst, afab reader who is referred to as a witch a few times and rooms with girls but i don't think i ever use she/her pronouns or say the word girl/woman, biggest warning is that this is SO long (idk what compelled me to write a year 1 – post-hogwarts fic but here we are twenty thousand damn words later), blood purity and bigotry, dumbledore is greatly offended by the bonding of two orphans until he can capitalise on it, frequent wwii mentions (specifically the blitz), book clerk tom, MURDERER TOM… ministry reader, kissing, smut once they’re 21/22 May all the minors in the room exit at once, more angst, sad ending kinda, me spreading a very personal and very nefarious tom riddle agenda that is canon to ME but probably only like two other people

note. i need a shower and an exorcism after writing this shit. i'm exhausted. i don't even remember half of it. but i'm also SO stoked, this is my little (very large, frankly) 100 followers celebration! i've only been on here for about a month and the love has been so crazy so thank you mwah mwah mwah ♡

word count. 21.8k (i know... i KNOW)

You learn quickly that your shade of green is not the same as theirs. The rest of them are emeralds, even at that age — they glitter with their parent’s polish. You are flotsam, sea-sick, envy green; the putrid boiling stuff that brews in your cauldron when you look away for a second too long, and, really, it’s more of a stain than a colour at all. There is a fraction of a second where you find something powerful in that. You are not an easy thing to remove. And then it’s gone, because they want to so badly.

You learn, with a bit less tact, that you doesn’t actually mean just you; that it’s you and him whether you like it or not.

He evidently does not.

“It has to be completely fine,” Tom says to you in Potions, his voice small then but just as practised.

You narrow your eyes. “‘Scuse me?”

“I said the powder has to be completely fine.”

“I heard you completely fine. I know how to read.”

He stares blankly at you before returning to his own station, and that’s that.

It isn’t unheard of for muggle-borns to be sorted into Slytherin, so you’ve been told, but one glance around your common room and you can see it’s pretty damn rare.

There’s Tom Riddle, there’s you, and there’s a seventh-year girl whose knuckles are always white like she’s spent so long with her hands balled into fists that they don’t know how to do anything else. Tom Riddle is a prat, the girl is too old and unapproachable even if she wasn’t, and you are very good at being alone.

That decides it. Flotsam still floats.

Everything is — fine. It’s fine for months; you have no one and need no one and sometimes you catch a jinx in the back of Charms that zips your mouth shut or bends a foot the wrong way (a cruel reminder of how much more these people know than you) and your broom occasionally pivots so sharply the Flying professor has to stop you from careening into a wall and breaking enough bones for a week’s worth of Skele-Gro, but it’s fine.

…It’s just that he’s insufferable.

The boy is eleven years old and he speaks like he’s stealing glances at an invisible lexicon between every word, more refined than any of the orphans you grew up with which makes you wonder which sort he’s surrounded by, and you take it upon yourself to theorise in passing if you could ever scare him badly enough his real voice would slip and he might just appear human for once.

Only it becomes clear when you’re stirring awake in the Hospital Wing after a mysterious bout of dragon pox (conveniently, all the pureblood children developed an immunity after catching it young) has rendered you bed-ridden and pockmarked, that you don’t think anything can scare Tom Riddle. He’s suffering just as well in the bed beside yours to keep the contagion to the two of you, and he’s all cold, eddied rage under sallow skin and beetling bones.

“They’re going to kill you,” he says after three days of silence, when the room is dusted in moonlight so thin it’s like squinting through cinema noise or mohair fluff to try to see him.

You blink at the vague shape of him. “What?”

“If you don’t hurt them back, eventually, they’ll just kill you.”

In hindsight, it’s an assumption so hastily bleak only a scared child could make it.

I want to hurt them, you try to say, but for what follows you cannot: I want to hurt them but I’m not good enough to do it.

You roll over and pretend to sleep, and in the morning, you hurt them anyway.

It’s Avery who’s unlucky enough to be the first to test you when you’re three assignments behind in Transfiguration, still a bit groggy from your last dose of Gorsemoor Elixir, and actually, physically green. He tugs your hair and stings your cheek with the promise of “bringing a bit of colour back to your face” and it’s sort of funny how banal it is compared to the other transgressions you’ve been dealt — that this is the thing that makes you bare your teeth, grip your wand in a hand that still can’t hold half of it, and send Avery flying across the room with a Knockback Jinx.

Tom sits with you in the Great Hall for dinner that night, and he never really stops.

You practise spells by the Black Lake between classes and he’s anything but kind about the ordeal, but you teach each other. You end your days with singe prints and sore wrists and you often take more damage than he does, but sometimes, as spring settles in with warm tones (apple and jade and moss — all the greens you’d never imagined), you leave with less bruises than he does. It hardly feels like friendship. It feels much more like purpose.

When summer comes you don’t write to him, and you don’t expect he will either. You don’t suppose you’ve actually written a letter in your life. Instead you try new wand movements under your quilt every night and wait for August’s departure on a big red train.

You sit together when the day does come. He asks you if you’ve been practising. You frown and tell him you’re not allowed to use magic outside of school.

Second year is nothing but monotonous, antiquated theoretics. Most everyone complains. You don’t see why they should — they’re already aeons ahead of you — but that means you finally have a chance to catch up in your less-than-school-sanctioned meetings with Tom while the rest remain practically stationary.

Deputy Headmaster and Transfiguration professor Albus Dumbledore is imperceptibly less soft with you than he was last year when you make the apparently poor decision to sit beside Tom on the first day, and you file the subtle shift in demeanour into some mental cabinet to review later.

You find workarounds with the librarian, Madam Palles, inclined to sympathy for the poor, orphaned muggle-borns to grant relatively unfettered daytime access to the Restricted Section so long as you keep it tidy and none of the books leave the library. That’s where things get a bit more interesting.

For a month you remain innocuous as can be. You browse through rare historical tombs and foreign biographies that would charge more galleons than you can conceptualise, and you never leave so much as a tea stain on the parchment. You smile at the Madam when you return the key each night, and walk back to the dungeons with your hands behind your back. It is, of course, totally unrelated that a month is what it takes for Tom to master the third-year curriculum’s Doubling Charm. An entirely separate affair when you meet him in the most secluded alcove of the library, slip him the key, and stifle your grin as he duplicates it perfectly.

You discover Christmas break is your favourite time of the year. Nearly all the purebloods go home. The Slytherin dormitories are effectively halved.

It’s two weeks of earnest, uninterrupted work and sleep without fear of waking up with jelly legs or whiskers.

Madam Palles, most nights, makes a slight, drowsy effort of searching the library for leftover students before she casts the lights out and closes the door. Then, it belongs to you and Tom.

You’re splayed rather ridiculously over one of the big reading chairs on Christmas Eve, Lore of Godelot in hand, enthralled by a chapter detailing his controlled use of Fiendfyre through the power of the Elder Wand.

Tom is cross-legged and sat straight, his brows furrowed in concentration.

“What’ve you got?” you ask, leaning over to answer your own question.

Tom as good as rolls his eyes, holding up the book to give you an easier look.

“Magick Moste Evile?” You scrunch your nose. “Bit much, don’t you think?”

“It’s the stuff they’ll never teach us.”

“I wonder why.”

He steals a glance at your own book and smiles in that smug way that makes you want to slap him.

“What, Tom?”

He shrugs. “You might want to know you’re reading stories about the author.”

You look down. Lore of — Godelot wrote Magick Moste Evile?

It shouldn’t really be surprising. Three chapters ago your book was recounting his months in Yugoslavia grave-robbing magical burial sites.

“Whatever,” you mumble, “It’s just a biography. Least I’m not reading the words out of his mouth.”

“Well, they’d be out of his quill.”

“Oh my God, Tom, shut up.”

All good things must come to an end. Term resumes and your hackles are back up.

Abraxas Malfoy, Antonin Dolohov, Walburga Black and the best of the worst of your house have returned, sleek-haired and insatiable and deranged, truly, in such a manner that you don’t think you can be blamed for the instinct you feel every time you pass them to lunge like a wild predator or run like wild prey. All Tom does, though (and so you follow, because he’s standing with you and who has ever done that?) is meet their gazes with equal assuredness. He never seems bothered. He never seems animal. You are still all hammering heart and heavy lungs, and you are learning not to see the world through the eyes of someone who’s only ever had their fists to fight. You have magic, you remember. You’re good at it. You could hurt them, if you really wanted.

Not much is different that summer than the last. The war is hard. The food is hard to chew. You chip a tooth. You’re too afraid to fix it with the Trace on you, but you still smile because you will, and everyone seems put off by that. What is there to smile about?

You suppose, for them, it’s a question with few answers.

For you — you’re back on a big red train musing about the functions of muggle warfare with Tom Riddle, chucking a useless card from a chocolate frog out the window and moaning about how you wasted the sickle you found under your seat.

He’s gotten very good at ignoring your theatrics and going right back to whatever it was he was talking about. And you note, unrelatedly, he almost looks like he’s learned how to open the windows at Wool’s. (You dare not suggest he’s doing something so ludicrous as sitting in the sun too, but this is a start.)

Dippet, or the Minister, or whoever it is that’s in charge of the practicality of the curriculum, has become fractionally less stupid in the last three months.

You don’t have to rely on nights in the Restricted Section or weekends at the Black Lake to actually learn something anymore. Of course, without the assistance of those illicit extracurriculars, you wouldn’t be able to match up to your peers the way you are this year, but it’s nice to duel with dummies instead of motioning your wand vaguely over a desk, and you and Tom still climb the notice boards in rapid succession.

They hate you for it. One of your roommates makes a pointed effort each night to glare at you from her bed like those jelly legs are back on the table, Orion Black (two years younger but just as nasty as his cousin) nearly trips you on your way to Divination, Abraxas Malfoy develops what you think borders on obsession with Tom, and for once it feels almost offhand to not care about any of it.

You’re beginning to think even at its best, Hogwarts is remarkably insufficient. This leads you to books mercifully unrestricted so you can read about a few of the other magical schools for comparison. Beauxbatons is renowned for providing most of the worlds alchemical developments, Uagadou’s early propensity for wandless magic makes it unfathomably more practical than Hogwarts, Durmstrang (though you scoff at their violent anti-muggle sentiment) teaches the Dark Arts as something beneficial rather than unforgivable, and — what do you learn here? Even with the hair’s-breadth of magical leniency you’ve been allowed this year, it’s no surprise so few recognizable names in wizarding history are Hogwarts alumni.

“Let me have a look at that,” you say to Tom one evening, when he’s peering once more over the pages of Magick Moste Evile. He’s a purveyor of knowledge in all forms, but he always seems to come back to Godelot in the end.

He raises a brow, handing it to you like your intrigue doubles his. “No more reservations?”

“Don’t get ahead of yourself. I’m only curious.”

“Curiosity—”

“Killed the damn cat, I know.” You glare at him through the pages. “I think that’s you, in this case though, since you’re the one in love with the bloody thing.”

He shakes his head as he reclines in the low light of the Restricted Section, muttering something that sounds like “ridiculous,” or “querulous,” or something else unimaginably fucking annoying.

You might be wrong. Retract your last quip and expunge it. If Tom’s in love with any book, it’s the behemoth dictionary he’s been spitting stupid adjectives out of since he was eleven.

But Godelot’s musings on the Dark Arts are fascinating enough that you can understand the appeal. He’s no wordsmith, and you appreciate that in a way you’re sure Tom deems regrettable, but his points are straightforward but thoughtful in such a way you can read in them how he was guided by the Elder Wand through everything he did. There’s a stream-of-consciousness to them. Something doctrinal you’re surprised to enjoy for all the obligatory English creed they washed your mouth with at the orphanage.

“Find what you’re looking for?” Tom asks, combing with little interest through the tomb you’d put down in favour of his.

“I’m not looking for anything. I’m just…” You sigh. It’s almost painful to say. “I think you were right, and — oh, shut up, don’t look at me like that — I don’t think we’re learning anything here. Not really; not as much as they do at other schools.”

“Of course,” he says blankly. “Hence this.”

This — restricted books and furtive duels — should not be necessary.

“You know that’s not gonna be enough. For the rest of them, maybe, but not us.”

He tenses how he always does at the reminder of his difference. And you get it. Sometimes in moments like these you forget the reason you’re here in the first place. It isn’t just the rebellious divertissement of two academically eager students, it’s… survival. What future do you have as a penniless orphan in wartorn London? What future do you have as a muggle-born Slytherin who’s apt with a wand when there are a thousand more your age, just as skilled and twice as pure?

It isn’t enough to be as good as them. You have to best them, and you have to do it forever.

The night stumbles into an exhaustive silence because you both know it’s true and it’s a bit too heavy right now. The answer isn’t in this room. Just you. Just him. So you sit in the dark and you stare through that muffled nighttime noise playing tricks on your eyes. The worst of the world can wait until morning.

The worst of the world has impeccable timing.

A fault of both sides of the coin; the muggle world is a travesty and the wizarding world is just a bit fucking late, really.

So there’s the newspaper. It’s October first and the date reads September tenth. School owls are a joke and you can’t afford anything better.

And it’s a dirty, ashen grey. It smudges your green if you ever had it at all. You were born to this and you will return to it always.

BOMB’S HAVOC IN CROWDED PUBLIC SHELTER

MOTHERS AND CHILDREN AMONG THE CASUALTIES

DAMAGE CONSIDERABLE, BUT SPIRITS UNBROKEN

All you can hope to do is pass the paper to Tom and wonder without words what you’ll go home to.

The answer is very little when the summer clouds your vision with dust and you stand dumbly with your suitcase in front of nothing at all. You’d tried your best until your departure to keep up with muggle news, but it had remained, routinely, a month behind with the owls. By the time June arrived you were still holding your breath through May. Tom had attempted to reason with Dippet for summer lodgings at the school but you were both denied in light of the exquisite mercy — the bombs have stopped! The Blitz has ended! Go back to the aftermath and make do with the craters.

It’s a bit ironic that Tom’s orphanage survived and yours didn’t. At least you can finally see what all the fuss is about.

In truth, it’s more strange than anything. You feel unreasonably like you’re impeding on a part of him that has never belonged to you (if any of him does); that place where you intersect but never draw attention to. You remind yourself you had no choice in the matter. The system puts you where it wants to, and these days the options are slim. But it’s — the walls are amber-black tile and plaster, lined with sanitary-smelling hospital beds and a cupboard per room. Per room, you think; you’ve got one of those now, and with only one girl to share it with.

You figure the reason for the extra space is probably not one you want to know.

Anyway, you don’t actually see Tom for two days. The caretakers bring you a tray of dinner that’s vaguely warm and a bit too salty and you sleep off the debris you think you breathed in that morning, half-sated and sun-tired.

But then you do see him, and he’s in these funny uniform shorts and a thick blazer and your greeting is an offhand joke about the scandal of his knees that he doesn’t seem to appreciate. He eyes your muggle clothes while you wait for your own set and you know you really don’t have any room to judge.

He doesn’t, or at least doesn’t say he minds your relocation.

You spend half the summer waking up in the middle of the night to acquaint yourselves with the London tube stations, and the other half in whatever crevices of the orphanage you aren’t harangued by Mrs Cole every five seconds, which are far and few between. She seems to have decided fourteen is old enough an age to worry about your intentions unchaperoned, like it’s the bloody 1800’s, and admonishes you and Tom relentlessly despite only ever finding you quietly buried in useless books.

You begin to miss Madam Palles and her invaluable pity. Everyone’s an orphan here. No one’s sorry.

“What’s his deal?” you ask one stuffy afternoon, reclining in your creaking seat to prop your legs on the desk.

Tom knocks them off (he’s so well-mannered that you sometimes push these little gestures of impropriety just to bother him) and glances at the target of your question. Some broad, blond boy who skitters down the corridor a shade paler than he arrived. You’ve yet to properly introduce yourself to anyone you don’t have to, so names are muddy when you try to apply them to faces.

He shrugs, but there’s a flash of something in his expression you’re fascinated to realise is unfamiliar. “He’s an imbecile.”

“...Riiiiight, but that isn’t a proper answer.”

You smile. Legs return to table. Timeworn Oxfords muddy the surface. Tom scowls.

“There was an altercation last year,” he says tersely, “he’s rather fixated on the matter.”

“An altercation.”

“Very good, that is what I said.”

You narrow your eyes and he sweeps your legs off the desk again, gaze catching the unmistakable ribbon of an old bullied scar on your shin.

“And I suppose you’re above such incidents,” he muses.

You cross your arms and huff. He always wins games like these.

You’re grateful when you return to Hogwarts in one piece after your final night of summer is spent underground, and the certainty of knowing where you’ll rest your head for the next ten months cannot be understated.

But the worst thing has happened, and you blame it on the flicker of a moment where you missed Madam Palles like it was some jubilant, accidental curse to ever miss anyone. A foreign thing you remind yourself never to do again.

She’s only gone and jinxed the locks to the Restricted Section so they cry like newborn Mandrakes when Tom’s replica key clicks in place.

For a second you both stand there looking stupidly at each other. Getting caught was a fear two years ago; you’d almost forgotten it was still possible.

Tom is quicker to collect himself. He grabs you by the arm and casts a Disillusionment Charm, and you don’t burst running out of the library like two blurry suncatchers reflecting the candlelight as your instinct heeds; you cling to the shelves and you slither silently to the door. (You’ll make a joke about it when you can breathe.)

Madam Palles the Traitor comes heaving into the library in her nightgown, a blinding blue light baubled at the end of her wand, and it’s really just theatrical at this point to use Lumos bloody Maxima when the basic spell would do the job just fine.

“Has she suspected us the whole time?” you say on gasp once you’ve made it to the dungeons.

“Perhaps someone else has,” Tom suggests.

“What? Malfoy?”

You think it’s a good first guess. It could have been any of the Slytherins, upon consideration, but Malfoy seemed most fixated on Tom last year and it wouldn’t surprise you to learn he’d been observant enough to follow you to the library and notice you don’t leave with the other students.

But Tom quashes the idea. “I’m doubtful. Malfoy is attentive, but Madam Palles is hardly partial to him.” (He had, in second year, set one of her books on fire while studying offensive spells.) “I suspect it was someone with more influence.”

Only no one has more influence than Abraxas Malfoy. The rest of the Slytherins follow him like lost pups. But then Tom might mean —

“A professor?”

“It may be.” He says it like he’s already decided his suspect.

He is, as always, and ever-infuriatingly, correct.

It’s that file you tucked away for later, reoccurring when you return to Transfiguration in the morning like a second epiphany: Dumbledore.

He assigns the term’s seating arrangements, which he’s never done before, and there’s something in his tone when he pairs you with Rosier that feels intentionally like not pairing you with Tom. You don’t think it’s paranoia clouding your better judgement, and by the way Tom’s gaze hardens as he takes his seat beside Malfoy, neither does he.

Dumbledore is suspicious for a number of reasons. He disappears for weeks at a time. The Prophet writes articles on his sightings in Austria and France like he’s an endling beast. He’s being sighted in Austria and France — two notable countries in Grindelwald’s ongoing war. Perhaps ancillary, you’ve decided the charmed glass repositories he uses to hold his old artefacts are the same ones encasing the least permissible books in the Restricted Section. And if that isn’t paranoia (which, you’re willing to admit, it may be) then you assume he has them so proudly on display because he wants you to know.

You consider it a warning.

Tom does not.

“Just give it up,” you hiss over a game of wizard’s chess, “I bet we’ve read every book in there twice already anyway.”

His jaw ticks as the sole indicator of his annoyance, and he takes your rook. You scowl.

“Tom, that man thinks you’re devil-spawn. You know he’s just waiting for an opportunity to catch you doing something wrong.”

“So?”

It sounds so petulant you think he’s been possessed by his eleven-year-old self. Then you think he was a lot wiser at eleven.

“So?” You make an aggressive move with your knight. “So don’t give him one!”

He stares at the board and his breath is just a trace sharper and you hate that you know him like this and no one else. You wonder if he knows you like that too, but resolve with ease that he does not. You’re hard frowns and lewd jokes and trousers torn at the knee to bare scars with stories you wish you could forget. There’s no mystery there. Tom is nothing but — gordian knots and fixed expressions and little patterns to learn like the rules of this stupid game between you. You must know Tom Riddle by every atom or not at all. And that isn’t a choice, really. You’ve never known anyone else.

“Are you stupid, Tom?”

You glance at the board. He’s got Check. A terrible, true answer.

“No,” you finish. “Then don’t act like it.”

Your king glances at you and you nod. He falls. The game is resigned.

Tom acts stupid.

Dumbledore knows.

It all happens very fast.

You strike Tom harder in the arm with Confringo than is likely necessary that night, and he returns the favour with a Knockback Jinx that thrusts you into the shallows of the Black Lake.

You gasp. The cold water feels like it’s swallowing you whole when it strikes, an envelope sealed around you and licked shut for good measure. Everything holds to you, and it’s fucking November. Your senses are so overwhelmed that you forget to murder Tom the instant you sink in. You forget to do much of anything.

You wade trembling out of the lake when sense returns and Tom huffs, peeling off his robe to treat the burn on his arm.

“You—idi—iot,” you mutter, trying to find the incantation for a warming charm but the words get stuck between your chattering teeth. “You stole a re… stricted book.”

Tom glares daggers at you between his poor healing job and you scowl, mincing through the grass and grabbing his arm. “Fucking imbec-cile…”

You’ve done enough damage that if he were anyone else you’d be proud of yourself, and somehow, simultaneously, if he were anyone else you’d be able to manage a pinch of guilt. But he’s Tom, and you know him by every atom, so you cannot be proud, and he’s Tom — he retaliated by tossing you in freezing water and now your clothes are clinging sodden and heavy to every inch of you, so you certainly can’t be guilty either.

“I borrowed it,” he says tightly. As if that means anything at all. And then he takes his robe and drapes it spiritlessly over your shoulders. “You could attempt communication before curses.”

“I could attempt communication,” you scoff, uttering a charm to partially close the gash on Tom’s arm, “Fucking h-hypocrite. I did communicate. You lied.”

“I —”

“Omitted information? Withheld the truth? Watch your mouth or I’ll steal your fucking dictionary, Riddle.”

You swear a great deal when you’re cold and mad, apparently.

“I won’t be caught.” His calm is infuriating. “It would hardly earn expulsion regardless.”

“It doesn’t matter! He knows it’s you! He was staring at you all class!”

“So nothing novel then.”

“D’you want me to blast you again?”

His lips form a flat line. No. That’s what you thought.

You sigh, clutching his robes in your fists to quell your trembling. “What’d you take, anyway? We never touch the encased stuff.”

That is, you assume, why Dumbledore was vexed enough about the whole thing to mention it in class today. A highly valuable book has gone missing, from a repository you dare conclude belongs to him, and he has to pretend all the while not to know it’s Tom who took it. You are out of the question. Theirs is some delicate vendetta you can’t begin to unfurl.

“Nothing anyone should miss,” Tom says, a complete non-answer as he stops to murmur a warming charm you could probably manage yourself by now.

“Tom.”

“It was an encyclopaedia. It’s entirely in Runes. I suspect it will take months for me to decipher.”

“God’s sake,” you groan. He really is exhausting. “I think Dumbledore’l take his chances and loot your dorm before that happens.”

Tom wipes a stray droplet of water from your cheek. His fingers are soft. “We should return. You look half-drowned.”

“I am half-drowned, dickhead.”

And you accost him in hushed tones the whole walk back. Runes, Tom, really? Threw me in the damn lake over a Runic Encyclopaedia? He accosts you just the same; You burned me first.

It does, in fact, take Tom months to decipher the Runes, and he’s quite secretive about it. He won’t let you see the book, won’t tell you what it’s about, won’t indulge your queries on how far he’s gotten or if it’s worth the way Dumbledore bores his eyes into the pair of you in the Great Hall with nothing but the glass of his spectacles to soften his censure. You consider — well — you consider taking your chances and looting his dormitory.

The day everything changes starts the same as any.

You muse over breakfast about muggle news and how the way Tom holds his wand when he casts defensive spells is too sharp when it should be circular. He argues. You soften the criticism by telling him his offensive magic is stellar but you’ll always beat him in defence if he doesn’t swallow his damn pride and listen to you for once. (So, really, you soften it very little.) He doesn’t take Divination so you don’t see him until Herbology that afternoon and he’s silent enough during the hour you share with your wormwood plant that you know he’s done it sometime between breakfast and now.

Tom has cracked the book.

It’s late spring and the night takes longer to settle than it did in the winter. Errant sunbeams still sparkle on the water when you meet him by the lake, and it’s warm enough to forgo a coat.

“Are you going to tell me what it’s about now?” you ask without preamble, arms crossed over your chest as he approaches.

He hands you the book like it’s worth something to you without his explanation, but you’re intelligent enough to gather something from the illustrations of two twined snakes embroidering the cover.

“I should have suspected it sooner,” Tom says before you can comment. “By the way Dumbledore acted when I told him… I should have known he would have wanted to keep it from me.”

“Tom, I have no idea what you’re talking about.”

“It’s an Encyclopaedia on Parseltongue and its known speakers.”

You flip through the pages and none of it means anything. “Parseltongue?”

“The language of serpents,” Tom supplies, and the two of you walk along the edge of the forest. “It’s almost exclusively hereditary.”

“Okay, so, what — you’re trying to learn it anyway?”

“I have no need.”

You frown. “You… you already know it.”

“I always have,” he says, and there’s something almost unrestrained in his voice. He’s proud in a new light, and it takes you a moment to understand and you’re not sure why exactly it makes your heart sink, but —

“You’re not muggle-born.”

“No, I’m not. And Dumbledore knows.”

“So, he —” You try not to sound crushed because why should you be? Why should it matter that he isn’t some exact reflection of you? He’s at your side, he’s still there, he’ll always be there — “How does he know?”

“When he came to Wool’s to inform me I'd been accepted at Hogwarts. I hadn’t known anything, certainly not that speaking to snakes is emphatically rare, so I asked him. He said it was ‘not a peculiar gift.’ Perhaps to keep my interest at a minimum.”

“Why would he lie?”

“Because it isn’t just that I’m of magical blood. I’m a descendant of Salazar Slytherin.”

You can’t be faulted for laughing. It’s not often Tom makes jokes, let alone funny ones.

“That’s good, Tom. Morgana used to have tea with my great-great-hundredth-great-grandmother, so that works out nice.”

He sighs, taking your hand and leading you further into the woods.

“Are you trying to murder me?”

“I might.”

“You’d be the first suspect.”

“No, I wouldn’t. You’ve far too many enemies.”

Not by choice, you start to scold, and then he stops, not so far into the Forbidden Forest that you’re afraid, but far enough you understand this is not something he’d chance showing you in the open.

He closes his eyes and whispers, and it’s — decidedly not English. And you know the sound of a few other languages, at least; this doesn’t sound like words at all. His consonants are pointed, his S’s stretched, the syllables repetitive but separated by a difference in cadence someone less perceptive might not notice.

It shouldn’t be surprising; it’s exactly what he told you, but it startles you how much it reminds you of a snake.

“Tom?” you murmur, unsure at the prospect of speaking some ancient, unknown language into the air of the Forbidden Forest, and, underneath that, still reeling with the knowledge that this is real at all. You’ve pinched yourself a few times to make sure.

There’s a low susurration in the grass, wet with dew that catches the moonlight, and you gasp, clinging to Tom’s arm when you see the blades part in helices for the space of an adder.

“It’s all right,” Tom says softly, almost elsewhere, his eyes zeroed in on the snake. “It won’t hurt you.”

You’re still by the balance of his arm and some petrifying awe as he extends a hand to the grass and the adder coils around it, weaving upward to his shoulder.

“Oh my God. Oh my God, Tom.”

The adder points its beady gaze at you, and Tom whispers something else in that strange language before it retreats in agreement or compliance or whatever could come close to expression on the face of a fucking snake, and maybe you’re dreaming this despite your pinching. Maybe you’ve lost your mind.

“Hope you didn’t just tell it to bite me,” you try, and it comes out half-choked.

He smiles. It’s partly for you and partly for this venomous little thing on his shoulder, and that’s a bit startling. Tom Riddle smiles for adders and you and not much else.

“Should I?”

And all you manage, for whatever reason, is, “Don’t be like them now that you’re not like me.”

It’s out before you can stop it, welling from a small, scared place that embarrasses you to return to. A hospital bed when you were eleven. The walls of a bedroom ravaged by bombs.

Tom’s smile fades. “We’re nothing like them.”

The thing is, neither of you know that’s the day that changes everything.

You celebrate your fifteenth birthday in the Deathday ballroom with Tom, a stolen dinner pastry, a green candle, and a few sad ghosts. You try to learn how to dance. Tom thinks it’s silly. You tell him that’s only because he’s upset he keeps stepping on your toes.

Summer blisters when it comes.

Some of the children take jobs as mail-sorters and steelworkers and you clasp for whatever you’re (one) allowed and (two) capable of, which isn’t much. You’re both old enough at the end of the day to explore London on your own, opting to spend as much time away from the orphanage as Mrs Cole allots, but you only have knuts and pennies and you warn Tom it would be unwise to swindle muggles and risk a letter from the Ministry. So you work where you’re needed and you eat the rationed nonsense you always do and you miss Hogwarts terribly. It’s much the same: you’re together, you’re hungry, and you’re nothing like them.

And then it’s different: Tom makes Slytherin Prefect, is suddenly tall, and you wonder in fleeting moments if his face has always suited him this well.

A stupid remark. You fervently ignore it.

Fifth year begins and you have almost the same number of electives as you do core classes, Tom has duties in his new role that take much of his spare time, and despite popular belief, you and him are not a mitotic entity, so this splits you up more often than it had in previous years. Which is fine. You still have plenty of things to talk about during meals and between duels, and you reckon you’ll share DADA until you graduate.

But in his absence, your attentions are forced elsewhere, and you should be grateful they land on something potentially promising.

It’s like Transfiguration just clicks for you this year. You’ve never been the greatest at Transformation (importantly though, you’ve also remained far from the worst), but fifth year launches you into Vanishment and something about that feels like a perfect equation. There are no complicated half-numerals and objects stuck between inanimacy and being — just unmaking the made. Nothing or not. You’re fucking excellent at it. You glean the theoretics fast and then the practise comes like breathing. Even the purebloods struggle as you Vanish Dumbledore’s Conjured garden snakes in brilliant tendrils of light. You exult unabashedly when you brush past them on the way out of class — who was it that didn’t belong in Slytherin?

You say the same to Tom and he rolls his eyes, but the amusement is there.

“Think you can talk to my snakes for me?” you tease, nudging him on the path to Hogsmeade.

“If they’re yours, I doubt they have anything worth discussing.”

And Dumbledore is… a hue nearer to the man you remember from first year. He praises your improvement and smiles when you can’t hide your giddiness as if equally impressed.

He doesn’t shelve people the way Slughorn does (you’re dismayed to find Tom has been invited to join the Slug Club and you have not) but you think if he did you’d be rapidly climbing your way to the top. Maybe get put in one of those neat little repositories he keeps all his best treasures in.

Dumbledore does, however, offer additional assignments for those who are interested, and tasks you with a few if you’re up to the challenge.

You always are.

The Tom-Dumbledore-Encyclopaedia debacle is apparently either resolved, or your part in it forgotten.

Tom humours you when you’re both singed at the fingers from duelling, yours dipped in the lake while he buries his in the cold moss, about how Abraxas takes the seat beside him at every Slug Club dinner. He tells you he pretends to be very interested in the Malfoy’s business affairs and their stock in the Bulgarian Quidditch team’s win this coming spring. He tells you he finds it amusing to let Abraxas think he can make Tom his pet. Tom says he considers searching for Salazar Slytherin’s fabled Chamber of Secrets and showing Abraxas what a real pet looks like. You smack him in the arm.

He’s had an ego forever. He just has a few too many reasons for it now.

And maybe that’s why you push harder in Transfiguration, dedicate the majority of your studies to it, spend your Saturday nights scrutinising advanced techniques while Tom makes nice with Potions experts and politics with people who don’t even know what he is but like him anyway. It’s patronising, of course — borderline fetishistic; not a real like — but it scares you. Tom Riddle would not allow himself to be anyone’s pretty mudblood show pony if he didn’t have an ulterior motive.

Everything changes but the observable truth that he is still insufferable.

You’re lucky to see him twice a week if it isn’t in class, and the way it starts is so slow you don’t even fully understand what’s happening until Christmas break when Abraxas stays a few extra days and leaves by Dippet’s Floo instead of the train.

You don’t dare ask where Tom has vanished to in that time or why the hell Abraxas Malfoy would willingly subject himself to unnecessarily extended time at school with all his lackeys gone, and it isn’t because you don’t want to. It’s because he won’t tell you himself. It’s because you’re terrified the answer will feel like a broken promise, and you’ve come to realise (it’s been there for so long; such an obvious, tiny thing that you’ve never stopped to really dissect it) that it’s quite difficult to know someone at every atom and not love them a little bit.

You’re suddenly aware of the risk of it: you love him like an inextricable piece of yourself, and, well, you’ve seen war. You know what amputation looks like. You’ve seen the remains of structures designed to stand forever, and you’re strong like them — casts and gauze in all the weak spots because you remember the pain of breaking them — but those were blows dealt without the complication of loving the bombs behind them.

Tom is the green on your robes, the dragon pox tinge you sometimes think never truly faded when you look in the mirror too long, and all the shades you never imagined. Apple, jade, moss. The beginnings of emerald. (No, he couldn’t be that.)

You wonder what the world would look like if he stole those colours back, and it’s much worse than some brutal decimation; it would leave you with too much. You would just be you without him.

So you love him into June like you always do, and you pluck his Prefect badge off on the last day of school and tell him it makes you jealous like a joke when it’s half-true.

It’s raining when you walk to the train together, miserable for what should be summer but not at all remarkable in Scotland. Tom wipes it from your cheek. Your wrists are sore from vanishing bits and bobbles all night while you still can, never truly prepared for three months without magic, and you curl into your seat as soon as you’re in it. Tom wakes you up when you arrive back in London, startling you to find that you fell asleep at all.

It rains a lot that summer. There’s nothing much to see in the city and you can’t get anywhere else (you note: the Trace cares little about broomsticks but you can’t afford one of your own and flying might be the only thing Tom is bad at) so you’re stuck to the library again with a noseful of old paper and a certain prose that magical literature cannot replicate. You theorise a lifetime of reckoning with the mundane forces one to be more creative.

Perhaps it’s the cold that makes you sick. Perhaps it’s the state of your meals. Either way, your final weeks before sixth year are hell. Biblical, blazing hell.

The nurses aren’t sure what it is — another influenza epidemic you’re the first in the orphanage to catch — but they isolate you immediately and there’s not much care they can offer.

You hear Tom arguing with one of them outside your door but can’t make out the words. Everything is dizzy, sweaty, halfway to unconsciousness but without its relief. You’d take dragon pox over this.

Some days later (though you can’t be sure because it feels like bloody centuries), he’s at your bedside, and you think even if you were lucid enough to ask what horrible thing he’d done to change the nurses’ minds, you wouldn’t.

But you know he’s not beyond breaking wizarding law, because he’s muttering healing spells with a hand to your damp forehead, and you hazily find yourself reaching for him, trying to shake your head no.

“Not allowed,” you mumble. Your throat is sore and your nose is stuffy. You sound terrible and you probably look worse.

Tom is slightly blurry but you think he’s staring at you. You know if he is it’s with the utmost incredulity.

“Not allowed,” he repeats slowly. It’s very easy to picture him clenching his jaw. “I wonder, if the Trace is so exact that it can detect all forms of magic, it can’t also detect malady. You’re burning — and I’m to consider whether saving your life might be illegal?”

He’s angry. He’s angrier than you’ve seen in a long time; and you can actually see it now. His magic courses through you and your vision clears, bit by bit, until your depth perception steadies and you realise he’s closer than you thought. His jaw is, in fact, clenched.

You move to catch his wrist and manage it this time. “Tom.”

“Don’t argue,” he says thinly.

“You’ll get sick.”

His face is far too neutral for the way his fingers stroke your damp cheek. “Hm. Then it’s a good thing you’d break the law for me too.”

Of course he’s right — you love him. Which makes it a good thing he doesn’t get sick.

Some of the younger children do. The fever comes overnight for a girl who wasn’t in the orphanage last year, and it takes her by the next.

When you get back on the train to Hogwarts, the virus is circulating Britain and you’re livid.

What Tom said is true; you consider the Trace’s precision and the details of the laws on underage magic — how one of the technicalities is that a young witch or wizard may be absolved of the consequences if the circumstances are life-threatening. You think about how it supposedly doesn’t care about broom-riding or Portkeys or Floo travel, and if the Trace is that complex, surely it understands sickness.

You only wonder if the Ministry would understand it. There haven’t been any epidemics in the wizarding world since Gorsemoor cured dragon pox in the sixteenth century, and when there isn’t healing magic there are antidotes and Pepper-Ups and herbs that muggles simply don’t have. The fatality of a fever of all things is not something you imagine could be comprehended by the sort of people who sent you and Tom back to London in the wake of the Blitz.

Of course, the Ministry hasn't written to you, you haven’t been forced in front of a representative from the Improper Use office, and you have no real reason to be upset.

You are regardless.

It shouldn’t even be a thought: you immolating into oblivion protesting rescue because one of you might get in trouble for it.

A world you’ve never much cared for is blanketed in ash and its people are dying and you can’t help them. A girl is dead. You’ll return next summer and there will certainly be more.

Life is for the magical, you find. The muggles can burn.

It’s what makes you start to panic this year, knowing you’ve only got one more after it. You have no idea what you’re going to do after school, and it doesn’t help that Tom doesn’t appear to share the sentiment. He’s got Head Boy in the bag and when he isn’t with you he’s with Abraxas, who can surely provide him connections if whatever game Tom is playing at works (and you have no doubt it will), but it’s like you said in third year: that isn’t enough for you.

You remember with a small ache that you no longer means you and him.

And then — it makes sense. You feel incredibly stupid.

“You told him, didn’t you?” you ask Tom the first opportunity you can get him alone, in the glum blue light of the Deathday ballroom on your way back from supper.

He sighs like it’s a conversation he’d hoped to put off for longer. “You’re referring to Abraxas, I presume?”

“You’re referring to — yes, you prick, I’m referring to Abraxas. Of course I’m referring to Abraxas, or are there others? Dolohov and Nott seem unusually enthralled by you, now that I think about it.”

“And for a reason I’m supposed to be aware of, this is an error on my part. Should I be apologising?”

“Why did you tell him, Tom?!”

“Why?” he deadpans.

You throw your hands up. “Oh, for fuck’s sake.”

“Shall I provide you with my itinerary as well? Would you accompany me as I tour the third-years around Hogsmeade? Or can you do me the favour of trusting me to make my own decisions with the nature of my ancestry?”

“You’re keeping something from me and there’s a reason,” you say, stepping closer to him, “and forgive me if I want to know what it is when you were willing to tell me you’re the Heir of Slytherin and you can talk to snakes. What — what could possibly be bigger than that?”

Tom returns your approach with one of his own. His eyes are steady, dark, thick with lashes and you can’t reminisce on the details of the rest of him because that would be strange for a friend to do. Stranger to do it now, when you’re angry with him and there’s two sleeping ghosts in the corner and he’s framed by deep indigoes like the ripples in the Black Lake and — you’re doing it anyway.

To be short, he’s close, he’s very beautiful, and sometimes you despise him.

“Trust me,” he says again, without the derision of the last time. “This will change things for us.”

You frown, but it’s a weak upset in contrast to the explosion you came in here willing to make. There were at least twenty questions you meant to ask and you only managed one.

You are not his keeper. You know that.

“Change them for the better, Tom,” you say on a sigh.

He blinks, and you think he’ll respond with a nod or a slightly offended ‘of course’ but he does not. He blinks and he just keeps looking at you. It’s disarming. It probably resembles the way you often look at him. There’s a rationale somewhere; you never see each other anymore, life is so incredibly busy, maybe he’s forgotten what you look like.

And he does nod, finally, but he does it with his thumb brushing the corner of your lip.

What? Sorry. What’s going on?

He pulls it away like he’s heard you. “You had something.”

You’re almost positive you did not.

Transfiguration this year brings Conjuration, which is an advanced and welcome distraction, and even more exciting when you consider no longer having to Vanish things you have no idea how to bring back. Dumbledore’s is one of three N.E.W.T classes you’re taking — Defence Against the Dark Arts and Alchemy besides. It’s easily your favourite.

You share it with eleven other Slytherins and twelve Ravenclaws. Four of them are muggle-born, and it’s hard to describe the ease you feel among them because you don’t think you’ve ever had anything resembling ease with anyone but Tom.

Your schedule is more crammed than it’s ever been, but it’s good. Two of the Ravenclaw girls invite you to Hogsmeade every other weekend, you share butterbeers when you can afford one, you study until you collapse, you take Dumbledore’s extra assignments and consider trying out for Chaser on one of your more restless evenings before waking up in the morning and resolving there is such as thing as too much of a good thing. Best not to get ahead of yourself.

Your contentment is remedied quickly.

Someone is found unresponsive in the dungeons. Dippet makes an announcement at breakfast that the boy isn’t dead, rather, petrified. No one is quite sure the cause, but the Headmaster warns a few minor precautions, suggests a buddy system, and says that after dinner studying should remain in everyone’s respective common rooms rather than the courtyards or library.

You know next to nothing about petrification, but the victim is muggle-born, and you suspect it was the result of a poorly performed statue curse by one of the many blood zealots in your house. The whole thing makes you hold onto your wand a smidge tighter, but you’re adamant not to let it drive you to paranoia like it would have a few years ago.

Tom nods at your theory when you manage to escape to the Black Lake together in November.

“That isn’t unreasonable,” he says. High praise.

You sink into the moss, sighing. “Do you think there’ll be more?”

He looks out onto the lake, the lapping waves, the crystalline beads that furrow them, midnight algae and flotsam you don’t think you belong to anymore.

You peer up at his silhouette in the dark. “Do you think whoever did it will do it again, I mean?”

“I don’t know,” he says finally, and after another pause: “but I don’t think it would be you.”

“How’s that?”

“No one would be senseless enough to try.”

And he sinks beside you with that, breath shaping the cold in steady, rhythmic clouds while yours are scattered. His robes brush yours and you take his arm with a sleepy hum, tracing patterns in the stars until your eyes feel heavy and he insists on taking you back to your dormitories.

One of the Ravenclaw girls, Marigold Wright, distracts you with a spare blue scarf and an invitation to her next Quidditch match. You watch from the stands and cheer as she catches the snitch to beat Gryffindor.

It’s a bit strange — having a distraction — having a friend. Mari is kind, smart, a good study partner who’s as keen on stepping into the advanced theoretics of Human Transfiguration a year early as you are. She’s funny in a vulgar way, introduces you to all her friends, shows you the best way to sneak into the kitchens, and you sometimes wonder if she was sorted wrong, but — her methods are creative, and she’s definitely intelligent. She’s also definitely not Tom.

You see less and less of him and more of her, Dumbledore, the Ravenclaw common room and the pages of progressive Transfiguration methodologies. He sees less of you and more of Abraxas, Dolohov and Nott and all the other purebloods, Slughorn’s soirées and Prefect meetings that cut into meals.

It happens again.

Second floor lavatory. A girl called Myrtle Warren. She isn’t petrified.

There’s a vigil the following week and her parents are there, two muggles whose sobs wrack the Great Hall even as the students clear out. Flowers descend from the charmed ceiling, little bluebells and white chrysanthemums.

You cry that night. You can’t remember the last time you cried.

This time, you don’t have to seek Tom out. He catches you on your way back from Alchemy and brings you to the Deathday ballroom with a melancholy glance in your direction that you don't hesitate to follow. You realise it’s an odd place to continue to end up in, but no one else goes there and you suppose that makes it yours.

You’ve seen Tom skinny and sickly and olive green, but today his eyes are circled with veined violets and the lack of summer sun this year has whittled him grey once more. He’s still beautiful. He’ll always be beautiful. But he’s tired and — sad — and for the six years you’ve known him you aren’t quite sure what to do with that.

You don’t spend too long pondering it. You just hug him with the dawning newness of a thing like that; a thing you’ve never done, and never really thought to do. (You ask yourself in bewilderment how you’ve never thought to do it before.)

He’s warm. He’s uncertain. He doesn’t reciprocate immediately.

And then he does, and you understand without caveats or concerns that you stopped having a choice in your destruction the moment you chose him. He’s home, and that’s going to ruin you one day.

Your arms tighten around him and his around you, the rhythm of his breath holding you to earth when you begin to float away. Nothing makes sense in this moment but the mercy that in all the death you’ve seen, you swear to God you’ll never see his. As long as you’re alive, he must be too.

And there’s something to be said about the innate self-slaughter of loving a person (of loving Tom Riddle, especially): that it’ll cleave you in two, that you’ll say feeble things in his embrace that you should be above saying, like ‘I’m scared’, that his hand will find the back of your head and he'll tell you he knows, that that should not feel like enough but it will be. You’ll clasp your hands under black robes and hold this singular embrace together by the faulty adhesive of your fingers. Maybe you’ll cry again, like your body can suddenly comprehend its capacity for it and is making up for lost time.

The first sign that something is wrong, more than the obvious grievance of the death itself, is the Ministry’s happy acceptance of Rubeus Hagrid as the culprit.

The boy is maybe fourteen years old, half-blood — half human, mind — and no one has a bad word to say about him other than he likes to keep eccentric pets. Which leads you to wonder what pet he possessed with the ability to petrify one student and kill another and what cause he’d have for it in the first place besides two terrible, miraculous accidents.

That question draws an even stranger path. Mari says over butterbeers (on her, bless her soul) that she read somewhere years ago that Gorgons can induce petrification, but that she doesn’t remember much else.

One of the boys in DADA says that his father’s an auror, and heard from him that Hagrid’s pet was some sort of arachnid. Tom deducts five points from his house after class with a scowl on his pale face, muttering about conspiracy.

The second sign that something is wrong is that only one of those things would need to be true for the entire case on Hagrid to be called into question. If Mari’s memory serves right, how the hell did Hagrid come into ownership of a Gorgon? (Could Gorgons even be owned?) If the auror’s son is worth your credence, then what species of arachnid is capable of petrification?

You take to the library.

Unsure of where to begin and hesitant to draw attention, your research lingers into Christmas break and stalls some of your extracurriculars in Transfiguration. Tom is busy enough not to notice the new step in your routine, and you’re grateful not to have him breathing down your back, telling you you’re looking in the wrong places or you shouldn’t be looking at all.

The third sign is the end.

You wish to retract it all. There are time-turners and memory charms and potions that could dizzy you enough to manipulate the truth; there is anything but this. You’d suffer the consequences for the bliss of loving him with one more day before the ruin — you’d write it down to remember through the fog: look at him, duel him without wanting to hurt him, kiss him to know that you did it at least once, have him, be had. You never will again.

He’d shown you the adder. He’d joked about the Chamber of Secrets. He’d spent months disappearing with Abraxas, earning the trust of the sons of the Sacred Twenty Eight.

And he’d killed Myrtle Warren.

So it’s statue curses and Gorgons and Tom — speaking to serpents when no one else can, buttressed by pureblood boys who want people like you dead.

Don’t become like them now that you’re not like me.

He’s something else entirely.

What do you do in a moment like this? Panting into an empty library at a revelation you wish you could unknow, fingers digging into the hickory of your desk — another memory carved among the initials and hearts; how do you stand from your chair and leave like the world outside this room is the same as it was when you entered? There’s nothing to orbit. You are cosmic debris, tea dregs in a barren cup, flotsam.

You stand; and you tell no one. Not even Tom.

His presence in your life is so infrequent that you don’t even have to come up with excuses for your distance until three weeks after your discovery when you’re paired together in DADA to practise stretching jinxes.

You almost laugh. He’s standing beside you, tall (lanky like he was when he was a boy if you look long enough) and serious, and you love him without knowing who he is anymore. You’ve skirted corners to avoid him and sat with Mari during lunch and breakfast like he’s some scorned lover to escape confrontation from and not someone who held you through a grief inflicted by his hand.

“You look tired,” he says, inspecting the daisy you’d been tasked to elongate.

You glance at him. You are tired. It’s exhaustive, bone-deep, aching like nothing you’ve ever known, and maybe that’s why you can look at him and smile sadly instead of thrashing against his chest screaming for what he did. You suppose it happens enough in your head to satisfy. When you can sleep, you sleep to the thought of it. The waking moments are just blank.

“Mhm,” you hum, transfiguring the daisy stem back to its regular length.

Tom observes it with curious eyes. “You’re getting good at that.”

“I’ve been good at it.”

His lips turn, a small frown before he puts it away. You make the observation that he’s tired too; there are still bags under his eyes and his hands tremble ever-so-slightly with his wand when he loosens his grip on it.

His own doing and still you flicker with some relentless hope that he's drowning in regret.

“Sorry,” you say. A ridiculous thing. Do you intend to slowly push him from your life with weak disinterest and diverging academic avenues? As if he were something extricable. He’d never let you.

You’ll have to confront him, and that’s a revelation that holds its weight on your chest until you think you'll suffocate under it.

You’re in the blue light of the Deathday ballroom with a face you've never worn before when it happens, deep into spring, and you know then that you were wrong all those years ago.

He sees all of you.

Takes you in in the flash of a second and maybe it’s your quivering jaw that reveals you or the flint of betrayal in your eyes waiting to be struck and lit. Yes, you were wrong — Tom Riddle knows you at every atom too.

“Are you going to let me explain?" he asks before any hello. His jaw is tight but there’s nothing else to go on to judge his disposition. He's settling into impassivity like an animal drawing its shell. You will not be allowed in if you're going to make it hurt, and you might be the only one who can.

“Explain," you copy with a hard exhale, “Just tell me it wasn’t you. That’s all there is to say."

He stares at you. There’s nothing there.

“Tell me, Tom.”

Your breath catches on an automatic please but you don’t want to offer him that.

“I cannot.”

Then make me forget, you want to scream. Let it be summer. Let us work for pennies and breadcrumbs and be no one together.

It’s late winter and it’s too cold.

“You killed her,” you say quietly.

“If I told you I did not wish for it, would you even believe me?”

“What are you… so it was an accident?”

“There was — an opportunity presented itself that may never have come again; that does not mean I don’t find the nature of it regrettable.”

“Regrettable.” You’re laughing or crying or both, and you must look unwell. Halfway out of your mind.

He’s so composed in the face of it that it only makes you more incensed.

“You told me to change things —”

“You killed someone! Can you understand that?”

“You nearly died,” he hisses, “and if I am to apologise for recognizing it only as the first of many times, I will not. If I am to apologise for doing whatever is necessary to prevent it, I will not. The hand we were dealt will not be the hand we die to — so yes, I understand it. And one day so will you.”

“Don't," you spit, and your anger must look pathetic under your welling tears. “Don't you dare tell me that this was for me.”

“Do you want me to lie?”

“What could her death possibly bring me, Tom?”

“Her death is the first step to —”

“God, stop dancing around the fucking question!” Both hands have wound their way to your head, clutching at your skull like the brain matter might spill through one of the cracks he’s wearing down. “Just… tell me.”

“You recall Godelot's work," he says stiffly. The question of it takes you by surprise, peels the moment back like the rim of a fruit and you're left uncertain.

All you can do is nod, arms falling to cross over your chest.

“There was one form of magic he refused quite concisely to impart. I searched the Restricted Section for days, and under Dumbledore's watch that was not an easy thing to do."

You stole from him, you're urged to remind him, but it's something you'd say with a nudge of annoyance and a roll of your eyes. Such admonishment is small and far away.

“I found it at last in one of the repositories," he goes on, “Secrets of the Darkest Art."

“...What?"

“It's called a Horcrux,” he says. “Murder, by nature, splits the soul. The Horcrux simply makes use of the act; puts the soul fragment into something imperishable so that it is protected, rather than abandoned. In turn, your life cannot be taken. By malady, by magic, by sword — the vessel is destroyed but the soul lives on.”

You blink, feeling dizzy. “Myrtle was the sacrifice.”

“Myrtle was there,” Tom remedies.

“How lucky for you.”

“The circumstances could be ameliorated if one were to be made for you. I would have preferred it be someone who deserves it.”

“For — you’d do it again? Again, Tom?”

His brows crease, and even his upset seems contrived. There’s this barricade he’s placed that you, in all your infallible knowing of him, cannot puncture. It’s agony to begin to question what he could possibly be keeping from you in a confession like this.

“You killed someone, Tom. You — I would never ask you to do that. I would never live at the cost of someone else."

“No, you would not,” he agrees, though he shakes his head like it’s incredulous of you. “Do you think, even if I knew it were certain, a summons from the Ministry would have stopped me from saving you this summer? Do you suppose the threat of punishment would cause me to waver at that moment? I know it would not hinder you. So, you have your lines and I have mine — you never needed to ask.”

And now it hurts. The emptiness clears and you can't stand yourself for crying, but you do. It comes out in ragged, breathless sobs, clasped behind your palm as you turn away from him.

You've loved him since you were eleven. It's always been you two — it was always supposed to be you two. What is there to say to him? He's blurring in your periphery like in the midst of your sickness, and there's nothing he can do to heal you this time. Your vision will clear and Myrtle Warren will still be dead. He'll still be a stranger in the face of the boy you love.

“Why," you whine, a wet, hollow stain in your voice you've never cried enough to hear before. “Myrtle was — wasn't — uh —" You swallow, hysterics severing your words. You can't really think right now. Your body wobbles and your head feels puffy and hot. This might be shock.

Tom scowls like it irritates him to watch you push yourself, like this is just the unfortunate effect of you depleting your energy in a duel, not eating correctly, treating yourself carelessly.

Of course you can't stand or talk or think. You're you, contemplating a life without him.

“Sit," he says in frustration. You smack his hand away when he reaches for you, but the world has turned a shade darker and you're slipping into it.

He tugs a chair towards you with a silent charge and a reprimand, and your body doesn’t possess the wherewithal not to collapse into it the second it’s under you.

After a moment you can speak again, shaking hands steadied by your knees. “Did you… did you think I wouldn't find out? You know, the only thing that can petrify someone besides a serpent is a Gorgon. And — where would Rubeus Hagrid have found one of those?"

“I thought I would have time.”

“To come up with a good lie? Something I’d sympathise with?”

He bites his cheek. “Evidently the particulars matter little to you.”

Fuck him. “Fuck you.”

“Very cogent.”

“No, fuck you, Tom. We could have — we only had a year left and then we could — we could've done anything we wanted." You're crying again. You don't have the energy to be embarrassed. “And you chose this."

He’s indignant as he steps closer. “With what money? For what life? We are better than all of them and it’s never mattered. It never will; you know that. You told me that. You’re angry now, but you must know the truth of it. I would not forsake you. I would not lose you.”

You blink up at him, mouth stuck with some cottony feeling and cheeks stiff from crying.

“You have lost me, Tom."

He stills as if suspended. Some maceration must follow but it doesn’t.

You stand on weak legs to look him in the eyes. You wonder if he can see the love in yours. You wonder if he knows you will walk away despite it. (Of course he does. You’ve never lied to him.)

You think about how his fingers seem to always find their way to your cheek and you put yours to his. The bone there is sharp, but the skin is soft. Boyish.

There isn't a word for a goodbye like this. It shouldn't exist and so it doesn't. You just leave.

You fail your N.E.W.T courses. Quite spectacularly.

Mari sits beside you on the train with a soothing hand on your shoulder, and doesn’t ask what’s rendered you into a comatose husk since March. There’s no crying. You chew numbly on soft caramels from the trolley and stare out the window onto the hills.

That summer is spent in your bedroom unless you’re forced elsewhere. A new girl with skin so white it’s nearly translucent sleeps in the bed beside yours, taking meals on trays like you did in your first days here, tracing the cracks in the tiles, humming to herself in the dark. She makes you feel less pathetic for doing much the same.

You’d been right in your assumption that there would be more dead upon your return, and wrong that there would be more empty rooms. There are always more orphans being made.

And then you receive a letter. It isn’t delivered by owl (only for secrecy, you assume, because there are no muggles who’d be writing to you) but it’s stamped with a vaguely familiar crest. Not Hogwarts’ waxen seal, but something undoubtedly magical. A cockroach and a cup, you think, squinting. Transfiguration.

You tear the envelope open and pull the letter out.

It’s from Dumbledore. Some of it melds together, but the key words stand out.

Spoken to Dippet… Exceptional promise… N.E.W.Ts… May be reconsidered… Upon dispensation… Be well.

Be well.

You are not. You are something half-drowned and half-burned, never enough of one to quell the effects of the other. Sunlight is sparse through your side of the orphanage. On the radio, they warn a pattern of one bomb every second hour. The only other warning is the sound when they fly overhead, and if you can’t run fast enough —

You write your answer in a crowded tube station with a spotty ballpoint pen. Tom is there, looking between you, the dust, and your shaking hands as if to say: tell me I was wrong.

Some of your letter melds together but the key words stand out.

Thank you, Sir. Whatever you need.

It’s a shock that you live to seventh year. It’s a shock that you do it without him — though he watches, and in his gaze you feel regressed. You’re alive, yes, but there’s something there… his dead weight, death-grip; his haunting. They always speak of the dead as something heavy. Something that holds onto you even after it’s gone.

You find that to be true.

Dippet’s condition that you remain in Dumbledore’s N.E.W.T class is that you achieve more than the standard requirement. Essentially, your final exam will be much harder than everyone else's: Human Transfiguration, mastery of petty Transformation (through the means of Wizard’s Chess pieces), Conjuration and Vanishment of various delicate objects — all done nonverbally.

Even Dumbledore seems sceptical, but it translates to more rigorous practise rather than resignation, assignments he doesn’t even task to Mari, though she’s just as good, and you can’t begin to understand why he cares so much.

“I’ll entrust you with these while I’m away,” he says before Christmas break, sliding a sheet of parchment your way with a flick of his wand.

You frown, unfolding it. His instructions are always short now — you’ve learned to decode his meaning well enough without much exposition.

Teacup to gerbil — to cat, and inverse.

Inanimatus Conjurus spell (cockroach and cup, as instructed) to be Vanished when perfected.

Study Antar’s Doctrine. Miss Wright will act as your partner.

Due February.

It’s far too much to be done in that time. “Sir?”

Dumbledore lugs a messenger bag over his shoulder that appears small, but he carries it in such a way you suspect it’s magically extended. He smiles wistfully, pushing his spectacles up the bridge of his nose. “You know, I often regret how much this war asks of me. A consequence of my own doing.”

Right — Grindelwald. Sometimes you forget between awaiting the next muggle paper. War is everywhere.

You nod. “I hope… Good luck, Sir.”

Another half-smile as he twists open a jar of Floo Powder, and then he shakes his head with something you almost decipher as amusement. A brittle sort. Tired. “Good luck to you.”

And then he’s gone, in a swath of green flames that do nothing to inspire any desire for Floo travel in you.

Antar’s Doctrine is simultaneously prosaic and grandiose. They read like excerpts of a journal and you yawn into them over your morning tea, stirring amongst the first-years, who are the only people at the Slytherin table you can stand to sit with. Your blood status is apparently nullified by your age, and the worst they do is look at you funny. You aren’t sure what Abraxas’s — Tom’s (the new hierarchy never fails to stagger you) — lackeys would do if you sat with the other seventh-years instead. A part of you longs to know. They certainly don’t bother you in class the way they used to, you aren’t tripped in the corridors, but you wonder how far Tom’s influence can stretch. He is the Heir of Slytherin, and he’s earned them. But you are nothing.

You’d like it if he would let them hurt you. You think the incentive would be enough to hurt him back. And God — God, you want to. You want to hurt him almost as much as you want him.

You practise through the doctrine with Mari, as Dumbledore directed. When you’re able to sever Antar’s egotism from his abilities, you can see why Dumbledore would recommend his book to you. It feels like slipping through a crack in glass without shattering the whole thing. You weave in and back out, and Mari grins when she returns from the shape of a teapot to her body without you needing to utter a word to do it.

In the back of your mind, you’re aware what you’re doing is nearly unprecedented. It’s spring, you’re months away from eighteen, muggle-born, and mastering nonverbal Human Transfiguration like it’s a Softening Charm. Mari tells you you’re the smartest person she’s ever met. It makes your cheeks go hot to hear such open praise, worse when you snap out of the thought that you believe her.

Grindelwald falls. The school celebrates in whispers until the evidence is in front of them — Dumbledore, returned without a scar, a new wand in his hand — and then they’re cheers. The feast that night is a great one, and he toasts to you from the end of the staff table, a discreet tilt of his cup before he takes a sip and returns to converse with Professor Merrythought.

You take from your own, and your eyes land on Tom, spine of his goblet tight in his hand. He’s looking at you like you’ve affronted him somehow. You could laugh — by choosing Dumbledore. Of course. As if it was a choice at all.

But if it bothers him… if it feels anything at all like the betrayal you felt, then — good.

You drink, and don’t look away.

By the time your N.E.W.T.s arrive you have a renewed confidence that you’ll succeed, even with the obstacle of performing each exam wordlessly.

There are only twelve students who came out of your sixth year class, so to divide resources for the tests is no grand task. You’re given a Wizard’s Chess set, a desk with assorted vases and goblets, an intricate epergne (you had to whisper to Mari to learn its name), and a Ministry worker borrowed like some laboratory mouse. You suppose it makes sense, though — you’re all capable enough of Human Transfiguration not to mutilate anyone, and performing on a classmate could obfuscate the results. It’s far easier to Transfigure someone you know than someone you don’t.

You start with the chess set, Dumbledore and the Ministry worker observing you as you turn pawns to knights and rooks to kings, the minutiae of the pieces drawing sweat to your brow. They change, and change, and change, and you don’t mutter an incantation once. The Ministry worker puts the set away and directs you to the glass. You Switch the vases with the goblets, Vanish them, and Conjure them again. The Ministry worker takes notes. Dumbledore nods affirmatively at you and you can exhale. The epergne is the hardest; so kitschy and elaborate you don’t know where to start when you’re tasked to Transform it into an animal.

An animal — like that isn’t the vaguest instruction you’ve ever received.

You look at it on the desk, mirrors and glass and gold on protracted arms, and you go for the first thing you think of because the Ministry worker is staring at you like you’re inept and you see it in his eyes — this is the muggle-born one, this one can’t do it.

You’re better than them. You can do it forever.

The epergne spins at the dip of your wand, and emerges more than an animal. A big glass tank appears in its place, round and gold-rimmed, water lapping at the sides. Inside it is a jellyfish. Emerald green, bobbing, tentacles and oral arms coiling against the glass like the limbs of the epergne had spanned its centre.

The Ministry worker swallows. Dumbledore smiles.

“And — and back?” the worker says, like that will be the thing that stops you.

You point again, mouth tight with irritation, and reverse the Transformation. A droplet of water smacks your face and you’re lucky to be so hot you can disguise it as sweat. You suspect even an error that small would cost you a mark.

You wipe it away. A strange thing happens; you imagine Tom brushing the water from your cheek at the Black Lake. You imagine his fingers in the rain.

The Ministry worker steps closer with a shameless frown. He tells you to turn his hair red. You do. He regards himself in the mirror and scribbles something down. He tells you to turn it back. You do. To grow him a beard, to change his clothes, to make him taller, shorter, this and that — all read from a list he does not appear enthused to recite. You do it all.

He shakes Dumbledore’s hand when it’s done, duplicates his notes for him to keep, and follows the other Ministry workers through the fireplace when everyone’s exams are finished.

You find out you’ve passed with an Outstanding on your birthday.

Mari drags you to the Three Broomsticks to celebrate, butterbeers on her. (They always are.)

“Can’t believe we’re about to graduate,” she says into her cup, froth on her upper lip.

You sigh into your own, partially giddy and mostly nervous.

Mari squeezes your face between her thumb and finger so your frown is puckered. “Chin up, genius. You’ll be excellent.”

You push her hand away but can’t help a small smile. “Outstanding,” you correct.

“Outstanding!” She bursts out laughing. “Bloody ego on you now…”

“Well, I am the smartest person you know.”

“I take that back.”

She pushes out of her chair with a slightly inebriated wobble. “Going to the loo. Don’t touch my chips.”

Your hands raise in surrender, and you steal only one when she’s gone.

You aren’t the only ones here to celebrate. (Your birthday and your mutual achievement, yes, but the Three Broomsticks is filled wall-to-wall with seventh years drinking their final nights at school away.) There’s music charmed to reach every corner, even yours at the little alcove hidden from plain sight. It’s nice to watch from here — the stumbling, the kisses meant for mouths that land drunkenly on cheeks and noses, the barkeeps that roll their eyes as soon as they turn away from all the newly adult customers, not yet learned or careless in their drinking manners.

It is not nice to be occluded from plain sight in such a way that you don’t notice Tom Riddle until he’s inches away from your table. It is not nice that no one else notices either.

On instinct you don’t make any impressive exit. He slides into the booth next to you and your brain short circuits for a moment at the warm familiarity of his presence beside you. Then it occurs that it’s been more than a year since this was remotely commonplace — that you cannot forget the reason why.

There’s not much time to decide whether you want to be vicious or indifferent or to debate on past precedent which would bother him more. You haven’t attacked him despite being concealed enough to do it unnoticed, and you haven’t shoved furiously out of the other side of the booth.

Indifferent it is.

“Can I help you?”

“You’re causing quite the stir,” he says, taking one of Mari’s chips.

You’re allowed. It’s infuriating when he does it.

“Am I?”

“It’s enough to fail a N.E.W.T level class and be expressly petitioned back, but to have a special criteria set for your exams and manage an O on top of it all…” He inclines his head as if to appreciate your face so close after so long. You should not let him. “You are incomprehensible. It terrifies them.”

“They’re afraid of the wrong mudblood, then, aren’t they?”

Indifference effaced. You’re angry.

He seems to have come prepared, and shrugs your scorn off like a scarf you would have forced him to wear winters ago. “Of course, they have no reason to suspect Dumbledore might have ulterior motives.”

Ulterior — you certainly hope he isn’t suggesting this is based on anything but your merit, but then — you couldn’t begin to understand why Dumbledore cared so much, could you? You’d made brief inspections of his disdain for Tom in second year, his waning shades of kindness and the matter of his stolen encyclopaedia, but you hadn’t… you hadn’t thought at all about how his dedication to your progress only begun after you’d stopped sharing a class with Tom, how it had developed as you began to drift from one another in fifth year and accelerated in sixth after the first petrification and Myrtle’s death. How Tom had worn you down with a weighted glare at Dumbledore’s little toast.

It wasn’t because you had chosen Dumbledore, you realise. It was because Dumbledore had chosen you.

“Why don’t you worry about your pets, Riddle?” you snarl, “I’m sure there are bigger problems with your lot than my exam results.”

Something in his face shifts at the name. You swell with distorted pride.

He mends the reaction by looking you over in more detail, his features schooled into something he must know you can’t deduce. You try not to squirm under the intensity of it.

He reaches almost mindlessly for your collar (there is nothing mindless about it, you’re sure) and smooths the fabric gently with his fingers. “I always liked you in this colour.”

You blink. His thumb just barely brushes against the skin of your neck before retreating, and your mouth falls open.

“Don’t do that,” you say. Truly a sad attempt. Your repulsion is more with yourself than him, and that’s not at all right.

Where is Mari?

“Your friend was at the bar, last I saw her.”

You stare at him with wild eyes. How the hell — ?

“You were always easy to read,” he supplies, and leans in so you can follow his line of sight to the tiniest sliver of the bar visible between two columns, where Mari looks deeply engaged in conversation with Leo Ndiaye, one of the Gryffindor Chasers.

You take a sharp, exasperated breath at her antics. She might be more in love with the competition than the boy himself. They’d never last without Quidditch to bind them, but you can’t fault her for wanting a bit of fun.

“Well then —”

Right. Tom hasn’t actually moved away. You turn and his face is just there.

His eyes dart forthwith to your mouth, and — no. No, he won’t be doing that and neither will you.

“...I’m off to bed.” Stop talking to him like he’s your friend, you think miserably. Stop looking at him like he’s your —

“That would be wise.”

He’s still looking at your lips.

No one else is looking at you at all.

It could exist in just this moment, you deliberate; separate from everything else.

Except nothing about Tom exists in its own moment. He’s all over you all the time, skin and bone and soul. You hope you still have a place in the broken fragments of his.

“So I’ll be going now,” you say again.

“I haven’t protested.”

But he’s leaning in, and he has to know that’s impedance enough.

“But you will.”

His lips touch yours. “Yes, I will.”

You grab him by his shirt and you’re kissing him. You’re kissing each other like either of you know what the hell it means to kiss anyone, but you’ve learned the rest together, haven’t you? Your noses bump and you don’t care. You just need to kiss him, and — God, you make some noise against his mouth and the hand cupping your face spreads to capture more of you, greedy and wayward — he needs to kiss you too. It’s a horrible thing to know. It leads you to pose too many questions.

The need must have begun as want, and when did the want begin? How long has he looked at you and wondered what you’d feel like to kiss, touch, mark? (He’ll never have the latter. You swear that.)

You’re pulling away in intervals. “You don’t have me, you know.”

“I know,” he responds, lips on the corner of yours.

“You still lost me.”

“I know.”

“I hate you.”

He pauses for a moment. “I know.”

You kiss him again. Long and soft, memorising his cupid’s bow and the tip of his tongue, and when one of his hands moves to your waist you part from him like you’ve been burned.

“I —” You resist the urge to touch a finger to your lips, standing abruptly from the table and adjusting your shirt. Your body feels like an evolutionarily faulty vessel, too easy to please, though you can’t imagine it responding to anyone else this way. Or perhaps your mind is the problem. Not wired well enough to resist an evidently bad thing. “Goodnight, Tom.”

You thought there wasn’t a word for your goodbye, but that’s it. So simple it sinks you. Goodnight, Tom. I’ll dream of a morning where I wake up beside you, but you won’t be there.

He grabs your hand before you can go, licking his lips and it haunts you to think he’s savouring you. It stings a place deep in your chest you’d spent all year trying to heal.

“My door is always open,” he says.

He lets you go.

You graduate with Mari’s hand in yours, and you aren’t afraid.

Dumbledore requests that you stay for the summer to help him prepare for the first year’s curriculum in the fall. It’s a ridiculous opportunity for someone your age — free lodgings and a stellar impression on your resume, and — you can only accept it with an ire you haven’t felt since the spread of influenza in muggle Britain.

If he’s offering you lodgings now, he could have done it all along.

It sends you down a horrible train of thought while you move your things from the Slytherin dormitories to a little chamber a few doors down from the staff room; Tom will be removed from Wool’s this year. Will he stay at Malfoy Manor? But Tom is still publicly muggle-born — Abraxas’s parents would never allow it. Will he find a job, a flat? Will he swindle muggles once he turns eighteen and the Trace is no longer an obstruction?

You think of him often. You think of his offer.

My door is always open.

Plenty of doors are open to you now. Why should you want to go back to his?

Still, the Second World War ends in November and you feel like you can breathe at a depth you never could before. The school doesn’t celebrate like it did with Grindelwald. No one but you seems to care at all.

It’s a tempting door.

The year passes in a blur of graded papers and lessons Dumbledore sometimes involves you in and sometimes does not. Most of the first-years care little for you, but there are two Slytherin muggle-borns who look at you like a new sun to orbit. Everything is worth it for that.

You see Mari when you can, and find she’s training with the Italian Quidditch team, who apparently are smart enough to care more about skill than blood. She says she misses the complexities of Transfiguration, but any career in it was always going to be yours. Smartest person she knows, she reiterates. Biggest ego too.

The next summer Dumbledore informs you of a posting at the Ministry. Something small with a smaller wage. He emphasises the weight of his personal recommendation, but that you won’t be respected unless you claw tooth and nail for it. You don’t take long to consider a chance to make an actual income with an actual career doing something muggle-borns simply don’t do before you’re nodding assuredly and asking him what you need.

Better clothes are first, and all you can afford until further notice. You take to Gladrags with intent to purchase for the first time in your five years of wandering in the shop with eyes bigger than your wallet, and the owner looks at you with distrust when you slide her your sickles.

The Ministry job is truly, infinitesimally, insignificant.

It’s far down in the Department of Magical Accidents and Catastrophes. You’re a glorified secretary, and you recall the few times you’d worked as a mail-sorter during the war. It’s some sick irony that you’ve landed yourself in a pile of paper once more.

But the money, though offensively scant to someone with better options (and it’s infuriating the options you deserve), is more than you’ve ever had, and within the next year you’re able to leave the castle and take a cheap room at an inn in Hogsmeade. You’re close enough to Dumbledore to aid him when he needs you, but far enough to feel like your school days are departed, and you need not worry about memories lurching unexpectedly at every corridor.

A sick part of you still reaches for your mouth sometimes to remember what it felt like to be kissed. That part of you wishes for Tom. You could kiss him into oblivion. You could find a way to make it hurt him back.

My door is always open.

Then you’ll slam it bloody closed.

Mari invites you to her first professional game and you cheer for her in the stands, a green, white, and red scarf around your neck in place of her old blue.

She wins and you get drinks in a muggle pub. You kiss a man at the bar. You go home with him. His hair is dark, but not dark enough. His lips are soft, but the shape is wrong. He makes you feel good, but you wonder if in another life, the dream is true; you roll over in the morning to Tom beside you, and he makes you feel better.

When you can find time between the monotonous demands of your job, you’re in the Transfiguration classroom, staying behind to help the Slytherin muggle-borns with their Switching spells.

It’s one stupid accident the next fall that changes things.

A muggle bank has been robbed, and whatever idiotic, panicked witch or wizard was behind it apparently found themselves incapable of getting the deed done with a simple Imperius Curse (you can’t imagine, based on the scene, that they’re above Unforgivables), and somehow ended up leaving the building half-charred and teeming with at least six bank tellers Transformed into birds, two chirping into the floor tiles with broken wings.

“Renauld’s on it, though,” your coworker says when the news finds your department.

“Renauld?”

He’s a year older than you, a pureblood with parents in high places, and endlessly fucking hopeless.

“Well, yeah —”

You push out from your desk, files fluttering behind you. “Renauld will expose the whole damn wizarding world if he touches that building.”

“But McCormack sent him.”

“Where is it?”

“I… McCormack said that —”

“Where is it, Flack?”

“Um. Um, near King William, I think. Moorgate or, um —”

That’s good enough. You toss the Floo Powder into the fireplace and go.

The place is a mess. You don’t even have to look for it. There’s some ward around the street, bouncing muggles away like an invisible end to a map they don’t even register is there. At least that’s handled right.

But you slip through it and curse under your breath at the muggles trapped inside the wards. They’re like fish prodding at the dome of their bowl, and some run up to you demanding explanations when they see you unaffected by it. You brush them off — Obliviation is not your strong-suit — though you do shout at a pair of DMAC wizards uselessly standing guard outside the bank.

“What the hell are you doing?” you ask on approach. “Renauld’s supposed to handle the inside, yeah? You deal with fixing them.”

You point toward the frantic muggles, and the officials just regard you with vague confusion at your presence. “Renauld said —”

“Oh my God! Fix. The muggles.”

You afford nothing else before pushing past them to enter the bank.

It’s quite impressive, actually; Renauld, the result of generations of foolproof breeding, is waving his wand around like he’s just stepped out of Olivanders for the first time.

“Heal their wings,” you say without greeting.

Renauld jumps. “What? What are you doing here?”

“Heal their damn wings. They’re easier than human limbs and healing magic’s the only thing you aren’t completely shit at.”

“Who authorised you?” he hisses.

“I did.”

In hindsight, it should have gone horrifically wrong. Your wand could have been taken and your life might have been over in all ways that matter, flung back into the muggle world where you’ve always been told you belong.

But Renauld vouches for you. You Transform the walls, you fix the burns, you mend the bank to something presentable. A muggle robbery — dangerous, financially tragic, but believable. And your suggestion to heal the injured bank tellers in their animal forms might be the thing that saved them. When Renauld mends their wings and regenerates their blood, you Untransfigure them, and the other DMAC officials alter their memories with haste.

You were completely out of line and utterly right.

It isn’t something people like you are allotted.

Your probation period is dreadful. You hide in your room at the inn most days, Vanishing little stained panes on your window to feel the warm breeze of air before you Conjure them again. You help grade papers, though Dumbledore is displeased with you and the night is a silent one. He assures you curtly that he’s doing his best with the Ministry to amend this.

And… he does.

With Renauld’s help and the corroboration of the other DMAC officials, you’re back at work by the start of the school year.

It’s a slow process — almost eight months of meaningless paperwork — before the next incident occurs and you’re hectically ushered to the scene like a belated understudy. And then it happens again. And again. And again.

There’s really no choice but to promote you.

Your heroics are torn from a Gryffindor cloth, so says Flack. You urge him never to say such a thing again.

By your twenty-first birthday, you think about Tom almost exclusively in your sleep. You’re much too busy to think about him anywhere else.

The summer is warm and Hogsmeade is lively. You’ve vacated your room at the inn for a little house on the outskirts of the village, decorating it how you like — discovering what you like. You’d never had a chance to find out before.

Mari visits when she can once you have your fireplace connected to the Floo Network (you yourself prefer Apparating) but her name is slowly working its way from the Italian papers to the British ones, and she has so much to tell you there isn’t possibly enough time in her days to tell it. There’s also the matter of Leo Ndiaye, who has, recently, gotten on one knee and proposed to her. If there had been a bet on them ending up together, you would have been out enough galleons to put you in debt.

After especially gruesome days at work, you and a few colleagues make a habit of getting sherries at the Siren’s Tail, complaining that sometimes the nature of your work is akin to an auror’s but without the notoriety and pay.

“Oh, please,” says Emilia Alves, twirling her straw, “have you seen the shit the aurors are up to lately? I’d rather be a blimmin’ Unspeakable.”

“You’d have to be able to keep your mouth shut for that, Alves.”

Emilia punches Renauld in the arm.

“What are the aurors up to?” Flack asks.

“I dunno much. There was a murder all the way in Albania, s’posedly. Reeked of dark magic.”

“Nothing new,” you join, and then frown. “Why’s our Ministry dealing with it though?”

“I dunno. I got word from Hillicker that the Albanians didn’t know what to make of the mess. They’ve never seen anything like it.”

“Hillicker’s not a source,” Renauld scoffs.

“Yeah? Why don’t you ask your daddy for something better?”

“Alves, I’ll have you know —”

You lean in over the counter. “What do you mean they’ve never seen anything like it?”

She grins. “Why? Storming a bank robbery wasn’t exciting enough for you?”

You roll your eyes, taking a drink.

That ought to be the end of it. One extraordinarily lucky incident to push you up the career ladder was rare enough — there is absolutely no way digging around a case that has nothing to do with you or your department could ever end well.

But something about it itches.

You make nice with Hillicker. She’s a year younger than you and far too kind for her own good, and she gushes freely about her husband’s work as an auror (they must be a perfect match for him to gush freely about it with her). It’s a bit manipulative. You have no excellent excuse for it, but… ambition, and all that, you suppose. Flack’s Gryffindor theory is studded with holes.

You are green, through and through.

Emilia’s updates are meaningless when you garner so much information that you’ve already heard everything she has to say over drinks, and at this point her and Hillicker might be a step behind you. Emilia still only knows about Albania; peppery little details of half a story. Hillicker discusses an assortment of murders with no real string between them, and Dumbledore regards you with cool heeding when you bring up the matter with him.

You see him little nowadays but you’ve never been close in any true sense, traces of resentment budding over the years like rainwater collects on glass until the stream finally slips.

You visit Hogwarts mostly for your Slytherins, fourteen or fifteen now, unafraid of the distinction of their blood.

And then there’s one night after you turn twenty-two where drinks take place at yours for a change, Mari and Leo included and happily wed. You have no sherries but your ale is just as well, and it’s only you and Renauld who are sober by the time everyone else is vanishing into the fireplace and going home.

That makes it much worse when you sleep together.

There’s no excuse of having had a glass too many — so sorry, I’ll be on my way then, and him stumbling over his trousers to get out of your hair. Of course, he does that anyway, scratching the nape of his neck when he reaches your doorway in the morning.

“Thanks for the — well, you have a nice home — I do think I should —”

“Yes.”

“Right.”

“Oh!” He turns around at the last second. “Er — I know you’ve become a tad obsessed with… Hillicker mentioned another, anyway. Hepzibah something. Killed by her own elf, the aurors suspect.”

“Oh,” you echo, sheets pulled up to your shoulders. “Thanks, Renauld.”

“I thought you might like to know. Don’t be daft about it.”

You’re incredibly daft about it.

There’s something reminiscent about Albania in this case that wasn’t there with the others. The tide of dark magic ebbing across the scene, the cherry-picked information released in the Prophet, the claim of an old, dumb House Elf who poisoned her mistress like the Albanian peasant killed in some insoluble accident.

The itch exacerbates.

You see him in your dreams again. He peers over Runes in a stolen encyclopaedia, he whispers to an adder on his shoulder, he kisses the corner of your mouth and it isn’t enough. He kills you, again and again. You kill him too.

You wake up and he isn’t there.

It’s a new low when you’re invited to the Hillicker’s anniversary dinner and you end up digging through the drawers of their study halfway through the night.

The Albania file offers nearly nothing. There was the charred residue of dark magic imprinted on a hollow tree in the fields of the peasant’s hamlet, but nothing detailing more than a blank imprint of the Killing Curse in his eyes. Still, you tuck the knowledge away for the file of one Hebzibah Smith, whose tea did indeed have traces of poison, but whose den was also ripe with a layer of darkness that didn’t line up with the Ministry’s tale of senile elf.

And then there’s the forgotten matter of her being a purveyor of ancestral artefacts. The file doesn’t recount whether any are missing, since the woman was wise enough not to proclaim all her possessions to the world, but it’s something. A scratch.

You travel to Albania that Christmas. The neighbours in the peasant’s hamlet have skewed memories, so they provide little help, but the man’s house was left almost untouched.

You tear the place apart and Transfigure it back together when you’re done.

All you find, in the end, is a scrap of an old envelope in a suitcase.

R.R

It could be that it’s old. The cursive seems ancient enough. But you swear the letters have the distinct shape of quill ink — too artful for any pen — and maybe that wouldn’t matter if it weren’t for half a wax seal stuck to the torn edge of the envelope. Stained but silver, the barest hint of two ribbons, a crest, and the letter H.

You return to Hogwarts posthaste.

It’s snowing in the courtyards and you waddle with a duotang under one arm to pretend you’re here for something scholarly, an array of excuses prepared in case you run into Dumbledore, but you don’t.

The Grey Lady is as beautiful as she’s rumoured to be.

You ask her about her mother, and she’s silent, an expression on her face like you’ve struck her.

“Is it found?” she whispers. The snow floats through her.

Your heart hammers as you consider how to approach this. She thinks you know more than you do, which means there’s something to know.

“Yes,” you say. And you dare further with the context you know, “In Albania.”

“Oh,” she hums. “Oh…”

And if she means to say more she doesn’t seem able, washing away through the balusters, then the walls. You think of your house ghost and what he did to her, and you feel sorry for a second.

Madam Palles expels you from the library the moment you find what you’re looking for, and you rush past a throng of staring students to the staff room fireplace. It’s too far a walk to the border of the castle wards to Apparate. You bite back the preemptive sickness, get swallowed by the flames, and go home.

There are blanks to fill in but you do it easily. Rowena Ravenclaw’s diadem. Hepzibah Smith and her assortment of unregistered artefacts. The stain of dark magic. Something so rare not even the aurors recognized it.

But you do, because he told you.

You wonder on your search to find him what object he used when he killed Myrtle Warren. Nothing special, you think — maybe even the closest thing he could find. These murders involved more preparation. He got to mark them however he wanted.

It’s almost disappointing to find him here. In a little flat over Knockturn Alley with a view of charmed coalsmoke and the brick wall of another shop.

It’s as tidy as his room at Wool’s, the only dirt the irremediable age of the building itself. The whole place looks almost slanted, large enough only for the bare necessities; a kitchen, a toilet, a bedroom that looks more like a closet, and a study/dining room/den you can’t imagine he hosts many gatherings in. You rescind the mere thought. Whatever gatherings Tom Riddle is having these days, you’re sure you can’t begin to imagine at all.

You wait, legs crossed on an old loveseat, fiddling with your wand.

The door clicks open when the snow has turned to hail and there’s no light but the few scattered candles you’d lit on the mantelpiece.

It strikes you only when he’s standing before you that it’s his birthday.

You’re in Tom Riddle’s flat, on his birthday, adorned by the orange glow of half-melted candles, and you know everything.

He eyes you carefully, a hint of surprise at the sight of you after four years that even he needs a second to recover from. And then he's even, inscrutable Riddle again, and you dare to think, come back.

“I placed wards," he says, hanging his bag on a rack by the wall.

“I thought your door was always open.”

You see his posture change from just his silhouette.

“Wards never work in Knockturn,” you offer additionally, “not really. There's too much conflicting magic; one border cuts into another; leaves a little sliver behind if you’re smart enough to find it. You should know that."

He turns to you. You take in a moment to acknowledge how he's changed. It's hard to see in the curtained moonlight, and it seems unreasonable to imagine he’s grown, but you think he has. An inch taller, perhaps. Two. Maybe the dress shoes. His arms are bigger under his button-down, but not enough to consider him muscular. His black hair isn't as perfect as you remember, and you suspect a long day of work undoes his curls. You always liked him better that way in school, after a night duel at the Black Lake, his robes askew and his hair a mess. Evidence that you were the only one to dishevel him. Now you were — what? Did he even think of you anymore? Yes. You'd always think of each other.

“Duly noted. What are you here for?” He tries your surname like a foreign language.

You cross your arms, and you're acutely aware that he's observing your changes too. You're not the matchstick witch he once knew. Your emotions are cultured now, taut to mirror his. You wear dull, formal grey, and that glowing green tinge that should be gleaming on you is under a thick carapace. That’s for Mari, Flack, Emilia — even Renauld. Not for Tom.

You wonder if he knows it was Dumbledore who put in the word that got you this uniform. You wonder if he resents you for it.

“There’s been talk at the Ministry," you say finally, “A string of murders. Whispers of something — some dark magic they don’t understand. And you know they're careful about things like that after Grindelwald."

“A string of murders... Hm. That might imply you understand a connective thread. Is there some sort of accusation being made?”

“Oh, I'm sure you'd be flattered by accusations. There’s not enough there, as it stands. Just whispers." You sink more comfortably in the seat and the springs make a concerning sound. “But I know you."

His hard, sharp gaze falters for a moment. You watch the flames dance behind him, the firelight playing against the lines of his shoulders, and feel your heart skip a beat. “Who else is speculating?"

“No one." Your fingers brush over the book spines on the coffee table. “I guess their attention hasn't been drawn to a book clerk yet, even if you have taken residency... here." You say it with no shortage of disapproval.

Knockturn was never where Tom belonged. You'd once imagined a flat together in muggle London, taking the telephone booth to the Ministry together, changing the world together. It's a wish that's a lifetime away now.

“Is this a warning? I assure you, I don’t need the condescension.”

“I'm not warning you," you scoff, “I — I'm seeing you. God knows I'll probably never get the chance to do that again once you get yourself locked up in Azkaban, which you will."

You sound exasperated. You sound half-pleading. “What are you doing, Tom? Is this — this is really what you want?"

“Yes."

You shake your head. “I don't believe that." And then some of that fiery spit returns to you, and you feel like a child again, stuck in the London tube stations holding his hand at every plane that flew overhead, scowling that you needed his reassurance. Scowling that you were afraid.

“Well, your conjecture is ever-appreciated. Shall I lend you mine? Shall I congratulate you on your revolutionary position at the Ministry? Or is it Dumbledore I should afford my thanks?”

“I earned this,” you hiss.

“You deserve it,” he amends. “But do not lie to yourself and pretend that’s why you have it.”

“Fuck you.”

He smiles. “There you are.”

“I don’t need your congratulations, Riddle. Dumbledore doesn’t need your damn thanks. But,” you say, biting back the snarl that wants out, “you could thank me. After all, I could turn to the Ministry any minute with the truth of your heritage. I could tell them about Myrtle, the Horcrux — Horcruxes.”

The humour dissolves from his face and you despise the immense glee it brings you.

“Oh, did you think I didn’t know? Didn’t understand the connective thread? You are sentimental under all that… fucking posturing, you know. I’m sure it’s all very romantic to you — making Horcruxes out of Hogwarts artefacts. Shame it’s such an insult to your intelligence.”

“Very good,” he says after a long, terse silence. You’re sure he’s thinking just the opposite.

You hum, meddling with your nails. “So what’s your plan?”

“I��d need a Vow for that.”

You laugh. “I’m not that desperate.”

“You’re also not an auror, are you?” He tilts his head appraisingly. “And yet you’ve found your way here.”

“How many do you plan to make? How many people do you plan to kill?”

“A Vow.”

“Absolutely not.”

“Tea, then? Biscuits?”

“Oh, I shouldn’t. I read in the paper the other day about a poor old woman who had her tea poisoned.”

“Hm. Terrible shame.”

Your fist clenches around your wand. “Is it paying off well, Riddle? It must be a good life if you’re willing to split your soul to hell and back to have more of it.”

He smiles at the barb in your words. “You never were good with subtlety.”

“I wasn’t trying to be subtle. This place is horrific.”

“I was referring to your inability to see more than what’s directly in front of you.”

“Oh, really? And what more should I see than a boy who’s very good at getting weak men to bow and do very little else? I’d try to see the bigger picture, but I reckon it wouldn’t fit in here.”

Tom regards you colourlessly. You are slate, Ministry-grey, impermeable like palace portcullis.

“I suppose I should have killed you.” He says it with the nonchalance of a forgotten chore. He says it like you’re a stain.

He doesn’t say it like he feels any terrible urgency to remove you; and you think, this time, you’d feel more powerful if he did. You think it’s far more debilitating to sit here and be looked at like he regrets wanting you alive more than he wants you dead.

“Yes,” you concur, “I suppose you should have.”

You place your wand down on the table and scoot your chair away for good measure. “It’s never too late to rectify your mistakes.”

Tom, for a moment, looks surprised. That makes you feel powerful. You’d take more of that.

“You have wandless magic,” he tries. A weak recovery.

“Scout’s honour, Riddle.”

He doesn’t move for a moment, then fixes his wand in his hand and rises, doused in the same inscrutable calm that always used to drive you mad. Now something in you gleams with the knowledge that he only ever looks like this when he’s trying not to look like anything at all.

He steps closer and it gleams brighter. It trembles inside you and you know, distantly, that this is insane. You’re weighing your life on a childhood trust that was shattered years ago, and you don’t think you’ve ever been that good at faith, but he’s approaching you and that gleam you feel is reflected in his eyes and you just… know. Your spilled blood once crawled with his. There’s no undoing that. Half of you is made of the other.

“I should have killed you,” he repeats.

It’s a murmur. Stilted. Angry, even. Angry that you made him this and there’s no fucking rectifying it — what a joke that is. What an immensely you thing to suggest.

“Yes,” you agree.

It’s a breath. Low. Proud, even. Proud that you’re his only mistake and he’s going to make it again.

Tom kisses you. It’s a murder of its own kind. You kiss him back, and — you were always going to kill each other like this, weren’t you? It’s you and him whether you like it or not.

There should be no love in it. You know that. Love is far behind the both of you, stifled in a gasp at the back of your throat on your eighteenth birthday and the soft, selfish hands of a seventeen year old boy. This is mutual destruction. Spite and teeth and skin that’s cold under your fingers.

He was your first in everything but this.

You push back at him and feel the hunger, the need in him, like a flame as he kisses you deeper and harder, and you find yourself losing yourself to it all over again, like you're back in the dark alcove of a pub where you told him goodbye, pushing to extend the juncture. And then he lets out a hitched, gravelly sound; not a moan but enough to make you shudder.

You pull him onto the sofa and crawl onto his lap.

“How long?” he asks thickly.

You don’t have to ask what he means. You bite against his neck, nails under his shirt as you struggle to pop the buttons open. There must be a violence in all your want for him because if there isn't it's just loss. It's just another thing you'll give him without taking anything back.

“Sixth year," you pant, “in the Deathday ballroom when we fought for the first time. You — ah — you put your thumb on my mouth. Since then."

You hear a sharp intake of breath, and his hand moves up your back to pull you impossibly closer. His voice is ragged. “Should I tell you how long I’ve wanted you?"

You shudder a breath. “Since —" And it's a bit hard to talk with the way he's rolling your hips — “Since when?"

His lips twitch into a mirthless smile, hands spanning your thighs as you start to rock against him. “When you burned me, and I sent you into the lake."

You swallow, agonised by the slow pace his grip forces you to keep when all you want to do is go faster.

“Your uniform was terribly wet,” he says, mouth tracing your jaw. “Did I ever apologise for that?"

“N-no.”

He tuts, the hushed sound warm and deadly on your neck. “Bad manners. I must have been distracted."

Oh. Oh, you think. It seems pointless to flush in the position you're in now, but the knowledge that he wanted you then and you hadn't even known is... all the more devastating.

But you shiver at the question of how he’d wanted you, in what amount of detail, in what precise way. You almost want to ask. See it for yourself.

You don't think you'd manage the words. He’s hard underneath you and your head wants to lull toward his shoulder but a big hand holds you from one side of your jaw down the length of your neck, his tongue laving up the other. Instead you’re balanced only by his hands and his mouth, rolling against him because it’s all you can do like this.

He’s marking you, you realise with a gasp, and your fingers bury in his hair to remove his mouth from its descending assault on your collar. Not that. You’d sworn against that.

Your fingers return to his buttons and he copies you by finding yours, pulling at the fabric tucked into your trousers until it’s discarded entirely. You press your hands to the planes of his chest and watch him, your mouth agape as his eyes linger on your chest.

His heart is pounding and he must know you’re about to comment on it because his lips are on yours again and he adjusts his position and your fingers dig into his shoulders at the delicious new feeling of him pressing into your thigh.

You move for his belt. He moves for your zipper. It’s some sort of race, whatever you’re doing, and you’re at an unfair advantage when you’re still fumbling with his buckle when his hand is already carving a slow path to the band of your underwear. You're scalding under the journey of it, little stars pricking you under every new inch he explores.

He dips in and your eyes wrench shut, grasping frantically for his wrist.

“Shh,” he says softly, caressing your cheek with his spare hand, thumb finding your mouth how it did all those years ago and you want to curse him. The fucker knows exactly what he’s doing.

You shake your head, chest rising with heavy breaths as you return to his belt and scrabble to unbuckle it.

“So tense,” he murmurs. The hand at your cheek draws over your lower lip before it falls to your back to hold you closer. “Rest now.”

And his fingers trace you where you want him most, brushing past your clit as he pulls his face back to watch you.

You sink into the feeling, still swaying on his lap, a half-efforted attempt at finding friction in the hardness between his legs that feels fruitless because it won't be enough until he's inside. Your hand just grips onto the fabric of his unzipped trousers and stays there. It’s a pause. An obstacle on your path to him that you need just a moment to recover from before you’ll make him feel just like this. Better. Worse. It’s hard to tell which is which.

He’s stroking at you now, pleased by the way you lurch against him with every touch.

You have to recover, you have to make it even, you have to… you…

A finger presses inside and you moan.

“You came back to me,” he whispers, close enough to be kissing you but there’s just the stutter of his breath. It's a fucking religious thing to say, the way he does it.

“Doesn’t make me yours,” you breathe.

He shakes his head. “I know. You’ll still take it though, won’t you?”

Oh, fuck.

He makes a sound of approval. “Good.”

Good. Fine. Your hands slip from his zipper to the meat of his thighs, pushing yourself forward so the shape of him is firmer against you, and Tom slips another finger in.

You’ll take it, won’t you? Yes.

Maybe you don’t need to tear him at the seams (though you want to) to make it even. Maybe this is punishment enough. That he can have you like this and it still won’t make you his, that he’ll give you everything and you’ll lap at it with half the greed he possesses.

You ride his hand, clutching his shoulders, rocking your hips. You take all of it, and it builds something delirious inside you, that it’s him doing this, his perfect fingers, the shape of his lips, the soft dark of his hair when you find your hands in it again. The feeling makes you stutter, and he has to move you by the waist himself to keep the momentum when you can't do it yourself.

He’s painfully stiff, pushing up against you with a degree of self-control that feels like it can only end disastrously for the both of you, and you start smattering kisses down his cheek. You tilt his head back and lick a stripe down his neck. Rest now, you'd say if you could.

But he adds a third finger and your head falls, a cry planted in his collar when you come, and you don't think you say anything.

Tom holds your legs steady, guiding you through it like this is just another one of his studies. You are what he knows better than anything else, and still he wants to learn more.

“Look at you,” he mutters, dipping you back to press his lips down your chest, unclasping your bra while you’re still breaking, the sensation swelling again when he takes a nipple into his mouth.

“Tom,” you try to say. Your mouth is the sticky sort of dry that words refuse to come out of.

“Will you give me more?”

Give, not take. You fuss into a stolen kiss, grappling again with his trousers, pulling them down until you can palm him through his boxers.

He hisses, gripping your wrist like he hadn’t just done the same to you, and then he’s pulling you up and off the couch, trousers discarded with what must be magic because you blink and they’re gone. Greedy boy. (You have no room to judge.) Your back is to the wall an instant before his fingers are on you again, pushing your underwear down your thighs until it falls at your feet like they despised to ever part from you.

You arch to feel him press against your stomach, pushing off the wall so that you can meld to him but he just closes in on you to do it himself.

He goads the heat from you when his fingers push in again, still wet, coiling how you like, where you like —

“Want you,” you protest shakily, hand on his abdomen.

That must kill him a little, because he curses under his breath (a thing he never does) and the immediate absence of his touch is cruel when he goes to free himself from his boxers. You reach for him without thinking as he does, and he pins your hand beside you when your fingers so much as graze the length of him.

You sound frail, but you have to ask. “Is this how you wanted me?”

A cruder version of you would go on. Is this how you pictured it? Taking me against a wall? Have you waited for it all this time?

And you don’t belong to him but you’re so incomprehensibly, contradictorily his. You’ll want him forever. He could do anything, and you’d be his. You could haunt him into his lonely eternity, and he’d be yours. Then, you suppose — haunting him makes him yours by principle.

Maybe you already do.

Tom practically growls into your mouth, pressing against you and — God, it’s skin on skin. He's right there. You could push forward and —

He slides in. You cry out at the feel of him inside you, the angle of it like this.

“I wanted you,” he says lowly, your legs wrapped around him, “everywhere.”

You’re gripping him so tight you think he’ll bleed under your nails and somehow you still feel on the brink of collapse when he thrusts deeper.

“I thought mostly of your mouth,” he rasps. “It felt depraved to imagine it wrapped around me, but then I thought of you splayed out before me instead. That maybe you’d like it if it was my mouth on you.”

You whimper.

“Would you like that?” he asks, hands spanning your hips to snap them into his, like you are a piece removed from him he seeks to reattach.

If you wanted to answer you couldn’t. You’re clinging to him and the rising surge inside you, carved between your legs like something sweltering and unfixable. It rushes in and he pulls out of you. He pushes in and you cry for the release of it, the moment the wave lurches over the edge, but he won’t let you have it.

“But,” he says, and your eyes want to roll back at how heavy his restraint is, callous in the tone of his voice, some leash at his neck he must tug himself lest you take it from him — “If I knew how well you’d take me like this, I would have thought of it much more.”

Taking him, again — you don’t feel at all like that’s what’s happening. You feel possessed. You are buoyant in his arms: his and his and his.

“You can — uh — you can — ”

"Hm?" He brushes down the slope of your brow, your cheek, back to the edge of your mouth, wiping a trail of saliva from your chin. “Poor thing.”

And he slams into you again, drawing a mewl from you that slices your unfinished thought.

You clench around him, flames wild and fluttering at every contact of his skin on yours, and there are too many to count. Too many points where they intersect, just some blend of bodies connected at every curve.

“You’re going to give me more,” he says, like it’s an epiphany when you already told him you would.

You remember then. What you meant to say. “You can take me too.”

You feel him twitch inside you, his pace stilling for a moment, and the thumb on your lip slips into your mouth. Your lips close around him and he curses again.

He fucks you with a finger in your mouth and his teeth clamped over your shoulder, soothing the sting with his tongue. His pace is too slow when he drags his free hand between your legs, but you understand its purpose well enough that the mere recognition almost destroys you.

He’s patient in bringing you to the edge because there's time here. A slow agony that severs you from the rest of the world until it splits you down the middle. And he may not ever have it again.

You have to promise yourself he’ll never have it again.

But the movement of his fingers against the same spot he’s hitting inside you is too much at once, and you won’t last. You drool around his thumb. You let him mark you. You can see on his neck you’ve marked him too. And you hope impossibly there’s a scar. You hope the little death you coax from him claims him as yours for eternity, keeps him even when you're gone. You tighten, lurch for the edge, and make him mortal once more.

Tom holds you there, your cries reverberating as he sinks another finger in your mouth, and then he’s gasping at your neck, peeling back to look you in the eyes when he spills into you. Your eyes screw together and he releases the sounds you make by holding you by the jaw instead.

“Look at me,” he says, and for the strained need in it you do.

You come down to earth and you kiss him, wetness dripping down your thighs as he pins you to this moment. You love him. You’ll always love him.

He’s still inside you when he’s secure enough to bring you to his bed, only removing himself from you when you’re safely in his sheets, legs surrendering their grip on his waist as you pull apart. You pant into the cold linen of his pillow. Everything smells like him. There’s something empty now; the reason you came today; the reason you left four years ago.

You love him and it isn’t enough. Not even to look at him, the sleepy hint of the boy you knew in his eyes, and know that he loves you too.

“Goodnight, Tom,” you say, finding home in the warmth of his chest.

You’ll dream of a morning where you wake up beside him, but you won’t be there.

#tom riddle #tom riddle x reader #tom riddle x you #tom riddle x y/n #tom riddle fluff #tom riddle smut #tom riddle angst #(the trifecta)#tom marvolo riddle #voldemort #voldemort x reader #tom riddle imagine #tom riddle oneshot #harry potter fanfiction #wizarding world #ftltutbh

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willowbelle · 3 months

Text

A Doctor's Cure

❤︎ trafalgar law x fem reader ❤︎

༉‧₊˚✧ (nsfw, afab!reader, 18+ only) ༉‧₊˚✧

cw: established relationship, doctor-patient dynamics, breast play, oral (f receiving), dom!law, sub!reader, law is a tease, lots of teasing, edging, begging, praise, reassurance, piv sex, exam-room-sex (hehe), use of “doctor”, "good girl", "sweetheart", "tell me what you want", etc.

summary: law and reader have a double-sided relationship: patient and doctor, & lovers. They aim to keep the two partnerships separate, but Law's work has him neglecting reader's needs, making her resort to rather drastic measures to get her partner/doctor's undivided attention. ;)

word count: ~4,000

tagging: @bby-deerling @risenwrites @strawheart-pirate @uchihabbynic @nina-ya @mandiemegatron@shamblespirate@eelnoise@maddddstuff @throwmethroughawindow @mariihzoka @basedbogwizard

A Doctor's Cure

You and Law shared an understanding.

Work is professional; must always be kept that way, and private life is exactly that:

private.

The two must never intertwine.

------

The office is cold, frigid, uninviting.

The room exudes an aura of sterile austerity, its walls painted in a clinical shade of white that seemed to swallow any hint of warmth or comfort. Fluorescent lights buzz overhead, casting a harsh, unforgiving glow that accentuated the starkness of the room. The air is heavy with the scent of antiseptic, mingling with the faint tang of ink from the doctor's neatly stacked files.

Against one wall stands a row of cabinets, their metal surfaces gleaming dully in the artificial light. Each drawer is meticulously labeled, a testament to its owner’s penchant for order and precision. A single window, obscured by heavy blinds, offers a glimpse of the outside depths of the sea, but the view is obscured by the grime of neglect.

In the center of the room sits the doctor's desk, a polished slab of dark wood that seems out of place amidst the clinical surroundings. Behind it, a high-backed chair looms, its leather upholstery cracked and worn from years of use. On the desk itself lies an array of instruments - a stethoscope coiled neatly beside a stack of paperwork, a computer monitor flickering silently in the corner.

-----

The doctor is the same; silent, calculated, meticulous.

He commands the room with a towering presence; his tall, lean frame exuding an aura of quiet strength. Despite his slim build, there’s an unmistakable muscularity to his physique, hinted at by the subtle contours visible beneath his crisp, white coat.

Dark hair, swept beneath his speckled hat, frames a face weathered by years of dedication. His features are chiseled, a strong jawline, softened only by the hint of a tired smile that plays at the corners of his lips. It’s his eyes that hold the most intrigue – tired grey orbs, rimmed with heavy bags that speak volumes of sleepless nights.

Despite the weariness that etches lines upon his face, there’s an undeniable intensity to his gaze.

-----

As you pad into the room, the frigid air tickles your spine, climbs up your back, sinks its claws in. It’s not just from the temperature, there’s a palpable aura of detachment that fills the room, too, leaving you uneasy.

Law sits behind the desk, framed by sterile white walls, his expression inscrutable. His gaze, sharp and penetrating, eyes you up and down, seeming to dissect you even before words left your lips.

You clear your throat, the nervous noise echohing in the stillness of the room as you take a seat on the exam table.

You didn’t need to be here. You weren’t sick. Law had simply grown neglectful, consumed by his work. And so, driven by desperation for his attention, you resort to a lie.

"La-,” you begin, but swiftly correct yourself, “Doctor, I've been experiencing these persistent headaches..."

Maintaining a romantic relationship with your doctor requires a delicate balancing-act. In the privacy of your shared moments, away from the sterile confines of the doctor's office, your relationship is beautiful, intense, passionate. But here, you are nothing more than a patient, and for professional reasons, behind these doors, it must be kept that way.

His response is measured, delivered with the precision of a well-practiced routine.

"Describe the nature of your headaches," he says, voice devoid of any warmth.

Your interactions take on a dual nature; each appointment serving as both a professional consultation and an opportunity to revel in the comfort of each other's presence. However, away from this room, the professional barriers dissolve, replaced by an intimacy that transcends the confines of your roles.

“Well, they've been getting worse," you speak softly, glancing at the floor as you anxiously play with your fingers, "It's like a constant pressure behind my eyes, and sometimes it feels like my vision is blurry."

As you recount your symptoms, his eyes never waver from yours, his silence almost suffocating. Each word you utter seem to be met with a calculated pause, as if he were processing every detail, every nuance.

As Law listens to your fabricated symptoms, his brow furrows in concern, his demeanor shifting subtly as he leans forward, attentive to your every word. Despite the guilt gnawing at your conscience, you press on with your deceit,

“It just hurts so badly,” you rasp, “I’m desperate for something, anything, to help me.”

You weren’t talking about your head. Your skull didn’t hurt. His neglect did.

He reaches forwards, tattooed fingers rubbing reassuring circles into your kneecap. His touch lingers a moment longer than necessary, a silent reassurance that spoke volumes of the things you shared. Despite its cold, calculating exterior, his gaze offers a of something that transcends the confines of your doctor-patient relationship, understanding, love, devotion.

The familiar warmth of his fingers seems to seep into your skin, dismissing the chill that had clung to your flesh the moment you entered the office.

"I know, baby," he murmurs, his gaze dropping to the floor as he speaks. "I'm so sorry."

“Baby?” your throat feels dry, making the word catch in your mouth. “Doctor…” you regift his title, but instead of accepting it, he places a reassuring palm on your thigh.

"I know I've been busy lately, I've overlooked you," he admits, his voice heavy with regret. "I'm so sorry."

"B-But, we had an agreement," you finally manage to whisper, your voice barely above a breath. “In here,” you glance around the room as you speak, “I’m just your patient.”

His gaze softens, a flicker of understanding crossing his features.

"I know," he says gently, his voice tinged with regret. "But sometimes lines blur,” he gulps, “And it's impossible to ignore what's truly important."

You swallow hard, the weight of his words sinking in. For so long, you had clung to the illusion of professionalism, hiding behind the guise of patient and doctor to shield yourself from this very moment of vulnerability.

But now, faced with his unwavering sincerity, you realize that the walls you had built around your heart were no match for the depth of your love for Trafalgar Law.

“Law,” you say softly, abandoning his professional title, “Just kiss me.”

And he listens, immediately closing the distance between you, his lips meeting yours in a tender kiss.

It's a kiss filled with pent-up longing, a culmination of the emotions that have simmered beneath the surface for far too long.

His free hand rests gently on your face as his lips meld with yours, rubbing gentle circles into the apple of your cheek.

You let out a shaky breath into his mouth, and he takes the opportunity to slip his tongue between your open lips.

A wave of conflicting emotions washes over you. Relief mingles with lingering hurt, and the weight of his apology hangs heavy in the air.

But as his tongue dances with yours, the clinical walls of the exam room dissolve into nothingness, and in that moment, you transcend the roles of patient and doctor. The world around you fades into insignificance as you lose yourself in the sensation of his lips against yours. You are no longer merely his patient; you are his lover once more, entwined in an embrace that knows no bounds.

He wastes no time in moving atop you, shrugging his labcoat off his toned, tattooed shoulders, letting the fabric fall to the tile.

As he advances, you recline against the crisp, white paper that lines the examination table, yielding to his presence. He leans over you, his weight enveloping you, strong arms framing your head as he cages you in.

His inked hands travel up and down your needy body, making you shiver beneath his touch.

“Law,” you whine weakly, taking his bottom lip between your teeth, tugging gently on the tender flesh, “Doctor,”

The doctor simply groans in response to your desperate plea, a deep blush rushing to his cheeks at your intimate use of his professional title.

A smirk tugs at his lips,

“Tell me where it hurts,” the doctor rasps, “Tell me what you need, sweetheart.”

To your surprise, he's fully engaged, playing along with a fervor that electrifies you to your core.

He slides a hand down, carefully spreading your thighs to allow his torso to slot between your legs. You allow you head to fall back, moaning softly at the sensation of his crotch meeting yours.

His hips immediately get to work, skillfully grinding his throbbing erection against your aching cunt as his hands tangle themselves in your hair.

Although you’ve only just begun, your face is already flushed and your chest is heaving. Desire pricks at your skin and leaves you trembling for more.

“Doctor,” you whine.

Your needy state ignites something within your doctor, and he picks up the pace, making you whine and tilt your head upwards to nip at his ear.

“Please, help me.”

“How do you want me to help you, love?” he teases, tilting back to allow his slender fingers to snake in between your crotches, slowing rubbing tight circles into your clothed clit.

“F-Fuck,” you softly curse, twitching instinctively at the long-awaited sensation of his hands finally meeting the place you needed them most.

But to your dismay, he stops, bringing the hand up again to hold your chin, tilting your face to look at him.

“That doesn’t tell me anything, dear. I can’t cure you if you don’t tell me what’s got you so bothered.”

You’re losing your composure now, head growing fuzzy frim his relentless teasing.

“Mm, Lawww,” you whine weakly at the loss, instantly reaching down to grasp his wrist and bring it back to your aching sex, “Please-”

“Please?” he questions, a smug look decorating his usually-stoic face, “Please what?” he begins kissing down your neck, causing your breath to hitch in your throat. “Oh, and I don’t believe we’re on a first name basis just quite yet, so that’s doctor to you.”

He nips at your delicate skin as he continues to kiss down the column of your neck, “Let's try that again.”

“P-Please, doctor,” you correct yourself, “Fuck me.”

“Mmm,” the tall man hums, “That’s not a very professional request, but since you asked so nicely, I guess I’ll let it slide.”

With one arm supporting his weight above you, he begins working on his belt with the other, his gaze fixed upon you with an intensity that sends shivers down your spine. The predatory gleam in his eyes makes you feel small, vulnerable, yet oddly exhilarated by the primal desire that courses between you.

Before long, his belt hits the tile floor with a resounding clang, causing you to startle slightly as he looms over you.

He chuckles softly, amused by your vulnerability.

“Why don’t you do us both a favor and strip?” he mumbles softly, voice tinted with lust, “It’ll allow me to properly cure you.”

His dedication to this roleplay elicits a soft, playful giggle from you, yet beneath the surface of amusement, there lies a greater sensation; a tingling arousal that spreads through your limbs and makes your head spin.

“Of course, doctor,” you play along, promptly obeying his orders and peeling your clothes from your needy body.

As you gradually raise your blouse over your head, Law's unwavering gaze remains fixed on you, stripping away any pretense or barrier. Even before your clothes are fully removed, his intense stare leaves you feeling utterly exposed, vulnerable, and entirely at his mercy.

As his eyes travel up and down your naked form, something new dances beneath his steel irises, admiration, completely enthralled by the sight before him.

His lingering gaze sends a flush of warmth rushing to your cheeks, and you find yourself instinctively turning your head to the side, a shy smile playing at the corners of your lips as a bit of embarrassment washes over you.

He gently tilts your face back towards him, his touch tender yet confident,

“Beautiful,” he says simply.

He opts to help you unclasp your bra, making you lean forwards slightly so he can snake his arm around you.

You let out a shaky breath against his chest, allowing him to strip you.

The cool air hitting your breasts causes your nipples to harden instantly, earning a pleased groan from Law’s mouth.

“I suppose I should join you,” he smirks, referring to your nakedness.

And so he does, inked fingers curling around the hem of his undershirt as he leisurely peels it over his head. Your eyes widen at the sight of his exposed torso; while you've seen it before, of course, the unexpected setting amplifies its allure. Beneath these foreign fluorescent lights, in this room where you never imagined seeing him this way, the contours of his muscles glimmered like something new, forbidden, enticing.

Once shirtless, he moves atop you again, lips swiftly attaching to the soft flesh of your chest. You let out a moan as his mouth slowly makes its way towards your breast.

You lean yoiur head back, letting a few gaspy moans escape your throat as his hot tongue swirls around your erect nipple.

“L-La-” you whine, “Doctor-”

He groans against your breast before gently nipping at it, his tongue continuing its efforts as it lazily swirls around the needy bud.

“Yeah?” he rasps, his other hand coming up to grasp onto your neglected breast, “Tell me, how does that feel? Does it feel good, sweetheart?”

“M-Mhmm,” you mewl in agreement, reaching down to tug at his strands of dark hair, “B-But I need more-”

“Oh?” the doctor groans, tilting his head to glance up at you, dark grey irises seeming to dissect you as they bore into your face, “What more do you need?”

You pause for a moment, meeting his gaze with a hint of hesitation, torn between yielding to his request and remaining illusive.

Noticing your hesitation, Law’s gaze darkens, and pinches your nipple between his slender fingers, gently tugging at it, determined to pry the answer from you.

“If you can’t tell me what you need,” he smirks, “Then I can’t help you feel better.”

Sensing the threat in his tone, you let out a shaky sigh, abandoning all dignity as you open your mouth to speak,

“You,” you whine, reaching down to place a delicate palm on the growing bulge beneath his pants, “I need you inside me, doctor.”

And with that, Law’s lips are on yours again, pressing his flesh against yours with a newfound passion, his tongue exploring your mouth as if it was oxygen and he was suffocating; his lifeline.

“Mm-mm!” you whine, instinctively bucking your hips up to reward yourself the euphoric sensation of his crotch rubbing against yours.

He wastes no time in pulling his pants down, tossing the garmet to the side as he works on peeling his boxers off, too.

Your breath hitches in your throat as he steadies himself above you, one arm holding himself up, caging you in as he reaches his free hand down to grip his cock.

The white paper crinkles beneath you as Law begins rubbing is weeping tip along your folds, earning a pleased sigh from your mouth.

“Are you ready for me?” he leans down to whisper in your ear.

You take a deep inhale, reaching upwards to grip onto his muscular, tattooed back, grounding yourself.

“I’m ready, doctor.”

He begins to push inside you, a low groan rumbling out of his chest as he stretches out your entrance with each forward movement.

“Fuck, you’re so tight,” he rasps, “Need to stretch you out.”

You whine weakly as Law continues to push his cock inside you, his impressive length forcing your insides to open up, accepting him greedily.

“M-mm, sh-shit,” you curse, throwing your head back as Law finally bottoms out, the tip of his cock granting your cervix with a gentle kiss as he’s now fully engulfed within you.

He gives you time to adjust, peppering reassuring kisses onto your face until you give him the “Okay” to start moving.

"I've got you," he reassures you, his voice a soothing balm against the pain between your legs. It's a stark contrast to the cold, professional tone he had maintained before, his words now infused with warmth and genuine concern.

Before long, your body relaxes beneath him, around him, and you glance upwards to meet his gaze with a gentle nod,

“Doctor, you can start,” you whine softly.

And with your permission, Law begins, bringing his hips back to thrust into you slowly, carefully, testing the waters to see how much you can take.

“Fuck,” you moan, the noise exciting the man above you, causing him to smirk as he glances down at your trembling form.

“You’re doing so good, y/n,” he praises, groaning as he picks up the pace a bit, “You take me so good-”

“O-Oh, d-doctor,” you whimper, stumbling over your words, glancing downwards to watch his cock disappear in and out of you over and over again.

“Yeah?” he groans, “Like what you see, baby?” he grins wolfishly, bringing both hands down to grip your waist so he can pummel his length into your needy cunt.

“Y-Yes-!” you whine sheepishly, your face flushed red and beading with sweat.

His newfound roughness ignites something within you; singes your blood with a desperate, euphoric type thing. You rake your nails down the doctor’s back, whimpering and writhing beneath him as the pace of his thrusts never falters.

His skilled cock is meeting all the right places; battering your sweet spot, making you see stars. But just as you’re approaching your orgasm, he pulls out, raising himself up and stepping off the exam table.

Your breath catches in your lungs and you’re trembling, propping yourself up on your elbows to look at the man who so devilishly deprived you of reaching your peak.

“L-La-” you begin to whine, but before you can finish, he’s on his knees in front of the exam table, slotting his head between your legs to grant your aching slit with hot, skillful licks.

He groans into your cunt, sending vibrations through your body as his steel irises glare up at you from between your trembling thighs.

You shake beneath him, letting out a trembling vibrato of a moan as you collapse back onto the crisp paper of the exam table, allowing your doctor’s gifted tongue to have its way with you.

“Mm, fuck,” he groans in between licks, “You taste so fucking good.”

“A-Ah!” you cry out, back arching off the table as your hand shoots down to tangle itself in Law’s thick scalp of dark hair.

Law places a palm on your stomach, gently pressing your back down into the table,

“Stay still, baby,” he rasps, “This will help, I promise.”

With a few more stripes of his tongue, he latches onto your clit, forcing a loud moan to escape your lips.

“O-Oh, doctor!” you cry out, eyes screwing shut from pleasure as he sucks greedily on your aching nub.

“Mmm,” he moans, lazily shaking his head back and forth, his hot tongue dancing skillfully over your needy clit.

You lace your fingers in his hair, desperately tugging on the strands, eager for release.

Before you can even comprehend it, he’s up again, towering over you as you shake and whimper on the exam table.

He smirks at he gazes down at you, offering you no remorse, just a simple command,

“Flip over for me.”

Knowing better than to disobey your doctor, you do just as you’re told, turning over so your stomach is pressed against the table and your ass is in the air.

You can’t see his face, but you know he’s smirking as he chuckles darkly, “Good girl,” he praises, completely enthralled by your unwavering obedience.

In an instant, he’s behind you, palm resting on the small of your back as he lines his cock up with your entrance, teasing you by merely rubbing his tip along your folds.

“Doctorrr-” you whimper, bucking your hips to earn more stimulation from his throbbing cock.

Although he wants to tease you more, you’re deserate, and he’s no better, so he relinquishes control, immediately grasping your hips and thrusting himself into you fully.

The intrusion is sudden, but welcomed, making you throw your head back and cry out in both pleasure and a hint of pain.

Sensing your discomfort, Law uses his fingertips to rub comforting circles into your flesh as he grips your hips,

“Don’t you worry, I’ll take good care of you, sweetheart,” he reassures you, his hips meeting the flesh of your ass with lewd smacking sounds as he thrusts in and out of you.

“Fuck-!” you moan loudly, your cunt greedily accepting his length with tight, hot squeezes as he moves in and out.

He reaches forwards, inked fingers tangling themselves in your hair as he tugs on the strands, forcing your head back to give himself access to your neck. He leans forwards, forcing himself deeper inside you and making you let out a weak whine as he places passionate kisses along your newly-exposed neck.

“Sh-Shit,” he curses in your ear as he groans, “That pussy’s so fucking good to me.”

Your face flushes at the lewness of his words, letting more moans escape your lips as his twitching cock greets your sweetspot with a euphoric nudge.

Your head starts to spin as Law’s thrusts begin to grow sloppy; he’s close and you’re not far behind.

He’s gaining momentum but losing his rhythm as he thrusts in and out of you, desperately chasing his orgasm, groaning through gritted teeth.

“Y/n,” the doctor groans, throwing his head back, “S-So close," he stumbles on his words, thrusting more feverishly now, making you cry out beneath him.

“Law-!” you whimper shakily, abandoning his professional title as euphoria washes over you, your white-hot orgasm clouding your vision as it courses through your veins.

He finishes in time with you, unapologetically painting your insides white as he moans heartily, granting you with a few more weak thrusts before he leans forwards to collapse on your back.

You're both panting, the echo of your shared climax still lingering in the air, sweat glistening on your skin as you simultaneously come down from your highs.

As the clouds of pleasure that had circled your brain finally begin to dissipate, you’re met with reality again; Law planting gentle kisses to your face as he whispers sweet praises into your ear.

But even as you lay here together, only one thing consumes your mind.

"Law," you begin weakly, stealing a glance at the man behind you.

"Hm?" he responds, his tone curious and attentive. "What is it, love?"

"How did you know I was lying?" you ask, your voice tinged with laughter, still catching your breath. "About being sick?"

He chuckles gently, his lips grazing your nape with a soft kiss before he answers, his voice laced with both amusement and affection.

"I've spent enough time with you to know when something's off," he murmurs, his breath warm against your skin. "And besides," he adds, his tone playful, "I could never resist the opportunity to give you a little extra treatment.”

𖡼.𖤣𖥧𖡼.𖤣𖥧𖡼.𖤣𖥧𖡼.𖤣𖥧 𖡼.𖤣𖥧𖡼.𖤣𖥧𖡼.𖤣𖥧𖡼.𖤣𖥧 𖡼.𖤣𖥧𖡼.𖤣𖥧𖡼.𖤣𖥧𖡼.𖤣𖥧 𖡼.𖤣𖥧𖡼.𖤣𖥧𖡼.

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unhingedhiro · 4 months

Text

when s. coups becomes seungcheol

s. coups x f!reader

word count -> 1.6k

tags -> fluff, established relationship, slightly suggestive, just about barely proofread, sulky cheol, one (1) kim mingyu mention, domestic cheol (yea that needs its own tag)

hello i bring nothing but purely brainrot as a result of missing cheol + the image and mere concept of sulky choi seungcheol

S. coups. The so-called alpha leader of SEVENTEEN, leader of the hip-hop unit, an insanely gorgeous man with an equally gorgeous voice.

Yet, the man who sat infront of her was none of these things, and wasn’t S. coups either. No, the man pouting just opposite of her for forgetting to say “I love you”, was Choi Seungcheol, better known as Cheol.

He’s sits at their table, in the house they’d just recently bought, an adorable pout on the lips his fans had affectionately nicknamed ‘cherry lips’. The sight of such a cute facial expression completely contrasts the way he’s sat back, beefy arms folded across his broad chest, legs just slightly spread in a manner she could only describe as ‘absurdly attractive.’ The kind of attractiveness that would have fans completely speechless or in varying states of insanity. She doesn’t blame them. Choi Seungcheol, the man who was her beloved, was indeed a gorgeous man.

She’s knocked out of her thoughts by the aforementioned man clearing his throat in a particularly obnoxious, yet amusing manner. His eyes narrow as she jolts, a slightly sheepish, guilty smile at his direction.

“Sorry Cheol. Really.”, her voice is gentle, soothing.

It’s a voice she knows Seungcheol is absolute putty for, and indeed she knows it pays off when Seungcheol’s lips part slightly, before settling back into a pout that left her unsure whether to swoon or sigh.

“Sorry won’t cut it.”, he huffs. “Why didn’t you reply to my message?”

“..Message?”

This time, she is truly perplexed, and Seungcheol shoots a rather pointed glare in her direction before rummaging through his pocket for his phone. He ignores her small protests that she genuinely hadn't received a message, quickly scrolling through his chats. A moment passes, before the pouty expression on his face is quickly wiped away, replaced by surprise, before Seungcheol sheepishly returns his phone to his pocket. In a small voice, he finally speaks.

“That’s… my bad. I forgot to press send.”

A beat of silence passes before she bursts into laughter. The pout on Seungcheol’s face only grew larger, and once she’d realised this, she quickly made her way to him. She embraces him, an affectionate apology for having laughed and it doesn’t take long for Seungcheol to finally cave, wrapping his arms around her and pressing his face into her shoulder. He pulls her onto his lap, igonoring her small yelp of surprise and placed a chaste kiss on her cheek.

“Wanted to message you about tonight, and that I love you.”

She smiles at his words, returning his kiss.

“It’s okay. I love you too, Cheol. I really do. Thank you for the surprise.”

The surprise in question had been coming back to a romantic candle-lit dinner, her favourite meal tastefully placed in a new set of plates she knew Seungcheol had definitely bought hours before she’d come back. Upon an initial bite, she’d instantaneously recognised it to be Mingyu’s recipe. Seungcheol knew from the way her face had lit up as soon as she’d had the first savoury, warm bite that she recognised it.

“Did you make this, Cheol?”

The man nods, surprised at her correct guess. As he responds, a small inkling of doubt crept up.

Did she not like it?

Contrary to his fear, she’d smiled a small smile and a nod of approval came with it.

“It’s more seasoned to my taste than when Mingyu makes it for all of us.”

Her remark encouraged Seungcheol to smile, an indicator of his pride at having nailed the seasoning. He watches as she polishes off her plate, seemingly having relentlessly devoured the food. Despite this, once she’d finished, she was gently sat back down after getting up to put the plates away. Confused, she cocks her head and the action almost makes Seungcheol want to forget even having considered the notion of confronting her.

“I’ll take the plates.”

“But Cheol-“

“No buts.”, he grabbed her plate before she could react, quickly bringing both plates to the kitchen.

“You worked hard today. Let me take care of you.”

His response provoked a sigh from her, as she muttered.

“You have a week back here Cheol, and you’ve done so much for me already.”

“It’s okay, I want to spend my week doing things for you.”, Seungcheol returned to the table, offering a glass of water, which she accepted.

As she sipped on the water he’d provided her, all she can say is,

“You’re too good to me.”

“Is that a bad thing?”, he teased, and she shook her head.

“No. I’m just grateful for it.”

She noticed his smile as he came back for the rest of the table, watching affectionately as she switched on the lights. The room is brought back to a much less romantic, more domestic tone, the candles having been blown out. Once the lights are on again, Seungcheol ambled his way over to her and wrapped his arms around her waist, nuzzling his face into her hair.

“You always say I’m too good to you, but really it’s the opposite.”

“Is it?”, she laughed, turning to face him and kissing him.

It doesn’t last long, but its enough for butterflies to slowly begin to flutter, and it felt like once more she’d just begun dating him again. The feeling of it is wondrous, something she finds is a common occurrence despite her years of being with Seungcheol.

He pulls away for a moment, pressing a chaste kiss to her cheek before he gently guides her, large hand clasping her wrist, to the couch. It was then she notices he’d set out a bowl of popcorn on the coffee table, and it clicks.

“A movie, Cheol?”

“Yeah.”

Seungcheol takes pride in the look of delight that practically blooms on her face, lips parted to say something. But before she can, he pulls her onto the couch. They fall, a tangle of limbs and giggles when he suggests,

“Howl’s Moving Castle?”

She nods enthusiastically, the previous tiredness in her eyes present as always. But this time, it’s overshadowed by sheer joy and affection.

“You know me so well.”

“Of course I do.”

He smiles into the kiss she proceeds to place on his lips and lets her shift around to a more comfortable position. As she does so, he reached for the remote and the bowl of popcorn, handing the latter to her. They make their way through the movie, Seungcheol’s infamous pout resurfacing when she cracks a joke about Howl. He doesn’t sulk for long however, a small mention of him being her Howl killing off any intentions he’d had of prolonging his pouting session. It’s a cheesy line, and he was being cheesy by affirming it, but after a long work day for her and a long three months’ worth of tour for Seungcheol, it was something they both appreciated.

Time to themselves, where nothing else in the world mattered apart from the both of them, entangled in each other’s arms, watching a movie they both enjoy while she lazily munches on popcorn Seungcheol had prepared, as the latter affectionately kisses her every few minutes or so, small murmurs of commentary running alongside it.

As Howl’s Moving Castle comes to a close, she finds that Seungcheol has gently removed the now empty popcorn bowl from her hands, placing it on the coffee table as he lifts her off the couch in a princess carry. The unexpected movement causes her to yelp, eyes widening in surprise before they soften once more as she realises what he’s doing.

Seungcheol carries her to their shared room, settling her onto the bed and laughing when she pulls him down to kiss him. He practically presses her into the bed, returning her mildly lazy kiss with an equal amount of enthusiasm, affection ever present on his lips. It elicits a sigh of satisfaction from her, and Seungcheol grins. He moves to place gentle butterfly kisses along her jawline, watching as she raises her head to give him more access. Yet, before he can trail his kisses down her neck, she stops him. Seungcheol looks up, confusion evident on her face and she offers a slightly guilty smile.

“Sorry, Cheol. I’m a bit tired today.”

At her request, he halts his movements, bringing himself back to eye level with her. As close as possible, at least.

“Sure you don’t want me to take care of you? You don’t need to do anything if you don’t want to.”

She shakes her head, the arms around his neck tightening.

“I want to sleep.”, she murmurs, and Seungcheol swears his heart melts upon hearing the vulnerability and fatigue in her voice.

Thus, he obliges, gently resting himself on top of her until she complains a few minutes later.

“Cheooool, get off. You’re heavy.”

He whines a little in protest, pouting and looking at her with soft doe eyes and she has to resist the urge to give in and let him lie there a little longer. Despite this, his weight was beginning to crush her, the feeling of it overwhelming and she shakes her head gently. Seungcheol smiles, rolling over, arms still enveloping her in a comforting warmth. She thanks him quietly before turning to face his chest, seemingly having knocked herself out. He notices her breathing having slowly become slower, more measured and deemed her dead asleep. The sight of it only makes him pull her closer to him, fighting a giggle that threatens to emerge when she buries her head deeper into his chest.

I could die like this, he thinks, stealing one last glance at her before succumbing to his own need to sleep.

#seungcheol fluff #choi seungcheol #scoups fluff #scoups x reader #seventeen fanfic #hiro brainrots

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dilftaroooo · 6 months

Text

₊✩‧₊◜ ── SUKUNA MEETING YOU FOR THE FIRST TIME

★ tags: aged up characters + sukuna is still in yuji’s body + fem!reader + suggestive content + university au + implied smut + sukuna calls u a "broad" + and he sends u d3ath thr3ats + then he wants u :D + hints of true form!sukuna + reader is a sorcerer + and pretty daring.

Just a random thought but I feel like the first time Sukuna meets you would be sooo interesting:

You are an outlaw–a label the Higher-ups deemed you as (to which you agree because it makes you sound cooler). Getting you to follow through with missions is damn near impossible when you're seldom there at the university but you're everywhere else; parties, bars, get-togethers with childhood friends, at that restaurant everyone's been talking about. Everywhere but there.

There are times when you do make your appearance. Although rarely, you can't just completely drop your presence. As much as you want to Gojo forbids you from doing so. Not because he likes being strict with you but because he hates getting an earful from the Higher-ups. You have curses to fight, people to save, and your level as a First-Grade Sorceress is what circles you back to that hell hole. They need you.

But it's depressing, you will say. I mean, how could it not be when all that you're doing is fighting deformed curses with haunting moans and shrilling screams as you exorcise them one by one while getting soaked in blood? That doesn't even sound good written on paper.

You deal with it, though. What can you do? Not much. All you can do is complete (some of) your missions and spend time with friends as an outlet.

That is until you heard about the new student or vessel–Itadori Yuji.

'Fascination' is an understatement when you hear about the new freshmen walking straight through the doors of Jujutsu University. Oh, you're familiar with the story: A simpleton, an ancient demon's finger, a snack? Call it the 'fool of the century'.

Of course, you went back to see the boy, are you kidding? He's the talk of the town. This is the most engaged you've ever been since your first year here.

Upon first glance, you already had him in your grasp; his cheeks were warm with your palms as you squished the pliable fat and your eyes were big when laying on his doe-like ones.

"No fucking way," You whisper incredulously. "You're actually the dude who ate Sukuna's finger. And alive too! Are you insane or are you insane?" A laugh of disbelief leaves you and all the poor vessel can do is blush in obvious embarrassment. He guesses he's the former and the latter.

You're a bold one. Everyone can agree with that. Even the fresh blood who just arrived at the school can say that. To confirm that the rumors were true you gaze deeply into Yuji's eyes as if to see Sukuna sitting lavishly on his throne through his host's pupils, attempting to find the curse yourself.

"So where is the guy? Is he hiding or something? I don't see 'em-" Sukuna is...intrigued, to say the least. Does this broad have no shame? Don't you know what he is–know what he's done? You speak of him as if he's an animal from a childhood fable. Though your brain has gone to mush you still had a confidence that these weak humans lack (save from Gojo). You're daring, he'd give you that.

Before Yuji can remove your hands from his sore cheeks, it appears Sukuna already beat him to it by materializing a mouth at the side of his face and biting your thumb with tough fangs. You yelp with a 'shit!' in the midst of it. Now your thumb is bruised with a subtle teeth mark, faintly traced with blood (and nearly ruining your freshly coated polish).

But your worrisome state would be put aside when hearing a discomforting squelch come Yuji's way as a crimson eye emerges from the cut on his cheek. It adjusts to the lighting of the environment, glaring at everybody in the room before stopping on you–your dumbfounded face.

"How dare you speak of me so lowly like I'm one of you pathetic humans? Would you like for me to be the first one to behead you once I'm in control of this body?" His voice boomed at you and you know you would've pissed yourself if the infamous curse didn't look like a cyclops on some twenty-year-old's face.

Not wanting to start too much trouble, you repelled your snarky comment. Putting your left leg behind you, you slightly bend your right knee and clasp your hands over the fabric of your imaginary gown to give a gentle bow–since you are but a lowly peasant.

"Apologies, your Highness. May my body and mind rot for speaking so poorly of you. I hope you find it within your heart to forgive me of my ignorance and free me from my unbearable idiocracy!"

Ok, maybe that was a bit snarky.

The faces of the people in the room were written with 'shock' on them, and so was Sukuna's in his own domain.

From there, things escalate. Sukuna's infatuation for your character starts to increase whenever you're around, and whenever you're not. Your bold stupidity, your witty remarks, your unfazed nature–it was all starting to grow on him like mold on bathroom tiles. On top of that, his corruption starts to show whenever he dwells on how much of an attractive woman you are.

You have a bangable body with plump breasts and a bouncy ass–a trait he's not accustomed to from this society but isn't against. Your curves are in the right places and you take good care of yourself. Maintaining the warm fragrance of vanilla to seep out your pores whenever you embrace Yuji. He can't help but taste you when you do and he'll never forget the cute squeal you released from glossy lips upon feeling his wet tongue glide vertically on your neck.

"(Name)?! What's wrong?"

"Ugh, Sukuna, you pervert!" A mischievous sneer forms on miniature lips as the aforementioned demon glares knowingly at you.

"Have this brat lend me control over this body and I'll show you more than just a lick to the neck, doll." You upgraded from 'broad' to 'doll' in just a matter of weeks. It was a rapid transition (not that you're complaining, at least you're on his good side). You feel like it was last week when he threatened your life by saying he'd rip your limbs from your body and gorge on your flesh before using your bones as toothpicks (maybe because it was last week).

You plague his mind. In a way one would say to their lover in those sappy romance stories people read. Some people would call what Sukuna feels as such.

But Sukuna doesn't love you. That isn't his forte. He desires you–craves you, as well as any unhealthy forms of want:

Wants to have your tongue follow the path of the inky marks on his skin before kissing him deeply, wants to feel the burning heat flow from you as he latches a hand on swollen breasts, wants to hear those moans riddled with lust once he impales you with one of his throbbing members-

His mind swirls with infinite scenarios but for now, he will wait. Wait until the brat gives him power. And once he does, he'll know the first person he'll go looking for.

#sukuna x reader #sukuna smut #sukuna ryomen #jjk smut #ryomen sukuna #jjk x reader #jujutsu kaisen #jujutsu kaisen x reader #jujutsu kaisen smut #sukuna #dilftaroooo

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hotluncheddie · 7 months

Text

high masking autistic steve harrington follow on from this post

ao3

wc: 2.6k | rated: T | cw: description of a meltdown with semi aggressive stimms | tags: autistic steve harrington (and eddie and robin but this is about stevie), hurt/comfort, stobin soulmates, steddie, steve Harrington has shitty parents

.𖥔 ݁ ˖

he failed. he graduated. but he failed. those unsaid words between him and his parents. some get said. the bad ones, about him, they get said. over again like he’s 5 and being told is behaviour isn’t acceptable. that how he is isn’t right. ‘shape up or ship out’, basically. steve knows he can’t go anywhere new, not right now. only freshly recovered, physically at least. mentally; he’s still unacceptable.

when steve works at scoops. it’s so fucking bright in there. so fucking bright, all day and he can’t focus and talking to people gets so much harder. it’s not like school where he can zone out in class and turn it on during lunch, in between, keep up his face with the people around him and sink back into his head during chemistry. no. now it’s all the time, customer after customer. that he has to talk to, put on a smile for, read so he gives them what they want and they leave happy. it’s exhausting. girls don’t like him anymore, they don’t react to him the same way. he doesn’t think he likes them much either though because they’re so much more annoying when it’s so fucking bright.

but robin (robin who cycles to work with sunglasses on and doesn’t take them off till she has too) she turns the lights down during open and close. so those couple hours, it’s not so bad. not so stressful. a little bit less loud.

after the mall burns down steve starts letting her in. tries too. she makes it obvious enough to him that she wants him there. she asks him to stay and calls him at night and he just wants to be enough for her. eventually he’d swallowed his pride and bolstered his courage and called her after a string of nightmares. asking her to stay the night. but then she was there, and it was like everything was thrown off. she was grating on his already freyed nerves but he didn’t know what to say. how to fix it without upsetting her.

but that night, a mirror of the mall bathroom played out in steves en-suite. steve had freaked. hidden. but she didn’t leave. and he tried to explain.

he needs her but he doesn’t know how to have her as a true friend. ‘i dunno how to talk to a girl if i don’t wanna date them. i uh, maybe, don’t really know how to talk to someone as myself. as a friend. sorry.’

‘well i don’t know how to talk to jocks so. same boat.’ and she has this glint in her eye. like she knows. and it’s okay.

because robin, she made it simple. she makes it easy. she says just ask and she’ll be honest and give him a yes or no. she’ll say if she can’t be touched right now, or if the movie he chose is pissing her the fuck off. and she wants the same from him. if the music is too loud, if she needs to let him not speak for a while. wants him honest and present and real. real friends. someone close. finally.

it’s rocky at first. she’s honest and he’s not used to it. it feel like criticism more often than not. makes him see red and lash out, like he was never able to with his parents. but he apologises and she stays. and he’s learning; that’s it’s okay, he’s not perfect and that means she’s knowing the real him. and she’s still his best friend even if he has to tell her to stop picking her nail polish off around him because it makes him want to die. and she laughs at him the first time she sees him in real recovery mode; hair not styled and he has on the only sweatshirt that ever feels good when he’s like this.

they lay on the floor in darkness and silence. it’s perfect. they share a tin of soup and a grilled cheese. it’s perfect.

being around robin as much as he is, its so new, having someone see so many parts of you. sometimes she laughs at him asking steve ‘why’d your voice change?’ but steve didn’t even know it had. he was, he was just talking to someone else quick, being nice like you’re supposed to, attentive to make them feel good. he didn’t know his voice changed that much.

‘girls would like you more if you talked normal to them. how you do to me.’

steve swallowed thickly. he just. he just doesn’t know that thats true. nancy left, he talked to her about lots of things, too many things. she like him better at the start. before some of his black tar innards spilled out. before he freaked. before he was able to paste himself back together and she saw him for what he really is.

he thinks of his parents. how they don’t know him and still don’t like him. anxiety prickles at his fingertips at the thought of those times they do come home.

because with them there the routine he’s carved for himself, those quiet moments of darkness that he so craves. they’re gone. now it’s tv static and plates clanging and having to show his face at dinner again. but he’s not ten anymore. now he’s an adult whose still drowning in the tension of the room, never able to say what’s really going on, never allowed to ask how they really feel, never taught how to figure his feeling out. no listening ear for steve as a child, and the ice only grew thicker with time.

it’s his skin itching at his mother stirring her tea across the house, spoon agains porcelain. it’s the hair on the back of his neck standing up at the sound of ice clinking in his fathers scotch glass. it’s triggered memories playing over and over again. it’s being plagued, by ghosts who haunt him, who left but come back every so often, like poltergeists. polietgists with the deed to the house, and ownership over steve, through blood and fear alone.

‘when they get back you come to mine steve yeah? you come home.’

because now theres not just robin. there’s eddie.

he sees everything. and more. even when steve’s trying to hide. eddie sees.

he noticed steve squinting at the hospital and asked the nurse to turn the lights down. he saw how he started zoning out at a diner with the kids, their arguing reaching a pitch, asked steve to keep him company for a smoke break. once they were outside eddie said he just needed a moment, ‘those kids can be animals’. said it and looked a him like he didn’t need an answer, let steve just breathe a focus on the sound of the wind.

it’s like there’s a million tiny moments, a million tiny cracks in him forming the more he’s around eddie. like his soft underbelly is mewling any time he’s around, wanting attention, wanting to let eddie see. let eddie touch.

eddie used to look at him sometimes, across the lunch hall. stare at him with an expression steve couldn’t really make sense of. he used to think it was judgment, annoyance. now he wonders if that face was confusion or interest. maybe eddie’s always been trying to figure steve out.

once it starts. them. eddie’s everywhere. more somehow, maybe, than robin because, you know, they go there. but it’s different, from those time, with those girls. instead now he’s there and his brains off and on in a, like, magical way. a new way that makes him feel whole and, and beautiful.

this thing they have. it’s fragile. it’s not perfect. he messes up, takes him a moment to grasp how eddie can be so so himself, always, no matter what. especially when it causes him problems. ‘why not just try and fit in?’ but the stone faced reply told steve that was the wrong thing to say, he didn’t get it but he needed to respect it. respect eddie and his choices. ‘i’m not like you steve, even if my brain shit was all gone i’d still be poor, i’d still be othered. still be a gay weirdo little freak.’

and steve is trying to get it. he’s learning to recognise that it’s sadness and confusion in eddie’s eyes when he visits him at work, knowing steve is having a bad day and watching him pretend. watching that mask form thick and fast, hiding the real him, protecting but also keeping everyone far far away. steve thinks maybe they’re living parallels. finding different ways to survive. neither better, neither worse. both far from perfect.

then that pinched sadness in eddie’s eyes. watching steve pretend. cover up. that damn breaks eventually. eddie sees all of him and more. those bits he always kept locked inside. between he and himself. it all comes spilling out.

they were supposed to be going out soon. but eddie wasn’t feeling it anymore ‘let’s just stay here, be cozy a little longer. what do you say, sweetheart?’ it does sound nice. steves so tired. but they decided. they had a plan.

‘we said we would. and i have to buy that thing eddie. we had a plan. and i have to go to work later, so we have to do it before. like we said and then i have to work eddie.’ and before he knows it there’s tears prickling his eyes and the ceiling fan is so loud and the desk lamp is too bright and he smacks a fist to the top of his head and it hurts a little but he’s so frustrated and so overwhelmed and so confused and embarrassed, suddenly. and he can’t breath. why can’t he breath? they had a plan.

they were supposed to go see hopper and pick something up and he has to talk to him and ask about the game because he needs hopper to like him because it’s better when el can come when all the kids hangout. it’s important that she’s happy so hopper needs to trust steve so steve was going to talk to him today and pick something up. it was the plan. hopper makes him nervous but that was the plan. and then he had to go to work. but now he can’t breathe and he feels like he needs something to hurt.

‘but he already trusts you with el stevie. hop trusts you with anything.’

‘i can’t know that. not for sure. when i talk to him it needs to be perfect.’ steve paces. a pinch at his arm. a tug at his hair. pivot. pace. repeat.

‘i heard what he said to you steve, on your birthday, he was calling you son all day. you don’t need to prove anything to him.’

‘i do eddie! you don’t understand. people, they lie. adults lie. they don’t say things the way they mean. i can’t fuck up talking to him. not like i always fuck up talking to my parents. i need to do it better. do it differently. because everyone always leaves. and i just don’t want to be alone again.’ and the tears really start to fall and steve can barely breath and he’s so embarrassed. shaking hands try and cover his face but the tears slip through.

and all he can think about is the plan. going to work. his vest hanging by the door. the way the plastic tapes feel in his hands. the smell of the bleach they mop the back room with. the day stretches before him. so many things in the way. so much anxiety still to come. if he can’t start, it can’t end. he gnaws at his lip. thumps a hand to his chest, trying to breath right, trying to ground.

‘i have to go to work’ he mutters. like a prayer. speak it in to happening. taking him away from the now. thump thump thump at his chest. ear ringing.

eddie’s holding his arms out, giving steve the option. he speaks so calmly, so earnest. ‘you can’t go to work steve. not like this baby.’

steve rounds on him. angry. when did everything get so messed up? if he was just left alone. he should’ve stayed on his own. ‘i cant just call in sick eddie! i’m not sick and and i hate the way they’ll sound when i say it over the phone and knowing what they’ll be thinking about me. they’ll know i hate the job and think i’m lazy and realise how stupid and useless i am and fire me. i can’t afford to get fired eddie. i’d rather just go in.’ he know it comes out garbled, his cheeks on fire.

‘i’m not letting you go in steve. i’ll sort it. i’ll go pick up robin before and she’ll cover for you, she’ll explain. and she would never. ever think that of you.’ eddie’s voice dropped octave. he speaks clearly and plainly and finally there’s a new plan to follow. a new rule for the day.

and all steve can do is curl up in a ball and sob. curl up in a ball against eddie chest, in his arms, squeezing his t-shirt between his fingers. clenching his muscles tight, his teeth grinding together. grunting out some of the decade old scream, still stuck there but more visible to him now.

until finally finally, he relaxes. spent and exhausted. too afraid to open his eyes and face the lamplight, face what could be in eddie’s expression. he drifts..

eventually he gets up, blows his nose and splashed water on his face, turns off all the lights and get back under the warm blanket. fills his lungs. sighs. whispers, ‘m’sorry’

‘don’t say that. there’s nothing to apologise for’ eddie’s so close, so warm.

‘no one’s supposed to ever, see that.. it’s okay if you want to leave’

‘steve. why the fuck would i leave you right now?’

‘who’d wanna date someone who acts like that? it’s. it’s not good eddie. but, but it’s okay. i’m used to being alo-.’

‘please stop stevie. your breaking my heart here. i want to stay, i want to be here with you. i really really like you steve.’ and steve’s cheeks feel wet again. he feels flayed open and young, like a little kid who fell off the swings and everything is different suddenly.

later later when eddie picks robin up from work she stalks in to where steve’s wrapped up on the couch. curls up into his side and exhales. she bites into his bicep. huffing a sad, annoyed little ‘dingus’ before grabbing his hand and fiddling with his fingers.

steve feels his eyes prickle again. looking up at the ceiling he croaks out a small ‘sorry.’ for the day. for everything. for anything he can be. and everything he can’t.

robin kneels on the sofa right next to him. growling a little and placing one of her hands at his sternum and the other at the same height on his back. like she’s forcing herself inside him, holding him together. her hands start to rub up and down quickly, frenzied and grounding for both of them. steve let’s his head hang. eyes closing at the sensation. he grunts. robin grunts back.

eddie joins. sitting at his other side. slipping a hand in steve’s hair, soothing his scalp with long scratching fingers. and steve humms, sighs, keens. eyes closed he drifts but not away from his body, instead into it. with gratitude, and warmth. at the centre of the two best things that ever happened to him. willing to try again. be just, better. never perfect.

.𖥔 ݁ ˖

pt 3 snippet

a little happier for u @pearynice <3

ty @spectrum-spectre @vampyreddiemunson @fangirlycupcake @grandwretch for ur tags and additions, it was very inspiring

and tags for lovely @irethsune @willim-billiam-byerson @2jug2head

#hope this is okay #i know the comfort isn't like loads but #unmasking is fucking hard #and hes simply doing his best #autistic steve harrington #steddie #platonic stobin #hotlunch #my fic #steve harrington needs a hug #but he gets one so its okay #feel nervous about posting this but let’s fucking go my dudes #pls let me know if u like it 👉👈

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bellswlw · 10 months

Text

modern!ellie williams headcanons

i’ve literally been SITTING on these since april so… i might make a pt 2 who knows but i need to get something out. also cw for fem presenting reader, kindaaaa smut mentions but no full scenes. i think that’s all enjoy<33

ellie definitely talks in her sleep. most of the time is basically incoherent slurring, but sometimes if you get lucky enough to wake up to it, you can hear her having full blown conversations, hand gestures and all. “here. take it, here.” she says, her voice coated thickly with a rasp and her hand held out in front of her. she’s pretending to hold something in her hand, shaking it when whoever doesn’t take what she’s offering. you clasp a hand over your mouth to stop the laugher from bubbling over. but she catches you then, her hand immediately forming into a straight point and saying, “don’t laugh.” and your eyes widen in shock only for ellie to slouch against the mattress with a small huff. she’s fallen asleep again.

i like to imagine ellie cutting off her skinny jeans into shorts in the summer. like taking her knife and just fucking cutting them clean off while she’s still wearing them. and after she’s done she finally looks up at you asking, “they even?” and you have to laugh because… no. her right pant leg was significantly shorter than the left, resulting in her having to slowly, bit by bit trim off more fabric until she had accidentally went from wearing shorts that fell below her knee to ones that rode up the middle of her thigh. she scoffed, trying to tug at the phantom fabric “shit, they’re too short,” and she adjusted them on her, trying to get comfortable in her new clothes and waiting for a response. she looks up at you, and you can’t even draw your eyes away from her thighs. you’d never ever seen ellie i’m something like this, so it was a treat for you. eventually you speak, “i like ’em” and ellie smirks at you before taking a step closer, whispering under her breath, “course you do.”

ellie would do anything for you. including, going with you to your nail appointments and getting her nails done to match yours. although, she kept hers short, with a clear base and small black flames curling under the top coat. she sits patient and quietly for you to be done, watching you scrunch your nose at her and saying “can you itch, please?” and you’d tip your head toward her before a gentle finger swiped away the small tingle. driving home after lunch, she would grip the steering wheel lightly, her fingers still slightly spread apart not being used to the feeling of polish. “you sure it’s dry? it feels heavy.” and she looks over at you before you ask for her hand to check. “ellie, it’s been two hours. i think you’re good.” and you ran the pad of your finger over each finger, she was set. (let’s also not forget how her cheeks flush as she slips her thumb into your mouth and seeing the design disappear and send a flood of wetness straight through her when you release it with a moan)

ellie kissing your thighs before going down on you. that’s it. it’s canon i know it.

she also definitelyyy would have absolutely no self control seeing how good your ass looks in your best jeans, watching as you’re doing something super domestic like loading the dishwasher or switching the laundry… or even simply bending over to grab something you dropped before she slides a finger under the thin strap of your thong and snaps it against your skin. you’d straighten up immediately, letting a gasp fill your lungs before your mouth falls in a hard line. and of course she’d look away, pretending she didn’t do anything with a smirk glued to her face.

i totally headcanon ellie having a red iphone. and she definitely doesn't have a case on it but yet still gets upset every time she drops it and a new crack chips away at her screen somehow dodging her camera

oh and she is a fucking nerd when it comes to comic-con, like in the best way possible. you tag along with her as she walks from booth to booth, nearly dragging you behind her with a single hand. like she wears a lanyard (not around her neck, but strung through one of her jean loops beside her karabiner with her car keys) and everything, collecting new pins with nearly every stop. you stand silent beside her as she talks to someone on the other side of the booth, seeing her grinning from ear to ear when she finds out that one of her favorite characters has an entire spin off series. she turns to look at you for a moment like she couldn’t believe it, and you smile at her before she scrambles to look up the series title on her phone. and as much as it might not be your thing, you just cant deny you don’t get some enjoyment out of it when you see how happy she is when the two of you are finally back in the car. “that, was fucking awesome.” and she sighs in her seat before asking you what you want to eat.

if she’s sitting next to you and not really paying that much attention, your hand will squeeze lovingly on her thigh and it makes her jolt a little, her eyes finding yours to see your smirking at the sudden twitch of her leg. “jeez, be gentle yeah?” and then she’s focusing her attention back to what was before, trying not to think about how later on she’d be wanting to feel the back of yours against hers when she’s drilling her strap into you ass up.

she’s always going “oh yeah?” or “that so, huh?” always egging you on, trying to find your eyes when you look away and feel the heat flood your skin. such a casual dominance about it. wanting to challenge her and be put back in your place with a simple question… one you can’t even answer without lying.

ellie loves tv girl and deftones like… don’t tell me she doesn’t bc your a liar and a fraud— give me money. she loves them. end of story.

#the last of us #ellie tlou2 #bellswlw #inbox !#ellie williams #ellie tlou #ellie williams tlou #modern!ellie williams #ellie headcanons #ellie williams x reader

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