#love their ‘characters’ of themselves
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"Let's Have a Talk, First"- Stereotypes, pt 1
Come sit down. You and I, before we get into any of the things I'm sure you're impatient to know: we need to have a come to Jesus talk, first.
There are some things that I've been asked and seen that strengthens my belief that we need to have a reframing of the conversation on stereotypes in media away from something as simple as "how do I find the checklist of stereotypes to avoid". Because race- and therefore racial stereotypes- is a complex construct! Stands to reason then, that seeing, understanding, and avoiding it won't be that simple! I'm going to give you a couple pointers to (hopefully) help you rethink your approach to this topic, and therefore how to apply it when you're writing Black characters- and even when thinking about Black people!
Point #1: DEVELOP THE CHARACTER!! WRITE!!
Excuse my crude language, but let me be blunt: Black people- and therefore Black characters- will get angry at things, and occasionally make bad choices in the heat of the moment. Some of us like to fuck real nasty, some might be dominant in the bedroom, they may even be incredibly experienced! Others of us succumb to circumstance and make poor decisions that lead to crime.
None of those things inherently makes any of us angry Black women and threatening Black men, Jezebels and BBC Mandingos, and gangsters and thugs!
Black people are PEOPLE! Write us as such!
If all Black characters ever did was go outside, say "hi neighbor!" and walk back in the house, we'd be as boring as racist fans often accuse.
I say this because I feel I've seen advice that I feel makes people think writing a Black character that… Emotes negatively, or gets hurt by life and circumstance, or really enjoys hard sex, or really any scenario where they might "look bad" is the issue. I can tell many people think "well if I write that, then it's a stereotype" and to avoid the difficulty, they'll probably end up writing a flat Black character or not writing them at all. Or- and I've seen this too- they'll overcompensate in the other direction, which reveals that they 'wrote a different sort of Black person!' and it comes off just as awkwardly because it means you think that the Black people that do these things are 'bad'. And I hate that, because we're capable of depth, nuance, good, evil, adventure, world domination, all of it!
My point is, if you write your character like the human being they are, while taking care to recognize that you as the writer are not buying into stereotypes with your OWN messaging, you're fine. We have emotions, we have motivations and goals, we make decisions, and we make mistakes, just like anybody else. Write that! Develop your character!
POINT #2: YOU CAN'T CONTROL THE READERS!!
Okay. You can write the GREATEST Black character ever, full of depth, love, nuance, emotional range, all those things…. And people are still going to be racist about them. Sorry. There is absolutely nothing you can do to control a reader coming from that place of bias you sought to avoid. If it's not there, TRUST AND BELIEVE, it'll be projected onto them.
That passionate young Black woman who told the MC to get her head out of her ass? Yeah she's an angry Black bitch now, and bully to the sweet white MC. Maybe a lesbian mommy figure if they like her enough to "redeem" her. That Black gay male lead that treats his partner like he worships the ground he walks on? Yeah he's an abusive thug that needs to die now because he disagreed One Time with his white partner. That Black trans woman who happened to be competing against the white MC, in a story where the white MC makes comparable choices? Ohhhh they're gonna be VILE about that poor woman.
It really hurts- most especially as a Black fan and writer- knowing that you have something amazing to offer (as a person and creative) and people are gonna spit on that and call it "preference". That they can project themselves onto white characters no matter what, but if you project your experiences onto black characters, it's "pandering", "self insert", "woke", "annoying", "boring", and other foul things we've all gotten comments of.
But expect that it's gonna happen when you write a Black character, again, especially if you're a Black writer. If you're not Black, it won't hurt as personally, but it will probably come as a shock when you put so much effort in to create a lovely character and people are just ass about them. Unfortunately, that is the climate of fandom we currently exist in.
My favorite example is of Louis De Pointe Du Lac from AMC's Interview With The Vampire. Louis is actually one of the best depictions of the existential horror that is being Black in a racist White world I have ever seen written by mostly nonblack people. It was timeless; I related to every single source of racist pain he experienced.
People were HORRIFIC about Louis.
It didn't matter that he was well written and what he symbolized; many white viewers did NOT LIKE this man. There's a level of empathy and understanding that Black characters in particular don't receive in comparison to white counterparts, and that's due to many of those stereotypes and systemic biases I'm going to talk about.
My point is, recognize that while yes, you as the author have a duty to write a character thoughtfully as you can, it's not going to stop the response of the ignorant. Writing seeking to get everyone to understand what you were trying to do… Sisyphean effort. It's better to focus on knowing that YOU wrote something good, that YOU did not write the stereotype that those people are determined to see.
POINT #3: WHY is something a stereotype?
While there are lists of stereotypes against Black people in media and life that can be found, I would appreciate if people stopped approaching it as just a list of things you can check off to avoid. You can know what the stereotypes are, sure, but if you don't understand WHY they're a problem and how they play into perception of us, you'll either end up writing a flat character trying to avoid that list, or you're going to write other things related to that stereotype because "oh its not item #1"... and it'll still be racist.
For example: if you wrote a "sassy Black woman" that does a z formation neck rotation just because a store manager asked her something… that's probably stereotype. If you thought of a character that needed to be "loudmouthed", "sassy", and "strong" and a dark-skinned black woman was automatically what fit the profile in your mind, ding ding ding! THAT'S where you need to catch your racist biases.
But a dark-skinned Black woman character cursing out a store manager because she's had a really bad, stressful day and their attitude towards her pushed her over the edge may be in the wrong, but she's not an "angry Black woman". She's a Black woman that's angry! And if you wrote the day she had to be as bad as would drive anyone to overstimulation and anxiety, the blow up will make sense! The development and writing behind her led to this logical point (which connects to point #1!)
I'm not going to provide a truly exhaustive list of Black stereotypes in media because that would ACTUALLY be worth a college credited class and I do this for free lmao. But I am going to provide some classic examples that can get y'all started on your own research.
POINT #4: WATCH BLACK NARRATIVES!
As always, I'm gonna push supporting Black creators, because that's the best way to see the range of what you'd like. You want to see Black villains? We got those! Black heroes? Black antiheroes? Assholes, lovers, comedians, depressed, criminals, kings, and more? They exist! You can get inspired by watching those movies and reading those books, see how WE depict us!
I've seen mixed reviews on it, BUT- I personally really enjoyed Swarm, because it was one of the first times I'd ever seen that "unhinged obsessed murderous Black fan girl" concept. Tumblr usually loves that shit lmao. Even the "bites you bites you bites you [thing I love]" thing was there. And she liked girls, too. Just saying. I thought it was a fun idea that I'd love to see more of. Y'all gotta give us a chance to be in these roles, to tell these tales. We can do it too, and you'd enjoy it if you tried to understand it!
POINT#5: You are NOT Black!
This is obvious lmao, but if you're not Black, there's no need to pretend. There's no need to think "oh well I have to get a 100% perfect depiction of the Black person's mind". That's… That's gonna look cringe, at its best. You don't have to do that in order to avoid stereotypes. You're not going to be able to catch every nuance because it's not your lived experience, nor is it the societally enforced culture. Just… Do what you can, and if you feel like it's coming off hokey… Maybe consider if you want to continue this way lol. If you know of any Black beta readers or sensitivity reviewers, that'd be a good time to check in!
For example, if your Black character is talking about "what's good my homie" and there's absolutely no reason for him to be speaking that way other than to indicate that he's Black… 😬 I can't stop you but… Are you sure?
An egregious example of a TERRIBLE way to write a Black character is the "What If: Miles Morales/Thor" comic. I want to emphasize the lack of good Black character design involved in some of these PROFESSIONAL art spaces, because that MARVEL comic PASSED QA!! That comic went past NUMEROUS sets of eyes and was APPROVED!! IT GOT RELEASED!! NO ONE STOPPED IT!!
I'm sorry, it was just so racist-ly bad that it was hilarious. Like you couldn't make that shit up.
Anyway, unfortunately that's how some of y'all sound trying to write AAVE. I promise that we speak the Queen's English too lmao. If you're worried you won't get it right, just use the standard form of English. It's fine! Personally, I'd much rather you do that than try to 'decode AAVE' if you don't know how to use it.
My point is, if you're actively "forcing" yourself to "think Black"… maybe you need to stand down and reconsider your approach lmao. This is why understanding the stereotypes and social environment behind them will help you write better, because you can incorporate that Blackness- without having to verbally "emphasize how Black this is"- into their character, motivations, and actions.
Conclusion
We need to reconsider how we approach the concepts of stereotypes when writing our Black characters. The goal is not to cross off a checklist of things to avoid per se, but to understand WHY we have to develop our Black characters well enough to avoid incorporating them into our writing. Give your Black characters substance- we're human beings! We have motivations and fears and desires! We're not perfect, but we're not inherently flawed because of our race. That's what makes the difference!
And as always, and really in particular for this topic, it's the thought that counts, but the action that delivers!
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ೃ₊ 🌾 ❝ So When I Die ❞ ╰►, Gojo Satoru
𝐒𝐘𝐏𝐍𝐎𝐒𝐈𝐒 | following gojo satoru’s death, his ex wife is in charge of taking care of his funeral service and everything else that comes with it.
𝐖𝐎𝐑𝐃 𝐂𝐎𝐔𝐍𝐓 | 4,676 words
𝐖𝐀𝐑𝐍𝐈𝐍𝐆𝐒 | character death, possible spoilers, funeral, angst, and not proofread ;p
 𝐍𝐎𝐓𝐄𝐒 | I did NAWT want this to be my first work on here but due to certain circumstances…. AHEM his DEATH!!!! I felt it was necessary because laik… grief LOL. I wrote this a while back tho. Enjoy.
꒰ 💌 ꒱ ♡ ༘° 𝒅𝒆𝒂𝒓, gojo satoru …
Your ex-husband is dead, and in his line of work, yes, you know that he has a higher risk of dying than the average person, but still, death never comes expected, does it? Even if he always says—oh wait… used to, you suppose, say that he was crazy strong and no one could ever take him down. Well, he was wrong in the end like a bunch of other things. Like how well he took care of you, how he’d give you six kids, how—you won’t ramble, noting he’s dead now and there’s no point, but also because it’s quite rude of you to talk down on someone who is dead and can’t defend themselves. Whatever.
You just… don’t expect it. Yes, you understood he was hard headed and insanely cocky, but in a way… you always believed that he would always come home alive and, even if he did get hurt, he would be okay eventually as he heals. You don’t forget it, he’s only human, you know because of the many mistakes he’s made, but still… he’s… he’s gone?
You hesitated when you heard that. Gojo Satoru, the so-called love of your life from two years ago, is dead? Impossible, you think. Gojo Satoru found death embarrassing, with all the things he said. He said that he would be okay. He was always okay. What are you supposed to say to that?
When you get the call, you wonder why you, of all the people in his life, were the one they called to inform about his status. Why did you have to go to his place and clean out all his things? Take all his belongings with you? At first, your instinct was to say “throw it all away,” because what does Gojo Satoru mean to you now? You’re not his wife! He neglected you for years and filled your days and nights with sorrows. He broke your heart. But still, he didn’t mean nothing to you at the same time.
Those precious years of being his acquaintance in middle school. When you had shorter hair and he didn’t know much about you other than you were in his class and he had bought you cute white socks for your class gift exchange on Christmas that year. The long years that Gojo Satoru pined for you after you both attended the same high school. The hard and dark times he went through losing Suguru and shutting you out, though he loved you for so long. When you turned twenty, and Satoru had gotten better, to the point where he felt he was ready to move on and continue with his pursuit for you. When you turned twenty-three, and got married to him on a spur. When you moved in and shared a bed, until the marriage got cold and most nights you spent alone.
You couldn’t say for the past fourteen years, Gojo Satoru was nothing at all to you. The news was shocking, and knowing he was dead… did you have to be careful about how you felt about him, or how you thought of him? Well, now that he is dead, should you be so ruthless and hostile toward the man who broke your heart? You don’t know, so naturally, and it really just slips out, you agree to take care of the process of his passing.
For the most part, you’re calm. You don’t actually know how to feel, and you don’t know how to be. You’re not his wife, you have no obligations to take care of him, or anything that he cared about. Yet, you’re here. In his lonely apartment that doesn’t even smell like him. He probably never even spent much time in this place, even so, he still had a lot of belongings. Pictures of you in frames surprisingly. He did take them all when you got divorced and he moved out of the house, you just didn’t expect that he’d put them up on display. He probably didn’t get many visitors to question him about the lady in his pictures. You were sure that would get annoying.
Anyway, you don’t know if you’re supposed to cry or even feel sad. You don’t know if it’s strange to feel that way or not. You can’t quite make out how you feel, being surrounded by Gojo Satoru’s personality and things. You don’t think too much about the things inside the apartment because you don’t want to be too reminded of what you used to be. What you felt about the man once upon a time. If there was still love in your heart for him.
Gojo Satoru wasn’t a slob, but he wasn’t clean either by any means. Given he probably didn’t stay here much, it made sense that you didn’t need to clean a whole lot of the apartment. You get there and you take it all in. Satoru’s little apartment, because he didn’t want to pay for such a luxurious place he wouldn’t even stay in. Maybe that kind of place made him feel more alone too. Thoughts you should not be thinking start to trickle into your brain, but you stop yourself. You shouldn’t feel bad for leaving, nor should you want to go back. You made a decision to leave and you should honor it. It was the right thing to do for yourself (hopefully).
Do you even want his things? No, not really. But you have a keep, donate, and a throw away bin anyway. Most of it keeps going to the keep bin and donation box. Somehow the feeling of someone else getting Gojo Satoru’s things is unsettling to you, but it’s even worse to think that all these things will just go to a landfill where things that were once valued are forgotten and it’s all going to be considered “trash.” Maybe that’s because you know why every item is there and the story behind that certain mug or decor piece. You don’t know it, but you’re trying your best not to care.
You sigh, the thought that this is all so strange, bothering and pestering you like an annoying fly. You tell yourself you know that already, so stop thinking about it. Maybe you’re in denial that Gojo Satoru is actually gone. You can feel him. He’s still there, you know it. That or you’re just surrounded by his belongings and that’s why his presence is here.
In your hand, you hold a big black garbage bag as you make your way to his bedroom to clear out his closet. This is a room of his that you haven’t been to, strange right? You wondered if another woman spent time here. Jealous much? You’re supposed to be clearing out your ex-husband’s apartment, not pondering about what he was up to after you two had split. The man is dead for one, what are you going to do about it? Confront his dead body? You shouldn’t be thinking about things like that, so that thought is one you shake off and ignore too.
You sigh because you’re tired from cleaning all day and clearing his things out and you’re probably only a quarter’s way done with the place. It’s not even that big, it’s just been uncomfortably hard for you to bring yourself here with your mixed and strange feelings about this whole situation. Isn’t there anyone else who cares about Gojo Satoru? How come you’re stepping up to the plate when this is how you feel—confused and unsure? What are you even going to do for the funeral? You took the task up because Gojo Satoru would probably turn in his grave knowing the higher ups organized his funeral. So while it is strange for you to do all of this, you’ve rationalized the lot of this situation that you put yourself in. Once upon a time, he loved you right? So surely he would prefer you over—you’re so silly, thinking all these things when Gojo Satoru is your dead ex-husband.
You plop on the bed with a small groan as you turn over. This is a bit inappropriate, to be laying on your ex husband’s unmade bed. It’s left in the state that it was the last time he woke up. That’s a little precious you think, freely, not even denying it. Are you ruining this precious thing here? Well, in all honesty, you’re kind of cherishing it, because this is a small piece of Satoru that is really still here in the present times. He always liked soft things and this blanket is soft. The sheets still smell like your ex-husband. The light musk of his skin and his soap is there. The thought of this bed being his is comfortable enough. Like you miss his warmth and touch, you curl up on the mattress, hugging yourself to the scent of him surrounding, and you can almost imagine that he’s holding you right now, like he used to. His detergent is faintly there too, well actually, it’s the same as yours. He asked when you two had split and he was settling into his own place all the household items you used. You supposed that it was all he knew.
You offered to go shop for household things with him and it was probably the last time you two had exchanged any kind of affection. You let him put his hand on your thigh as he drove you two to the supermarket. He let you link your arm with his, sides flush together like you two didn’t just get divorced. It was a silent message of “I miss you,” because it was and—quite frankly, still is—hard to get over someone you loved for so long. Even if he left the marriage long before you did, emotionally and physically. This was something you wanted while you married, for Satoru to present, and in your arms. For him to show you that he cared and loved you. You were even a little upset that was the only time he was doing all of that for you, but you chose not to ruin the moment for the both of you.
Funny how all these memories and things between the two of you are flooding in constantly. It makes you feel kind of sick. Nauseous and unable to breathe. You open your eyes in realization of what you’re doing right now. You sit up immediately, flustered and embarrassed as if Satoru would open the door right now and have that annoying smug grin on his face with his arms crossed, just to say as he leans on the door frame, “I knew you missed me.” Following with your name because he liked your name the best. He always said your name was pretty and he wouldn’t give you a pet name because nothing will ever be as great as calling you by your name. A nice little reminder that Satoru loved your name makes you smile a bit. Weird how all of these just keep piling up. One thought triggers another and it almost makes you itch and feel bad for the way things ended between the two of you. You almost have regrets about—
Whatever, you have a deadline to clean this place up you remind yourself. You spread your palms out on the sheets once more, feeling every thread that Satoru once laid his body on. You should take these for your bed, you think. They’re not so bad, just a plain white sheet, but it reminds you of Satoru’s hair and it would be waste.You lift yourself from the bed and open his closet, not even noticing how you keep having to make excuses for yourself to keep some of his things.
Already feeling overwhelmed because you keep holding back, opening the closet makes you feel like you’re cracking. You let out a suppressed sound. You can’t even register what it sounds like. A squeak or something? But looking at all his clothes almost makes everything so real for you. All his uniform? All his coats and sweaters? Ah, the one from high school. And then you can see all the ones you bought him. Damn, does that really test your strength.
Lined up neatly and nicely put away, it’s almost a shame to you to give these away. Your hand shakes as you hesitantly reach for one of his favorite button ups. Your skin meets the soft fabric and you only lightly touch it because you don’t want to wrinkle it. You remember when you used to iron Satoru’s clothes early in the morning before he woke up. Even until the end of your marriage, you still ironed them.
You look up, reaching for his work uniform. This is what he wore most often, you know that. So you let yourself crumble. Carefully taking off the hanger and sitting on his bed as you hold the shirt close to you. You bring it to your nose, just to smell it. You wish it smelled like Satoru more, but even so, it makes you break down.
Tears prickle at the corners of your eyes as you take another sniff. The thought that Satoru really isn’t here anymore makes your heartbreak. It comes crashing down on you. You really miss him, and you regret that you didn’t spend as much time as you would have liked to with him. You wish you could have had the courage to tell him how much you still cared and loved him. Yes, it might not have been the same kind of love you had for him before, but you did still love him.
You let out a little sob. In frustration and despair, tears flow out as you hold his clothes close to you. The walls of your bruised heart collapses as you hold his clothes so tight as if he was still in them. Well, you really do wish he was. You’re desperate to feel him in your arms physically. Just a moment with him so you could say your last sentiments. Just a moment to see him again. Just a moment to love him.
You’re helpless as your tears flow endlessly onto his shirt. You feel silly, but you just can’t stop. You really miss Satoru, and you have been for so many months now. You stroke the shirt as you would his body, wallowing in the grief you’re supposed to feel, even if the dead man is your ex-husband. You spent so many years loving him, how could you just not feel anything to hear news of his death? How could you not feel any regret or remorse for how messy you left things with him? There’s so many things you want to say to him, and it kills you to know you will never get to say any of it to him.
You wonder if Satoru was still around, would he wrap his arms around you and tell you not to cry? Would he kiss your temple like he always did when you were down? You wish he would just do all of it. You wish you two could have tried harder. Your love for him never burned out, you know that much. It’s the reason why you’re here, alone in his room crying as you hold his clothes dearly to you. And even if you hate to say it, even if you don’t want to admit it, Satoru loved you until the very end too.
“I’m still in love with you y’know…”
“Shut up,” You mutter as you slide the eggs off the pan for the hungry man at the table.
It was the dead hours of the night when he returned from a mission, knocking on your door, telling you that he was hungry and needed a place to crash.You slammed the door on him of course, but he wedged his foot in the gap of the door (no, it didn’t hurt, he’s got magical powers that prevent him from actually getting hurt like damn maniac) and used his own strength against you to push his upper body through the door to beg you to let him stay. It was a mistake on your part, but it actually wasn’t all that terrible that night. You were just bitter.
“My bad,” Satoru said dramatically as he took a bite. “Just thought you missed me. That’s the reason you let me in, right?”
You narrowed your eyes at him, not in the mood for any of his games. His smug grin made everything even worse, because he was right. “Gojo Satoru, wipe that grin off your face.”
“Must have hit a nerve,” He teased like it was still appropriate to do so.
You actually don’t even remember what you said then after that, but you just know… Gojo Satoru has you all figured out yet… he never said anything about it to you. And that was just him. He knew well enough not to break your heart one more time, but he was selfish enough to constantly flirt with you any time he could. If he passed by, or was coming home late from a mission and knocking on your door to remind you that he existed. Not anymore.
After cleaning his apartment, it’s all empty now. Which is a little strange. You’ve never even been to his place until after he died, and yet… it makes your stomach turn and feel upset after realizing that this place is no longer where your ex-lover resides. You understand that he’s no longer occupying it. There’s no point in keeping it for him. But maybe because you don’t think it through while you’re still in the grieving process. You don’t think about Gojo Satoru being dead because you don’t want to. It makes your heart squeeze and your breath stop. You can’t face the fact that he no longer exists and you can no longer see him anymore. You just can’t, so you wonder: where will his home be? Who's going to take care of him? Where is he going to go to shelter himself from the rain or snow? Where is he going to sleep? Where can he feel safe and secure?
You sigh, rubbing your eyes. You really need to get some proper rest. You feel yourself withering in the bitter feelings you still have toward Satoru, but also the dangerous sorrow that’s sinking your whole body down. You can’t believe that you really miss Gojo Satoru after all this time hating him and wishing you two had never met when he was here and alive, waiting for you to just cave into what your heart wanted. Truth is though, you never would. You were too strong for that.
Finally, you pack up the final things, leaving absolutely nothing behind. Satoru isn’t here anymore, and it looks exactly like that. This little corner of the world isn’t his anymore, and you’d like to say that it never was because he didn’t spend much of his time in this place. It’s just sad to see it all gone, stripped to the bare white box it actually is without the fun of your late ex-husband. You shut the door, leaving this place behind and bringing this part of Satoru with you, maybe the only part of Satoru that is still worldly and able for you to have in your grasp. You leave the key to his apartment on the landlord’s desk and leave with the rest of Satoru’s things in your arms, all thrown in the cardboard box labeled “Satoru” in your handwriting with a permanent marker. Silly of you to not even realize it, Gojo Satoru’s home is not a place, it’s you.
The end of it was the funeral process. Which was much more work than cleaning his apartment. You wish somebody was worried about your well-being, but that somebody, the most likely candidate, was dead. Satoru would have told you to chill out a bit and ask you to wind down with him, but this is his funeral, he can’t really do that now, can he? But you don’t want to seem like you’re so reliant on him. You’ve done plenty of things without him, and this will be no exception. He just… sort of made the process easier and bearable. You’re on your 10th phone call with the carpenters of the coffin when you really wish you didn’t take on the task of carrying out Satoru’s dying wishes. He didn’t even have many, because he was so sure he wasn’t going to die so soon.
Through it all, you hold yourself together quite elegantly. Even through the eulogy. No one would even guess the mental strain you put yourself through to make this all happen. All the floral arrangements are beautiful, Satoru’s corpse is dressed nicely—though you grace him with a closed casket funeral because you were sure that he did not want anyone to see him so vulnerably lifeless and you simply could not handle the sight of his stale and unresponsive body. But everyone could indeed tell, Gojo Satoru was loved. They could understand your love for the man. You wouldn’t have done it if you didn’t love him. But you just deny it.
His guest list was quite large. Some people you didn't even know, and you were sure he did not want that. But the higher ups had their own agenda too, and you had to make compromises though you stood your ground quite well for the sake of your late ex-husband's well being in the afterlife. You wonder, would Satoru love you for eternity for loving and caring for him unconditionally and so thoroughly? When you eventually join him, will he thank you for so meticulously planning and giving him a proper send off? You hope so. You hope that he will continue to love you in the next lifetime, and in that lifetime, you two will be happily together. Not miserably apart like you are now.
Maybe the only time anyone can see you break is when the casket is lowered and this is the last time that you’ll ever see Satoru’s face again, except you don’t. His casket is closed and covered with all the flowers you bought to send him off beautifully. There’s a complex look on your face, and no one could quite read it, but it was clear that there was a storm going on inside of you, stirring and rumbling. Your eyebrows knitted together and your eyes glossy with a down turn of your lips. You’re just keeping yourself together for Satoru. You need to.
The only time you get to break down about it is when you get home from the long day. Crumbling down your door, as you miserably sob. How could the world be so possibly cruel that you had to bury the last man you loved for the past ten years? It never gave you time to move on. You weren’t ready to let go just yet and be content with the distance. Sure, you asked for it when he was still tangible, but now he was untouchable, not existing, and it felt so painful. You curl up in a ball, on the bed you used to share with him. The bed you two used to gossip on and the bed where you simply just held him to sleep on your good days. The bed that you laid alone for most nights wishing he’d come to hold you and not be too tired for you. All the bad and good memories come to make you think of one thing; you wish Satoru was here right now.
You lay there, contemplating if you just want to stay there for the whole week or get up and cook yourself something. You haven’t been eating with how hectic it’s been to take care of Satoru’s send off. You sigh, closing your eyes. Sleep sounds like the best thing to you at the moment. You were drained and exhausted from preserving the life of Gojo Satoru as well as commemorating it. You needed that rest.
When you drift into sleep, you kind of hope that Satoru is there for you, waiting in a field of beautiful flowers like he came to visit you in a dream. Even if it’s just your imagination. You’d like to think that he cared enough that he left you alone to deal with all of the things he left behind. He doesn’t though, because you don’t dream. You just black out and you wonder if you’ll ever dream again. But maybe you’re just being dramatic because you miss your ex-husband so much. You blink the tears out from your eyes, wiping them before getting up and pulling yourself together. You can be sad, but not miserable. You were never the type to just crumble, however, even this shook you down to the very ground and yes, it is hard to get back up. But everything with Satoru was hard, and this was no different. You should have been used to this.
Eventually, you do get yourself together. Sad, but you’re functioning. You go back to work and you continue with your daily life. Satoru’s never really been a part of your daily routine after the 3rd year of being married to him. It was no different not seeing him at all, but it was just the fact that he truly wasn't there anymore. If you were to call his cell, it would just ring on your dresser in your room and go to voicemail. Sometimes, you wait for the voicemail just to hear his voice, but most times you stay away from his contact. You’re recovering, just slowly.
People at work send their condolences, just like they did when they found out you divorced Gojo Satoru. They give you a pitiful look and tell you to be strong, but when they think you’re not listening they bash Satoru for passing and still putting the responsibility of carrying his will out on his ex wife—you. You don’t defend him nor does what they say settle well with you. They’re right, of course. Gojo Satoru has always been selfish, up until his last breath, but you just can’t seem to feel validated when you’re the one who buried Gojo Satoru. He was once your whole world, how could you just completely numb yourself to the pain of losing your connection with him, absolutely and completely?
Apparently, you’re the only person on his will too. You inherit everything of his one day, and it’s kind of overwhelming. All of his money is transferred to your bank account, all his belongings, everything is yours. You don’t even know what to do with most of it. You don’t even want to look and use anything of his. So you store most of his things in a box and label it “Satoru,” along with the other things that you took from his apartment, and you make an account to store all his money in, for what? You don’t know, just something.
When you're older, you’ll come to realize that you made Satoru a loved person until the very end, and that you were perhaps the only person that he still had love for, even if you weren’t his wife anymore. This is why Satoru loved you so much, and yes, he got very lucky with you, you will give yourself that. But you also won’t feel so bitter about having to be the person to handle his departure because you made sure to do just the way he wanted it, by you. for now, you’ll miss him lots and bring him flowers whenever the time comes. You won’t call him your ex-husband, but your late-husband. You keep some of his clothes to wear like you used to. You still sleep on your side of the bed, leaving the space Satoru used to fill empty for him. Life goes on the way it used to.
#gojo satoru#gojo x reader#jjk gojo#jujutsu gojo#gojou satoru x reader#gojo x you#gojo#satorugojo#jjk satoru#jujutsu kaisen satoru#jujutsu kaisen#jjk#jjk x reader#jjk x you#jjk fanfic#gojo fanfic#gojo angst#jjk angst#jjk fluff#satoru x reader#satoru x you
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Winter's King 15
No tag lists. Do not send asks or DMs about updates. Review my pinned post for guidelines, masterlist, etc.
Warnings: this fic will include dark content such as noncon/dubcon, cheating, violence, and possible untagged elements. My warnings are not exhaustive, enter at your own risk.
This is a dark!fic and explicit. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.
Summary: You are a maid to the Duke of Debray, a lord of the Summer Kingdom. That is, until the king of Winter appears with his particular air of coldness. (Medieval AU)
Characters: Geralt of Rivia
Note: One more day and I'm a homeowner
As per usual, I humbly request your thoughts! Reblogs are always appreciated and welcomed, not only do I see them easier but it lets other people see my work. I will do my best to answer all I can. I’m trying to get better at keeping up so thanks everyone for staying with me.
Your feedback will help in this and future works (and WiPs, I haven’t forgotten those!) Please do not just put ‘more’. I will block you.
I love you all immensely. Take care. 💖
You slow to a crawl amid the retinue of carts and horses. The sun beams down relentlessly on the summer fields. As you laze in a sheen of sweat, Bryce works to tie a swath of linen over the cart in a makeshift canopy. You thank him for his effort, his own brow slick with sweat as he tugs at his mail.
“I admit my winter’s hide is not made well for this sun,” he utters as he reaches to pet Daisy, the loyal steed tied to his new one as he rides in step with her. “Let’s hope we might reach the tundra in due time.”
“Mm, it is rather hot,” you murmur, exhausted from the endless blaze. It’s three days thus far and many more ahead of you.
“Little maid, cannot complain even when you should,” he tuts.
The cart rolls on, rocking your body as the hooves clomp down on dusty grass. As the train passes over the lands, they leave a trodden path in their stead. The progress is steady but sluggish.
The wheels creak and lurch to a halt as Bryce reins in both horses. You sit up and peer ahead, unable to see more than horse tails and overloaded carts, the helms of soldiers shining under the sun. The knight on his dark steed sits up straighter, alert as he leans forward.
“Eh, maid, keep watch on the mare,” he tosses the reins at you as the royal party comes to a halt.
His horse kicks up dirty as he gallops around the edge of the train. You watch him bend over the beast’s long neck and hurdle ahead of the clog of vehicles and bodies. Something is amiss.
You wait, nervous, as other servants cluster together and wonder aloud. Soldiers mill up and down the winding retinue, themselves sharing no more than looks. You climb out of the cart and walk on your cramped legs. You stroke Daisy’s head as she huffs through her nostrils and nuzzles your shoulder.
“I don’t know either,” you tell her softly.
The pause stretches on and Bryce returns, his horse in a lather. He swings off and lands solidly on his feet. He looks between you and the grey mare.
“Some hold-up, nothing to worry for,” he explains, “enough time to find some water for these beasts.”
He takes Daisy’s reins and hands them to you, “come, there is a river near. I can smell it.”
You peek ahead and squint. You don’t know that you believe it is nothing though you can’t find a reason to argue. You nod and tug on Daisy’s bit.
The soldier leads you across the grass, well away from the front of the train. Others disperse to sit in the meadow and chew on their rations. You continue into the trees and the trickle of the promised water has Bryce proudly exclaiming. He weaves his way around the trunks to come upon the bank, putting his dark brown horse to drink. As the larger stallion laps noisily, Daisy lowers her head and patiently gulps up the ripples.
“Where did you find Chestnut?” you ask. “He must be a castle horse.”
“Aye, he was locked away in some stall. They said he is vicious. Due to be horse pie.”
“Horse pie? But he is fast.”
“They did not lie. He likes to nip,” Bryce warns as you step between the horse, “watch your fingers, mouse.”
“Perhaps he only did not like being locked up,” you suggest and gently touch the horse’s long mane, working out a tangle in the hair. He doesn’t seem to notice.
“Chestnut?” Bryce says, “you’ve given him a name of your own.”
“You didn’t say if he had one,” you brush your hand over the fine short hairs along the horse’s shoulder. “I thought it suited him.”
“Mm, I might call his Hellion but Chestnut is kinder, I s’pose.”
You chuckle. The horse lifts its head and you near the river’s edge. It turns to sniff you and Bryce reaches for your arm. The horse drips water onto you as it sniffs your neck. It lifts its lip, showing its square teeth, then touches its nose to yours, turning back to the water to nicker.
“Mm, you do have a way of taming the wildest creatures, eh,” he muses as he lets you go. “Come, I saw some berries back in the bush.”
You leave the horses near the water and follow the soldier between the trees. As he squats to pluck out dark blackberries, you sway on your feet and glance back toward the road.
“Why have we stopped, sir?” You ask.
“Told ya, no matter to worry for,” he stands and offers you a handful, “be thankful for it. We’ve found a nice horde and it will do ya good to be out of the sun. And to eat.”
You accept the bounty and frown. You know he isn’t telling you all but you know he wouldn’t do so without reason. You stand and pick at the berries, biting in hungrily as the juices coat your mouth. The soldier eats as he picks, plucking a few into his purse as well.
“How do ya like squirrel meat?” He stands again, “I could find us a morsel for the evening fire. Perhaps a hare if I can.”
“If you like, sir,” you accept. You chew your lip and search the trees. “Is there truly nothing wrong?”
“I told ya not to worry,” he growls. “So don’t trouble yerself.”
He beckons you back towards the river. You follow, not asking any more questions. It’s expected that the road won’t be easy, something just feels awry.
⚔️
The party makes camp at the point of the delay. You return to the road as Bryce grumbles about the evening warmth. The dry heat lingers in the air even as the sun begins its descent.
“Come, you will need look in on the queen, I’m certain,” he ties the horses to the cart and urges you along.
You notice less soldiers as you stride through the train. It’s not so crowded as before. The missing bodies add to your uneasiness. Still, the queen’s tent has been erected and guards keep vigil right outside. You enter and find her alone. She has a veil over her hair as she taps the brim of a cup with her fingernail.
“Alas, a maid!” She snaps as she sees you, “I’ve been calling for wine all night and those damned soldiers only bring me water.”
“Your highness,” you back out of the tent. The soldiers do not move.
You go to the luggage and search for a bottle. You grab one and return to the tent. The soldier at your right extends his arm before you can enter.
“No wine,” he snatches the bottle, “king’s orders.”
You blanch and look ahead at the silken flap. You nod and thank the soldier as he keeps the wine under his arm. You blow out between your breath and once more push through the draped fabric.
“Your highness, there is to be no wine. The king has commanded it,” you say meekly.
“Pardon me? Who are you to refuse me?” She stands and snarls. “My head is on fire, I need wine.”
“Yes, your highness, but the king--”
“I am the queen. My order is a good as his. Bring me wine. Now. You little twit.”
You stare at her unmoving.
“They won’t allow it, your highness--”
A flurry of veil and skirts rushes towards you. Before you can react, a scalding heat radiates over your cheek, the force behind the queen’s slap rattling your head. You stagger back and clutch your head between your hands.
“You stupid girl! I am the queen! You are a dumb maid!” She strikes you again, her hand glancing off your forearm, “stupid stupid twit!”
She continues to hammer you with blows, closing her fists as she hits your shoulders and stomach. You shrink down, curling into yourself as you keep your head shielded. She huffs, tired from her assault, and twirls away.
“I don’t want to see you unless you have a bottle in hand,” she snarls and kicks over the stool. “Go before I have you gutted.”
You wine and stand straight, lip quivering. You turn and hold your left shoulder as it thrums. You step into the night air, aware that the soldiers could no doubt hear the queen’s fit. They say nothing and you don’t either.
You continue through the train of bodies. You feel your cheek pulsing and your brow swelling. You keep your head down and as you reach the cart, you relieved to find it alone but for the two dozing horses. You climb up and turn towards the wooden wall, hiding against it as you hug the cushion.
It isn’t so different from Debray, only that you don’t have Merinda to hold you, to share in your pain. You always preferred that it was you who faced the rather of the ladies. You only hope Lady Rezlyn isn’t issuing the same displeasure upon your companion.
⚔️
The morning comes with the tweeting of birds and a distant rumble. You sit up and look towards the sky. There are no clouds to forewarn a storm. You stare into the horizon where the thunderous noise rolls over the plains.
You see the figures on their approach. Men on horses. As soldiers rush to confront them, their alarm is eased by the wave of a familiar banner. It is the king and his party.
Bryce grumbles as Daisy sniffs him and the coughs into his hand. He shakes his head as you lean out of the cart, watching the specks on the tapestry of green grass. You gasp as you feel him grip your wrist.
“Eh, mouse, what’s happened to ya?” He demands as he pulls your attention back from the distance.
You look at him and the tenderness in your cheek reminds you of the queen’s wrath. You wiggle free of his grasp and sit back against the side of the wagon. You shake your head.
“I went to... the bushes to relieve myself, sir. I tripped.”
He squints at you, his square jaw gritting. He stares daggers at you. You’re not a good liar but you can’t tell him the truth.
“Tripped?” He echoes as his thick brows furrow.
“Yes, sir, it was dark,” you say. “I’ll be alright.”
“Mm, you look as if you were caught by a bear.”
“Really, sir, I am well,” you put your head down.
He growls under his breath and turns away. He fiddles around with his saddle bag before he returns to the cart. He reaches over the top, holding a folded cloth with an acrid smell roiling off of it.
“Put it on ya face,” he demands. “It’ll soothe ya, make you a little less puffy.”
“Thank you, sir.”
“You don’t go trippin’ no more. If ya do, ya let me know,” he scowls.
You nod, sinking into a tense silence. You both know it’s a lie but neither of you will admit it. You put the cloth to your cheek and exhale. It cools your skin though the smell burns your nose.
⚔️
That night you don’t return to the queen’s tent. Bryce claims there’s no need for it. She needs her sleep, as do you. It’s another lie you won’t call out.
Several days pass in the cart. Short nights followed by sweltering days. It’s as if there is no end to the road or the heat.
You sit on your knees, looking ahead as Bryce chews sweet leaves and spits onto the ground. Daisy’s tail sweeps behind her as she keeps a steady trot. You watch the progress with impatience, each moment feeling more and more trapped in the cart.
“...down in Debray...” you hear a voice drift back.
“...don’t like traitors, suppose...” another returns and you search over the carts to try to place the speakers.
“Careful, mouse,” Bryce warns, “you’ll fall under the wheels.
You sit back and face him, holding onto the side of the cart, “sir, what happened?”
“What do ya mean? We’ve been riding,” he sniffs.
“No, days ago, when we stopped. Something... in Debray?”
He grimaces and spits out the leaves completely. He shakes his head, clearing his throat.
“Nothing a maid needs worry about,” he girds.
“I know, sir, my apologies. I’m only curious...” you hang your head, “I... I was raised there, is all.”
He hums and rocks with the motion of Chestnut’s steps, “skirmish up a ways. Party on their way to the castle. Certainly, you know your former master’s deceit has bought him little good will.”
“A skirmish?”
“Ah, so it was, but nothing very dire. The king returned in good spirits, that rat lord—the duke with him,” Bryce explains, “course, it only suits that the lord should see to the defence of his own castle.” He chortles, “shouldn’t tell ya, maid, so ya keeps your lips sealed, but the duke meant to hide in the queen’s tent.” He shakes his head and sighs, “in the Hinterlands, them sortsa lords aren’t lords for long.”
“Mm,” you purse your lips thoughtfully, “but... but the duke, he helped end the war.”
“By betraying his kingdom. We didn’t come to conquer; we came to unite. Turns out, there’s more fractures than those between winter and summer. Shoulda know by Yellow Waleran’s deeds.”
“Yellow?” You wonder.
“Mouse, it is a lot you needn’t worry for. All I can say is a king isn’t much of one if he don’t keep his word,” he sighs, “any lord or man lacks substance if he melts like ice.”
You look down and watch Chestnut’s legs. You slant your lips.
“King Geralt, did he have some agreement with Waleran then?”
Bryce snorts, “too clever. Promises. Broken promises. Deadly things.”
You nod and hold your chin, “and King Geralt, he is a good king?”
“Do you not know by now?” He asks with a smirk, “he is a man who keeps his word. A man who fights for his people, not for gold and a name. No good winter lord would kneel to a man built on coin. Blood, that buys crowns. It buys loyalty.”
You lower yourself onto your bottom and draw your knees up, “for his people?”
“You heard him say it, you summer’s blood are one with us now. Once he has his heir, it will all be set in flesh. A prince to join the realm,” Bryce says, “let us hope he comes soon. The king’s done his part, he’s fought his battles, now it is up to your queen to claim her victory.”
#winter's king#geralt of rivia#dark geralt#dark!geralt#geralt of rivia x reader#fic#dark fic#dark!fic#series#au#medieval au#the witcher
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hey quick question does this mean dnp have been each other’s strongest and sometimes only support system and safe space for nearly 15 years and built their custom forever home and got matching mugs and have a framed photo of their ff characters in the office and watch every movie together and get cuddles whenever they want and share clothes and speak what is essentially their own made up language and look at each other Like That and built their whole lives around how much they love each other and found a way to do so publicly without destroying themselves?
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Seeing the Lockwood and Co. and Dead Boy Detectives discourse as someone who loves both shows is absolutely wild.
While yeah, both shows are ghost based and have a trio of two boys and a girl, I really think that’s where the similarities of the two shows end.
Lockwood and Co is a show centered on ghost hunting, and has two very clearly separate arcs (which is, of course, the first two books of the series).
Dead Boy Detectives is formatted more as a “monster/case of the week” show, with each episode having its own case (though they are often connected and certain cases come back to help them later). Two of our main characters are ghosts themselves, and they’re not ghost hunting unless you’re talking about when they literally go looking for (what they thought was) a missing ghost.
I think it’s totally fair to be upset with Netflix about Lockwood and Co’s cancellation (I know I still am), but I don’t think it’s fair to say they’re the same show or that Lockwood and Co definitely got cancelled for Dead Boy Detectives. They’re both great shows and deserve to stand on their own merits.
#dead boy detectives#charles rowland#edwin payne#the sandman#lockwood and co#anthony lockwood#lucy carlyle
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FINALS!!!!!!!!!!!!!
Propaganda Under the Cut:
Ponyo:
determined 5yo girls are more powerful than god
PONYO!!!!
As a child i did not even realize this was a little merm adaptation, but it really reads. She is sooo strange and other worldly and the movie absolutely captures that dreamlike fairy tale vibe
Ponyo a roughly five-year-old magical goldfish who can transform into a frog-type thing and a human girl. She's the eldest daughter of the literal goddess of the sea and a former human sailor given immortality. She falls in love with the five-year-old boy who cares for her and is thrilled to explore his ordinary yet magical world. She's bouncy, exuberant, and joyful. She loves ham. She doesn't have to give up her voice.
ponyo ponyo ponyo little fishie in the sea!
Little fishy
THEY LOVE HAM
Bug:
Their a bug that falls in love with a human they rescue and becomes human, but even when they don't get to keep their human body, they still get to be with their love. It's a sci-fi fairytale musical.
Little Mermaid meets Starship Troopers musical starring awesome puppets and the most trans coded main character ever. Please. Please vote Bug Starship I love him. Go watch Kick it Up a Notch from Starship. Go watch Status Quo from Starship. You will understand.
He's a bug and he lives in space on a bug planet but he really wants to be a starship ranger which you can only be if you are a human and then one day a spaceship lands on his planet and so he goes to an evil bug called Pincer who then helps him become a human. And Bug falls in love with a human on the spaceship and it's very sweet. The musical and storyline are based on the little mermaid story, the creators themselves called it "the little mermaid but in space". Bug wanting to be a human/a starship ranger and achieving that and falling in love with a human is very much like the little mermaid
Starship is a musical that can only be described as The Little Mermaid meets Starship Troopers. It follows Bug, an alien bug who dreams of being a Starship Ranger, a galactic explorer/soldier, but the rigid confines of bug society keeps him trapped in a job he hates. He reaches a Starship Ranger named February from the hive and immediately falls in love with her. In order to be with her and pursue his dream, he makes a deal with a giant scorpion named Pincer who through sci-fi bs gives him a human body. Near the end of the second act he sacrifices his human body and returns to his bug body, and saves the day and wins February's heart. It's truly the ultimate Little Mermaid. He has multiple songs, and his bug body is portrayed by a puppet!! Vote for Bug!!
“It's a big, big, universe So many dimensions And unanswered questions Not to mention Life What an invention Life There's no choice involved in what you are given One mind, one voice, one body to live in It's a short, small thing we lead With so much potential Pointless or essential Which one can I be? Where do I fit? Where do I stand? Who are they to say what I am? And how can I stay inside this awful world I know? I need a way out I need an escape I'd rather be dead than to live in this place I wish that something or someone could just take it all away Someone take me away” dear god….. can anybody hear me…. (song from starship)
They are the purest little mermaid adaptation done in the most unuque way. An alien insect gets turned into a human, a race he has always loved and admired, to be with the woman he fell in love with. Also just a great musical.
Bug's whole arc is so so in tune with that of the little mermaid. He is an alien who has fallen in love with humanity through a crashed spaceship and trades his place in the hive for a chance to be with both with the human he's falling for and to be a Starship Ranger. He body swaps with human in a cryogenic pod! It's literally sci-fi Little Mermaid!
Don't stick to the status quo and pick the fairy tale!! it's what HE would want!!!
#ponyo#studio ghibli#bug#starship#team starkid#starship by team starkid#the little mermaid#little mermaid#poll tournament#poll bracket#character polls#polls#fairytale#fairy tale#tournament finals#finals#round 6#the little merpoll
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PAC: Your Next Romantic Relationship
This reading includes:
the person you'll be dating next
The extended reading includes:
when and how you'll meet this person
what the relationship will be like
any 18+ messages
Disclaimer: this is just for entertainment purposes, and as a pick-a-card reading it may not resonate for everyone. Also, this content is 18+ only!
TIPS | BOOK A READING WITH ME | PATREON | LINKTREE | SUGGEST A PAC TOPIC
Pile 1
Who are you dating next
Eight of Cups, Moon, Tarragon - Regeneration
The first thing I'm getting for this person is that they could be a scientist or work in research, maybe even as a teacher. They seem like really deep thinkers and people who are very well-read or that tend to read a lot. Besides spending a lot of time and energy on their work - that seems to be their passion - they also look like they really enjoy traveling. Some of them may have to travel for work (and now I'm seeing that some are archeologists or something like that), but most seem to travel for pleasure. No matter what your next person is someone who has travelled a lot and has seen a lot of the world - and even if they haven't travelled "that much" it could be that you haven't travelled much at all so that's why it seems so much.
Your person is also a very deep thinker. I'm getting something very specific about them which is that they like to get to the depth of any subject. Let's say that you're talking about your favourite dishes, your person wants to get to the bottom of the subject, they want to analyze why you love those dishes, the memories you have of them, how hard or easy they are to cook, then they may get into the culinary arts in general or the history of food or something like that. Do you know what I mean? Once you start talking about something with them it's like they unravel the subject as if it were a ball of yarn.
Your person seems to be an introvert. They don't really like crowds and tend not to go out or party too much, they prefer to keep to their friend group or to small groups in general. I feel that this is also related to how much and how deeply they like to talk, it's better suited for smaller groups. For some of you it might also surprise you that this person is more spiritual than you thought. They might not practice anything in particular (including religion), but they very much believe in something bigger than them and are very open to the spiritual side of things. This is also someone who has been through a lot and has had to reinvent themselves multiple times. I feel like your person is very wise and has a lot of life experience specifically because of this - they've just been through so much shit that would have broken down any other person.
When it comes to their appearance I'm seeing pale skin - and depending on skin tone you can even see their veins - and dark hair. Mostly black and brown hair, but I'm also seeing red (dyed I think). In general, they seem to be taller and leaner. Even for the men they don't like they are very muscled. I'm also seeing that some of them have dark circles under their eyes. So what I just heard was that they "look a bit like a fucked up Tim Burton character come to life" lol. I do think that they are good-looking but in that Timothée Chalamet type of way. Also, I think that your person has huge eyes!
check out the extended reading on patreon
Pile 2
Who are you dating next
Three of Wands, Strength, Marigold - Positivity
The first thing I'm seeing for this pile is tanned skin and defined muscles. Your person looks like they spend the whole day under the sun. I'm literally seeing them wet as if they had just come out of water. An interesting detail I just got is that they have body hair, especially for the men they seem to have hair on their chest and tights. I feel like for most of you this person has really dark eyes, the lightest color I can see here is a darker shade of hazel eyes. No matter what they have warm and very expressive eyes. It's the type of eyes that you feel safe just looking at them, honestly.
Speaking of warmth and safety I think that your person just radiates those vibes, especially if they're a man. They seem/are someone who's reliable and handy, basically someone who you can call at any time of day or night and you know that they'll find some way to help you. They also seem the type of person who really cares about the safety of your friends, not just yours. This is very specific to some of you, it doesn't really apply to everyone, but your person also has a bit of a himbo energy. Like they have a really good heart, very good looking and strong looking too, but not much going on in their pretty head. But, again, this is just for some of you! For most of you this is someone who is pretty smart and very aware of the current political/social climate.
One of the main things I'm seeing is that your person is very hopeful and definitely an optimist. They try to cheer you up whenever they feel like you're feeling down or when you need just an extra push of motivation. The thing that keeps coming up though is that isn't just for you it's for your friends, their friends, the people around you two. It makes me think of those guys who only want to buy a drink to the girl they're interested in instead of the whole group and it's the polar opposite of that. If you're hanging out with your person and your friends, your person will make sure to treat your friends well and make them feel welcomed.
For some reason I feel like your person might be a firefighter or EMT, I'm not sure why, but it seems like more of a physical/manual type of work. This person doesn't look like they're sitting behind a desk the whole day. They might work the night shift too. No matter what they do, their work is a source of satisfaction for them and their "way to contribute to society" so it's important that their work aligns with their values. This person has a bleeding heart and they're always trying to help whenever they can. They might do volunteer work or community work of some kind, but this is someone who really cares about their community and the world around them. A bit random, but your person might cry very easily, just like watching a commercial or something like that. It seems that they are very emotional. A bit like pile 1 in that sense, but I also feel that your person has been through a lot and that's exactly what made them kinder and made them worry more about the people around them. Very, very specific but I think that hunger and poverty is something that really "hurts" them if that makes sense. It would be the thing that they would just erase if they could.
check out the extended reading on patreon
Pile 3
Who are you dating next
Sun, World, Sweet corn - Ritual
Okay, the first thing I'm seeing is that your person loves eating and cooking and feeding people to be honest. They see meals almost as a sacred ritual that helps to create stronger bonds with other people. I feel like they're really good cooks, especially because they have a good palate. Your person also seems like the type of person that is really close to their family, like calling/texting them every day, sharing a meal together every weekend, that kind of stuff.
This person might have OCD or something like that, but their daily rituals seem very important to them. They are someone who loves routine and feel a bit anxious when things don't go as they had planned. Honestly, that seems to be the biggest issue for them they get really disappointed/annoyed when they plan something and it doesn't happen, even in simple things. Let's say that you two plan to go watch a movie and eat popcorn, but when you get there there ins't popcorn. Well your person is devastated. It's only for a couple of moments, but yeah it really hits them strong.
With the Sun and the World though, this is a very successful and hard-working person, but also someone who is very happy go lucky. Like they genuinely believe that life is beautiful and a miracle and they will romanticize even the smallest things. They seem like the type of person who will just tell you "it's going to be fine" even in the face of something absolutely tragic and that couldn't possibly "be fine" (somehow they may end up being right though).
They seem to have a very child-like and radiant personality too if that makes sense. In a way it's because they really attract other people's attention just for being themselves, but also because they just seem so genuinely happy and joyful. When they laugh it makes other people want to laugh as well. You may get an instinct to protect them at times, because it seems that they are too innocent for this harsh world. They're definitely dreamers and they think that even the smallest action can change the world. They have strong beliefs about what they think is wrong with the world and what should be changed.
When it comes to appearance I'm seeing blonde or light brown hair, maybe even some ginger here too or maybe a brass tone. In general, I'm seeing really long hair, especially for the women, and mostly wavy or curly. Although I think that the shorter your person's hair is the curlier it is. For their eyes I also lighter eyes here, even the brown eyes are more of a honey shade. The most striking thing though is that your person - no matter what they look like - is very beautiful. They get other people's attention precisely because of how physically striking they are. I feel like they tend to be very symmetrical and their bodies are very good looking too. It seems that they tend to be taller and curvier, both men and women.
check out the extended reading on patreon
Pile 4
Who are you dating next
Two of Wands, Ten of Wands, Peppermint - Success
While doing the reading for this pile "Ocean Eyes" suddenly came up so I really feel like your person is probably going to have blue or green eyes, maybe even hazel too. I also feel like their eyes have this very emotional quality to them, it's like you could get lost them in them because they're so expressive. Honestly, I get a very big Ian Somerhalder vibe here like with the dark hair and very light eyes and that contrast. I think that in general your person is a person of contrasts, of light and dark and even contradictions.
Do you know that Walt Whitman's poem "Do I contradict myself? / Very well then I contradict myself / (I am large I contain multitudes)"? I think that they really embody these lines. I'm also getting Fernando Pessoa's "I am nothing. / I shall never be anything. / I cannot even wish to be anything. / Apart from this, I have within me all the dreams in the world." Your person is very, very poetic pile 4. Maybe they're into literature (especially the classics) or they really love reading/writing poetry. This person is very deep, but again, filled with contradictions. They are hard to understand because they seem to be many things all at once. It's a very Gemini energy to be honest.
Apart from this your person is also very successful. They may come from money or they worked really hard until they got to where they are. No matter what though they dedicate a lot of their time to their work, to the point that they can't even rest properly because they can't take their mind off work. Some of them might also have some personal project or a business that they feel very passionate about and are just waiting for the right time to "launch" it. They're someone who makes a lot of plans, but not like in pile 3, more in the sense of making a plan to break down the steps that they need to take. This is for organization not control, if that makes sense. They also seem to really enjoy traveling, but either don't have much time for it or they end up getting tired in the middle of their trip. They feel like the type of person who has wanderlust, but also gets homesick easily.
They are introverts for sure, and although this doesn't mean that they're antisocial it really does feel like they spend more time at home or by themselves. To me this feels more like they never really get the company that they crave. They really need mental stimulation, and the people around them can't really offer them that. Something that's coming up is that they might struggle with the little demon and angel on their shoulders sometimes. I feel like the little devil sometimes really wants them to cause some mischief or chaos and they try to control this. Honestly, what I'm getting from this is that they may annoy you on purpose, for their own amusement. I don't think that this is toxic, it's more meaningless stuff that will make you laugh rather than really annoy you.
What I can tell you pile 4 is that your person is very, very unique. I think you'll know it's them as soon as you meet them because you'll think that you've never met someone like this.
check out the extended reading on patreon
#tarot#pac reading#pick a card#tarot reading#pac#pick a pile#next relationship tarot#love tarot reading#love pick a card reading
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happy xb monday!
hey guys, look, it's an autoportret!
#love to think from time to time about how certain characters would draw themselves #xbcrafted#xb monday :d#hermitcraft#hermitcraft fanart#my art ꮚꆤꈊꆤꮚ
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Omfgg do you think about how Buck and Eddie could get together and they're happy and giddy and they think they're gonna tell Chris first but then he just shuts down. Chris shuts down and says absolutely not and neither of them know what it's about because he won't SAY anything but Buck cannot handle hurting this kid so he tells Eddie they'll be fine but he should leave. And things are angst for a few days but then one day someone knocks on Buck's door and it's Chris. He hasn't told Eddie he was there, just like once before. Buck isn't going to push him so they just sit and it's quiet before Chris asks Buck if he loves him. Him not Eddie. Of course Buck loves Chris, he's not sure where this is coming from but then Chris says that his mom loved him too. Shannon loved him too but she loved Eddie first and when Eddie left, Chris wasn't enough to make her stay. When Ana and Eddie broke up, she didn't stay in touch with Chris. Because they all loved Eddie first. And Buck just has to sit there trying not to cry but then calls Eddie and tells him to come but also bring the Will. When Eddie is there, they tell Chris about the Will. They tell him about Buck being Chris' legal guardian no matter the circumstance. And Buck tells him that he loved Chris first, that he understood Eddie through Chris. That Chris had a right to Buck with or without Eddie dating Buck and Buck had legally bound himself to being there for him. And that Eddie did this because Buck has always loved Chris first. Things get resolved and Chris finally has concrete proof of what he will always have. His dad yes but also his Buck.
honestly anon i think about this all the time because it's like the most likely first conflict for them to introduce as buddie. the do we keep it a secret do we tell people stuff is interesting but honestly it's this that will probably be their first hurdle as a couple. because to use a tim minear buzz word it's the most authentic truthful story they could tell. like christopher's abandonment issues have been a huge part of his character right from season 2 and have only gotten worse as he's grown up but buck has been a fixture in his life this whole time and suddenly EVERYTHING is changing. it's going to be terrifying. and of course buck and eddie will gracefully bow out for the sake of their son - although i think not without having some very honest conversations first but gut reactions etc etc.
as for your scene specs well this is just CRUEL. anon hate is getting so intricate these days (/j). chris running to buck a la breaking point and asking if he loves him because everyone loved eddie first. why would you phrase it like that jesus? but yeah fuck. and buck reassuring him so completely that he may have met eddie first but he fell in love with chris long before he realised he was in love with eddie. reassuring him that yes they're a family unit the three of them, but the two of them will always exist as something unique themselves no matter what. fuck. fuck fuck fuck.
#sami answers#i can see how all three of them would act this storyline and it's DEVASTATING me#them going from all giddy to immediately heartbroken and aching around each other#FUCK#buddie#evan buckley#eddie diaz#buck x eddie#christopher diaz#buckley diaz family#buck and christopher
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♡ good one | thomas hewitt x reader
♡ fandoms; Texas Chainsaw Massacre (2003 + 2006)
♡ characters; Thomas Brown Hewitt
♡ reader; gender neutral
♡ cw; references to extreme violence, stockholm syndrome i suppose?, kidnapping
♡ notes; this was literally supposed to be porn but instead here’s some weird sappy stuff lol
anyways hopefully more fics soon, writers block and rehearsals have been a bitch and a half
•┈••✦ ❤ ✦••┈•
It was a wonder you were still alive. That’s what you thought about, sitting and fidgeting in the strange bedroom with your ankle shackled. Was shackled the right word if it was tied with rope? Whatever. It didn’t matter. You were fairly certain you’d fall prey to the crazy folks running around the place soon enough. The group you’d hitched a ride with was already long gone- one you’d watched get shot point blank by the bullshit sheriff. The others….well, you heard the chainsaw and the screaming. It was an easy conclusion to come to, especially after you saw the bloody smears on the hardwood downstairs.
You weren’t sure why you hadn’t been hacked into bits yet. You’d been indistinguishable from the others- just another wandering twenty-something with tight clothes and next to no money. The only thing you could think of was that gas station. Your companions had been such dicks to the lady at the counter- of course you apologized to her. She’d been just as kind in return, she even snuck a candy into your bag of sodas and snacks. She was the one who’d sent you that way, towards the farm house.
You stilled, train of thought lost as you heard footsteps. Heavy and slow- they were somehow more intimidating than any angry stomping could have been. You curled your legs up defensively, eyes trained on the door. The person stood there more than a second, silent and just as still as you were holding. If you hadn’t been listening so intently, you would have thought they turned and walked away. But then there was some quiet mumbling- a woman’s voice, maybe?- and the door creaked open.
“Go on Tommy dear- I found a good one for you.”
You’d never seen a man so tall- with shoulders so broad or arms and torso so solid. He was massive. He was terrifying. And he was attractive. Once your eyes unglued themselves from his figure you finally took in the rest. Dark, thick shoulder-length waves. A mask that seemed useless as any sort of medical device thanks to the open mouth. Eyes that were dark but not brown. Maybe blue, maybe gray..maybe just pure black. Like a shark’s. In other circumstances you'd be reduced to a puddle on floor over him. But the bloodstains on his shirt didn’t go unnoticed.
You watched him closely, and he watched you just as alertly, stalking forward like some jungle cat…No. Wait. That wasn’t right. He didn’t look scared, but he was cautious, keeping some distance. Maybe a better allegory would be he looked like he was trying to corner a feral kitten- not wanting you to swipe or dart away. As if doing either was possible. You were frozen with fear, though found the courage to lean back a bit as he stepped forward. He grunted softly and persisted, nearly trembling as he brushed a strand of hair from your face.
Love at first sight was a stupid fucking concept. That you’d always believe. Maybe something in you just broke that same moment, maybe you were just too exhausted to think even close to straight. Maybe both. But when you and this massive man locked eyes, there was an instant understanding. He was already yours- and more importantly, you’d be his. He just had to stake his claim.
“…you’re Tommy?” You practically whispered. He nodded quickly. You got a sense he didn’t speak much, but you told him your name in return and tried to think of anything to talk about to stall the inevitable. “…you killed those people?” You blurted for some godforsaken reason. He tensed, still hovering over you. “It’s okay.” You added quickly “I didn’t actually know them. They were kinda mean.”
He furrowed his brow just a bit and searched your face, for any signs that you were lying. Before he came to a conclusion, you gave a soft sigh, instinctively leaning into the hand that had raised your face to him. Something immediately softened about him, and he rubbed your cheek in awe. The sleepy giggle it caused seemed almost to startle him. It was like no one had ever been that soft with him. Maybe they hadn’t. “….this is your room right? Can we sleep?”
Tommy still seemed in shock but carefully nodded, undoing his apron and seeming at a loss of what to do next. He frowned a bit as he noticed your bindings and quickly undid the knot that kept you stuck there. His guard was down- you could try to run. But you didn’t want to. Doing so would only be tiring. You wanted to let go. So instead you smiled softly and simply opened your arms, letting him cuddle up with you. It took him a minute to get settled, and all the while treating you so delicately… like you were made of glass. He looked up at you, again searching your face in near confusion. He grunted in surprise as you pecked his forehead. His mama really did find him a good one.
#slashers#slashers x reader#slashers x you#thomas hewitt#tcm#thomas hewitt x reader#thomas brown hewitt#tcm 2006#tcm 2003#texas chainsaw the beginning#texas chainsaw massacre#gender neutral reader#g/n reader
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@kirbyoctournament
Introducing to you all,the only one and unique....
Personality
She is extremely calm, she never seems to be bothered by anything, she is kind as much as she can be capable of saying something cruel, like life itself is, she always seems patient, because for her anything is ephemeral, even herself, but she will always be open to a conversation, she will advise you and will try to give her point of view about herself, always in a respectful manner.
Powers
Life is ironically capable of taking life from other beings, to reincarnate them into a new being with her mere hands, usually looking like butterflies like her first daughter Morpho Knight.
She is capable to cast divine-looking lights,usually looks like a swarm of butterflies, although she won't attack in 99,9% of the times but the hundreds of her children will defend her.
Its mere presence is calming but its true form is unknown to common sense and if someone dared to see the beauty of life in its entirety, the impact it would have on your consciousness would be devastating, but with it, who knows, maybe it would be able to restore the unimaginable at the cost of resting for eons.
Life is capable of teleporting to any place in any universe, she never chooses a specific place, it enjoys walking and you can see her in the most beautiful fields of flowers or in the cruelest wars, you can consider yourself lucky to witness her, because it is practically a miracle.
And never mess with something beyond your comprehension cause only death can end all what she is.
Canon characters she knows or knows that exist
Morpho
Her first daughter, before it was a different being who arrived by unknown means to the dimension of Life, she begged her not to send her to the afterlife, she didn't want that, the pain was so inmense due to her cruel Life that she just begged to stop existing, life, on the other hand, did something different and used its power for the first time in what became a being, completely new and at peace,Morpho has an unbreakable loyalty towards the being she now calls "mother"
Necrodeus
"Someone I loved? Or do i still love?"
The void
A being from the void reemerges from the heart, all always in a different way like Kirby or Zero himself, as if they were children yet to determine their destiny inside their mother or heart in this case, Life does not know them directly, it only knows that they exist and for some reason, she loves them, she feels a maternal sensation as if all those beings had been part of her at some point, although she can't explain why.
Lore
[this part might not be that extense but cropping to not cluster everything,enjoy💖]
Once life was reborn, but before that, there was a life before, yes, a time when everything was different.
Once there was a woman in whom a new life was generated inside her, all on her wedding day on an now unknown place, butterflies fluttering, next to her pure white bone dress, walking towards who would be her husband, everything was complete happiness everything seemed to never end but...
At one point, when the husband was about to put the ring on the lady that would seal their love, something trembled and out of nowhere, everything broke into stardust, in the last seconds of pain and confusion, the lovers did not know that it was the end of everything known and unknown.
Life had died.
Or was it really like that?
Life woke up once again from...a dream? A nightmare? What was that even? Where was she now?
Is life really itself? She felt a pain that would gradually fade away along with the memory of what happened, at the same time another figure,the death itself also woke up where they were, they both looked at each other, they had never seen each other... like this?
But still they both felt a sense of nostalgia, something empty in them throbbed strongly, while memories of... themselves? or something that seemed like the they that they are now joined in their confused memories
" know you."
"But who were you?"
"Were we them? But who were we supposed to be?"
"Now, what are we?"
They both said, but neither could give an accurate answer.
And it didn't matter anymore.
A new everything emerged from nothing and they were part of that everything.
Life and death separated each one on their own for a long time searching, trying to know what they had to do, what it all meant, who those beings were.
until, one day after eons they met again to conclude that everything was nothing.
Nothing had meaning other than existing.
Nothing they could have experienced was eternal, they both came to the conclusion that everything would die to become a new whole again.
From their past memories they concluded that this was just a new phase in an eternal cycle without explanation, in which life would return only for death itself in its last seconds to kill her so that all of life would re-emerge as a new one when it was about to end and NEVER be the same as before.
And that couple, it may or may not have been them, it didn't matter, because they are no longer those entities and this will happen again and again, they are merely a new version of themselves of those they were and will be in the future.
It didn't make sense, nor did they both want that cruel fate, it's confusing, it's unfair,death even cried out of mere frustration.
But there was no escape, no being could escape it.
After this, now both beings try to find a filling for the void in their hearts, death wandering throught any universe and cursing "the all" for this meaninglessness, while life, still almost always remaining in her own dimension, a blank world that is in everywhere and nowhere, sometimes descends to any world that reaches the imagination wandering through them to perhaps find her own the meaning of life.
#kirby oc#shippysillyart#fanart#kirby#kirbyoctournament#kirby art#necrodeus#morpho knight#zero#void termina#the void#kirby fanart#life oc#kirby oc (life)
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(Warning: There are mentions of sexism in this post because I refuse to not acknowledge the time these people were living in and what that entails for men and women.)
The saddest thing about the Arthur and Mary romance is that it didn't happen because they were plagued by the same problem- family in 1800s America and what that entailed for men and women.
In Arthur's case, it was more obvious. He felt he had a debt to the gang, a debt he could never pay back- to Dutch and Hosea, his father figures who saved him, to the men he saw as brothers in arms, to the women he had to take care of and loved, and he could never for once think for a moment that he could also be kind to himself. Arthur Morgan, a strong man, a provider, a protector, someone that people NEEDED. Never once did people in the game ask Arthur what HE wants. It's always about their needs, and Arthur, being who he is, a selfless person to selfish people, would slave away to the ends of the Earth, to hell and back, just to be that pillar that they see him as, for Arthur Morgan is a man who had the world on his shoulders and couldn't, not even once, think about giving that responsibility to another man. He never could. His family consumed him to where his truest self, his most authentic self came only in the thin pages of a leather journal and the voice of lead. His family consumed him and the love he had for Mary, this want to have for once, something truly to himself, was inconceivable. How could he leave them? How? He couldn't. No matter how much he may want to, he just can't.
For Mary? Her family consumed her long ago, as soon as she was born, for she committed the cardinal sin of being born a woman in the 1800s. Whatever ambitions she had, they were impossible. The world made her horribly dependent from the moment she was born. Her prospects was being a lady, knowing department, and securing a marriage for the sake of her family and herself, otherwise, more likely than not, she will be thrusted into poverty or shame or both. And then she met Arthur and he showed her a world beyond the gilded age and she was happy because this love she had for him was her own and her experiences were ones that she wanted, not that her family wanted. She was happy with him, so terribly happy, but her dependence on her family crushed her- socially, economically, culturally. So when her family forced her to marry Mr. Linton, she agreed and forsaked her own love because how could she abandon her family? Her elopement would shame them and make her a disgrace to her sex.
They were both trapped by their families for different reasons but in the end, they decide to put themselves first and it was already too late.
When Mary called for Arthur, it wasn't for him and if it was, she masked it up by asking him for help with her family, the family that she forsaked everything for because how could she not? And Arthur helped. By God, he helped. Not necessarily because he wants to, but that's what love has done to him. It made him the one work stallion out of many who will one day be put down by sheer exhaustion of the weight on its back and the reward of very little. And Arthur would leave and go back to the gang, because how could he leave them?
But after years of abuse, loss of personhood, and the struggles of being a woman in 1800s America, Mary decides to be selfish. She saw how her father saw her as truly less than nothing when he decided to sell a broach that belonged to her beloved mother and then to be passed on to her. All that suffering she went through meant nothing because her father has shamed the family she tried so hard to keep happy and her brother was off to college and was no longer held on by the shackles of the wayward patriarch, Mr. Gillis. She decides to be selfish and asks Arthur to run away with her, so she can finally make do on that proposal long ago to be together, married and happy.
But Arthur then makes the same decision she made all those years ago when he proposed to her. He chooses his family. They need him, but maybe now it's finally over? He can pay his debt to them, have them live happy and free, and then chase his own happiness, his own treasure in the image of a wonderful and beautiful creature by the name of Mary Linton- and maybe in the future, Mary Morgan. After over 20 years- maybe he can be selfish.
But when he realized that these people that he dedicated his life to were draining him of life and hopes and dreams and gave him nothing in return but more troubles, it was too late.
He couldn't let go of these people who ruined him and Mary realized this. Her final letter was a heartfelt goodbye because as she finally broke free of those binds that tied her, Arthur didn't or couldn't. He made the same mistake as she did all those years ago and she couldn't handle such heartbreak anymore, for their souls were slaves to them who didn't deserve it.
And when Arthur finally did break free of those soulful chains, of those people who he loved so deeply, it was too late. Sickness turned a strong man to a husk and as he choked on his blood, he could only get solace from the fact that he tried. He tried to be his authentic self, he tried to be his own man with his own actions, he tried to be good, he tried to change, he tried, and his reward?
Choking and gasping on his blood due to actions in the past he never wanted to do but did anyways because the people he loved asked him to and he just couldn't say no.
Both Mary and Arthur loved each other. Fully and deeply but as their souls were entwined, their bodies and minds were held in bondage by a man's duty to protect and provide and a woman's duty of deportment and honor to families who ruined them. Both of them expect the other to forsake their family for them, but neither of them could do that at the correct time together.
All that remains of that love, true and pure, is Mary's ring on another woman's finger through her wish that Arthur could give the ring to another couple who weren't trapped in the same duty that they were, and that if they were, they had the strength to be selfish.
What a sad, sad story of two poor souls, Arthur Morgan and Mary Linton.
#arthur morgan#mary linton#red dead redemption 2#rdr2#character analysis#story analysis#they make me so sad#they truly did love eachother#but it was never destined to happen due to the duties they had from both their sex#and their “duties” to their families#when they finally decided to be selfish and for once put themselves first instead of their family#it was already too late#😭😞
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No one is born knowing how to communicate
A: And that's okay...
Dr Kuseno made it look so easy. He just swanned into Saitama's apartment, proferred him a gift of beef and the hero's hostility melted away.
Fubuki felt positively foolish, and yet encouraged.
Since then, however, she's found that the only thing meat bribes pull in are dogs. Literal dogs:
And even dogs need more than meat to be loyal.
What gives? Well, it's obvious that Fubuki mistook Dr Kuseno's gift for a bribe: more on that later. Probably. And yeah, it's funny, but it's more interesting than that.
Learning how to communicate is complex. There are a ludicrous number of unspoken conventions and rules in every human society, so much so that we don't fully learn how to smile socially until we're in our forties. Dr Kuseno carefully judged his gift: he had a legitimate reason to offer Saitama a gift in the first place, out of gratitude for Saitama going out of his way to mentor Genos. Then he chose a gift Saitama would be sure to appreciate and presented it at a time when Saitama would be thinking about dinner. The worst that could have happened is that Saitama took the gift but insisted on the doctor going home (and taking Genos with him) -- it would still have left the desired positive impression. And things went really well. Kuseno made it look effortless.
Fubuki is only in her early twenties and her experience to date has been far from typical. She's learned that either she can intimidate people or she can flatter them into doing what she wants. With Saitama (and later Bang, Bomb, and Kuseno), she has to learn how to talk to more powerful people whom she cannot overpower, over whom she has no leverage, and who are unimpressed by her looks, simpering, or flattery.
Fortunately, Fubuki is nothing if not astute. She's worked out that she needs to develop complementary skills if she's to make herself useful to the S-Class heroes she wants to hang with. How to talk to them to get the help and cooperation she desires? Ah, that's a work in progress.
B: ...Unless it's not
Let's move onto another miscommunication.
Something that I hadn't before was that, unlike the webcomic version where Saitama only thinks to himself that Genos seems depressed, in the manga, Saitama out and out asks him if this is the case. He wants to know.
It mirrors King asking Saitama that very same question and getting Saitama to open up and be vulnerable for the first time (ever, in any version of the story). So it is very appropriate to see Saitama trying to do the same for Genos, particularly as he is openly fond of the guy.
However, it goes wrong. Saitama feels himself under pressure to say something wise to make it better. So he puts on his best 'confident' face and inadvertently makes everything much worse. Oh dear. What makes this particularly painful in the manga is that Saitama is much more invested in trying to reach Genos, and it's made Genos think that Saitama saying that he doesn't see what he's doing must mean that earlier times when he's praised him must have been just Saitama being nice. For sure, Genos could have pushed back and made Saitama clarify what he meant, but he's even worse at communicating: and Saitama's glib remark about being bright struck him square in the insecurities.
I'm going to come to something that I only realised once I started typing this up. Even though I've pointed out their abilities to communicate, neither King nor Kuseno have the perfect words to say. Kuseno started out by first committing a faux pas in bringing his great big outside boots into Saitama's flat, then nearly boring Saitama to death with a long-winded explanation. King started out by trying to guess what was bothering Saitama. Both, however, did the most important thing about effective communication: they picked up on their going wrong and changed tack.
It's not about saying the right thing: it's about responding to the person you're talking to.
The thing that King did that Saitama was trying to do for Genos was to ask Saitama open questions, and shut up in the interim, letting Saitama talk to fill in the silence. He'd only speak to ask more open questions when Saitama ran out of things to say, and through that, gently started to challenge Saitama's thinking.
But doing so means being comfortable with several seconds of silence. And that is excruciating. It is almost irresistible to jump in and say something, anything. And it would have been a longish wait, for Genos to slowly sit down and decide to start speaking, which might well have started being about something only tangentially related to his worry. King did that for Saitama: Saitama started out talking about what was bothering him on the surface -- being too strong -- before eventually coming to what was really bothering him, feeling lonely and profoundly isolated from everyone around him. Saitama does not yet know how to wait a person out.
It's a problem in this case because it's introduced a big barrier between those two, not an insurmountable one for sure, but one that could easily compound later.
Ah well, no one is born a communicator. We just have to wait and see if they work out a way to open up and be honest with each other. So it goes! There's more ways to introduce conflicts than to have a monster trample Tokyo, after all!
And so help me, the struggle to learn how to communicate is 1000% worthwhile.
#OPM#meta#Saitama#Genos#Dr Kuseno#Fubuki#King#communication is hard work#I love how well ONE brings across some of its subtleties#the pressure we put ourselves under to stay the 'right thing' when listening and openly receiving what we're hearing is more important#the true struggles for the characters are rarely monsters#but rather lie within themselves and between the people they want to understand#damn that's a little too IRL for comfort#ah well no one is born knowing how -- let's all struggle forward to do better!
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I see a lot of confusion on why calling Damian Wayne "feral" is racist/problematic, so here's a rundown.
There's a difference between calling your child or your younger sibling "feral" and calling a character like Damian "feral." You know your child/sibling/niece/nephew etc. They're real people, and unless they have a problem with it personally, then there's nothing wrong with calling them feral as a joke. It doesn't (shouldn't) affect their perceptions by other people. It doesn't become a label that follows them.
Damian al Ghul-Wayne is a fictional character. A canonically mixed Arab/Chinese/Jewish White character with a history connected to some of the most prominent Arab comic book characters, who themselves also get insanely mischaracterized.
He's constantly whitewashed. He's been written with racist undertones (the suicide bomber vest). He's had his character development and progress backtracked time and time again by DC. DC treats him weirdly most days and completely shitty in the worst stories.
A good majority of fanon hasn't done any better than DC. You cannot pat yourselves on the back for being more inclusive or mental health aware than DC when you call a mixed Arab/Chinese boy "feral". It's constant. You can come up with various titles and nuances for every Bat-character, for every Robin.
Tim can be smart, a skater, a genius, the one holding everyone together, the little brother, the one who needs love. Jason can be cool, morally "right" or "wrong", unstable, PTSD-stricken, the one who was betrayed, the one with Shakespearean tragedies. Dick can be fun, happy, the first one, the prodigal son, the one with complicated history and the big brother.
You give them room for exploration. Love and care and attention and research. Many headcanons. You either comply with canon or you don't, but there's substance to their character.
What does Damian get? He's feral. He's rabid. He's a gremlin. He can't be reasoned with. He has no self-control, he's impulsive. He's hurt others, and you can't forgive it. Sometimes he's homophobic. Or classist. Or plain mean and rude to your favorite boy. He's always carrying a sword. A psychopath with no regard for another's well-being (usually Tim in a lot of fics). He can't be taught what's right.
I've seen people cry that Damian needs to punished or kicked out or treated the same way he's treated others. He needs to be brutalized or talked down to. He can never grow as a person, because he's mean to Tim or Jason, and you need him to exist as the abuser. His first move is always violent.
Fanon compares him to an animal often; he bites, claws, hisses, growls. Bruce or Dick or Jason or Tim have to wrangle him, tame him, civilize him the white man's way in lieu of his brown mother and grandfather who "clearly" raised him wrong. You don't see the issue with that? The issue with always labeling one of the few major brown characters in Batman comics as the unreasonable animal? That the child of color is always the abuser, the instigator, to older characters?
And even if you don't see him this way, you don't write him this way - then are you giving him the care and attention you give for other Bat characters?
Do you know anything else about him other than his "anger"? Because he isn't always angry. In fact, he's typically well-mannered. Quiet even, when he's not being provoked. DC's writing will always vary but whenever Damian lashes out, he's usually written with a reason to act the way he does.
Are you making him intelligent like he should be? A hard believer in redemption? A neglected and abused child who isn't meek or crying or closes himself within? Are you willing to explore that he's always exhibited the "wrong" kind of trauma responses - lashing out, being snippy, ruining relationships, refusing to admit weakness?
Do you write anything about him without making his mother and grandfather comically abusive and violent? Will you give him the supporting cast/friends he actually has? Can you write his dad/siblings interacting with him without making them white saviors or therapy pets? Can you write him without a ship or his love for animals or being vegetarian overshadowing everything?
Is he a character to you at all other than a glorified plot device with a sharp tongue and the convenience of being violent?
#damian wayne#dc#robin#damian wayne meta#dc meta#fandom needs to start interrogating their choices around non-white characters in general but especially when it comes to Batman comics#you may not intend to be racist or ableist or misinformed#but what you put out into the world is going to be seen by everyone#and you should very much reconsider doing things like calling Damian feral and implying he has zero self-control or civilization#or implying Duke is uneducated by hc'ing him with terrible handwriting or making him the “sane” one bc you haven't read any comics w him#or shoving Cassandra into a corner as a perfect unvocal specimen or making her a sentient therapy animal for your favorite white boy#or sexualizing Dick in obscene amounts and making him a “slut” when its against his entire character#its day in day out in this fandom when it comes to snubbing and being utterly wrong about characters of color#fandom critical#damian al ghul#a painted bird called tamer#batman#batman meta#tim drake#jason todd#dick grayson#cassandra cain#batfanon#bruce wayne
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One of the most interesting things about the Atreides characters to me is the constant tension between formal and informal power dynamics going on in that House.
Leto and Jessica seem to have a fairly equitable relationship where they genuinely love and respect each other. This rests entirely on the fact that Leto is generally a Good Dude on an interpersonal level, who like, sees Jessica as a person and recognizes and appreciates her intelligence, skills and political acumen. While concubine to the head of a Great House seems to be a fairly high-status role in their world, we know it is not equal in social standing to the role of a wife, and certainly not equal to the male head of the House. Leto does treat Jessica as his equal informally, but by the social rules of their world he certainly doesn't have to.
Similarly, Leto treats Gurney, Duncan and Thufir like trusted colleagues and confidantes, and while they formally treat him with a certain amount of deference (addressing him as Sire or my Lord and accepting that he will be the final authority on things), it's also clear that informally, none of them are hesitant to speak their minds in front of him, offer suggestions or contradict him on something.
Paul's relationships with Duncan and Gurney are similarly complex. They're both older than him and serve as his mentors/teachers. Neither of them are afraid to tease him, challenge him, or reprimand him when they think he's doing something risky. They love him in an almost-familial way and would protect him with their lives. It seems like Paul would like to be friends with them on equal terms. But formally they are both his servants. Or, more precisely, while Leto is alive they are his father's servants and know they have Leto to answer to if anything should happen to his son.
The moments when the formal power dynamics assert themselves are always fascinating. When Paul and Gurney are first reunited, I would say Gurney is still treating Paul like a Duke's son and not a Duke. He's loyal and he is overjoyed to know Paul is still alive, but he still calls Paul by his first name and talks to him like he's giving advice to someone who's still learning. But then there is that moment when Paul pulls rank and gives Gurney a direct order to go to the south and Gurney's demeanor immediately shifts. He only ever addresses Paul as my Lord after that, and he treats him with a deference that makes it clear they are lord and vassal, not friends or family members.
(And like, technically once Leto is dead, Paul is the Duke and everyone in House Atreides is Paul's vassal--including Jessica. Practically when it comes to Paul giving Jessica an order she does not want to follow...well I would like to see him fucking try.)
Leto's leadership style with those close to him seems very much based on creating a familial, mutually protective vibe that wins him intense loyalty. (It is really interesting to see him try this on Stilgar who doesn't buy it for a second.) We see Paul try to emulate that, possibly with an even more intense longing for relationships of genuine equality that's born out of growing up with no peers of his same age and status around him.
But there is still always a little bit of power imbalance, because the chill vibes rely entirely on the continued benevolence of the Atreides men, and that benevolence can be withdrawn at any time.
#dune#dune part two#paul atreides#leto atreides#lady jessica#duncan idaho#gurney halleck#house atreides#i like to imagine paul trying to explain all these wack power dynamics to chani and shishakli and them being like. what the fuck dude
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Falin barely has any screen time so far but holy shit. I can already sense the depth of her character (God bless Ryoko Kui you amazing writer).
Maybe im also projecting here, but she's always been the kind, gentle and soft type- but is she ever expected to be anything more?
Has anyone ever bothered to look at her BEYOND those traits? Or did they convince themselves that it didn't matter because oh Falin is so kind, she wouldn't mind! Just let her be, it'll be okay for her!
Is SHE content on being JUST those traits? She's kind at heart of course, and she just genuinely loves to help others. But why is she just cast to the side BECAUSE of these supposedly good traits?
And is that ALL that people like about her? It's normal to like good traits like those of course but if she was just selfish just for once- would people blame her? Immediately turn their backs against her because "wow i thought you were a good person"
On a positive note, that's why it's so heartwarming to see people close to her like Marcille and Laois to go through all these lengths to get her back, not for any hidden motives, but just because they love her and care for her and just WANT HER TO BE THERE WITH THEM.
I haven't read the manga yet so I might be reading her character wrong but 🥹 I see myself in her a lot (I bet Marcille does too EY BADUMTSS) so I might just be projecting
#i have many feelings about Them#ryoko kui loves her women indeed#dungeon meshi#delicious in dungeon#dunmeshi#falin touden#marcille donato#laois touden
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