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#lol like not in a bad way at all
cipher26 · 10 months
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It’s also really funny to me that this is the second campaign in a row that Marisha specifically designed a character that wasn’t supposed to be romantic and failed epically and immediately.
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different POV of this comic
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confessedlyfannish · 1 month
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Writing Prompt #12
Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.
Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.
Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.
While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.
These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".
There is a knife to his right, if memory serves (it does). In the next five seconds—
"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.
But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.
He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.
"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.
"What a shame," he says, placing it face side up on the table.
"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.
He doesn't look away from the man.
"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."
"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.
The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.
The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"
Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."
"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."
He offers Bruce the watch. After a moment, Bruce takes it.
"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.
"You can look left, Mr. Wayne."
Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.
"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."
"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.
"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."
"Him."
"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."
"Why me?"
"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."
This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.
"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"
"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."
Bruce bristles. "I bow to no one."
"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."
"A weapon you want me to bring to my city."
"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."
"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."
"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.
"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.
"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."
"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."
"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."
Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.
Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.
"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."
The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.
"We will not meet again for some time, Mr. Wayne."
Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.
"Ask your question, Mr. Wayne."
"I have more than one."
"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."
"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"
There is a pause.
"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."
"Resolve what?"
"It is not his future I mean to protect," the man says. "It is his present."
"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.
"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."
Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."
The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.
"I am not inclined," Clockwork says slowly, "To this future."
"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."
"They will have already muzzled him."
Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.
"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."
"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—
Clack!
"sluuuuurp!"
"Master Timothy, honestly!"
"Sorry Alfred!"
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thegreatidk · 4 months
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My biggest beef with the way Annabeth was written in the show is that I think Rick fell into his own trap. Like his whole thing with Annabeth is that just because someone doesn’t look smart doesn’t mean they aren’t. And while it’s about their literal looks for both the show and the book, book Annabeth also sometimes acted in ways that people wouldn’t stereotypically associate with “smart” because I think we’ve all be condition to think bbc sherlock no emotions genius is the only way to be smart. Book Annabeth acts super flustered around Luke because she's a kid and she has a crush on him, she's afraid of spiders, and wanted to see the arch just because she thought it was cool. In general book Annabeth is allowed to be sillier and have a wider range of emotions than show Annabeth without it detracting from the fact that Annabeth is smart. I find this whole "stoic genius" idea is often used to put down teenage girls for being dumb and superficial just because they show emotions and the only way to beat it is to be cold, calculating, and emotionless and most people just aren't like that.
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royaltea000 · 10 days
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Saw his stage actor and now I can’t act right
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xbomboi · 28 days
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5 times Apple hugged Raven…
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…and the one time Raven hugged back.
(see my previous eah comic here)
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harbingersglory · 4 months
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hii could i req an soft dom arlecchino x sub/fem reader?? something w a really needy whiny reader n maybe like a mommy kink or thigh riding IDK tysm for ur time !
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{☆} characters arlecchino {☆} notes drabble, fem reader, sub reader {☆} warnings 18+ content
"Slowly, doll. We're not in a rush." Arlecchino reprimands lightly, squeezing your hips with just enough force to keep you unmoving on her thigh– she was still being gentle, but the subtle warning in her tone spoke to how easily she could push you against the desk and turn you into such a mess that you couldn't even remember your own name..just that you were hers.
But the barest hint of stimulation from her slacks pressed against your throbbing cunt had you twitching, barely able to form words. All you could think about was the scorching, twisting need building in your stomach, desperation for relief slowly climbing until you'd think she was doing this on purpose to drive you mad.
"Please– 'm a good girl, right? I've been good.." You choked out, only to be met with the rough, husky laugh echoing in your ear that made you feel dizzy with a rush of need, her nails gliding along the skin of your hips as she pressed you down even more firmly– you couldn't see her face but it was easy to imagine the crooked smile twisting her lips at the way you inhaled sharply and tried to buck against her thigh.
"Shh. I know, doll. I've got you, just relax." She murmured in that sickly sweet tone that always had your knees buckling, the raspiness of her voice sending shivers down your spine. It was almost impossible to relax with her so close, the notes of metal lingering on her skin despite how well she presents herself– but you trusted her, despite how you know you shouldn't.
"There we go. Good girl." Arlecchino's grip on your hips loosened just enough for you to move if you so wished, and oh did it take every ounce of restraint to not do just that..she hadn't said you were allowed to, and you weren't about to spoil her good mood by being a brat. Not tonight, anyway. "Do you want to cum, doll?"
The fervent nod you offer in place of words draws a laugh from her lips, one that is almost mocking, making your face flush in embarrassment– but the sudden tap against your hip makes your mind go blank to the point you forget it all together, focused only on the feeling of her thigh rubbing against your cunt as you bucked against her thigh, the fabric slick and wet against your inner thighs. You'd have half the heart to be embarrassed about that, too, if not for the sudden brush of her thumb against your aching, neglected clit. Just that small touch has you speeding up your movements, practically drooling as you whimpered like a dog in heat.
"That's more like it, doll. Such a pretty girl." Arlecchino hummed, her other hand trailing up your stomach, between the valley of your breasts and ghosting across your throat before settling on grabbing your jaw in a firm, yet almost tender touch as she tilted your head to the side just enough for her to pull you into a burning kiss. It left you lightheaded, grinding down against her thigh as she claimed your mouth as her own, her thumb still ghosting over your clit sporadically.
She'd spent so long teasing you, constantly touching you but never where you needed her, that you already felt like you were going to snap like a wire. She must've been in a really good mood, then, when she pulled away from the kiss with an almost predatory lick of her lips, yet she settled on pressing kisses to your skin rather then the usual sharp bite of her teeth as they sunk into the curve of your shoulder.
"Are you close? Go on. I want to see your face when you cum– you look the prettiest when you finally break apart, doll." Arlecchino mused idly– as if she wasn't talking to you while you continued to rub your aching cunt against her thigh, chasing your own release through shaky, strained breaths. Her thumb swiped over your lips, brushing strands of hair stuck to your skin from your face– at the same time as she swiped her thumb more firmly against your clit, creating a vicious contrast that had you both melting at the barest hint of almost softness from her and the touch of her hand between your legs, dragging you into an orgasm that leaves you trembling and, had she not shoved her fingers into your mouth, screaming, tears pooling in the corners of your eyes.
"All done, little doll. Take it easy." She murmured, voice so quiet you almost didn't hear it, thumb swiping across your cheek to wipe away the stray tear, her hands pulling away to settle on your sides. "You did well– good girl. Let me take it from here."
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I think that Dr. Christina "I was an excellent soldier" Raynor needs to deal with some personal things before she's anyone's therapist, because she strong-armed more of Bucky's autonomy away from him than Zemo did within the series.
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birdricks · 4 months
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the final phrase of my last sentence / hangs in the air, sounding stupider and stupider
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@vanweek2024 day 6 - spare
vanny goes bowling !
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skrunksthatwunk · 4 months
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skwisgaar punished arc
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robotsandramblings · 1 month
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just some of my favourite shots of Hunter & Crosshair from E09
you have no idea how happy i am to see these two working and fighting side-by-side again 😃😃
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ink-the-artist · 8 months
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Dude some of those popular so-bad-its-good movies are unironically outsider art and I don’t think they get enough appreciation for that
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comradekatara · 6 months
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1 like = 1 slap to his bald head
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fulgurbugs · 14 days
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Ok you know what. Was thinking about this.
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azure-clockwork · 16 days
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I love three houses discourse because I'm pretty sure everyone just picks their route based on which house leader they're the most gay for and then tries to defend their pick by pointing out the other sides's war crimes via twitter memes. Reader, all four of them do substantial quantities of war crimes. So many. We're just here because the woman with Issues and a big fuck-off axe said so, and then we gotta justify everything she did in the name of dismantling the class system. I mean, I'm here for that, but you could also try justifying Charm Man uses poison and perfidy to try to stop racism, A Sad Little Meow Meow gives no quarter instead of doing therapy, or the Thicc Pope tries to bring back her mom via human experimentation, depending on your tastes
#This is 100% swinging at a hell of a hornet's nest#Do I tag it?#Yeah fuck it we ball#fe3h#fe16#edelgard von hresvelg#claude von riegan#dimitri alexandre blaiddyd#rhea fire emblem#I should probably clarify that I love all of these characters quite dearly#Well except Rhea#I think she's a good character but I'm not feral about her like Edelgard or charmed by her like Claude or desperate to save her like Dimitr#discourse#edelgard discourse#Edit: I actually don’t care about 3H discourse either way lol#there’s plenty of interesting shit to talk about in this game#also I get that the people who say “x did war crimes” actually don’t mean “this was bad because it violated the Geneva Convention”#but any time I see something about how many war crimes someone did (usually Edelgard or Dimitri) I just think:#“Hah it’s a war crime to deploy Cyril to rescue Flayn because he’s still 14 then”#also I got into this game because someone told me ‘so there’s a gal with an axe and trauma’ and I booted it up#and I have a friend who likes Rhea despite his moral reservations solely because ‘she’s hot tho’#and that’s also really funny#point is I don’t really wanna participate in most fe3h discourse cuz I have shit to do but this post isn’t meant to be a dunk on anyone#I’m not upset when I see it; it’s either funny or fine or sometimes right#I’m just gay for Edelgard and amused by the idea of applying the Geneva Convention to a world where it Clearly Isn’t A Thing
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