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theramblingvoid · 2 years
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Low level/continuous pain tips for writing
Want to avoid the action movie effect and make your character's injuries have realistic lasting impacts? Have a sick character you're using as hurt/comfort fodder? Everyone has tips for how to write Dramatic Intense Agony, but the smaller human details of lasting or low-level discomfort are rarely written in. Here are a few pain mannerisms I like to use as reference:
General
Continuously gritted teeth (may cause headaches or additional jaw pain over time)
Irritability, increased sensitivity to lights, sounds, etc
Repetitive movements (fidgeting, unable to sit still, slight rocking or other habitual movement to self-soothe)
Soft groaning or whimpering, when pain increases or when others aren't around
Heavier breathing, panting, may be deeper or shallower than normal
Moving less quickly, resistant to unnecessary movement
Itching in the case of healing wounds
Subconsciously hunching around the pain (eg. slumped shoulders or bad posture for gut pain)
Using a hand to steady themself when walking past walls, counters, etc (also applies to illness)
Narration-wise: may not notice the pain was there until it's gone because they got so used to it, or may not realize how bad it was until it gets better
May stop mentioning it outright to other people unless they specifically ask or the pain increases
Limb pain
Subtly leaning on surfaces whenever possible to take weight off foot/leg pain
Rubbing sore spots while thinking or resting
Wincing and switching to using other limb frequently (new/forgettable pain) or developed habit of using non dominant limb for tasks (constant/long term pain)
Propping leg up when sitting to reduce inflammation
Holding arm closer to body/moving it less
Moving differently to avoid bending joints (eg. bending at the waist instead of the knees to pick something up)
Nausea/fever/non-pain discomfort
Many of the same things as above (groaning, leaning, differences in movement)
May avoid sudden movements or turning head for nausea
Urge to press up against cold surfaces for fever
Glazed eyes, fixed stare, may take longer to process words or get their attention
Shivering, shaking, loss of fine motor control
If you have any more details that you personally use to bring characters to life in these situations, I'd love to hear them! I'm always looking for ways to make my guys suffer more write people with more realism :)
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inkskinned · 7 months
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the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
#writeblr#warm up#this is longer than i wanted i really considered removing that part about myself and what i went thru#but i think it really fucking bothers me that EVERY time i talk about being an artist#ppl assume i just like. had the skill and ability to drop everything and pay for grad school.#like sir i grew up poor. my house wasn't a safe space. i gave up a FREE RIDE TO LAW SCHOOL. for THIS. bc i chose it.#was it fucking hard? was i choosing the hard thing?? yes.#but we need to stop seeing artists as lazy layabouts that can ''afford'' to just ''sit around and create''#when MANY - if not MOST - of us are NOT like that. we have to work our fucking ASSES off. hard work. long and hard work#part of valuing artists is recognizing the amount we sacrifice to make our art. bc it doesn't just#like HAPPEN to us. also btw it rarely has anything to do with true talent.#speaking as someone with a chronic condition i hate when ppl are like u have it easy. like actively as i'm writing this my hands r#ACTIVELY hurting me. i haven't been posting bc my left hand was curled in a claw for the last week#this isn't fucking luck. after a certain point it's not even TALENT. it's dedication & sacrifice.#''u get to flounce around and do nothing with ur life'' is a narrative that is a direct result of capitalism#imagine if we said that about literally any other profession.#''oh so u give up 10 yrs of ur life to be a doctor? u sacrifice having a social life and u get SUPER in debt?#u need to work countless hours and it will often be thankless? well i wish i was that lucky''#we should be applying that logic to landlords ONLY#''oh ur mom and dad gave u the money to buy a house? and all u did was paint it white and rent it? huh.''
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egophiliac · 1 year
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OH YEAH HIS TAIL ALSO LIGHTS UP
here's a bunch of quick reactions to some of the smaller bits, while I work on bigger things for the bigger bits and obsess over Silver's breakdown some more. don't be fooled -- this is only the beginning of my descent into pure diasomnia hell.
(I also need to figure out how to draw OB Mal better)
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bbreaddog · 7 months
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Practising Goncharov Theme by @caramiaaddio on violin bc I thought it would add an extra layer of haunting…ness (is that a word?)
Here’s the excerpt I’m playing in the video:
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Despite it being in a fuck off key for violin it is a really beautiful piece and it’s absolutely worth the trouble of practising in second position (world’s most hated position) and I’m HOPING 🤞 I can record and (maybe) post a full cover of it someday
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pa-pa-plasma · 8 months
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hey i feel like we're really sleeping on that time Danny possessed Vlad & framed him for assaulting a minor
Editing with the clip because people don't believe me. Episode is 41: Eye for an Eye.
#Danny Phantom#i think this ties into my other post i made a long time ago about Danny siccing the GIW on Vlad#like we KNOW in CANON that if Danny was even a tiny bit more like Vlad he would literally become a supervillain#villain is such a stupid word i hate how it's spelled. why is it like that#anyways i need to like. rewatch DP cuz i remember shit & then i'm like#did that actually happen. because that sounds too insane#but like. he Did That. didnt he#i think that's what i love about this character. but a lot of people ignore it#Danny is like. gritting his teeth going ''do good do good'' it isnt effortless it isnt easy he doesnt even want to do it half the time#& sometimes yeah he WILL do crimes or get back at people who've been assholes to him or whatever#he WILL use his powers for bad sometimes#he'll be like ''dont do that it's bad'' but like. he WILL do it himself#the whole ''i'm a hero'' thing he's got going on is like. more of a. how do i put this#it's like when you're drawing or writing & saying ''it doesnt have to be perfect it just has to BE''#like Danny isn't a hero sometimes. he's got morals & has a general understanding of good & bad#but also he's 14 & being attacked every day#i would start saying bad words & threatening people that annoy me too man#okay i glanced over the scene again for the first time in years & Danny was literally in the middle of outing Vlad to the whole town???#hello?? are we really ignoring this?????#VLAD TORNADO VLAD TORNADO VLAD TORNADO#this show is so stupid i love it#love how Sam & Tucker immediately backed him up yeah fuck Vlad all my homies hate Vlad#okay you know what. maybe i will do a DP liveblog. i think it would be fun#on daddyplasmius. only posting this on pa-pa-plasma cuz it's kind of just a. weird rant post? kind of? idk
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batbabydamian · 4 months
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Hey, I started reading Robin son of Batman because of your recommendation (I literally have a print of your post on my phone to not forget lol). Honestly? One of the best things I ever read!!!
Thank you for opening my eyes! Damian has been one of my favorite characters for over a year, but I didn't read/watch much of him because of school, life (and probably an executive dysfunction in the mix).
Maya is incredible. I loved her.
I haven't finished all the issues yet, but do you have any other recommendations?
WAH this makes me so happy, i'm glad you still gave it a shot even with how busy life is!! ;v;
i’d love to give reccs, and i’ll try to go a beginner friendly route! tbh you can pick up whatever here, but since you've read R:SOB i’d immediately follow up with Batman and Robin (2011) #1-8! this first arc is what’s referred to in Maya’s introduction, and it's just. so good.
Main Books
Batman and Robin (2009)
Dick as Batman with Damian as his Robin!
#20-22 Tree of Blood: Dark Knight vs White Knight arc is done by Tomasi and Gleason, the team for the next Batman and Robin series
*Batman and Robin (2011)
Bruce and Damian figuring out their relationship as both Batman & Robin and father & son
imo you can enjoy the ride and read straight through this but i’ll add context to avoid as much confusion as possible since there’s the occasional tie-in or offscreen events, like Damian’s death nbd
Batman Incorporated (2012) #1-10
events leading to Damian's death - affects Batman and Robin (2011) from issue #18
kind of a tough read especially with how Talia's written, but a lot of iconic bits like Batcow, Damian's vegetarian declaration, Alfred the cat, "We Were the Best, Richard."
Robin (2021)
another self-discovery adventure, particularly after Alfred’s death and a fallout with Bruce (and questionable writing choices from his last Teen Titans run)
Batman and Robin (2023)
currently ongoing! after a number of events, Bruce and Damian are back as a duo
Damian Dynamics!
Batman: Streets of Gotham (2009) #7, 10-12
arc where Damian meets one of his first Gotham friends, Colin Wilkes
Batgirl (2009) #5-7, #17
Steph and Damian dynamic! "the bad cop, worse cop" dysfunctional duo
Red Robin (2009) #13-14
early Tim and Damian dynamic that of course includes fighting haha. funny enough, accidentally my first intro to Damian LOL
Teen Titans (2003) #89-92
Dick!Batman has Damian join the Teen Titans. Start of Damian and Rose Wilson dynamic that’s extended in Robin (2021)
Batman: Gates of Gotham (2011)
Damian meets Cass and has a brief team up
Gotham Academy (2015) #7
Damian meets Maps Mizoguchi! they have a few other meetings, but outside of that the series itself is a great read!
Robin War Event (2015)
Robin War (2015) #1, Grayson (2014) #15, Detective Comics (2011) #47, We Are Robin (2015) #7, Robin: Son of Batman (2015) #7, Robin War (2015) #2
Duke and Damian dynamic! not exactly beginner friendly but these are the main issues in order for the event! you can also read the TPB version for everything including Tie-Ins
Nightwing (2016) #16-20, #42, #43
#16-20 Nightwing and Robin arc!
#42 Dick on a mission to save Damian! the one appearance of "Wiggles" the dragon
#43 Dick, Roy, and Damian team-up
New Talent Showcase 2018 "Catwoman: Pedigree"
Selina, Damian, and Alfred the cat
Batman: Prelude to the Wedding - Robin vs. Ra's Al Ghul (2018)
Selina, Damian, and Cheese Viking - Damian's fav game shown in Nightwing: Rebirth (2016)
Monkey Prince (2022) #1-4
Marcus Sun Shugel-Shen's main comic, but Damian features as a fun dynamic here before they're in more serious circumstances in Batman VS Robin (2022)/Lazarus Planet event
Superman (2016) #10 - 11
the beginning of the Super Sons! featuring Maya!
Super Sons (2017)
solitary arcs but there’s a few event tie-in issues later
Adventures of the Super Sons (2018)
literally more Super Sons adventures lol galactic shenanigans yeehaw
Challenge of the Super Sons (2020) 
Super Sons time shenanigans feat. the Justice League
Robin 80th Anniversary (2020)
"Boy Wonders" - brief Damian feature as Tim considers his next step in life
"My Best Friend" - Jon's thoughts on Damian and their dynamic
"Bat and Mouse" - refers to Damian's unfortunate Teen Titans (2016) run at the time of release which follows up with Teen Titans Annual #2 where Damian briefly gives up Robin
Extra Comics!
Superman/Batman (2003) #77
Kara and Damian in a Halloween team-up! also the appearance of "Li'l Matches" lol
DCU Halloween Special '09 "Cavity Search"
Damian out on a solo mission for Halloween night. Immediately after is Tim's Red Robin story "Then and Now: Our Father's Sins" which is more somber in contrast but also a good read!
DCU Halloween Special 2010 "Robin the Vampire Slayer"
a Dick!Batman and Robin story featuring the vampire Andrew Bennett
Cursed Comics Cavalcade (2018) "The Devil You Know"
Halloween themed comic with a sweet short story of Damian alongside Solomon Grundy
DC's Terrors Through Time (2022)
"Trick or Treat" a Super Sons Halloween story
"The Haunting of Wayne Manor" Damian and Deadman story - in the end, Boston kinda refers to Nezha's possession of Damian in Batman VS Robin (2022) which was happening at the time of this release
Batman: Li'l Gotham (2013)
lighthearted series that instantly makes me smile with the silliness and Dustin Nguyen’s art i love this dearly
Secret Origins (2014) #4 "A Boy's Life"
a retelling of Damian's origin story
Detective Comics (2016) #1001-1005
Batman and Robin vs the Arkham Knight (unrelated to the game)
Truth & Justice (2021) #6/#16 - 18 Digital First version
cute story of Damian’s birthday! Juni Ba’s art is so fun!!
DC Festival of Heroes: The Asian Superhero Celebration (2021) “Special Delivery”
short story about Damian! and poisoned pizzas. completely forgot the artist Sami Basri drew Rebirth Damian here before catboy Damian lol Cass’s story “Sounds” is also cute! Marcus makes his first appearance in "The Monkey Prince Hates Superheroes"
DC VS Vampires (2021)
Damian makes appearances throughout this elseworlds book, but the one-shot DC VS Vampires: Hunters (2022) is vampire Damian-centric!
Batman: Black and White (2021) #5
“Father & Son Outing” short story written and drawn by Jorge Jimenez!
Batman: Urban Legends (2021) #20-23
#20 “My Son” Talia and Bruce focus
#20 - 23 “The Murder Club” 4 Parts
Tiny Titans (2008) #33, #39, #45, #47
a few appearances but SO CUTE, LOOK AT HIM
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*Batman and Robin (2011) reading guide
i'm mostly trying to avoid the "what did i just walk in on?" kinda feeling when i first started reading comics LOL i'll list the comics where events take place, but you don't necessarily have to read them to go through this book since things are usually explained as quickly as possible in the first page or so
#0 Someday Never Comes
Talia and baby Damian before he grows up to meet Bruce
#1-8 Born to Kill
just an incredibly solid arc for Bruce and Damian!
#9 Court of Owls Tie-In Issue
Damian VS a Court of Owls Talon. While Bruce is occupied with a home invasion of Talons, Alfred makes a call for allies to protect targeted Gotham public figures from Talons. During Batman (2011) #1-11
#10-12 Terminus
Damian challenges the previous Robins sans Steph
Batman Incorporated (2012) is occurring at this time where Talia has placed a bounty on Damian and there's small mentions of that
#13-14 Eclipsed/Devoured
mostly solitary arc! end of it leads into the Death of the Family event
#15-16 Death of the Family Tie-In Issues
Damian and Joker face-off... Alfred's been kidnapped by the Joker, and Damian goes looking for him. During Batman (2011) #13-17
#17 Life is but a Dream - Death of the Family Epilogue
a sort of subconscious check-in through the dreams of Damian, Alfred, and Bruce. Nightwing (2011) #17 features Damian encouraging Dick after Death of the Family events
#18 Undone "Requiem"
Bruce dealing with Damian's death from Batman Incorporated #8
other reactions to Damian's death: Dick in Nightwing (2011) #18, Tim in Teen Titans (2011) #18
#19-23 Denial, Rage, The Bargain, Despair, Acceptance
Bruce through the stages of grief with some batfam appearances in each. also introduces Carrie Kelley into continuity as Damian's acting tutor.
Batman (2011) #19-20 also addresses Bruce's loss
#23.1-23.4
these could be skipped - villain stories, also related to Forever Evil event.
#24-28 The Big Burn
optional Batman and Two-Face/Harvey Dent arc, #23.1 is part of this story!
Damian's resurrection and return
#29-32 The Hunt for Robin
Ras took Talia and Damian's bodies from their graves, and Bruce goes after him.
-> Robin Rises: Omega
continues events from #32. if you don't want to jump to this, basically, Glorious Godfrey and a bunch of parademons from Apokolips are here for a chaos shard which Ra's put in Damian's sarcophagus. at some point, Bruce gets a hold of the shard where he sees a vision that leads him to believe Damian can be resurrected. Godfrey ends up taking the shard, along with Damian's body since it was emitting the same energy.
#33-37 Robin Rises
Bruce hellbent on retrieving Damian from Apokolips and reviving him
-> Robin Rises: Alpha
necessary to read and continues events from #37! Damian's back with a bang lol
#38-40 Superpower
Damian adjusting to having superpowers and being alive again
Annual #1 2013 Batman Impossible
sweet (and funny) one-shot of Damian sending Bruce on a meaningful scavenger hunt around the world while Damian gets to be the cutest Batman for a bit
Annual #2 2014 Batman and Robin: Week One
one-shot takes place during Damian's absence. after Bruce and Alfred find a mystery gift left for Dick, Dick recounts a story he had told Damian from his Robin days.
Annual #3 2015 Moonshot
one-shot Batman and Robin adventure on the moon!
...and of course after Batman and Robin (2011), Damian's story continues in his first solo Robin: Son of Batman (2015)!
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lorephobic · 5 months
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literally nobody asked for it, but here's my list of saltburn essays that i've slowly been drafting over the course of the last week which WILL be required reading for anybody trying to engage with me about this movie. my very personal saltburn 101 syllabus just dropped
A Wolf in Deer's Clothing: Saltburn's Attempt at Innocence
an examination of party costumes and our character's last attempts to masquerade as something they're not: felix—an angel, all-forgiving and all-knowing, something to be worshiped; and oliver—a prey animal, prey to class-divide, prey to saltburn, prey to felix.
thoughts about oliver specifically are loosely organized in my #bambi tag
A Midsummer Night's Mare: Farleigh Start as the Ultimate Victim of Saltburn
a farleigh character study, about the ways he was mistreated and manipulated at saltburn, about fighting to stay alive and the scars left behind by knowing when to give in
alternatively titled "QuickStart", may be adapted into a conclusive essay specifically focusing on oliver and farleigh's relationship
The Eye of the Beholder: On Saltburn's Voyeurism & Violence [working title]
how wealth and class pushes the catton's toward the volatile reality of being able to look, but not touch. on desire and the lack thereof, and portraying yourself as an object to be desired
may end up as two separate essays on wealth and aestheticism but i'm pushing toward a conclusive essay about the intersection of the two, which i feel is at the heart of saltburn
alternatively titled "Poor Man's Pudding: A Melvillian Approach to Saltburn's Class", again, may be adapted into it's own essay
Gender-Fluid: A Study in Sexuality and Saltburn's Desire to be Dry
a deep dive into the bodily fluids of saltburn and how oliver upsets the standard of men who are just so lovely and dry. on the creative choice to lean into the messy wetness of sex and desire and the audience's instinct toward repulsion
a celebration of the grotesque and an examination of why we would label it as such
least developed of the four, heavily inspired by @charnelpit's lovely post about the fluids in saltburn
if anybody is actually interested in any of these, i can work toward something closer to a finished piece instead of just bullet points and quotes in a google doc, but mostly this is so i can share my very brief takes on a multitude of themes in saltburn that have been haunting me
edit for people seeing this in the future: all posts about my essays are being organized into my #saltburn 101 tag if you’re interested in following these through to development!
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powdermelonkeg · 11 months
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On the ancient Hyrulean stone tablets
In Tears of the Kingdom, there's a sidequest you get relatively early called Messages from an Ancient Era, in which you are tasked with finding stone tablets hidden throughout Hyrule that contain Zonai-era first-hand accounts of the royal family. There are 13 in total to locate.
You yourself can't read them, and must take pictures of the tablets to take them to Wortsworth, a Zonai Survey Team historian who can read the ancient texts for you.
The problem with this is that he doesn't tell you what the tablets actually say; he reads their ancient Hyrulean as-is, then gives his own take. And it's a take which cuts out so much context from the original text.
Fortunately, I am a nerd.
Unnamed First Tablet
The ancient Hyrulean:
"Ones held y honore als hochmayde to kyng Rauru ond quen Sonia, thaerafter to his suster ond to princesse Zelda. "Her on thaes gret stan ond twelf mo withalle make y endite min time with the hyred roial. "So michte heore remembraunce preserven for the sake of him on whom oure hope raeste."
What Wortsworth tells you:
"It's short, but it's an introduction from a servant to Rauru and Sonia, the founding king and queen of Hyrule. "She also waited on the king's elder sister, Mineru, as well as someone named Zelda, and wrote of their daily lives in 13 tablets. "It couldn't be simpler! "I intend to more thoroughly research what this chamberlain hoped to convey in these ancient tablets."
The actual translation:
"Once held I honor as handmaid to king Rauru and queen Sonia, thereafter to his sister and to princess Zelda. "Here on this great stone and twelve more withall make I ending my time with the hired royal. "So might here remembrance preserve for the sake of him on whom our hope rests."
Account of a Celebration
The ancient Hyrulean:
"So swete the song of kyng Rauru, ond so grete the beaute of his susteres daunce, that wer min eies ond eres captif. "Ond so hende quen Sonias gasen on us alle, so felt y min herte als captif fallen. "Seruantes lyf, tho moche laboursum, han moche jolitee as welle. Longe be the lyf of the roial familie thaere y love so."
What Wortsworth tells you:
"This is an account of a party from those days. "It says King Rauru and his older sister sang and danced together while Queen Sonia looked on. "We think of royalty as austere and reserved, but these nobles amused themselves with song and dance. "But what a vivid recounting of a scene never before related in any history book… "The descriptions of their personalities and expressions make the ancient past feel alive again. "This stone tablet is a first-class find. Well done, dear chamberlain, in leaving behind this account for us. "I'm positively beside myself to think of how this story from the ancient past persevered so long to reach us today."
The actual translation:
"So sweet the song of king Rauru, and so great the beauty of his sister's dance, that were mine eyes and ears captive. "And so had queen Sonia's gaze on us all, so felt I mine heart also captive fallen. "Servant's life, though much laboursome, have much jollity as well. Long be the life of the royal family there I love so."
The Strong Queen and the Receptive King
The ancient Hyrulean:
"Sonia, quen to Hyrules kyng, bi birthe Hylian preesterresse, hirself yborn of londe, nat of skie aboven. "Speken she with open herte, eornest to alle, euen even to the Zonais kyng. "This kyng ythinke it gode aventure so to lerne of the londes folke. To sen his hed ybent to listenen is swich plesaunce."
What Wortsworth tells you:
"This one looks to be about Queen Sonia. It claims that Sonia was a priestess before marrying Rauru. "Despite his status as a Zonai, a people popularly thought to be gods, she would counsel him without any trepidation. "Moreover, Rauru heeded this counsel. "This account gives us firsthand knowledge of the nature of Queen Sonia and King Rauru's relationship. "Rauru found himself unexpectedly charmed by her strong will, and before long, they were married… "Er, that last bit isn't in the text. That's me speculating. "History rarely speaks of a person's character prior to being elevated to royalty. So I can't help but fantasize."
The actual translation:
"Sonia, queen to Hyrule's king, by birth Hylian priestess, herself born of land, not of sky above. "Speak she with open heart, earnest to all, even even[sic] to the Zonai's king. "This king thinks it a good adventure so to learn of the land's folk. To seen his head bent to listening is such pleasure."
The Harmonious Couple
The ancient Hyrulean:
"Oft wys Rauru, kyng of kene blade, weyve his werk real in faver of the hunte. "Ond oft queynt Sonia, quene of kene insight, seke out him and repaire this kyng to kyngly besynesse. "In hir sapience semes she divin, that she cunne him ever finde and for hes folly semes him the mor humain. "Ond the kyng? O, he laughe. Nat him hir equal for hir wit, he kunne. Ond the quen, she laughe to, als even she scolden."
What Wortsworth tells you:
"This is a tale of King Rauru. "Apparently, he would vacate his official business from time to time in order to go out hunting. "I had the impression he was a stricter, more serious king, but I guess he had a lighter side as well. "However, Queen Sonia was always a step ahead. She would put a stop to King Rauru's hunts and bring him back. "We rarely get a glimpse into the down-to-earth side of royalty in this way. It's an important find, to be sure."
The actual translation:
"Oft was Rauru, king of keen blade, leave his work real in favor of the hunt. "And oft quaint Sonia, queen of keen insight, seek out him and repair this king to kingly business. "In her sapience seems she divine, that she can him ever find and for his folly seems him the more human. "And the king? Oh, he laughs. Not him her equal for her wit, he knows. And the queen, she laughs too, as even she scolds."
A Pilgrimage of Light
The ancient Hyrulean:
"The kyng was late y-come this aven, so maked the quene to sharen tales of hir lond, of shirines al grene yglouen. "Of erli daies sinnes Hyrules funding have diverse monstres hir reaume biseged ond assaylled. "Uncesinge in striffe, thei broughte to despeir folkes lyfen. Kyng ond quen ysete thamselue to bringen scurge to ende. "With might of light ond pouere, driven abak ybeen, ond the roial couple made thes shirines to selen him awei. "Thes holi selen ben yclept Shirines of Light. "Gret kyng, grete quen, y thank ye. Ye foughte whan y wer maiden-child, that y kude pes toknouen."
What Wortsworth tells you:
"The subject here is the actions King Rauru and Queen Sonia undertook not long after Hyrule's founding. "With the kingdom established, they were worried for their people, so they set out to eradicate the monsters troubling them. "They created structures called Shrines of Light to seal the monsters away so that they could never be revived. "There's more here about light…and time too… The sense I get is that the two of them may have had supernatural powers. "Though it's part of ancient history, it's a feat those of us living today should still be grateful for. Truly an important discovery."
The actual translation:
"The king was late to come this evening, so made the queen to share tales of her land, of shrines all green glowing. "Of early days since Hyrule's founding have diverse monsters her realm besieged and assailed. "Unceasing in strife, they brought to despair folks' lives. King and queen set themselves to bringing scourge to end. "With might of light and power, driven aback they been, and the royal couple made these shrines to seal him away. "These holy seals been called Shrines of Light. "Great king, great queen, I thank you. You fought when you were maiden-child, that I could peace to know."
The Researcher Mineru
The ancient Hyrulean:
"Queynte Mineru, the kynges elder suster, falles so dep in hir bokes swich that she oft foryetes to eten. "In min wieried wei don y what much y con, but y fer haven that it ben litel avail. "Of late treteth she of 'constructes,' thinges did she make with her hondes as vessel for spirit whan bodi-lich failen. "So, seyde she, might she liven longe, in spiret yhused within this 'construct.' "Though Mineru ne semes to holden ani deceyte… Bi my feith, y kan nat als trouthe thes wordes bileven"
What Wortsworth tells you:
"Here, we learn a bit about Mineru. "It says that she neglected to eat or sleep while making something called a…construct? "It was part of her research into a means of returning to life as a spirit possessing a new body, should her original one die. "To you or I, this sounds less like history and more like some sort of ghost story. "But remember who we're dealing with. They may have had unfathomable powers that made such things possible. "The revelation that Mineru was a fellow researcher makes her feel like a kindred spirit to me, and yet… "The chamberlain who inscribed these tablets treats Mineru with such care and kindness that it warms my heart."
The actual translation:
"Quaint Mineru, the king's elder sister, falls so deep in her books such that she oft forgets to eat. "In my worried way do I what much I can, but I fear have that it be little avail. "Of late treats she of 'constructs,' things did she make with her hands as vessel for spirit when body lies fallen. "So, said she, might she live long, in spirit housed within this 'construct.' "Though Mineru nay seems to hold any deceit… By my faith, I can not also truth these words believe."
The Foreign Princess
The ancient Hyrulean:
"Ful fyn is the weder this morn, ond have y audience with theos princes seyd ben kin bi fer distaunt yeres to quene Sonia. "Bi gras has she been given a name most swete, of Zelda she ben yclept. "In certain folk stered suspecioun, for straunge wer hir garnementes ond sodein wer her aparaunce. "Yet wolde hir contenonce ond bering maked proof of hir right blod and bond to quene Sonia. "Als be Zelda to remainen for a wile with us, y wil mi-self als hochmayde offre ekein hir servis."
What Wortsworth tells you:
"This is another fascinating entry. "If my translation is correct, the Zelda described here is Sonia's distant relative. "According to this, she arrived in Hyrule unexpectedly from another kingdom. It seems she was a beautiful princess. "Her strange clothing perplexed the people of Hyrule, and many were suspicious of her at first. "But this Zelda had such an undeniable air of nobility that those who doubted she was of royal birth were soon silenced. "Note how clearly this conveys the writer's feelings regarding Zelda. "Once it was clear Zelda would be staying, she applied to be chamberlain to the princess. That suggests real admiration."
The actual translation:
"Full fine is the weather this morning, and have I audience with this princess said be kin by for distant years to queen Sonia. "By grace has she been given a name most sweet, of Zelda she been called. "In certain folk stirred suspicion, for strange were her garments and sudden were her appearance. "Yet would her countenance and bearing make proof of her right blood and bond to queen Sonia. "As be Zelda to remain for a while with us, I will myself as handmaid offer asking her service."
The Free-Spirited Zelda
The ancient Hyrulean:
"Princesse Zelda recent comes to sen Mineru, the kynges elder suster. I com eck, for hir to seruen. "Todai cam hit ipassen that Mineru sheued to Zelda construct althergrettest y hav ysen. "Zelda, she much desired on hit to riden, ond ne conne nat y seien coust hir stoppen. Though I dyde protesten. Loudli. "Neuer the lesse she made to sitten heighe upon the constructes sculdres ond to riden like an hors, al ful of grace. "Min lausion, so graunt alredy, dyde grouen al the mor."
What Wortsworth tells you:
"The subject here is Zelda and Mineru. "Zelda apparently visited Mineru often to assist with her research. "I have no idea what kind of thing this 'construct' that allowed people to ride on it was. "But Zelda rode it so well that our author the chamberlain was again impressed by her skill at everything she tried. "That's the long and short of it here. "But more than the narrative, what strikes me is the back and forth between the chamberlain and Zelda. "The chamberlain tried to warn Zelda of the danger, but Zelda pushed past her and rode the construct anyway. 'It's short but so evocative of both the level of technology found in this era and the character of their visitor Zelda. "The 'treasure' found in these stone tablets is the pearls of wisdom and nuggets of personality contained within."
The actual translation:
"Princess Zelda recent comes to see Mineru, the king's elder sister. I come with¹, for her to serve. "Today came it pass that Mineru showed to Zelda construct of the greatest I have seen. "Zelda, she much desired on it to ride, and nay could not I say cause her stop. Though I did protest. Loudly. "Never the less she made to sit high upon the construct's shoulders and to ride like a horse, all full of grace. "My laudation², so great already, did grow all the more."
The Latest Trend
The ancient Hyrulean:
"Facioun nou favereth garnementes adourned with muscheron patrons, ond fer ond wid beon thei wern. "This tast for mucheeron com of the casteles seamestre, who sogte to seuen clethes for princesse Zelda to plesen. "This facioun, Zelda telled to the seamestre, waere in hir treu hom wel loved. "In hir tim werd everichon patrons of bright hewes, in the shap of mucheron. "Anou our hende semestre set herte on thes patrons copien, which sele to mani happi persoune. "Y seche after som for min one but ne coude nat an on yfenden."
What Wortsworth tells you:
"Here we learn something about the fashion trends of that era. "The story's catalyst is their Zelda telling a tailor about the mushroom-patterned outfits becoming popular in her homeland. "Intrigued, the tailor fashioned some clothing in that vein, and it caught on in ancient Hyrule. "Do you know Cece from Hateno Village? Imagine the look on her face if she were to find out! "They say that trends go in cycles, but… I didn't expect mushroom patterns to have been in fashion so long ago! "One last thing about the chamberlain… "Her interest in fashion shows there was more to her than devoted service. She was just like anyone else in the kingdom."
The actual translation:
"Fashion now favors garments adorned with mushroom patterns, and far and wide be they worn. "This taste for mushroom come of the castle's seamstress, who sought to sew clothes for the princess Zelda to please. "This fashion, Zelda told to the seamstress, were in her true home well loved. "In her time were everywhere patterns of bright hues, in the shape of mushroom. "And now our head seamstress set heart on these patterns copied, which sell to many happy persons. "I seek after some for my own but nay could not a one find."
An Ancient Ghost Story
The ancient Hyrulean:
"Of late have y herd it told a straunge ladi walkes around the castel in derk of night. "She ond princesse Zelda semes als twinnes two, but this on nadda ne light in hir eien—mor als a ded thing than not. "When she is asked about thes walkes, princesse Zelda of that ben no-thing remembren. "What monstre, or spirit of derknesse, be this visioun? So afeard y am of min imagenninges that y con nat slepen."
What Wortsworth tells you:
"This one is an ancient ghost story. "My understanding of ancient Hyrulean isn't perfect, but I know a ghost story when I see one. "It's a firsthand account of a ghostly or maybe corpse-like woman who appeared each night looking just like their Zelda. "No matter the era, it seems, people can't resist sharing a good ghost story. "A bit like how there have been eyewitness accounts of our Princess Zelda in the newspaper, even though she's missing… "Could our Zelda be a ghost too? No…of course not."
The actual translation:
"Of late have I heard it told a strange lady walks around the castle in dark of night. "She and princess Zelda seem as twins two, but this one has no light in her eyes—more as a dead thing than not. "When she is asked about these walks, princess Zelda of that been nothing remembered. "What monster, or spirit of darkness, be this vision? So afraid I am of my imaginings that I cannot sleep."
For the Hero's Sake
The ancient Hyrulean:
"Sith hire founding has Hyrule swich hardshippe ysene, but that is onli smale moment of time. "Mineru, the kynges elder suster, seyes of this kyngdom that hit ne mot nat awaren aye be ycaccht, nat evenforth fer futur. "Princesse Zelda tells hire that this futur be wrat alredi, that a champioun bith from the skie comen. "Bitwene the two, thei imaked to finden a wei this champioun in that distaunt time to ohelpen. "Her min treuthe, sogte thei to up-reisen the Temple of Time, into the skie to warden hit onyenes ivil. "Al dyden so in fer distaunt dai, our kingdom mighte be safed. "In min herte y woot y helpen mot, ond y asked of Mineru, canst yow devyse the menes to upreisen in the skie thaes stane. "Min wordes iseie nat enow, but thei thaes memorie safen, of the roial familie, heigh in the skie for that future time."
What Wortsworth tells you:
"That one is all about the feats that Zelda performed for the sake of the hero. "The details are unclear, but essentially, the chamberlain trusted in Mineru and Zelda's predictions and wanted to help. "She put forth the suggestion to Mineru to build a mechanism that could make her stone tablets float in the sky. "Which I take it are the very tablets you found, Link? But it doesn't end there. "If my translation is correct, it suggests that their Zelda worked with Mineru to raise the Temple of Time into the sky! "The idea of the Temple of Time—a grand edifice built in that ancient era—being lifted to the skies to await a hero… "Although given the appearaance of the sky islands after the Upheaval, perhaps it's not so far-fetched as it seems. "What must it have been like for the chamberlain to live through such miraculous times?"
The actual translation:
"Since her founding has Hyrule such hardship seen, but that is only small moment of time. "Mineru, the king's elder sister, says of this kingdom that it nay may not aware it be caught, not even for the far future. "Princess Zelda tells her that this future be wrought already, that a champion be from the sky comes. "Between the two, they made to find a way this champion in that distant time to help. "Her my truth, sought they to up-risen the Temple of Time, into the sky to ward it against evil. "All done so in far distant day, our kingdom might be saved. "In my heart I want to help more, and I asked of Mineru, can you devise the means to uprisen in the sky these stones. "My words I see not now, but they these memories safe, of the royal family, high in the sky for that future time."
The Day the Land Rose
The ancient Hyrulean:
"Swich wondrous sight y hav bihelden that ne con hit nat justil be described. "The Temple of Time y sawe, ond al londe yheld it, reisen to the skie, both ferful ond majestatic. "As princesse Zelda itold mi, in fer distaunt future comes a champioun to that place, the hope that Hyrule safen. "For that champioun be hit that y thes grete stane inscriben. "The kynges elder suster, Mineru, sendes nou thes stane to the skie, that the champioun mought hem ireden."
What Wortsworth tells you:
"This is an eyewitness account of the day the Temple of Time floated into the sky. "It's a landmark discovery for the history of Hyrule. It may be one of the top 10 most important discoveries of all time! "Even among all the breathtaking displays of power we knew of from the era, to raise the land and its buildings into the sky… "That was a feat impressive even to those accustomed to wonders. You can tell as much from this account. "Zelda predicted that a hero would appear in the land they raised into the sky and that he would save Hyrule. "The chamberlain took this on faith and wanted to know how she could help. "So she inscribed these records on the stone tablets that Mineru sent into the sky. "Give me a moment. I need to view these accounts as a historian and not get so swept up in personal sentiments…"
The actual translation:
"Such wonderous sight I have beheld that nay can it not just be described. "The Temple of Time I saw, and all land held it, risen to the sky, both fearful and majestic. "As princess Zelda told me, in far distant future comes a champion to that place, the hope that Hyrule is safe. "For that champion be it that I these great stones inscribe. "The king's elder sister, Mineru, sends now these stones to the sky, that the champion might him read."
A Parting Resolve
The ancient Hyrulean:
"Rauru, Hyrules kyng. Sonia, hir quen. His elder suster, Mineru. Ond eek princesse Zelda. "Al whom y served, ond loved. Al whom thurghhon. Alon kerv y thes wordes upon this stan. "This stan, ond al thritene, serven als roial families recorde, min werk final, ful-wroht for al age. "Mani the mark made bi thes much biloved peples—som eth-sene, som unsene. "Whan y make remembraunce of hir markes, fele y flaume of hope, though ful small, within mi. "Hit be als though thes markes som graunt design describen. "I ne con nat met princesse Zelda hir lov for hir londe. What mor than, ask y, can y do for Hyrules peples. "Let min lyf lede mi fro hennes-forth an answere ful-worthi to this questioun."
What Wortsworth tells you:
"It seems this is the last of the records. "The royals whom the chamberlain served so faithfully were gone, one by one… "It's heartrending to read. Her pain comes across so clearly in her words. "What's less clear from these entries is the cause of all these partings… "Well, each new mystery is an opportunity to do more research. If I keep digging, someday I'll unravel it."
The actual translation:
"Rauru, Hyrule's king. Sonia, her queen. His elder sister, Mineru. And the princess Zelda. "All whom I served, and loved. All whom they're gone. Alone carve I these words upon this stone. "This stone, and all thirteen, serve as royal family's record, my work final, full-wrought for all ages. "Many the mark made by these much beloved peoples—some as seen, some unseen. "When I make remembrance of her marks, feel I a flame of hope, though full small, within me. "It be as though these mark some grand design described. "I nay can not meet princess Zelda her love for her land. What more than, ask I, can I do for Hyrule's peoples. "Let my life lead me for hence-forth an answer full-worthy to this question."
And that is all thirteen slabs translated.
¹ "Eck" has no apparent equivalent, but can be guessed to mean "with" from context.
² "Laudation" might not be correct; failing to translate "lausion" in English, I turned my switch to French mode, and the word that took its place was "admiration." "Laudation" was the closest related word with similar letters.
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skitskatdacat63 · 5 months
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Fernando Alonso & His Relationship With Cards
I'm sure we're all familar with the cards on the back of Fernando's Vegas GP helmet by now, but did you know his relationship with cards goes a lot deeper?
I. Magic Tricks
You've probably seen or heard someone at least mention Fernando's propensity for card tricks. As far as I can tell he was doing them(publically) as far back as 2003 all the way to as recently as 2018. Even once performing a card trick, with a condom and a teddy bear(!??!?!??!!), in front of Valentino Rossi who said "How was that possible?"(x)
But how did this start? According to James Allen, "Fernando admits to having been heavily influenced by his grandfather, a mercurial figure, who taught him magic and card tricks, still one of his passions away from the race track."(x) And I'm not sure the validity of this one, because I couldn't find an actual source, but apparently he once said: "My parents are responsible for the two things I like doing most - driving and magic tricks. They bought me my first go-kart and a magician's kit."
In several interviews he described it as his hobby off track, and that he loved learning new tricks and surprising others in the garage with them! So clearly cards are pretty important to him both as a hobby but also to who he is as a person since they've been with him just as long as racing has.
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II. Card Symbolism in His Helmets
This is the reason I originally made this post, but I thought I should also explain the origins of his card fascination first. As I said, we probably all remember the cards on the back of his helmet in Vegas, but did you know that wasn't the first time he had cards on the back of his helmet?
From 2008-2013, he used to have a pair of cards on the back of his helmets. The symbolisms of the cards themselves as well as the evolution of their design is really fascinating to me! Even more so with the recent development of the card choice in 2023.
Fernando said he wanted to reference his two titles in some way on the back of his helmet and after his friend sent him several ideas, he decided on having two cards(an ace of clubs and an ace of hearts, sometimes pictured with 05 and 06 on them as well), saying: "I picked the cloverleaf [the ace of clubs - Ed] to give me luck, but the only pity is that it doesn't have four leaves!"(X)
2008.
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Here's the very first appearance of the cards! They're displayed flat, with the 05 and 06 clearly visible
2009.
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Very similar to 2008, but with a slightly different design, and they're maybe a bit more straight with less shadow?
2010.
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This is the first major change! I was sad they didn't have the years on them anymore, but then I realized they're sparkly to match with his signature lightning bolts on the top of the helmet!!
2011.
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Honestly I'm still somewhat unsure if this is the actual 2011 helmet? It's pretty difficult to find clear photos of the back of helmets from older seasons. It's easiest to find them on replica sites or auction sites so I'm not 100%? But anyways, I like that this has the championship years on the underside of the cards
2012.
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This is when I started getting weirdly emotional about the helmets. Do you see how they've progressed from being a centerpoint to being curled up and sad at the bottom of the helmet? Not listing the year anymore??
2013.
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Same thoughts as 2012. And after this season, they cease to exist (just like his ferrari chair in the garage, WOAH CALLBACK), until cards make a reeappearance in his Vegas helmet, albeit in a different form
2013 Monaco(Honorable Mention):
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For some reason 2013 helmets were easier to find proper pictures of, so I happened to witness this absolute beauty. The creativity of this helmet genuinely blows me away??? Wanting to keep the card motif, but making sure to incorporate it into the rest of the puzzle piece design?? Mwah! There was another special 2013 helmet but they didn't change the cards at all so I really applaud this one
2023 Las Vegas(The Return of The King):
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The magnificent return! But look! The cards are different cards! Instead of being two aces, it's now an ace of hearts, a four of hearts(his driver number of course!) and, the, now iconic, representation of himself as a Joker. I literally could not believe my eyes when this helmet was released and I saw the Joker card, what a fucking silly old man....I really wonder if he felt nostalgic having cards on his helmet again or if he didn't think about it all and was just like, "ah cards because Vegas!!!"
III. Why Does This Matter?
*The rest of the post was factual, this is moreso my personal thoughts on the symbolism of the cards/designs
This post spawned from me recently watching the 2010 Bahrain gp and noticing "hey wait a minute...are those CARDS ON THE BACK OF HIS HELMET!?" It's a really tiny detail that's unfortunately covered up by the HANS device pretty much whenever he's wearing the helmet, so it's really difficult to spot! But I became fascinated with the fact that he had cards on his helmet before that recent helmet, and now here we are!
There's something to me about how the design of the cards evolves over the course of six seasons from the cards being front and center to being smaller, more folded up and closer to the bottom of the helmet. As I said, the 2012-2013 ones genuinely made me depressed because it feels, symbolically, like his hopes for getting another Ace are becoming more and more unlikely and falling away until they eventually fall falt and fade away entirely after 2013 and disappear for basically a decade.
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But when they return? They're not the same cards! Instead of representing Fernando's championships, they now represent him as a person, displaying his driver number and his persona of being a Joker!! Though I do think it's interesting he happened to keep the Ace of Hearts, even though he talked more about the Ace of Clubs before. I'm not sure it's actually this deep in reality, but I like to think that it's him not letting his championships(and the lack thereof) define him, but rather letting who he is as a person shine and be the centerpoint instead! But on a sadder note, as @suzuki-ecstar said to me, maybe the Aces aren't there anymore because he's lost all hope for a chance at a third Ace entirely :(
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#yes its finals week and im up to my eyes in coursework but instead decided to spend like 5 hours researching and writing this post#nah bcs i actually genuinely put more work into this then I think I have all semester dsfjdskjg#that thing about him using a condom and teddy bear in a magic trick genuinely had me crying with laugher. actual tears rolling down my face#<- HOW!?!? WHAT WAS THE TRICK?? its literally inconceivable to me what he did. oh if only there were pics UGH#anyways!! this post was a lot of fun to make!! i really really love the symbolism and design of helmets so this was a rly fun project#and i also went down a lot of rabbitholes while make this and saw many very weird articles from yore#i feel like i make an equal amnt of deranged posts abt seb and nando but i dont know why nando is gifted w all my well researched projects#<- i.e. chair post. that was the same level of research as this one but at least this one i could find actual sources about....#idk theres smth about the extremely long history of nando's history that evokes research posts like this KLAJSLSKDJ#theres just so much that i dont think I ever really see people discussing! so i must create.#haha what was that joke tag i wanted to make abt my researched posts? I think:#normal posts that catie normally makes in a normal fashion#<- one day ill go back and actually tag posts w that. bcs the amtn of research compared to my actual schoolwork is so unwell#fernando alonso#fa14#f1#formula 1#catie.rambling.txt#we do a little bit of f1
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skrunksthatwunk · 3 months
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thinking about how eiji's a pole vaulter and how ash talks about eiji "flying" and how eiji's associated with bird imagery and how eiji's free (unlike ash) and how eiji comes in on a plane and leaves on a plane and how ash cannot fly, ash cannot be free, how nyc is ash's prison, and how ash is the leopard who dies climbing the mountain, unable to live at such elevation, how he was trying to reach the sky and be free but was always stuck to the earth, how he chose to die instead of climbing back down, how he chose to die where he could see the sky and hope and freedom almost like a bird with eiji's letter right in front of him rather than letting everything go wrong and ruin it once again, how eiji's a failed pole vaulter anyway, how a bad fall ruined his career and grounded him (physically and emotionally), how it took flying to america and meeting ash and needing to save him and skip for him to try flying again, how he landed hard and harsh and still the thought of that escape compelled ash to protect eiji at all costs because if he could fly that means something to him, even if he doesn't think he can fly, how eiji is the manifestation of his hope and how when he breaks and asks eiji to stay with him a while he folds himself over his legs and weighs him down and traps him and grounds him, how ash fights like hell to keep eiji alive not because he thinks he can be like him (hopeful, flying, innocent), but because he makes him forget the gravity of his situation, and so he can see eiji fly again. how he wants to see him escape. how eiji is a bird and ash is a wildcat and how ash never once saw eiji as prey. how eiji never saw ash as a predator. how it is eiji's naivete that first endears ash to him, how it is his freedom and flight and removal from darkness and his ability to leave that darkness that really roots eiji in ash's blood as something essential to him keeping on living in this hell of nyc. how it is that distance from the violence and that hope for the future that ash chooses to surround himself in as he dies. how ash dies in a dream because he feels more than anything that he can't fly like eiji, that he can never leave. how his violence is a part of him and will be forever, how it weighs him down. how he wants to enjoy the view from the mountainside rather than looking up from the ground below. as if they can both fly. as if he is with him up there and not grounded. eye-to-eye with what he can't have, seeing eiji's homeland: the sky. how he dies trying to reach the top because he couldn't take retreating and trying again. how ash, tired and tired and tired and convinced it will go on forever if he crawls back down the mountain, chooses to close his life deluged in eiji, in eiji's insistence that they can fly together, in eiji's hope for him and for them, in eiji's beautiful dream. how ash dies without trying to realize that dream. how ash, in dying, destroys it.
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lnkedmyheart · 1 year
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This one is in response to @fizzytastic asking
"I would LOVE to know what you mean regarding the light novels."
Dazai in the light novels has been down BAD since the day he met Chuuya.
I know the whole "must be because I love you" can be viewed as a joke but my man actually "whispered with a look of regret" at being shot down.
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He also proceeded to cheat during the game by tampering with the machine to ensure Chuuya would lose the bet and become his dog. He was also stated as being in awe of Chuuya's fighting ability, repeatedly refering to him as "incredible". Dazai also flat out admits to wanting to try out living because "Chuuya convinced" him.
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He is even described as having forgotten how to breathe watching Chuuya fight.
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Moving on to the events of Stormbringer, Dazai spends too long exposing his obsession with Chuuya, telling the big bad that he spends all his "days and nights thinking about ways to annoy Chuuya".
He further proceeds to insist that Chuuya is human because of how strongly he hates Chuuya and due to a specific word it can be viewed as him saying Chuuya would hate him less if he wasnt human as was stated in the stage play of the same.
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Furthermore at the end of Stormbringer he offers to come up with a new plan to give Chuuya an out if he needs one when he has to use corruption as a last resort. And he fully intends on coming up with a new plan within 2 minutes.
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In general Dazai does a lot of staring at Chuuya throughout the light novels. On a lighter note Dazai jokes about wanting Chuuya as his personal maid at one point and demands that Chuuya let Dazai look inside his head and know everything there is to know about him.
But then we move onto the dragon head conflict as mentioned in Dead Apple where after making light of an executive's death and getting punched in the face by Chuuya, Dazai is so shaken up by Chuuya implying he's inhuman, he actually pulls strings to try and bring the conflict to an end. He also stops corruption by touching his cheek and pulls Chuuya's head into his lap while he is unconscious after his fight with Shibusawa. The following is from the manga.
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Now everyone knows about the whole Snow White and Prince reference but in the light novel its clarified that Chuuya's ability was not affected by the fog and Dazai knew this but he still forces his head down. Even more telling is that Dazai cradles Chuuya's face for no real reason because Corruption had already been nullified when Chuuya made skin to skin contact when punching him in the face.
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And of course that was how their expressions are drawn in the manga panel
Then we move to the present day and you have Dazai saying this to Sigma about Chuuya
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But then his comment about Gide has him claim the exact same behaviour is romantic in his messed up troll brain
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Basically Dazai has a history of staring at Chuuya in awe since 15, "jokingly" confessed at 15 and then got somewhat upset about the rejection, cheated to be able to keep Chuuya as his, repeatedly makes remarks that imply he is vaguely obsessed with him at 16, tends to let Chuuya rest his head in his lap post corruption, has nullified him twice that we have seen by touching his cheek (as per the movie and once as per the ln). Is actively affected by how Chuuya views him (which was shocking to me).
Aside from that he has also talked about Chuuya to the ADA off screen because Yosano knew about Chuuya and his ability (though this could just be a random update about the membera of the mafia to watch out for during meetings) and I heard he talked about Chuuya to Oda in The Day I Picked Up Dazai ln.
This is not counting any of the seriously insane amount of wan content because I dont view it as canon or atleast entirely canon but there Dazai admits to keeping 27 journals detailing things about Chuuya and its an exaggeration of the canon fact that Dazai prides himself in being a Chuuya Nakahara Encyclopedia. It also plays with how close they both actually are with several character refering to them as besties, Chuuya being forced to admit he doesnt actually hate Dazai.
(Oh and this is not even considering just how much Dazai touches Chuuya, like in the manga there is a part where Dazai keeps tugging at Chuuya's hair and refusing to let go while complaining about how much he doesnt want to touch him. Just let go dude...)
So yea, I would not be surprised if Dazai has his vows prepared by the time the last pre defection ln drops. Ofcourse this is mostly a lighthearted joke about Dazai being down bad but in all seriousness, Dazai genuinely cared about and still cares about Chuuya and its made extremely obvious throughout the novels. Its actually worth noting that it was actually Chuuya who seemed to be more vitriolic towards him until the end of Stormbringer where Dazai actually gives Chuuya a choice and shows open concern for Chuuya's needs. Hell Dazai was also the one insisting on Chuuya's autonomy, while he keeps insisting Chuuya is his dog, he hates the idea of people using him like a tool, its why he always gives Chuuya a choice. Chuuya always actively chooses to go rescue Dazai in Dazai's plans of getting kidnapped. Chuuya can always go, "nah, I dont wanna use corruption" but he doesnt because he knows since the events of stormbringer that Dazai will always give him a choice even if corruption seems like a last resort.
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Chuuya has good reason for trusting Dazai. Its cause Dazai has in fact proven to him that he can trust him. Its why he went in to fight a dragon despite being told Dazai was possibly already dead.
(And yea I know the current arc would have people go "lol he tried to drown Chuuya, he clearly doesnt care" and you know what? That's so dumb. Dazai tried to drown Chuuya, yes. But we dont actually know what is happening with this arc rn and what he is doing or if Chuuya is in any way involved in whatever he is doing. Dazai said all those things and there was no need for him to say that but the fact that he even remembered several moments they shared, yea no, he was clearly affected by it. Maybe I am wrong and Asagiri decided to yeet out all of Dazai's characterization we saw with his behaviour towards Chuuya in 2 entire novels of his past but IDK I think I'm gonna wait till this arc ends and everything unfolds before making a conclusion about how Dazai is such an asshole he tried to drown his partner.)
Seriously, vows are like the least they could do at this point.
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happy father's day i'm thinking about this outis line again
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I always thought it was a bit out of pocket considering this isn't too long after the events of Canto III, even with how Outis was being harsher this Canto.
But I then I remembered that Outis' son is the same age as Sinclair.
Her son, who thinks that she died in the Smoke War (the in universe equivalent to the Trojan War as depicted in the Iliad and the Odyssey) because she hasn't been home in years. Her son who cannot cry out to her. And her son, who is currently in much the same position as Sinclair regarding his self-perception and ability to fight, as Telemachus refers to himself as "a weakling knowing nothing of valor" (Book 2 of the Odyssey, line number and exact wording depend on translation).
I think this line reflects more on Outis and her anxieties about her family thinking that she's dead, as well as a reference to Telemachus experiencing his own journey to manhood, much like Sinclair.
I think there's also things to be said for the parallels between Sinclair and Telemachus, even just the ones imagined by Outis. Hell's Chicken had her showing a very paternal worry over his diet (raise your hand if your dad has ever said you'll be short forever if you don't eat right). Overall, even though Sinclair and Telemachus only share the bones of a coming of age narrative, Outis is seeing connections there because she misses her family.
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As with this one. Again, she's showing her hand more than she means to. Though she's talking to Dongrang, I think she's also talking to herself. Trying to reassure herself that home will always be waiting. Dongrang, however, decides not to return, but to pursue glory no matter who he hurts in the process. The Odyssey also contrasts the pursuit of glory with the desire to return home. Odysseus has to choose humility in order to return.
Outis has been keeping up a careful persona around us, but it's slipping. Her desire to return home is seeping through even as she tries to assert herself by clinging to the glory from a war that's long since ended.
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crybaby-bkg · 5 months
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cw: this got long sorry 😔 but creepy/perv bakugou, recording, film major bkg x art major reader, masturbation, coercion, dubcon before it just becomes con, voyeurism/exhibitionism
as an art major, you typically did some works for a few students on campus; for their plays, as background pieces while they danced, a cover for their released songs. it wasn’t out of the ordinary for people to ask you to create something for them, and you enjoyed it more often than not. but, you weren’t usually the art itself.
Bakugou is a friend’s friend that you’ve seen a few times, ran into at the library or at coffee shops. he’s a film major, and always looks so unhappy about the whole thing, as if he didn’t choose it himself. you joke to Mina that you think he’ll graduate and become one of those directors that hate everything and yell at the actors constantly and later on get sued for being a dickhead. you never say it to him though—you’ve never spoken more than a couple words to the man.
it’s why it shocks you when he approaches you one day. it’s after one of your painting classes, and he stands outside the door with a frown and his hands shoved in his pockets, his eyebrows scrunched as if pissed at the mere sight of you. he asks you, in that low and gruff tone of his, if you could star in his final project for the semester. says it’s supposed to be a film made with this criteria and that, but, you’ve kind of checked out on the conversation after the first sentence.
“You mean, you want me to create something and that be the star of your film?” you ask him, feeling so intimidated at his stature. he always seems to loom, his hair shadowing the lights above, creates a cast over a portion of his face, makes his eyes look…unsettling. like they’re looking straight through your flesh, can find the marrow in your bones. he scoffs like you’ve offended him, rolling his eyes into his skull, mouth pulled tight.
“No.” his voice is firm, gaze concentrated only on you, like the halls are empty and you’re the focus of his lens. “I want you to star in it.”
his words confuse you—you’ve never presented yourself as an actor before, never alluded to wanting to be in the spotlight if not for what you create with your hands. but he shuffles on his feet, looks desperate even. there’s some hemming and hawing for a minute or so—why not choose Mina?—she’s busy—why choose me?—‘cause you’d be perfect for my short film—what’s it about?—you’ll find out once you get the script.
and even after you hesitantly agree and get the script—you still don’t understand what you’re doing. why you’re here, why you’re the only person, why it has to be a solo film, why there’s damn near zero lines in the entirety of the have-to-be forty five minute film.
the scenes are all so long, and maybe it’s because movies aren’t your forte or chosen major, but you just don’t get it. one scene; you’re staring at yourself in the mirror while Bakugou holds a small, black camera over your shoulder. he’s eerily quiet behind you, whispers out a faint fuckin’ go when you have to wash your face in the sink, makes you do it over because your movements are too jerky and unnatural.
the rest of the scenes go that way; you doing regular at home activities, being put under a lens, quietly barked at to do this and move that way and fix your hair and remember to frown.
“Isn’t there another way to film this?” you ask him on the fifth day of shooting in his spacious loft. there’s a bubble bath scene coming up, one you dont understand the importance of, but Bakugou tells you it’s the most necessary part of the entire thing.
“No,” he grunts out, looking at you from under his lashes as he sits on the lid of the toilet. “But I’ll make it soapy, so the camera won’t see much.” the camera? much? you weren’t worried so much about what the camera captured as you were the man behind it. he looks at you with such intensity, you feel naked already despite the robe you wear that’s suspiciously already your size.
he leaves the bathroom when you sink in the hot water, returns before you can say it’s okay, hears the water splashing and thinks that’s good enough. he kneels on the floor beside you, camera pointed directly in your face, makes your chest hot and your skin feel prickly. the scene passes on regularly enough; you run the water over your arms, tilt your head back as you sigh, whisper the few lines scripted, lean back and close your eyes, sigh again. it’s almost relaxing, makes you forget about the friend of a friend recording you naked right now. almost.
“Touch yourself.” Bakugou suddenly demands, hushed and quiet behind the camera. your eyes immediately shoot open, looking to him in question, how he’s eerily still in his spot hovering over you.
“Huh?” you ask, unsure if you heard him correctly, looking around the rounded lens in your face, trying to ignore the red blinking light. but Bakugou only frowns.
“It’s a masturbation scene. Touch yourself.” he repeats, voice louder, more demanding this time. your stomach twists at the thought of doing something so intimate in front of him. he’s a handsome guy, for sure, even made you consider asking him out after this, figured he was just serious about his work and awkward about certain things. but…something had been off about this entire thing since the start.
“But—but I don’t, I’m not,” you stutter, sitting up a little, the bubbles covering your chest starting to disperse with your movements. but Bakugou only sits a little higher on his knees, finally pulling the camera away from his face for the first time since he’s asked you to do this for him.
“You want me to fail?” he asks, booming voice eerily quiet in the silent bathroom, carmine eyes dull, shaded over with something terrible. “Then do it.” he tells you when you shake your head quickly.
you stare at him until he gets back into position again, camera back pointed at you. when he doesn’t say anything else, you swallow thickly, wondering if the art that will come out of this will be worth it. so you listen, sneak a hand under the water, start touching yourself in a way you never have in front of anyone.
is it bad to say that it’s exhilarating? being watched and recorded by someone who breathes so heavily every time your voice hiccups? being directed to touch your chest next when the suds start to disappear and your nipples start to peek through? is it bad that you want him to send you this portion of his film, only, just so you can watch yourself again and again? make a portrait of yourself with your fingers on your nipples and your knees raising from the water and your head thrown back from the intensity in oil pastels?
“That’s a wrap.” Bakugou announces when you finish, head spinning and still panting. you look over to him, how he closes the camera, the obvious bulge in his pants. “I’ll get you a towel.”
you wonder when’s the next time he’ll need you. or better yet—maybe he could be the star in your final drawing project? you had finished it already but, what was the harm in starting over with him as your muse? as naked as you are? camera not blocking his face so you can paint the similarities of his blushing cheeks and eyes when you direct him to look at you? to touch his chest? to play with himself just like that?
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moonshynecybin · 3 months
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Hi! I have been thinking about Marc and the ways he expresses his anger... giving the cold shoulder... the silent treatment if you will (he will speak ABOUT vale but not TO vale let alone WITH vale)... need your input please....
hmm good question.... this got. STUPID long sorry
uhhh marc is, in general, good at keeping his (negative) emotions in check. like i think marc loooooves to think of himself on track as a mature, controlled, and rational dude. above distraction. a killer. a cyborg. idk his dad has talked about how he doesnt really complain much about injury and there's also allll these stories about what a mature kid he was... so i think that when he was young - ESPECIALLY in a racing sense because he was so much younger than most of the people he was competing against - he internalized that in order to do all the stuff he wants to do racing-wise, he reallyyyy has to keep a level head and not well. act his age! and i think that extends to a lot of how he manages his emotions today (at least in a public setting). even in places where im pretty sure hes PISSED (sepang. phillip island 2013.) he just kind of. visibly contains himself. not a confrontational dude in the outright sense he'll clench his jaw and try to work through it.
which is part of what makes his valentino-oriented crazy so interesting. bc people were noticing that marc in 2015 was kind of. being weird. as his and valentino's relationship deteriorated. like they were both outwardly very much like we can keep it on track :) until the big fallout towards the end of the year but uhhhh. well marc has said that vale started pulling back in september of 2014 like he was noticing SOMETHING, and they clashed on track A LOT in 2015, and i think marc sensed vale cooling on him and freaked a lil. hashtag neurotic 22 year old moments. he is my favorite crazy ex girlfriend. like usually he IS good at separating that stuff out and managing his emotions in the racing sense but in assen that year when vale overtook him off track after they made contact he raised a BIG stink with race direction and actually had some uh. not especially chill quotes about it. (it should be noted marc was also flopping for the first time in his motogp career. like in his brain he stopped winning AND vale stopped talking to him he was goin through it) adn all the reporters noticed too they were like. why werent you sucking and fucking in parc ferme. like vale's left turn wrt to spaniard sabotage comes outta nowhere but people WERE noticing that things were changing. i bet marc noticed too. BUT they are not the type of people to talk about these things so they keep it to vague flirting in presscons and escalating on-track tension slash proxy wars waged in race-direction contexts... liek truly you are 22 you are not going to keep your championship title and your hot sports idol bestie is no longer flirting with you on twitter and you COULD just talk to him about that but you'd rather DIE so youre going to ask honda to back you up to race direction about your last race where you DEFINITELY lost bc winning is the ONLY thing thatll make you feel better. even though thatll help convince your hot sports idol that you are engaging in a benedict arnold level betrayal scheme against him. an insane time to be marc marquez. 2015 really kind of is a study on how both of them handle losing: NOT WELL.
and then the thing about sepang is that then the lid is blown clean off and marc spends the ENTIRE race being annoying on purposeeeee. hes so fucking pissed and hurt at valentino that he decides to get under his skin for REALSIES instead of focusing on his race. like idk he probably would have fought hard for the win without the drama that how he works but uh. i think he was being annoying specifically to bite at vale's edges. and part of that is bc marc is naturally and effortlessly annoying. but i think part of it was SPITE. like his team advised him not to speak on anything from that presscon and he didnt, but he can still fuck him over on track. get under his skin. like he cant tell vale to his FACE that he's angry and confused and hurt. but he CAN let him know on that fucking racing line. where he cant be ignored. idk like i cant see marc letting anyone else get under his skin like that.
AND another big ass exception to the marc marquez anger management philosophy is from misano 2019 where vale messes with his qualifying lap. a lovely anon sent me some videos of marc talking to the press and jesus christ i dont think ive ever seen him angrier oh my god. AND the anon also linked the race from that weekend where he won and he celebrated harder than ive seen him celebrate some TITLE wins like he went. notably nuts. the commentators were all like uhhhh. he mustve REALLY wanted to get one over on vale adjfhlkdh... idk if any of this answered your question but his relationship to his emotions fascinates me hes so weirddddd. and its interesting to me that he can shrug off jorge ruining his last race at honda and be friendly but also be like. kind of aloofly pissed at bezz. because of valentino! he can repress the rest of it, but valentino shines through the cracks.
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uncanny-tranny · 6 months
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At this point, gender nonconformity is about what the person says their experience is.
If a woman with a beard or a man with lipstick and a mustache says they're gender nonconforming, then they are! If a woman with short hair or a man with long hair says they aren't, they aren't! And that's not even getting into the awesome nonbinary, abinary, genderqueer, intersex, and general genderfuckery that may both be and not be conforming.
So much of what is even considered gender conforming or gender nonconforming is based on a world of exclusion. When we start defining one's conformity with whether they fit into white cishetero perisex standards or not, we play into the idea that there's only a very narrow window of what is considered worthy of time and thought.
#gender nonconformity#gnc#queer#like. for instance a native man who keeps long hair might be considered GNC by white standards but for him it's absolutely not nonconformit#there's an aspect of white supremacy that silences everything else while saying that other culture's silence is indicative of whiteness...#...being 'correct' or 'moral' or 'neutral'#and as somebody who's trans and last i checked white i have my own thoughts from my own experiences#like how i don't consider myself to really be a GNC man. i'm just. man+#i'm a weird concoction of weird soup that tastes like a man but if it were Wrong#and i just don't see that as not conforming to manhood like it is seperate. i see it as irrevocably linked TO manhood#it is others who have excluded and exiled me from manhood because of *their* understanding of me and how i 'fit in' in cissexism#while i will never ever say i know what it's like to not be white i will say these conversations that PoC have started have been INVALUABLE#i am forever grateful to have been extended the patience and faith to listen in on the experiences of people...#...who are racialized in terms of gender and how they do/don't 'fit in' with often white supremacist views on gender/dynamics#may have made a post like this years back but. eh. arrest me officer i will not back down#i've been more and more 'gnc' as i go into my transition and i don't see it as nonconformity but as an outlet for my masculinity#which is why i'm not insecure about my crafts and creations. because it is coming from a male whether or not it's considered 'manly'#i have little to *no place* in cissexist society so why should i put any stakes into if they ~accept~ me#made this post while jamming out to skyrim's tavern OST (paused my game to write this)#why the HELL does the skyrim tavern music have to go SO HARD. i NEED to slam down BARRELS of mead while listening to this istg#i don't even LIKE honey so i haven't tried mead but. for skyrim i would.
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spookygibberish · 21 days
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Dogstock are typical of what are often deemed the ‘evil’ races in many other fantasy works. They were created by some higher force to be slaves, they are carnivorous by nature, they resemble animals other than human in dentition and build. They growl and bite and walk behind.
The Uhasr (a dogstock culture) are descendants of such slave-infantry that was abandoned when the empire that used them to capture the steppes decided the land wasn’t so profitable after all, and more pressing matters drew their attention elsewhere. Like tools left spent on the ground, the unneeded, excess dogstock were left to survive on their own in Hochkiskuph. The native peoples, of course, did not welcome them any more, or see them any less as oppressors when the hand released the lead. To the Hochkiskuph peoples, the Uhasr are a predatory ghost, an echo that consumes them even in absentia. To the Uhasr, one human is much like another, differing in number and equipment, but never in essence. Uhasr are a species of wild animal with a human face. Humans are prey on two legs. Humans smoke and poison uncovered dens on principle, Uhasr abduct and consume men and women and children all the same.
A common trend I have noticed in media which aims to humanize monsters, is that it often relies on passivity. Humanity is contingent upon kindness. The monster that is A Person only so long as they are a harmless thing at heart, something which can be understood and befriended. Their violence is reluctant, their hearts noble. Grace is a concession to the dominated. Only the toothless beast, declawed and pinioned and caged, is one which has earned its personhood. The ontological enemy supersedes the ontological man.
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