thinking about how eiji's a pole vaulter and how ash talks about eiji "flying" and how eiji's associated with bird imagery and how eiji's free (unlike ash) and how eiji comes in on a plane and leaves on a plane and how ash cannot fly, ash cannot be free, how nyc is ash's prison, and how ash is the leopard who dies climbing the mountain, unable to live at such elevation, how he was trying to reach the sky and be free but was always stuck to the earth, how he chose to die instead of climbing back down, how he chose to die where he could see the sky and hope and freedom almost like a bird with eiji's letter right in front of him rather than letting everything go wrong and ruin it once again, how eiji's a failed pole vaulter anyway, how a bad fall ruined his career and grounded him (physically and emotionally), how it took flying to america and meeting ash and needing to save him and skip for him to try flying again, how he landed hard and harsh and still the thought of that escape compelled ash to protect eiji at all costs because if he could fly that means something to him, even if he doesn't think he can fly, how eiji is the manifestation of his hope and how when he breaks and asks eiji to stay with him a while he folds himself over his legs and weighs him down and traps him and grounds him, how ash fights like hell to keep eiji alive not because he thinks he can be like him (hopeful, flying, innocent), but because he makes him forget the gravity of his situation, and so he can see eiji fly again. how he wants to see him escape. how eiji is a bird and ash is a wildcat and how ash never once saw eiji as prey. how eiji never saw ash as a predator. how it is eiji's naivete that first endears ash to him, how it is his freedom and flight and removal from darkness and his ability to leave that darkness that really roots eiji in ash's blood as something essential to him keeping on living in this hell of nyc. how it is that distance from the violence and that hope for the future that ash chooses to surround himself in as he dies. how ash dies in a dream because he feels more than anything that he can't fly like eiji, that he can never leave. how his violence is a part of him and will be forever, how it weighs him down. how he wants to enjoy the view from the mountainside rather than looking up from the ground below. as if they can both fly. as if he is with him up there and not grounded. eye-to-eye with what he can't have, seeing eiji's homeland: the sky. how he dies trying to reach the top because he couldn't take retreating and trying again. how ash, tired and tired and tired and convinced it will go on forever if he crawls back down the mountain, chooses to close his life deluged in eiji, in eiji's insistence that they can fly together, in eiji's hope for him and for them, in eiji's beautiful dream. how ash dies without trying to realize that dream. how ash, in dying, destroys it.

Underrated reason why Lyanna as the KotLT just works is because it follows a pattern of deconstruction re the concept of knightly chivalry and honor, from Lyanna herself to her son 15yrs+ later. Lyanna as the KotLT is a gender-swapped version of the ‘knight rescues a helpless maiden from raucous bullies’ trope, but grrm of course puts his spin on it because one Lyanna is not even a knight to begin with and two, she’s a girl. Then knight!Lyanna fights the bullies which is again an adaptation of another trope: the ‘mysterious knight-errant enters the joust and wins then dips’, which is interesting because these types of knights sometimes fall into the black knight trope. And the black knight is, more often than not, not the hero. But the main reason why this is so interesting is Jon. Lyanna “cosplays” a black knight, but her son Jon later becomes an actual black knight. Jon then repeats his mother’s actions by defending Sam in AGoT, which is another subversion of the aforementioned ‘knight rescues a helpless maiden trope’ because the helpless maiden in this case is a helpless…lad…Though Jon and Lyanna acting as agents outside the bounds of knighthood (Lyanna being a northern woman and Jon being a member of the NW) puts them more in line with the traditional black knight (who is usually an anti-hero/villain), the actual essence of their actions puts them closer to the more valiant and honorable white knight according to tradition.

heres yalls science teacher. have fun go crazy

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saw alot of comments on prev pages; saying 'i HATE that mean teacher! im gonna FIGHT HIM!!' & i LOVE the energy!! it WOULD be nice. to have that catharsis. but the story of young tidestrider is Not one of catharsis. it is a story of being so small and so special and sucking so bad.

So @fireandgrimstone and I once had a discussion about how mxtx handles Xie Lian’s crossdressing in tgcf, the gist of which was whether or not it was falling into a gender essentialist trope ("you can always tell when a man is pretending to be a woman!") despite how much of the story tackles a kind of gender fluidity amongst other characters. I said I’d return to it once I reread it again to see how I felt reading those bits in context, so here I am!

The first instance of Xie Lian cross-dressing in the story is during the very first mission: the ghost bride. In order to find out who is kidnapping brides in the area, Xie Lian dresses like a bride to act as bait. When he first gets dressed, this is how he is described:

If you asked anyone to come and see, they would be able to tell with a glance that this was a young boy with a gentle and handsome looking face.

—Chapt. 6: The Ghost Holds a Wedding, The Crown Prince Climbs Onto the Marriage Sedan (Part 1)

You can "tell" that he is still a man, even as he wears the wedding outfit, we are told. However, later on, Little Ying comes and helps fix up Xie Lian so that he looks more like a bride. When next the others see his face, this is how he is described:

How could Xie Lian have known that a girl’s skill in make-up created legendary and mystifying results? Little Ying had only taught him how to fix his eyebrows by drawing them elegantly, how to powder his face with some white powder and how to dot his lips with deep, red rouge. However, if he didn’t speak, Xie Lian looked exactly like a gentle, soft and beautiful young lady.

—Chapt. 9: The Mountain’s Locked Ancient Temple, The Forest of Hanging Corpses (Part One)

A little bit of makeup and reshaping his outfit has transformed Xie Lian from someone you could tell was a man "from a glance" to someone who "looked exactly like a gentle, soft, and beautiful young lady." Even the crowd of men acting as "guards" could not tell Xie Lian was a man, and at no stage in this entire arc is Xie Lian uncomfortable with the act of cross-dressing, at being honestly mistake for being a woman, or Mu Qing and Feng Xin's negative reactions. He is indifferent to it all.

The next major moment we see him cross-dressing is when he is running away from the group of cultivators hunting Hua Cheng:

Behind the curtains sat a woman, her long raven hair hung a loose bun, her neck slender and white with a black choker and a thin silver chain circled around. Her robe was half stripped, revealing her snow white shoulder and a small bit of her back, looking to drape and fall, making one’s face burn and heart race.

When the curtains were pulled, the figure of that woman trembled, covering her face with her sleeves, and whimpered softly, as if she was shocked and terrified by such a sudden and brutish act. Heaven’s Eye instantly dropped the curtains, “I-I-I-I-I-I’M SORRY!!!”

The band of monks and cultivators who followed after Heaven’s Eye all screamed too, “WHAT A SIN, WHAT A SIN!” And they all covered their own eyes. Using this chance, that ‘woman’ whipped around -- who else could it be but Xie Lian? Hua Cheng was sitting in his arms and was only blocked from view by Xie Lian’s body. Although Xie Lian was a man and his shoulders were wider than the average woman, but he only pulled down half of his robe to expose the best angle, creating the perfect effect.

—Chapt. 137: Upon Barren Hills; Rioting the Black Hearted Inn (Part One)

Just as with the makeup and reshaping of the bride outfit, wearing a woman's robe, stripping to show off some skin at an angle, and whimpering a little was enough to trick this group of men into thinking he was a woman. The cultivators are so embarrassed, they run away, but even the passerbies who catch a glimpse of Xie Lian fleeing later in that same outfit have the vague idea that it is a "woman" they're seeing running with a child. Then, in the same outfit, Xie Lian enters an inn and we get this hilarious interaction:

A moment later, the door opened, and several attendants came forward to greet, their faces full of smiles, “Good si...”

They had wanted to say ;good sir’, but seeing the person before them was wearing women’s robes, they changed, “Mis...”

Before the word left their lips, Xie Lian emerged fully from the darkness with Hua Cheng in hand. If there’s a child, then it wasn’t an unmarried lady, so they changed again, “Mada...”

‘Madam’ was still half on their lips and Xie Lian’s face was fully illuminated by the light within the inn. Although this person was dressed in women’s robes and had a gentle countenance, if they must be honest, no matter how they looked it was the face of a man. The attendants all became mute, and it was a good moment before they went back to their original greeting, “Good sir, please come inside.”

—Chapt. 137: Upon Barren Hills; Rioting the Black Hearted Inn (Part One)

None of the attendants are able to tell Xie Lian's gender just from a glance. They rely on context clues (his clothes, the fact that he's with a child, then finally, his bare face) to finally decide that he is a man. Xie Lian is not discomforted by this either, not even to correct them. In fact, the narrative says that he feels no mental or physical discomfort as he is. Mind you, in this world, it is established that gods can and do change their physical forms to match a certain gender, but despite having the power to do so, not only does Xie Lian not take this route but he is still able to successfully appear as a cis woman to both strangers and his closest friends with only the minimalist of effort. Neither he nor the narrative place any expectations on how he "should" feel being man mistaken for a woman, nor do they waste time trying to explain to other characters why he is dressed as one like what one would usually see with this trope. Xie Lian simply exists in the form most comfortable to him and changes minor appearances to produce the aesthetic that he needs when he needs it. No more explanation is needed.

The thing about Xie Lian, too, is that while he is assured in his own gender, this does not translate into him being adverse to either weaponizing gender to reach a certain goal (such as being bait in a mission or hiding from enemies or just finding a dangerous object) or others doing as they please. Shi Qingxuan repeatedly attempts to wheedle Xie Lian into transforming into a female form with him, but though Xie Lian refuses for himself, he never shows disgust that Shi Qingxuan prefers his female form, unlike other gods.

Due to all of this, I don't see the repeated mentions of Xie Lian's maleness within these cross-dressing scenes as meant to reinscribe the gender binary but, instead, to impress upon readers how simple it is to throw gender into question. Gender is just that malleable and its perception so easily manipulated that even one of the most manliest men in the story can be viewed without a shadow of a doubt as a woman. Xie Lian is proof.

Pebbles hating on Sun? I'm here for it. I love your version of Suns so much because it just encapsulates all their flaws that people often ignore. Is this my Pebbles bias speaking? Yes absolutely. Nobody LETS Pebbles be angry towards Suns when he has every right to. They just let the anger be outweighed or completely ignored in the favor of Pebbles own screwups.

I want to see Pebbles come into his own, decide he has worth as a living person, and there is value in living. Then, as someone who values his OWN worth, realize that Suns was toxic. That their friendship and mentorship was toxic. Let him be angry and let him cut that out of his life so he can focus on righting his own wrongs (which Pebbles does canonically anyways).

Realistically, Sun's and Pebble's friendship would never be the same. Even if Pebbles forgave Suns, I can't see their relationship being anything but strained. Moon and Pebble's situation cannot be compared to this since Moon is A. extremely forgiving/patient and B. her collapse was an accident on Pebble's part. She was angry yes but chose to rekindle her relationship with Pebbles in the end.

Five Pebbles is a completely different person from Moon and has a right to handle his mentorship with Suns in HIS way. So yeah, I cannot see off the string Pebbles doing anything but trying to heal from what Suns did to him (while also dealing with his own guilt).

here's a treat cuz oh i Know you are here for this, every time my version of these two are mentioned you come runnin jgksdlmcklsdm

No memories remain of anything before

Yes, I'm with you in a garden of carnage

In a mayhem of trickster and tricked!

Forgive me if I'm a bit nervous about Gorgug this season. It's just that the last Zac Oyama pc was Colin Provolone, who was arguably one of his greatest D20 performances, if not the greatest.

Zac always does great with every pc he plays, but Colin was something else. He came out swinging with actions and words that were teeming with unspoken emotional baggage. The way Colin's presence affected the other pcs; there was this level of depth that I don't think I've seen in any of his other characters. It was understated and quiet in that signature "just a guy" way that he tends to be, while still captivating everyone instantly with just how raw it was.

Not to say we haven't seen emotional depth in Gorgug. It's just that, compared to the other Bad Kids, Gorgug's journey and progression as a character has been very... impersonal? Like, yes, he found his birth parents, and he found friends who appreciate him, and he faced his insecurities about his intelligence, and he navigated relationship troubles, and his trial through the claustrophobic bug-tunnels was a horrifically-uncanny parallel to how he's spent his entire life trying to make himself as small as possible.

But how much of that has actually changed him from the Gorgug we started with? I would agree that he's definitely happier with his life, given all the loving and supportive people that have been added to it when it used to be just him and his parents. And he's certainly grown into himself and become more self-assured in his abilities, even if he's still, and always will be, our anxious little guy. And there's nothing wrong with that. I've always liked how Gorgug was a representation of all the little things. The subtle acts and kindnesses that don't seem like much to most, but to some are everything.

We don't need another Bad Kid living in fear that their mouth could be shit-in at any moment. We've already got one-too-many.

All that being said, I just feel like Gorgug's personal story beats are much easier to sweep under the rug than everyone else's. He has the same soft and understated quality that Colin held, but they lack that extra oomph that pushed Colin over the edge from being just another guy in a series of dudes, to a character that the vast majority of us could not get out of our heads. He took someone who was anxious and softspoken, who ultimately never wanted to be violent— someone who is remarkably similar to Gorgug in many ways— and maintained that demeanor and core in Colin's character while still hitting us in the feels with character development at max velocity at every turn.

I think Zac gets better and better at this with every season that goes by. With each new character, there is always something that leaves me stunned in awe. And it's been, what, three? Four years since we last saw Gorgug?

I'm just,,, I'm cautiously optimistic but also going into a bit of a worry about what violence this man may inflict upon us

I don't know if this a hot take or not but I really disagree with the idea that Yukio is jealous of Rin's power and physical strength? Rather, I think it's Rin's emotional strength that Yukio envies.

I have a lot to say about this lmao, so I'm just gonna put it all under the cut that way people who don't want to read this long ass analysis don't have to. Also, manga spoilers.

Blue Exorcist is a fun shonen manga because it measures strength outside of just "how hard can i punch this dude." Often, when characters talk about getting strong, they're talking about wanting to be mentally resilient; they want the ability to persevere, to be independent and face their fears/emotional turmoil on their own. Shiemi is a good example of this, I think. She constantly talks about being strong, but usually in the context of naviagting the world after living so long in isolation, and struggling to support her friends. Yes, she wants to get physically stronger, but at the core, she just genuinely wants to have a strong spirit (like a weed), and to be emotionally strong enough to help carry her friends' burdens.

Now, back to Yukio.

The biggest reoccuring theme in Yukio's jealousy is how he puts his brother on a pedestal, while constantly downplaying every good thing about himself (they both do this lol). You'll see this a lot in the examples I bring up.

There are four scenes I really want to focus on when discussing just how Yukio defines strength: his flashback in Chapter 29, his inner monologue in Chapter 37, his suicide attempt in Chapter 93, and That Time He Shot Rin in the Head in Chapter 96.

In Chapter 29, Yukio has this five-page montage of flashbacks, depicting specific moments where he felt both admiration and envy for Rin. And each of these moments highlight Rin's empathy, his care-free behavior, his kindness, his ability to inspire others, his desire to protect his little brother. Not his habit of setting things on fire.

This is important because Yukio fundamentally believes that he is not a good person. He believes he is not kind, selfless, or brave. When he, as a child, cries because he can't adopt a puppy he wanted, he's envious that Rin is just happy to see the puppy in a nice home. When his brother rushes to save him from bullies, Yukio's upset that he couldn't do it on his own, that his brother feels he is so weak he can't even take care of himself.

From Yukio's perspective, these are examples of Rin either outshining him inherently or looking down on him. No matter how strong Yukio gets, he will never not be able to feel bad for himself when the puppy is given to a different family. He will never be able to prove to his brother that he can do things on his own. He was born with this weakness and he can't seem to kill it. He can't win, and he hates it.

In Chapter 37, after defeating the Kraken, Yukio and Rin have a little heart-to-heart. Here, we see Yukio's true feelings towards Rin's claims of "surpassing him", which is that Rin already does. Yukio feels that if anyone needs to surpass anyone, it's him. He will always come up short where it counts, whenever he needs to let things go or be more empathetic. Yukio is strong of body, but weak of spirit.

So, with this in mind, when Yukio falls to his knees in Chapter 93 and says, "I was weak, and I couldn't get any stronger," he doesn't mean, "damn. wish i could've harnessed the demon power in my eyes to blow shit up." No, he's admitting defeat. He tried so hard to be strong, both physically and mentally but especially mentally, and he failed. He couldn't carry burdens like his father and brother could, like his friends could. He was cruel and cowardly. He hurt people he loved, and as long as he continues to live, he will keep hurting the people he loves.

What is strength to Yukio? It's resilience. It's taking risks. It's independence. It's Rin.

(Or at least, how Yukio sees Rin. As I've said before, he likes to put Rin on a pedestal.)

In contrast, weakness is cowering. It's waiting for someone else to solve the problem. It's hurting good people who haven't faulted you. It's Yukio.

That leads us to Chapter 96, and this---

This is kind of the crux of it all. Yukio is suffocating on his own perceived weakness and seeking to escape it. Here, Yukio is burning every bridge (the fact that this is literally taking place on a bridge is pretty ironic) that could possibly allow him to return to the Order to ensure he does what he needs to do. To be strong, he needs to be independent. To be independent, he needs to be alone. He can't let his brother solve all of his problems anymore.

So, like. Yeah. In conclusion, I think Yukio is heavily inspired by his brother's strength of character, just as much as he feels abased by it, and that's why his ideas of strength steer closer to broader concepts like bravery and self-determination rather than "let's hit the gym and summon Satan." He uses physical strength as a mask to conceal his perceived emotional weakness.

Exchange #11: Rose's gift for Arturo!

sorry but im still just thinking about how batman 105 (aka the comic where bruce gets his tits out and asks khoa to stay) begins with them having a sloppy breakup in the rain and khoa offering bruce to travel and save the world together, they'll live lavishly and gather resources. and then MAYBE they can tackle gotham together. hes trying to convince bruce to stay and that hes going to get himself killed because of his stupid bleeding heart and how he blames himself for every loss. that together they can conquer so much more. and bruce responds by calling him broken and telling him he's angry that bruce is always going to care about the people he saves. he's still determined to go, still choosing gotham over his best (and only) friend.

but he tells him this as theyre in the rain and khoa is still trying to convince bruce to change his mind despite the plane being there and knowing that bruce wont. bruce is one of the only people thats seen his face and knows his name, the only person that truly knows him—yet all those years they spent together still isn't as important as that vow bruce took as a mourning 8 year old boy. so he demands for bruce to never say his name again—he doesn't get that right or the one to see his face ever again. and bruce still doesnt change his mind, leaving khoa behind without so much as a glance behind him.

while batman annual 2021 is khoa bragging about his greatest feat—taking down madame midas, the woman who laughed as his mother was killed and as her father strong-armed his father's independent business. he doesn't tell bruce this but it still ends with bruce pointing out there has to be a reason he cared and spent so long on it. khoa denies it, of course, repeating back what he tells himself constantly. he doesnt care about anything (and, by extension, about anyone). but the comic literally just showed us, the reader, between those two pages that this isnt true! he had a personal motive, he recired back the words she told him all those years again! but after khoa says he doesnt care about anything is the first time on panel that bruce calls him khoa again (as far as i remember :p)

but then khoa is suddenly changing the topic!! not allowing bruce to continue, not even acknowledging the name or all the years it nust have been between the last time someone called him that—the last time BRUCE called him that. and its only after the accusation of khoa caring like how he does—of khoa not being ‘broken’ like how he said the last time he attempted to use that name!! AND that this is their last chronical interaction (on panel) before khoa is the one leaving bruce behind to train bao...

im sure bruce used it off panel before this (and it was probably during sloppy old man sex) but this being it on paper has been making me go >:3c!!!!

haha wow they're wrapping things up nicely so far! what do you mean jay is staying in fionnaworld

four walls playlist

now that sonic prime is over im even more confused about people insisting that its canon and will tie into the game timeline somehow and its place in the timeline will be clear by time the show ends . like all the little contradictions that make it hard to believe this is the game universe aside. theres no undeniable in universe evidence that this is the game canon and not just a separate universe thats more faithful to the games than any of the other sonic tv shows are. and theres also no hint to where this would take place if it was canon aside from shadow and rouge being there but that doesnt really narrow it down much . this whole situation is just confusing and weird

aurghhh ok still rewatching '97 and the way guts and casca only have the room to breathe and really come to understand and care for each other in griffith's absence because he has such a strong hold over them both.... and the way their mutual dedication to him is what causes them to bicker for years (casca thinks he's not serving him well enough, guts thinks she doesn't get that he cares/how much he cares, casca's jealousy over griffith's feelings for guts, how he won his heart without even trying or being aware of it or doing anything with it) and is also a big part of what brings them together (earlier when guts deviates from the plan to save griffith and she commends him, in the cave casca opening up about griffith and her's past, showing that vulnerability, while it's mostly confrontational, leads to guts kinda getting her better, and his efforts to save and protect her (falling off the cliff with her, taking on the 100 men so she can escape, encouraging her to return to griffith so she can help him because it's what she feels she's meant to do (her dream, the direction in life guts shares and yet is questioning because of griffith's speech at the fountain, whether or not it's enough to serve him if it means he'll never be a true friend in griffith's eyes because he's not an equal), supporting the idea of her being with griffith/being his most important person like he won't because he doesn't view it as a competition like she has been since day one) leading to her realizing that he's kind of not that bad a guy and they have a lot more in common that she thought. and how the bonfire of dreams conversation is guts opening up to her in kind, the answer to her talking about how griffith saved her, how she feels. how neither of them ever call it love but it's something they know they both have for griffith. how it's something they're beginning to have for each other, different in ways they couldn't put a word to. because they're equals this time. the way griffith kind of becomes less and less important as they find other reasons to live and fight, as they become less singularly obsessed with him. how griffith is unable to stand it, guts' personhood, that agency and peer-to-peer equality he claimed to want (and perhaps truly did) that disappeared guts from his life, his plans, his side. how it barely even matters to griffith how casca changes because he never wanted her like she wanted him. god i can't fucking stand their shakespearean nonsense drama (<- hopelessly in love with their interpersonal dynamics)