On Repeat

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Whew,,, I finally finished these! Thank you @elderwisp / @elksun / @living-undead / @dejasenti99 AND @yukikocloud FOR THE TAGS!!!! Holy wow :0

Tagging :

@circusjuney / @butteredfrogs / @mmonetsims / @flovoid

@birdietrait / @venriliz / @retrotrait / @mattodore

plus anyone else who wants to do this! Also feel free to ignore esp if you've alr done this, idk who has and hasn't im sorry 😭😭

// Extras under the cut - below is very long, so open w/ caution if you don't wanna scroll a lot 😭

This has taken the piss outta me (albeit fun), so i'm kinda just gonna explain how I think the featured line in particular is akin to the OC/Ship and not the entire song... as much as I'd love to 😭 Also it's just SUPER hard (for me) to find songs that I relate to my OCs, lyrics as well so skdjhnsjk

Roo's Song Oil & Water by Origami Button "When did I become like the ones I never thought I'd welcome in my home"

The above line in particular is quite literally Roo in the current story/character arc- He's looking at himself from a third person view and going "Oh. I am what I hate." He's looking at his old self, in college, and how he treated Leo, to now, looking at his present self and seeing the way he creeps on Leo, how he clings to him despite being several states over. Roo looks at the progression of his stalker-ish behavior, his obsession, how it went from just general clinginess that Leo could bear, to something completely unbearable after 7 years of no contact, it saddens him. So taking it quite literally, if he was at his own door and he knew how awful he was, he would slam the door on himself. A painful self reflection for him :')

Leo's Song Truth or Dare by Ricky Montgomery "Hiding in the closet, trying not to vomit, didn't even want it"

The entire first verse for this song can be applicable to Leo. As a teenager (15-16), Leo went HEAVY on drugs as a form of escapism from his parents, of course they'd always find him and get on his ass HARD for doing that shit. After a while of being sober, Leo started going to house parties, great idea- Flash forward to his third house party, and he finally cut his year long sober streak for drugs. as many as he could fit in his body. He had terrible influences around him so they encouraged him to do this shit, it didn't take long for his body to feel the god awful effects of taking so many drugs, so he ended up in the bathroom for a while- He tried to hold back the vomit because he was,,, partially enjoying his high, but he couldn't hold it back for long and ended up passing out, but not before nearly gutting himself from vomiting so much. Cut forward in time, and people got worried, bashed open the bathroom door and found Leo's unconscious body slumped over the toilet 🙃 Obv he came out fine, but it's a major moment in his life, because looking back on it, he realizes that wasn't what he wanted, he just wanted attention, he wanted to be cool, he wanted to be rebellious, but he didn't want to (nearly) kill himself. The render isn't one-to-one with the situation, but the lyrics are accurate so :3

Onia's Song Bloodstream by Soccer Mommy Scene used in render "Now a river runs red from my knuckles into the sink and there's a pale girl staring through the mirror at me"

Overall, the song talks about how the artist (Soccer Mommy) has lost her childhood innocence and how she wants to go back to her childhood and putting Onia's Sheep in Wolf's clothing motif aside, Onia misses being a child, and misses not knowing the pain and burden of being the complete opposite of what her parents wanted, so she spirals over this a lot, and like the lyrics say, "a river runs red from my knuckles into the sink," She tends to lean towards harming herself, in this case, her hands, and her knuckles- I can't draw or simulate blood in either blender or GIMP, so the red light is supposed to simulate the blood-sodden sink that she's standing over, and of course, "pale girl," is Onia, she's staring at herself, but additionally I like to think she's staring past the mirror, or staring through it (wink wink), she's spacing out and thinking about who she should've been, or who she could've been.

Hero's Song Following Eyes by Soccer Mommy "An awful feeling started creeping over me and what I saw was like no horror I had seen"

I'm keeping this short and sweet. It's not easy to find a song (that I like) that's about being haunted or cursed so. I had to re-use her song from her intro post, which isn't bad, but I did hope to find a new song kdsjhnsjk Anyways. Hero's cursed, pretty much anywhere she goes, she is forced to perceive ~the horrors~, sometimes she's forced into a blank space, a void (SOMETIMES,,, not a lot,,, rarely moreso), where she'll be tormented for who even knows how long, this moment in particular, she was walking along this catwalk in the dark, she eventually felt something that felt similar to someone dragging their fingers up your spine, in a moment of fear, she turned around and just. saw. She looked onto this,,, being, what she saw was "like no horror I had seen,,," Although to be fair, the creature isn't all that horrifying (which in my defense.. I'm a blender novice so </333)

The Hiraeth Song Nomu by Good Kid "Four eyes entwined draw four separate lines and none of them point to you"

I think this song overall is a perfect example of Roo and Leo's relationship both after Leo's confession and after Roo tried to reconnect with Leo. After Leo confessed, he tried to keep their relationship going, but it didn't work out, so he gave up (Roo didn't realize Leo was pulling such a weight and he just let their friendship fall out) After Roo tried to reconnect (aka the CURRENT storyline), Roo has been trying to keep things together and has been trying to make things work, but Leo has long-since given up on their friendship as a whole. Now in terms of the lyric above; Post-Confession, every conversation they had together would not be the same, they couldn't look each other in the eyes, their eyes would connect momentarily and separate almost immediately; Nowadays, if they WERE to be living together or near each other, they just would NOT be able to talk to each other, because Leo would be fed up with Roo and trying to avoid as much eye contact and general verbal+physical contact as possible with him. Roo, on the other hand, is just terrible with eye contact so he would have a terrible time trying to engage in eye contact with Leo.

The Ithanel / It's All Wrong Song From Eden by Hozier "Babe there's something broken about this but I might be hoping about this oh what a sin"

Ithuriel and Nanel's entire relationship is inherently toxic, they are not toxic to each other, but the underlying (or moreso, the OVERWHELMING OVERLYING) dangers of this relationship makes it toxic, broken in a way. Nanel risks her life going to see Ithuriel outside of work-related interactions and Ithuriel risks her life by just. seeing, talking to and loving Nanel. Whether they know (they do) or care (they dont) about these dangers, they still want this relationship, they live on, literal, prayers that they are not caught and that they can continue to love each other in peace, but overall, their relationship, in the eyes of the heavenly council (ehhh W.I.P term for IAW lore stuff), is a sin, and nothing but a sin.

Ithuriel's Song What You Mean by Rome Hero Foxes "Cause every little god damn thing you do makes me wanna get close to you"

The lyrics speak for themselves... Ithuriel is very dedicated to Nanel, and literally every waking moment of seeing and knowing Nanel drives Ithuriel up the walls because she loves her so much.

Nanel's Song Future Me Hates Me by The Beths "It's getting dangerous, I could get hurt, I know, I've counted up the cons, they far outweight the pros."

This is semi-foreshadowing, but Nanel knows that her and Ithuriel's relationship is forbidden, wrong (not cuz its gay necessarily,, 😭), and the way Ithuriel's heavenly role works means that their relationship status and every interaction outside of a required interaction is a risky game of one or both of them being punished and sentenced to death. But ! Nanel loves Ithuriel wayyyy too much to let how insanely dangerous their relationship is to get in the way of them loving and being with e/o.

Nirvana's Song 1999 by Beabadoobee "And I'm not wasting time again, closure instead of s^x, and I'm not wasting time again" Idk if I need to censor s^x but i am justttt in case...

Oof, Nirvana... Nirvana has always been sxually active, she's always had one-night-stands with other men, she's tried to continue things after that ONS, but it never works, she's tried to have relationships with women, but they just use her for s^x. She's tired of wasting time with people who just want her for her body, she's tired of s^x, she just wants, well, closure, she wants someone who will love her for her, she wants a relationship without s^x, or at least isn't s^x-focused, she just wants to know someone will love her past her body. Although aforementioned is all just a habit so she will unfortunately end up right back where she started and continue this uncomfortable and sad spiral.

I want to talk about the way aromantic experiences can be represented in very meaningful and validating ways without characters being written as intentionally aro, and also I want to talk about aro-spec Magnus Burnsides headcanons. Luckily, I can do both those things in one post!

During the events of the podcast, Magnus is disinterested in and often straight-up uncomfortable with romance, because of the fate that befell his last relationship, with Julia. I've seen a reading (that I don't think is objectively wrong, though I do not personally share it) that interprets this trait of his as some kind of "sacrifice" he's making on Julia's behalf, being a choice to stay out of other relationships to carry on her memory better. It's a reading that seems pretty reasonable at first glance, but not especially aromantic.

(Because if anything, it almost seems at risk of turning into something like "there is no sacrifice more tragic than not having a romantic partner," right? Or worse, "this is a trauma response that needs to be healed for Magnus to have a happy ending, because being able to enjoy romance is vital to his happiness and self-fulfillment." Both of which are... varying levels of uncomfortable, to me as an aro person. Like, I'm not in the business of telling people how to interpret fictional characters, but I personally can't engage with these without a bad feeling in my stomach.)

However! Back to the various potential readings of Magnus's character! It's worth noting that so much of Magnus's arc revolves around unpacking his trauma, from the destruction of Raven's Roost and Julia's death — and that healing process doesn't change how he feels about romance! The Eleventh Hour is the turning point when he starts to seriously re-evaluate what the trauma and loss made him want, versus what Julia would want for him, and what would let him live in the moment instead of in the past... yet in the Heart Attack segment of Wonderland? Magnus still expresses disinterest in dating.

In Arms Outstretched, then Story and Song, he further internalizes and chooses to let himself be saved and ask for help, instead of punishing himself with martyrdom — and no romantic relationships come up in the epilogue! When he passes away after a long, happy life, it's Carey, — his best friend! — who holds his hand while they wait for the end!

Magnus's reasons for not wanting another relationship are obviously complex — not just a conclusion about himself that he came to lightly, regardless of whether he's on the aromantic spectrum, not on it at all, or deliberately not choosing a label. What makes his arc so unique and special to me, in contrast with almost every other story about traumatized characters finding a happy ending, is that his happy ending isn't contingent on romance! Whenever he says that he's that not into dating, no one doubts him or tries to undermine him (other than Lydia, who's literally trying to feed on his suffering), and to me, an aro listener...

Well, the way the narrative takes Magnus's wants and lack thereof seriously is just so refreshing.

Ninety percent of characters in fiction who repeatedly stress that they don't want romance or marriage are only shown doing so to set up for the narrative later proving them wrong. It's to contrast with that later point in the story where they "find the right person," or "understand when they're older." Or "stop being so cold," or "stop acting like they're too fucked-up and 'damaged'." Or "overcome their trauma."

It has an air of "wow, isn't this character so ridiculous, for thinking they won't change their mind later?" Or occasionally, "isn't it so tragic, that they can't envision themselves being loved?"

For protagonist-y characters, for heroic characters like Magnus — for any type of character in which "happily ever after" is considered a plausible, fair-game, genre-acceptable outcome — we see the genre conventions also dictate that "settling down in a romance" and the "happy ending" are intertwined. I've seen TAZ posts from back in the era of The Suffering Game/The Stolen Century airing, expressing sentiments like "Magnus not finding someone to love again would be so tragic and mean-spirited, I hate grim and edgy endings like that." While I can appreciate people trying to subvert tropes like "you can only have one 'true love' in all your life," the incredibly non-subversive and ultra-amatonormative belief that "romance is a prerequisite for a happy ending, or even healing arc" is such a deeply unfortunate one to tag on.

I am aromantic. I don't want a romantic relationship. And I find joy in that! I refuse to accept that I need to be "fixed" or "healed" to live a long, happy life, because I'm not broken! What brings me the most joy beyond just living as an aro is seeing stories actually acknowledge that people can find this happiness without romance �� like how Magnus's story does! Like how casually and matter-of-factly it subverts expectations — how Magnus says he doesn't want another relationship, and no one comes along to prove him wrong! He doesn't "find the right person" because at this particular phase of his life, and of how he wants to live, there isn't one in a romantic context!

He heals from his trauma enough to find all kinds of joy — doing things he loves, surrounded by people he loves — and not because of, or in service of pursuing, a romantic relationship!

I almost never see fantasy stories where one of the heroes gets to have an arc like that. An arc where they get to live out an ending that I would want. A happy ending that would be happy for me! For people like me!

Magnus Burnsides gives me so much Aromantic Hope. That this is a kind of happy ending that I am not the only one to idealize, and that I could attain, no matter what horrors are being thrown at me in the present. Magnus dies peacefully, after years of assuming that he wouldn't, and he does so surrounded by his dearest friends and family. Who are all so proud of the life that he lived. Magnus was true to himself, to what he felt would bring him healing and fulfillment — instead of what cliché and expectation dictated to him — and he was completely at peace in the end. Ready to rush in one final time.

I immensely doubt that Travis intended for Magnus's to be an aromantic story in those words, if at all. But Magnus's story resonates so, so much with so many common aromantic experiences. And that means so much to me. I'm so grateful for that. In this day and age, in this world, I needed that.

I needed to have a good long cry about Magnus Burnsides. Aromantic icon, intentional or not.

...

...Of course, because this is tumblr, I want to make a clarification. This isn't some kind of claim like "shipping Magnus with people other than Julia is problematic." It is, however, a thesis statement that "no such ship becoming canon makes Magnus's arc so much more unique." It's an explanation giving full context to how I'm biased, not objective, but willing to argue that it makes his arc so much more meaningful, too.

And most of all, it's a desire to shine a light on a side of Magnus's character and growth that I think goes underdiscussed. Especially underdiscussed through an aro-spec lens. And speaking of which:

Sure I said I don't think Magnus was intended as an aro-spec character, or that he can only be interpreted as such — but if you made it this far, you know I think this ruff boi's just chock full of aro-spec subtext! So just for fun — and because the world is always deserving of more aro-spec headcanons — let's end this post playing with some different readings of him as aro-spec!

Gray-Aro or Demiromantic Magnus who rarely falls for people to begin with. Why would it be some tragic heroic sacrifice to remain "chaste" and wait for Julia, when not being into romance is just Magnus's default state of being? He's so confused about why people think he's making some tragic sacrifice! So confused, guys! I even wrote a fic about the gray-aro HC a few months ago (link)!

Gray-Aro or Demi Magnus who thought he was just aromantic, no attraction whatsoever, for over a century — until he met Julia, and fell for her (perhaps very, very slowly). But that doesn't change those years gaining perspective as a platonically, familialy loving aro who values those bonds immensely, and always wanted them to remain a prominent part of his life.

Losing Julia devastates him, of course it does — but especially once he remembers the Stolen Century, he knows he has a long-term support system no matter what, and it won't revolve around chasing that unlikely possibility of feeling romantic love again. Why would it? Why would he need to chase something so fickle just to heal?

Aromantic Magnus who feels no romantic attraction, but in the era of Raven's Roost, doesn't not want a romantic relationship. Except, he doesn't after all. Except wait, he kinda does, it's just complicated. Maybe something queerplatonic? Well, he really likes the idea of a wedding, and that's not necessarily mutually exclusive, but there's no guarantee his partner would feel that way too, and...

There's just these expectations that go with dating or marriage, of partners expecting him to love them in such a specific way that he knows he can't... and then he meets Julia, who's a romance-seeking aromantic too, with heavily overlapping feelings. Bonding over their similarities leads to dating, and eventually marrying, over a deep platonic love that may or may not still involve cuddles or kisses, or a desire to start a family. They don't panic too much over the labels — they're just so delighted to be with someone on the same wavelength!

When Julia dies, so much goes through Magnus's head. After a while, he can't help but start thinking again about how rare it is for people to want the same things out of a relationship that he does. Or to consider the way he feels for them to be enough. But as time passes, Magnus comes to terms with it more and more. He's happy to wait for Julia again. After all, he's longing, but not lonely. Mourning, but not incomplete.

Aromantic Magnus who is aromantic specifically because of his trauma, but no less aromantic for it. He just can't bear the thought of getting into a relationship again. Ironically, there's a point in time where he thought of himself as a romantic — back while he and Julia were courting each other — that now feels simultaneously so close and so distant. Magnus who has so much to grieve, and grieves this romantic side of him too — at first. Who thinks that there's only two options, for a folk hero in a story like his — settling down to live happily ever after, or dying in battle. And if there's nothing more upsetting, more uncomfortable, than getting married again — then living happily ever after has got to be off the table, right?

Magnus who slowly realizes that doesn't have to be the case. That no, barring seeing Julia again, he certainly doesn't have reason to believe that even time will change this new, alienating part of him — but maybe, it's not so alien after all. Maybe he knows people who won't even question it. Maybe he doesn't have to change it or overcome it to be happy again.

Why is romance some singular thing he has to chase, in order to settle down peacefully again? Why can't he do it with his friends? With his dogs?

And last, Questioning Magnus who might be aro, who might not be aro, and is maybe most likely to be something in between. But it's hard to tell; he's honestly not sure if he'll ever crack it, and.. ultimately, he's okay with that. Because all that matters to him is knowing he doesn't need a relationship to be complete, to take full advantage of his well-earned happy ending — and he's got a great grasp on that one, surrounded by people who never make him doubt it.

Aromantic Magnus Burnsides. Aro-Spec Magnus Burnsides. My aromantically beloved. Thanks, bud, for all the hope when I needed it.

hey again! i just saw the new henry and holly pics and... well...as i commented on one post of them:

i wonder if this could be nancy's storyline even moreso than mike's? looking after holly AND mike, who is preoccupied with will as well? also, has anyone considered that vecna may just be an inside-the-UD avatar for henry, who stills exists in the real world as a human (in the form we see above?) why would he only be living in the UD as this odd spidery man? we only saw him being sent there in one memory fragment, and his transformation into the monster was also him as vecna describing things to nancy IN HER MIND. so if vecna can appear in people's minds, maybe he is only a mind-version of henry, who still exists as a real dude roaming free.

oh god i can imagine rewatching the whole series and seeing a man cropping up in the background of everything looking just like henry in those new pics! with the hat etc. he looks older there too, so it matches the timelines

Always lovely to see you, scrunchie <3

These new leaks [pics under the cut, spoilers for S5] certainly raise a lot of interesting questions, though I'm not entirely sure what to make of them right now.

We don't know for sure that this is Holly -- they've recast her if so -- but loose blonde pigtails are her signature hairstyle and the girly dungarees would fit S5's costuming theme of S1 callbacks, so Holly's definitely a strong candidate for this character.

And even ignoring other, less solid leaks that suggest Vecna might be targeting her next season (the alleged "The Vanishing of [BLANK] Wheeler" episode title; Ted's actor mentioning that his character is going to come through for Holly) -- I do think there are already hints in the canon that there's some sort of connection between Henry and Holly.

Hint #1: I've often seen folks use this moment with Holly and the lights as evidence that Will could have powers:

The lamps light up far too quickly for Will to have realistically affected them via the wave-your-hands-in-the-golden-aura method Nancy discovered in S4, and the circular motion of the lights parallels a training exercise from the lab.

...But if this was Will, then how did he know Holly was there? He knew when Joyce was there because she spoke to him, but Holly doesn't talk. And why would he want to get the attentions of a toddler anyway when there are two adults in the house?

It makes sense that powers were being used here... but who says it was Will using them?

Hint #2: According to the source, this latest leak was snapped at the Creel house, which is next door to a playground. We've never seen Henry at the playground. But we have seen his sister, with her little blonde pigtails, playing there.

Something I've always found interesting about this shot of Alice is that as she stands up in horror at the sight of the mutilated rabbit, the camera tilts up so that she's brilliantly washed out by the sun:

Light is an important symbol in Stranger Things, so I never really knew what to make of this... but now I've seen these leaks I think it's veeeerrrry interesting that Alice and Holly have both been associated with light and childish innocence and rabbits via a single shot.

So that's Holly. As for Henry...

I think your theory is really interesting -- my first thought on seeing these leaks was that Henry probably looks human because he's appearing to this girl in a vision, but I definitely think it's worth exploring other possibilities, because there's something weird going on with regards to Henry's banishment to Dimension X -- how did he end up in there looking so intact when we saw El completely disintegrate him into ash?

It's giving time shenanigans, in my opinion. These leaks are certainly giving time vibes too -- why is Henry dressed like he's from the 50s while speaking to a girl who looks like she's from the 80s?

So, the Wheelers and their S5 arcs--

@conflictofthemind has an excellent theory about how whatever happens to Holly is likely to precipitate an arc in which the Wheeler family come together and overcome their conformist ways once and for all; and @pinkeoni has a scathing take-down of the idea S5 is going to rehash S1's family-and-friends-coming-together-to-rescue-a-missing-child concept. Both are good takes worth reading, I think.

Personally, I'm not sure what the hell is going on with this apparent connection between Holly and Henry -- but I do think the parallels between the Wheelers and the Creels as family units are the thing to focus on here, and I suspect time travel is probably going to be a big part of what ties it all together.

And, well. There's only one character other than Henry who is associated with interdimensional time shenanigans--

--the light--

--and calling Wheelers out on their harmful conformity.

🩲😳🫦

Dean’s not staring. He’s definitely not staring.

He’s so consciously and deliberately not staring that he sinks down a little lower in the driver’s seat of the Impala, just in case Cas happens to glance over and see him from where he’s standing like some kind of calendar model on the opposite side of the Smith Center Public Swimming Pool.

Not because he thinks he’s doing anything wrong, though. Cas is hot, and Dean knows that Cas is hot. He's long past having a crisis about the fact that he wants the guy. But he's off limits. He can't quite remember why he'd decided that he was off limits, but he's sure he had a good reason for it.

So he's not staring. And he's not hiding, either.

It's just that Dean doesn’t want Cas to see his face through the windshield, all distorted by the glare of the summer sun, and mistakenly think that he is staring.

Because he’s not.

But. Well. It’s kind of hard not to look, is the thing.

And looking isn’t staring. It’s just — seeing. With his eyes. Which he kind of can’t help but do. And is that a crime? Is it a crime to see?

Anyway, Cas is the one who decided to buy himself a neon green Speedo for the adult swimming lessons he’s insisted on taking now that he’s human again, and it’s hardly Dean’s fault if his eye is naturally drawn to bright colors.

That’s just… evolution. He thinks he read that somewhere, once. Survival instincts, ingrained over countless generations and hardwired into his monkey brain, so that he won’t accidentally put poisonous tree frogs in his mouth or whatever.

Not that he's letting his monkey brain take control right now. Not that he’s thinking of putting his mouth anywhere near Cas’ —

“You can’t park here.”

He jumps, his forearm pressing hard into the horn, and half a dozen people — Cas included — all turn to stare at him from the poolside.

Now they're staring. Not just looking. Definitely staring. Dean knows the difference.

Cas lifts his hand and waves.

It’s probably Dean’s imagination, given the distance, but he’s pretty sure he can see a bead of water — maybe sweat — trickling down his side. It starts near his armpit. Trails down over his ribs.

As Dean watches — looks, really, just happens to see — Cas pushes his fingers through his hair, and shakes his head, and an arc of droplets sparkles through the air around him before he drops his hand back down and wipes it off on his thigh. And now his thigh is wet again.

Who gave him the right to fucking glisten like that? Who the hell does he think he is?

“Sir?”

Dragging his eyes away from Cas, Dean glances up at the woman ducking down to peer in at him through his open window. She’s wearing a navy blue polo with the pool’s logo, and she’s missed a spot with her sunscreen, so there’s an oddly shaped patch of red in the middle of her forehead. The pinched-mouth expression on her face suggests that perhaps she's spoken to him more times than he’d noticed. He shakes his head a little.

“Huh, sorry, what?”

“You can’t park here,” she says, tone harsher than before, and points up at the staff only sign he’d missed when he arrived.

In his defense, the sign is kind of dull, and decidedly not brightly colored, and by the time he’d been pulling into the space, he’d already been kind of distracted by Cas and his glow-in-the-dark-and-the-daytime-too crotch.

Some part of him — the monkey brain, probably — desperately wants his eyes to flick back over toward the pool to see if Cas has decided to do any more post-swim stretching. He valiantly fights it. The effort uses enough brain power that he barely remembers that he's probably supposed to respond to the woman talking to him.

“Oh,” he says, finally.

She waits. Raises her brow. He figures he should say more.

“I’m not actually— I’m not staying. I’m just here to pick someone up. I mean, heh, that sounded wrong. I’m not trying to pick someone up, like, trying to score. I’m just here to pick up a guy. My friend. In my car. To drive him home.”

The woman’s eyes narrow a little, and she half opens her mouth like she’s not quite sure how to respond to his rambling but fully intends to, but before she can get a word out Cas is there, pulling open the passenger door. The hinges creak.

The scent of chlorine and sunscreen and Cas floods Dean's senses.

He glances over, no longer able to force himself not to, and has to bite down on his own lip to keep from letting out a deeply embarrassing noise when he finds him spreading his towel out on the seat so he can sit down, still wearing his Speedo. He drops the string bag with his change of clothes into the footwell and grins at Dean as he climbs inside.

"Don't worry, I won't get your car wet," he says.

Dean's brain is making a strange buzzing sound.

"Uhuh," he says.

“Sir,” the woman cuts in again.

Dean doesn’t even look at her, this time. Just waves a hand in the air and starts the engine as Cas buckles in. Pulls the seatbelt taut across his lap.

"You need to move."

"Yeah, we're going," Dean says.

“See you next week, Doreen,” Cas tells her cheerfully.

“Yeah,” Dean says, but his eyes don’t leave Cas. Maybe he is staring, just a little. “Maybe I’ll come, too.” [written for this prompt game] [find me on ao3 as imogenbynight 💚]

"Sorry, but I didn't want denji's first time to be in an alley after being afraid of having his dick cut off" to be honest, most people's first sexual experiences aren't ideal either.

Also everyone thinks that Yoru jacked him off when...I'm pretty sure she just had her hand down there, and that contact + the kissing made Denji cum? I don't know, I think Fujimoto would've shown some movement down there to indicate masturbation, but there was none.

I also think that while, yes, the scene was awful for everyone involved (Denji, Yoru *and* Asa) I...don't believe it was non-consensual, at least on Yoru's and Denji's part. Like, Denji even reciprocated at some points. (There is a conversation to be had about that people sometimes DO reciprocate under the pressure in some rape scenarios but...i don't feel this is one of those cases). I think Denji was just confused about Yoru going from "I'm going to cut off your dick" to tenderly kissing him. As a final thought, I seriously don't think Fujimoto did this for the lulz or to be edgy. You do not devote 7 pages of your 16 page issue just to shitpost. This is a very serious chapter, that will have lasting repercussions on Yoru's, Asa's, and especially Denji's character arcs

I'll get back to you Anon but I think I'll stop talking about it afterwards, not that it's not exciting but there's no point in confronting two interpretations to make them agree, we have the right to disagree

- I agree that first times aren't ideal, and I didn't expect Denji to have the best sex session of his life. I wanted him to experience it under the right conditions. These are not good conditions. I'd like him to understand that sex can be a consensual act, between two equal parties.

- The chapter is long, the title is super smoochy, which indicates that it's not a kiss, a hand rub, we have a strong number of pages where they kiss, it lasted a while. And whether it's masturbation or not, it has no impact on my interpretation. In fact, it's quite subsidiary. It's still a sex scene, no matter what we decide about what they're doing.

- I’m sorry but I don't understand how this scene can be interpreted as consensual. You've developed your own reasons, but I'm sorry, Asa wasn't even able to express her will, and I don't think it was really her will. She may have desire, which affects Yoru. But she didn't want to help Denji in this way.

- As for the last point, I've analyzed this chapter like all the others, and I take it seriously. When I talk about subversiveness, it's because there is one, and Fujimoto isn't a smooth author or a genius on every level, constantly. I don't know what he's going to do with this scene, and even if I'm confident, I hope for a good exploitation, I didn't give him my life, I'm waiting to see and hope he didn't do it to be edgy

But you know, I think Fujimoto is well aware of how to get people talking about his work, and he also likes to attract attention with wtf pages. WTF moments that make sense and can be analyzed. And that's what I like about him. But he also knows how to disturb. And he rather likes it.

If anyone knows what his work looks like and what people will say about it, it's him. His OS are the answers!

Denji is him. Denji loves the attention. And he likes people to fight for him.

Fujimoto likes to refuse to give us what we want to see. It's candid. I like that about him.

If I write about something from a somewhat inactive fanbase should I still tag as spoilers?

Hot take of the day is that I think sanderson not letting adolin murdering sadeas have any real consequences killed like 95% of interesting debate on the morality of it

WOAH, HE'S BIGENDER? I DIDN'T KNOW THAT!

wait. random idea. Pathetic(blame candy) muzan & kokushibo are exes from Centuries ago and he has Complaints hed like to talk about w him but all hes getting to now is Nakime. hes so sick of his bullshit and just enduring it and goes to kagaya like 'i have to kill kibutsuji. ill help you kill him & the other upper moons just PLEASE im so sick of this shit. i need to kill him' 'well you arent killing me so ill give you the benefit of doubt-'

since they broke up he's hacked at the curse to the point he can snap it Whenever without muzan noticing, he finally did so & went to kagaya bc he can Feel shit's gonna pick up soon. he has his memories but he Ignores Them bc hes ashamed and kinda projecting it onto muzan. he has to kill muzan to kill his shame kinda fucked up coping mechanism yk?

the hashira try to kill him On Sight together but he calmly deflects everything while explaining hes working with them to kill kibutsuji. reluctant acceptance with the note from kagaya giving him a pass. most of them fully believe its a trap tho.

koku seeing tanjiro & his earrings and starting to approach, giyuu already has his blade lodged in his neck as a warning/threat & tanjiro staring at him in shock like 'HUH?? THE MAN FROM MY DREAMS?? HES A DEMON NOW? WAIT WHATS HE DOING HERE-'

i don't know if fishman island era sanji is genuine flanderization or im somehow giving him too much and too little credit at the same time. and maybe i was just frustrated that he regressed so bad after two years on Gender Island when i erroneously assumed (after watching iva + co at impel down express that queerness is as close to the ultimate ideal of freedom that one piece is about as you can get) that he would be better for the experience. and i know im going to turn around on him by the time i get to whole cake island but literally brother can we cut this shit out lmao

A bit conflicted on the act 2 relationship progression options with Astarion (talking to what's-her-name or just getting to Exceptional approval) on this fine night

Just saw a tweet of someone saying that there is nothing in the manga that implies anything romantic between Mitsuba and Kou and there were several replies of people agreeing?? HUH?

most important detail ive learned from rereading is that hestio's specific skillset is singing sacred hymms and casting curses on enemies

BANGING POTS AND PANS, HESTIO CAN SING !!!!!!

i actually think there's some significance in the fact that mithrun wears oversized shirt with open collar (it most likely belongs to laios) in the final arc of the manga. i mean, not just that kui simply wanted to draw him in oversized clothes, lol.

in all instances we see young (pre-dungeon) mithrun he's wearing clothes that hide his body as much as possible. which seems normal, until you see what other elves prefer to wear: most of them wear light short tunics with no sleeves and they don't usually even wear pants. here's a comparison to his brother's outfit, for example, as they stand next to each other.

it's not like his fashion choices are unique, but it certainly feels deliberate. he doesn't add any variation to his canary's uniform either, but that's not especially notable, i guess, because a lot of canaries don't do that (i mean, it's still their armor).

but in his perfect world he's also one of the few who always wears this type of clothes. never revealing himself. sitting a little further from everyone else.

he even lies in his bed fully clothed, like he can't ever bring himself to let his guard down, never showing his "true" skin to anyone.

btw notice that his bed is a single bed, even though he's been living with his partner for 5 years at that point.

and that's the idea, isn't it? he never lets himself be truly vulnerable with anyone, even in his dungeon, where people are supposed to like him unconditionally. i think it adds something to the horrible scene with the demon: it's especially disturbing that the demon literally doesn't care how much of yourself you wanna hide, it sees (and eats) right through every protective layer. and we all know what the allegory of this scene is.

when mithrun loses all his desires, he no longer cares what clothes he wears. and in some twisted metaphorical sense it's heartbreaking to see him in a simple elven tunic when he's recovering, the one that doesn't hide any of his injuries or scars or terrible physique.

he doesn't care to hide himself anymore, but it isn't on his own volition. it's something that was ripped away from him, as well as his privacy (a lot of people have to go through this when they're in medical care actually).

when he recovers and enlists to canaries again, he starts to wear full uniform again, but i don't think it holds much significance to him anymore. or at least he thinks it doesn't. we can see that cithis forces him to wear frilly dress at some point and it's implied that he goes along with it (cithis is still an asshole for that btw).

at this point he's fully focused on finding the demon, but i think the sad reality is that he's always been capable of developing new desires. i'd argue that there are already some things he cares about without realizing it, in the main story. but what's stopping him from actually realizing it at that point is that he's clinically depressed. his disability makes his life difficult; he lives with the idea that he's completely "broken", he accepted the reality of living like that and always goes along with what others make him do. so, he doesn't believe in his own privacy anymore. it’s actually something kabru talks about in the adventurer’s bible comic, when he tries to help mithrun to figure it out again, to help him see the value of privacy, of choosing what he wanna reveal of himself. mithrun needed a reminder that he still has this choice like anybody else.

i think the scene where kabru asks him about his past for the first time is interesting in that sense. first of all, i like the symbolism of kabru unbuttoning mithrun’s collar and cuffs, revealing the scars underneath (a good amount of them is self-inflicted). he does so unthinkingly, but in his defence he doesn't know anything about mithrun yet. another interesting thing is that the first reaction mithrun has is covering his eyes with his hands. he's trying to hide. he supposedly has no desire to hide, but this reaction is almost instinctual to him. i think kabru notices this as well (of course he does) and i think it's one of the things that prompts him to voice his concerns about mithrun's privacy later. 

so, what about that laios' shirt he wears in the final arc of the comic? he has to change his uniform's shirt for something else because it's covered in spider's guts. it's unclear if someone puts laios' shirt on him or if it's something he chooses to wear himself. regardless, it's still symbolic for his change. it's not particularly revealing or anything, but it's different from the type of clothes he usually wears, and it's tallman clothes. and in this final arc we can see a lot of his true feelings as well. he's visibly mad at kabru, he shows concern and tries to help marcille, he helps kabru to break out of his spiral. and obviously, in chapter 94 he reveals a lot of what he actually feels and think and shows genuine emotions other than anger. and I think it’s the first time he decided to be open and vulnerable on his own volition, probably in his entire life.

we can see him wearing variety of clothes post-canon and it’s ambiguous how much of it he picked for himself. pattadol probably helps him a lot with choosing outfits and she also prefers high collars. but mithrun knows he can choose now; even if he doesn’t want anything in particular, he always can express his opinion or feeling, like he did with kabru’s food. he always can choose how much he wants to be seen. i’m just glad to see him wearing similar shirt with open collar and rolled-up sleeves on the cover of daydream hour book.

♈︎ 𝔄𝔯𝔦𝔢𝔰 𝔦𝔫 𝔱𝔥𝔢 𝔥𝔬𝔲𝔰𝔢𝔰 ♈︎

✶ Aries in 1st: Being ruled by the planet Mars, these natives give a bold and invigorating first impression. What you see is what you get with Aries in the first- they have a raw and honest personality- which can be off putting for some people because it can be taken as rude depending on the person/situation- but I have to say you must admire them for being so tenacious and authentic in nature. I can hands down say the best quality about Aries in the first is what you see is what you get! They have a strong ego here, are not ashamed of their behaviors, body or personality - regardless of what others say to or about them. ✶ Aries in 2nd: Bold spenders, can be quick to have, give away and lose money. Fleeting self worth and values- can feel and act confident one hour and then shy and shameful the next. Values honesty, integrity and sense of self- this may be because they don’t have the greatest sense of self. Believes that kids and the younger generations have the most value in the world. Having children of their own could be of the greatest importance- OR (and this is a big or) they could never want kids and value connecting to their inner child and independence greatly. It’s one or the other. Can feel at war with their finances and self worth.

✶ Aries in 3rd: Athletic and popular in middle school/high school. Known for their leadership skills and qualities amongst their peers, classmates, cousins and siblings. Can be the youngest of their siblings or babied by others. Intellectually motivated, driven and competitive. Impulsive and passionate in their speech. May say things for shock value or improv their actual knowledge. Finds stimulation in an intellectual debate and arguing. It’s hard to win an argument with these people because they speak so quickly- their arguing style is just backing people into a corner mentally, they don’t give up easily. However, they can regret things that they say when they are angry or upset.

✶ Aries in 4th: Huge indicator of raising yourself as a kid. Family required you to be very active, you could be the most successful in your family as an adult because of this. Family is a point of weakness for you, mainly because they possess a lot of “childish” qualities. You may feel like your parents/guardians were big babies and never grew up. You could put a lot of energy towards your family, but could have a shorter fuse with them over all people. You may be the youngest out of your entire family. Your family could be competitive with you our vise versa. Your family could be the start of your “Villan Arc” 💀- your family may have childish values, argue a lot or they may be a “board game family”. TW - Worst case scenario- violence in the home.

✶ Aries in 5th: Play fights when flirting, aggressive flirters, acts like they hate their crush. I have this placement lmaooo and I LOVE to play fight with my man- like btch?! You wanna go!?!?!? It’s so much fun to me and usually leads to s*xies ayyye. But that’s definitely a me thing, I love to talk smack to my significant other- that’s how it’s always been. Being competitive, NO BORING DATES EVER! Known to have secs on the first date. Passionate- goooood lovers. Either wants to have kids right away or doesn’t want kids at all- this I huge independence thing that keeps them from not wanting to have kids. You can’t be the baby, if you have a baby! Commitment issues.

✶ Aries in 6th: Enjoys active routines and work place. Known to work in establishments with competitive pay and many enemies in work place. Can be scene as bossy by their coworkers. Needs to be weary of being hypocritical of their coworkers. Temper at work. Benefits from a workout routine. Needs to take out stress and anger from work & daily responsibilities. Can be very active or have hyper pets, may need a big back yard to run their dogs or other animals in. Competitive in health and motivated to be the best version’s of themselves. Picky with their diet and what they decide to put in their bodies. Can have an all or nothing attitude- because theirs definitely a reason why they are so picky. Usually this stems from poor self care habits and bad physical health. ✶ Aries in 7th: Passionate and assertive lovers, the fire they feel for their committed partners are unmatched. They may loose interest beyond physical lust- especially if they don’t take they time to figure out whether or not they ACTUALLY like someone. These individuals could truly find good in anyone so it’s important that they don’t project their desire for commitment onto someone else. They can date or be friends with some bold and persistent personalities- even bossy. It’s important that these natives find someone who will give them some wiggle room to find themselves. These people find out who they are through trial and error in their relationships - it’s typical for these natives to have “failed relationships” that lead them to find out what they definitely don’t like- which leads them to their ultimate truth.

✶ Aries in 8th: This gives the native a hyper-vigilant quality to the native with Aries in 8th. In the past the native may have been made to feel like they didn’t belong, maybe they were bullied, or judged for something they couldn’t control. This may lead them to be on edge, secretive and even defensive about who they are authentically. They are very protective about who they actually are because they have been hurt before- many of these people are Virgo Risings, so it’s interesting to see that this may be one of the reasons why they are so hard on themselves and receive a judgmental sort of reputation. ✶ Aries in 9th: I love this placement so much honestly, because a lot of these natives have the philosophy that they can go after anything that they want. They have a particularly strong sense of self and actually may have a hard time understanding why other people don’t go after what they want or believe in themselves and their dreams. This is a super hard working placement IMO - it gives very much that “I want it, I got it!” vibe! It’s very possible at a time in their life that no one believed in these individuals so they just had to prove themselves to the world, and that’s so beautiful.

✶ Aries in 10th: Go getters in their career- they do best when they are their own boss- they definitely don’t do well with being told what to do because of their sensitive nature. However, they have a lot of creativity and art to give to the world. They need a career that is authentic to who they- a simple 9-5 WILL NOT cut it for these people. So if you’re an Aries 10th and you’re still trying to make your boring, loveless day job work- this is why. It is not in your genetic code to be running someone else’s business 😂 you are the business starter- not finisher! Quit diminishing your own light because I know y’all are hard on yourselves regardless. Pick your hard and go after it!

✶ Aries in 11th: Leaders of the pack, these natives love bringing their friends together and being absolutely crazy with their friends. They are naturally socialites and feel their best when they are interacting in their community and collaborating with like minds. These people live for their down time, special niche hobbies and interests. They work hard to play hard. They may also have some pretty strong humanitarian values they stick by, these natives have no problem with telling people their opinion on any given situation and they really don’t care what you have to say about it 😆

✶ Aries in 12th: With Aries in the house of isolation, hidden endings, mental health, dreams and subconscious awareness- this can make a native who suppresses their anger deeply and keeps a lot of their authentic reactions to themselves. They may feel more comfortable expressing this rage internally or when they know nobody else is around. They may be completely out of touch with their anger and impulses. They could have to isolate before taking action towards their authentic desires or dreams. Dreams can be violent and they may have intense nightmares. These natives can work out their best alone- although they usually like to workout with someone, this keeps them from pushing themselves for fear of being ugly or vulnerable. They don’t like to show their struggle to others, complain or their authentic side.

Happy Aries Season Everyone! I hope you are all safe and navigating eclipse season /mercury retrograde with ease. I am making a series out of the signs in the houses. I hope y’all are enjoying my content! Love you and thank you so much for reading my content and giving me feedback. This is such a sacred study to me. It is my life.

~Kya

we talk a lot about how sasuke and naruto are so crazy about each other but there’s never enough attention on how the rest of the naruto cast Also thinks they are two fucking lunatics. like we are not alone on this. you have jiraiya telling naruto he needs to not go and chase a mf who tried to snatch his heart out his ribcage and naruto is like no i’d rather be a fucking moron for the rest of my life honestly. you have naruto leaving a mission and saying sory i cannot stay i need to go home and wait for sasuke and the fucking platypus looks at him ???? like he even had me confused where are you goin g to wait? ? why are you saying that like sasuke is coming back the fuck did i miss??? you have the kage summit arc which is just a whole bucket of ice being dropped onto you because you come in and immediately get slapped in the face by naruto letting himself be beat up because he won’t tell them where sasuke is??? like he has any fucking idea where sasuke is. and sai tries to make him come to his senses like naruto??? naruto WHAT ARE U DOING. it’s so bad they need an intervention. right after that naruto faces the raikage and gets on his knees saying i know my almost boyfriend almost killed your brother but i promise it wasn’t on purpose he was just being silly please don’t put a bounty on his head a war will literally ensue. and like. there’s LAYERS to this. 1. even RAIKAGE is like BOY what are you doing. STAND UP. 2. at this point you can count the people who like sasuke on the fingers of one hand like WHO is gonna start a war over him… naruto out there moving a war against a whole country by himself over his bf ok you go girl i guess. after this it gets even worse like gaara has to go up to him and be like SASUKE DOWSNT CARE ABOUT YOU. HE DOES NOT WANT YOU. and naruto just slaps his hand away in front of his family like rude?????? ignoring anything it is hilariouuusssss and then sai is like sorry. sakura lied to you they are actually off to kill sasuke and naruto gets a panic attack so severe he passes out. like i am not joking it was so bad his friends tried to kill sasuke behind his back. and then naruto escapes bedriddenment (is that a word?) after passing out from his panic attack to run and make sure NOBODY kills sasuke. like he’s on a RUSH leaping those trees he’s a boy on a mission. then after he gets there he’s like kakashi DO NOT TOUCH HIM. they launch themselves at each other bla bla gay monologues did you see what was in my heart and then. and then naruto is like. wait sasuke. and sasuke waits like sorry that’s such a little thing but it’s so funny to me like sasuke was just acting a lil murderous crazy manic wtv but naruto told him to wait and he waits. ok good boyfriend. anyways moving on naruto is like do you get it sasuke. if we fight again we will BOTH DIE! (everybody gets a ?????? bubble) i am the only one who can shoulder all that hatred. i will CARRY THE BURDEN OF YOUR HATRED AND WE WILL DIE TOGETHER! and . absolutely Everybody in that room just goes ???????????? what the FUCK is he TALKING ABKHT. everybody except sasuke. sasuke smirks and he’s like sure. they just talked about dying together and meeting each other in a different life where they’ll be free of their burdens and they’re just Fine and all ok smiling at each other and everyone is so fucking confused. like the entire supporting cast is with us side eyeing sasuke and naruto and thinking what in the everloving FUCK is WRONG WITH YOU????????